Are Footnotes Only Used For Quotes

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*One clue that there’s something not quite real about sequential time the way you experience it is the various paradoxes of time supposedly passing and of a so-called ‘present’ that’s always unrolling into the future and creating more and more past behind it. As if the present were this car—nice car by the way—and the past is the road we’ve just gone over, and the future is the headlit road up ahead we haven’t yet gotten to, and time is the car’s forward movement, and the precise present is the car’s front bumper as it cuts through the fog of the future, so that it’s now and then a tiny bit later a whole different now, etc. Except if time is really passing, how fast does it go? At what rate does the present change? See? Meaning if we use time to measure motion or rate—which we do, it’s the only way you can—95 miles per hour, 70 heartbeats a minute, etc.—how are you supposed to measure the rate at which time moves? One second per second? It makes no sense. You can’t even talk about time flowing or moving without hitting up against paradox right away. So think for a second: What if there’s really no movement at all? What if this is all unfolding in the one flash you call the present, this first, infinitely tiny split-second of impact when the speeding car’s front bumper’s just starting to touch the abutment, just before the bumper crumples and displaces the front end and you go violently forward and the steering column comes back at your chest as if shot out of something enormous? Meaning that what if in fact this now is infinite and never really passes in the way your mind is supposedly wired to understand pass, so that not only your whole life but every single humanly conceivable way to describe and account for that life has time to flash like neon shaped into those connected cursive letters that businesses’ signs and windows love so much to use through your mind all at once in the literally immeasurable instant between impact and death, just as you start forward to meet the wheel at a rate no belt ever made could restrain—THE END." footnote ("Good Old Neon")
David Foster Wallace (Oblivion: Stories)
You think I hate men. I guess I do, although some of my best friends...I don't like this position. I mistrust generalized hatred. I feel like one of those twelfth century monks raving on about how evil women are and how they must cover themselves up completely when they go out lest they lead men into evil thoughts. The assumption that the men are the ones who matter, and that the women exist only in relation to them, is so silent and underrunning that ever we never picked it up until recently. But after all, look at what we read. I read Schopenhauer and Nietzsche and Wittgenstein and Freud and Erikson; I read de Montherlant and Joyce and Lawrence and sillier people like Miller and Mailer and Roth and Philip Wylie. I read the Bible and Greek myths and didn't question why all later redactions relegated Gaea-Tellus and Lilith to a footnote and made Saturn the creator of the world. I read or read about, without much question, the Hindus and the Jews, Pythagoras and Aristotle, Seneca, Cato, St.Paul, Luther, Sam Johnson, Rousseau, Swift...well, you understand. For years I didn't take it personally. So now it is difficult for me to call others bigots when I am one myself. I tell people at once, to warn them, that I suffer from deformation of character. But the truth is I am sick unto death of four thousand years of males telling me how rotten my sex is. Especially it makes me sick when I look around and see such rotten men and such magnificent women, all of whom have a sneaking suspicion that the four thousand years of remarks are correct. These days I feel like an outlaw, a criminal. Maybe that's what the people perceive who look at me so strangely as I walk the beach. I feel like an outlaw not only because I think that men are rotten and women are great, but because I have come to believe that oppressed people have the right to use criminal means to survive. Criminal means being, of course, defying the laws passed by the oppressors to keep the oppressed in line. Such a position takes you scarily close to advocating oppression itself, though. We are bound in by the terms of the sentence. Subject-verb-object. The best we can do is turn it around. and that's no answer, is it?
Marilyn French (The Women's Room)
The various modes of worship, which prevailed in the Roman world, were all considered by the people, as equally true; by the philosopher, as equally false; and by the magistrate, as equally useful. And thus toleration produced not only mutual indulgence, but even religious concord. The
Edward Gibbon (The History of The Decline and Fall of the Roman Empire: Complete and Unabridged (With All Six Volumes, Original Maps, Working Footnotes, Links to Audiobooks and Illustrated))
What really happened to JonBenet Ramsey? Was her death intentional or an accident, covered up to look like a botched kidnapping? What are the facts about the case DNA? What does it really tell us? Is it relevant to the crime or is it contamination? Can it be tied to an intruder, or was Mary Lacy’s attempt at exoneration of the Ramseys based on faulty interpretation of the actual lab results? “Listen Carefully: Truth and Evidence in the JonBenet Ramsey Case” contains 16 pages of explosive DNA reports from Bode Cellmark Forensics that had been hidden until recently, as well details of the 2013 shocking revelation John and Patsy Ramsey were indicted by a Grand Jury in 1999, but the district attorney declined to prosecute. Exposing the many myths and misrepresentations of facts in the Ramsey case, the book uses documented evidence and detailed research, as well as extensive interviews with many who were involved in the case, to present the truth surrounding JonBenet’s death and the 20-year investigation. With a thorough linguistic analysis of the ransom note, as well as handwriting comparisons, crime-scene photos, footnotes, a bibliography for further reading and five appendices (including timelines, Ramsey house plans, and a guide to understanding DNA), the book is essential for anyone interested not only what happened to JonBenet, but why.
