Are Poems Italicized Or In Quotes

Old Man Eating Alone in a Chinese Restaurant I am glad I resisted the temptation, if it was a temptation when I was young, to write a poem about an old man eating alone at a corner table in a Chinese restaurant. I would have gotten it all wrong thinking: the poor bastard, not a friend in the world and with only a book for a companion. He’ll probably pay the bill out of a change purse. So glad I waited all these decades to record how hot and sour the hot and sour soup is here at Chang’s this afternoon and how cold the Chinese beer in a frosted glass. And my book—José Saramago’s Blindness as it turns out—is so absorbing that I look up from its escalating horrors only when I am stunned by one of its arresting sentences. And I should mention the light which falls through the big windows this time of day italicizing everything it touches—the plates and tea pots, the immaculate tablecloths, as well as the soft brown hair of the waitress in the white blouse and short black skirt, the one who is smiling now as she bears a cup of rice and shredded beef with garlic to my favorite table in the corner.

BUNAHAN When the last speaker of Boro falls silent, who will notice the first-grown feather of a bird’s wing? (gansuthi) or feel how far pretending to love (onsay) is from loving for the last time (onsra)? Quiet and uneasy, in an unfamiliar place (asusu) no one sees her, or listens; there is less of her than there was. The last speaker feels Boro’s world fall apart, knowledge unravels: healing plants go unseen; the bodies of animals are unreadable. With a last thought, onguboy (to love it all, from the heart), she leaves fragments of the world she held in place. We touch their husks, about to speak and about not to speak (bunhan, bunahan); awash in loss, incomplete. Note: The italicized words are from Boro, an endangered language still spoken in parts of northern India. For more on this story, see Mark Abley’s Spoken Here: Travels Among Threatened Languages.