Arm Pump Quotes

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They can pump whatever they want into my arm but it takes more than that to keep a person going once she's lost the will to live.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I heard what you said.' Pump, pump, pump went his powerful arms. 'What you waiting to admit until I was almost dead, you fucking coward.' His lightening surged into her, sending her body arcing off the ground as he tried to jump-start her heart. He snarled in her ear, 'Now come say it to my face.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
And as for romance? Well, I want that too. I want to fall asleep next to you, 100 times a night, so I can know you 100 times better before we hit the day light. And despite all of this, I also want amnesia so I can relive each kiss with a perfect newness that leaves me smashed in the arms of rapture. I want the sky to fracture under the impossible weight of an apology because I'm sorry. I'm sorry that I want so much. I'm sorry that I'm using "I'm sorry" as a crutch to lean on for so long but if you sing me that song of sweet logic again then I promise to make the effort to stand on my own. There is a reason that our hearts are more like a muscle and less like a bone. I've known so many people who've have grown up flexing in front of mirrors and falling for their own reflection as if that's adequate but that's bullshit. Because we only get now until the time we go and if they've only got time to love themselves then nobody is going to be around to hear the sound of their heartbeat echo. So lady, don't expect an apology when I tell you I'm only held together by a heart that pumps blue, it's the strongest muscle in my body and I'm flexing it for you
Shane L. Koyczan
Do you understand what I'm saying?" shouted Moist. "You can't just go around killing people!" "Why Not? You Do." The golem lowered his arm. "What?" snapped Moist. "I do not! Who told you that?" "I Worked It Out. You Have Killed Two Point Three Three Eight People," said the golem calmly. "I have never laid a finger on anyone in my life, Mr Pump. I may be–– all the things you know I am, but I am not a killer! I have never so much as drawn a sword!" "No, You Have Not. But You Have Stolen, Embezzled, Defrauded And Swindled Without Discrimination, Mr Lipvig. You Have Ruined Businesses And Destroyed Jobs. When Banks Fail, It Is Seldom Bankers Who Starve. Your Actions Have Taken Money From Those Who Had Little Enough To Begin With. In A Myriad Small Ways You Have Hastened The Deaths Of Many. You Do Not Know Them. You Did Not See Them Bleed. But You Snatched Bread From Their Mouths And Tore Clothes From Their Backs. For Sport, Mr Lipvig. For Sport. For The Joy Of The Game.
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
And so taking the long way home through the market I slow my pace down. It doesn't come naturally. My legs are programmed to trot briskly and my arms to pump up and down like pistons, but I force myself to stroll past the stalls and pavement cafes. To enjoy just being somewhere, rather than rushing from somewhere, to somewhere. Inhaling deep lungfuls of air, instead of my usual shallow breaths. I take a moment to just stop and look around me. And smile to myself. For the first time in a long time, I can, quite literally, smell the coffee.
Alexandra Potter (The Two Lives of Miss Charlotte Merryweather)
This is how it works You're young until you're not You love until you don't You try until you can't You laugh until you cry You cry until you laugh And everyone must breathe Until their dying breath No, this is how it works You peer inside yourself You take the things you like And try to love the things you took And then you take that love you made And stick it into some Someone else's heart Pumping someone else's blood And walking arm in arm You hope it don't get harmed But even if it does You'll just do it all again
Regina Spektor
This thing got a pump?” he asked as he pulled the heavy air mattress out.“No, Ty, you have to blow it up,” Deuce answered in a flat voice. “We’ll take turns, should have it done by August (Armed & dangerous)
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
Why do I take a blade and slash my arms? Why do I drink myself into a stupor? Why do I swallow bottles of pills and end up in A&E having my stomach pumped? Am I seeking attention? Showing off? The pain of the cuts releases the mental pain of the memories, but the pain of healing lasts weeks. After every self-harming or overdosing incident I run the risk of being sectioned and returned to a psychiatric institution, a harrowing prospect I would not recommend to anyone. So, why do I do it? I don't. If I had power over the alters, I'd stop them. I don't have that power. When they are out, they're out. I experience blank spells and lose time, consciousness, dignity. If I, Alice Jamieson, wanted attention, I would have completed my PhD and started to climb the academic career ladder. Flaunting the label 'doctor' is more attention-grabbing that lying drained of hope in hospital with steri-strips up your arms and the vile taste of liquid charcoal absorbing the chemicals in your stomach. In most things we do, we anticipate some reward or payment. We study for status and to get better jobs; we work for money; our children are little mirrors of our social standing; the charity donation and trip to Oxfam make us feel good. Every kindness carries the potential gift of a responding kindness: you reap what you sow. There is no advantage in my harming myself; no reason for me to invent delusional memories of incest and ritual abuse. There is nothing to be gained in an A&E department.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
The chanting grew louder, deep male voice pumping. She looked to the brothers, the tall, fierce men who were now part of her life. Wrath pivoted and put his arm around her. Together, they swayed to the rhythm that swelled, filling the air. The brothers were as one as they paid homage in their language, a single powerful entity. But then, in a high, keening call, one voice broke out, lifting above the others, shooting higher and higher. The sound of the tenor was so clear, so pure, it brought shivers to the skin, a yearning warmth to the chest. The sweet notes blew the ceiling off with their glory, turning the chamber into cathedral, the brothers into a tabernacle. Bringing the very heavens close enough to touch. It was Zsadist. His eys closed, his head back, his mouth wide open, he sang. The scarred one, the soulless one, had the voice of an angel.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
In the conditions of this “New World Order,” a crucial part of the contemporary world economy is a criminal economy, in which the excess profits are accumulated not by the production of material comforts, but by drug-traffic, arms trafficking, and human trafficking, including prostitution. The contemporary world economy is an economy of the global organized criminality whose eminently form is the modern capitalist state. The contemporary world economy is an economy not of the real commodity production, but an economy of the jobbery; this is expressed directly in supply and demand of the capital of the speculation, i.e., in the fictitious capital trade, in the antagonistic games with share capital in the stock exchange. Just Wall Street’s stock exchange, i.e., the world speculative capital market, is the contemporary tremendous pump for inflation of the balloons of the world economic crises, the last one of which began in 2007. The aggregate amount of the bonds on the world market, as many economists know, is over one hundred trillion US dollars! Without taking in mind the derivatives! If including those, the aggregate amount is several times more! This is an enormous balloon as inflated as a red giant star! And when added to this amount the world market of the shares, the passing each other between real and fictitious capital grows to cosmic dimensions! This cosmic balloon will burst very soon! That means the most destructive capitalist crisis in human history lies just round the corner, the global economic apocalypse is just forthcoming! This ruin will be due to the stock exchange antagonistic games, the stock exchange that is, as a matter of fact, a gambling house! Because the securities and shares’ trading is sheer gambling! This becomes clear by the direct proportionality between risk and profitability, the more risk—the more profitability, and vice versa! However, this is gambling in which the stakes are not simply money, but millions and billions of human fates. So, this is a destroying-the-civilization-world crime economy!
Todor Bombov (Socialism Is Dead! Long Live Socialism!: The Marx Code-Socialism with a Human Face (A New World Order))
I glanced up at Zay, then walked over to stand next to him. "You look good with a baby in your arms," he murmured. I took his hand, careful with his fingers that were still wrapped in tape. "Don't get your hopes up, Jones. I'm not the settling-down type." "Want to bet on that?" he asked. "Sure." I made a fist; so did he. We pumped three times. I threw paper. Zayvion threw scissors. I'd lost. Startled, I looked up at him. "Two out of three?" Zay grinned. So did I.
Devon Monk (Magic on the Hunt (Allie Beckstrom, #6))
Hunt hissed to Bryce through his gritted teeth, thunder cracking above him, "I heard what you said." Pump, pump, pump went his powerful arms. "What you waited to admit until I was almost dead, you fucking coward." His lightning surged into her, sending her body off the ground as he tried to jump-start her heart. He snarled in her ear, "Now come say it to my face.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
I need you like I need my heart to pump blood through my body, like I need air to breathe, like we need gravity. Hell, you are my gravity. Being with you makes me feel centered and whole, and I’m too screwed up to convince you to want any different. I’m too selfish to push you into someone else’s arms when I know mine may be the worst ones for you to be in.” I love you.
Rachel Van Dyken (Elite (Eagle Elite, #1))
The man in the shop peered disapprovingly at Evie through the glass. She pumped her arms and legs up and down in imitation of a marching band, gave the man a salute, and continued her meandering walk to the museum.
Libba Bray (The Diviners (The Diviners, #1))
Leif gripped Benny's shoulders to hold him back, but he broke free and chased the truck, pumping his tiny arms and legs with great furry. "I love you!" he called out, when he was just ten feet away. I gripped the metal bars, my throat choked with emotion. "I love you!" Silas cried, as he followed. They both kept after us, sprinting wildly behind the cage. I watched their mouths moving, saying those words over and again, as the truck bounded through the woods and their small bodies disappeared, unreachable, behind the trees.
Anna Carey (Eve (Eve, #1))
I give up. Stop speaking, responding, refuse food and water. They can pump whatever they want into my arm, but it takes more than that to keep a person going once she's lost the will to live.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
Her fingers crawled upwards and touched the outer curve of her breast, and the fingers paused, quaking in fear; but after the moment, despite the panic trying to break out of its shadows and seize her mind, she told her fingers, go on. This is my body. I reclaim my body for myself: for my use, for my understanding, for my kindness and care. Go on. And the fingers walked cautiously on, over the curiously muscleless, faintly ridged flesh, cooler than the rest of the body, across the tender nipple, into the deep cleft between, and out onto the breast that lay limp and helpless and hardly recognizable as round, lying like a hunting trophy over her other arm. Mine, she thought. My body. It lives on the breaths I breathe and the food I eat; the blood my heart pumps reaches all of me, into all my hidden crevices, from my scalp to my heels.
Robin McKinley (Deerskin)
My mom screamed, jumping out of her seat and making her way toward me, wrapping her arms around my rotund body and pumping it an attempted Heimlich maneuver. (Until my early twenties, I thought it was called the Heimlich remover. Which makes more sense, if you think about it.)
Tyler Oakley (Binge)
Just as he’d done to her, she slowly moved up and down, caressing him with her body, drawing out his response. He ground his teeth together, fighting not to come when she was just as determined he would. Frustrated, she wondered why he was holding back—until she heard herself moan, and realized the friction was working on her, too. The battle there in the shower was in close-combat conditions. With the clinging grip of her body she tried to wring a climax from him, locking her legs around him and pumping hard. He slowed her down with that one arm around her hips, grinding her against him and sending her response rocketing.
Linda Howard (Cry No More)
We almost died.” “No, Zorie, we just lived.” Lennon lifts up both arms and pumps victory fists, yowling. “We’re alive! We won!
Jenn Bennett (Starry Eyes)
Once there, the chaplain closed the door and threw his arms around her. Alarmed, she jammed the heel of her pump into his foot. He let go with a howl and she fled. The incident was never spoken of again until she had daughters of her own. I can remember at about thirteen staring wide-eyed at my proper mother when she thought it time to tell me this cautionary tale.
Katherine Paterson (Stories of My Life)
That sound,” Aaron breathed into my skin. “That sound is driving me goddamn insane.” Insanity—that was what this was. What was pumping in my veins. He kissed a path up my throat, veering for my ear, leaving little nips that left my blood roaring. Thundering across my body. My hands toured up his wide chest, reaching the nape of his neck. My fingers tangled in his hair, pulling at it softly when he nibbled at the skin below my earlobe. When he grazed his teeth over it, I pulled a little harder. “Hold on to me, baby.” In a swift move, Aaron picked me up from the floor, my legs going around him and my arms wrapping tighter around his neck.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
grab this world by its clothespins, and shake it out again and again. And hop on top and take it for a spin. And when you hop off, shake it again. For this is yours. Make these words worth it. Make this not just another poem that I write. Not just another poem like just another night, that sits heavy above us all. Walk into it, breath it in. Let it crawl though the halls of your arms, like the millions of years of millions of poets coursing like blood, pumping and pushing, making you live, shaking the dust. So when the world knocks at your door, clutch the knob tightly and open on up. And run forward. Run forward as fast and as far as you must. Run into its widespread greeting arms with your hands outstretched before you, fingertips trembling though they may be.
Anis Mojgani (Songs From Under the River: A collection of early and new work)
He imagined himself as a sprinter now, felt his arms and legs pumping, thought of the old Cuban sprinter his father used to tell him about. Juan something? No, no. Juantarena. Alberto Juantarena. His father said it was like watching a god run. And his father, the old fool, wasn't even Cuban, he was Dominican. The only Dominican who wanted to talk about track stars instead of baseball.
Mike Lupica (Heat)
She had collided with an elk and died...At twenty-four minutes to eleven her heart had stopped pumping the blood around her body. One single muscle in a single person's body. A speck of dust in time. And the world was dead. David stood next to her bed with his arms by his sides, the headache burning behind his forehead. Here lay his whole future, everything good that he could even imagine would come from life. Here lay the last twelve years of his past. Everything gone; and time shrank to a single unbearable now.
