Razor Riding Quotes

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There are so many things I want to tell her, so many things she doesn't know; like how I remember when she first came home from the hospital, a big pink blob with a perma-smile, and she used to fall asleep while grabbing on to my pinter finger; how I sued to give her piggyback rides up and down the beach on Cape Cod, and she would tub on my ponytail to direct me one way or the other; how soft and furry her head was when she was first born; that the first time you kiss someone you'll be nervous, and it will be weird, and it won't be as good as you want it to be, and that's okay; how you should only fall in love with people who will fall in love back... I feel an ache in my throat, but i manage to smile. Two conflicting desires go through me at the same time, each as sharp as a razor blade: I want to see you grow up and Don't ever change.
Lauren Oliver (Before I Fall)
Since we're all snails riding on the razor's edge, we might as well say it as it is.
Peter Tieryas (United States of Japan (Mecha Samurai Empire))
In the loudest voice I could muster, I shouted, "As of this moment, you are no longer the armies of China, Macedonia, Myanmar, Tibet or India. You are now warriors of Durga! We have already fought and overcome many fierce creatures. Now we give you the symbol of their power." I borrowed the Scarf and touched it to my Pearl Necklace. The silken material sped down each and every soldier to cloak them in the most brilliant red, blue, green, gold and white. Even the flag bearers were not left out and now held banners depicting Durga riding her tiger into battle. "Red for the heart of a Phoenix that sees through falsehood!" I cheered and raided the trident. "Blue for the Monsters of the Deep that rip apart those who dare to cross their domain! Gold for Metal Birds that cut their enemies with razor beaks! Green for the Horde of Hanuman that comes alive to protect that which is most precious! And white for the Dragons of the Five Oceans, whose cunning and power has no equal!
Colleen Houck (Tiger's Destiny (The Tiger Saga, #4))
That's the myth of it, the required lie that allows us to render our judgments. Parasites, criminals, dope fiends, dope peddlers, whores--when we can ride past them at Fayette and Monroe, car doors locked, our field of vision cautiously restricted to the road ahead, then the long journey into darkness is underway. Pale-skinned hillbillies and hard-faced yos, toothless white trash and gold-front gangsters--when we can glide on and feel only fear, we're well on the way. And if, after a time, we can glimpse the spectacle of the corner and manage nothing beyond loathing and contempt, then we've arrived at last at that naked place where a man finally sees the sense in stretching razor wire and building barracks and directing cattle cars into the compound. It's a reckoning of another kind, perhaps, and one that becomes a possibility only through the arrogance and certainty that so easily accompanies a well-planned and well-tended life. We know ourselves, we believe in ourselves; from what we value most, we grant ourselves the illusion that it's not chance in circumstance, that opportunity itself isn't the defining issue. We want the high ground; we want our own worth to be acknowledged. Morality, intelligence, values--we want those things measured and counted. We want it to be about Us. Yes, if we were down there, if we were the damned of the American cities, we would not fail. We would rise above the corner. And when we tell ourselves such things, we unthinkably assume that we would be consigned to places like Fayette Street fully equipped, with all the graces and disciplines, talents and training that we now posses. Our parents would still be our parents, our teachers still our teachers, our broker still our broker. Amid the stench of so much defeat and despair, we would kick fate in the teeth and claim our deserved victory. We would escape to live the life we were supposed to live, the life we are living now. We would be saved, and as it always is in matters of salvation, we know this as a matter of perfect, pristine faith. Why? The truth is plain: We were not born to be niggers.
David Simon (The Corner: A Year in the Life of an Inner-City Neighborhood)
How do you explain to someone that you understand their fear, then convince them that it’s going to be all right? In my experience, the more you talk about what scares them, the worse it gets. There’s not much to do but ride out the fear with them and try to keep them away from liquor and razor blades.
Richard Kadrey (Kill City Blues (Sandman Slim, #5))
To think about what hands feel," Lorn mutters. "These have felt the lifeblood of my sons as their hearts pumped it out of their bodies. They've felt the cold of a razor's hilt as they stole the dreams of youth. They've worn the love of a girl and a woman and then felt those heartbeats fade to silence. All for my glory. All because I chose to ride the sea. All because I do not die easily as most." He frowns. "Hands, I think, were not meant to feel so much.
Pierce Brown (Golden Son (Red Rising Saga, #2))
I push back against him, meeting his forceful pounds with my eager pu*sy. Riding the razors edge of climactic heaven.
