Famous Daily Quotes

Fame comes and goes; knowledge comes and stays. But none of them safeguard us against danger; it’s only the GRACE of God that keeps us in safety!

As Diogenes, the famous Cynic, once said, “It is the privilege of the gods to want nothing, and of godlike men to want little.” To want nothing makes one invincible—because nothing lies outside your control.

Over the course of my years, I have met thousands of people. I have dined with the prosperous as well as the poverty-stricken. I have conversed with the mighty and with the meek. I have walked with the famous and the feeble. I have run with outstanding athletes and those who are not athletically inclined. One thing I can tell you with certainty is this: You cannot predict happiness by the amount of money, fame, or power a person has. External conditions do not necessarily make a person happy… The fact is that the external things so valued by the world are often the cause of a great deal of misery in the world. Those who live in thanksgiving daily, however, are usually among the world’s happiest people. And they make others happy as well.

Our society needs criminals like Wolfgang Priklopil in order to give a face to the evil that lives within and to split it off from ... It needs the images of cellar dungeons so as not to have to see the many homes in which violence rears its conformist, bourgeois head. Society uses the victims of sensational cases such as mine in order to divest itself of the responsibility for the many nameless victims of daily crimes, victims nobody helps – even when they ask for help.

Success by its very nature demands a period of overcoming, a process by which we become strong in broken places.

Eat to live, don't live to eat.

He’s not going to applaud us for becoming famous during our lifetimes; He’s going to ask us how we used our spotlight to bring Him glory. He’s not going to ask us how many trophies and awards we received; He’s going to ask us how we used our gifts to build the body of Christ.

In books "we converse with the wise, as in action with fools." That is, if we know how to select our books. "Some books are to be tasted," reads a famous passage, "others to be swallowed, and some few to be chewed and digested"; all these groups forming, no doubt, an infinitesimal portion of the oceans and cataracts of ink in which the world is daily bathed and poisoned and drowned.

What is more, the whole apparatus of life has become so complex and the processes of production, distribution, and consumption have become so specialized and subdivided, that the individual person loses confidence in his own unaided capacities: he is increasingly subject to commands he does not understand, at the mercy of forces over which he exercises no effective control, moving to a destination he has not chosen. Unlike the taboo-ridden savage, who is often childishly over-confident in the powers of his shaman or magician to control formidable natural forces, however inimical, the machine-conditioned individual feels lost and helpless as day by day he metaphorically punches his time-card, takes his place on the assembly line, and at the end draws a pay check that proves worthless for obtaining any of the genuine goods of life. This lack of close personal involvement in the daily routine brings a general loss of contact with reality: instead of continuous interplay between the inner and the outer world, with constant feedback or readjustment and with stimulus to fresh creativity, only the outer world-and mainly the collectively organized outer world of the power system-exercises authority: even private dreams must be channeled through television, film, and disc, in order to become acceptable. With this feeling of alienation goes the typical psychological problem of our time, characterized in classic terms by Erik Erikson as the 'Identity Crisis.' In a world of transitory family nurture, transitory human contacts, transitory jobs and places of residence, transitory sexual and family relations, the basic conditions for maintaining continuity and establishing personal equilibrium disappear. The individual suddenly awakens, as Tolstoi did in a famous crisis in his own life at Arzamas, to find himself in a strange, dark room, far from home, threatened by obscure hostile forces, unable to discover where he is or who he is, appalled by the prospect of a meaningless death at the end of a meaningless life.

I can become great by developing an attitude of greatness.

Captain James Cook was famously credited with conquering scurvy (vitamin C deficiency) by bringing barrels of sauerkraut with him to sea and feeding it to his crews daily.

Christianity is not for seasonal use, it is for daily use. Make the word of God your daily Language.

So it is with life. It takes some rough spots in your life to make you go your farthest.

The Russian-born novelist's writing habits were famously peculiar. Beginning in 1950, he composed first drafts in pencil on ruled index cards, which he stored in long file boxes. Since Nabokov claimed, he pictured an entire novel in complete form before he began writing it, this method allowed him to compose passages out of sequence, in whatever order he pleased...

None of us knows the strength and the power of our lights. These lights shine brightest when they brighten the paths of others. I will be a point of light and light the paths of others.

Florida Scott-Maxwell’s Stoic diary during her terminal illness, The Measure of My Days, is one. Seneca’s famous words to his family and friends, who had broken down and begged with his executioners, is another.

Religion has used ritual forever. I remember a famous study led by psychologist Alfred Tomatis of a group of clinically depressed monks. After much examination, researchers concluded that the group’s depression stemmed from their abandoning a twice-daily ritual of gathering to sing Gregorian chants. They had lost the sense of community and the comfort of singing together in harmony. Creating beautiful music together was a formal recognition of their connection and a shared moment of joy.

