Arizona Heat Quotes

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Things in Arizona don’t just die; they bake and fry in the heat until there is nothing left.
Jeffry R. Halverson (The Mural)
They hike almost three miles without incident, and it's amazing to watch the colors leach back into the desert after the day's blanching. There's a moment, Lydia realizes, or no, more than a moment - a span of perhaps fifteen minutes just at twilight - when the desert is the most perfect place that exists. The temperature, the light, the colors, all hang and linger at some unflawed precipice, like the cars of a roller coaster ticking ever so slowly over their apex before the crash. The light droops ever farther from the sky, and Lydia can smell the heat of the day wicking away from her skin.
Jeanine Cummins (American Dirt)
I hate Arizona. It always eight hundred degrees outside and everybody’s always saying, “But it’s a dry heat!” So’s the inside of my microwave.
Joan Rivers (I Hate Everyone...Starting with Me)
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ONCE, WHEN I WAS THIRTEEN YEARS old, my parents moved me from the land of flat, grassy prairies and towering, angry tornadoes and life-giving cool country air to the mysterious land of suffocating dust and prickly cactus and life-sucking desert heat to lord over a park of western-themed amusements that bring delight to many young children and a handful of immature grown-ups. In other words, we moved from Kansas to Arizona to run a theme park, but it sounds much more exciting when I say it the other way, and I want you to think this is going to be an exciting story. What I mean is, it’s absolutely going to be an exciting story. Prepare yourselves accordingly.
Dusti Bowling (Momentous Events in the Life of a Cactus (Volume 2))
FOR YEARS I have carried in my head a thought tossed out by Aldo Leopold. In the early 20th century, he worked for the U.S. Forest Service in Eastern Arizona, and he killed a wolf to protect the cattle and increase the deer. He went on to become a pioneer in wildlife management and a leading conservationist. He wrote an essay about that killing. He’d decided that when he’d pulled the trigger and helped remove the wolf from the Southwest, he’d made the mountain a lesser place. He said we had to learn to think like a mountain. I stare into the gate of rock framing the entrance to Pima Canyon. The mesquite leaves hang listless in the heat. Underfoot, a broken field of granite spreads out. Past that stone gate, the freedom of the Pusch Ridge Wilderness begins. The place feels wanting without bighorns watching me. I can’t prove this. But I’ve known it since I was a boy. That’s why we look at the mountains and crave to be near them. Maybe we can’t think like a mountain. But we can do better than we have. We can bring the bighorns back where they belong. Counting sheep, An Essay by
Charles Bowden
Doggie Rayl was a perfectionist, and a man lucky to be alive to make the trip to the North Pole. Rayl was a signalman aboard the battleship USS Arizona (BB-39) at Pearl Harbor on December 7, 1941. He was sleeping topside to escape the heat below when the Japanese attacked. The explosions blew him overboard, and he managed to scramble to another ship. That is how he survived the Arizona’s sinking.
William R. Anderson (The Ice Diaries: The Untold Story of the USS Nautilus and the Cold War's Most Daring Mission)
It was long past midnight. Laura's music played on. It was composed in the language of stars, tinkling in a crystal pool suspended from constellations. She used chimes now and then, the chimes that characterized every patio in Arizona, the piano, the trees combed by wind. A prelude to a storm. It was like discovering the secret room in a dream of your house that holds all the magic. It was music I wished I lived inside. Around us, cactus, hills filled with jumping cholla, the heat of August like another animal heaving over us.
Hannah Lillith Assadi (Sonora)
need a whole weekend and he replied that yes—he did.” She shook her head. “On fire, I tell you,” she whispered. “He became impossible to refuse, to refute, to resist. And so . . . ” Alexander remembered Anthony from that summer before he left for West Point sitting alone outside on the moon deck, strumming his guitar, nearly naked in the Arizona 115-degree heat, singing “Ochi Chernye” over and over. Alexander and Tatiana had said quietly to each other that the girl must have been something else. Tonight he shook his incredulous head. “You stopped resisting,” he said to Vikki, lighting another cigarette. “Feel free to move forward through this part.” Vikki nodded. “I stopped resisting. Queen Victoria would have stopped resisting.” Seeking relief from visceral memory, her arms crossed over her torso, her body folded over her crossed legs. “Do you want to hear what happened with us after?” Alexander shuddered. “No. The rest I know.” “Do you?” But Vikki didn’t say it with surprise. She said it as in, no, you don’t. Alexander said he did. “Many years ago,” he said, “when I was even younger than Ant, I found myself in a similar situation with one of my mother’s friends, who was about the same age as you had been—thirty-nine. I was barely sixteen. She was my
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
year-old man in a matter of hours.”13 Moored alongside the West Virginia inboard to Ford Island, the Tennessee had taken two bomb hits from the high-altitude bombers of the first wave. Far more seriously, the Tennessee had been inundated by a wall of blazing oil and debris blowing onto its stern from the burning Arizona. The heat was intense, and fires started on the stern and port quarter of the ship. There were no thoughts about abandoning ship, but with his crew engaged in major firefighting efforts, the Tennessee’s captain tried to move his ship forward to escape the inferno astern. He signaled for all engines ahead five knots, but the Tennessee didn’t budge. The battleship was wedged too tightly against the quays by the stricken West Virginia. Nonetheless, its engines were kept turning throughout the day and long into the night so that the propeller wash would keep the burning oil from the Arizona away from its stern as well as the West Virginia. As it was, one of the Tennessee’s motor launches caught fire from the burning oil and sank as it tried to rescue survivors.
