Arc Best Quotes

A demigod!" one snarled. "Eat it!" yelled another. But that's as far as they got before I slashed a wide arc with Riptide and vaporized the entire front row of monsters. "Back off!" I yelled at the rest, trying to sound fierce. Behind them stood their instructor--a six-foot tall telekhine with Doberman fangs snarling at me. I did my best to stare him down. "New lesson, class," I announced. "Most monsters will vaporize when sliced with a celestial bronze sword. This change is completely normal, and will happen to you right now if you don't BACK OFF!" To my surprise, it worked. The monsters backed off, but there was at least twenty of them. My fear factor wasn't going to last that long. I jumped out of the cart, yelled, "CLASS DISMISSED!" and ran for the exit.

I like Joan of Arc best of all my books; and it is the best; I know it perfectly well.

I slashed a wide arc with Riptide and vaporized the entire front row of monsters. Back off!” I yelled at the rest, trying to sound fierce. Behind them stood their instructor—a six-foot-tall telekhine with Doberman fangs snarling at me. I did my best to stare him down. New lesson, class,” I announced. “Most monsters will vaporize when sliced with a celestial bronze sword. This change is perfectly normal, and will happen to you right now if you don’t BACK OFF!

Without the threat of suffering, we can’t experience true joy. The best we get is pleasantness

I like Joan of Arc best of all my books; and it is the best; I know it perfectly well. And besides, it furnished me seven times the pleasure afforded me by any of the others; twelve years of preparation, and two years of writing. The others need no preparation and got none.

The best we can hope for is to be humble in our arrogance.

The god of Delos, proud in victory, Saw Cupid draw his bow's taut arc, and said: 'Mischievous boy, what are a brave man's arms To you? That gear becomes my shoulders best. My aim is sure; I wound my enemies, I wound wild beasts; my countless arrows slew But now the bloated Python, whose vast coils Across so many acres spread their blight. You and your loves! You have your torch to light them!Let that content you; never claim my fame!' And Venus' son replied: 'Your bow, Apollo, May vanquish all, but mine shall vanquish you. As every creature yields to power divine, So likewise shall your glory yield to mine.

In the days before Rowan’s apprenticeship, Tyger Salazar had been his best friend – but such designations meant little after one has spent a year learning how to kill.

In the end, people don’t view their life as merely the average of all of its moments—which, after all, is mostly nothing much plus some sleep. For human beings, life is meaningful because it is a story. A story has a sense of a whole, and its arc is determined by the significant moments, the ones where something happens. Measurements of people’s minute-by-minute levels of pleasure and pain miss this fundamental aspect of human existence. A seemingly happy life may be empty. A seemingly difficult life may be devoted to a great cause. We have purposes larger than ourselves. Unlike your experiencing self—which is absorbed in the moment—your remembering self is attempting to recognize not only the peaks of joy and valleys of misery but also how the story works out as a whole. That is profoundly affected by how things ultimately turn out. Why would a football fan let a few flubbed minutes at the end of the game ruin three hours of bliss? Because a football game is a story. And in stories, endings matter. Yet we also recognize that the experiencing self should not be ignored. The peak and the ending are not the only things that count. In favoring the moment of intense joy over steady happiness, the remembering self is hardly always wise. “An inconsistency is built into the design of our minds,” Kahneman observes. “We have strong preferences about the duration of our experiences of pain and pleasure. We want pain to be brief and pleasure to last. But our memory … has evolved to represent the most intense moment of an episode of pain or pleasure (the peak) and the feelings when the episode was at its end. A memory that neglects duration will not serve our preference for long pleasure and short pains.” When our time is limited and we are uncertain about how best to serve our priorities, we are forced to deal with the fact that both the experiencing self and the remembering self matter. We do not want to endure long pain and short pleasure. Yet certain pleasures can make enduring suffering worthwhile. The peaks are important, and so is the ending.

By following its own legal traditions, the arc of the Western moral universe never bends towards Indigenous justice. At best, it ignores it. At worst, it annihilates it.

Without the threat of suffering, we can't experience true joy. The best we get is pleasantness.

Four brothers,” Daphne said, shoving the wicket into the ground, “provide quite a marvelous education.” “The things you must have learned,” Kate said, quite impressed. “Can you give a man a black eye? Knock him to the ground?” Daphne grinned wickedly. “Ask my husband.” “Ask me what?” the duke called out from where he and Colin were placing a wicket on a tree root on the opposite side of the tree. “Nothing,” the duchess called out innocently. “I’ve also learned,” she whispered to Kate, “when it’s best just to keep one’s mouth shut. Men are much easier to manage once you understand a few basic facts about their nature.” “Which are?” Kate prompted. Daphne leaned forward and whispered behind her cupped hand, “They’re not as smart as we are, they’re not as intuitive as we are, and they certainly don’t need to know about fifty percent of what we do.” She looked around. “He didn’t hear that, did he?” Simon stepped out from behind the tree. “Every word.” Kate choked on a laugh as Daphne jumped a foot. “But it’s true,” Daphne said archly. Simon crossed his arms. “I’ll let you think so.” He turned to Kate. “I’ve learned a thing or two about women over the years.” “Really?” Kate asked, fascinated. He nodded and leaned in, as if imparting a grave state secret. “They’re much easier to manage if one allows them to believe that they are smarter and more intuitive than men. And,” he added with a superior glance at his wife, “our lives are much more peaceful if we pretend that we’re only aware of about fifty percent of what they do.” Colin approached, swinging a mallet in a low arc. “Are they having a spat?” he asked Kate. “A discussion,” Daphne corrected. “God save me from such discussions,” Colin muttered.

Was there a time when dancers with their fiddles In children's circuses could stay their troubles? There was a time they could cry over books, But time has set its maggot on their track. Under the arc of the sky they are unsafe. What's never known is safest in this life. Under the skysigns they have no arms Have cleanest hands, and, as the heartless ghost Alone's unhurt, so the blind man sees best.

