Arena Swimming Quotes

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Haymitch isn't thinking of arenas, but something else. "Johanna's back in the hospital." I assumed Johanna was fine, had passed her exam, but simply wasn't assigned to a sharp shooters' unit. She's wicked with a throwing axe but about average with a gun. "Is she hurt? What happened?" "It was while she was on the Block. They try to ferret out a soldier's potential weakness. So they flooded the street, " says Haymitch. This doesn't help. Johanna can swim. At least, I seem to remember her swimming around some in the Quarter Quell. Not like Finnick, of course, but none of us are like Finnick. "So?" "That's how they tortured her in the Capitol. Soaked her then used electric shocks," says Haymitch. "In the Block, she had some kind of flashback. Panicked, didn't know where she was. She's back under sedation." Finnick and I just stand there as if we've lost the ability to respond. I think of the way Johanna never showers. How she forced herself into the rain like it was acid that day. I had attributed her misery to morphling withdrawal. "You two should go see her. You're as close to friends as she's got," says Haymitch. That makes the whole thing worse. I don't really know what's between Johanna and Finnick, but I hardly know her. No family. No friends.Not so much as a token from District 7 to set beside her regulation clothes in her anonymous drawer. Nothing.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
It seemed that out of every tear of a martyr new confessors were born, and that every groan on the arena found an echo in thousands of breasts. Caesar was swimming in blood, Rome and the whole pagan world was mad. But those who had had enough of transgression and madness, those who were trampled upon, those whose lives were misery and oppression, all the weighed down, all the sad, all the unfortunate, came to hear the wonderful tidings of God, who out of love for men had given Himself to be crucified and redeem their sins. When they found a God whom they could love, they had found that which the society of the time could not give any one, -- happiness and love.
Henryk Sienkiewicz (Quo Vadis)
As it moves closer, Galen can make out smaller bodies within the mass. Whales. Sharks. Sea turtles. Stingrays. And he knows exactly what’s happening. The darkening horizon engages the full attention of the Aerna; the murmurs grow louder the closer it gets. The darkness approaches like a mist, eclipsing the natural snlight from the surface. An eclipse of fish. With each of his rapid heartbeats, Galen thinks he can feel the actual years disappear from his life span. A wall of every predator imaginable, and every kind of prey swimming in between, fold themselves around the edges of the hot ridges. The food chain hovers toward, over them, around them as a unified force. And Emma is leading it. Nalia gasps, and Galen guesses she recognizes the white dot in the middle of the wall. Syrena on the outskirts of the Arena frantically rush to the center, the tribunal all but forgotten in favor of self-preservation. The legion of sea life circles the stadium, effectively barricading the exits and any chance of escaping. Galen can’t decide if he’s proud or angry when Emma leaves the safety of her troops to enter the Arena, hitching a ride on the fin of a killer whale. When she’s but three fin-lengths away from Galen, she dismisses her escort. “Go back with the others,” she tells it. “I’ll be fine.” Galen decides on proud. Oh, and completely besotted. She gives him a curt nod to which he grins. Turning to the crowd of ogling Syrena, she says, “I am Emma, daughter of Nalia, true princess of Poseidon.” He hears murmurs of “Half-Breed” but it sounds more like awe than hatred or disgust. And why shouldn’t it? They’ve seen Paca’s display of the Gift. Emma’s has just put it to shame.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Twenty-one out of twenty-two of the stadiums, arenas, sports halls and swimming pools built for the Games are either derelict, in a state of disrepair, boarded up or unable to find a buyer and underused.
Jules Boykoff (Power Games: A Political History of the Olympics)
The Dying Gladiator I see before me the Gladiator lie: He leans upon his hand - his manly brow Consents to death, but conquers agony, And his drooped head sinks gradually low - And through his side the last drops, ebbing slow From the red gash, fall heavy, one by one, Like the first of a thunder-shower; and now The arena swims around him - he is gone, Ere ceased the inhuman shout which hailed the wretch who won. He heard it, but he heeded not - his eyes Were with his heart and that was far away; He recked not of the life he lost nor prize, But where his rude hut by the Danube lay, There were his young-barbarians all at play, There was their Dacian mother - he, their sire, Butchered to make a Roman holiday - All this rushed with his blood - Shall he expire And unavenged? - Arise! ye Goths, and glut your ire!
