Arabian Nights Quotes

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My father used to say that stories are part of the most precious heritage of mankind.
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Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
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I go back to the reading room, where I sink down in the sofa and into the world of The Arabian Nights. Slowly, like a movie fadeout, the real world evaporates. I'm alone, inside the world of the story. My favourite feeling in the world.
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Haruki Murakami (Kafka on the Shore)
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ุนุฌูŠุจุฉ ู‡ุฐู‡ ุงู„ุณู„ุทู†ุฉ ุจู†ุงุณู‡ุง ูˆุนูุงุฑูŠุชู‡ุง..ุชุฑูุน ุดุนุงุฑ ุงู„ู„ู‡ ูˆุชุบูˆุต ููŠ ุงู„ุฏู†ุณ !!
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Naguib Mahfouz (Arabian Nights and Days)
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The world of literature has everything in it, and it refuses to leave anything out. I have read like a man on fire my whole life because the genius of English teachers touched me with the dazzling beauty of language. Because of them I rode with Don Quixote and danced with Anna Karenina at a ball in St. Petersburg and lassoed a steer in "Lonesome Dove" and had nightmares about slavery in "Beloved" and walked the streets of Dublin in "Ulysses" and made up a hundred stories in the Arabian nights and saw my mother killed by a baseball in "A Prayer for Owen Meany." I've been in ten thousand cities and have introduced myself to a hundred thousand strangers in my exuberant reading career, all because I listened to my fabulous English teachers and soaked up every single thing those magnificent men and women had to give. I cherish and praise them and thank them for finding me when I was a boy and presenting me with the precious gift of the English language.
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Pat Conroy
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ู‡ุฐุง ุงู„ูƒูˆู† ู…ุซู‚ู„ ุจุงู„ุญู…ุงู‚ุฉ
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Naguib Mahfouz (Arabian Nights and Days)
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ู‚ุงู„ ุงู„ุดูŠุฎ: - ูŠุง ุตุฏูŠู‚ูŠ ู„ุง ุนูŠุจ ููŠูƒ ุบูŠุฑ ุฃู†ูƒ ุชูุบุงู„ูŠ ููŠ ุชุณู„ูŠู…ูƒ ู„ู„ุนู‚ู„. - ุฅู†ู‡ ุฒูŠู†ุฉ ุงู„ุฅู†ุณุงู†. - ู…ู† ุงู„ุนู‚ู„ ุฃู† ู†ุนุฑู ุญุฏูˆุฏ ุงู„ุนู‚ู„.
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Naguib Mahfouz (Arabian Nights and Days)
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A loss that can be repaired by money is not of such very great importance.
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Anonymous (The Arabian Nights)
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ู…ู† ุบูŠุฑุฉ ุงู„ุญู‚ ุฃู† ู„ู… ูŠุฌุนู„ ู„ุฃุญุฏ ุฅู„ูŠู‡ ุทุฑูŠู‚ุงู‹ุŒ ูˆู„ู… ูŠุคูŠุณ ุฃุญุฏุงู‹ ู…ู† ุงู„ูˆุตูˆู„ ุฅู„ูŠู‡ุŒ ูˆุชุฑูƒ ุงู„ุฎู„ู‚ ููŠ ู…ูุงูˆุฒ ุงู„ุชุญูŠุฑ ูŠุฑูƒุถูˆู†ุŒ ูˆููŠ ุจุญุงุฑ ุงู„ุธู† ูŠุบุฑู‚ูˆู†ุŒ ูู…ู† ุธู† ุฃู†ู‡ ูˆุงุตู„ ูุงุตู„ู‡ุŒ ูˆู…ู† ุธู† ุฃู†ู‡ ูุงุตู„ ู…ู†ุงู‡ุŒ ูู„ุง ูˆุตูˆู„ ูˆู„ุง ู…ู‡ุฑุจ ุนู†ู‡ุŒ ูˆู„ุง ุจุฏ ู…ู†ู‡
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Naguib Mahfouz (Arabian Nights and Days)
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ูƒู„ ู…ู† ุนู„ูŠู‡ุง ูุงู† ุฅู„ุง ูˆุฌู‡ู‡ุŒ ูˆู…ู† ูŠูุฑุญ ุจุงู„ูุงู†ูŠ ูุณูˆู ูŠู†ุชุงุจู‡ ุงู„ุญุฒู† ุนู†ุฏู…ุง ูŠุฒูˆู„ ุนู†ู‡ ู…ุง ูŠูุฑุญู‡. ูƒู„ ุดูŠุก ุนุจุซ ุณูˆู‰ ุนุจุงุฏุชู‡. ุงู„ุญุฒู† ูˆุงู„ูˆุญุดุฉ ููŠ ุงู„ุนุงู„ู… ูƒู„ู‡ ู†ุงุฌู… ุนู† ุงู„ู†ุธุฑ ุฅู„ู‰ ูƒู„ ู…ุง ุณูˆู‰ ุงู„ู„ู‡.
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Naguib Mahfouz (Arabian Nights and Days)
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ูˆูŠู„ ู„ู„ู†ุงุณ ู…ู† ุญุงูƒู… ู„ุง ุญูŠุงุก ู„ู‡.