Are you going to hand me over to him?" "I haven't decided yet," I teased, and he smiled again, erasing his momentary seriousness. "So, where'd you get the suit?" "Believe it or not, that lovely friend of yours, Willa," Loki said. "She brought me a whole slew of clothes last night. When I asked her why she was being so generous, she said it was out of fear that I would run around naked." I smiled. "That does sound like something you would do. Why are you wearing all black, though? Didn't you know you were going to a wedding?" "On the contrary," he said, doing his best to look unhappy. "I'm in mourning over the wedding." "Oh, because it's too late?" I asked. "No, Wendy, it's never too late." His voice was light, but his eyes were solemn. "May I cut in?" the best man asked. "No, you may not," Loki said. I'd started to move away from him, but he held fast. "Loki," I said, and my eyes widened. "I'm still dancing with her," Loki said, turning to look at him. "You can have her when I'm done." "Loki," I said again, but he was already twirling me away. "You can't do that." "I just did." He grinned. "Oh, Wendy, don't look so appalled. I'm already the rebel Prince of thine enemy. I can't do much more to tarnish my image." "You can certainly tarnish mine," I pointed out. "Never," Loki said, and it was his turn to look appalled. "I'm merely showing them how it's done." He began spinning me around the dance floor in grand arcs, my gown swirling around me. He was a brilliant dancer, moving with grace and speed. Everyone had stopped to watch us, but I didn't care. This was the way a Princess was supposed to dance on her wedding day. The song ended, switching to something by Mozart, and he slowed, almost to a stop, but he kept me in his arms. "Thank you." I smiled. My skin felt flushed from dancing, and I was a little out of breath. "That was a wonderful dance." "You're welcome," he said, staring intently at me. "You are so beautiful." "Stop," I said, looking away as my cheeks reddened. "How can you blush?" Loki asked, laughing gently. "People must tell you how beautiful you are a thousand times a day." "It's not the same," I said. "It's not the same?" Loki echoed. "Why? Because you know they don't mean it like I do?" We did stop dancing them, and neither of us said anything. Garrett came up to us. He smiled, but his eyes didn't appear happy. "Can I cut in?" Garrett asked. "Yes," Loki said, shaking off the intensity he'd had a moment ago, and grinned broadly at Garrett. "She's all yours, good sir. Take care of her." He patted Garrett on the arm once for good measure and gave me a quick smile before heading back over to the refreshment table.

In my early teens, I heard about Naked Lunch and its mutating typewriters and talking cockroaches. While I would hardly classify its dystopic vision as erotica now, at the time, Naked Lunch was my first foray into consuming smut. It was because of Burroughs that I knew about the particular musk that blooms when a rectum is penetrated, and that death-by-hanging produces spontaneous trouser tents. The first Burroughs I read was Naked Lunch, but I buried myself in a few of his stories, and thus the arc of my recollection is just as non-linear as his narrative.

Both Lincoln and King were appealing to the story—the best story—we tell about ourselves. That our story begins with Americans falling short of the ideals embedded in the Founding is not an indictment of the ideals; it is testament to the nobility of America’s story arc.

But why waste time lamenting the paths that had closed? Best to embrace the one path that remained.

You felt some—but just a shadow of what it can be. Without the threat of suffering, we can’t experience true joy. The best we get is pleasantness.

He was half convinced if he told her he was dropping out of society and joining a tone cult, she’d say, If you think that’s best.

Her bot had just served them each a lean slab of steak—and real steak, not the synthesized stuff. Natural protein was, after all, the best for building muscle.

His friends were fair-weather at best. Cohorts of convenience.

Somewhere behind Anastasia, Scythe Asimov summed it up best. "We have just entered the worst of all possible worlds.

Then she offered Citra ice cream that was the best she’d ever tasted.

Without the threat of suffering, we can’t experience true joy. The best we get is pleasantness.

What could one know about a person? John had known her best of all, had been able to predict her every move, the arc of her sighs, her laughs, the twists of her shadow as it crossed a room.

A “neurobiological” or “genetic” or “developmental” explanation for a behavior is just shorthand, an expository convenience for temporarily approaching the whole multifactorial arc from a particular perspective.

My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. I t was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern I talian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places. Her companion had a very pleasant voice, was small, very dark, with her hair cut like Joan of Arc in the Boutet de Monvel illustrations and had a very hooked nose. She was working on a piece of needlepoint when we first met them and she worked on this and saw to the food and drink and talked to my wife. She made one conversation and listened to two and often interrupted the one she was not making. Afterwards she explained to me that she always talked to the wives. The wives, my wife and I felt, were tolerated. But we liked Miss Stein and her friend, although the friend was frightening. The paintings and the cakes and the eau-de-vie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married - time would fix that - and when my wife invited them to tea, they accepted.

The following morning, before he left for school, he told his mother that a scythe had invited him to become his apprentice and that he’d be dropping out of school to accept the position. “If you think that’s best,” she said.

The beauty of baseball is multidimensional, appealing to the eye and the mind. There is beauty, for instance, in its geometry, the space between the bases and the fielders; beauty in the arc of the season, which brings us out of doors to gather, until fall calls us back in; and beauty in its democracy, that each player hits in turn. But one of its greatest beauties is that, more than any other sport, it emboldens an expertise from those who watch it. Everybody can manage. That does not happen as easily in other sports. In

The day would not end until a new High Blade was chosen - because, if anything, the scythedom had learned from the abuses of political contests in the Age of Mortality. Best to get an election over as quickly as possible, before everyone became even more bitter and disgusted than they already were.

Tyger Salazar had been his best friend—but such designations meant little after one has spent a year learning how to kill. Rowan imagined it must be what mortal-age soldiers felt when they returned from war. Old friendships seemed trapped behind a clouded curtain of experiences that old friends didn’t share.

The meal was awkward—mostly silence punctuated by the occasional comment by the scythe. “You have a lovely home.” “What flavorful lemonade!” “This may be the best baked ziti in all of MidMerica!” Even though everything he said was complimentary, his voice registered like a seismic shock down everyone’s spine.

The next biggest reason folks buy fiction is that it has been personally recommended to them by a friend, family member or bookstore employee. That process is called word of mouth. Savvy publishers understand its power and try to facilitate its effect with advance reading copies (ARCs), samplers, first chapters circulated by e-mail, Web sites and the like.

You two shall present the letter to her family at the funeral.” “Wait,” said Citra. “We’re going to her funeral?” “I thought you said it was best not to linger,” said Rowan. “Lingering and paying respects are two different things. I attend the funerals of all the people I glean.” “Is that a scythe rule?” Rowan asked, having never been to a funeral. “No, it’s my rule,” he told them. “It’s called ‘common decency.’ 

two over-lapping circles, with a certain strong riveted centre of common ground, but both with separate arcs jutting out in the world. A balanced tension, adaptable to circumstances, in which there is an elasticity of pull, tension, yet firm unity . . . . I do not believe . . . that artistic creativity can best be indulged in masterful singleness rather than in marital cooperation. I think that a workable union should heighten the potentialities in both individuals.

