Marlin Perkins Quotes

He secretly thinks he looks like Marlon Brando, but take a good look a young Marlin Perkins is more like it! Maybe that’s what he sees in Annette Kelper—he’s an animal lover.

I imagine Marlin Perkins narrating the scene on my favorite childhood television show, Mutual of Omaha’s Wild Kingdom.

success has been due to the instant availability of our partners and associates. During the past month, we have been very busy and some of us have been straying away from the fundamentals, such as leaving word at all times where they may be found. We must not deviate from the basics. I have contacted Marlin Perkins of the St. Louis Zoo and the next person that I have trouble finding will be fitted out with a radio collar. Please impress our policy on the people who work with and under you. The collars are bulky and not very attractive.

The show was one of radio’s most consistent until 1950, when Harold Peary announced that he was quitting his starring role. Rumor had it that Peary had held out for more money. His series was still carrying a rating in the midteens—certainly no disgrace at any time, and highly respectable in radio’s final years, when the once-lofty Hope, Bergen, Benny, and Fibber powerhouses were doing little better themselves. Peary admitted he was bored: he had slowly tired of the role and was frustrated that his onceremarkable versatility had been eclipsed under a blanket of Gildersleeve typecasting. People forgot that he had been a singer, he said, and that he had been one of the best of the old Chicago dialect men in the days before he moved with Fibber McGee and Molly to Hollywood. This might have killed most shows, but NBC and Kraft had on tap one Willard Waterman, who had once been denied acting jobs on McGee because his voice sounded so much like Peary’s. Waterman and Peary had traveled similar routes on their climb through radio. Waterman had arrived in Chicago around 1936 and had played many of the same bit parts that Peary would do the following year. While Peary was establishing himself on McGee, Waterman was working The First Nighter Program, Ma Perkins, and The Story of Mary Marlin. Like Peary, Waterman was a prolific and versatile talent, doing up to 40 parts in a week.

Confrontation,' he declared, 'is the essence of nature!' He shook his silvery braid loose and let his hair stream out behind him. 'Confrontation is the rhythm of life,' he went on. 'In nature violence is pure and purposeful, one species against another in an act of survival!' Terrific, Decker thought. Marlin Perkins on PCP.