John Ajvide Lindqvist (Handling the Undead)
Marcellus, it’s me.” The octopus shifts slightly out of its corner and peers at her, blinking its creepy eye. Who is this lady? And how did she get in here, anyway? She nods, encouraging. “It’s okay.” She holds out her hand, and to Cameron’s shock the creature extends one of its arms and winds it around her wrist. She repeats, “It’s okay. I’m going to help you down now, all right?” The octopus nods. Wait, no. It did not. Did it? He rubs his eyes. Are they pumping hallucinogens through the ductwork here?
Shelby Van Pelt (Remarkably Bright Creatures)
Exhausted, hardly knowing what she was doing, she came the last three steps and sat, took the man in her arms, actually held him, gazing out of her smudged eyes down the stairs, back into the morning. She felt wetness against her breast and saw that he was crying again. He hardly breathed but tears came as if being pumped. "I can't help," she whispered, rocking him, "I can't help." It was already too many miles to Fresno.
Thomas Pynchon (The Crying of Lot 49)
When they reach the fountain, Rafa pumps the long arm, sending water sloshing into a wooden pail held by a shrunken white-haired woman. “Should we carry the bucket for her?” asks Daniel. “She won’t let you. Besides, that woman is stronger than both of us combined,” says Rafa with a laugh.
Ruta Sepetys (The Fountains of Silence)
I let go of the pump as well now. I registered a sense of fatigue. And regret. It was the same fatigue and regret you feel when you miss a tennis ball. You were planning to smash it, but you swing hard and miss; the arm holding the racket meets no resistance and lashes wildly through the air.
Herman Koch (The Dinner)
I grabbed her by the waist and swung her around to face me. As I bent, I closed my eyes … and kissed air as she ducked out of my grasp. I opened my eyes to see her dancing backward along the path. I made a noise in my throat. “Don’t growl,” she said. “Aren’t you always complaining that you don’t get enough exercise?” I lunged. She backed away. I let out another growl and crossed my arms. “Better watch out. I might decide the prize isn’t worth the effort.” She grinned, blue eyes dancing. “Oh, you know it is. And you know it’s never as sweet as when you have to work for it.” She wheeled and ran. As I went after her, adrenaline pumped through me, like liquid fire. There was nothing quite like a chase, and one that ended with this reward was the best chase of all.
Kelley Armstrong (Belonging (Darkest Powers, #3.3))
Jackson caught Elle's arms and dragged her back against him, pressing his mouth to her ear. "Stop now, Elle, or I swear I'll knock you out. You aren't killing yourself over him. Stop now, damn it." Elle slumped against him. " Don't let my sisters touch me. Too dangerous. And I can't bear if they feel what I feel. Promise me." Blood pumped out of her nose." Only you, Jackson, no one else. Swear it or I keep going." Jackson closed his eyes. "I swear it, Elle.
Christine Feehan (Hidden Currents (Drake Sisters, #7))
So I got to witness firsthand how those metal links got broken. The muscles in his upper arms pumped to the size of grapefruits, and the fabric of the T-shirt tightened around them almost to tearing… Then the metal gave way with a musical twang, and the chain snaked noisily from the grate, falling to the rain-softened earth with a clunk. “By all means,” John said, brushing his hands together in a self-satisfied way, “let’s call Mr. Smith.” I ducked my head, hiding my blushing cheeks by pretending to be busy putting my cell phone back in my bag. Encouraging his occasional lapses into less than civilized behavior seemed like a bad idea, so I didn’t let on how extremely attractive I’d found what he’d just done. “You know,” I remarked coolly, “I’m already your girlfriend. You don’t have to show off your superhuman strength for me.” John looked as if he didn’t for one minute believe my disinterest. He opened the grate for me with a gentlemanly bow. “Let’s go find your cousin,” he said. “I’d like to be home in time for supper. Where’s the coffin?” “It’s at my mom’s house,” I said. “What?” That deflated his self-satisfaction like a pin through a balloon. He stood stock-still outside the door to his crypt, the word HAYDEN carved in bold capital letters above his head. “What’s it doing there?” “Seth Rector and his girlfriend and their friends asked me if they could build it in my mom’s garage,” I said. “They said it was the last place anyone would look.” John shook his head slowly. “Rector,” he said, grinding out the word. “I should have known.” I threw him a wide-eyed glance. “You know Seth Rector?” “Not Seth,” he said, darkly.
Meg Cabot (Underworld (Abandon, #2))
I step behind her at the sink, reach my arms over hers and pump some foamy soap into my palm before I start scrubbing her hands with mine.
Kate Oliver (Jaxon (Daddies of Pine Hollow Book, #1))
Adoption. A realized fantasy of your parents not really being your parents. Your genes could thrust one arm in the air and pump up and down. Yes! You were not actually related to Them!
Lorrie Moore
For my number-one favorite kill, I almost went with Johnny Depp being eaten alive and then regurgitated by his own bed in A Nightmare on Elm Street, but the winner, by a finger blade’s width, has to be the death of that feisty Tina (Amanda Wyss), who put up such a fight while I thrashed her about on the ceiling of her bedroom. Freddy loves a worthy adversary, especially if it’s a nubile teenaged girl. A close second goes to my hearing-impaired victim Carlos (Ricky Dean Logan) in Nightmare 6. In these uber-politically-correct times, it’s refreshing to remember what an equal opportunity killer Freddy always was. Not only does he pump up the volume on the hearing aid from hell, but he also adds a nice Latino kid to his body count. Today they probably wouldn’t even let Freddy force-feed a fat kid junk food. Dream death number three is found in a sequence from Nightmare 3. Freddy plays puppet master with victim Phillip (Bradley Gregg), converting his arm and leg tendons into marionette strings, then cutting them in a Freddy meets Verigo moment. The kiss of death Profressor Freddy gives Sheila (Toy Newkirk) is great, but not as good as Al Pacino’s in The Godfather, so my fourth pick is Freddy turning Debbie (Brooke Theiss) into her worst nightmare, a cockroach, and crushing her in a Roach Motel. A classic Kafka/Krueger kill. For my final fave, you will have to check out Freddy vs. Jason playing at a Hell’s Octoplex near you. Here’s a hint: the hockey-puck guy and I double team a member of Destiny’s Child. Yummy! Now where’s that Beyonce…
Robert Englund (Hollywood Monster: A Walk Down Elm Street with the Man of Your Dreams)
In her memoir of living among the Bushmen, The Old Way: A Story of the First People, my friend Liz lovingly invokes an image first coined by evolutionary biologist Richard Dawkins: “You are standing beside your mother, holding her hand. She is holding her mother’s hand, who is holding her mother’s hand. . . . ” Eventually the line stretches three hundred miles long and goes back five million years, and the clasping hand of the ancestor looks like that of a chimpanzee. I loved picturing one of Octavia’s arms stretching out to meet one of her mother’s arms, and one of her mother’s mother’s arms, and her mother’s mother’s mother’s. . . . Suckered, elastic arms, reaching back through time: an octopus chorus line stretching not just hundreds, but many thousands of miles long. Back past the Cenozoic, the time when our ancestors descended from the trees; back past the Mesozoic, when dinosaurs ruled the land; back past the Permian and the rise of the ancestors of the mammals; back, past the Carboniferous’s coal-forming swamp forests; back past the Devonian, when amphibians emerged from the water; back past the Silurian, when plants first took root on land—all the way to the Ordovician, to a time before the advent of wings or knees or lungs, before the fishes had bony jaws, before blood pumped from a multichambered heart. More than 500 million years ago, the tides would have been stronger, the days shorter, the year longer, and the air too high in carbon dioxide for mammals or birds to breathe. All the earth’s continents huddled in the Southern Hemisphere. And yet still, the arm of Octavia’s ancestor, sensitive, suckered, and supple, would have been recognizable as one of an octopus.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
Filling Station Oh, but it is dirty! --this little filling station, oil-soaked, oil-permeated to a disturbing, over-all black translucency. Be careful with that match! Father wears a dirty, oil-soaked monkey suit that cuts him under the arms, and several quick and saucy and greasy sons assist him (it's a family filling station), all quite thoroughly dirty. Do they live in the station? It has a cement porch behind the pumps, and on it a set of crushed and grease- impregnated wickerwork; on the wicker sofa a dirty dog, quite comfy. Some comic books provide the only note of color-- of certain color. They lie upon a big dim doily draping a taboret (part of the set), beside a big hirsute begonia. Why the extraneous plant? Why the taboret? Why, oh why, the doily? (Embroidered in daisy stitch with marguerites, I think, and heavy with gray crochet.) Somebody embroidered the doily. Somebody waters the plant, or oils it, maybe. Somebody arranges the rows of cans so that they softly say: ESSO--SO--SO--SO to high-strung automobiles. Somebody loves us all.
Elizabeth Bishop
The Goober was beautiful when he ran. His long arms and legs moved flowingly and flawlessly, his body floating as if his feet weren’t touching the ground. When he ran, he forgot about his acne and his awkwardness and the shyness that paralyzed him when a girl looked his way. Even his thoughts became sharper, and things were simple and uncomplicated—he could solve math problems when he ran or memorize football play patterns. Often he rose early in the morning, before anyone else, and poured himself liquid through the sunrise streets, and everything seemed beautiful, everything in its proper orbit, nothing impossible, the entire world attainable. When he ran, he even loved the pain, the hurt of the running, the burning in his lungs and the spasms that sometimes gripped his calves. He loved it because he knew he could endure the pain, and even go beyond it. He had never pushed himself to the limit but he felt all this reserve strength inside of him: more than strength actually—determination. And it sang in him as he ran, his heart pumping blood joyfully through his body.
Robert Cormier (The Chocolate War (Chocolate War, #1))
Now it was there. Now it was growing within me like a tumor, like a second head, and it was a part of me, though it surely could not be mine, since it was so big. There it was, like a big dead animal that had once been my hand when it was still alive, or my arm. And my blood was flowing through me, and through it, as if through one and the same body. And my heart was having to make a great effort to pump the blood into the big thing: there was very nearly not enough blood. And the blood was loth to pass in, and emerged sick and tainted. But the big thing swelled and grew before my face, like a warm, bluish boil, and grew before my mouth, and already its margin cast a shadow on my remaining eye.
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
He did atrocious things, but it was him I wanted. Always, only him. Troy stopped when we were nose to nose. Toe to toe. I loved watching those eyes from up-close. They were so ocean blue, no wonder they made my head swim. “I love you, Red. I love you determined, tough, innocent, resilient…” His brows furrowed as he drank me in, stroking the curve of my face with his calloused fingertips. “I love you broken, insecure, scared, furious and pissed off…” He let a small smile loose. I actually felt it, even though it was on his lips. “I love every part of you, the good and the bad, the hopeless and the assertive. We don’t just love. We heal each other with every touch and complete each other with ever kiss. And fuck, I know it’s corny as hell, but that’s what I need. You’re what I need.” My eyes fluttered shut, a lone tear hanging from the tip of my eyelash. “We don’t have ordinary words between us. You always set my fucking brain on fire when you talk to me. We don’t even have ordinary moments of silence. I always feel like I’m playing with you or being played by you when you’re around. And I refuse to let you walk out on this, on us.” He cupped my cheeks and I locked his palms in place, tightening my grip. I never wanted him to let go. He dipped his head down, tilting his forehead against mine. I knew he was right. Knew that I’d already forgiven him. Probably before I even knew what he did, when we were still living together. Hell, probably on that dance floor, when I was nine. My capturer. My monster. My savior. “I’m an asshole, was an asshole, and have every intention of staying an asshole. It’s the makeup of my fucking DNA. But I want to be your asshole. To you, I can be good. Maybe even great. For you, I’ll stop the rain from falling and the thunder from cracking and the wind from fucking blowing. And yes, I sure as hell knew you’d come back. You came straight back into my arms, flew back to your nest, lovebird. Now why would you do that if you didn’t love the shit out of me?” My eyes roamed his face. His hands felt delicious on my skin. It was like he was pumping life into me with his fingertips. Like he made me whole before I even knew parts of me were missing.
L.J. Shen (Sparrow)
As we left the bar, we saw two men fighting at the wooden pump. One was short and stocky: he was pummelling a tall gangling creature with loose flapping arms ... Edwin Forrest was giving a much deserved beating to William de la Touche Clancey, the Tory sodomite.