St. Clair tucks the tips of his fingers into his pockets and kicks the cobblestones with the toe of his boots. "Well?" he finally asks. "Thank you." I'm stunned. "It was really sweet of you to bring me here." "Ah,well." He straightens up and shrugs-that full-bodied French shrug he does so well-and reassumes his usual, assured state of being. "Have to start somewhere. Now make a wish." "Huh?" I have such a way with words. I should write epic poetry or jingles for cat food commercials. He smiles. "Place your feet on the star, and make a wish." "Oh.Okay,sure." I slide my feet together so I'm standing in the center. "I wish-" "Don't say it aloud!" St. Clair rushes forward, as if to stop my words with his body,and my stomach flips violently. "Don't you know anything about making wishes? You only get a limited number in life. Falling stars, eyelashes,dandelions-" "Birthday candles." He ignores the dig. "Exactly. So you ought to take advantage of them when they arise,and superstition says if you make a wish on that star, it'll come true." He pauses before continuing. "Which is better than the other one I've heard." "That I'll die a painful death of poisoning, shooting,beating, and drowning?" "Hypothermia,not drowning." St. Clair laughs. He has a wonderful, boyish laugh. "But no. I've heard anyone who stands here is destined to return to Paris someday. And as I understand it,one year for you is one year to many. Am I right?" I close my eyes. Mom and Seany appear before me. Bridge.Toph.I nod. "All right,then.So keep your eyes closed.And make a wish." I take a deep breath. The cool dampness of the nearby trees fills my lungs. What do I want? It's a difficult quesiton. I want to go home,but I have to admit I've enjoyed tonight. And what if this is the only time in my entire life I visit Paris? I know I just told St. Clair that I don't want to be here, but there's a part of me-a teeny, tiny part-that's curious. If my father called tomorrow and ordered me home,I might be disappointed. I still haven't seen the Mona Lisa. Been to the top of the Eiffel Tower.Walked beneath the Arc de Triomphe. So what else do I want? I want to feel Toph's lips again.I want him to wait.But there's another part of me,a part I really,really hate,that knows even if we do make it,I'd still move away for college next year.So I'd see him this Christmas and next summer,and then...would that be it? And then there's the other thing. The thing I'm trying to ignore. The thing I shouldn't want,the thing I can't have. And he's standing in front of me right now. So what do I wish for? Something I'm not sure I want? Someone I'm not sure I need? Or someone I know I can't have? Screw it.Let the fates decide. I wish for the thing that is best for me. How's that for a generalization? I open my eyes,and the wind is blowing harder. St. Clair pushes a strand of hair from his eyes. "Must have been a good one," he says.

Several friends told stories, boasting about how much Marcia had meant to them, how deeply she'd touched their lives. Marcia would have liked it, John thought - all these people discussing her, pointing out her best qualities, remembering her finest moments. She'd have eaten it up. But what did these people really know about her? What could one know about a person? John had known her best of all, had been able to predict her every move, the arc of her sighs, her laughs, the twists of her shadow as it crossed a room. In the days since her death, he'd felt her drifting through the apartment. He'd done double takes the way you do when you think you see your own cat or dog begging for food under the table at a restaurant. Nobody would understand, John thought, how well he knew the sound of Marcia's coffee spoon hitting the saucer, how the sheets rustled around her when she turned over in bed. But were those things significant enough, he wondered, to boast about?

As a storyteller, you should constantly ask yourself: What was unique to my experience? Why am I the only person who can tell this story? How can I best deliver my story to an audience who may not have lived through the same thing? Often when you’re telling a story about an event, especially a tragic event, it can quickly become a recounting of a series of things that happened. The dreaded and then and then and then. By finding a smaller detail or story within the larger events—a narrative thread—you are able to give the story an arc instead.

There are not different disciplinary buckets. Instead, each one is the end product of all the biological influences that came before it and will influence all the factors that follow it. Thus, it is impossible to conclude that a behavior is caused by a gene, a hormone, a childhood trauma, because the second you invoke one type of explanation, you are de facto invoking them all. No buckets. A “neurobiological” or “genetic” or “developmental” explanation for a behavior is just shorthand, an expository convenience for temporarily approaching the whole multifactorial arc from a particular perspective.

This gift card is the highest-dollar-amount gift card I’ve ever seen. I almost can’t believe it. “It’s from Miranda,” I tell Mom, shocked. “A hundred dollars to ArcLight.” Miranda is my co-star on iCarly. She plays the titular role of Carly Shay—a sweet, feminine teenage girl who, with her best friends Sam and Freddie (played by my other co-star, Nathan), starts a web series. Mom says they didn’t flesh out Miranda’s character very well. “Poor thing gets all the exposition. She’s a pretty girl, but it’s a shame her character has no personality.” I look back down at the basket. I’m really surprised that another child actor would be so nice to me.

The major obstacle here is binary thinking that forces us to pigeonhole into two distinct categories a problem best conceived as a continuous scale. So-called pro-life proponents believe that human life begins at conception; before conception there is no life—after conception there is. For them, it is a binary system. With continuous thinking we can assign a probability to human life—before conception 0, the moment of conception 0.1, multicellular blastocyst 0.2, one-month-old embryo 0.3, two-month-old fetus 0.4, and so on until birth, when the fetus becomes a 1.0 human life-form. It is a continuum, from sperm and egg, to zygote, to blastocyst, to embryo, to fetus, to newborn infant.

A spring sun was shining on the rue St. Honore, as I ran down the church steps. On one corner stood a barrow full of yellow jonquils, pale violets from the Riviera, dark Russian violets, and white Roman hyacinths in a golden cloud of mimosa. The street was full of Sunday pleasure-seekers. I swung my cane and laughed with the rest. Someone overtook and passed me. He never turned, but there was the same deadly malignity in his white profile that there had been in his eyes. I watched him as long as I could see him. His lithe back expressed the same menace; every step that carried him away from me seemed to bear him on some errand connected with my destruction. I was creeping along, my feet almost refusing to move. There began to dawn in me a sense of responsibility for something long forgotten. It began to seem as if I deserved that which he threatened: it reached a long way back - a long, long way back. It had lain dormant all these. years: it was there though, and presently it would rise and confront me. But I would try to escape; and I stumbled as best I could into the rue de Rivioli, across the Place de la Concorde and on to the Quai. I looked with sick eyes upon the sun, shining through the white foam of the fountain, pouring over the backs of the dusky bronze river-gods, on the far-away Arc, a structure of amethyst mist, on the countless vistas of grey stems and bare branches faintly green. Then I saw him again coming down one of the chestnut alleys of the Cours la Reine. ("In The Court of the Dragon")