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Naguib Mahfouz (Arabian Nights and Days)
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Womanโ€™s role in creation should be parallel to her role in life. I donโ€™t mean the good earth. I mean the bad earth too, the demon, the instincts, the storms of nature. Tragedies, conflicts, mysteries are personal. Man fabricated a detachment which became fatal. Woman must not fabricate. She must descend into the real womb and expose its secrets and its labyrinths. She must describe it as the city of Fez, with its Arabian Nights gentleness, tranquility and mystery. She must describe the voracious moods, the desires, the worlds contained in each cell of it. For the womb has dreams. It is not as simple as the good earth. I believe at times that man created art out of fear of exploring woman. I believe woman stuttered about herself out of fear of what she had to say. She covered herself with taboos and veils. Man invented a woman to suit his needs. He disposed of her by identifying her with nature and then paraded his contemptuous domination of nature. But woman is not nature only. She is the mermaid with her fish-tail dipped in the unconscious.
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Anaรฏs Nin
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ุฅุฐุง ุณู„ู…ุช ู…ู†ูƒ ู†ูุณูƒ ูู‚ุฏ ุฃุฏูŠุช ุญู‚ู‡ุงุŒ ูˆุฅุฐุง ุณู„ู… ู…ู†ูƒ ุงู„ุฎู„ู‚ ูู‚ุฏ ุฃุฏูŠุช ุญู‚ูˆู‚ู‡ู….
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Naguib Mahfouz (Arabian Nights and Days)
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ู…ู† ูƒุงู† ุณุฑูˆุฑู‡ ุจุบูŠุฑ ุงู„ุญู‚ ูุณุฑูˆุฑู‡ ูŠูˆุฑุซ ุงู„ู‡ู…ูˆู…ุŒ ูˆู…ู† ู„ู… ูŠูƒู† ุฃู†ุณู‡ ููŠ ุฎุฏู…ุฉ ุฑุจู‡ ูุฃู†ุณู‡ ูŠูˆุฑุซ ุงู„ูˆุญุดุฉ.
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Naguib Mahfouz (Arabian Nights and Days)
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Glory be to Him who changes others and remains Himself unchanged!
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Anonymous (The Arabian Nights)
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ุชุนู„ู…ุช ุฃูŠุถุง ูŠุง ู…ูˆู„ุงูŠ ุฃู† ุงู„ุญุฑูŠุฉ ุญูŠุงุฉ ุงู„ุฑูˆุญุŒ ูˆุฃู† ุงู„ุฌู†ุฉ ู†ูุณู‡ุง ู„ุง ุชุบู†ูŠ ุนู† ุงู„ุฅู†ุณุงู† ุดูŠุฆุง ุฅุฐุง ุฎุณุฑ ุญุฑูŠุชู‡.
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Naguib Mahfouz (Arabian Nights and Days)
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ุฌุฑุช ุงู„ู…ู‚ุงุฏูŠุฑ ุจุฃู† ูŠูˆุฌุฏ ุนุงู‚ู„ ูˆุงุญุฏ ููŠ ูƒู„ ู…ุฏูŠู†ุฉ ู…ุฌู†ูˆู†ุฉ.
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Naguib Mahfouz (Arabian Nights and Days)
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You'll tell me a story and I'll spare you ? You think I don't see what you're doing ? I've read Arabian Nights." "Call me Scheherazade, baby ! Actually, she's one tricksy bitch. Who, by the way, still owes me twenty gold pieces and a pound of sesame.
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Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
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WHOEVER TALKS ABOUT WHAT DOES NOT CONCERN HIM, OFTEN HEARS WHAT DOES NOT PLEASE HIM!
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Anonymous (The Arabian Nights)
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ุงุตุจุฑ. ุงู„ูู‡ู… ู„ุง ูŠุชูŠุณุฑ ุฅู„ุง ู…ุน ุงู„ุฒู…ู†. ุฃูˆุฏ ุฃู† ุฃุฑุงูƒ ู…ู† ุฌู†ูˆุฏ ุงู„ู„ู‡ ู„ุง ู…ู† ุฏุฑุงูˆูŠุดู‡.
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Naguib Mahfouz (Arabian Nights and Days)
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A library of books is the fairest garden in the world, and to walk there is an ecstasy.
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E. Powys Mathers (The Arabian Nights)
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Settling into a new country is like getting used to a new pair of shoes. At first they pinch a little, but you like the way they look, so you carry on. The longer you have them, the more comfortable they become. Until one day without realizing it you reach a glorious plateau. Wearing those shoes is like wearing no shoes at all. The more scuffed they get, the more you love them and the more you can't imagine life without them.
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Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
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Declan and Regin: "You'll tell me a story and I'll spare you? You think I don't see what you're doing? I've read Arabian Nights." "Call me Scheherazade, baby! Actually, she's one tricksy bitch. Who, by the way, still owes me twenty gold pieces and a pound of sesame.
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Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
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ุงู„ุญุฒู† ูˆุงู„ูˆุญุดุฉ ููŠ ุงู„ุนุงู„ู… ู†ุงุฌู… ุนู† ุงู„ู†ุธุฑ ุฅู„ู‰ ูƒู„ ู…ุง ุณูˆู‰ ุงู„ู„ู‡.
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Naguib Mahfouz (Arabian Nights and Days)
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Stories are a communal currency of humanity.
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Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
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My story is of such marvel that if it were written with a needle on the corner of an eye, it would yet serve as a lesson to those who seek wisdom.
