Aqueous Quotes

A drop of water is not immortal; it can be resolved into oxygen and hydrogen. If, therefore, a drop of water were to maintain that it had a quality of aqueousness which would survive its dissolution we should be inclined to be skeptical. In like manner we know that the brain is not immortal...

I sometimes think about old tombs and weeds That interwreathe among the bones of kings With cold and poisonous berry and black flower: Or ruminate upon the skulls of steeds Frailer than shells and on those luminous wings - The shoulder blades of Princes of fled power, Which now the unrecorded sandstorms grind Into so wraith-like a translucency Of tissue-thin and aqueous bone - A Reverie of Bone

I’d been in the densest part of the earth’s aura he told me, an aqueous region which was the source of myths about the waters of Lethe, the River Styx.

Shortly after, the aqueous symphony of dawn began. The last day of the Walk came up wet and overcast. The wind howled down the almost-empty alley of the road like a lost dog being whipped through a strange and terrible place.

You may get water from fish. Drink the aqueous fluid found along the spine and in the eyes of large fish. “Ew.” I would have to be really desperate for that to happen, that’s for sure. Watch

Bad writers, and especially scientific, political and sociological writers, are nearly always haunted by the notion that Latin or Greek words are grander than Saxon ones, and unnecessary words like expedite, ameliorate, predict, extraneous, deracinated, clandestine, sub-aqueous and hundreds of others constantly gain ground from their Anglo-Saxon opposite numbers.

I nodded and sank into an aqueous sleep.

I sit down by the river. Its incessant flow has polished the rocks carried from the top of the mountain. The aqueous caress, that has unrolled for millions of years the liquid ribbon from the summits towards the plains, keeps the freshness of the youth. The July sun heats the trees on the shore, while the stream of water refreshes the air; Two breaths which mingle without opposing one another. The foliage softly sways under the summer breeze, tuning its movement to that of the fiery wave. Won by a palpable peace, thank you Mother Nature, I dive into my book. A time later, which seems infinite to me, the sky becomes darker, I raise my head. How many hours have passed during which, indifferent to the human time, the cascading water has descended from the mountain? How much water has passed in front of me? How many beings have quenched their thirst there, and get their lives out from it? How long after my small passage on Earth will have been forgotten, the river will continue to flow, to carry its rocks, to erode the mountain until it becomes a plain, to spread life like a vein of the Earth ?

Three blind hummingbirds hang in the air like jewels of iridescent scarlet and cobalt; then, one by one, they fade, all color leeched from them, and fall lifeless into the mists, to be eaten by rats. Despair feels uncomfortable. In her world there are so many windows. Each opening shows her an existence that's fallen to her - some only for moments, others for lifetimes. Able at this moment neither to savor them, nor to understand her own disquiet, she stares away from all the windows as she walks. Silent rats run unmindfully over her feet, invisible in the mist. She misses him. It is over three hundred years since last she and her brother were alone together. Like a flood, the memories come, and she is drowning in them. Against her will her chest heaves, and she begins to weep: deep, helpless, racking sobs... No. Despair places the cold metal barb of her hook onto the surface of her eye. And then she pushes, piercing cornea and lens, and ripping free the aqueous humor and vitreous humor to run like tears down her cheek, into her hand... The pain distracts her, a little. But still, she remembers...

But water is not segregated. Its beauty is not simply decorative. It connects and holds. Billions of years ago life began using water to construct itself; life had always lived in water and been aqueous, but it had not always derived its hydrogen atoms from water. Early life used hydrogen sulfide or even elemental hydrogen, but crafty microbes found a way to crack the chemical bonds of water molecules to get at and incorporate hydrogen into their bodies. This original green party painted the planet the color of spring, and descendants of the water users survive as plastids held aloft in the durable scaffolding of those savvy transporters of water from the ground to the air: plants.