Gore Vidal (Burr)
What were you doing with her?” The words burst from my lips. Before I can take them back, he stares at me. I stare back at him as the silence stretches onwards. We’re both stiff. He says nothing. “Maybe I should ask you the same thing.” I shake my head, my nails digging into my palms. Then before I can react, he has pushed me roughly up the wall, his eyes now dark and fiery, like a storm ready to unleash itself. Good. He’s mad too. His hands force me to the wall as he presses his body against mine. The intensity of the move, the feel of him makes my breath hitch. “Get off me,” I seethe, pounding my fists into his chest but Adrian keeps me locked in place, so that his breath caresses my ear. “Were you guys too rushed?’ He mocks. “Too desperate to book a hotel room?” I can barely stifle a disgusted snort. “What are you talking about?” Fury pumps through my head. “A hotel room? What kind of girl do you think I am—mmf?” He moves against me, moving to kiss me. The moment where his lips meet mine hard and unyielding. He tastes of smoke and lipgloss—and I’m reminded of the scene earlier where he and Lauren got out of the closet together. Disgust fills me as I squirm in his arms. He groans, fire burning in his voice. “You want me, you’re trying to hide from it.” “No,” I try to bite the words at him but it comes out strangled. I try to push him away but before I have to, he releases me. I try to put as much distance between him and myself, shaking. Loathing is my voice. "Get away from me. I hate you." He swallows and looks away, his breathing slowing. He pushes himself from the wall, still very pale. Then closing his eyes and turning, he starts walking away, heading towards the parking lot. "I hate you!" I scream again behind him. Adrian stops for a moment, his back to me. “I’ve told you from the very beginning. You should.” He keeps on walking, never glancing back.
L. Jayne (Chasing After Infinity)
Olive barely managed to wait until she was outside to fist-pump, then jump around a few times, then fist-pump again. “You all done?” Adam asked. She turned around, remembering that she wasn’t alone. His arms were folded on his chest, fingers drumming against his biceps. There was an indulgent expression in his eyes, and—she should have been embarrassed, but she just couldn’t help it. Olive threw herself at him and hugged his torso as tight as she could. She closed her eyes when, after a few seconds of hesitation, he wrapped his arms around her. “Congratulations,” he whispered softly against her hair. Just like that Olive was on the verge of tears all over again.
Ali Hazelwood (The Love Hypothesis)
it. It’s in the way the Dixie cups and crumpled cigarette packs blow across the tarmac in the pre-dawn wind. It whispers from the sign on the gas pumps, the one that says PAY FOR GAS IN ADVANCE AFTER SUNDOWN. It’s in the teenage boy across the street, sitting on a porch stoop at four-thirty in the morning with his head in his arms, a silent essay in pain. The secret highways are out close, and they whisper to him. “Come on, buddy,” they say. “Here is where you can forget everything, even the name they tied on you when you were nothing but a naked, blatting baby still smeared with your mother’s blood. They tied a name to you like a can to a dog’s tail, didn’t they?
Stephen King (Wolves of the Calla (The Dark Tower, #5))
In the city people are moving down sidewalks, up and down escalators, along aisles; they are stationed in the driver’s seat of buses, at gas pumps, computers, and cash registers. There is a low-intensity fear in them. They avoid turning in certain directions, flailing their arms or poking their hands in certain ways. They respect invisible barriers.
Alphonso Lingis (Dangerous Emotions)
There’s not much here that tempts me though. I look for folks who appear to be having fun, but can’t find any. Row after row of sad faces hooked up to slot machines like arms connected to IV's, drugs pumping into their minds. Table after table of drained souls looking to leave scraps of happiness and dignity on the green felt of the blackjack table.
Neil M. Hanson (Pilgrim Wheels: Reflections of a Cyclist Crossing America (Cycling Reflections #1))
You should respect Ian, Adam.” Adam frowned. “I thought you would be more fun than this.” Eve leaned over. “Alex told me Ian has a black eye.” Adam fist pumped. “Fuck, yeah. You go, girl.” Serena slapped at her husband’s arm. “Be polite.” Jake was on the other side of Serena, a mug of coffee in his hand. “He doesn’t know how. He thinks tact is a made-up word.
Lexi Blake (Love and Let Die (Masters and Mercenaries, #5))
They have three hearts, which I thought was pretty rad. But I think the connection I really made was with the fact that with three organs pumping blood into them, and eight arms that essentially all have a mind of their own — they must feel pulled in so many different directions, you know? Like they’re made up of too much to be confined into one little being.
Kandi Steiner (Hail Mary (Red Zone Rivals, #4))
And all the sounds you heard- the wind whipping past your ears and the ocean's whispering and the trickle of whitecaps against your boat- that was the earth's blood pumping through imperceptible veins, and some of those veins were nothing more than people like Shy or Carmen or Addie. And when the end came it smelled like morning dew and brine and everything around you morphed into a man, and that man shined a flashlight in your eyes and kneeled down beside you to pet your hair and he said: You're gonna be okay, young fella. Now come on. And when he lifted you into his arms and carried you like a child into a hidden cave, where you would grow back into the earth's rich soil from which you came and where you would forever belong.
Matt de la Peña (The Living (The Living, #1))
Hunt hissed to Bryce through his gritted teeth, thunder cracking above him, 'I heard what you said.' Pump, pump, pump went his powerful arms. 'What you waited to admit until I was almost dead, you fucking coward.' His lightning surged into her, sending her body arcing off the ground as he tried to jump-start her heard. He snarled in her ear. 'Now come say it to my face.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Yanking wildly, he freed them both of clothing and scorched her knees with his hot hands and drew them apart. With his lips on her throat and his hands on her breasts, he entered her. "Wait," she said even as she wrapped her arms around him. "I'm not on birth control," she informed him. "Good, I want my child inside of you." He bit her shoulder, then pumped hard into her to enjoy her slick heat.
H.S. Howe (Jingle My Snowballs)
On the east side of the street, the dark old factories—Civil War factories, foundries, brassworks, heavy-industrial plants blackened from the chimneys pumping smoke for a hundred years—were windowless now, the sunlight sealed out with brick and mortar, their exits and entrances plugged with cinderblock. These were the factories where people had lost fingers and arms and got their feet crushed and their faces scalded, where children once labored in the heat and the cold, the nineteenth-century factories that churned up people and churned out goods and now were unpierceable, airtight tombs. It was Newark that was entombed there, a city that was not going to stir again. The pyramids of Newark: as huge and dark and hideously impermeable as a great dynasty’s burial edifice has every historical right to be.
Philip Roth (American Pastoral (The American Trilogy, #1))
Minerva didn't want to converse right now. She just wanted... deeper. Harder. More. She caught his earlobe between her teeth and growled, spreading her legs to draw him closer still. He clutched her hips and pumped wildly, guiding her up and down his length. She rode his thrusts with abandon, bracing one arm against the carriage roof for better leverage. They clung to each other with teeth and nails, making harsh, snarling, animal sounds.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
Chang-bo took to his bed, or rather to the quilts on the floor that was all they had left. His legs swelled up like balloons with what Mrs. Song had come to recognize as edema — fluid retention brought on by starvation. He talked incessantly about food. He spoke of the tofu soups his mother made him as a child and an unusually delicious meal of steamed crab with ginger that Mrs. Song had cooked for him when they were newlyweds. He had an uncanny ability to remember details of dishes she had cooked decades earlier. He was sweetly sentimental, even romantic, when he spoke about their meals together. He would take her hand in his own, his eyes wet and cloudy with the mist of his memories. “Come, darling. Let’s go to a good restaurant and order a nice bottle of wine,” he told his wife one morning when they were stirring on the blankets. They hadn’t eaten in three days. Mrs. Song looked at her husband with alarm, worried that he was hallucinating. She ran out the door to the market, moving fast and forgetting all about the pain in her back. She was determined to steal, beg — whatever it took — to get some food for her husband. She spotted her older sister selling noodles. Her sister wasn’t faring well — her skin was flaked just like Chang-bo’s from malnutrition — so Mrs. Song had resisted asking her for help, but now she was desperate, and of course, her sister couldn’t refuse. “I’ll pay you back,” Mrs. Song promised as she ran back home, the adrenaline pumping her legs. Chang-bo was curled up on his side under the blanket. Mrs. Song called his name. When he didn’t respond, she went to turn him over — it wasn’t diffcult now that he had lost so much weight, but his legs and arms were stiff and got in the way. Mrs. Song pounded and pounded on his chest, screaming for help even as she knew it was too late.
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
What its withered technology lacked, the Game Boy made up in user experience. It was cheap. It could fit in a large pocket. It was all but indestructible. If a drop cracked the screen—and it had to be a horrific drop—it kept on ticking. If it were left in a backpack that went in the washing machine, once it dried out it was ready to roll a few days later. Unlike its power-guzzling color competitors, it played for days (or weeks) on AA batteries. Old hardware was extremely familiar to developers inside and outside Nintendo, and with their creativity and speed unencumbered by learning new technology, they pumped out games as if they were early ancestors of iPhone app designers—Tetris, Super Mario Land, The Final Fantasy Legend, and a slew of sports games released in the first year were all smash hits. With simple technology, Yokoi’s team sidestepped the hardware arms race and drew the game programming community onto its team.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
Antidepressants fail to outperform placebos in up to half of clinical trials. Armed with fMRI technology, brain scientists now understand that assuming we are born with chemical imbalances is putting the chicken before the egg—trauma changes the structure and chemical and hormonal responses of our brains. In many cases, we can’t just pump opposing chemicals into our brains with the assumption that things will change. We have to treat the underlying, original cause: the trauma.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
And then those dusky lashes fluttered up, revealing a lambent gleam of jungle green. His hands circled her waist and she slowly flexed his hips, a wholly male sound of satisfaction escaping him when her eyes fluttered shut and she gasped. And then a small, secret, feminine smile appeared on her lips and Chase’s control snapped like a power line in a high wind. Wrapping her in his arms, he began to pump into her in a slow, relentless rhythm that was both too much and not enough.
Caroline Cross (Rafferty's Angel)
Trembling, Phoebe turned her mouth from his. Her body didn't seem to belong to her. She could hardly stand on her own. She couldn't think. Her forehead leaned on his shoulder as she waited for the wild pumping of her heart to subside. West buried a quiet curse into the mass of her pinned-up hair. His arms relaxed gradually, one of his hands wandering over her slender back in an aimless, soothing pattern. When he'd managed to moderate his breathing, he said gruffly, "Don't say that was nice." Phoebe pressed a crooked smile against his shoulder before she replied, "It wasn't." It had been extraordinary. A revelation. One of her hands crept up to his lean cheek and shaped to it gently. "And it must never happen again." West was very still, considering that. He responded with a single nod of agreement and turned his lips to the center of her palm with urgent pressure. Impulsively she stood on her toes and whispered in his ear, "There's nothing wicked about you, except your kisses." And she fled the room while she was still able.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
There was a pub looking out over the graveyard. The Queen’s Arms, where Pünd had stayed, was actually called the King’s Head. The village noticeboard where Joy had posted her notice of infidelity was on one side of the square. The village shop and the bakery – it was called the Pump House – was on the other. The castle, which cast a shadow over Dr Redwing’s house, and which must have been built around the same time as the one I had seen in Framlingham, was a short distance away. There was even a Daphne Road. In the book it had been Neville Brent’s address but in the real world it was Alan’s sister who lived there. The house was very much as he had described it. I wondered what this meant. Claire Jenkins had been unable to see me the day before but had agreed to meet me at lunchtime. I got there early and strolled around the village, following the main road all the way down to the River Alde. The river doesn’t exist in Alan’s book – it’s been replaced by the main road to Bath. Pye Hall is somewhere over to the left, which would in
Anthony Horowitz (Magpie Murders (Susan Ryeland #1))
THE TERRORIST ATTACKS came one after another during 1985, all broadcast live on network television to tens of millions of Americans. In June two Lebanese terrorists hijacked TWA Flight 847, murdered a Navy diver on board, and negotiated while mugging for cameras on a Beirut runway. In October the Palestinian terrorist Abu Abbas hijacked the cruise ship Achille Lauro in Italy, murdered a sixty-nine-year-old Jewish-American tourist, Leon Klinghoffer, dumped his body overboard, and ultimately escaped to Baghdad with Egyptian and Italian collaboration. Just after Christmas, Palestinian gunmen with the Abu Nidal Organization opened fire on passengers lined up at El Al ticket counters in Vienna and Rome, killing nineteen people, among them five Americans. One of the American victims was an eleven-year-old girl named Natasha Simpson who died in her father’s arms after a gunman unloaded an extra round in her head just to make sure. The attackers, boyish products of Palestinian refugee camps, had been pumped full of amphetamines by their handlers just before the holiday attacks.
Steve Coll (Ghost Wars: The Secret History of the CIA, Afghanistan & Bin Laden from the Soviet Invasion to September 10, 2001)
Muscles contract somewhere above the roof of my mouth, pumping venom into her bloodstream. Kelly cries out, a gasp of pain that turns suddenly to moans of euphoria as the carotids rush the narcotic serum directly to her brain. Her knees buckle, and I reach down to steady her — one arm over her breasts, the other around her waist as I hold her tightly to myself. Then the blood begins to flow, seeping out of the wounds I have made, and I put my lips to her skin and drink. There are no words adequate to describe it. My mind explodes with a wash of light and color, swirling and dancing before my eyes. Then the Sharing truly begins, and I can see inside her: images of her memories, her thoughts, her hopes and dreams, the way she remembers her past and how she imagines her future. Her joys; her grief; that which she loves and that she despises, what stirs her fire and chills her bones. And through it all, I feel the touch of her presence, and I know that she sees the same things inside of me. Blood is more than matter, more than plasma and hemoglobin. Blood is life, the river on which the spirit flows. And as Kelly's blood flows into me, it carries her life with it, until my soul entwines with hers. She has given a part of herself to me, and from this day forth we are bound to each other.