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Anonymous (The Arabian Nights)
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ู†ุญู† ู†ูƒุงุจุฏ ุฃุดูˆุงู‚ุง ู„ุง ุญุตุฑ ู„ู‡ุง ู„ุชู‚ูˆุฏู†ุง ููŠ ุงู„ู†ู‡ุงูŠุฉ ุฅู„ู‰ ุงู„ุดูˆู‚ ุงู„ุฐูŠ ู„ุง ุดูˆู‚ ุจุนุฏู‡ุŒ ูุงุนุดู‚ ุงู„ู„ู‡ ูŠุบู†ูƒ ุนู† ูƒู„ ุดูŠุก.
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Naguib Mahfouz (Arabian Nights and Days)
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ุงู„ุญูƒู…ุฉ ู…ุทู„ุจ ุนุณูŠุฑ. ุฅู†ู‡ุง ู„ุง ุชูˆุฑุซ ูƒู…ุง ูŠูˆุฑุซ ุงู„ุนุฑุด.
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Naguib Mahfouz (Arabian Nights and Days)
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ุฅุฐุง ุฃุฑุฏุช ุฃู† ุชูƒูˆู† ููŠ ุฑุงุญุฉ ููƒูู„ู‘ ู…ุง ุฃุตุจุชุŒ ูˆุงู„ุจุณ ู…ุง ูˆุฌุฏุชุŒ ูˆุงุฑุถ ุจู…ุง ู‚ุถู‰ ุงู„ู„ู‡ ุนู„ูŠูƒ.
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Naguib Mahfouz (Arabian Nights and Days)
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ูู‚ุงู„ ุจุตูˆุช ุงุฑุชูุน ุฏุฑุฌุฉ ููŠ ู‡ุฏุฃุฉ ุงู„ู„ูŠู„: ูู„ุง ุชูƒู† ู…ู† ู‚ุฑู†ุงุก ุงู„ุดูŠุงุทูŠู†. ูุชุณุงุกู„ ู…ุฏููˆุนุง ุจุดูˆู‚ ุณุงุฎู†: ู…ู† ู‡ู… ู‚ุฑู†ุงุก ุงู„ุดูŠุงุทูŠู†ุŸ ูุฃุฌุงุจู‡ ุงู„ุดูŠุฎ: ุฃู…ูŠุฑ ุจู„ุง ุนู„ู… ูˆุนุงู„ูู… ุจู„ุง ุนูุฉ ูˆูู‚ูŠุฑ ุจู„ุง ุชูˆูƒู„ุŒ ูˆูุณุงุฏ ุงู„ุนุงู„ูŽู… ููŠ ูุณุงุฏู‡ู….
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Naguib Mahfouz (Arabian Nights and Days)
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The heart is a place of secrets...
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Naguib Mahfouz (Arabian Nights and Days)
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ู„ู… ุฃุนุฏ ุฃุจุญุซ ุนู† ู‚ู„ูˆุจ ุงู„ุจุดุฑ.
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Naguib Mahfouz (Arabian Nights and Days)
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ุงู„ู…ูู†ุทู„ูŽู‚ ู…ู† ุงู„ุฅูŠู…ุงู† ุฏุงุฆู…ุง ูˆุฃุจุฏุง. ุงู„ุทุฑูŠู‚ ูˆุงุญุฏ ููŠ ุงู„ุฃูˆู„ ุซู… ูŠู†ู‚ุณู… ุจู„ุง ู…ูุฑ ุฅู„ู‰ ุงุชุฌุงู‡ูŠู†: ุฃุญุฏู‡ู…ุง ูŠุคุฏูŠ ุฅู„ู‰ ุงู„ุญุจ ูˆุงู„ูู†ุงุก ูˆุงู„ุขุฎุฑ ุฅู„ู‰ ุงู„ุฌู‡ุงุฏ. ุฃู…ุง ุฃู‡ู„ ุงู„ูู†ุงุก ููŠุฎู„ู‘ุตูˆู† ุฃู†ูุณู‡ู… ูˆุฃู…ุง ุฃู‡ู„ ุงู„ุฌู‡ุงุฏ ููŠุฎู„ู‘ุตูˆู† ุงู„ุนุจุงุฏ.
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Naguib Mahfouz (Arabian Nights and Days)
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Although I express myself with some degree of pleasantry, the purport of my words is entirely serious.
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Robert Louis Stevenson (New Arabian Nights)
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Marvelous wonders don't have to happen of a sudden, the way they do in the Arabian Nights. They can also take a long time, like crystals growing, or minds changing, or leaves turning. The trick is to keep an eye peeled, so they don't slip by unappreciated.
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Ken Kesey (Sailor Song)
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Stories are not like the real world; they aren't held back by what we know is false or true. What's important is how a story makes you feel inside.
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Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
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ู‚ุงู„ ุดู‡ุฑูŠุงุฑ ูˆูƒุฃู†ู…ุง ูŠู†ุงุฌูŠ ู†ูุณู‡: ุนู„ู‘ู…ุชู’ู†ูŠ ุดู‡ุฑุฒุงุฏ ุฃู† ุฃุตุฏู‘ู‚ ู…ุง ูŠูƒุฐู‘ุจู‡ ู…ู†ุทู‚ ุงู„ุฅู†ุณุงู†ุŒ ูˆุฃู† ุฃุฎูˆุถ ุจุญุฑุง ู…ู† ุงู„ุชู†ุงู‚ุถุงุชุŒ ูˆูƒู„ู…ุง ุฌุงุก ุงู„ู„ูŠู„ ุชุจูŠู‘ู† ู„ูŠ ุฃู†ูŠ ุฑุฌู„ ูู‚ูŠุฑ!