The Age Of Reason 1. ‘Well, it’s that same frankness you fuss about so much. You’re so absurdly scared of being your own dupe, my poor boy, that you would back out of the finest adventure in the world rather than risk telling yourself a lie.’ 2. “ I’m not so much interested in myself as all that’ he said simply. ‘I know’, said Marcelle. It isn’t an aim , it’s a means. It helps you to get rid of yourself; to contemplate and criticize yourself: that’s the attitude you prefer. When you look at yourself, you imagine you aren’t what you see, you imagine you are nothing. That is your ideal: you want to be nothing.’’ 3. ‘In vain he repeated the once inspiring phrase: ‘I must be free: I must be self-impelled, and able to say: ‘’I am because I will: I am my own beginning.’’ Empty, pompous words, the commonplaces of the intellectual.’ 4. ‘He had waited so long: his later years had been no more than a stand-to. Oppressed with countless daily cares, he had waited…But through all that, his sole care had been to hold himself in readiness. For an act. A free, considered act; that should pledge his whole life, and stand at the beginning of a new existence….He waited. And during all that time, gently, stealthily, the years had come, they had grasped him from behind….’ 5. ‘ ‘It was love. This time, it was love. And Mathiue thought:’ What have I done?’ Five minutes ago this love didn’t exist; there was between them a rare and precious feeling, without a name and not expressible in gestures.’ 6. ‘ The fact is, you are beyond my comprehension: you, so prompt with your indignation when you hear of an injustice, you keep this woman for years in a humiliating position, for the sole pleasure of telling yourself that you are respecting your principles. It wouldn’t be so bad if it were true, if you really did adapt your life to your ideas. But, I must tell you once more…you like that sort of life-placid, orderly, the typical life of an official.’ ‘’That freedom consisted in frankly confronting situations into which one had deliberately entered, and accepting all one’s responsibilities.’ ‘Well…perhaps I’m doing you an injustice. Perhaps you haven’t in fact reached the age of reason, it’s really a moral age…perhaps I’ve got there sooner than you have.’ 7. ‘ I have nothing to defend. I am not proud of my life and I’m penniless. My freedom? It’s a burden to me, for years past I have been free and to no purpose. I simply long to exchange it for a good sound of certainty….Besides, I agree with you that no one can be a man who has not discovered something for which he is prepared to die.’ 8. ‘‘I have led a toothless life’, he thought. ‘ A toothless life. I have never bitten into anything. I was waiting. I was reserving myself for later on-and I have just noticed that my teeth have gone. What’s to be done? Break the shell? That’s easily said. Besides, what would remain? A little viscous gum, oozing through the dust and leaving a glistering trail behind it.’ 9.’’ A life’, thought Mathieu, ‘is formed from the future just like the bodies are compounded from the void’. He bent his head: he thought of his own life. The future had made way into his heart, where everything was in process and suspense. The far-off days of childhood, the day when he has said:’I will be free’, the day when he had said: ’I will be famous’, appeared to him even now with their individual future, like a small, circled individual sky above them all, and the future was himself, himself just as he was at present, weary and a little over-ripe, they had claims upon him across the passage of time past, they maintained their insistencies, and he was often visited by attacks of devastating remorse, because his casual, cynical present was the original future of those past days.

In his early twenties, a man started collecting paintings, many of which later became famous: Picasso, Van Gogh, and others. Over the decades he amassed a wonderful collection. Eventually, the man’s beloved son was drafted into the military and sent to Vietnam, where he died while trying to save his friend. About a month after the war ended, a young man knocked on the devastated father’s door. “Sir,” he said, “I know that you like great art, and I have brought you something not very great.” Inside the package, the father found a portrait of his son. With tears running down his cheeks, the father said, “I want to pay you for this.ℍ “No,” the young man replied, “he saved my life. You don’t owe me anything.ℍ The father cherished the painting and put it in the center of his collection. Whenever people came to visit, he made them look at it. When the man died, his art collection went up for sale. A large crowd of enthusiastic collectors gathered. First up for sale was the amateur portrait. A wave of displeasure rippled through the crowd. “Let’s forget about that painting!” one said. “We want to bid on the valuable ones,” said another. Despite many loud complaints, the auctioneer insisted on starting with the portrait. Finally, the deceased man’s gardener said, “I’ll bid ten dollars.ℍ Hearing no further bids, the auctioneer called out, “Sold for ten dollars!” Everyone breathed a sigh of relief. But then the auctioneer said, “And that concludes the auction.” Furious gasps shook the room. The auctioneer explained, “Let me read the stipulation in the will: “Sell the portrait of my son first, and whoever buys it gets the entire art collection. Whoever takes my son gets everything.ℍ It’s the same way with God Almighty. Whoever takes his Son gets everything.

He told me it was for men of desperate fortunes on one hand, or of aspiring, superior fortune on the other, who when abroad upon adventures, to rise by enterprize, and make themselves famous in undertakings of a nature out of the common road; that these things were all either too far above me, or to far below me; that mine was the middle state, or what might be called the upper station of low life, which he had found by long experience was the best state in the world, the most suited to human happiness, not exposed to the miseries of hardships, the labour and sufferings of the mechanick part of mankind, and not embarrassed with the pride, luxury, ambition, and envy of the upper part of mankind. He told me I might judge of the happiness of this state by this one thing, viz. that this was the state of life which all other people envied, that kings had frequently lamented the miserable consequences of being born to great things, and wished they had been placed in the middle of the two extremes, between the mean and the great; that the wise man gave his testimony to this as the just standard of true felicity, when he prayed to have neither poverty or riches. He bid me observe it, and I should always find, that the calamities of life were shared among the upper and lower part of mankind; but that the middle station had the fewest disasters, and was not exposed to so many vicissitudes as the higher or lower part of mankind; nay, they were so subjected to so many distempers and uneasiness, either of body or mind, as those were who, by vicious living, luxury, and extravagancies on one hand, and by hard labour, want of necessaries, and mean or insufficient diet on the other hand, bring distempers upon themselves by the natural consequences of their way of living; that the middle station of life was calculated for all kinds of vertues and all kinds of enjoyments; that peace and plenty were the hand-maids of a middle fortune; that temperance, moderation, quietness, health, society, all agreeable diversion, and all desirable pleasures, were the blessing attending the middle station of life; that this way men went silently and smoothly thro’ the world, and comfortably out of it, not embarrassed with the labour of their hands or of the head, not sold to the life of slavery for daily bread, or harrast with perplexed circumstances, which rob the soul of peace and the body of rest; not enraged with the passion of envy, or secret burning lust of ambition for great things; but in easy circumstances sliding gently thro’ the world, and sensibly tasting the sweets of living without the bitter, feeling that they are happy and learning by every day’s experience to know it more sensibly.

Before the Civil War, a group of Southerners came to visit President Abraham Lincoln at the White House to warn him that when it came to the coming conflict, the South would prevail, because God was on their side. Lincoln famously said in response, “It is more important to know that we are on God’s side.