Chris Lester (Huntress (Metamor City, #2))
He wanted nothing more than to close his eyes and relish the coolness, but all he could afford to do was cough some smoke out of his lungs and turn back to the task at hand. Which apparently included scolding a certain hardheaded woman for not heeding his instructions. Meredith glared at him from where she stood pumping water into the trough, not a hint of apology in her demeanor. Travis stormed past her and worked the knot on Jochebed’s lead line. “I thought I told you to go up to the house.” The pump arm creaked as she gave it a series of vigorous yanks, then fell silent as water gushed into the trough. “As I recall,” she said, rubbing her palms into her skirt, “you never forbade me from working the pump. You simply expressed your doubts as to my ability to do so.” Travis’s grip on the cow’s rope tightened. “Don’t play word games with me, Meredith. You knew what I meant.” “Did I?” She reached for a stew pot and dipped it into the trough. “Seems to me that a man who claims protecting his brothers and his land always comes first wouldn’t be so quick to refuse able-bodied help just because that body happens to be female.” She set the full pot on the ground and crossed her arms over her chest. Travis’s eyes followed the movement, noting the curves it accentuated. Yep. Definitely female. He wouldn’t be arguing that point.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
Someone stop them!” I yell. No one does. I think about Porter surrounded by people that horrible day on the beach years ago, when no one would help him save his dad from the shark. If strangers won’t help when someone is dying, they’re definitely not going to stop two kids from running out of a museum. Pulse swishing in my temples, I race around the information booth, pumping my arms, and watch them split up again. Polo is heading for the easy way out: the main exit, where there’s (1) only a set of doors to go through, and (2) Hector, the laziest employee on staff. But Backpack is headed for the ticketing booth and the connecting turnstiles. Freddy should be there, but no one’s entering the museum, so he’s instead chatting it up with Hector. The turnstiles are unmanned. Like a pro hustler who’s never paid a subway fare, Backpack hurdles over the turnstiles in one leap. Impressive. Or it would have been, had his backpack not slipped off his shoulder and the strap not caught on one of the turnstile arms. While he struggles to free it, I take the easier route and make for the wheelchair access gate. I unhitch the latch. He frees the strap. I slip through the gate, and just as he’s turning to run, I lurch forward and— I jump on his back. We hit the ground together. The air whooshes out of my lungs and my knee slams into tile. He cries out. I don’t. I freaking got him.
Jenn Bennett (Alex, Approximately)
Isn’t it wonderful that he’s so excited to meet you, Zeke?” She smiles, eyebrows rising a fraction…gives her head an encouraging little nod up and down until I hear myself saying, “Yes?” The kid does a fist pump. “I’ve seen all your home games, and last week at Cornell?” His voice cracks with excitement. “Holy shit man, that pin on JJ Beldon was sick! Seriously sick. My friends and I lost our minds.” Violet nudges my arm gently with a smile on her face. “Thanks?” She pats my arm and— Wait just one damn minute. Is she…is Violet coaching me on how to be nice? Her hand is still on my sleeve and I look down into her pretty, upturned face. Down at her bold, dark lips. Her huge eyes and long lashes. All that pale blonde hair. She’s a damn wet dream. Fuck me.
Sara Ney (The Failing Hours (How to Date a Douchebag, #2))
The rover crested a nearby dune with the trailer in tow. It slowed for a few moments, then continued toward the ship at top speed. It came to a stop twenty meters away. There it remained for ten minutes while the astronaut inside suited up. He stumbled excitedly out of the airlock, falling to the ground then scrambling to his feet. Beholding the MAV, he gestured to it with both arms, as if in disbelief. He leaped into the air several times, arms held high with fists clenched. Then he knelt on one knee and fist-pumped repeatedly. Running to the spacecraft, he hugged Landing Strut B. After a few moments, he broke off the embrace to perform another round of leaping celebrations. Now fatigued, the astronaut stood with arms akimbo, looking up at the sleek lines of the engineering marvel before him.
Andy Weir (The Martian)
The second project is in the field of metaphysics: with the aim of showing that, in the words of Professor H. M. Tooten, “evolution is a hoax”, Olivier Gratiolet has undertaken an exhaustive inventory of all the imperfections and inadequacies to which the human organism is heir: vertical posture, for example, gives man only a precarious balance: muscular tension alone keeps him upright, thus causing constant fatigue and discomfort in the spinal column, which, although sixteen times stronger than it would have been were it straight, does not allow man to carry a meaningful weight on his back; feet ought to be broader, more spread out, more specifically suited to locomotion, whereas what he has are only atrophied hands deprived of prehensile ability; legs are not sturdy enough to bear the body’s weight, which makes them bend, and moreover they are a strain on the heart, which has to pump blood about three feet up, whence come swollen feet, varicose veins, etc.; hip joints are fragile and constantly prone to arthrosis or serious fractures; arms are atrophied and too slender; hands are frail, especially the little finger, which has no use, the stomach has no protection whatsoever, no more than the genitals do; the neck is rigid and limits rotation of the head, the teeth do not allow food to be grasped from the sides, the sense of smell is virtually nil, night vision is less than mediocre, hearing is very inadequate; man’s hairless and unfurred body affords no protection against cold, and, in sum, of all the animals of creation, man, who is generally considered the ultimate fruit of evolution, is the most naked of all.
Georges Perec (Life A User's Manual)
I’m Danny Wexler and this is Channel Five sports! The [Undisclosed] football team has been raped in the ass by fate once again, booted from the first round of the playoffs as they failed to carry their inflatable turd past a chalk line in the grass as often as their opponents did. Here’s Hornets quarterback Mikey Wolford, flopping that right arm around like a retard while he tries to pass to a teammate that apparently only he can see. Aaaaand, it’s intercepted. Nice pass, ’tard! Now here’s Spartans fullback Derrick Simpson, pumping those nigger thighs down the field like pistons on a machine designed for cotton picking. Ooh, nice tackle attempt there, Freddy Mason! I bet you could tackle that fullback if he was made of dick, couldn’t you, Freddy? But, he’s not, so final score, forty-one to seventeen. May every Spartan die with a turd on his lips. All hail Korrok.
David Wong (John Dies at the End)
So did you actually try to kill yourself? Or did that weird bitch just make up the whole thing?' Silently, I held up my left arm, wrist facing Emily. She crossed her arms and kept her lips squished together as she examined me for a moment, sizing up those three perfect scars. Finally, she said, 'You know that you're supposed to cut down to kill yourself, right? You did it wrong.' I looked at Emily and thought about what would have happened if I'd cut the other way. Or what wouldn't have happened. Char wouldn't have broken up with me. Alex wouldn't be mad at me. Pippa wouldn't hate me. And I never would have met Vicky. I would never have had my first kiss. I would never have worn rhinestone pumps. I would never have heard Big Audio Dynamite. I would never have discovered Start. I would never have known I could be a DJ. Emily Wallace didn't know what she was talking about. She never had. You did it wrong, she said. 'No,' I said to her. 'I didn't.
Leila Sales (This Song Will Save Your Life)
How strange and delicious it was to sit here like this, entwined and filled, while sea breezes rustled through the marram grass on the dunes and quiet waves lapped at the shore. Eventually Keir lifted his head, his eyes very light in his flushed face. "Put your legs around my waist," he said. He helped to rearrange her limbs until they were pressed together closely in a seated embrace, with his bent knees supporting her. It was surprisingly comfortable, but didn't permit much movement. Instead of thrusting, they were limited to a rocking motion that allowed only an inch or two of his length to withdraw and plunge. "I don't think this is going to work," Merritt said, her arms looped around his neck. "Be patient." His mouth sought hers in a warm, flirting kiss. One of his hands searched beneath her skirts to settle on her naked bottom, pulling her forward as they rocked rhythmically. Feeling awkward, but also having fun, Merritt experimented by bracing her feet on the ground and pushing to help their momentum. The combination of pressure and movement had a stunning effect in her. Every forward pitch brought her weight fully onto him, in deep steady nudges that sent bolts of pure erotic feeling through every nerve pathway. The tension was building, compelling her toward a culmination more intense than anything she'd ever felt. She couldn't drive herself hard onto the heavy shaft, her body taking every inch and clenching frantically on each withdrawal as if trying to keep him inside. Nothing mattered except the rhythmic lunges that pumped more and more pleasure into her. Keir's breath hissed through his teeth as he felt her electrified response, the cinch of her intimate muscles. His hand gripped over her bottom, pulling her onto him again, again, again, until the relentless unfaltering movement finally catapulted her into a climax that was like losing consciousness, blinding her vision with a shower of white sparks and extinguishing every rational thought.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
But it wasn't till he'd been there nearly two weeks that one morning Paris and its people suddenly became more than a background for his vacation. He was sitting in a café, out on the walk, having a tiny cup of Paris-tasting, Paris-smelling coffee, watching traffic stream by, pleased as always with the countless people on bikes expertly threading their way between and around the cars and buses and trucks. Then a traffic light changed, the stream stopped and waited, and a man on a bike, one foot on the pavement, lifted his arm and wiped his forehead with the back of his hand. And he turned real. In that instant he was no longer a quaint part of a charming background; he turned into a real man, tired from pumping that bike, and for the first time it occurred to my friend that there was a reason so many people picturesquely rode bikes through the heavy traffic, and the reason was to save bus fare and because they couldn't afford cars. After that, for the few days that were left to him there, my friend continued to enjoy Paris. But now it was no longer an immense travel poster but a real city, because now so were its people.
Jack Finney
They were all joking about the party at my place when they walked away. As I uncapped my drink, I noticed Michael was hanging back a bit. “Got something on your mind?” I called out, gesturing at him with my chin. He was a good player, he worked hard on the field, and I respected him. I got the feeling, though, that I wasn’t going to like what he wanted to say. I could tell by the hesitation in his face and body language. He probably disagreed with some of the plays I wanted to try tonight and didn’t want to piss me off in fear I would freeze him out on the field. But I wasn’t like that. I left personal shit in the locker room. There was no room for drama in the game. He walked back over in front of me as he adjusted the strap on his shoulder. “I’m not sure I should say anything.” “Just say it, man. It’s cool.” “I saw your girl this morning.” He started, and everything in me went cold. This wasn’t about football. This was personal. “You looking at Rimmel?” I asked, my voice calm and low. His eyes widened a little, but he shook his head. “No, man. I probably wouldn’t have known it was her, but she was wearing your hoodie.” I nodded for him to continue. “She was in the hall, outside her class,” he said, glancing at me. He needed to get to the fucking point already. I was losing patience. “That guy Zach was with her. It looked pretty intense.” I jerked upright. “What?” I growled. What the fuck was Rimmel doing with Zach? Why was he talking to her? “He was grabbing her arm. Jerking her around pretty good.” Red tinged my vision and adrenaline started pumping in my veins. “What did you just say?” Michael nodded grimly. “It’s why I noticed them. He grabbed her and she cried out. She told him to let go, but he just jerked her more. She almost fell.” A noise rumbled out of my chest and anger so swift and hot that it hurt filled me. “Tell me you pulled him off her,” I intoned. “I was going to. I called out to them and started forward, but that’s when he let her go and walked away.” I was going to kill him. Dead. “I asked her if she was okay. I don’t think she knew I’m on the team with you.” “Probably not,” I muttered, still trying to control the anger spiraling out of control inside me. “She said she was.” He continued, but I heard the doubt in his voice. “But?” The word came out harsher than I intended, but he didn’t seem to notice. “But her wrist was pretty red. Looked like it was going to bruise.” Thought ceased in my head. Rationality evaporated. “Thanks for telling me,” I said and rushed away in the opposite direction of my next class.