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Naguib Mahfouz (Arabian Nights and Days)
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ู„ูŠุณ ุงู„ุนู„ู… ุจูƒุซุฑุฉ ุงู„ุฑูˆุงูŠุฉ. ุฅู†ู…ุง ุงู„ุนู„ู… ู…ู† ุงุชุจุน ุงู„ุนู„ู… ูˆุงุณุชุนู…ู„ู‡.
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Naguib Mahfouz (Arabian Nights and Days)
โ€œ
ุฅู†ุง ู‚ุฏ ู†ุฌูŠู†ุงูƒ ู…ู† ุงู„ู…ูˆุช ุจุงู„ู…ูˆุช.
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
ุฃุฑุงุฏ ุฃู† ูŠุฌูŠุจ ุฅุฌุงุจุฉ ุฎุดู†ุฉ ุชู†ุงุณุจ ุงู„ู…ู‚ุงู…. ุฃุฑุงุฏ ุฃู† ูŠุฌูŠุจ ุฅุฌุงุจุฉ ู†ุงุนู…ุฉ ุชู†ุงุณุจ ุงู„ู…ู‚ุงู…. ู„ูƒู†ู‡ ุบุฑู‚ ููŠ ุงู„ุตู…ุช.
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
We live in biological time, and we have beginnings, middles, and ends.
โ€
โ€
Anonymous (The Arabian Nights: Tales from a Thousand and One Nights)
โ€œ
ู…ู† ุฑุฒู‚ ุซู„ุงุซุฉ ุฃุดูŠุงุก ู…ุน ุซู„ุงุซุฉ ุฃุดูŠุงุก ูู‚ุฏ ู†ุฌุง ู…ู† ุงู„ุฃูุงุชุŒ ุจุทู†ูŒ ุฎุงู„ู ุนู„ู‰ ู‚ู„ุจู ู‚ุงู†ุนุŒ ูˆูู‚ุฑู ุฏุงุฆู… ู…ุน ุฒู‡ุฏ ุญุงุถุฑุŒ ูˆุตุจุฑู ูƒุงู…ู„ ู…ุน ุฐูƒุฑ ุฏุงุฆู….
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
ุณุจูŠู„ ุงู„ู„ู‡ ูˆุงุถุญ ูˆู„ุง ูŠุฌูˆุฒ ุฃู† ูŠุฎุงู„ุทู‡ ุบุถุจ ุฃูˆ ูƒุจุฑูŠุงุก.
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
Believe, and what was impossible becomes possible what at first was hidden becomes visible.
โ€
โ€
Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
โ€œ
ู‚ุงู„ ุงู„ุดูŠุฎ: ุงุทู„ุน ุงู„ู„ู‡ ุนู„ู‰ ู‚ู„ูˆุจ ุฃูˆู„ูŠุงุฆู‡ ูู…ู†ู‡ู… ู…ู† ู„ู… ูŠูƒู† ูŠุตู„ุญ ู„ุญู…ู„ ุงู„ู…ุนุฑูุฉ ุญุฑูุง ูุดุบู„ู‡ู… ุจุงู„ุนุจุงุฏุฉ.
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
ู„ุง ุชุฌูŠุก ุฅู„ุง ุฅุฐุง ุฏูุนุชูƒ ุฑุบุจุฉ ู„ุง ุชู‚ุงูˆู….
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
ุงุตุจุฑุŒ ุงู„ูู‡ู… ู„ุง ูŠุชูŠุณุฑ ุฅู„ุง ู…ุน ุงู„ุฒู…ู†.
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
ุทูˆุจู‰ ู„ู…ู† ุชู… ู„ู‡ ุชุญูˆูŠู„ ุงู„ู‚ู„ุจ ู…ู† ุงู„ุฃุดูŠุงุก ุฅู„ู‰ ุฑุจ ุงู„ุฃุดูŠุงุก.
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
ู‚ุงู„ ุงู„ุดูŠุฎ: ุงุนู„ู… ุฃู†ูƒ ู„ุง ุชู†ุงู„ ุฏุฑุฌุฉ ุงู„ุตุงู„ุญูŠู† ุญุชู‰ ุชุฌูˆุฒ ุณุช ุนู‚ุจุงุช: ุฃูˆู„ุงู‡ุง ุฃู† ุชุบู„ู‚ ุจุงุจ ุงู„ู†ุนู…ุฉ ูˆุชูุชุญ ุจุงุจ ุงู„ุดุฏุฉุŒ ูˆุงู„ุซุงู†ูŠุฉ ุฃู† ุชุบู„ู‚ ุจุงุจ ุงู„ุนุฒ ูˆุชูุชุญ ุจุงุจ ุงู„ุฐู„ุŒ ูˆุงู„ุซุงู„ุซุฉ ุฃู† ุชุบู„ู‚ ุจุงุจ ุงู„ุฑุงุญุฉ ูˆุชูุชุญ ุจุงุจ ุงู„ุฌู‡ุฏุŒ ูˆุงู„ุฑุงุจุนุฉ ุฃู† ุชุบู„ู‚ ุจุงุจ ุงู„ู†ูˆู… ูˆุชูุชุญ ุจุงุจ ุงู„ุณู‡ุฑุŒ ูˆุงู„ุฎุงู…ุณุฉ ุฃู† ุชุบู„ู‚ ุจุงุจ ุงู„ุบู†ู‰ ูˆุชูุชุญ ุจุงุจ ุงู„ูู‚ุฑุŒ ูˆุงู„ุณุงุฏุณุฉ ุฃู† ุชุบู„ู‚ ุจุงุจ ุงู„ุฃู…ู„ ูˆุชูุชุญ ุจุงุจ ุงู„ุงุณุชุนุฏุงุฏ ู„ู„ู…ูˆุช.