Walter R. Borneman (Brothers Down: Pearl Harbor and the Fate of the Many Brothers Aboard the USS Arizona)
A generation or two earlier, watertenders had been called firemen or stokers and were responsible for firing and maintaining the coal furnaces that heated the water in the boilers to produce steam. Fuel oil now powered most surface ships, and watertenders saw to the oil-fed fires and boilers in the engine room. These engines produced steam for propulsion and generated electrical power for the ship’s lights and equipment.
Walter R. Borneman (Brothers Down: Pearl Harbor and the Fate of the Many Brothers Aboard the USS Arizona)
The heat was no longer ablaze; by now it was heavy, oppressive, as before a storm in the eastern part of the country. In Arizona it didn’t presage a storm, merely the late afternoon.
Dorothy B. Hughes (The Expendable Man)
The powerful blast first entered the director through the starboard hatchway, where Dvorak sat—in a direct line with the incoming fireball—hands tight on his steering wheel’s brodie knobs. The concussion and fireball hit him first—full force—while it raced starboard to port. As if a rag doll, Dvorak was at once lifted from his position, and slammed back, hard, against his fixed metal seat. The force then caught Stratton in the face and chest; grabbed and slammed him against the bulkhead and, according to Stratton, “…rattled me around like a piñata.” “I thought I was going blind, from the fire”, Stratton would tell Lauren, years later. On the platform, Zeke had already decided to head back inside. He managed to grab hold of the hatchway handles just as the blast raced through and circumnavigated the director. The force of the concussion hit him in the back, and face-on. As if a spirit’s presence had seized his body, it grabbed at Zimmerman’s torso and bent him forward, then backwards. The impact ripped his grip from the door handles, sucked him into the flames, and dispatched him, hard, against the platform’s railing. Inside, Hollowell was propelled backwards, across the steel cube. His head slammed against the range finder with a forceful blow, and his body was dumped next to Lott—who had pulled Lauren’s blanket tighter across his own head. The hellish fireball had sucked oxygen from the cube, shot across the steel shell, and merged with a second blast of flames through the port and rear hatchways. As if in a boxing match—in a futile attempt to protect his face from being hit by the fire and heat—Lauren held tight to the range finder. Instinct caused him to raise his right arm around the viewport, for protection.
Edward McGrath (Second to the Last to Leave USS Arizona - SIGNED Copy - Interactive Edition: Memoir of a Sailor - The Lauren F. Bruner Story)
The expanding wave of intense heat caused his exterior optical glass to explode, as the blast created its own hurricane force winds that propelled the monstrous fireball outward and skyward.
Edward McGrath (Second to the Last to Leave USS Arizona - SIGNED Copy - Interactive Edition: Memoir of a Sailor - The Lauren F. Bruner Story)
At last count, eight-hundred and fifty-nine travelers had stepped off Trans-Continental Airlines at Sky Harbor International Airport, Phoenix, Arizona, at high noon in Mid-August without sunglasses. No one has ever done it twice. The desert sun, at high noon in Mid-August, rains down a torrent of silver needles. The sky burns white. The mountains that ring the city - Maricopas, White Tanks, Superstitions - flatten into dusty, two-dimensional mounds. Desert plants turn pale. Crawling, slithering, running creatures surrender to the heat and hide. The air shimmers on the horizon and flows in sluggish currents along the airport tarmac. Tires go soft. The odor of melting tar lies heavy along the ground. Light explodes in tinsel stars from moving glass and chrome. Phoenicians huddle indoors around their air conditioners and wait for the time of long shadows. Sky Harbor International Airport, Phoenix, Arizona, at high noon in mid-August is a white-hot Hell.