She thought of the famous Arctic explorers crossing flat white lands of ice, and Captain Cook sailing to the Pacific, and the men who had started and fought wars over the centuries, and all that male energy going outward, seeking to conquer, seeking to own. And she had gone inward in a way, into the confines of a neglected old house, not even truly a home anymore. She had seen the thing right under everyone's eyes, and she hadn't let it go or been subsumed by the rigours of daily life. She had made space for that discover in the midst of a most contained life, the life that the world seemed bent on handing her.

Do you have a vacation coming up? Are you looking forward to the weekend so you can have some peace and quiet? Maybe, you think, after things settle down or after I get this over with. But how often has that ever actually worked? The Zen meditation teacher Jon Kabat-Zinn coined a famous expression: “Wherever you go, there you are.

Each side was lined with modern goldsmiths’ and jewellers’ shops. Previously, this area had been occupied by butchers and fishmongers, all of whom were famous for dumping their rotting produce daily into the River Arno. Without thinking, I mentioned this. ‘That’s offal,’ said Sands, and was immediately forbidden to speak again during this assignment.

In books “we converse with the wise, as in action with fools.” That is, if we know how to select our books. “Some books are to be tasted,” reads a famous passage, “others to be swallowed, and some to be chewed and digested”; all these groups forming, no doubt, an infinitesimal portion of the oceans and cataracts of ink in which the world is daily bathed and poisoned and drowned.

The unexamined life is not worth living'...Socrates made provocative remarks like this famous one as part of his daily practice in Athens in the late fourth century B.C. When he made these statements, he was invariably exhorting his fellow Greeks to avoid falling into the trap of what we might call 'ethical complacency,' the point at which an individual ceases trying to become a better person.

He had sometimes attempted to keep a diary himself, the kind of record of his daily life that could rival famous clerical diarists of the past, a nineteen-seventies Woodforde or Kilvert. What was he to write about the events of this morning? ‘My sister Daphne made a gooseberry tart and told me that she was going to live on the outskirts of Birmingham’? Could that possibly be of interest to readers of the next century?

In his famous book Man’s Search for Meaning, Viktor Frankl writes, “Man’s search for meaning is the primary motivation in his life.” He quotes Nietzsche’s words, “He who has a why to live for can bear with almost any how.” But then Frankl made a crucial, helpful point: It’s fruitless to try to think in the abstract about what life in general means. The meaning of one’s life is only discernible within the specific circumstances of one’s own specific life. In the concentration camp, he writes, “We had to learn ourselves and, furthermore, we had to teach the despairing men, that it did not really matter what we expected from life, but rather what life expected from us. We needed to stop asking the meaning of life, and instead to think of ourselves as those who were being questioned by life—daily and hourly. Our answer must consist, not in talk and meditation, but in right action and right conduct.

We need fewer Christians who want to stand apart from their neighbors, doing something that will really display God’s kingdom in all of its glory. We need more Christians who take their place alongside believing and unbelieving neighbors in the daily gift exchange. The thief is not expected to become a monk or a famous evangelist, but to “labor, doing honest work with his own hands, so that he may have something to share with anyone in need” (Eph 4:28).

Rock of Ages, cleft for me, let me hide myself in Thee,” is a line from Augustus Toplady’s famous hymn. Jesus is the place we run to when under any kind of attack, and we can hide in him for safety. The psalmist calls God “my God on whom I can rely” and, literally, “my unconditional love” (Psalm 144:2). Christians know that love must be unconditional, not based on our worthiness, but because Jesus was “cleft,” split apart, to make a hiding place for us. Prayer:

Truth is, we’re a lot better off, and a lot closer to experiencing real, feel-good moments, when we’re wringing ourselves out for the glory of God and fulfilling our daily tasks—at work, at home, in ministry, anywhere. What did Vince Lombardi say in that famous speech: “I firmly believe that any man’s finest hour—his greatest fulfillment to all he holds dear—is that moment when he has worked his heart out in a good cause and lies exhausted on the field of battle—victorious.

Sadly I write in my quiet room, alone as I have always been, alone as I will always be. And I wonder if my apparently negligible voice might not embody the essence of thousands of voices, the longing for self-expression of thousands of lives, the patience of millions of souls resigned like my own to their daily lot, their useless dreams, and their hopeless hopes. In these moments my heart beats faster because I’m conscious of it. I live more because I live on high. I feel a religious force within me, a species of prayer, a kind of public outcry. But my mind quickly puts me in my place… I remember that I’m on the fourth floor of the Rua dos Douradores; I feel drowsy; I look at my unlovely hand resting on this half-written page and at the cheap cigarette in my left hand, hovering over the fraying blotter. Me in this fourth-floor room, interrogating life!, saying what souls feel!, writing prose like a genius or a famous author! Me, here, a genius! …

conceiving God to be the fountain of wisdom, I thought it right and necessary to solicit his assistance for obtaining it; to this end I formed the following little prayer, which was prefix'd to my tables of examination, for daily use. "O powerful Goodness! bountiful Father! merciful Guide! Increase in me that wisdom which discovers my truest interest. Strengthen my resolutions to perform what that wisdom dictates. Accept my kind offices to thy other children as the only return in my power for thy continual favors to me.