True Crime Detectives Guild
Joy of Cooking you will not find a footnote that says “Pepperidge Farm is perfectly fine if you’re tight on time.” No, you will get a recipe for dressing, and if you follow it, step by step, you’ll wind up with something delicious. On that freezing holiday weekend when my adult life began, I not only learned to cook, I learned to read. I didn’t improvise. If the recipe said “Two teaspoons of chopped fresh sage,” that’s what went in the pot. Beat the egg whites for seven minutes? I looked at my watch and went to work. I did not glance at the instructions, I followed them, so that even now when someone claims they don’t know how to cook, I find myself snapping, “Do you know how to read?” Paying close attention to the text, and realizing that books can save you, those were the lessons I learned my freshman year of college when school was closed. I then went on to use
Ann Patchett (These Precious Days: Essays)
Boswell, like Lecky (to get back to the point of this footnote), and Gibbon before him, loved footnotes. They knew that the outer surface of truth is not smooth, welling and gathering from paragraph to shapely paragraph, but is encrusted with a rough protective bark of citations, quotations marks, italics, and foreign languages, a whole variorum crust of "ibid.'s" and "compare's" and "see's" that are the shield for the pure flow of argument as it lives for a moment in one mind. They knew the anticipatory pleasure of sensing with peripheral vision, as they turned the page, gray silt of further example and qualification waiting in tiny type at the bottom. (They were aware, more generally, of the usefulness of tiny type in enhancing the glee of reading works of obscure scholarship: typographical density forces you to crouch like Robert Hooke or Henry Gray over the busyness and intricacy of recorded truth.) They liked deciding as they read whether they would bother to consult a certain footnote or not, and whether they would read it in context, or read it before the text it hung from, as an hors d'oeuvre. The muscles of the eye, they knew, want vertical itineraries; the rectus externus and internus grow dazed waggling back and forth in the Zs taught in grade school: the footnote functions as a switch, offering the model-railroader's satisfaction of catching the march of thought with a superscripted "1" and routing it, sometimes at length, through abandoned stations and submerged, leaching tunnels. Digression—a movement away from the gradus, or upward escalation, of the argument—is sometimes the only way to be thorough, and footnotes are the only form of graphic digression sanctioned by centuries of typesetters. And yet the MLA Style Sheet I owned in college warned against lengthy, "essay-like" footnotes. Were they nuts? Where is scholarship going?
Nicholson Baker (The Mezzanine)
Look into the bastard's mind." "I can't do that, Ziller." "Why not?" "It is one of the very few more-or-less unbreakable rules of the Culture. Nearly a law. If we had laws, it would be of the first on the statue book." "Only more-or-less unbreakable?" "It is done very, very rarely, and the results tend to be ostracism. There was a ship called the Grey Area, once. It used to do that sort of thing. It became known as the Meatfucker as a result. When you look up the catalogs that's the name it's listed under, with its original, chosen name as a footnote. To be denied your self-designated name is a unique insult in the Culture, Ziller. The vessel disappeared some time ago. Probably killed itself, arguably as a result of the shame attached to such behavior and resulting disrespect." "All it is is looking inside an animal brain." "That's just it. It is so easy, and it would mean so little, really. That is why the not-doing of it is probably the most profound manner in which we honor our biological progenitors. This prohibition is a mark of our respect. And so I cannot do it." "You mean you won't do it." "They are almost the same thing." "You have the ability." "Of course.
Iain M. Banks (Look to Windward (Culture, #7))
Only more-or-less unbreakable?”. “It is done very, very rarely, and the result tends to be ostracism. There was a ship called the Grey Area, once. It used to do that sort of thing. It became known as the Meatfucker as a result. When you look up the catalogs that’s the name it’s listed under, with its original, chosen name as a footnote. To be denied your self-designated name is a unique insult in the Culture, Ziller.
Iain M. Banks (Look to Windward (Culture, #7))
Human bodies are extremely complicated and over the years I learned three important things about them, none of which I had been taught by lecturers or professors at my medical school. First, I learned that no two bodies are identical and there are an infinite number of variations. Not even twins are truly identical. When I first started to study medicine I used to think how much easier it would be for us all (doctors and patients) if bodies came with an owner's manual, but the more I learned about medicine the more I realised that such a manual would have to contain so many variations, footnotes and appendices that it wouldn't fit into the British Museum let alone sit comfortably on the average bookshelf. Even if manuals were individually prepared they would still be too vast for practical use. However much we may think we know about illness and health there will always be exceptions; there will always be times when our prognoses and predictions are proved wrong. Second, I learned that the human body has enormous, hidden strengths, and far greater power than most of us ever realise. We tend to think of ourselves as being delicate and vulnerable. But, in practice, our bodies are tougher than we imagine, far more capable of coping with physical and mental stresses than most of us realise. Very few of us know just how strong and capable we can be. Only if we are pushed to our limits do we find out precisely what we can do. Third, I learned that our bodies are far better equipped for selfdefence than most of us imagine, and are surprisingly well-equipped with a wide variety of protective mechanisms and self-healing systems which are designed to keep us alive and to protect us when we find ourselves in adverse circumstances. The human body is designed for survival and contains far more automatic defence mechanisms, designed to protect its occupant when it is threatened, than any motor car. To give the simplest of examples, consider what happens when you cut yourself. First, blood will flow out of your body for a few seconds to wash away any dirt. Then special proteins will quickly form a protective net to catch blood cells and form a clot to seal the wound. The damaged cells will release special substances into the tissues to make the area red, swollen and hot. The heat kills any infection, the swelling acts as a natural splint - protecting the injured area. White cells are brought to the injury site to swallow up any bacteria. And, finally, scar tissue builds up over the wounded site. The scar tissue will be stronger than the original, damaged area of skin. Those were the three medical truths I discovered for myself. Over the years I have seen many examples of these three truths. But one patient always comes into my mind when I think about the way the human body can defy medical science, prove doctors wrong and exhibit its extraordinary in-built healing power.
Vernon Coleman (The Young Country Doctor Book 7: Bilbury Pudding)