Armour Girl Quotes

Or maybe Ravi Singh’s itchy head was the equivalent of Pip’s useless facts: armour and shield when the knight inside was squirming.

Nowadays you have to go pretty far south in Italy before you encounter the widespread belief that any foreign girl is a whore unless her father and two brothers drive her around in an armoured car.

I used to be a girl who believed in fairy tales. You know, the whole knight in shining armour riding in on a white horse that would lead me to my happily-ever-after. About eight months ago I lost hope and faith that I would ever find my prince, or to be more exact, that my prince would ever realise I was the one for him as he tried out all the other princesses. But what I discovered was that I was in the wrong damn fairytale the whole time, chasing the wrong damn prince. There' a Psyche for every Eros, an Elizabeth for every Darcy, an Abby for every Travis. And I only hope you still want me to be the Angel to your Rat. All along I was wearing the wrong wings.

Sometimes I wonder if we have misunderstood the notion of freedom. We prize freedom to more than freedom from . People must be free to own guns, so the only solution is to teach children to hide in closets and wear ballistic backpacks. People must be free to post and say what they like, so the only solution is to tell their targets to put on armour.

One day, a knight in shining armour may find my daughter, and offer to save her from her life, her problems, her troubles. In that situation, I hope that I have raised a girl that she smiles coolly and tells him, 'No, thank you. I've very much got this.' Then puts on her armour and rides off into the sunset alone to save herself.

in my experience men are curiously blind to aggression in women. They’re the warriors, with their helmets and armour, their swords and spears, and they don’t seem to see our battles—or they prefer not to. Perhaps if they realized we’re not the gentle creatures they take us for their own peace of mind would be disturbed?

When you undress a woman you discover in her lingerie clues to her mood and desires. These whispers of silk and satin are our armour, our feathers and fantasy – black-sexy, pink-girlie, white-virginal, red-anything might happen and (we pray) almost certainly will.

To have known, at close quarters, what absolute evil means, is to be armoured against what life can do to you.

Many girls dream of a knight in shining armour rescuing them from certain peril. Not me. I stripped the knight, threw his naked ass out, and used his armour to make deadly weapons.

We’d better get a move on,’ Shelby said, quickly doing up the fastenings on her own suit. ‘Francisco said that the Professor has some cool new toys for us.’ ‘I believe he actually said assault weapons,’ Wing said. ‘Right,’ Shelby said. ‘New toys!’ ‘You know, I do worry about you sometimes,’ Wing said, shaking his head. ‘What can I say? I’m a twenty-first-century girl. Who wants flowers and chocolates, when you can have body armour and bullets?’ Shelby said, giving Wing a quick peck on the cheek as she walked out of the room. ‘Is it right that I should occasionally be slightly frightened of my girlfriend?’ Wing asked as he watched her leave. ‘As I understand it, that’s perfectly normal,’ Otto replied with a grin.

I Not my best side, I'm afraid. The artist didn't give me a chance to Pose properly, and as you can see, Poor chap, he had this obsession with Triangles, so he left off two of my Feet. I didn't comment at the time (What, after all, are two feet To a monster?) but afterwards I was sorry for the bad publicity. Why, I said to myself, should my conqueror Be so ostentatiously beardless, and ride A horse with a deformed neck and square hoofs? Why should my victim be so Unattractive as to be inedible, And why should she have me literally On a string? I don't mind dying Ritually, since I always rise again, But I should have liked a little more blood To show they were taking me seriously. II It's hard for a girl to be sure if She wants to be rescued. I mean, I quite Took to the dragon. It's nice to be Liked, if you know what I mean. He was So nicely physical, with his claws And lovely green skin, and that sexy tail, And the way he looked at me, He made me feel he was all ready to Eat me. And any girl enjoys that. So when this boy turned up, wearing machinery, On a really dangerous horse, to be honest I didn't much fancy him. I mean, What was he like underneath the hardware? He might have acne, blackheads or even Bad breath for all I could tell, but the dragon-- Well, you could see all his equipment At a glance. Still, what could I do? The dragon got himself beaten by the boy, And a girl's got to think of her future. III I have diplomas in Dragon Management and Virgin Reclamation. My horse is the latest model, with Automatic transmission and built-in Obsolescence. My spear is custom-built, And my prototype armour Still on the secret list. You can't Do better than me at the moment. I'm qualified and equipped to the Eyebrow. So why be difficult? Don't you want to be killed and/or rescued In the most contemporary way? Don't You want to carry out the roles That sociology and myth have designed for you? Don't you realize that, by being choosy, You are endangering job prospects In the spear- and horse-building industries? What, in any case, does it matter what You want? You're in my way. - Not My Best Side

At Birkin Grif's left, his seat insecure on a scruffy packhorse, Theomeris Glyn, his only armour a steel-stressed leather cap, grumbled at the cold and the earliness of the hour, and cursed the flint hearts of city girls.