Lord Byron
How To Make A Human Take the cat out of the sphinx and what is left? Riddle Me That. Take the horse from the centaur and you take away the sleek grace, the strength of harnessed power. What is left can still run across fields, after a fashion, but is easily winded; what is left will therefore erect buildings to divide the open plains so he no longer must face the wide expanse where once his equine legs raced the winds and, sometimes, won. Take the bull from the Minotaur but what is left will still assemble a herd for the sake of ruling over it. What is left will kill for sport, in an arena thronged with spectators shouting "Ole" at each deadly thrust. Take the fish from the Merman: What is left can still swim, if only with lots of splashing; gone is the sleek sliding through the waves, alert to the subtle changes in the current. What is left will build ships so he can cross the oceans without getting his feet wet, what is left won't care if his boats pollute the seas he can no longer breathe so long as their passage can keep him from sinking. Take the goat from the satyr but what is left will dance out of reach before you have the chance to get that Dionysian streak of myschief, the love of music and wine, the rutting parts that like to party all the day through. What is left will still be stubborn and refuse to give way; what is left will lock horns and butt heads with anyone who challenges him. Take the bird from the harpy, but the memory of flying, a constant yearning ache for skies so tantalizingly distant, will still remain, as will the established pecking orders, the bitter squabbling over food and territory, and the magpie eye that lusts for shining objects. What is left will cut down the whole forest to feather his sprawling urban nest. At the end of these operations, tell me: what is left? The answer: Man, a creature divorced from nature, who's forgotten where he came from.
Lawrence Schimel
He was taking his time on his way to the arena, which meant there was likely something he was waiting for. He didn’t intend to actually fight me, obviously, just as I didn’t intend to fight him. If all was going according to plan, and Yma had slipped the contents of the vial into the calming tonic he drank with his breakfast, the iceflowers were already swimming through his body. The timing would not be exact; that depended on the person. I would have to be ready for the potion to surprise me, or fail entirely. “You’re dawdling,” I said, hoping that calling him out would speed him up. “What is it you’re waiting for?” “I am waiting for the right blade,” Ryzek said, and he dropped down to the arena floor. Dust rose up in a cloud against his feet. He rolled up his left sleeve, baring his kill marks. He had run out of space on his arm, and started a second row next to the first, near his elbow. He claimed every kill that he ordered as his own, even if he himself had not brought about the death. Ryzek drew his currentblade slowly, and as he raised his arm, the crowd around us exploded into cheers. Their roar clouded my thoughts. I couldn’t breathe. He didn’t look pale and unfocused, like he had actually consumed the poison. He looked, if anything, more focused than ever. I wanted to run at him with blade extended, like an arrow released from a bow, a transport vessel breaking through the atmosphere. But I didn’t. And neither did he. We both stood in the arena, waiting. “What are you waiting for, sister?” Ryzek said. “Have you lost your nerve?” “No,” I said. “I’m waiting for the poison you swallowed this morning to settle in.” A gasp rattled through the crowd, and for once--for the first time--Ryzek’s face went slack with shock. I had finally truly surprised him. “All my life you’ve told me I have nothing to offer but the power that lives in my body,” I said. “But I am not an instrument of torture and execution; I am the only person who knows the real Ryzek Noavek.” I stepped toward him. “I know how you fear pain more than anything else in this world. I know that you gathered these people here today, not to celebrate a successful scavenge, but to witness the murder of Orieve Benesit.” I sheathed my blade. I held my hands out to my sides so the crowd could see that they were empty. “And the most important thing I know, Ryzek, is that you can’t bear to kill someone unless you drug yourself first. Which is why I poisoned your calming tonic this morning.” Ryzek touched his stomach, as if he could feel the hushflower eating away at his guts through his armor. “You made a mistake, valuing me only for my currentgift and my skill with a knife,” I said. And for once, I believed it.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