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
To Succeed, you must reach for the stars, and let your imagination find its own path
โ€
โ€
Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
โ€œ
A truth once seen by a single mind ends up by imposing itself on the totality of human consciousness.
โ€
โ€
Anonymous (The Arabian Nights)
โ€œ
ุงู„ุฌู…ูŠุน ุดุบูˆููˆู† ุจุงู„ุณุนุงุฏุฉ ูˆ ู„ูƒู†ู‡ุง ูƒุงู„ู‚ู…ุฑ ุงู„ู…ุญุฌูˆุจ ูˆุฑุงุก ุณุญุจ ุงู„ุดุชุงุก
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
Curiosity and timidity fought a long battle in his heart.
โ€
โ€
Robert Louis Stevenson (New Arabian Nights)
โ€œ
Master of masters, O maker of heroes, Thunder the brave, Irresistible message: 'Life is worth living Through every grain of it From the foundations To the last edge Of the cornerstone, death.
โ€
โ€
William Ernest Henley (Rhymes and rhythms and Arabian nights' entertainments)
โ€œ
ูˆุฏุงูุน ุนู† ู†ูุณู‡ ุฃู…ุงู… ู†ูุณู‡ ูู‚ุงู„ ุฅู†ู‡ ู„ู… ูŠูƒู† ุดุฑูŠุฑุง ูˆู„ูƒู†ู‡ ูุนู„ ู…ุง ูุนู„ ุจุฏุงูุน ุงู„ุญุฑู…ุงู† ูˆุงู„ุนุฌุฒ. ุฃุนุทุงู‡ ุงู„ู„ู‡ ุญุธ ุงู„ูู‚ุฑุงุก ูˆุดู‡ูˆุงุช ุงู„ุฃุบู†ูŠุงุกุŒ ูู…ุง ุฐู†ุจู‡ุŸ
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
ุฅุฐุง ู†ุงู…ุช ุงู„ุฑู‘ุนูŠู‘ุฉ ู†ุงู… ุงู„ุฎูŠุฑ ูˆุงู„ุดุฑ.
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
A funny thing happened on the way to my potential
โ€
โ€
Anonymous (The Arabian Nights)
โ€œ
If you need a hug, give it to someone else.
โ€
โ€
Anonymous (The Arabian Nights)
โ€œ
ุทูˆุจู‰ ู„ู…ู† ูƒุงู† ู‡ู…ู‡ ู‡ู…ุง ูˆุงุญุฏุง ูˆ ู„ู… ูŠุดุบู„ ู‚ู„ุจุฉ ุจู…ุง ุฑุฃุช ุนูŠู†ุงู‡ ูˆ ุณู…ุนุช ุงุฐู†ุงู‡
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
It is amazing what women in love will do
โ€
โ€
Anonymous (The Arabian Nights)
โ€œ
There is nothing like a train journey for reflection.
โ€
โ€
Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
โ€œ
Real travel is not about the highlights with which you dazzle your friends once you're home. It's about the loneliness, the solitude, the evenings spent by yourself, pining to be somewhere else. Those are the moments of true value. You feel half proud of them and half ashamed and you hold them to your heart.
โ€
โ€
Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
โ€œ
if lies can save a man once, truth can save him twice.
โ€
โ€
Anonymous (The Arabian Nights: Tales of 1001 Nights, Volume 1 of 3)
โ€œ
ูˆุชุณุงุฆู„ ููŠ ู‚ู„ู‚: ู‡ู„ ุจู‚ูŠุชู ููŠ ุงู„ุญูŠุงุฉ ุจู…ุนุฌุฒุฉ ู„ุฃุนู…ู„ ุญู…ู‘ุงู„ุงุŸ!
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
ุงู„ุฅูŠู…ุงู† ุงู„ุตุงุฏู‚ ุฃู†ุฏุฑ ู…ู† ุงู„ุนู†ู‚ุงุก
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
We had the kind of conversations that only great friends can ever share. They were touched with magic.
โ€
โ€
Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
โ€œ
It was a sombre snowy afternoon, and the gas-lamps were lit in the big reverberating station. As he paced the platform, waiting for the Washington express, he remembered that there were people who thought there would one day be a tunnel under the Hudson through which the trains of the Pennsylvania railway would run straight into New York. They were of the brotherhood of visionaries who likewise predicted the building of ships that would cross the Atlantic in five days, the invention of a flying machine, lighting by electricity, telephonic communication without wires, and other Arabian Nights marvels.
โ€
โ€
Edith Wharton (The Age of Innocence)
โ€œ
My father used to tell me that stories offer the listener a chance to escape but, more importantly, he said, they provide people with a chance to maximize their minds. Suspend ordinary constraints, allow the imagination to be freed, and we are charged with the capability of heighetned thought. Learn to use your eyes as if they are your ears, he said, and you become connected with the ancient heritage of man, a dream world for the waking mind.