Enquirer," Neverfell said slowly, "do you really think I would have walked into this court if I didn’t have a way of getting out again?" "What? What way?" "I don’t know." Neverfell gave Enquirer Treble an enormous smile, as bright and mad as a sun souffé. "Do you like surprises, Enquirer? I do. Just as well, really." It is fair to say that what happened after that was a surprise to everybody in the courtroom, including Neverfell. Somewhere high above in the shadowy, stalagmite-fanged ceiling, a trapdoor flipped open, revealing a darkened hatch. From this darkness a coil of wire whispered down, unravelling and unravelling as it fell, until the bottom end brushed the dais on which Neverfell stood. Then with a singing, metallic whine, a stocky figure in a gleaming metal suit and goggled mask dropped out of the trap and slid down the wire, to land with a jolt beside Neverfell. "Seize . . ." began Treble. A metal-scaled arm was thrown round Neverfell’s middle. An armoured hand flicked two belt levers. ". . . that . . ." With a lurch, Neverfell was dragged aloft as the armoured figure whizzed back up the wire, carrying her with it, the whine of the mechanism rising to a screech. The dais dropped away, and she was staring down at a receding sea of frozen, upturned faces. ". . . girl!" finished the Enquirer in a deafening yell as both soaring figures disappeared upward through the hatch. The court vanished from Neverfell’s view as the trapdoor flapped shut.

The Sea Witch’s Lament To really see what the sea witch had to go through, you must first remember what happens when you get your heart broken for the very first time. People always minimise it, say you’ll get over it, say first loves don’t matter as much as last ones, but that first heartbreak, that’s the death of your innocence. And you’re blindly walking in the darkness that’s trying to absorb you. A darkness that you have no tools or weapons to navigate, that is what the end of first love feels like. Some of us come out of that darkness still mostly whole, and those are the lucky ones.   Because some of us never come back at all. “And this was the story with the sea witch, the incredible ample-bodied being who was larger than life as a child, living her life with laughter and magic and joy. She spent her days learning how to look after the forgotten sea creatures that the merpeople considered too ugly or terrifying to tend to. Pilot fish and barracudas and eels were her friends, for they knew it was her they could always look to. Unfortunately for the sea witch, love comes for every woman. Just when we are sure we are safe from its clutches, it moves its way inside our hearts and we give ourselves completely to it, surrender in every way possible. This is why it is said love is to women what war is to men.   Sixteen-year-old Sea Witch fell in love with the then seventeen-year-old Mer-Prince. And he fell too for this impossible, wonderful, darkly magical girl from a different tribe who he knew his family would never approve of. You would hope it would be that simple, that when two people give each other their hearts, the world falls away and lets them be, but that is rarely the case. Love is as complicated as the truth.   So when his father presented him with an ultimatum, with a choice to give up his future kingdom and Ursula, Triton chose his kingdom. A part of him was too cowardly and too haughty to live the way she did, simply and protecting everything the merpeople threw away. So the sea witch was left to wander this darkness alone. And she never ever came out of it. To save herself from destruction, she blindly grabbed at her only lifeline, that which armoured what was left of her ruined heart by choosing the destruction that her mother, the sea, had given to her in her blood. The sea witch was never born evil, she became that way because she couldn’t let loose her emotions. Instead, she buried them deep and let them fester and turn into poison. This, this is the damage not grieving properly for first love can do. It can consume and destroy and harden all the goodness inside of you.   In the sea witch’s story, she had no one to turn to. But you, my darling, have an army of all of the stars, to fill your grief-filled days with the comfort you can hold onto. You are not alone. With this endless universe above you that has given you the gift of existence. You are not alone.

The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes. On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles. Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour. Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world. Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim. It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.

How old are you, asked the girl with the dark glasses, Getting on for fifty, Like my mother, And her, Her, what, Is she still beautiful, She was more beautiful once, that's what happens to all of us, we were all more beautiful once, You were never more beautiful, said the wife of the first blind man. Words are like that, they deceive, they pile up, it seems they do not know where to go, and, suddenly, because of two or three or four that suddenly come out, simple in themselves, a personal pronoun, an adverb, a verb, an adjective, we have the excitement of seeing them coming irresistibly to the surface through the skin and the eyes and upsetting the composure of our feelings, sometimes the nerves that cannot bear it any longer, they put up with a great deal, they put up with everything, it was as if they were wearing armour, we might say. The doctor's wife has nerves of steel, and yet the doctor's wife is reduced to tears because of a personal pronoun, an adverb, a verb, an adjective, mere grammatical categories, mere labels, just like the two women, the others, indefinite pronouns, they too are crying, they embrace the woman of the whole sentence, three graces beneath the falling rain.