In the shady part of the grotto bulged caps of the sewant mushroom, gray as stones in a field. Not far from them grew reachcluster, an antidote to every known toxin and venom. The modest yellow-gray brushes peering from chests deeply sunken into the ground revealed scarix, a root with powerful and universal medicinal qualities. The center of the cave was taken up by aqueous plants. Geralt saw vats full of hornwort and turtle duckweed, and tanks covered in a compact skin of liverwort, fodder for the parasitic giant oyster. Glass reservoirs full of gnarled rhizomes of the hallucinogenic bitip, slender, dark-green cryptocorines and clusters of nematodes. Muddy, silted troughs were breeding grounds for innumerable phycomycetes, algae, molds and swamp lichen.

Our brains are bathed in cerebrospinal fluid (CSF), called the “nourishing liquor” because it’s rife with growth factors that keep your neurons fertilized. In fact, neurons grown in a petri dish in the laboratory shrivel up and die if the aqueous environment isn’t replete with growth factors. With normal aging, these growth factors (called neurotrophins, e.g., BDNF, NGF, CTNF, GDNF) are less abundant in the brain milieu, and, as a result, neurons can become sluggish and even undergo cell death. However, there is a way to stave off this loss of nutrients in your CSF and even replenish them to youthful levels: exercise. Specifically, an exercise regimen with both aerobic exercise and resistance training has been shown to be the best way to keep your brain’s nourishing liquor at full strength.

Open the so-called body and spread out all its surfaces: not only the skin with each of its folds, wrinkles, scars, with its great velvety planes, and contiguous to that, the scalp and its mane of hair, the tender pubic fur, nipples, nails, hard transparent skin under the heel, the light frills of the eyelids, set with lashes - but open and spread, expose the labia majora, so also the labia minora with their blue network bathed in mucus, dilate the diaphragm of the anal sphincter, longitudinally cut and flatten out the black conduit of the rectum, then the colon, then the caecum, now a ribbon with its surface all striated and polluted with shit ; as though your dress maker' s scissors were opening the leg of an old pair of trousers, go on, expose the small intestines' alleged interior, the jejunum, the ileum, the duodenum, or else, at the other end, undo the mouth at its corners, pull out the tongue at its most distant roots and split it, spread out the bats' wings of the palate and its damp basements, open the trachea and make it the skeleton of a boat under construction; armed with scalpels and tweezers, dismantle and lay out the bundles and bodies of the encephalon; and then the whole network of veins and arteries, intact, on an immense mattress, and then the lymphatic network, and the fine bony pieces of the wrist, the ankle, take them apart and put them end to end with all the layers of nerve tissue which surround the aqueous humours and the cavernous body of the penis, and extract the great muscles, the great dorsal nets, spread them out like smooth sleeping dolphins. Work as the sun does when you're sunbathing or taking grass.

warm little pond” where Darwin supposed life began to the bubbling sea vents that are now the most popular candidates for life’s beginnings—but all this overlooks the fact that to turn monomers into polymers (which is to say, to begin to create proteins) involves what is known to biology as “dehydration linkages.” As one leading biology text puts it, with perhaps just a tiny hint of discomfort, “Researchers agree that such reactions would not have been energetically favorable in the primitive sea, or indeed in any aqueous medium, because of the mass action law.” It is a little like putting sugar in a glass of water and having it become a cube. It shouldn’t happen, but somehow in nature it does. The actual chemistry of all this is a little arcane for our purposes here, but it is enough to know that if you make monomers wet they don’t turn into polymers—except when creating life on Earth. How and why it happens then and not otherwise is one of biology’s great unanswered questions.