Cambria Hebert (#Hater (Hashtag, #2))
He clipped the male again, this time in the shoulder, sending Einar flying backward. He was vaguely aware of Cyn racing to Leilani. He could hear her calling out his own name, but he tuned everything out, including her. Con couldn’t go to her yet. The threat needed to be eliminated. A red haze had descended across his vision as he body-slammed Einar, who was attempting to stand. That male wasn’t walking out of here. He knew he wasn’t acting rational, that the threat could be put down easier than this, but he couldn’t stop the rage that had overtaken him. Einar pumped a fist against Con’s ribcage as they tumbled to the ground. He barely felt it as he slammed a left hook across the male’s jaw. Didn’t feel anything as he jabbed him in the gut, the ribs, the face. Over and over. He felt a bloodlust overtake him as he pounded at Einar’s face. This male had wanted to hurt Leilani, to take her from Con. Strong arms wrapped around Con, tackling him to the ground and rolling him off his target. “Con!” Cyn held him tight, his eyes wild as he kept him pinned down. “It’s done. You’re scaring her.” Those words snapped him out of the dark fog of savagery that had overtaken him. Leilani stood a few feet away, her eyes wide as she stared at him. Fuck, he had scared her. “I’m fine,” he rasped to his brother. Cyn paused before loosening his grip. When he did, Con stood, terrified he’d screwed things up for good. He didn’t glance at Einar, who he was certain was dead. He’d never lost control like that, had never even come close. It pierced him that Leilani had seen him kill someone, that he literally had blood on his hands in front of her now. “Leilani—” She jumped at him, throwing her arms around his neck on a sob. “You came for me.” Unable to do anything about the blood, he wrapped his arms around her and held tight. Of course he’d come for her. There was nowhere she could go that he wouldn’t follow. That realization slammed into him as if someone had actually struck him. They’d known each other less than two weeks but she’d changed his world without even trying. He would give up his role of leader for her. The thought should have terrified him, but it didn’t. He buried his face against her neck, inhaled her sweet, arilod scent. “I’m not letting you go after the moon cycle.” She sniffled, her fingers gripping his shoulders tight. “Good because I’m not going anywhere,” she said as she pulled back. Her eyes were bright with tears as she looked at him. “I would move to the mainland for you.” She blinked once in surprise before her lips pulled up into a smile. “No. This is your home— my home now.” No, he realized, she was his home, but he simply nodded and crushed his mouth to hers.
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
One of the gunmen in the room, ending his call to his wife, and seeing me typing, came across and shook my hand. “You going to make a lot of money off this story!” the gunman with the Rastafarian hairstyle said. His pump-action shotgun was slung in the crook of his arm. He was smiling. “Yeah”, I said. “If I get out of here alive.” “You all right, you going to be all right”, he said, laughing. But you see me? I don’t know too much about my future right now.” “Everybody’s going to be all right,” I said. He laughed again. And reached into his back pocket and came out with a little white slip of paper in his hand. “I don’t know about me,” he said, smiling. “But if you write the story and make a lot of money, maybe you could get these things for the wife for me.” He handed me the slip of paper. On it, in block letters, was an itemized list: TV SET VIDEO SET WASHING MACHINE FRIDGE For a moment I shook my head in bewilderment, looking at that list. But he was laughing again and saying: “So if you make a lot of money off your book, get those things for the wife for me, nuh.” I said: “Sure.” I pocketed the note and walked away, flooded by nausea, thinking: so this is what he’s in it for, this young Trinidadian with the Rasta hairdo, the fake army camouflage shirt and pants tucked into his big soldier-looking black boots, with the wicked-looking shotgun crooked in his arm. A free television set. A video set. A washing machine. A fridge.
Raoul Pantin (Days of Wrath: The 1990 Coup in Trinidad and Tobago)
The rifle started to move lazily in a low arc. The man's left hand was at the trigger, his right just in front of the triggerguard, pivoting the gun. They stood still. The man sat lazily looking down at the breech, his chair still tilted against the small door with the yellow Yale lock. The gun slowly traversed Leiter's stomach, then Bond's. The two men stood like statues, not risking a move of the hand. The gun stopped pivoting. It was pointing down the wharf. The Robber looked briefly up, narrowed his eyes and pulled the trigger. The pelican gave a faint squawk and they heard its heavy body crash into the water. The echo of the shot boomed across the harbor. "What the hell d'you do that for?" asked Bond furiously. "Practice," said the man, pumping another bullet into the breech. "Guess there's a branch of the ASPCA in this town," said Leiter. "Let's get along there and report this guy." "Want to be prosecuted for trespass?" asked The Robber, getting slowly up and shifting the gun under his arm. "This is private property. Now," he spat the words out, "git the hell out of here." He turned and yanked the chair away from the door, opened the door with a key and turned with one foot on the threshold. "You both got guns," he said. "I kin smell 'em. You come aroun' here again and you follow the boid 'n I plead self-defense. I've had a bellyfull of you lousy dicks aroun' here lately breathin' down my neck. Sybil my ass!" He turned contemptuously through the door and slammed it so that the frame rattled.
Ian Fleming (Live and Let Die)
The date rape drug he’d intended to give me has knocked him out so hard he’s barely even flinched, despite being dragged to the top of a twelve-storey building, stripped naked and bound to a post. His head lolls towards his chest. I stand back to admire him, taking in his slumped frame as he wilts against the pressure of his rope bindings. He looks Christ-like, vulnerable. His skin is grey in the murky moonlight. His body is incredible. Hardly surprising, since he seems to spend half his life at the gym. His stomach is taut, rippled with abs. His pecs are straight from a swimwear ad, his broad shoulders and ripped arms are built like a boxer’s. His biceps are strong, lined with veins that will soon cease to pump blood. He has the kind of arms that could pin you down so tightly you wouldn’t be able to move a muscle. His hands are large – the least attractive part of him: dry, thick, stubby. They’re the type of hands that could grip your wrists and stifle screams. Hands that could have killed me tonight. Hands that would have hurt me. Hands that would have held me in place while he raped me. I let my eyes wander down to his cock, which would probably have been pounding away inside me around now if things had gone his way. I could tell pretty early into our date that he was a predator. Perhaps it takes one to know one, but I could see it in his dark eyes and sly glances, the hungry way he took in my body, the type of questions he asked, his eagerness to buy me drinks. He probably didn’t think I had it in me to notice. Of course he didn’t. He just saw my shiny, sweeping hair, my lashes, my clothes, my smile. He saw what everybody else sees: my mask.
Zoe Rosi (Pretty Evil)
After dinner, as we had so many times during our months and months together, Marlboro Man and I adjourned to his porch. It was dark--we’d eaten late--and despite my silent five-minute battle with the reality of my reproductive system, there was definitely something special about the night. I stood at the railing, breathing in the dewy night air and taking in all the sounds of the countryside that would one day be my home. The pumping of a distant oil well, the symphony of crickets, the occasional moo of a mama cow, the manic yipping of coyotes…the din of country life was as present and reassuring as the cacophony of car horns, traffic sounds, and sirens had been in L.A. I loved everything about it. He appeared behind me; his strong arms wrapped around my waist. Oh, it was real, all right--he was real. As I touched his forearms and ran the palms of my hands from his elbows down to his wrists, I’d never been more sure of how very real he was. Here, grasping me in his arms, was the Adonis of all the romance-novel fantasies I clearly never realized I’d been having; they’d been playing themselves out in steamy detail under the surface of my consciousness, and I never even knew I’d been missing it. I closed my eyes and rested my head back on his chest, just as his impossibly soft lips and subtle whiskers rested on my neck. Romancewise, it was perfection--the night air was still--almost imperceptible. Physically, viscerally, it was almost more than I could stand. Six babies? Sure. How ’bout seven? Is that enough? Standing there that night, I would have said eight, nine, ten. And I could have gotten started right away. But getting started would have to wait. There’d be plenty of time for that. For that night, that dark, perfect night, we simply stayed on the porch and locked ourselves in kiss after beautiful, steamy kiss. And before too long, it was impossible to tell where his arms ended and where my body began.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Truth or dare,” I ask, my voice edgy with anticipation and yearning. I know he’ll answer dare – and it will be the last one I give him. “Dare.” “Fuck me,” I beg. He immediately rolls over, gently resting his body on top of mine. I spread my legs, positioning his trim waist and hips in between my thighs. The hard outline of his cock grazes the front of my panties, sending my eyes rolling into the back of my head. He slides his hands under the covers. His fingers sneak under the waistband of my panties. He sits up to slowly glide them down my legs, revealing body in the moonlight. He tosses them, dripping wet, by the side of the bed and the then slides off his tight briefs. His erect cock stands at attention once removed from its fabric confines, pulsing up and down in rhythm with Cole’s racing heartbeat. With the covers now cast to the side, Cole leans over me, devouring my lips. My lips open and I yield him my tongue, which he handles adroitly, flicking it with his own and sucking it with his lips. He leans over to the side of the bed and bends down, picking up his shorts. The movement of his body over mine sends the peaks of his deeply sculpted abs gliding across my soft skin, generating a shiver that trembles through my body. He pulls out his wallet from his shorts pocket and extracts a condom. He kneels on the bed and works the condom down the expansive length of his solid shaft. He imposes his body back over mine, covering me with his huge torso. The length of his cock rests against my warm pussy, throbbing against it. I wrap my legs around his waist and lock my ankles together, pulling him closer toward me. His rough, masculine scent fills my nostrils. He kisses my neck, the light stubble on the side of his check rubbing against my skin. I buck my hips toward him, pressing his cock against me. The bottom of his shaft rests on my warm opening, the tip extends up to my belly button. A delicious anxiousness overtakes me. Will I really be able to fit all of him inside me? “Fuck, Emma, you’re so sexy,” he moans while raking his lips and tongue up and down my neck. He nibbles lightly on my earlobe, his hot, staggered breath brushing against the side of my face. “I want you inside me,” I pant to him. He lifts his hips up and steadies his cock at the precipice of my slick center. He looks me in the eye, and I nod, imploring him to plunge inside me. He does. I shut my eyes as a brief wave of pain washes over me, the shock of accommodating his massive size inside. It soon subsides and my body comfortably accustomed itself to his presence. He slowly pumps in and out of me. I bite down on my bottom lip, waves of pleasure erupting from my center and traversing every inch of my body. My stomach is in knots and my breath is quick and sharp. Every time he lifts his hips to thrust out, my wet cavern craves for him to come back – and he immediately does, pushing himself back in, the length of his shaft rubbing against my insides, the friction driving me wild with ecstasy. I lose track of time as he continues to thrust in and out. I buck my hips against him, hungry for his full length. I tighten my grip with my legs around his waist, greedy for his body to press against mine. “Fuck, Emma, shit,” he moans. I can only respond with unarticulated moans of pleasure and gasps for breath. “Oh, fuck, Cole, I’m gonna come,” I announce. I shut my eyes tight and wrap my arms around his neck, pulling him into me. He thrusts one more time, strongly, and my orgasm erupts. Pulses of pleasure shoot up and down my spine and turn my insides, my chest beats and my heartrate booms against my eardrums. The outside world disappears as I feel my body melting into Cole’s. Cole collapses next to me, a sheen of sweat glistening over his body in the moonlight, highlighting the twists and turns of his musculature. Slowly the world comes back into focus and a blissful
Zoey Shores (Touch Back (Playing for Keeps #1))
Blood pressure check!” The doorknob rattled, as if the nurse were intending just to walk in, but the lock held, thank God. The nurse knocked again. “Oh, shit,” Gina breathed, laughing as she scrambled off of him. She reached to remove the condom they’d just used, encountered . . . him, and met his eyes. But then she scooped her clothes off the floor and ran into the bathroom. “Mr. Bhagat?” The nurse knocked on the door again. Even louder this time. “Are you all right?” Oh, shit, indeed. “Come in,” Max called as he pulled up the blanket and leaned on the button that put his bed back up into a sitting position. The same control device had a “call nurse” button as well as the clearly marked one that would unlock the door. “It’s locked,” the nurse called back, as well he knew. “Oh, I’m sorry,” he said, as he wiped off his face with the edge of the sheet. Sweat much in bed, all alone, Mr. Bhagat? “I must’ve . . . Here, let me figure out how to . . .” He took an extra second to smooth his hair, his pajama top, and then, praying that the nurse had a cold and couldn’t smell the scent of sex that lingered in the air, he hit the release. “Please don’t lock your door during the day,” the woman scolded him as she came into the room, around to the side of his bed. It was Debra Forsythe, a woman around his age, whom Max had met briefly at his check-in. She had been on her way home to deal with some crisis with her kids, and hadn’t been happy then, either. “And not at night either,” she added, “until you’ve been here a few days.” “Sorry.” He gave her an apologetic smile, hanging on to it as the woman gazed at him through narrowed eyes. She didn’t say anything, she just wrapped the blood pressure cuff around his arm, and pumped it a little too full of air—ow—as Gina opened the bathroom door. “Did I hear someone at the door?” she asked brightly. “Oh, hi. Debbie, right?” “Debra.” She glanced at Gina, and then back, her disgust for Max apparent in the tightness of her lips. But then she focused on the gauge, stethoscope to his arm. Gina came out into the room, crossing around behind the nurse, making a face at him that meant . . .? Max sent her a questioning look, and she flashed him. She just lifted her skirt and gave him a quick but total eyeful. Which meant . . . Ah, Christ. The nurse turned to glare at Gina, who quickly straightened up from searching the floor. What was it with him and missing underwear? Gina smiled sweetly. “His blood pressure should be nice and low. He’s very relaxed—he just had a massage.” “You know, I didn’t peg you for a troublemaker when you checked in yesterday,” Debra said to Max, as she wrote his numbers on the chart. Gina was back to scanning the floor, but again, she straightened up innocently when the nurse turned toward her. “I think you’re probably looking for this.” Debra leaned over and . . . Gina’s panties dangled off the edge of her pen. They’d been on the floor, right at the woman’s sensibly clad feet. “Oops,” Gina said. Max could tell that she was mortified, but only because he knew her so well. She forced an even sunnier smile, and attempted to explain. “It was just . . . he was in the hospital for so long and . . .” “And men have needs,” Debra droned, clearly unmoved. “Believe me, I’ve heard it all before.” “No, actually,” Gina said, still trying to turn this into something they could all laugh about, “I have needs.” But it was obvious that this nurse hadn’t laughed since 1985. “Then maybe you should find someone your own age to play with. A professional hockey player just arrived. He’s in the east wing. Second floor.” She lowered her voice conspiratorially. “Lots of money. Just your type, I’m sure.” “Excuse me?” Gina wasn’t going to let one go past. She may not have been wearing any panties, but her Long Island attitude now waved around her like a superhero’s cape. She even assumed the battle position, hands on her hips.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