Why does everyone think I am so reckless!" exclaimed Izuku. The teacher crossed his arms. "Where are you going?" "... The league of villains..." "What back up do you have?" "Plot armour?" "Izuku." "Fine...

The passion of these newly rich Americans for industrial merger yielded to an even more insistent passion for a merger of their newly acquired domains with more ancient ones; they wanted to veneer their arrivisme with the traditional. It would be gratifying to feel, as you drove up to your porte-cochère in Pittsburgh, that you were one with the jaded Renaissance Venetian who had just returned from a sitting for Titian; to feel, as you walked by the ranks of gleaming and authentic suits of armour in your mansion on Long Island – and passed the time of day with your private armourer – that it was only an accident of chronology that had put you in a counting house when you might have been jousting with other kings in the Tournament of Love; to push aside the heavy damask tablecloth on a magnificent Louis XIV dining-room table, making room for a green-shaded office lamp, beneath which you scanned the report of last month’s profit from the Saginaw branch, and then, looking up, catch a glimpse of Mrs Richard Brinsley Sheridan and flick the fantasy that presently you would be ordering your sedan chair, because the loveliest girl in London was expecting

I tried to date, like a normal twenty-something, but it didn’t work out. There’s something off about you when you’ve been abused, when you’re damaged, broken. You’re different. Men can sniff out the pain in you, like dogs picking up on a scent. I’d put my makeup on, wear my nicest dresses, go on dates and try to be on my best behaviour but they never bought it. They could see the cracks in my eyes, the holes in my soul, the emptiness waiting to be filled. Men aren’t knights in shining armour – that’s fairytale bullshit. They’re not looking for someone to save. Men like simple girls. Off-the-shelf girls. Ready to go. Easy company. Decent hearts. They’re not there to heal you or rescue you. I thought my looks would help. A bat of my lashes will make a man do a favour for me, but it won’t make a good guy fall for me. My pretty face isn’t valuable enough currency to make up for the scars. The men I dated picked up on the trauma, the voids, the hurt, and they didn’t want it in their lives. They didn’t want it in their homes. They didn’t want its legacy in their children.

Saffy had never been an easy child. Defiant and headstrong, she was born with a will already forged in iron. Nonetheless, I’d always expected that having a teenager would be a turning point, the part of parenthood where everything got better. Throughout those early years of nappies, teething, tantrums and night terrors I’d consoled myself by imagining a time when my girls were old enough to be self-sufficient. Maybe then I wouldn’t be pulled in three different directions, always spinning plates. But Saffy’s defiance had grown into disrespect and contempt. I felt as though I needed an emotional suit of armour to protect myself from her spiteful comments. She resented every thought, cell, breath, and ounce of me.

Faeries are twilight creatures, and I have become one, too. We rise when the shadows grow long and head to our beds before the sun rises. It is well after midnight when we arrive at the great hill at the palace of Elfhame. To go inside, we must ride between two trees, an oak and a thorn, and then straight in to what appears to be the stone wall of an abandoned folly. I've done it hundreds of times, but I flinch anyway. My whole body braces, I grip the reins hard, and my eyes mash shut. When I open them, I am inside the hill. We ride on through a cavern, between pillars of roots, over packed earth. Then are dozens of the Folk here, crowding around the entrance to the vast throne room, where Court is being held- long-nosed pixies with tattered wings; elegant, green-skinned ladies in long gowns with goblins holding up their trains; tricksy boggans; laughing foxkin; a boy in an owl mask and a golden headdress; an elderly woman with crowns crowding her shoulders; a gaggle of girls with wild roses in their hair; a bark-skinned boy with feathers around his neck; a group of knights all in scarab-green armour. Many I've seen before; a few I have spoken with. Too many for my eyes to drink them all in, yet I cannot look away. I never get tired of this- of the spectacle, of the pageantry. Maybe Oriana isn't entirely wrong to worry that we might one day get caught up in it, be carried away by it, and forget to take care. I can see why humans succumb to the beautiful nightmare of the Court, why they willingly drown in it. I know I shouldn't love it as I do, stolen as I am from the mortal world, my parents murdered. But I love it all the same.