The Coach’s head was oblong with tiny slits that served as eyes, which drifted in tides slowly inward, as though the face itself were the sea or, in fact, a soup of macromolecules through which objects might drift, leaving in their wake, ripples of nothingness. The eyes—they floated adrift like land masses before locking in symmetrically at seemingly prescribed positions off-center, while managing to be so closely drawn into the very middle of the face section that it might have seemed unnecessary for there to have been two eyes when, quite likely, one would easily have sufficed. These aimless, floating eyes were not the Coach’s only distinctive feature—for, in fact, connected to the interior of each eyelid by a web-like layer of rubbery pink tissue was a kind of snout which, unlike the eyes, remained fixed in its position among the tides of the face, arcing narrowly inward at the edges of its sharp extremities into a serrated beak-like projection that hooked downward at its tip, in a fashion similar to that of a falcon’s beak. This snout—or beak, rather—was, in fact, so long and came to such a fine point that as the eyes swirled through the soup of macromolecules that comprised the man’s face, it almost appeared—due to the seeming thinness of the pink tissue—that the eyes functioned as kinds of optical tether balls that moved synchronously across the face like mirror images of one another. 'I wore my lizard mask as I entered the tram, last evening, and people found me fearless,' the Coach remarked, enunciating each word carefully through the hollow clack-clacking sound of his beak, as its edges clapped together. 'I might have exchanged it for that of an ox and then thought better. A lizard goes best with scales, don’t you think?' Bunnu nodded as he quietly wondered how the Coach could manage to fit that phallic monstrosity of a beak into any kind of mask, unless, in fact, this disguise of which he spoke, had been specially designed for his face and divided into sections in such a way that they could be readily attached to different areas—as though one were assembling a new face—in overlapping layers, so as to veil, or perhaps even amplify certain distinguishable features. All the same, in doing so, one could only imagine this lizard mask to be enormous to the extent that it would be disproportionate with the rest of the Coach’s body. But then, there were ways to mask space, as well—to bend light, perhaps, to create the illusion that something was perceptibly larger or smaller, wider or narrower, rounder or more linear than it was in actuality. That is to say, any form of prosthesis designed for the purposes of affecting remedial space might, for example, have had the capability of creating the appearance of a gap of void in occupied space. An ornament hangs from the chin, let’s say, as an accessory meant to contour smoothly inward what might otherwise appear to be hanging jowls. This surely wouldn’t be the exact use that the Coach would have for such a device—as he had no jowls to speak of—though he could certainly see the benefit of the accessory’s ingenuity. This being said, the lizard mask might have appeared natural rather than disproportionate given the right set of circumstances. Whatever the case, there was no way of even knowing if the Coach wasn’t, in fact, already wearing a mask, at this very moment, rendering Bunnu’s initial appraisal of his character—as determined by a rudimentary physiognomic analysis of his features—a matter now subject to doubt. And thus, any conjecture that could be made with respect to the dimensions or components of a lizard mask—not to speak of the motives of its wearer—seemed not only impractical, but also irrelevant at this point in time.

that white is a color. It is not a mere absence of color; it is a shining and affirmative thing, as fierce as red, as definite as black. When, so to speak, your pencil grows red-hot, it draws roses; when it grows white-hot, it draws stars. And one of the two or three defiant verities of the best religious morality, of real Christianity, for example, is exactly this same thing; the chief assertion of religious morality is that white is a color. Virtue is not the absence of vices or the avoidance of moral dangers; virtue is a vivid and separate thing, like pain or a particular smell. Mercy does not mean not being cruel or sparing people revenge or punishment; it means a plain and positive thing like the sun, which one has either seen or not seen. Chastity does not mean abstention from sexual wrong; it means something flaming, like Joan of Arc. In a word, God paints in many colors; but He never paints so gorgeously, I had almost said so gaudily, as when He paints in white.

I’m afraid that your sister, Marissa Ferguson, was gleaned by Scythe Curie today at one fifteen p.m. I’m very sorry for your loss.” The man didn’t seem upset or shocked, merely resigned. “Is that all?” “Is that all? Didn’t you hear me? I just told you that your sister was gleaned today.” The man sighed. “That which comes can’t be avoided.” If she didn’t already dislike the Tonists, she certainly did now. “Is that it?” she asked. “Is that your people’s ‘holy’ line?” “It’s not a line; it’s just a simple truth we live by.” “Yeah, whatever you say. You’ll need to make arrangements for your sister’s body—because that’s coming and can’t be avoided either.” “But if I don’t step forward, won’t the Thunderhead provide a funeral?” “Don’t you care at all?” The man took a moment before answering. “Death by scythe is not a natural death. We Tonists do not acknowledge it.” Citra cleared her throat, biting back the verbal reaming she wanted to give him, and did her best to remain professional. “There’s one more thing. Although you didn’t live with her, you are her only documented relative. That entitles you to a year of immunity from gleaning.” “I don’t want immunity,” he said. “Why am I not surprised.” This was the first time she had ever encountered anyone who refused immunity. Even the most downhearted would kiss the ring. “You’ve done your job. You may go now,” Brother Ferguson said. There was only so long Citra could restrain her frustration. She couldn’t yell at the man. She couldn’t use her Bokator moves to kick him in the neck or take him down with an elbow slam. So she did the only thing she could do. She picked up the mallet and put all of her anger into a single, powerful strike at the tuning fork.

Because Aristotle’s was the accepted lens on the universe, centuries of medieval scientists and thinkers went to great lengths to make epicycles work. It wasn’t until the sixteenth century, with one simple but profound observation, that Renaissance astronomer Nicolaus Copernicus reframed our view of the universe. The planets revolved not around the earth, but around the sun. Finally, understanding that provided a foundation for some of the most important advances in history and the foundation for modern astronomy and calculus. Of course, it took eighteen centuries for someone like Copernicus to see and articulate the flaws in Aristotle’s logic. And even he died without knowing that the world would accept he was right. Changing a well-established view of the world rarely happens overnight—and even when it happens, it still takes time to refine and perfect the right new perspective. In the world of innovation, many companies are stuck in a world of creating “epicycles”: elaborate approximations, estimations, and extrapolations. Because we gather, fine-tune, and cross-reference all manner of data, it seems like we should be getting better and better at predicting success. But if we fail to understand why customers make the choices they make, we’re just getting better and better at a fundamentally flawed process. Without the right understanding of the causal mechanism at the center of the innovation universe, companies are trying to make sense of the universe revolving around the earth. They’re forced to rely on an array of borrowed best practices, probabilistic tools, and tips and tricks that have worked for other companies, but which can’t guarantee success. As you look at innovation through the lenses of the Jobs Theory, what you see is not the customer at the center of the innovation universe, but the customer’s Job to Be Done. It may seem like a small distinction—just a few minutes of arc—but it matters a great deal. In fact, it changes everything.

Finally there came a crisp blue afternoon, a Sunday, the day after Daylight Saving ended, when they met at the park at three o’clock and hit for so long that the light began to fail. Pip was in an absolute groove with her forehand, Jason was bounding around and achieving his own personal-best low error rate, and although her elbow had begun to ache she wanted never to stop. They had impossibly long rallies, back and forth, whack and whack, rallies so long that she was giggling with happiness by the end of them. The sun went down, the air was deliciously cool, and they kept hitting. The ball bouncing up in a low arc, her eyes latching on to it, being sure to see it, just see it, not think, and her body doing the rest without being asked to. That instant of connecting, the satisfaction of reversing the ball’s inertia, the sweetness of the sweet spot. For the first time since her early days at Los Volcanes she was experiencing perfect contentment. Yes, a kind of heaven: long rallies on an autumn evening, the exercise of skill in light still good enough to hit by, the faithful pock of a tennis ball. It was enough.