His arms wrapped around her, and he rolled easily to his back, taking her with him. Surprised and flummoxed, Merritt floundered a little as he gently pushed her up and arranged her legs to straddle him. "What are you doing?" "Putting you to work," he said, "since you're so set on wringing me dry." She looked at the brawny male beneath her and shook her head slightly. A brief laugh escaped him as he saw her confusion. "You're a horsewoman, aye?" he asked, and nudged upward with his hips. "Ride." Genuinely shocked at finding herself in the dominant position, Merritt braced her hands on his chest for balance. Her first tentative movement was rewarded by an encouraging lift of his hips. It sent him even deeper than before, the angle seeming to open something inside her, and she quivered in sensitive reaction. Hot and excited and mortified, she understood what he wanted. As she began to move, she gradually lost her self-consciousness and found a rhythm, her sex rubbing and pumping against his. Every downstroke sent pleasure through her, every sensation connected to the thick length of him. Panting heavily, Keir reached up to cup her breasts, his thumbs stroking the stiff peaks. "Merry, love... I'm going to come soon." "Yes," she gasped, a tide of heat approaching fast. "You'll... you'll have to pull away, if you dinna want me to release inside you." "I want it," she managed to say. "Stay in me. I want to feel you come... Keir..." He began to pump fast and hard, his hands grasping her hips to keep her in place. His eyes half closed, the passion-drowsed intensity of his gaze pushing her over the edge. The release went on and on, new swells and crests washing over her, having her moaning and shivering in their wake. She felt his hands grip her thighs as he bucked beneath her once, twice, and held fast. When he subsided, trembling like a racehorse held in check, she lay on top of him with their bodies still fused. Feeling euphoric, she nuzzled the dark golden fleece of his chest.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
While his patience frayed, in the end, it was Meena who snapped first. Whether it was the fact a woman touched him, hanging on to his arm, gushing at how beautiful the wedding was, or the fact that Meena couldn’t handle the frustration of the last few days, it didn’t matter. With a snarled, “Get your hands off my husband!” Meena sliced through the crowd, skirts hiked. She leaped the last few feet and soared through the air to tackle the lioness at his side, who, as it turned out, was Loni’s cousin. But at the time, all he knew was his new wife was in full-on jealous mode and determined to scalp a wedding guest. As omega, Leo should have jumped in to calm the hot tempers— and stop the hair pulling. At the very least, he should have definitely pried Meena off the lioness before she got blood on her white dress. But… Well… He kind of liked it. While Leo had dated his fair share of women, he’d never had one show such a possessive side before. Definitely never had one go after a girl for daring to flirt with him. He didn’t know what it said about him, the fact that he enjoyed her jealous outburst. Feeling kind of smug about it, he took a moment to bask. Hers. Yes, he was hers, and she was his, at least on paper. Perhaps it was time to complete the bond and truly mate so that everyone would know they belonged to each other. Time to claim each other. First, though, he needed to pry her off the other woman before she literally spilled blood. Winding an arm around her middle, he lifted Meena, even as she continued to snarl at the woman on the ground. “Touch my man again and I will rip that hand from you and slap you with it!” Ah, the romantic words of a woman in lust. Tossing Meena over his shoulder, he ignored the amused glances of the crowd as he carted her away from the party. “I wasn’t done, Pookie,” she grumbled. “I’ve got better plans for that energy,” was his reply. And yes, she announced to all that, “Leo’s finally going to debauch me.” She wasn’t the only one fist pumping. The other ladies in the pride were cheering too while Leo fought not to blush, and poor Peter, he made a beeline for the bar. However, embarrassment wasn’t enough to stop him.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
I want you, Leilani. I'm so hard it hurts. But your scent entices me, lures me." He drew the sheet farther down, past her navel, along the soft swell of her stomach. "I want to taste, to savor. Here." He kissed his way to the tender flesh high inside her inner thigh. "And here." He traced a similar path to the other side. "But I want to feast... here." He drew his tongue along the center of her, and groaned at the sweet taste of her. Lani's hips started to pump harder, and he could feel a fine quivering begin along her skin. She rocked and keened, and when he plunged his tongue deeply into her, she cried out, reached down and buried her fingers in his hair. Guiding him, urging him, demanding him, release broke over her in wracking, wrenching waves. "Baxter, please... please." Her hips slowed, but her body continued to gather and jerk as the aftershocks kept twitching through her. "Now," she demanded. "I'm- I'm safe, protected, we don't need-" She broke off as he kissed his way back up the center of her torso while she continued to writhe beneath him. The way she responded to him, making herself vulnerable to him, moved him in unpredictable ways. He shifted so he was directly on top of her and pressed himself between her thighs, which she parted, wrapping them around his hips, digging her heels into his lower back as she lifted for him, and took him in. Take her, he did, sliding all the way in, groaning as she gripped him fully, so tightly, so wetly, so perfectly, it was the fulfillment of every fantasy he'd ever had. Even though his heart was drumming inside his chest, and his body was priming itself for a ferocious release, climaxing wasn't the only thing dominating his thoughts. He met her every hip thrust, echoed every groan, every growl, as they worked their every frenzied way to completion, together. He could feel her climb again as she rolled her hips beneath him, and reality continued to eclipse fantasy. "Come with me, yes," he said, claiming her mouth even as she was nodding in agreement. He pulled her into his arms and moved more deeply, as she instinctively shifted to take him more tightly inside her. They moved with a rhythm that was as old as man's creation, and uniquely and utterly their own.
Donna Kauffman (Sugar Rush (Cupcake Club #1))
One and two and three and four and five and six…” Oh, God don’t let me hurt him. “…and seven and eight and nine and ten and eleven…” Am I really doing this? Here? Is this real? “…and twelve and thirteen and fourteen and fifteen…” We’re in the middle of nowhere. No one is going to find us. Even the fire has gone out. “…and sixteen and seventeen and eighteen and nineteen…” He’s dead. I’m just beating on his body. “…and twenty and twenty-one and twenty-two and twenty-three and twenty-four…” My arms hurt. How can my arms hurt now? Blake. I can’t. I can’t be here without you. “…and twenty-five and twenty-six and twenty-seven and twenty-eight and twenty-nine and thirty.” The next step was simple: cover his mouth and fill his lungs with air. Breathe into him with life’s breath. Livia did so, licked her lips, and started compressions again. “And one and two and three and four and five and six and seven…” I’ve got to be positive. I have to know he’ll make it. “…and eight and nine and ten and eleven and twelve and thirteen and fourteen…” We’re going to grow old together, Blake. We’re going to hold hands and kiss. “…and fifteen and sixteen and seventeen and eighteen and nineteen…” I’m giving you all my energy. All this love and hope. It’s going from my heart to yours, through my hands. “…and twenty and twenty-one and twenty-two and twenty-three…” Feel it, Blake. Feel it. “…and twenty-four and twenty-five and twenty-six and twenty-seven…” I love you so much. I’m going to love you forever. Can you feel that, Blake? “…and twenty-eight and twenty-nine and thirty.” Livia leaned down, repositioned Blake’s head, and filled his lungs twice more. As she put her hands on his chest to keep her rhythm, she looked down at his face, at his skin. “And one and two and three and four and five and six…” Am I imagining that? Your skin? “…and seven and eight and nine and ten and eleven…” Blake! Blake, your skin! It’s just like glass, Blake. You’re really sparkling. I can see it. I can really see it. Your skin is amazing! Livia’s tears landed on her hard-pumping hands. Nothing would stop her from beating Blake’s heart for him now. Nothing. Not even the sound of people crashing through the woods. “…and twelve and thirteen and fourteen and fifteen and sixteen and seventeen…” You’re glistening, Blake. I’ll never stop. I’ll never stop.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Suddenly I realized I was standing on the hot wood of the dock, still touching elbows with Adam, staring at the skull-and-crossbones pendant. And when I looked up into his light blue eyes, I saw that he was staring at my neck. No. Down lower. “What’cha staring at?” I asked. He cleared his throat. “Tank top or what?” This was his seal of approval, as in, Last day of school or what? or, Dallas Cowboys Cheerleaders or what? Hooray! He wasn’t Sean, but he was built of the same material. This was a good sign. I pumped him for more info, to make sure. “What about my tank top?” “You’re wearing it.” He looked out across the lake, showing me his profile. His cheek had turned bright red under his tan. I had embarrassed the wrong boy. Damn, it was back to the football T-shirt for me. No it wasn’t, either. I couldn’t abandon my plan. I had a fish to catch. “Look,” I told Adam, as if he hadn’t already looked. “Sean’s leaving at the end of the summer. Yeah, yeah, he’ll be back next summer, but I’m afraid I won’t be able to compete once he’s had a taste of college life and sorority girls. It’s now or never, and desperate times call for desperate tank tops.” Adam opened his mouth to say something. I shut him up by raising my hand. Imitating his deep boy-voice, I said, “I don’t know why you want to hook up with that jerk.” We’d had this conversation whenever we saw each other lately. I said in my normal voice, “I just do, okay? Let me do it, and don’t get in my way. Stay out of my net, little dolphin.” I bumped his hip with my hip. Or tried to, but he was a lot taller than me. I actually hit somewhere around his mid-thigh. He folded his arms, stared me down, and pressed his lips together. He tried to look grim. I could tell he was struggling not to laugh. “Don’t call me that.” “Why not?” “Dolphins don’t live in the lake,” he said matter-of-factly, as if this were the real reason. The real reason was that the man-child within him did not want to be called “little” anything. Boys were like that. I shrugged. “Fine, little brim. Little bass.” He walked toward the stairs. “Little striper.” He turned. “What if Sean actually asked you out?” I didn’t want to be teased about this. It could happen! “You act like it’s the most remote poss-“ “He has to ride around with the sunroof open just so he can fit his big head in the truck. Where would you sit?” “In his lap?” A look of disgust flashed across Adam’s face before he jogged up the stairs, his weight making the weathered planks creaked with every step.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Through the open doorway suddenly stepped a small woman, long ebony hair braided intricately, huge blue eyes flashing at Mikhail. As Byron shouldered his way inside behind her, she gave him a friendly smile and stood on her toes to brush his chin with a kiss. Mikhail stiffened, then immediately wrapped a possessive arm around her waist. “Carpathian women do not do that kind of thing,” he reprimanded her. She tilted her chin at him, in no way intimidated. “That’s because Carpathian males have such a territorial mentality— you know, a beat-their-chest, swing-from-the-trees sort of thing.” She turned her head to look at the couple lying on the floor. Her indrawn breath was audible. “Jacques.” She whispered his name, tears in her voice and in her blue eyes. “It really is you.” Eluding Mikhail’s outstretched, detaining hand, she ran to him. Let her, Gregori persuaded softly. Look at him. Jacques’ gaze was fastened on the woman’s face, the red flames receding from his eyes as she approached. “I’m Raven, Jacques. Don’t you remember me? Mikhail, your brother, is my lifemate.” Raven dropped to her knees beside the couple. “Thank God you’re alive. I can’t believe how lucky we are. Who did this to you? Who took you from us?” Shea felt the ripple of awareness in her mind. Jacques’ shock. His curiosity. He recognized those tear-filled blue eyes. Shea caught a glimpse, a fragment of memory, the woman bending over him, her hands clamped to his throat, pressing soil and saliva into a pumping wound. Shea held her breath, waiting. Jacques’ silent cry of despair echoed in her head. She forced herself to move, found his hand with hers, silently supporting him as she regarded the woman kneeling beside her. You didn’t tell me she was so beautiful, Shea reprimanded deliberately. In the midst of Jacques’ pain and agony, his possessive fury and maniacal madness, something seemed to melt the ice-cold core of murderous resolve. The urge to smile at that feminine, edgy tone came out of nowhere. Something snarling to be set free retreated, and the tension in him eased visibly. Is she? Jacques asked innocently. Shea’s green eyes touched his face, and warmth spread further inside him. And the beast was temporarily leashed. “Is this your lifemate, Jacques?” Raven asked softly. Shea looked at her then, this woman who had been a part of Jacques’ life. “I’m Shea O’Halloran.” Her voice was husky and ragged. “Jacques has been unable to use his voice since I found him.” Raven touched Shea’s bruised throat with gentle fingers. “Someone had better tell me what happened here.” Her blue eyes were studying the dark smudges closely. “Help her to the bed,” Gregori interceded, distracting Raven from her study. You owe me one, old friend, he sent to Mikhail.