โ€
โ€
Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
โ€œ
ุงู„ุฅุจู‚ุงุก ุนู„ู‰ ุงู„ุชู‚ุงู„ูŠุฏ ุงู„ุจุงู„ูŠุฉ ุณุฎู ูˆู…ู‡ู„ูƒ.
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
Nothing was really so important to my father as the achievement of selflessness. He rarely mentioned it directly, but tried to guide us to it in a roundabout way.
โ€
โ€
Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
โ€œ
We shall remember ...... Damascus, the "Pearl of the East", the pride of Syria, the fabled garden of Eden, the home of princes and genii of the Arabian Nights,the oldest metropolis on Earth, the one city in all the world that has kept its name and held its place and looked serenely on while the Kingdoms and Empires of four thousand years have risen to life, enjoyed their little season of pride and pomp, and then vanished and been forgotten
โ€
โ€
Mark Twain (The Innocents Abroad, Or, the New Pilgrims' Progress)
โ€œ
ู„ูƒู„ ู…ู†ุง ุฃุจ ุขุฎุฑ ูˆุงู„ุณุนูŠุฏ ู…ู†ุง ู…ู† ูŠูƒุชุดูู‡.
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
Such misplaced faith in a boy with a murderous past and a girl with treacherous intent.
โ€
โ€
Renรฉe Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
โ€œ
ุงู„ูˆุฌูˆุฏ ุฃุบู…ุถ ู…ุง ููŠ ุงู„ูˆุฌูˆุฏ
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
ู„ุงุจุฏ ุฃู† ูŠุตู„ ุงู„ุนุงุดู‚ ุจุงู„ุนู‚ู„ ุงูˆ ุงู„ุฌู†ูˆู† ู„ุงุจุฏ ุงู† ูŠุตู„ ู„ูƒู† ู…ุง ุฃุถูŠุน ุงู„ุจุงุญุซ
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
These days no one challenges us,' he said. 'And because there is no challenge, there is no reason to work hard. And with no reason to work hard, we have all become lazy.
โ€
โ€
Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
โ€œ
In a world where you can be anything, be kind.
โ€
โ€
Anonymous (The 1001 Arabian Nights)
โ€œ
My father never told us how the stories worked. He didn't reveal the layers, the nuggets of information, the fragments of truth and fantasy. He didn't need to -- because, given the right conditions, the stories activated, sowing themselves.
โ€
โ€
Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
โ€œ
ูŠุจูˆุญ ุงู„ุญุงุฆุฑ ุจุณุฑู‡ ู„ู„ุบุฑูŠุจ.
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
ุฎูู„ู‚ ุงู„ุฅู†ุณุงู† ู„ูŠูƒูˆู† ุตูŠุงุฏุง.
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
ุฅุฐุง ุฏุนูŠุชู… ู„ุฎูŠุฑ ุงุฏุนูŠุชู… ุงู„ุนุฌุฒุŒูˆุฅุฐุง ุฏุนูŠุชู… ู„ุดุฑ ุจุงุฏุฑุชู… ุฅู„ูŠู‡ ุจุงุณู… ุงู„ูˆุงุฌุจ !
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
Coincidence and intention are two sides of a tapestry, my lord. You may find one more agreeable to look at, but you cannot say one is true and the other is false.
โ€
โ€
Ted Chiang (The Merchant and the Alchemist's Gate)
โ€œ
ู…ูŽู† ูƒุงู† ุณูุฑูˆุฑู‡ ุจูุบูŠุฑ ุงู„ุญู‚ู‘ ูุณูุฑูˆุฑู‡ ูŠููˆุฑุซู ุงู„ู‡ู…ูˆู…ุŒ ูˆู…ูŽู† ู„ูŽู… ูŠูŽูƒู† ุฃูู†ุณูู‡ ูููŠ ุฎูุฏู…ุฉู ุฑูŽุจู‘ู‡ ููŽุฃูู†ุณูู‡ ูŠููˆุฑุซู ุงู„ูˆุญุดุฉ.
โ€
โ€
Naguib Mahfouz (Arabian Nights and Days)
โ€œ
There can be few situations more fearful than breaking down in darkness on the highway leading to Casablanca. I have rarely felt quite so vulnerable or alone.
โ€
โ€
Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
โ€œ
For my father there was no sharper way to understand a country than by listening to its stories.
โ€
โ€
Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
โ€œ
merchant
โ€
โ€
Muhsin Mahdi (The Arabian Nights)
โ€œ
Every challenge weโ€™ve facedโ€ฆevery turn life has thrown at usโ€ฆIโ€™m reminded of the lessons I learned in those stories. Lessons of fate and destiny and how the impossible is worth fighting for, no matter how long it takes. But the biggest thing I learned,โ€ he paused and swallowed, โ€œand also, the most relevantโ€ฆis that in all of the universe, there is only one moon. And you, Alaina Elizabeth Thomas, are my moon. You are my destiny. You are, my Arabian Nights. I am so thankful that in all the stories of the world, you chose to be mine.