NBA 2K18 Wishlist - Good Badges To Deal Problems In 2K17 The NBA 2K18 release date has basketball fans hyped. The new game in the series will be the definitive way for fans to take control of their favorite franchises and players on the Xbox One and PS4. As of the features player wish to be added into NBA 2K18, we can compare it with NBA 2K17. Today, we'll list the best badges players would like to see in the latest NBA franchise. Flashy Dunker 2K Sports has spent a large amount of time recording flashy dunk animations that look great when they trigger. Unfortunately players do not equip any of these because they get blocked at a higher rate than the basic one and two hand dunk packages. NBA 2K17 has posterizer to help with contact dunks but Flashy Dunker would be for non-contact animations. The badge would allow you to use these flashy dunk packages in traffic while getting blocked at a lower rate in NBA 2K18. Bullet Passer Badge Even with a high passer rating and Hall of Fame dimer you can still find yourself throwing slow lob passes inexplicably. These passes are easy to intercept and give the defense too much time to recover. Bullet Passer would be an increase in the speed of passes that you throw, allowing you to create open looks for teammates in 2K18 that were not possible in NBA 2K17. A strong passing game is more important than ISO ball and this badge would help with that style of play. 3 And D Badge The 3 and D badge would be an archetype in NBA 2K18 ideally but a badge version would be an acceptable substitute. This badge would once again reward players for playing good defense. The badge would trigger after a block, steal, or good shot defense and would lead to an increase in shooting percentage on the next possession from behind the 3 point arc. Dominant Post Presence Badge It's a travesty that post scorer is one of the more under-utilized archetypes in NBA 2K17. Many players that have created a post scorer can immediately tell you why they do not play it as much as their other MyPlayers, it is incredibly easy to lose the ball in the post. Whether it is a double team or your matchup, getting the ball poked loose is a constant problem. Dominant Post Presence would trigger when you attempt to post up and would be an increase in your ability to maintain possession of the ball as long as NBA 2K18 add this badge. In addition the badge would be an increase in the shooting percentage of your teammate when you pass out of the post to an open man. The Glove NBA 2K17 has too many contested shots. The shot contest rating on most archetypes is not enough to outweigh the contested midrange or 3 point rating and consistently force misses. It's obviously that height helps you contest shots in a major way but it also slows you down. However, the Glove would solve this problem in NBA 2K18. This badge would increase your ability to contest shots effectively, forcing more misses and allowing you to play better defense. Of course, there should be more other tips and tricks for NBA 2K18. If you have better advices, tell us on the official media. The NBA 2K18 Early Tip-Off Weekend starts September 15th. That's a total of four days for dedicated fans to get in the game and try its new features before other buyers. The game is completely unlocked for Early Tip-Off Weekend. Be sure to make enough preparation for the upcoming event.

As I pass Logan’s room, I catch a glorious purple glow. My curiosity gets the best of me. I walk in and flick on the light switch. On the wall above a bookshelf hangs something truly magnificent. Delicately, I pick up the Mace Windulightsaber replica. It reminds me of those super expensive knives professional chefs use that are weighted perfectly for precision. I take a step back and brandish the weapon at a poster of Aragorn from Lord of the Rings on the wall. “Don’t worry, your highness. Your Jedi escort will see you to safety,” I say in my best Obi Wan accent. “The force is strong with this one.” The words come from behind me. I whip around out of pure freaked-out instinct, swinging the lightsaber in a big arc. It clashes with one just like it, except it’s blue. I look up into Dan’s smug face and wish these lightsabers weren’t replicas. Sure, it’s a cute face, but it’s a face I’m not in the mood to deal with at the moment. I swirl my saber to move his out of the way and put the point of it to his chin. “Don’t make me slice your nose off, you scruffy-looking nerf herder.” I’ve always wanted to call someone that, but the opportunity never presented itself until now. He tosses his lightsaber onto the bed and holds his hands up in surrender. “I yield, but only because that is a limited edition.

Her throat interested him greatly, the lovely arc beneath her dainty earlobe, the milky skin, the silken cascade of her perfumed hair... His mind drifted, the wine warming his senses. It had now been three days since he'd had a woman, and he had not forgotten the way she had felt beneath him last night. He still wanted her in spite of himself. Her lips' dewy roses beguiled him, along with the teasing sparkle in those emerald green eyes beneath her black velvet lashes. The candlelight brought out a golden luster in the depths of her light brown hair and danced along the delicate lines of her bare shoulders. Was it wrong to want to lick the caramel sauce out of her splendid cleavage instead of drizzling it politely on the cheesecake? He did his best to keep a tight rein on his dangerous hunger for her, even as his hands tingled with yearning to caress all her creamy, glowing skin. As he took another large swallow of port, he contemplated the fact that there was one sure way to find out if she was really as innocent as she would have him believe. If she was a part of her forebears' sinister conspiracy, it was unlikely that she was a virgin. He was keenly tempted to verify her status for himself by luring her into his bed and finishing what they had started last night.

You’ll never understand… Because you look at data, not the individual. Before you destroyed the world I was a regular. Everything you would read about regulars would tell you we were scavenging, scrounging, thieving rats that made the alterd’s world look untidy. If you looked at the data, it would back up all these statements, but do you think any of us wanted that life? Do you think any of us chose to be born into that existence? No, but we were. And the system was set up for us to fail. Education? Too expensive. Housing prices? Too high. Jobs? Nonexistent. Debt? Keeps on growing. Drugs keep on spreading. Space keeps on getting smaller and smaller. And who’s at the top pulling the stings? The alts! The rich at the top. They needed us to be poor. They needed us to have nothing so they could look at all they have, pat themselves on the back and say, ‘Look what I have in comparison to them. If only they worked as hard as me…’ But despite all of this, the best people I’ve ever met were those scavenging, scrounging, thieving rats. That’s why I fight. I fight for the people I love and you’ll never understand that. Because you can teach a machine to think, but not to love.

The staff-like weapon had an oversized tuning fork on one end and a battery pack on the other to balance the weight. The tuning fork looked harmless enough — until he pressed a button and a hundred million volts arced between the prongs.

When we reify—set in stone, mentally speaking—the particular way human behavior shows up in a certain place and time, we commit the fallacy of conflating how we’re being with who we are. This error can keep us from considering other possibilities, even if our current way of operating isn’t good for us. We then replicate conditions that are unfit for our well-being, and the sad saga continues. This is why, in seeking a vision of a healthier world, we had best disabuse ourselves of any fixed, limiting beliefs about what we’re all about, and instead ask, What circumstances evoke which sorts of outcomes? Encoded in our biology are some basic needs and potentials. How our nature unfolds depends on how well these needs are met, how these potentials are encouraged or frustrated. This is true throughout the lifespan, but at no time is it more consequential than during the process of development. Chronologically we can trace development’s arc from conception through adolescence, although of course in many ways we never stop growing, changing, adapting, and developing—if we’re lucky, for the healthier and wiser.