Christine Feehan (Dark Desire (Dark, #2))
It was getting difficult to see exactly what was going on in the pool and a fourth officer jumped in as one came up with the unconscious form of the first cop. While others pulled the half-drowned man from the pool, three more wrestled Skorzeny to the surface and dragged him to the steps at the shallow end of the pool. He wasn't struggling any longer. Nor was he breathing with any apparent difficulty. The biggest of the three cops later admitted to punching him as hard as he could in the stomach and Skorzey doubled over. Another half-dragged him, still on his feet, shirt torn, jacket ripped, out of the pool and put a handcuff on his left wrist. Skorzeny pulled his arm away from the cop and, suddenly straightening, elbow-jabbed him in the gut, sending him sprawling and rolling back into the pool. Skorzeny turned toward the back fence and was now between the pool and a small palm tree. Before him were two advancing officers, pistols leveled. Behind him two more circled the pool. Skorzeny lunged forward and all fired simultaneously. The noise was deafening. Lights in neighboring houses began to go on. Skorzeny's body twitched and bucked as the heavy slugs ripped through his body. His forward momentum carried him into the officers ahead of him and he half-crawled, half-staggered to the southeast corner of the yard where another gate was set into the fiberglass fencing. Two more officers, across the pool, cut loose with their pistols, emptying them into this writing body which danced like a puppet. Another cop fired two shots from his pump-action shotgun and Skorzeny was lifted clean off his feet and slammed against the gate, sagging to the ground. En masse from both ends of the pool they advanced, when he gave out with a terrible hissing snarl and started to rise once more. All movement ceased as the cops, to a man, stood frozen in their tracks. Skorzeny stood there like some hideous caricature, his shredding clothing and skin hanging like limp rags from his scarecrow form. His flesh was ripped in several places and he was oozing something that looked like watered-down blood. It was pinkish and transparent. He stood there like a living nightmare. Then he straightened and raised his fist with the cuff still dangling from it like a charm bracelet. 'Fools!' he shrieked. 'You can't kill me. You can't even hurt me.' Overhead, the copter hovered, the copilot giving a blow-by-blow description of the fight over the radio. The police on the ground were paralyzed. Nearly thirty shots had been fired (the bullets later tallied in reports turned in by the participating officers) and their quarry was still as strong as ever. He'd been hit repeatedly in the head and legs, so a bulletproof vest wasn't the answer. And at distances sometimes as little as five feet, they could hardly have missed. They'd seen him hit. They stood frozen in an eerie tableau as the still roiling pool water threw weird reflections all over the yard. Then Skorzeny did the most frightening thing of all. He smiled. A red-rimmed, hideous grin revealing fangs that 'would have done justice to a Doberman Pinscher.
Jeff Rice (The Night Stalker)
Elvis was pretty slick. Nonetheless, I knew that he was cheating. His four-of-a-kind would beat my full house. I had two choices. I could fold my hand and lose all the money I’d contributed to the pot, or I could match Elvis’s bet and continue to play. If a gambler thought he was in an honest game, he would probably match the bet thinking his full house was a sure winner. The con artist would bet large amounts of money on the remaining cards, knowing he had a winning hand. I narrowed my eyes and pursed my lips, as if struggling to decide whether to wager five hundred pesos or fold my hand and call it quits. I knew there were five men between me and the door and watched them from the corner of my eye. Even if I folded and accepted my losses, I knew they would not let me leave without taking all my cash. They had strength in numbers and would strong arm me if they could. The men stared, intently watching my next move. I set down my beer and took five one hundred peso notes from my wallet. The men at the bar relaxed. My adrenaline surged, pumping through my brain, sharpening my focus as I prepared for action. I moved as if to place my bet on the table, but instead my hand bumped my beer bottle, spilling it onto Elvis’ lap. Elvis reacted instinctively to the cold beer, pushing back from the table and rising to his feet. I jumped up from my chair making a loud show of apologizing, and in the ensuing pandemonium I snatched all the money off the table and bolted for the door! My tactics took everyone by complete surprise. I had a small head start, but the Filipinos recovered quickly and scrambled to cut off my escape. I dashed to the door and barely made it to the exit ahead of the Filipinos. The thugs were nearly upon me when I suddenly wheeled round and kicked the nearest man square in the chest. My kick cracked ribs and launched the shocked Filipino through the air into the other men, tumbling them to the ground. For the moment, my assailants were a jumble of tangled bodies on the floor. I darted out the door and raced down the busy sidewalk, dodging pedestrians. I looked back and saw the furious Filipinos swarming out of the bar. Running full tilt, I grabbed onto the rail of a passing Jeepney and swung myself into the vehicle. The wide-eyed passengers shrunk back, trying to keep their distance from the crazy American. I yelled to the driver, “Step on the gas!” and thrust a hundred peso note into his hand. I looked back and saw all six of Johnny’s henchmen piling onto one tricycle. The jeepney driver realized we were being pursued and stomped the gas pedal to the floor. The jeepney surged into traffic and accelerated away from the tricycle. The tricycle was only designed for one driver and two passengers. With six bodies hanging on, the overloaded motorcycle was slow and unstable. The motorcycle driver held the throttle wide open and the tricycle rocked side to side, almost tipping over, as the frustrated riders yelled curses and flailed their arms futilely. My jeepney continued to speed through the city, pulling away from our pursuers. Finally, I could no longer see the tricycle behind us. When I was sure I had escaped, I thanked the driver and got off at the next stop. I hired a tricycle of my own and carefully made my way back to my neighborhood, keeping careful watch for Johnny and his friends. I knew that Johnny was in a frustrated rage. Not only had I foiled his plans, I had also made off with a thousand pesos of his cash. Even though I had great fun and came out of my escapade in good shape, my escape was risky and could’ve had a very different outcome. I feel a disclaimer is appropriate for those people who think it is fun to con street hustlers, “Kids. Don’t try this at home.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
I put my hand on his forearm, I don't know why I do this, and it's not exactly natural, although it's not unnatural, except that I really want to touch his skin. It's smooth and tan just a little bit and feels like summer, like something familiar and warm and good, like my skin did on the first days aboard 'Fishful Thinking' before it salted and burned and peeled. 'We broke up three years after that.' I sit back in my chair and give a sly smile. Relationships are complex and sometimes you can't really explain them to an outside party. 'I can't believe I just told you that' 'YES! YOU! ARE! LIVING! YOUR! FULL! LIFE!' A third time. I am not imagining it. 'There you are.' This time my heart does skip a beat. I look down at his arm, and we are still touching, and he has made no attempt to retract his arm or retreat. All my surroundings, the red formica table top, the pink yogurt, the blue sky, the green vegetables in the market, they all come alive in vibrant technicolor as the sun peers from behind a cloud. I am living my full life. 'Honesty in all things,' Byron adds, lifting his cup of yogurt for a toast of sorts. I pull my hand away from him and the instant my hand is back by his side, I miss the warmth of his arm, the warmth of him. Honesty in all things. I should put my hand back, that's where it wants to be, that's Lily's lesson to me. Be present in the moment, give spontaneous affection. I'm suddenly aware I haven't spoken in a bit. 'Did you know that an octopus has three hearts?' As soon as it comes out of my mouth, I realize I sound like that kid from 'Jerry McGuire.' 'Did you know the human head weighs eight pounds?' I hope my question comes off almost a fraction as endearing. 'No,' Byron says with a glint in his eye that reads as curiosity, at least I hope that it does, but even if it doesn't I'm too into the inertia of the trivia to stop it. 'It's true, one heart called the systemic heart that functions much like the left side of the human heart, distributing blood throughout the heart, then two smaller branchial heart with gills that act like the right side of our hearts to pump the blood back.' 'What made you think of that?' I smile. It may be entirely inappropriate first date conversation, but at least it doesn't bore me in the telling. I look up at the winsome August sky, marred only by the contrails of a passing jet, and a vaguely dachshund shaped cloud above the horizon. I don't believe in fate. I don't believe in love at first site. I don't believe in angels. I don't believe in heaven and that our loved ones are looking down on us, but the sun is so warm and the breeze is so cool and the company is so perfect and the whole afternoon so intoxicating, ti's hard not to hear Lily's voice dancing in the gentle wind, 'one! month! is Long! Enough TO! BE! SAD!' ... 'I recently lost someone close to me....I don't know, I feel her here today with us, you, me, her, three hearts, like an octopus,' I shrug. If I were him, I would run. What a ridiculously creepy thing to say. I would run and I would not stop until I was home in my bed with a gallon of ice cream deleting my profile from every dating site I belonged to. Maybe it's because it's not rehearsed, maybe it's because it's as weird a thing to say as it is genuine, maybe it's because this is finally the man for me. Byron stands and offers me his hand, 'Let's take a walk and you can tell me about her.' The gentle untying of a shoe lace. It takes me a minute to decide if I can do this, and I decide that I can, and I throw our yogurt dishes away, and I put my hand in his, and it's soft and warm, and instead of awkward fumbling, our hands clasp together like magnets and metal, like we've been hand-in-hand all along, and we are touching again. ...
Steven Rowley (Lily and the Octopus)
Her enormous eyes were staring straight into his silver ones. He couldn’t look away, couldn’t let go of her hand. He couldn’t have moved if his life depended on it. He was lost in those blue-violet eyes, somewhere in their mysterious, haunting, sexy depths. What was it he had decided? Decreed? He was not going to allow her anywhere near Peter’s funeral. Why was his resolve fading away to nothing? He had reasons, good reasons. He was certain of it. Yet now, drowning in her huge eyes, his thoughts on the length of her lashes, the curve of her cheek, the feel of her skin, he couldn’t think of denying her. After all, she hadn’t tried to defy him; she didn’t know he had made the decision to keep her away from Peter’s funeral. She was including him in the plans, as if they were a unit, a team. She was asking his advice. Would it be so terrible to please her over this? It was important to her. He blinked to keep from falling into her gaze and found himself staring at the perfection of her mouth. The way her lips parted so expectantly. The way the tip of her tongue darted out to moisten her full lower lip. Almost a caress. He groaned. An invitation. He braced himself to keep from leaning over and tracing the exact path with his own tongue. He was being tortured. Tormented. Her perfect lips formed a slight frown. He wanted to kiss it right off her mouth. “What is it, Gregori?” She reached up to touch his lips with her fingertip. His heart nearly jumped out of his chest. He caught her wrist and clamped it against his pumping heart. “Savannah,” he whispered. An ache. It came out that way. An ache. He knew it. She knew it. God, he wanted her with every cell in his body. Untamed. Wild. Crazy. He wanted to bury himself so deep inside her that she would never get him out. Her hand trembled in answer, a slight movement rather like the flutter of butterfly wings. He felt it all the way through his body. “It is all right, mon amour,” he said softly. “I am not asking for anything.” “I know you’re not. I’m not denying you anything. I know we need to have time to become friends, but I’m not going to deny what I feel already. When you’re close to me, my body temperature jumps about a thousand degrees.” Her blue eyes were dark and beckoning, steady on his. He touched her mind very gently, almost tenderly, slipped past her guard and knew what courage it took for her to make the admission. She was nervous, even afraid, but willing to meet him halfway. The realization nearly brought him to his knees. A muscle jumped in his jaw, and the silver eyes heated to molten mercury, but his face was as impassive as ever. “I think you are a witch, Savannah, casting a spell over me.” His hand cupped her face, his thumb sliding over her delicate cheekbone. She moved closer, and he felt her need for comfort, for reassurance. Her arms slid tentatively around his waist. Her head rested on his sternum. Gregori held her tightly, simply held her, waiting for her trembling to cease. Waiting for the warmth of his body to seep into hers. Gregori’s hand came up to stroke the thick length of silken, ebony hair, taking pleasure in the simple act. It brought a measure of peace to both of them. He would never have believed what a small thing like holding a woman could do to a man. She was turning his heart inside out; unfamiliar emotions surged wildly through him and wreaked havoc with his well-ordered life. In his arms, next to his hard strength, she felt fragile, delicate, like an exotic flower that could be easily broken. “Do not worry about Peter, ma petite,” he whispered into the silken strands of her hair. “We will see to his resting place tomorrow.” “Thank you, Gregori,” Savannah said. “It matters a lot to me.” He lifted her easily into his arms. “I know. It would be simpler if I did not. Come to my bed, chérie, where you belong.