โ€
โ€
D.M. Simmons (Ravel (Lake Haven, #2))
โ€œ
ุฅู„ูŠูƒ ู‚ูˆู„ ุฑุฌู„ ู…ุฌุฑุจ ู‚ุงู„: ู…ู† ุบูŠุฑุฉ ุงู„ุญู‚ ุฃู† ู„ู… ูŠุฌุนู„ ู„ุฃุญุฏ ุฅู„ูŠู‡ ุทุฑูŠู‚ุงุŒ ูˆู„ู… ูŠุคูŠุณ ุฃุญุฏุง ู…ู† ุงู„ูˆุตูˆู„ ุฅู„ูŠู‡ุŒ ูˆุชุฑูƒ ุงู„ุฎู„ู‚ ููŠ ู…ูุงูˆุฒ ุงู„ุชุญูŠุฑ ูŠุฑูƒุถูˆู†ุŒ ูˆููŠ ุจุญุงุฑ ุงู„ุธู† ูŠุบุฑู‚ูˆู†ุŒ ูู…ู† ุธู† ุฃู†ู‡ ูˆุงุตู„ ูุงุตู„ู‡ุŒ ูˆู…ู† ุธู† ุฃู†ู‡ ูุงุตู„ ุชุงู‡ุŒ ูู„ุง ูˆุตูˆู„ ูˆู„ุง ู…ู‡ุฑุจ ุนู†ู‡ุŒ ูˆู„ุง ุจุฏ ู…ู†ู‡.
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Naguib Mahfouz (Arabian Nights and Days)
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Past and future are the same, and we cannot change either, only know them more fully. My journey to the past had changed nothing, but what I had learned had changed everything, and I understood that it could not have been otherwise. If our lives are tales that Allah tells, then we are the audience as well as the players, and it is by living these tales that we receive their lessons.
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Ted Chiang (The Merchant and the Alchemist's Gate)
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ู…ู† ุฐู„ ููŠ ู†ูุณุฉ ุฑูุน ุงู„ู„ู‡ ู‚ุฏุฑุฉ ุŒูˆู…ู† ุนุฒ ููŠ ู†ูุณุฉ ุฃุฐู„ู‡ ุงู„ู„ู‡ ููŠ ุฃุนูŠู† ุนุจุงุฏู‡...
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Naguib Mahfouz (Arabian Nights and Days)
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You know, when the list of people who have a really good reason to want you dead covers more than two sheets of paper, you might want to start rethinking your life choices.
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Rebecca Wolf-Nail (Murder at the Arabian Nights: A Belly Dance Mystery (The Belly Dance Mysteries))
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ู…ู† ุงู„ุนู‚ู„ ุฃู† ู†ุนุฑู ุญุฏูˆุฏ ุงู„ุนู‚ู„
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Naguib Mahfouz (Arabian Nights and Days)
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ู‚ุงู„ ู‚ู…ู‚ุงู…: - ู…ุง ุฃุทูŠุจ ุงู„ุฒู…ู† ุฅุฐุง ุฌุฑู‰ ุชุญุช ุฑุถุง ุงู„ุนู†ุงูŠุฉุŸ ูู‚ุงู„ ุณู†ุฌุงู…: - ุฅุฐุง ุงุณุชู‚ุฑุช ุงู„ุณูƒูŠู†ุฉ ุณู…ุนุช ู‡ู…ุณุงุช ุงู„ุฃุฒู‡ุงุฑ ูˆู‡ูŠ ุชุณุจุญ ุจุญู…ุฏ ุงู„ู„ู‡. - ู…ุง ูŠู†ู‚ุต ุงู„ุฅู†ุณุงู† ู„ูŠุญุธู‰ ุจู†ุนู…ุฉ ุงู„ุฒู…ุงู† ูˆุงู„ู…ูƒุงู†ุŸ - ู‡ุฐุง ู…ุง ูŠุญูŠุฑู†ูŠ ูŠุง ุฃุฎูŠุŒ ุฃู„ู… ูŠูˆู‡ุจ ุงู„ุนู‚ู„ ูˆุงู„ุฑูˆุญุŸ
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Naguib Mahfouz (Arabian Nights and Days)
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Because there is no challenge, there is no reason to work hard. And with no reason to work hard, we all have become lazy. Lazy people are like cancer. They spread. Before you know it, the entire country is destroyed.
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Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
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ุงุนู„ู… ุฅู†ูƒ ู„ุง ุชู†ุงู„ ุฏุฑุฌุฉ ุงู„ุตุงู„ุญูŠู† ุญุชู‰ ุชุฌูˆุฒ ุณุช ุนู‚ุจุงุชุŒ ุฃูˆู„ุงู‡ุง: ุฃู† ุชุบู„ู‚ ุจุงุจ ุงู„ู†ุนู…ุฉ ูˆุชูุชุญ ุจุงุจ ุงู„ุดุฏุฉุŒ ูˆุงู„ุซุงู†ูŠุฉ: ุฃู† ุชุบู„ู‚ ุจุงุจ ุงู„ุนุฒ ูˆุชูุชุญ ุจุงุจ ุงู„ุฐู„ุŒ ูˆุงู„ุซุงู„ุซุฉ: ุฃู† ุชุบู„ู‚ ุจุงุจ ุงู„ุฑุงุญุฉ ูˆุชูุชุญ ุจุงุจ ุงู„ุฌู‡ุฏุŒ ูˆุงู„ุฑุงุจุนุฉ: ุฃู† ุชุบู„ู‚ ุจุงุจ ุงู„ู†ูˆู… ูˆุชูุชุญ ุจุงุจ ุงู„ุณู‡ุฑุŒ ูˆุงู„ุฎุงู…ุณุฉ: ุฃู† ุชุบู„ู‚ ุจุงุจ ุงู„ุบู†ู‰ ูˆุชูุชุญ ุจุงุจ ุงู„ูู‚ุฑุŒ ูˆุงู„ุณุงุฏุณุฉ: ุฃู† ุชุบู„ู‚ ุจุงุจ ุงู„ุฃู…ู„ ูˆุชูุชุญ ุจุงุจ ุงู„ุงุณุชุนุฏุงุฏ ู„ู„ู…ูˆุช.