Successful American presidents project a populist image. They do not place themselves above their compatriots but strive whenever possible to show qualities typical of “average” Americans. If they have an intellectual bent, they do their best to hide it. To be likable, smiling, and unpretentious is all-important, to express the values of middle America an essential prerequisite for greatness. In France, great leaders historically do exactly the opposite: They stand above the masses, remote figures embodying France’s gloire and grandeur. They don’t try to be folksy or common in speech. No one cultivated this image more assiduously than de Gaulle. The general was not shy about invoking Notre Dame de France—Our Lady of France—or about identifying himself with national heroes such as Jeanne d’Arc and Clemenceau. Roosevelt, though reasonably familiar with the French language and culture, did not comprehend this French mythmaking, while de Gaulle, in his general ignorance of American ways, viewed FDR’s geniality as a guise for hypocrisy and artifice.3

As we look back on the arc of our lives, we often discover that the most significant, meaningful changes came from unexpected, seemingly unremarkable, or even un-welcomed sources. While we were busy planning the direction in which we thought our lives should go, something unplanned entered to steer us onto a new path that led to a destination that we could not possibly have imagined. Something that at first seemed to be a distraction, nuisance, or, perhaps, an outright disaster was, in retrospect, the best thing that could have happened. It shook us out of our routine, allowed for new possibilities to enter, and presented the opportunity to rise above our previous sense of how things should be, what

In the past, the states best able to manage events beyond their borders have been those best able to avoid the temptation to overreach. Great powers remain great in large measure because they posses wisdom to temper active involvement in foreign interventions - to remain within the limits of a national strategy that balances ambition with military resources. The first principle of the strategic art states simply that the greatest weight of resources be devoted to safeguarding the most vital interests of the state. If a vital interest is threatened, the survival of the state is threatened. Generally, the most vital interest of a liberal democracy include, first and foremost, preservation of the territorial integrity of the state. The example of the attacks on New York and Washington should send a message to those of similar ambitions that the surest way to focus the wrath of the American people against them would be to strike this country within its borders again. The second strategic priority is the protection of the national economic welfare by ensuring free and open access to markets for vital materials and finished goods. Other important but less vital interests should be defended by the threat of force only as military resources permit. Outside the limits of U.S. territory, the strategic problem defining the geographic limits of U.S. vital interests becomes complex. While the United States may have some interests in every corner of the world, there are certain regions where its strategic interests, both economic and cultural, are concentrated and potentially threatened. These vital strategic "centers of gravity" encompass in the first instance those geographic areas essential to maintaining access to open markets and sources of raw material, principally oil. Fortunately, many of these economically vital centers are secure from serious threat. But a few happen to be located astride regions that have witnessed generations of cultural and ethnic strife. Four regions overshadow all others in being both vital to continued domestic prosperity and continually under the threat of state-supported violence. These regions are defined generally by an arc of territories along the periphery of Eurasia: Europe, the Middle East, South Asia, and north East Asia. For the past several centuries, these regions have been the areanas of the world's most serious and intractable conflicts. Points of collision begin with the intersection of Western and Eastern Christianity and continue southward to mark Islam's incursion into southeastern Europe in the Balkans. The cultural divide countries without interruption across the Levant in an unbroken line of unrest and warring states from the crescent of the Middle East to the subcontinent of South Asia. The fault-line concludes with the divide between China and all the traditional cultural competitors along its land and sea borders. Other countries outside the periphery of Eurasia might, in extreme cases, demand the presence of U.S. forces for peacekeeping or humanitarian operations. But it is unlikely that in the years to come the United States will risk a major conflict that will involve the calculated commitment of forces in a shooting war in regions outside this "periphery of Eurasia," which circumscribes and defines America's global security.

Some of my favorite scenes from the books I read are those pivotal points in the arc of the story when the guy declares his love for the girl in a huge way. But the way this one little kiss from Ben just left me feeling, I think I’ve been overlooking the best parts of romance novels. Maybe the grand gestures don’t matter nearly as much as all the inconsequential things between the two main characters. It makes me want to go back and reread everything I’ve ever read, now that I’m experiencing these things with someone in real life

The assumption – and I think it’s correct – is that the technology is going to happen anyway, so the best thing is to get it distributed as quickly as possible and see what people use it for, and keep an eye out for any problems that arise.

What’s perhaps most surprising, however, is that a science of storytelling is possible. Our narratives almost always conform to certain patterns, which raises the strange possibility that our mental processes have evolved for specific templates best suited to understanding change—a literal physical embodiment of storybook reality, encoded into our minds. Kurt Vonnegut, one of the greatest authors of all time, demonstrated that most human stories could be graphed, with the vertical axis related to whether good or bad things happen to the main character, and the horizontal axis representing time as the story unfolds. The idea came to him when he noticed significant similarities between the “shape” of the story of Cinderella and the New Testament of the Bible. In another story shape, what he called the “Man in the Hole,” a person gets into trouble, then gets out of it to end the story on a happy note. The Wizard of Oz is this kind of story, as is virtually every sitcom episode ever written. If you’re unlucky, you’ll find yourself in a story arc that Vonnegut calls “From Bad to Worse,” in which the character experiences one misfortune after another. (May you never find yourself in this kind of story, as in Kafka’s Metamorphosis.)

I made it. I almost didn’t survive all the challenges I had faced at home, at school, and with my immigration status, but I had been really strong and fought for my dreams. Here I was, a student at one of the best universities in the country. My mom had been right all along. Someone like me could make it in America.

With one phone call, I turned my mom into a single parent. I hardly remember what those six months were like without him, except for the fact that everything was harder. My dad was the one who drove Julio and me to school. He picked us up, cooked us dinner, and took me to my basketball games and dance practices. My mom did the best she could to make up for his absence, but she wasn’t as organized. The house was a constant mess, and I was late to every practice. I didn’t have to deal with my dad’s anger and drinking, but that didn’t mean I didn’t miss and need my dad. I wish I didn’t grow up feeling afraid of him. But I also thought if he was mean all the time, then hating him wouldn’t hurt so much. The stress also brought out another side of my mom. One day, Julio and I were playing in the living room, and he hit me really hard with his toy sword. I hit him back and he started crying.

Morality was supreme because it joined male and female characteristics. Blending the best characteristics of both sexes and the 'opposite' races - the characteristics of intelligence and compassion - Comte claimed the legitimacy to act as the spokesperson for the collective being Humanity and to regenerate society. As a completely unified and moral person, he could create within society the solidarity necessary for progress. In a way, he was challenging the two androgynes who had captured the imagination of his contemporaries: Joan of Arc and George Sand. Comte appeared to heed the words of a feminist journal. La Voix des Femmes, which proclaimed in 1848 that 'Woman must ... emancipate man by making him a woman.

An adult spectator has greater command over his facial expressions, and it is perhaps for that very reason that fictitiously, that is, without a real cause or real action, he even more intensely lives through the entire gamut of noble and heroic feelings presented by the drama, or gives free rein in his imagination to the base and even criminal inclinations of his nature, the feelings he experiences being real, though his complicity in the crimes committed on the stage is fictitious. What interested me most in this argumentation was the element of “fictitiousness.” Thus art (so far in the form of theatre) enables man through co-experience fictitiously to perform heroic actions, fictitiously to experience great emotions, fictitiously to feel himself a hero like Franz Moor, to rid himself of base instincts with the assistance of Karl Moor, to regard himself as a sage like Faust, to feel inspired by God like Joan of Arc, to be an ardent lover like Romeo, to be a patriot like Count de Rizoor, to see his doubts dissipated by Kareno, Brand, Rosmer or Hamlet. More. The best thing about it was that these fictitious actions brought the spectator real satisfaction. Thus after seeing Verhaeren's Les aubes he feels he is a hero. After seeing Calderon's El principe constante he feels he is a martyr. After seeing Schiller's Kabale und Liebe he is overwhelmed by righteousness and self-pity. “But this is horrible!” I shuddered as I was crossing Trubnaya Square (or was it Sretenskiye Gates?). What infernal mechanics governed this sacred art whose votary I had become? That was mere than a lie! That was more than deceit! That was downright dangerous. Horribly, unspeakably dangerous. Only think: why strive for reality, if for a small sum of money you can satisfy yourself in your imagination without moving from your comfortable theatre seat?

top of the Arc de Triomphe. I wasn’t allowed to take my tripod up there, so I had to get creative. But, man, it was worth it! I took my best night shot of the Champs-Elysées with its horse

Kylae and Batak seemed fairly liberal, as priests go, but probably not that liberal. Admitting he was speaking on behalf of a giant sentient spider would likely have led to him being forcibly expelled from the temple at best.