Narrative horror, disgust. That's what drives him mad, I'm sure of it, what obsesses him. I've known other people with the same aversion, or awareness, and they weren't even famous, fame is not a deciding factor, there are many individuals who experience their life as if it were the material of some detailed report, and they inhabit that life pending its hypothetical or future plot. They don't give it much thought, it's just a way of experiencing things, companionable, in a way, as if there were always spectators or permanent witnesses, even of their most trivial goings-on and in the dullest of times. Perhaps it's a substitute for the old idea of the omnipresence of God, who saw every second of each of our lives, it was very flattering in a way, very comforting despite the implicit threat and punishment, and three or four generations aren't enough for Man to accept that his gruelling existence goes on without anyone ever observing or watching it, without anyone judging it or disapproving of it. And in truth there is always someone: a listener, a reader, a spectator, a witness, who can also double up as simultaneous narrator and actor: the individuals tell their stories to themselves, to each his own, they are the ones who peer in and look at and notice things on a daily basis, from the outside in a way; or, rather, from a false outside, from a generalised narcissism, sometimes known as "consciousness". That's why so few people can withstand mockery, humiliation, ridicule, the rush of blood to the face, a snub, that least of all ... I've known men like that, men who were nobody yet who had that same immense fear of their own history, of what might be told and what, therefore, they might tell too. Of their blotted, ugly history. But, I insist, the determining factor always comes from outside, from something external: all this has little to do with shame, regret, remorse, self-hatred although these might make a fleeting appearance at some point. These individuals only feel obliged to give a true account of their acts or omissions, good or bad, brave, contemptible, cowardly or generous, if other people (the majority, that is) know about them, and those acts or omissions are thus encorporated into what is known about them, that is, into their official portraits. It isn't really a matter of conscience, but of performance, of mirrors. One can easily cast doubt on what is reflected in mirrors, and believe that it was all illusory, wrap it up in a mist of diffuse or faulty memory and decide finally that it didn't happen and that there is no memory of it, because there is no memory of what did not take place. Then it will no longer torment them: some people have an extraordinary ability to convince themselves that what happened didn't happen and what didn't exist did.

But in the essay “Of Truth” he writes: “The inquiry of truth, which is the lovemaking or wooing of it; the knowledge of truth, which is the praise of it; and the belief of truth, which is the enjoying of it, is the sovereign good of human natures.” In books “we converse with the wise, as in action with fools.” That is, if we know how to select our books. “Some books are to be tasted,” reads a famous passage, “others to be swallowed, and some to be chewed and digested”; all these groups forming, no doubt, an infinitesimal portion of the oceans and cataracts of ink in which the world is daily bathed and poisoned and drowned.

What was the name of that editor of Janata? 1961: On the front page, he wrote: “Won’t last, won’t last!” Him? Maybe he is called Mogambo. Then 1962, 1963, 1964, 1965, 1966 Who was that short man, wrote in the daily literary supplement “That? How long will that last? Won’t last.” What was his name? That man, at the Esplanade book stall Can’t remember? Where did he go, that man? In a famous little magazine he wrote— Him? Maybe he is called Dr Dang Then 1967, 1968, 1969, 1970, 1971, 1972 Can’t recall? Thick glasses, a swift stride— Him? Maybe he is called Gabbar Singh Why can’t you remember the names their fathers gave them? Forgotten in just 50 years? Where did they go? And that fellow who wore loose trousers and a bush shirt And wrote so many times: “Won’t last, won’t last.” Then 1973, 1974, 1975, 1976, 1977, 1978, 1979, 1980, 1981, 1982, 1983, 1984, 1985, 1986, 1987, 1988, 1989, 1990, 1991, 1992, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014 What? Can’t remember yet? What a strange fellow you are! So many writers, editors, poets repeatedly Wrote: “Won’t last, won’t last, won’t last too long People will forget soon.” And yet you struggle To recall their names? Then let it be! Let Mogambo, Dr Dang and Gabbar Singh Be their names in the history of Bengalis.

The great psychologist Dr. George W. Crane said in his famous book Applied Psychology, “Remember, motions are the precursors of emotions. You can’t control the latter directly but only through your choice of motions or actions. . . . To avoid this all too common tragedy (marital difficulties and misunderstandings) become aware of the true psychological facts. Go through the proper motions each day and you’ll soon begin to feel the corresponding emotions! Just be sure you and your mate go through those motions of dates and kisses, the phrasing of sincere daily compliments, plus the many other little courtesies, and you need not worry about the emotion of love. You can’t act devoted for very long without feeling devoted.

Mia shook her head in exasperation as she felt Sirius take one hand while Remus took the other. "Mother of Merlin, how am I going to live with the two of you?" They led her through the opening into the Alley, where she was grateful to not hear that many people nearby. All she needed now was to wake up with her photo in the Daily Prophet, Sirius and Remus being suspected of witch-napping or worse. "I think we'll all get along famously," Sirius said, gently touching her elbow as he helped direct her over the cobblestones without falling. "Any problems we have, a few Silencing Charms can easily fix; isn't that right, Moony?" "Not sure why you'd even bother," Remus said with a chuckle. "Any noises Mia makes, I've already heard in abundance.

In your light we see light. —Psalm 36:9 (NIV) ELENA ZELAYETA, BLIND CHEF Without warning at age thirty-six, Elena Zelayeta, pregnant with her second child, totally lost her sight. She had been the chef at a popular restaurant she and her husband owned. A sixty-seven-year-old widow now, she continued to prepare her famous Mexican dishes, marketing them with the help of her two sons, the younger of whom she’d never seen. Typical of San Francisco, it was raining when I arrived at her home. The door was opened by a very short, very broad woman with a smile like the sun. Well under five feet tall, “and wide as I am high,” she said, she led me on a fast-paced tour of the sizable house, ending in the kitchen, where pots bubbled and a frying pan sizzled. Was it possible that this woman who moved so swiftly and surely, who was now so unhesitatingly dishing up the meal she’d prepared for the two of us, really blind? She must see, dimly at least, the outlines of things. At the door to the dining room, Elena paused, half a dozen dishes balanced on her arms. “Is the light on?” she asked. No, she confirmed, not the faintest glimmer of light had she seen in thirty years. But she smiled as she said it. “I hear the rain,” she went on as she expertly carved the herb-crusted chicken, “and I’m sure it’s a gray day for the sighted. But for us blind folk, when we walk with God, the sun is always shining.” Let me walk in Your light, Lord, whatever the weather of the world. —Elizabeth Sherrill Digging Deeper: Ps 97:11; 1 Jn 1:5