He ambled towards the abyss again, Acquiescing to the adroit turns of his Abtenauer, his Altai horse, his Appaloosa, His Ardennais, and his Australian Brumby….. Agilely each equine adumbrates the aesthetics Of aestivating, much like aficionados of nature And much like ailurophiles, too…… Ambrosial aromas attract his attention to the Assemblage of amaranth foliage growing At the abyss’s edge. “Anglophile!” “Antediluvian!” “Aplomb!” “Apocryphal!” “Apophenia!” “Apothecary!” Each petal calls out to him as he captures their vision in his Aqueous humor. Now an arabesque they display, Then some archipelago formation, as they (those purple perennials) Give in to the Wind’s whimsy. “What’s in my arsenal?” He asks himself. “Do I have Authenticity, like Astrophysics and Astronomy?” “Am I at last in my Autumn, torn asunder by Avarice? Shall I now step toward Winter to wither and waste away, without rebirth?” The Summer’s azure skies call him back, reminding him of his herd. Homeward he must turn. The pony pushes him back to the plain. And, as he trudges away from the abyss, the warriors of darkness— His old battle buddies who left him behind as they raced toward Providence— Rattle in his mind with their Paleolithic war toys, on the war path, chanting: “The greatest battles we face are in the silent chambers of our own souls…..” -----from the poem 'Summer Battle' in the book HOT STUFF: CELEBRATING SUMMER'S SIMMER AND SIZZLE, by Mariecor Ruediger

The watcher’s eyes are likely to swivel forward in a sequence of stately turns as the screen’s pixel glows: each quarter-ounce mass of eyeball tugged by six flat muscles, in a glissando slide within the slippery fat lining the orbital cavity. The eye blinks, the widened pupils are in position, and the incoming electromagnetic waves roar in. Ripping through the thin layer of the cornea, they decelerate slightly, with their outermost edges forming a nearly flat plane as they travel inward, carrying the as-yet-undetected signal from the screen deep into the waiting human. The waves continue through the liquid of the aqueous humor and on to the gaping hole of the pupil. The human may have squinted to avoid the glare, but human reflexes work at the rate of slow thousandths of a second and are no match for these racing intruders. The pupil is crossed without obstruction. The stiff lens just below focuses the incoming waves even more, sending them into the inland sea of the jellylike vitreous humor deeper down in the eye. A very few of the incoming electric waves explode against the organic molecules in their way, but most simply whirl through those soft biological barriers and continue straight down, piercing the innermost wrapping of the eyeball, till they reach the end-point of their journey: the fragile, stalklike projection from the living brain known as the retina. And deep inside there, in the dark, barely slowed from their original 670 million mph, the waves splatter into the ancient, moist blood vessels and cell membranes, and something unexpected happens. An electric current switches on.

Art is not construction, artifice, meticulous relationship to a space and a worldnexisting outside. It is truly the "inarticulate cry,* as Hermes Trismegistus said, "which seemed to be the voice of the light." And once it is present it awakens powers dormant in ordinary vision, a secret of pre-existence. When through the water's thickness I see the tiling at the bottom of a pool, I do not see it despite the water and the reflections there; I see it through them and because of them. If there were no distortions, no ripples of sunlight, if it were without this flesh that I saw the geometry of the tiles, then I would cease to see it as it is and where it is—which is to say, beyond any identical, specific place. I cannot say that the water itself—the aqueous power, the sirupy and shimmering element—is in space; all this is not somewhere else either, but it is not in the pool. It inhabits it, it materializes itself there, yet it is not contained there; and if I raise my eyes toward the screen of cypresses where the web of reflections is playing, I cannot gainsay the fact that the water visits it, too, or at least sends into it, upon it, its active and living essence. This internal animation, this radiation of the visible is what the painter seeks under the name of depth, of space, of color.

He turns over his hands / admires the glisten / They say blood / is predominantly water / and yet / it thickens when dry / leaves a kiss / for forensics

On a limited experimental basis, I have used an ET cannula to instill an aqueous corticosteroid from an intranasal steroid nasal spray bottle into the middle ear of adults and have had success in clearing a middle-ear effusion.