In her first major clash with the English before the walls of Orléans, Joan was injured by an arrow that penetrated the seams of her armor and drove through her chest so far that the point protruded out of her back. When the battlefield medics were debating how to best help her, she simply pulled the arrow out with her own hand. (Now there’s a leadership challenge!)

The mood swings of the securities markets resemble the movement of a pendulum. Although the midpoint of its arc best describes the location of the pendulum “on average,” it actually spends very little of its time there. Instead, it is almost always swinging toward or away from the extremes of its arc. But whenever the pendulum is near either extreme, it is inevitable that it will move back toward the midpoint sooner or later. In fact, it is the movement toward an extreme itself that supplies the energy for the swing back. Investment markets make the same pendulum-like swing: between euphoria and depression, between celebrating positive developments and obsessing over negatives, and thus between being overpriced and underpriced. This oscillation is one of the most dependable features of the investment world, and investor psychology seems to spend much more time at the extremes than it does at a “happy medium.

Ask readers what they best remember about novels and most will say the characters, but is that accurate? It’s true that characters become real to us but that is because of what they cause us to feel. Characters aren’t actually real; only our own feelings are. Emotional impact is not an extra. It’s as fundamental to a novel’s purpose and structure as its plot. The emotional craft of fiction underlies the creation of character arcs, plot turns, beginnings, midpoints, endings, and strong scenes. It is the basis of voice.

Miles tells King Mob that “we do not merely destroy our enemies.  We change them.”  This is a critical line because it illuminates the true nature of the war.  It is not a war of violence; it is a war of ideas.  The goal of each side is to win over people, to convince them that their side is right and the other’s is wrong.  Chaos and order are in perpetual conflict, and it is the interplay between the two elements that allows society to grow and change.  If one errs too far in one direction, things will fall apart – as we see with the descent into ultra-violence that is literally called “Things Fall Apart” (issue #9).  Generally, Morrison supports the Invisibles’ cause, as does the reader.  But the point of King Mob’s Volume Two arc, as well as the character of Jolly Roger, is to demonstrate that excessive chaos can result in the same kind of oppression as excessive order.  It’s best when the elements are in balance.

of glittering armor and the forest of battle pennants, the main part of the emperors’ army was concentrated on Highway 24, forcing its way toward the Caldecott Tunnel. Enemy catapults hurled projectiles toward the legion’s positions, but most disappeared in bursts of purple light as soon as they got close. I assumed that was the work of Terminus, doing his part to defend the camp’s borders. Meanwhile, at the base of the tunnel, flashes of lightning pinpointed the location of the legion’s standard. Tendrils of electricity zigzagged down the hillsides, arcing through enemy lines and frying them to dust. Camp Jupiter’s ballistae launched giant flaming spears at the invaders, raking through their lines and starting more forest fires. The emperors’ troops kept coming. The ones making the best progress were huddled behind large armored vehicles that crawled on eight legs and…Oh, gods. My guts felt like they’d gotten tangled in my bike chain. Those weren’t vehicles. “Myrmekes,” I said. “Meg, those are myr—” “I see them.” She didn’t even slow down. “It doesn’t change anything. Come on!” How could it not change anything? We’d faced a nest of those giant ants at Camp Half-Blood and barely survived. Meg had nearly been pulped into Gerber’s larvae purée. Now we were confronting myrmekes trained for war, snapping trees in half with their pincers and spraying acid to melt through the camp’s defensive pickets. This was a brand-new flavor of horrible. “We’ll never get through their lines!” I protested. “Lavinia’s secret tunnel.

This was the best part of a first kiss. The anticipation. The clamoring hearts and the tentative sighs. The searching eyes and the luxury of knowing that something wonderful was about to happen. And when Matt's lips grazed my cheek, I closed my eyes and knew that, yes, I was exactly where I was supposed to be. And when he kissed me, ah... at last, I knew that in his arms was exactly where I planned to stay. All my senses swirled and merged into one big arc of longing as he held me tight. His kiss was perfect. Full of promise and hope and cravings that I couldn't wait to satisfy even while knowing I could never get enough of him. The Universe, just to make sure that we'd gotten the message, sent fireworks into the sky overhead, bursting with shimmering light. Or maybe it was just Clancy and the guys from the fire station starting the Lilac Festival show, but either way, there were definitely fireworks.

It’s freezing outside and imagine you are relaxing in the water of your swimming pool. Is it possible? Will you not freeze in the cold water? Absolutely not! Pool Enclosures can make it a possible. They not only protect the pool from rain and snow but also enhance the inside air temperature and help you enjoy your most relaxing activity in the winters. The most popular enclosures are the Telescopic Swimming Pool Enclosures. These are the most suitable enclosures for long outdoor swimming pools. They enhance the overall appearance of the pool. These are quick and easy to assemble. These are among the best-selling enclosures in the markets. As the name suggests telescopic enclosures are long and slender just like the telescope. These enclosures are also used by resorts and hotel owners to cover their swimming pools. The pool enclosures for outdoor pools offer an extended living space when connected to the home. You can opt for an arc shaped pool enclosure that could be opened or closed. An enclosure with traditional design can improve the aesthetics of the area. Other styles and designs are offered by a large number of companies to turn your pool side into a beautiful and relaxing space. As it becomes very difficult to put and remove the pool covers manually, automatic pool enclosures that can be applied with a push on a button have been introduced in the market. These pool enclosures are easy to install and can be opened or closed whenever required in just a few seconds. As the pool is protected from rain, dust and snow, you will require very less time in cleaning the pool. With enclosures on you can enjoy an extended pool season all year round. In majority of the houses with swimming pool, you can find Retractable Enclosures over the swimming pool. They make the pool useful even in rain and improve the overall look of the pool. These are also easy to assemble and provide a hassle free experience. Hence if you have a pool in your house and you want to make it even more beautiful, then it is highly recommended to make use of retractable enclosures. If you want to enjoy at the pool side throughout the year, then it is high time you get a pool enclosure installed. The benefits of pool covers and enclosures are plenty and the cost is worth the pleasure. You can look for the companies that offer affordable and easy to assemble enclosure kits on the internet and take advantage of their products and services. These companies can even custom design an enclosure to match the architecture of your house. Enjoy swimming in an enclosed beautiful pool around the year!