Those who romanticize war often like to think of it, at least in areas of mortal peril, as nothing but “guts and glory.” Those who are inclined to pacifism, by contrast, often think of it as an unbroken sequence of horrors. Actually, however, people in wartime still fall in love, do the laundry, worry about pimples, drink beer, and do most of the same things that they do in times of peace. The patterns of daily life may be mundane, but they are remarkably tenacious. But, while people in wartime still go about their daily routines, the prospect of imminent death can give even quotidian chores a heightened intensity. When the first bombs were dropped on London in autumn of 1940, the population bore adversity better than almost anybody had expected. The danger was mixed with excitement, and the terror had a sort of apocalyptic magnificence.

Stereotype threat, then, is one way our national history seeps into our daily lives. That history leaves us with stereotypes about groups in our society that can be used to judge us as individuals when we’re in situations where those stereotypes apply—in the seat next to a black person on an airplane or interacting with minority students, for example. The white person in that situation will not want to be seen in terms of the stereotype of whites as racially insensitive. And the black person, for his or her part, will not want to be seen in terms of the stereotypes about blacks as aggressive, or as too easily seeing prejudice, and so on. Fighting off these possible perceptions on a long airline flight—or more famously, perhaps, in a school cafeteria—could be more than either party wants to take on. They just want to have lunch or get to Cleveland. Avoidance becomes the simplest solution.

Human felicity is produc'd not so much by great pieces of good fortune that seldom happen, as by little advantages that occur every day. Thus, if you teach a poor young man to shave himself, and keep his razor in order, you may contribute more to the happiness of his life than in giving him a thousand guineas. The money may be soon spent, the regret only remaining of having foolishly consumed it; but in the other case, he escapes the frequent vexation of waiting for barbers, and of their sometimes dirty fingers, offensive breaths, and dull razors; he shaves when most convenient to him, and enjoys daily the pleasure of its being done with a good instrument. With these sentiments I have hazarded the few preceding pages, hoping they may afford hints which some time or other may be useful to a city I love, having lived many years in it very happily, and perhaps to some of our towns in America.

And while I was writing this review, I discovered that if I were going to review books I should need to do battle with a certain phantom. And the phantom was a woman, and when I came to know her better I called her after the heroine of a famous poem, The Angel in the House. It was she who used to come between me and my paper when I was writing reviews. It was she who bothered me and wasted my time and so tormented me that at last I killed her. You who come of a younger and happier generation may not have heard of her — you may not know what I mean by the Angel in the House. I will describe her as shortly as I can. She was intensely sympathetic. She was immensely charming. She was utterly unselfish. She excelled in the difficult arts of family life. She sacrificed herself daily. If there was chicken, she took the leg; if there was a draught she sat in it — in short she was so constituted that she never had a mind or a wish of her own, but preferred to sympathize always with the minds and wishes of others. Above all — I need not say it —-she was pure. Her purity was supposed to be her chief beauty — her blushes, her great grace. And when I came to write I encountered her with the very first words. The shadow of her wings fell on my page; I heard the rustling of her skirts in the room. Directly, that is to say, I took my pen in my hand to review that novel by a famous man, she slipped behind me and whispered: “My dear, you are a young woman. You are writing about a book that has been written by a man. Be sympathetic; be tender; flatter; deceive; use all the arts and wiles of our sex. Never let anybody guess that you have a mind of your own. Above all, be pure.” And she made as if to guide my pen. I turned upon her and caught her by the throat. I did my best to kill her. My excuse, if I were to be had up in a court of law, would be that I acted in self-defence. Had I not killed her she would have killed me. She would have plucked the heart out of my writing. For, as I found, directly I put pen to paper, you cannot review even a novel without having a mind of your own, without expressing what you think to be the truth about human relations, morality, sex. And all these questions, according to the Angel of the House, cannot be dealt with freely and openly by women; they must charm, they must conciliate, they must — to put it bluntly — tell lies if they are to succeed. Thus, whenever I felt the shadow of her wing or the radiance of her halo upon my page, I took up the inkpot and flung it at her. She died hard. Her fictitious nature was of great assistance to her. It is far harder to kill a phantom than a reality. But it was a real experience; it was an experience that was bound to befall all women writers at that time. Killing the Angel in the House was part of the occupation of a woman writer.

The compendium of texts known as The Tibetan Book of the Dead contains exquisitely written guidance and practices related to transforming our experience in daily life, on how to address the processes of dying and the after-death state, and on how to help those who are dying. These teachings include: methods for investigating and cultivating our experience of the ultimate nature of mind in our daily practice (Chapters 2-7), guidance on the recognition of the signs of impending death and a detailed description of the mental and physical processes of dying (Chapter 8), rituals for the avoidance of premature death (Chapter 9), the now famous guide ‘The Great Liberation by Hearing’ that is read to the dying and the dead (Chapter 11), aspirational prayers that are read at the time of death (Chapter 12), an allegorical masked play that lightheartedly dramatises the journey through the intermediate state (Chapter 13), and a translation of the sacred mantras that are attached to the body after death and are said to bring ‘Liberation by Wearing’ (Chapter 14).

urely, Epictetus isn’t saying that peace, leisure, travel, and learning are bad, is he? Thankfully, no. But ceaseless, ardent desire—if not bad in and of itself—is fraught with potential complications. What we desire makes us vulnerable. Whether it’s an opportunity to travel the world or to be the president or for five minutes of peace and quiet, when we pine for something, when we hope against hope, we set ourselves up for disappointment. Because fate can always intervene and then we’ll likely lose our self-control in response. As Diogenes, the famous Cynic, once said, “It is the privilege of the gods to want nothing, and of godlike men to want little.” To want nothing makes one invincible—because nothing lies outside your control. This doesn’t just go for not wanting the easy-to-criticize things like wealth or fame—the kinds of folly that we see illustrated in some of our most classic plays and fables. That green light that Gatsby strove for can represent seemingly good things too, like love or a noble cause. But it can wreck someone all the same.