Sarah Dreher (Gray Magic (Stoner McTavish Mystery Book 3))
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Once every few weeks, beginning in the summer of 2018, a trio of large Boeing freighter aircraft, most often converted and windowless 747s of the Dutch airline KLM, takes off from Schiphol airport outside Amsterdam, with a precious cargo bound eventually for the city of Chandler, a western desert exurb of Phoe­nix, Arizona. The cargo is always the same, consisting of nine white boxes in each aircraft, each box taller than a man. To get these pro­foundly heavy containers from the airport in Phoenix to their des­tination, twenty miles away, requires a convoy of rather more than a dozen eighteen-wheeler trucks. On arrival and family uncrated, the contents of all the boxes are bolted together to form one enormous 160-ton machine -- a machine tool, in fact, a direct descendant of the machine tools invented and used by men such as Joseph Bramah and Henry Maudslay and Henry Royce and Henry Ford a century and more before. "Just like its cast-iron predecessors, this Dutch-made behemoth of a tool (fifteen of which compose the total order due to be sent to Chandler, each delivered as it is made) is a machine that makes machines. Yet, rather than making mechanical devices by the pre­cise cutting of metal from metal, this gigantic device is designed for the manufacture of the tiniest of machines imaginable, all of which perform their work electronically, without any visible mov­ing parts. "For here we come to the culmination of precision's quarter­millennium evolutionary journey. Up until this moment, almost all the devices and creations that required a degree of precision in their making had been made of metal, and performed their vari­ous functions through physical movements of one kind or another. Pistons rose and fell; locks opened and closed; rifles fired; sewing machines secured pieces of fabric and created hems and selvedges; bicycles wobbled along lanes; cars ran along highways; ball bearings spun and whirled; trains snorted out of tunnels; aircraft flew through the skies; telescopes deployed; clocks ticked or hummed, and their hands moved ever forward, never back, one precise sec­ond at a time."Then came the computer, then the personal computer, then the smartphone, then the previously unimaginable tools of today -- and with this helter-skelter technological evolution came a time of translation, a time when the leading edge of precision passed itself out into the beyond, moving as if through an invisible gateway, from the purely mechanical and physical world and into an immobile and silent universe, one where electrons and protons and neutrons have replaced iron and oil and bearings and lubricants and trunnions and the paradigm-altering idea of interchangeable parts, and where, though the components might well glow with fierce lights send out intense waves of heat, nothing moved one piece against another in mechanical fashion, no machine required that mea­sured exactness be an essential attribute of every component piece.
Simon Wincheter
Squirrels are much better at burning fat than gaining it. When temperatures drop, some internal switch flips and they begin to turn fat into heat thirteen and a half times faster than normal. This performance “stands as one of the best among animals,” according to Steele and his fellow squirrel researcher John Koprowski of the University of Arizona. Without even moving, they then can produce energy like a pro cyclist powering up into the Pyrenees.
Nathanael Johnson (Unseen City: The Majesty of Pigeons, the Discreet Charm of Snails & Other Wonders of the Urban Wilderness)
I actually spend far more time in the saddle than I do on the drum throne. That takes its toll, too—in the sore spots that Michael and I call “saddle tats”; in the tired mind from making a million decisions about traffic and road surfaces as you ride hour after hour; and in a body beaten by wind, vibration, and the physical activity of motorcycling, especially in the mountains, with so much braking, shifting, accelerating, and moving your body on the bike for more effective cornering. Then there was the heat—in the 100s for many days, especially in the Southwest. Desert heat is one thing, but when the humidity is also high, as in South Texas, and you’re wearing the armored suit, helmet, gloves, and boots, you get to feel like you’re covered in a coat of slime, riding past a small-town bank clock showing 105°. We have seen some fantastically scenic parts of the country, though. This western swing carried us through the Rockies, the Cascades, the Sierra Nevada, Northern and Southern California, the Great Basin, a broad swath of northern Arizona, across Colorado (or “Cop-orado,” as I have christened the state, for its overzealous enforcement of artificially low speed limits), and some of Texas’s prettiest landscapes, the Hill Country and Gulf Coast.
Neil Peart (Far and Away: A Prize Every Time)
The discussion about how she was in Arizona stalking her birth mother, whose name she'd gotten on the duplicate birth certificate she'd ordered because she'd lost her original, should really happen in person, but that was impossible right now. Oh, what a tangled web...
Cat Johnson (Midnight Heat (Midnight Cowboys, #3))
over an hour ago, but the summer night air was still thick with heat. My boots sounded deceptively heavy, thudding against the metal rungs, echoing the pounding in my head. The synthetic suit that Ian Crane, President, had given me was identical to the ones his soldiers wore, and marked my new allegiance to the Coalition of Rebel States: California, Nevada, Utah, Arizona, Colorado, New Mexico and Texas, known as the Coalition. It was strikingly similar to the adapti-suits worn by the Talented Organization for Extremely Interesting Citizens (TOXIC)
Sophie Davis (Created (Talented Saga, #4))
On July 1, everyone wakes up to the news that nineteen firefighters have been killed in the Yarnell Hill Fire in Arizona. The Granite Mountain Hotshots are one of the most storied and highly trained groups of firefighting professionals in the world, and yet a fast-growing fire started by lightning overran nineteen of its members. When they realized the fire was upon them, the firefighters deployed their safety shelters, but the shelters were not protective enough to withstand the intense heat of the blaze. The Yarnell Hill Fire has the highest death toll of any U.S. wildfire since the 1991 East Bay Hills fire killed twenty-five people. It is the sixth deadliest American wildfire and the deadliest wildfire ever in the state of Arizona. Starting today, the Colorado Rockies baseball team will wear 19 on all of their jerseys to honor the fallen firefighters.