Christine Feehan (Dark Magic (Dark, #4))
Two days later, on August 17, Smith’s Cove was abuzz with activity. The bulldozer was scraping a deep pathway from the beach, past the beach shack, heading up toward the Cave-In Pit, and the pump was pulling water from the bottom of the freshly-dug shaft located partly up the hill. Bobby was working near the beach shack with Andrew Demont, Leonard Kaizer, and Cyril Hiltz--young, local men who were helping Bobby to clear brush and burn it in an empty 50-gallon drum that sat on the shoreline. Both Dunfield and Karl Graeser were also on site. The air was electric with optimism and urgency. My father needed to take the boat over to mainland so he could visit his bank in Chester before closing time--papers had to be signed before Dunfield’s funds could be released. Dad was running late, but before he went up to the cabin to change his clothes for the trip ashore, he decided to take one last look in the new shaft to see how well the pump was getting rid of water. This newest shaft was behind the beach shack at a point where the land had started to rise to go up to the clearing. The shaft was large and deep (10 feet by 30 feet by 27 feet deep) and had three or four feet of water in the bottom. Dad peered down into the shaft, and without a sound, he tumbled in. Bobby saw it happen, dropped the bushes he had in his hands, and raced over to help. Others did, too. Bobby started down the ladder, but suddenly fell into the shaft. Karl Graeser was right behind Bobby, and began to climb down, but he lost consciousness and slid into the shaft, too. Cyril Hiltz followed Karl, and Cyril’s cousin, Andrew Demont, was close behind. Leonard Kaizer was the last man to rush in to help the others. One-by-one, as each man tried to climb down the ladder into the shaft, he lost consciousness and fell in. Ed White, a fireman from Buffalo, was visiting the island that day with a group of friends. He heard the cries for help and rushed to the shaft. His wife pleaded with him not to go down, but White tied a handkerchief around his face and had someone lower him into the shaft. He was able to get a rope around Leonard Kaizer, so that those at the top could pull him out. Then White went after Andrew Demont, who was unconscious with his arms locked around a steel pipe, which supported him above water. Even in his unconscious state, Demont lashed out and punched White. But the fireman prevailed and got the rope harness around him so that he could be pulled from the shaft. Ed White was a hero. He saved Leonard Kaizer and Andy Demont that day. But he could do no more. By then, he, too, was feeling the effects of the invisible gas. On that fateful day, August 17, 1965, Cyril Hiltz, Karl Graeser, Bob Restall, Sr., and Bob Restall, Jr. all lost their lives. The coroner’s ruling was “death by drowning.
Lee Lamb (Oak Island Family: The Restall Hunt for Buried Treasure)
She spread her legs wider and wrapped them around him, resting her heels on his strong, muscular back. He slid all the way in, then drew out slowly, and the sensations were almost unbearable, agonizing their intensity. As he plunged deep inside again, she rubbed herself against his pubic bone and threw her head back as he pumped wildly into her. Her sighs soon grew to moans, and she reached the heights of rapture, her arms wrapped tightly around his neck as she buried her face in the crook of his shoulder and exploded with sizzling triumph.
Julianne MacLean (Surrender to a Scoundrel (American Heiresses, #6))
ever need. Anything, you just tell me. It’s yours.” The lawyer pumped Mac’s arm vehemently in a handshake. “I mean it. Thank you, thank you, thank you,
Roger Stelljes (Deadly Stillwater (McRyan Mystery, #2))
In the muddy area below, the men of Jamestown gathered. Their excitement was obvious in the way they greeted each other, the rapid pumping of arms and the boisterous slapping of backs. Heads nodded as they conversed and waited to mingle with the ladies who would soon be their help mates. These men had pioneer spirits and courage. They had travelled to an unknown land to make a new life for themselves in a country where even the climate could kill. When these adventurers had first arrived, trade had been established with the Powhatans. Then the fort had been built. Then another, after the Indian raids. Then, the men of God came, and disease came, and the first two women, followed by families, and then winter. Cold, deadly winter followed by four years of Indian wars, and the hollow ache of starvation. Still, year after year, the settlement had survived and one year after the ship, The White Lion, brought the first black people, the settlement was thought safe for women—European women. Wives! It was a glorious day, for now each hard-working man could claim his bounty in female flesh. Of course, there would be opportunities to talk to a woman before making a life-binding decision, and there would be a celebration meal, ale and, no doubt, a dance.
Cheryl R. Cowtan
And yet-" His lips hovered by her ear as he ran his hands slowly up her belly. "-I could almost believe a night with you would have been worth it." He lifted her breasts in his palms. She jerked back with a small cry into the hard wall of his chest right behind her, her heart pumping in a tumult of confusion, arousal, and fear. Her chest heaved, thrusting her breasts more fully into his hands, but her breath had formed a tangled knot in her throat. She could not speak, could only feel the heat of his hands burning through the thin muslin of her gown, igniting bewildering forces in her blood. With his powerful arms wrapped around her, she could feel every inch of his lean, iron body molded against her- the angular jut of his knees nudging the backs of her legs, the slopes of his strong thighs against her buttocks, the sculpted plane of his stomach pressing against her back, and his muscular chest pillowing her head. "Pity," he whispered. "We fit together perfectly." A bewildering tremor ran the length of her body at his words; then he moved on, resuming his search. Her heartbeat tripped to a frantic staccato as he lowered himself to a crouched position by her right hip and slid his hands under her skirt. "What are you doing?" she forced out in a wobbly voice. "Just this." He ran his touch with leisurely slowness up her stockinged leg and hooked his finger into her garter, tracing it all the way around her thigh. A traitorous shiver coursed through her. Sizzling warmth flooded her lower body, making her burn with mortification. "What's your name?" he murmured, lightly tickling the back of her knee.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
Nerissa, mo grá,” he said weakly, from where he had been dragged to a corner and propped up against someone’s jacket. “Mo cróga, bean laoch álainn.” He was still in the bloodied breeches, a clean band of linen wound just above one knee. “My brave, beautiful warrior woman.” His eyes, deep and bottomless in the lantern-lit darkness, looked up at her through their absurdly long lashes, and she reached a hand, still smelling of gunpowder, down to touch his bristled cheek. He closed his eyes and held it there, reluctant to ever let her go, and she reveling in the warmth of his skin beneath hers, the knowledge that his heart still pumped his lifeblood beneath her hand. “I could not let you die,” she breathed, kneeling down beside him and offering him the strength of her own slim, lithe body. His face was ghostly from loss of blood, and she could see that it was an effort for him to even keep his eyes open, let alone press her hand to his cheek. She sat down on the hard, blood-stained planking and gently gathered him in her arms, stroking his heavy curls as he rested his forehead against her shoulder. “Tá tú mo banlaoch,” he whispered. “My heroine. My savior….” “Sleep, Ruaidri. The ship is back in your men’s hands and you, my love, are safe in mine.” She threaded her fingers up through his hair and gently caressed his scalp, wincing at the hard swelling she found there. She did not want to think about how he must have received it. She did not want to think of him being hurt, she did not want to think of anything but how grateful she was that he was alive and safely in her arms. Hadley… the Royal Navy… Lucien. Strength and a hard, ruthless confidence filled her heart. She had come this far. She could deal with all of them. Ruaidri’s forehead grew heavy against her collarbone. He murmured something unintelligible and, with her hand still quietly caressing him, finally gave himself up to the demands of his body and slept.
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
She felt time in the lean muscles in her thighs and rounded bottom when she pushed herself off the ground. She felt time in the way her arms and legs pumped when she walked into the river, bathed herself in the cool reflected surface of the dark pool under the waterfall. Josephine felt the possibility of time the night she watched the couple bend, release, break, and come back together on the trunk of the hundred-year-old tree. -The Girl with Dragonfly Wings
Shilo Niziolek (The Gateway Review: A Journal of Magical Realism (Volume 4, Issue 1))
From the true self, I asked the shameful part what it wanted. I jumped up, pacing as I explained myself. “I relate the shameful part to being like a child who had done something wrong—sent to his room— waiting for his father to come home and punish him.” I stopped in front of Keith’s desk, bending toward him. “It’s frustrating.” I rested both hands on the desktop, shaking my head. “I can’t latch onto one good deed or intention to convince myself that there is decency within.” At this point, I became physically exhausted. I plopped into the love seat and spread my arms across the back of the chair. Keith made a minor adjustment to his spectacles with a forefinger pushing its bridge, then let the finger make its way down his nose as he thought, looking down. He looked up, fixed his eyes directly on me. "The anxiety part jumped in to prevent you from having to relive and experience the pain that the shameful part was carrying." "And,” I said, leaning forward, “if I connect with the anxiety and ask it from the true self what it wants, the answer is rest, peace of mind for body and soul.” Keith slowly nodded his head as I continued. “It wants to live without stressing over everything and anything in an attempt to achieve perfection. The anxiety put me in a survival mode, pumping me up with adrenalin, putting me on guard, alerting me that there was danger ahead. I understand how the anxiety feels. It doesn’t have to worry anymore. There is no more danger ahead. The true self is now running things. We are now going to be able to take a deep breath, relax, and be at peace with ourselves. I’m so thankful that I now won’t be burdened with the nonstop torturous uproar of emotions.
Marco L. Bernardino Sr. (Sins of the Abused)
She would not stand here and be punished like a schoolgirl. She whirled away from him and walked in the direction of the house. “Eliza!” He called after her, his quiet tone loaded with anger. “Eliza!” She quickened her pace. Instantly, he was behind her again and yanked her around to face him. Her fury ignited. “Unhand me, Thomas!” she snapped, in the loudest whisper she could produce and wrenched from his strong fingers. “I’m going home.” “Not yet. I’m not done giving you the tongue lashing you deserve.” She straightened and pursed her lips. “Mr. Watson, I am going home and if you’d like to lash me there you may, but I’ll not stand another minute in this cold, my toes are becoming icicles! “ Eliza tromped through the muddy snow, trying hard not to stumble. She pumped her arms in the long heavy sleeves and puffed white clouds of air as she mumbled under her breath. All the while Thomas marched behind her.
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
I was sitting here for, like, an hour before you even sat down.” “Why?” he asks, observing our surroundings with a sweep from left to right. “I mean, there are better views than this one.” I slouch, defeated. “Don’t laugh. I sort of hurt my ankle.” Even though his eyes are concerned, he bites his lip, dimples in full force. “I’d consider that laughing,” I say with a hand on my chest, pretending to be offended. “I’m not laughing! It’s just--” He looks down at my feet. “How were you planning on getting back?” “Well, I didn’t plan on twisting my ankle!” I stand but keep the bum leg bent. “Walking. Walking is my plan.” Adrenaline pumping, I take a step forward, putting all my weight on my left leg. I let out a shriek as pain worse than before tears through me and I stumble. Darren jumps up to steady me, one hand at my elbow, the other at my waist. A sharp breath sneaks through my teeth. “You need a crutch,” he says, wedging himself alongside of me, our hips touching. He pulls my right arm over his shoulder and keeps his other hand loosely on my side. “If you weren’t so tall, this would be really awkward.” I want to ask how this isn’t awkward anyway, but I can’t really concentrate enough to speak. The throbbing is gone for this instant, but someone let loose a flutter of butterflies in my chest and that’s all I can feel.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
A blur of movement, Hunter threw the fur onto the riverbank and waded toward her. She couldn’t touch bottom and, despite the desperate pumping of her arms and legs, went under again, taking another draft of water. Grabbing her by the hair, he dragged her to the surface and nearer to shore so her feet touched. Bringing his face close to hers, he tightened his grip on her braid. “You will obey me.” He enunciated each word with venomous clarity. “Always. You are mine--Hunter’s woman, forever with no horizon. The next time you shake your head at me, I will beat you.” A measure of the water she had inhaled surged up her throat. Unable to stop herself, she choked and then coughed. The ejected spray hit him square in the eyes. He blinked and drew back, an incredulous look on his face. Loretta clamped her palms over her mouth, angling her arms to hide her breasts, her shoulders heaving. As angry as he appeared, she fully expected him to lay her flat with his fist. Instead he released her braid and caught hold of her arms. When she finally got her breath, he let go of her and returned to shore, his leather-clad legs cutting sparkling swaths through the water. After wiping his face dry with the buffalo robe, he turned to glower at her. He sat on his haunches and rested his corded forearms on his knees. Glancing upstream and down, he said, “Your wooden walls are far away, Yellow Hair. If you try to slip away, this Comanche will find you.” Until that moment, the thought of swimming off hadn’t occurred to her. She shot a glance over her shoulder at the swift current. If only she had clothes… “You do not make like a fish so good. Save this Comanche much trouble, eh?” She thought she detected laughter in his voice, but when she looked back at him, his gaze, blue-black and piercing, was as unreadable as ever. He studied her for several endless seconds. She wondered what he was thinking and decided, from the gleam in his eye, that she didn’t want to find out.
Catherine Anderson (Comanche Moon (Comanche, #1))