At a crucial point of the Battle of Britain, when German warplanes were bombing London daily, every available British aircraft was in the sky to stop the planes from reaching the city. As Churchill sat in a car with his military secretary he said, “Don’t speak to me. I have never been so moved.” Churchill sat quietly for five minutes. He then turned to his secretary and asked him to write down a thought that would become one of the most famous quotes of World War II: “Never in the field of human conflict has so much been owed by so many to so few.”6 Only four words in that sentence are more than one syllable and, in six words, Churchill told the entire story of British courage and what it meant to the rest of the world: so much, so many, so few. Those six words summarize stories that fill entire books. “So much” stands for freedom, democracy, and liberty—much of which would have been eliminated if Hitler had not been stopped. “So many” represents the entire population of the British empire at the time and those who lived in the countries Hitler invaded. “So few” is a reference to a small number of English pilots, many of whom were killed in the skies as they defended their homeland.

These other voices make me constantly falling back into an old trap, before I am even fully aware of it, I find myself wondering why someone hurt me, rejected me, or didn’t pay attention to me. Without realizing it, I find myself brooding about someone else’s success, my own loneliness, and the way the world abuses me. Despite my conscious intentions, I often catch myself daydreaming about becoming rich, powerful, and very famous. All of these mental games reveal to me the fragility of my faith that I am the Beloved One on whom God’s favor rests. I am so afraid of being disliked, blamed, put aside, passed over, ignored, persecuted, and killed, that I am constantly developing strategies to defend myself and thereby assure myself of the love I think I need and deserve. And in so doing I move far away from my father’s home and choose to dwell in a “distant country.” Many of my daily preoccupations suggest that I belong more to the world than to God. A little criticism makes me angry, and a little rejection makes me depressed. A little praise raises my spirits, and a little success excites me. It takes very little to raise me up or thrust me down. Often I am like a small boat on the ocean, completely at the mercy of its waves.

Do you believe in God? Stop. Answer paid. 50 words.” Einstein used only about half his allotted number of words. It became the most famous version of an answer he gave often: “I believe in Spinoza’s God, who reveals himself in the lawful harmony of all that exists, but not in a God who concerns himself with the fate and the doings of mankind.”9 Einstein’s response was not comforting to everyone. Some religious Jews, for example, noted that Spinoza had been excommunicated from the Jewish community of Amsterdam for holding these beliefs, and he had also been condemned by the Catholic Church for good measure. “Cardinal O’Connell would have done well had he not attacked the Einstein theory,” said one Bronx rabbi. “Einstein would have done better had he not proclaimed his nonbelief in a God who is concerned with fates and actions of individuals. Both have handed down dicta outside their jurisdiction.”10 Nevertheless, most people were satisfied, whether they fully agreed or not, because they could appreciate what he was saying. The idea of an impersonal God, whose hand is reflected in the glory of creation but who does not meddle in daily existence, is part of a respectable tradition in both Europe and America. It is to be found in some of Einstein’s favorite philosophers, and it generally accords with the religious beliefs of many of America’s founders, such as Jefferson and Franklin.

[THE DAILY BREATH] Blaise Pascal, the famous mathematician, once said: "To those who wish to see, God gives them sufficient light. To those who doesn't wish to see, God gives them sufficient darkness." Seeing the Truth is a choice. Listening to my words is a choice. Healing is a choice. If want scientific evidence about the existence of God, there is a wealth of data to support it. Dr. Jeffrey Long, M.D. used the best scientific techniques available today to study more than 4,000 people who had near-death experiences and found themselves face to face with our Heavenly Father. Read the book "God and the Afterlife" and you will find it. If you want scientific evidence about Jesus being the Son of God, Lee Strobel, an atheist investigative journalist discovered it. Read the book "The Case for Christ" and you will find it. If you want scientific evidence about Jesus still healing today, study the ministries of Dr. Charles Ndifon, T.L. Osborn, Kathryn Kuhlman among others, and you will find it. But most importantly, if you want to fill the emptiness within you, and experience the perfect love, mercy and forgiveness, if you want to live in the peace of our Heavenly Father, give your body, your mind and your heart to Christ. Give your life to Jesus. The empty place you feel in your heart is reserved only for the spirit of Christ and nothing from this world will fill it. Look up to heaven, behold Jesus and Live.

Despite his earthbound approach and his preoccupation with scientific fact, Aristotle had an acute understanding of the nature and importance of religion and mythology. He pointed out that people who had become initiates in the various mystery religions were not required to learn any facts “but to experience certain emotions and to be put in a certain disposition.”35 Hence his famous literary theory that tragedy effected a purification (katharsis) of the emotions of terror and pity that amounted to an experience of rebirth. The Greek tragedies, which originally formed part of a religious festival, did not necessarily present a factual account of historical events but were attempting to reveal a more serious truth. Indeed, history was more trivial than poetry and myth: “The one describes what has happened, the other what might. Hence poetry is something more philosophic and serious than history; for poetry speaks of what is universal, history of what is particular.”36 There may or may not have been a historical Achilles or Oedipus, but the facts of their lives were irrelevant to the characters we have experienced in Homer and Sophocles, which express a different but more profound truth about the human condition. Aristotle’s account of the katharsis of tragedy was a philosophic presentation of a truth that Homo religiosus had always understood intuitively: a symbolic, mythical or ritual presentation of events that would be unendurable in daily life can redeem and transform them into something pure and even pleasurable.