The enclosure next to the dingoes held Graham the crocodile. Wes, Steve, and other staff battled the flood in Graham’s home. One man stood on the fence to spot the croc. He had to shout to Wes and Steve as they cleared the fence line inside the enclosure in waist-deep, dark waters. With the vehicle spotlights casting weird shadows, he had to scope out the murky water and try to discern the crocodile from among the floating bits of debris. Once the backup man had the crocodile pegged, he kept a close eye on him. If Graham submerged, Wes and Steve had to be warned immediately. The spotter worked hard to keep a bead on Graham. Steve and Wes were synchronized with their every move. They had worked together like this for years. They didn’t even have to speak to each other to communicate. There was no room for error as the amount of time spent in Graham’s enclosure was kept to a minimum. They jumped into the enclosure, cleared on, two, three armloads of debris, then jumped back out and re-evaluated the situation. Graham’s fence line had a bow in it, but it wasn’t in any danger of buckling. Steve and Wes were doing a good job, and there was no need for me to be there with them. It was more urgent for me to keep the dingo fence line intact next door. Graham’s female, named Bindi, was nesting, and this added another dangerous dimension to the job, since Graham was feeling particularly protective. The men were also keenly aware that nighttime meant croc time--and Graham would be stalking them with real intent. They reached down for their three armloads of debris. Steve scooped up his first load, flung it out, and gathered his second. Suddenly, Wes slammed into the fence with such force that his body was driven in an arc right over the top of Steve. It only took a split second for Steve to realize what had happened. As Wes had bent over to reach for an armload of debris, he had been hit from behind by more than twelve feet of reptile, weighing close to nine hundred pounds. Graham grabbed Wes, his top teeth sinking into Wes’s bum, his bottom teeth hooking into the back of Wes’s thigh, just above his knee. The croc then closed his mouth, exerting that amazing three thousand pounds per square inch of jaw pressure, pulling and tearing tissue as he did. The croc hit violently. Wes instinctively twisted away and rolled free of Graham’s jaws, but two fist-sized chunks were torn from his backside. The croc instantly swung in for another grab. Wes pushed the lunging croc’s head away, but not before Graham’s teeth crushed through his finger. They crashed back down into the water. Wes screamed out when he was grabbed, but no one could hear him because of the roar of the storm. In almost total darkness, Steve seized a pick handle that rested near the fence. He turned toward the croc as Graham was lining Wes up for another bite. Wes was on his side now, in water that was about three feet deep. He could see the crocodile in the lights of a Ute spotlight that shone over the murk--the dark outline of the osteodermal plates along the crocodile’s back. As Graham moved in, Wes knew the next bite would be to his skull. It would be all over. Wes braced himself for the inevitable, but it didn’t come. Steve reached into the water and grabbed Graham’s back legs. He didn’t realize that Graham had released Wes in preparation for that final bite. He thought Graham was holding Wes under the water. Steve pulled with all his strength, managing to turn the crocodile around to focus on him. As Graham lunged toward Steve, Steve drove the pick handle into the crocodile’s mouth and started hammering at his head. Wes saw what was happening and scrambled up the fence. “I’m out mate, I’m out,” Wes yelled, blood pouring down his leg. Steve looked up to see Wes on the top of the fence. He realized that even though Wes was wounded, he was poised to jump back down into the water to try to rescue his best mate.

They reached down for their three armloads of debris. Steve scooped up his first load, flung it out, and gathered his second. Suddenly, Wes slammed into the fence with such force that his body was driven in an arc right over the top of Steve. It only took a split second for Steve to realize what had happened. As Wes had bent over to reach for an armload of debris, he had been hit from behind by more than twelve feet of reptile, weighing close to nine hundred pounds. Graham grabbed Wes, his top teeth sinking into Wes’s bum, his bottom teeth hooking into the back of Wes’s thigh, just above his knee. The croc then closed his mouth, exerting that amazing three thousand pounds per square inch of jaw pressure, pulling and tearing tissue as he did. The croc hit violently. Wes instinctively twisted away and rolled free of Graham’s jaws, but two fist-sized chunks were torn from his backside. The croc instantly swung in for another grab. Wes pushed the lunging croc’s head away, but not before Graham’s teeth crushed through his finger. They crashed back down into the water. Wes screamed out when he was grabbed, but no one could hear him because of the roar of the storm. In almost total darkness, Steve seized a pick handle that rested near the fence. He turned toward the croc as Graham was lining Wes up for another bite. Wes was on his side now, in water that was about three feet deep. He could see the crocodile in the lights of a Ute spotlight that shone over the murk--the dark outline of the osteodermal plates along the crocodile’s back. As Graham moved in, Wes knew the next bite would be to his skull. It would be all over. Wes braced himself for the inevitable, but it didn’t come. Steve reached into the water and grabbed Graham’s back legs. He didn’t realize that Graham had released Wes in preparation for that final bite. He thought Graham was holding Wes under the water. Steve pulled with all his strength, managing to turn the crocodile around to focus on him. As Graham lunged toward Steve, Steve drove the pick handle into the crocodile’s mouth and started hammering at his head. Wes saw what was happening and scrambled up the fence. “I’m out mate, I’m out,” Wes yelled, blood pouring down his leg. Steve looked up to see Wes on the top of the fence. He realized that even though Wes was wounded, he was poised to jump back down into the water to try to rescue his best mate. “Get out,” Steve shouted. “I’m all right.” Wes scrambled over the fence as the croc turned again to grab Steve. Steve and Wes both toppled over the fence and crashed down. In the dim light, Steve could see how badly Wes had been torn open. “Mate, I’ll give you a hand,” Steve said. “Let me carry you back to the compound.” “It’s okay!” Wes yelled through the downpour. “I can make it myself.” Both men pushed their way through the water toward the compound. No one else even knew what had happened. We continued working in the rain. Somehow Frank got word to the dingo enclosure. “You’d better get to the compound,” came the message. “Graham grabbed Wes.” I felt cold chills go down my arms into my fingers. Graham was a large enough crocodile that he could easily kill prey the size of a man. I struggled through the water toward the compound. This is a nightmare, I thought. It felt like a bad dream, trying desperately to run in the waist-deep water, and yet feeling like I was in slow motion, struggling my way forward. When I got to the compound, I was shocked. Wes was conscious and standing up. I had a look at his wounds. The gaping holes torn out of his bottom and the back of his leg were horrifying. Both wounds were bigger than my fist. He was badly torn up. We discussed whether or not to call an ambulance, and then decided we would take Wes to the hospital ourselves. Wes was fluctuating between feeling euphorically happy to be alive and lashing out in anger. He was going into shock and had lost a lot of blood.

Lieutenant Kane series follows the Tampa homicide lieutenant on and off duty over the better part of a year—though I think in reality, if most people who worked law enforcement had a year like his, they would be turning in their resignations. Through the story arc of the six-book series, you’ll see Lieutenant Kane go toe-to-toe with some of the most twisted, homicidal, and downright ruthless adversaries imaginable—all while doing his best to juggle his often-