With the news that he would soon be a daddy again, Steve seemed inspired to work even harder. Our zoo continued to get busier, and we had trouble coping with the large numbers. The biggest draw was the crocodiles. Crowds poured in for the croc shows, filling up all the grandstands. The place was packed. Steve came up with a monumental plan. He was a big fan of the Colosseum-type arenas of the Roman gladiator days. He sketched out his idea for me on a piece of paper. “Have a go at this, it’s a coliseum,” he declared, his eyes wide with excitement. He drew an oval, then a series of smaller ovals in back of it. “Then we have crocodile ponds where the crocs could live. Every day a different croc could come out for the show and swim through a canal system”--he sketched rapidly--“then come out in the main area.” “Canals,” I said. “Could you get them to come in on cue?” “Piece of cake!” he said. “And get this! We call it…the Crocoseum!” His enthusiasm was contagious. Never mind that nothing like this had ever been done before. Steve was determined to take the excitement and hype of the ancient Roman gladiators and combine it with the need to show people just how awesome crocs really were. But it was a huge project. There was nothing to compare it to, because nothing even remotely similar had ever been attempted anywhere in the world. I priced it out: The budget to build the arena would have to be somewhere north of eight million dollars, a huge expense. Wes, John, Frank, and I all knew we’d have to rely on Steve’s knowledge of crocodiles to make this work. Steve’s enthusiasm never waned. He was determined. This would become the biggest structure at the zoo. The arena would seat five thousand and have space beneath it for museums, shops, and a food court. The center of the arena would have land areas large enough for people to work around crocodiles safely and water areas large enough for crocs to be able to access them easily. “How is this going to work, Steve?” I asked, after soberly assessing the cost. What if we laid out more than eight million dollars and the crocodiles decided not to cooperate? “How are you going to convince a crocodile to come out exactly at showtime, try to kill and eat the keeper, and then go back home again?” I bit my tongue when I realized what was coming out of my mouth: advice on crocodiles directed at the world’s expert on croc behavior. Steve was right with his philosophy: Build it, and they will come. These were heady times. As the Crocoseum rose into the sky, my tummy got bigger and bigger with our new baby. It felt like I was expanding as rapidly as the new project. The Crocoseum debuted during an Animal Planet live feed, its premiere beamed all over the world. The design was a smashing success. Once again, Steve had confounded the doubters.
Terri Irwin (Steve & Me)
You know,” I said as we trudged homeward, “this is an important occasion, and not just because of this great discovery. According to my calculations, tomorrow will be our second anniversary on the island “ “Is this really true?” Elizabeth asked. “I can hardly believe so much time has passed.” “It is true, my dear,” I said. Think of all of the adventures that we have had and that we are safe, well-fed and happy. I am going to declare tomorrow a special day of celebration.” “You mean that we are going to have a party?” cried Francis, jumping for joy. “Oh, I can hardly wait!” Actually, Francis did not have long to wait, for when the morning dawned, Elizabeth and I had the entire day’s festivities planned. Greeting my sons on the lawn beneath Falcon’s Nest, I said, “For the past two years, you boys have been practicing wrestling, running, swimming, shooting and horseback riding here on the island. Now, we are going to determine the champions of these feats.” So, the competitions began, with Elizabeth cheering the boys and Turk and Flora running alongside them. Unquestionably, the highlight of the day was the horseback-riding event. Fritz mounted Lightfoot and Ernest rode Grizzle, but they were no match for Jack’s skillful handling of the wild buffalo. A practiced groom could not have managed a thoroughbred horse with more grace and ease. “Jack, my boy,” I boomed, “I hereby declare you the winner of this contest.” “No, Papa.” interrupted Francis. “You haven’t seen what I can do yet.” Francis rode into the arena, mounted on his young buffalo bull, Broumm, which was just four months old. Elizabeth had made a saddle of kangaroo skin and stirrups that adjusted to Francis’s little legs.
Johann David Wyss (The Swiss Family Robinson)
His erotic daydream came to a screeching halt when Evelyn leaned close and whispered, “There’s a full house today. Your Dr. Banyon’s quite a draw, Sean.” Your Dr. Banyon. Sean sat back against the velveteen-covered seat, stunned. There it was, voiced aloud, the crux of the problem that tormented him. He wanted Lily. Wanted her to be his. That was another fantasy he’d indulged in, a thousand times over, free to do so because a fantasy was safe. Acknowledging his desire openly, showing Lily how much he wanted her, how much he cared, was anything but. In the political arena, Sean suffered no lack of confidence, of courage. But he was damnably afraid when it came to Lily Banyon. Like his desire for her, he could admit this awful vulnerability, but only privately. For all of Sean’s instincts screamed, No! at the thought of revealing them to her. Because the thing Sean feared most of all was that Lily would toss his confession on the ground, then trample it with her high heels as she walked away from him.
Laura Moore (Night Swimming: A Novel)