We cannot provide a definition of those products from which the age takes it name, the feuilletons. They seem to have formed an uncommonly popular section of the daily newspapers, were produced by the millions, and were a major source of mental pabulum for the reader in want of culture. They reported on, or rather "chatted" about, a thousand-and-one items of knowledge. The cleverer writers poked fun at their own work. Many such pieces are so incomprehensible that they can only be viewed as self-persiflage on the part of the authors. In some periods interviews with well-known personalities on current problems were particularly popular. Noted chemists or piano virtuosos would be queried about politics, for example, or popular actors, dancers, gymnasts, aviators, or even poets would be drawn out on the benefits and drawbacks of being a bachelor, or on the presumptive causes of financial crises, and so on. All that mattered in these pieces was to link a well-known name with a subject of current topical interest. It is very hard indeed for us to put ourselves in the place of those people so that we can truly understand them. But the great majority, who seem to have been strikingly fond of reading, must have accepted all these grotesque things with credulous earnestness. If a famous painting changed owners, if a precious manuscript was sold at auction, if an old palace burned down, the readers of many thousands of feature articles at once learned the facts. What is more, on that same day or by the next day at the latest they received an additional dose of anecdotal, historical, psychological, erotic, and other stuff on the catchword of the moment. A torrent of zealous scribbling poured out over every ephemeral incident, and in quality, assortment, and phraseology all this material bore the mark of mass goods rapidly and irresponsibly turned out. Incidentally, there appear to have been certain games which were regular concomitants of the feature article. The readers themselves took the active role in these games, which put to use some of their glut of information fodder. Thousands upon thousands spent their leisure hours sitting over squares and crosses made of letters of the alphabet, filling in the gaps according to certain rules. But let us be wary of seeing only the absurd or insane aspect of this, and let us abstain from ridiculing it. For these people with their childish puzzle games and their cultural feature articles were by no means innocuous children or playful Phaeacians. Rather, they dwelt anxiously among political, economic, and moral ferments and earthquakes, waged a number of frightful wars and civil wars, and their little cultural games were not just charming, meaningless childishness. These games sprang from their deep need to close their eyes and flee from unsolved problems and anxious forebodings of doom into an imaginary world as innocuous as possible. They assiduously learned to drive automobiles, to play difficult card games and lose themselves in crossword puzzles--for they faced death, fear, pain, and hunger almost without defenses, could no longer accept the consolations of the churches, and could obtain no useful advice from Reason. These people who read so many articles and listened to so many lectures did not take the time and trouble to strengthen themselves against fear, to combat the dread of death within themselves; they moved spasmodically on through life and had no belief in a tomorrow.

In Kafka’s works the family table locks the child into a site where Father presides; it offers one of the prime occasions for paternity to enthrone itself, conducting prescriptive raids on the child’s bearing—invading his plate, entering and altering his body, adjusting his manner of being. The table becomes the metonymy for all law, the place where sovereign exceptionalism asserts itself: Father does not have to obey his own law, he can pick his teeth or clean his ears while the eaters submit to the severity of his rule. The children, in Kafka at least, and in the simulacrum of home in which many others were grown, are consistently downgraded to the status of unshakable refugees, parasites, those who quiver under the thickness of anxiety while laws, like platters, are passed and forced down one’s delicate throat. Give us this day our daily dread: it is difficult to imagine the Kafka family going out to eat, though that is what it would have taken for the death grip of mealtime to loosen, let go. At home, at the table, little Franz Kafka was eaten alive. By the time of the famous “Letter to Father,” he was vaporized. He says so himself: A good deal of the damage done to the young psyche occurred at table. The neighborhood restaurant might have rerouted the oppressive domesticity of home rule—it might have introduced a hiatus or suspensive regime change that would allow for hunger’s pacing. Part of a spectacle of public generality, the theater of ingestion—possibly also of incorporation—the restaurant causes the hold on the child to slacken, if only because there are witnesses and waiters whose work consists in diminishing the intensities of paternal law and the sacrificial rites that underlie their daily distribution—the daily apportionment of dread.

Olo-keZ G-- a tc There is an appointed time for everything. And there is a time for every event under heaven. -ECCLESIASTES 3:1 What would we do without our day planners? I have a large one for my desk and a carry-all that goes with me. I don't know how a person functions without some type of organizer. I just love it; it truly has become my daily-calendar bible. I take it with me everywhere. My whole life is in that book. Each evening I peek in to see what tomorrow has to bring. I just love to see a busy calendar; it makes me feel so alive. I've got this to do and that to do. Then I come upon a day that has all white space. Not one thing to do. What, oh what, will I do to fill the space and time? That's the way I used to think and plan. All my spaces had appointments written down, and many times they even overlapped. I now plan for white spaces. I even plan ahead weeks or months and black out "saved for me or my family" days. I have begun to realize that there are precious times for myself and my loved ones. Bob and I really try to protect these saved spaces just for us. We may not go anywhere or do anything out of the ordinary, but it's our special time. We can do anything we want: sleep in, stay out late, go to lunch, read a book, go to a movie, or take a nap. I really look forward with great anticipation to when these white spaces appear on my calendar. I've been so impressed when I've read biographies of famous people. Many of them are controllers of their own time. They don't let outsiders dictate their schedules. Sure, there are times when things have to be done on special days, but generally that isn't the case. When we begin to control our calendars, we will find that our lives are more enjoyable and that the tensions of life are more manageable. Make those white spaces your friend, not your enemy.