* To be sure, today Tyndall would probably be called a physicist, and he is best remembered for his pioneering investigations of the absorptive properties of atmospheric gases. He seems, in fact, to have been the first person to predict the greenhouse effect, which he did in 1861: On a fair November day the aqueous vapour in the atmosphere produced fifteen times the absorption of the true air of the atmosphere. It is on rays

in Solution Most chemical reactions that occur on the earth’s surface, whether in living organisms or among inorganic substances, take place in aqueous solution. Chemical reactions carried out between substances in solution obey the requirements of stoichiometry discussed in Chapter 2, in the sense that the conservation laws embodied in balanced chemical equations are always in force. But here we must apply these requirements in a slightly different way. Instead of a conversion between masses and number of moles, using the molar mass as a conversion factor, the conversion is now between solution volumes and number of moles, with the concentration as the conversion factor. For instance, consider the reaction that is used commercially to prepare elemental bromine from its salts in solution: 2 Br � (aq) � Cl2(aq) 02 Cl � (aq) � Br2(aq) Suppose there is 50.0 mL of a 0.0600 M solution of NaBr. What volume of a 0.0500 M solution of Cl2 is needed to react completely with the Br � ? To answer this, find the number of moles of bromide ion present: 0.0500 L � (0.0600 mol L �1 ) � 3.00 � 10 �3 mol Br � Next, use the chemical conversion factor 1 mol of Cl2 per 2 mol of Br � to find moles Cl2 reacting � 3.00 � 10 �3 mol Br � a 1 mol Cl2 2 mol Br � b � 1.50 � 10 �3 mol Cl2 Finally, find the necessary volume of aqueous chlorine: 1.50 � 10 �3 mol � 3.00 � 10 �2 L solution 0.0500 mol L �1 The reaction requires 3.00 � 10 �2 L, or 30.0 mL, of the Cl2 solution.(In practice, an excess of Cl2 solution would be used to ensure more nearly complete conversion of the bromide ion to bromine. ) The chloride ion concentration after completion of the reaction might also be of interest. Because each mole of bromide ion that reacts gives 1 mol of chloride ion in the products, the number of moles of Cl � produced is 3.00 � 10 �3 mol. The final volume of the solution is 0.0800 L, so the final concentration of Cl � is [Cl � ] � 3.00 � 10 �3 mol � 0.0800 L 0.0375 M Square brackets around a chemical symbol signify the molarity of that species.

Biodiesel washing Biodiesel washing with water is the oldest and most usual technique of cleaning. Throughout 3% of crude unwashed biodiesel is methanol. Methanol is an aqueous solvent, it obtains soap and other pollutants and grips them solvent in the biodiesel. Water absorbs up that methanol, and discharging pollutants to be washed beyond with water. Biodiesel will have water left in the Biodiesel Washing. The methanol liquid and reduced in water makes water washing the secured way to neat and clean biodiesel. Most drywash procedure depend upon ourselves vanish or condense the methanol into a combustible and harmful gas as part of the distillation procedure. Consumed wash water can be used for sprinkling after the nominal analysis. Other wash methods produce uncertain waste streams that are crucial to adapt off.

An illustration of the way in which modern science is siowiy adopting practices that have been long in use among primitive races, is to be found in the recent extensive use that is made of clay (kaolin) in our modern medicine. This is illustrated in the following: (3) In the course of an expedition to Lake Titicaca, South America, financed by the Percy Slade Trustees in which one of us (H.P.M.) took part, an interesting observation was made in regard to the diet of the Quetchus Indians on the Capachica Peninsula near Puno. These people are almost certainly descendants of the Incas and at the present time live very primitively. They exist largely on a vegetable diet of which potatoes form an important part. Immediately, before being eaten, the potatoes are dipped into an aqueous suspension of clay, a procedure which is said to prevent "souring of the stomach.