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Naguib Mahfouz (Arabian Nights and Days)
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The world of literature has everything in it, and it refuses to leave anything out. I have read like a man on fire my whole life because the genius of English teachers touched me with the dazzling beauty of language. Because of them I rode with Don Quixote and danced with Anna Karenina at a ball in St. Petersburg and lassoed a steer in Lonesome Dove and had nightmares about slavery in Beloved and walked the streets of Dublin in Ulysses and made up a hundred stories in The Arabian Nights and saw my mother killed by a baseball in A Prayer for Owen Meany. I've been in ten thousand cities and have introduced myself to a hundred thousand strangers in my exuberant reading career
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Pat Conroy
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Scheherazade had perused the books, annals and legends of preceding Kings, and the stories, examples and instances of bygone men and things; indeed it was said that she had collected a thousand books of histories relating to antique races and departed rulers. She had perused the works of the poets and knew them by heart; she had studied philosophy and the sciences, arts and accomplishments; and she was pleasant and polite, wise and witty, well read and well bred.
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Richard Francis Burton (One Thousand and One Nights: Complete Arabian Nights Collection)
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Great Scott!โ€ said Peter. โ€œSo it was the horn--your own horn, Su--that dragged us all off that seat on the platform yesterday morning! I can hardly believe it; yet it all fits in.โ€ โ€œI donโ€™t know why you shouldnโ€™t believe it,โ€ said Lucy, โ€œif you believe in magic at all. Arenโ€™t there lots of stories about magic forcing people out of one place--out of one world--into another? I mean, when a magician in The Arabian Nights calls up a Jinn, it has to come. We had to come, just like that.โ€ โ€œYes,โ€ said Peter, โ€œI suppose what makes it feel so queer is that in the stories itโ€™s always someone in our world who does the calling. One doesnโ€™t really think about where the Jinnโ€™s coming from.โ€ โ€œAnd now we know what it feels like for the Jinn,โ€ said Edmund with a chuckle. โ€œGolly! Itโ€™s a bit uncomfortable to know that we can be whistled for like that. Itโ€™s worse than what Father says about living at the mercy of the telephone.
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C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
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When you read The Arabian Nights you accept Islam. You accept the fables woven by generations as if they were by one single author or, better still, as if they had no author. And in fact they have one and none. Something so worked on, so polished by generations is no longer associated with and individual. In Kafka's case, it's possible that his fables are now part of human memory. What happened to Quixote could happen to to them. Let's say that all the copies of Quixote, in Spanish and in translation, were lost. The figure of Don Quixote would remain in human memory. I think that the idea of a frightening trial that goes on forever, which is at the core of The Castle and The Trial (both books that Kafka, of course, never wanted to publish because he knew they were unfinished), is now grown infinite, is now part of human memory and can now be rewritten under different titles and feature different circumstances. Kafka's work now forms a part of human memory.
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Jorge Luis Borges (Conversations, Volume 1)
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In winter darkness, the Baghdad Arabian keen blue deepness of the piercing lovely January winter's dusk--it used to tear my heart out, one stabbing soft star was in the middle of the magicalest blue, throbbing like love--I saw Maggie's black hair in this night-- In the shelves of Orion her eye shades, borrowed, gleamed a dark and proud vellum somber power brooding rich bracelets of the moon rose from our snow, and surrounded the mystery.
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Jack Kerouac (Maggie Cassidy)
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How different this world to the one about which I used to read, and in which I used to live! This is one peopled by demons, phantoms, vampires, ghouls, boggarts, and nixies. Names of things of which I knew nothing are now so familiar that the creatures themselves appear to have real existence. The Arabian Nights are not more fantastic than our gospels; and Lempriere would have found ours a more marvelous world to catalog than the classical mythical to which he devoted his learning. Ours is a world of luprachaun and clurichaune, deev and cloolie, and through the maze of mystery I have to thread my painful way, now learning how to distinguish oufe from pooka, and nis from pixy; study long screeds upon the doings of effreets and dwergers, or decipher the dwaul of delirious monks who have made homunculi from refuse. Waking or sleeping, the image of some uncouth form is always present to me. What would I not give for a volume by the once despised 'A. L. O. E' or prosy Emma Worboise? Talk of the troubles of Winifred Bertram or Jane Eyre, what are they to mine? Talented authoresses do not seem to know that however terrible it may be to have as a neighbour a mad woman in a tower, it is much worse to have to live in a kitchen with a crocodile. This elementary fact has escaped the notice of writers of fiction; the re-statement of it has induced me to reconsider my decision as to the most longed-for book; my choice now is the Swiss Family Robinson. In it I have no doubt I should find how to make even the crocodile useful, or how to kill it, which would be still better. ("Mysterious Maisie")
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Wirt Gerrare (Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others)