S.K. Logsdon (Forever Attraction (Attraction #2))
Some days there were more police in schools than students. Rumors spread that armed black marauders would ride through their neighborhoods shooting whites at random; that blacks were carrying knives and razors to school to turn girls’ rooms into rape rooms. So whites started carrying them first.
Rick Perlstein (The Invisible Bridge: The Fall of Nixon and the Rise of Reagan)
Kevin tried to sleep with a pillow tight over his face, and he nearly suffocated himself. When he tiptoed over to close the door, they were talking in a subdued tone on the narrow couch. Colette's bare legs were curled up on the pillows, her head riding on the camelback motion of his chest. But her eyes were open, and she looked more adrift than comforted. In a tired baritone, Jerry was talking about prison. It was a horror story -- about the echoing screams of young kids and eyeballs cut open with smuggled razor blades, beginning as the usual speech about the hell he'd seen. But somehow it bcame a lonesome country-western love song, about how every long night of his life he had dreamed of a woman like her-- quick-witted and beautiful and tenacious. It was more than Kevin expected from the man. He told her that if he could buy her safe passage out of this life, hers and Kevin's, he would; but it was hard with a teenage son always pressing to know more and a tiring and insatiable young girlfriend who wanted to devour the world. Think of the pressure on him. "You need to know that we're together like this partly because of you. You keep us up and running. I know it and Kevin knows it. I'm not a good person, Colette -- I never claimed to be, I don't want to be, and you can't expect me to be. But look me in the eye and accept me as a snake, and I'll tell you whatever you're waiting to hear: I need you, I want you, I hurt for you, down in the dust, honey, down in the dust of my bones." She interrupted him with kisses that sounded like determined sips at a scalding drink.
Peter Craig (Hot Plastic)
What no one tells you is that there will be a last time you ever carry your child. A last time you tuck them in. A last time they run into your arms off the school bus. All through his infancy, Dylan was attached to me, almost literally. I nursed him, and he was fussy, so I carried him almost constantly, patting his back, humming to him, breathing in his delicious baby scent. He didn’t walk till he was fourteen months old, and I loved that, because I got to carry him that much longer. I took him for hikes in a backpack, his little knees hitting my ribs. I carried him on my shoulders, him clinging to fistfuls of my hair. I loved every minute. He was an affectionate boy full of drooly kisses and cuddles. He was generous with his hugs, from Paul at the post office to Christine, our librarian. And especially with me. Every night when I read him bedtime stories, his sweet little head would rest against my shoulder, and he’d idly stroke my arm, smelling like Dove soap and baby shampoo. Driving in the car was like a tranquilizer dart for Dylan . . . even bumping down our long dirt road wouldn’t wake him up, and I’d park the car, get out and unbuckle him, then lift his sweaty little body into my arms to carry him inside and just sit on the couch with him in my arms, heart against heart. And then one day, he no longer needed that. The bedtime stories stopped when he was about ten and wanted to read to himself. The last time I attempted to carry him from the car, he woke up and said, “It’s okay, Mom. I’m awake.” He never needed that again. Had someone told me “This is the last time you’ll get to carry your son,” I would have paid more attention. I would have held him as long as I could. They don’t tell you that your son will stop kissing you with sweet innocence, and those smooches will be replaced with an obligatory peck. They don’t tell you that he won’t want a piggyback ride ever again. That you can’t hold his hand anymore. That those goofy, physical games of chasing and tickling and mock wrestling will end one day. Permanently. All those natural, easy, physical gestures of love stop when your son hits puberty and is abruptly aware of his body . . . and yours. He doesn’t want to hug you the same way, finding your physicality perhaps a little . . . icky . . . that realization that Mom has boobs, that Mom’s stomach is soft, that Mom and Dad have sex, that Mom gets her period. The snuggles stop. This child, the deepest love of your life, won’t ever stroke your arm again. You’ll never get to lie in bed next to him for a bedtime chat, those little talks he used to beg for. No more tuck-ins. No more comforting after a bad dream. The physical distance between the two of you is vast . . . it’s not just that he’ll only come so close for the briefest second, but also the simple fact that he isn’t that little boy anymore. He’s a young man, a fully grown male with feet that smell like death and razor stubble on his once petal-soft cheeks.