Mitochondria convert flux through the Krebs cycle into electrical membrane potential. The membrane is a capacitor: a thin insulating layer that separates two electrically charged aqueous phases, generating powerful electrical fields across the membrane. Changes

An Ode to The Occupants of The Titan Sub In the depths where everything is dark, Nothing exists and one tends to lose every mark, Of the reality that lies above, And the memories of the ones you love, Appear to float by like voluptuous sirens, And you think of the benevolent Titans, Then as the pressure mounts you hear a creaking sound, Slowly building up inside the hollow chamber where now only fear does abound, Then as your heart races and it does frantically pound, You feel you are to an unknown and impending doom bound, And you summon all your Gods in the form of your fears, And you gauge the ferocity of all the snares, Building from above, bottom, left and right, It is then you hold your equally fearful companion’s hand tight, And you remember all that you loved and those you still love, But they are far up and above, and you are here in the abyss now, Where darkness spreads endlessly and the creaking sound becomes louder, And all of a sudden you feel you are hit by a titanic sized aqueous boulder, Everything implodes, but only your heart and your memories explode, As they surface on the horizon of perception and your loved ones rush to the abode, Of the Gods where castles of prayers are erected, Prayers rising from the heart that gods have not defected, There they rush, and implore, But the Titans become quieter and they think Gods too ignore, The cries of the lamenting and remorseful heart, But little do they know praying is not an art, It is a feeling sublime and serene that arises from within, And when expressed with sincerity in the universe its resonance does deepen, And then Gods respond with care, And they always say, “darling, there is nothing to fear.” This sounds assuaging for many reasons, known and unknown, And your kin and kith experience the familiarity in these consolations offered by the unknown, And to the five departed adventurers of the deep sea, I hope in their Heavenward journey, now they shall new wonders see, And be the part of a greater adventure, That I call the God’s enterprising venture, As for the wonder of the abyss, There shall always be someone who for its thrill would miss, Anything and everything else, Because if he/she doesn't, then he/she will be someone else, That is why they dare to take on the Gods of the dark and deep, Because human passion is something that into the soul does seep, And unless tasted and confronted, this adventurer residing within the soul does not let him/her to sleep, So let me wish the 5 adventurers all the best on their new journey, Where there is no need for submersibles for in that world one attains natural buoyancy, and this too is one hell of a journey! As for those woe struck loved ones still residing in the realm of gravity, I hope they find assuaging moments in their thoughtful proclivity, Where they notice the universe flowing through their departed and loved one, Because every adventure is an expression of belief in love for someone, That someone who does not fear the abyss, That someone who dares to be the one, and never miss, The adventures that await him/her in those unknown realms, Where even the Titans sometimes bear signs of qualms, There let us go and seek the knowledge that awaits to reveal itself, Only if the adventurer believes in himself/herself, And I think that is where all 5 adventurers can always be found, In the realm of the Titans where knowledge does abound, where knowledge does abound!

The bright languid people on the corners threw laughter at them now, a shout or two, and it seemed as if the whole great submarine python stirred to quicker currents. Ricky felt a ripple of hallucination and saw here, for just a moment, a vast inked mural, the ink not dry, themselves and all around them still half-liquid entities billowing in an aqueous universe …

With aqueous indifference, the camera lifted its eye.

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Carrying this aqueous conception to its breaking point, a wit had once remarked how wonderful it would be if the beak of a Giant Squid were to suddenly break through the rotten floorboards of my kitchen (followed, I assumed, by the tentacles, body, and enraged eyeballs rotating wildly in their sockets). I agreed that such a thing would indeed be wonderful.

There's a self-portrait, her sister's face rendered in aqueous greens and blues. The shimmering surface of a pool, bright turrets of coral visible beneath. So she's familiar with the lush application of paint, the galaxies of color. But this? This is different. The painting is enormous, almost as big as the wall behind it. Her sister has painted two female figures, their backs turned on the viewer as they wade into a raging sea. The brushstrokes are frenzied, lavish, and Jess has done something to make their skin gleam, as if it's lifting from the canvas. Lucy feels sure that if she were to reach out and touch the girls' hair--- pale, like her own--- she would feel each whorl, each strand under her fingertips. Both girls are nude, their legs swallowed by furious splatters of paint. Blue green, purple, black, foamy white.