Pam Houston (Deep Creek: Finding Hope in the High Country)
Suggestions for Further Exploration JENNA GARDEN AND SUSAN SHILLINGLAW In 1960, Steinbeck decried the slippage of American morality, fearing that “by our very attitudes we are drawing catastrophe to ourselves” (Steinbeck to Adlai Stevenson, late 1959). Immediately after completing his final searing novel, The Winter of Our Discontent, Steinbeck embarked on a road trip to reconnect with America and Americans. An engaging account of his travels with his poodle Charley, Travels with Charley also examines the country’s shortcomings: political apathy, environmental degradation, and strident racism. In a 1962 letter to Robert and Cynthia Wallsten, Steinbeck noted that even though “everybody in America is scared of everything,” his own reputation was “not based on timidity or on playing safe.” The transformative nature of road trips: On the Road (Jack Kerouac, 1957): Heralded as quintessentially American, On the Road captures the restless Beat movement and subsequent 1960s counterculture. Blue Highways (William Least Heat-Moon, 1982): Personal anguish sends the author on a three-month soul-searching road trip through the forgotten corners of America. The Devil’s Highway: A True Story (Luis Alberto Urrea, 2004): Socially engaged in a way that Steinbeck would have endorsed, The Devil’s Highway details the trials of twenty-six men who attempt to cross the Mexican border into southern Arizona. “Go Greyhound” (Bob Hicok, 2004): Hicok’s poem speaks to the feelings of loneliness and exhaustion that often plague travelers, as well as the relief that comes with shedding a turbulent past.
John Steinbeck (Travels With Charley: In Search of America)
The transformative nature of road trips: On the Road (Jack Kerouac, 1957): Heralded as quintessentially American, On the Road captures the restless Beat movement and subsequent 1960s counterculture. Blue Highways (William Least Heat-Moon, 1982): Personal anguish sends the author on a three-month soul-searching road trip through the forgotten corners of America. The Devil’s Highway: A True Story (Luis Alberto Urrea, 2004): Socially engaged in a way that Steinbeck would have endorsed, The Devil’s Highway details the trials of twenty-six men who attempt to cross the Mexican border into southern Arizona. “Go Greyhound” (Bob Hicok, 2004): Hicok’s poem speaks to the feelings of loneliness and exhaustion that often plague travelers, as well as the relief that comes with shedding a turbulent past. Easy Rider (1969): In this classic film, Peter Fonda and Dennis Hopper cross America on bikes. Thelma and Louise (1991): Two working women set out on their own, with unexpected consequences. Bombón: El Perro (2004): A struggling mechanic begins to turn his life around when he adopts a dog, who accompanies him on his escapades.
John Steinbeck (Travels With Charley: In Search of America)
As of right now, you’re my wife, Lottie Owens. So don’t stand here and pretend you don’t replay that morning just as I do. I saw the way your breath caught when I touched you. The way your skin shivered under my lips. My hands memorized every inch of your body, every curve…” She inhales sharply because her body remembers too. “You know how it felt when I pressed into you—when my hips locked between your thighs, my cock hard and aching, seconds from sliding inside you. Hell, I’m getting hard just remembering how soaked you were for me. So don’t stand here and lie to me and to yourself—you were ready to let me ruin you.” Her hands flatten on my chest, right over the stitched label that reads Watson. But she doesn’t push me away. Her eyes glaze, her lips part, and for one second, I swear she’s with me. Remembering. Wanting. Needing. But just as fast, the heat drains from her face, shutting me out. “That might be your beat-off material, but my vibrator does a better job than any man can.” I laugh low in my throat, stepping into her until there’s barely any space between us. She doesn’t tell me to back off. So I lower my head and drag my nose along her jaw, slow and deliberate, breathing her in as if I’m starving, and she’s the only thing on the menu. “That little toy might hum a sweet tune, but it doesn’t know that though you put on a good show of being little Miss Independent, what you really want is a man to tell you what to do when he takes you to bed. Don’t worry—I will.” I draw back, and yep—her face is flushed as though she just walked through Arizona in the summertime in a down winter coat.
Piper Rayne (Chasing Forever (Plain Daisy Ranch, #4))
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