Kristan Higgins (Out of the Clear Blue Sky)
But she thought with love of the roads and fields of Way. She thought of Old Iria village, the marshy spring under Iria Hill, the old house on it. She thought about Daisy singing ballads in the kitchen, winter evenings, beating out the time with her wooden clogs; and old Coney in the vineyards with his razor-edge knife, showing her how to prune the vine "right down to the life in it;" and Rose, her Etaudis, whispering charms to ease the pain in a child's broken arm. I have known wise people, she thought. Her mind flinched away from remembering her father, but the motion of the leaves and shadows drew it on. She saw him drunk shouting. She felt his prying, tremulous hands on her. She saw him weeping; sick, shamed; and grief rose up through her body and dissolved, like an ache that melts away in a long stretch of arms. He was less to her than the mother she had not known. She stretched, feeling the ease of her body in the warmth, and her mind drifted back to Ivory. She had had no one in her life to desire. When the young wizard first came riding by so slim and arrogant, she wished she could want him; but she didn't and couldn't, and so she had thought him spell-protected. Rose had explained to her how wizards' spells worked "so that it never enters your head nor theirs, see, because it would take from their power, they say." But Ivory, poor Ivory, had been all too unprotected. If anybody was under a spell of chastity it must have been herself, for charming and handsome as he was she had never been able to feel a thing for him but liking, and her only lust had been to learn what he could teach her.
Ursula K. Le Guin (Tales from Earthsea (Earthsea Cycle, #5))
You used to look out the window of your daddy's truck riding to the Towne House and imagine that somewhere from one of these tract houses amid the razor grass and the industrial-maze skyline of contorted steel, a boy riding to the dance might also be pretending that he was being ferried over snowy hills in a Russian sledge. Or perhaps in another truck cab, a girl your age was rethumbing Catcher in the Rye and half believing that in the Towne House Holden Caulfield would be waiting under the exit sign in all his wounded, cynical splendor. And that very evening conversation would be struck like a flint, and endless isolate dark illuminated. But how would such a person find you unless you hung it all out there?
Mary Karr (Cherry)
The upside of culling people from my life is that my focus has become very clear. My vision has become razor sharp. I now work to see people, not as I’d rewrite them, but as they have written themselves. I see them for who they are. And for who I am with them. Because it’s not merely about surrounding myself with people who treat me well. It’s also about surrounding myself with people whose self-worth, self-respect and values inspire me to elevate my own behavior. People who require that I stay truthful and kind and not totally crazy. Not eating every single thing in sight. Not hiding. Not saying no. I want Ride or Dies who make me want to be a better person.
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
. He couldn’t keep the paddle ruddering, and the raft immediately turned sideways, sending sailors away from the wave and digging the front tube low into the water. The crashing whitewater lifted the other side and threw it over the top, capsizing them. Everyone on the lead raft saw the second raft go over. Winkleman cranked on the paddle, turning his raft sideways on the now-benign wave. He yelled, “Paddle forward!” The men were dazed, watching for bobbing heads, but snapped into action, digging their paddles in and pulling themselves from the wave that was giving them a free ride into the beach. The second raft was still upside down and was surfing in on the now-broken wave. Heads popped up behind the raft. Men who’d been thrown and were still in the impact zone of oncoming waves were thrashing their arms, struggling to stay on the surface. The next wave crashed over them, driving them deeper into the sharp reef. The capsized raft tumbled toward the first and Tarkington yelled, “Grab it!” Two men jumped onto the bottom and tried to turn it right-side up while it was surfing in. Winkleman steered, and the exhausted men paddled back toward the breakers. More heads were popping up, some bleeding from fresh wounds. They stood in the shallows and struggled forward, but the incessant breakers knocked them down and they’d come up spluttering, sporting more wounds. Some weren’t able to stand, their life-jackets floating them, and they tumbled with the broken waves, like so much driftwood. The men on the raft hauled them in and soon were too full, forcing the uninjured back into the water to help whomever they could find toward the beach. Finally, both boats, and everyone who’d been on them, sprawled on the beach. One sailor, who’d been unconscious from the initial air attack, was dead. They found him washed up on the beach, facedown and unresponsive. Everyone from the capsized raft was banged up to some degree. The cuts on their arms, legs, torsos and faces looked as though they’d been attacked by razor blades. The capsized raft had one sizable hole which had deflated one of the four compartmentalized chambers, leaving that segment flat and floppy. They found all the wooden paddles, but two were broken. The sun beat down upon them like an angry god. None of them wanted to move. Tarkington sat up after catching his breath. His tongue was thick with thirst and he was sure he wouldn’t
Chris Glatte (Tark's Ticks Gauntlet (Tark's Ticks, #3))