When old King Priam saw the enemy in his hall he put on his armour. He had not worn it for many years, so old he was, but now he felt that he must fight for his home. And he took a spear in his hand, and would have gone against the Greeks. But his

Defiance: I see a little girl in pretend armour, fighting off all the things she doesn’t want to be. Well

Pastor Smith did not have the religious constitution needed to provide salvation for any of us who’d had a hand in this tragic event. We had put on the armour of God, and there was no undoing what we had done. My faith, my belief in myself as a good citizen, everything I had thought was truth was scattered to the wind, and no one on this earth could put that to rights. Things weren’t as simple as living and dying. I understood that now.

This armour was crafted for the queens of old. Your ancestors from times gone past who shared your heritage and held your Order forms,” Geraldine breathed reverently. “It has the fire of the Phoenix living within it, utterly unbreakable and untarnishable.” A small note lay on top of the stunning breastplate and I swallowed a lump in my throat as I reached for it with shaking fingers, the name Roxanya written in the swirling script I’d come to recognise as my mother’s handwriting. Fly fast and true, sweet girl. Secrets wait beneath the ground, search fearlessly and they shall be found. I arched a brow at what I had to assume was some kind of prophecy, holding my note out for Darcy to read as she showed me hers. When darkness steps closer, lean into the light. The strongest of weapons is forged in the flame, hold your breath and fight through the pain.

She was no longer the lovely girl whose presence stirred a tumult in my senses; she was a young man of my own age, beautiful as a seraph, proud, courageous, inflexible in honour, generous, capable of that sublime friendship which once bound together brothers in arms, but with no passionate love except for Deity, like the paladins of old, who, braving a thousand dangers, marched to the Holy Land under their golden armour.

-the girl I'd been on that day, burnished with innocence, believing that goodness and love were armour enough.

She longed for never-ending tenderness, a hero, or knight in shining armour. Why hadn’t she found someone who would take care of her emotionally, and make the little girl in her soul calmer while still respecting the woman she was

C​G/B​C To play the drums ​F​C/F​G To be picked for teams ​C​C/F​C A safe place to pee ​Em​Am Tall trees to climb ​F​C/E​G A dark blue bike ​C​G​C For her to notice me ​E Don’t braid my hair ​Am Don’t make me wear ​G That bridesmaid’s dress, oh joy ​C​G/B​C That school today ​F​C/E​G Will be easy I pray ​C​G​C Or to just wake up a boy C (Muscles, muscles, muscles, muscles, muscles, muscles, muscles) C Thou shalt learn to wink ​G Thou shalt learn all the knots ​F Thou shalt cuss liberally ​C Thou shalt not trash talk ​G the girls ​​F Thou shalt not let the world make you hard ​​C Thou shalt learn to dance and lead C (Muscles, muscles, muscles, muscles, muscles, muscles, muscles) C Thou shalt acquire scars ​G Thou shalt start a pine cone war ​F Thou shalt practice throwing punches ​C Thou shalt not wear a skort ​G Get dirty ​​F In your pockets thou shalt keep A special rock a pocket knife your grubby mitts ​C And several melodies G Tomboy! Tomboy! Tomboy! F​Dm​G​C Tomboy! Tomboy! Tomboy! (Muscles, muscles, muscles, muscles, muscles, muscles, muscles) (repeating) C I always have a piece of string G I want to practice French kissing F Don’t cry so much all of the time G I shine my armour every night G Tomboy! Tomboy! Tomboy! F​Dm​G​C Tomboy! Tomboy! Tomboy! C Thou shalt learn to wink G Thou shalt learn all the knots ​F Thou shalt cuss liberally ​C Thou shalt not trash talk ​G the girls ​​F Thou shalt not let the world make you hard make you bad ​​C Thou shalt learn to dance and lead G Tomboy! Tomboy! Tomboy! F​Dm​G​C Just to be a good Tomboy!

I walk the halls at school with Dostoevsky, Joyce and Baudelaire in my arms like an armoured plate across my chest.

White-supremacist-patriarchal-heteronormative-capitalism socializes us to aspire to “good Negro” status. It convince little Black girls from East Oakland to graduate from Howard—summa cum laude and Phi Beta Kappa, to pledge the oldest Black sorority, to earn PhDs, to be in the “right” rooms…” - Melina Abdullah

he shrugged. The gesture was his armour. His defence. His indifference was a cloak of invisibility behind which he could hide.

Lilith was still playing her perpetual game; and it was revealed to Lady Lilt, and not wholly concealed even from our friend Spardo, that the present object of the girl's felonious wiles was none other than the saintly personage, armoured in the chastity of grey cloth, wrapped in the chastity of grey vapourings, fortified in the chastity of grey theocracy, cramped in the chastity of grey idealism, who was now approaching the entrance to Lost Towers between the door-post on the left and the profile of Tiberius Caesar on the right.