This, in turn, has given us a “unified theory of aging” that brings the various strands of research into a single, coherent tapestry. Scientists now know what aging is. It is the accumulation of errors at the genetic and cellular level. These errors can build up in various ways. For example, metabolism creates free radicals and oxidation, which damage the delicate molecular machinery of our cells, causing them to age; errors can build up in the form of “junk” molecular debris accumulating inside and outside the cells. The buildup of these genetic errors is a by-product of the second law of thermodynamics: total entropy (that is, chaos) always increases. This is why rusting, rotting, decaying, etc., are universal features of life. The second law is inescapable. Everything, from the flowers in the field to our bodies and even the universe itself, is doomed to wither and die. But there is a small but important loophole in the second law that states total entropy always increases. This means that you can actually reduce entropy in one place and reverse aging, as long as you increase entropy somewhere else. So it’s possible to get younger, at the expense of wreaking havoc elsewhere. (This was alluded to in Oscar Wilde’s famous novel The Picture of Dorian Gray. Mr. Gray was mysteriously eternally young. But his secret was the painting of himself that aged horribly. So the total amount of aging still increased.) The principle of entropy can also be seen by looking behind a refrigerator. Inside the refrigerator, entropy decreases as the temperature drops. But to lower the entropy, you have to have a motor, which increases the heat generated behind the refrigerator, increasing the entropy outside the machine. That is why refrigerators are always hot in the back. As Nobel laureate Richard Feynman once said, “There is nothing in biology yet found that indicates the inevitability of death. This suggests to me that it is not at all inevitable and that it is only a matter of time before biologists discover what it is that is causing us the trouble and that this terrible universal disease or temporariness of the human’s body will be cured.

The owner of the coal mines, Baron Takaharu Mitsui (1900–1983), a graduate of Dartmouth College in New Hampshire and world famous as a philatelist, was head of one of the two most powerful industrial families in Japan (along with Mitsubishi), and among the wealthiest men in the country. His mines produced half of its coal, though those at Omuta had been closed down in the 1920s as unsafe. He was well aware of the work and living conditions of the POWs, having visited the camp several times in his open touring car. Like other companies that used Allied prisoners as slave labor—Mitsubishi, Nippon Steel, Kawasaki—Mitsui paid the Japanese army a leasing fee per prisoner of two yen per day (above the average Japanese daily income), and the army kept the money. Though the prisoners were supposedly being paid a wage that was a minuscule fraction of this, very few ever received anything.

President Theodore Roosevelt said, “When you educate a man in mind and not in morals, you educate a menace to society.” Science is learning to control everything but man. We have not yet solved the problems of hate, lust, greed, and prejudice, which produce social injustice, racial strife, and ultimately war. Our future is threatened by many dangers, such as the nuclear destruction that hangs over our heads. However, the greatest danger is from within. Every major civilization before us has disintegrated and collapsed from internal forces rather than military conquest. Ancient Rome is the outstanding example of the fall of a civilization. While its disintegration was hastened by foreign invasions, in the opinion of Arthur Weigall, a world-famous archaeologist, it collapsed “only after bribery and corruption had been rife for generations.” No matter how advanced its progress, any generation that neglects its spiritual and moral life is going to disintegrate. This is the story of man, and this is our modern problem.

I have often tried in dreams to be the kind of imposing individual the Romantics imagined themselves to be, and whenever I have, I’ve always ended up laughing out loud at myself for even giving house-room to such an idea. After all, the homme fatal exists in the dreams of all ordinary men, and romanticism is merely the turning inside out of our normal daily selves. In the most secret part of their being, all men dream of ruling over a great empire, with all men their subjects, all women theirs for the asking, adored by all the people and (if they are inferior men) of all ages … Few are as accustomed to dreaming as I am and so are not lucid enough to laugh at the aesthetic possibility of nurturing such dreams. The most serious criticism of romanticism has not yet been made, namely, that it represents the inner truth of human nature, an externalization of what lies deepest in the human soul, but made concrete, visible, even possible, if being possible depends on something other than Fate, and its excesses, its absurdities, its various ploys for moving and seducing people, all stem from that. Even I who laugh at the seductive traps laid by the imagination often find myself imagining how wonderful it would be to be famous, how gratifying to be loved, how thrilling to be a success! And yet I can never manage to see myself in those exulted roles without hearing a guffaw from the other “I” I always keep as close to me as a street in the Baixa. Do I imagine myself famous? Only as a famous bookkeeper. Do I fancy myself raised up onto the thrones of celebrity? This fantasy only ever comes upon me in the office in Rua dos Douradores, and my colleagues inevitably ruin the effect. Do I hear the applause of the most variegated multitudes? That applause comes from the cheap fourth-floor room where I live and clashes horribly with the shabby furnishings, with the surrounding vulgarity, humiliating both me and the dream. I never even had any castles in Spain, like those Spaniards we Portuguese have always feared. My castles were built out of an incomplete deck of grubby playing cards; and they didn’t collapse of their own accord, but had to be demolished with a sweeping gesture of the hand, the impatient gesture of an elderly maid wanting to restore the tablecloth and reset the table, because teatime was calling like some fateful curse. Even that vision is of little worth, because I don’t have a house in the provinces or old aunts at whose table, at the end of a family gathering, I sit sipping a cup of tea that tastes to me of repose. My dream failed even in its metaphors and figurations. My empire didn’t even go as far as a pack of old playing cards. My victory didn’t even include a teapot or an ancient cat. I will die as I lived, among the bric-a-brac of my room, sold off by weight among the postscripts of things lost. May I at least take with me into the immense possibilities to be found in the abyss of everything the glory of my disillusion as if it were that of a great dream, the splendor of my unbelief like a flag of defeat — a flag held aloft by feeble hands, but dragged through the mud and blood of the weak and held on high as we sink into the shifting sands, whether in protest or defiance or despair no one knows … No one knows because no one knows anything, and the sands swallow up those with flags and those without … And the sands cover everything, my life, my prose, my eternity. I carry with me the knowledge of my defeat as if it were a flag of victory

I have often tried in dreams to be the kind of imposing individual the Romantics imagined themselves to be, and whenever I have, I’ve always ended up laughing out loud at myself for even giving house-room to such an idea. After all, the homme fatal exists in the dreams of all ordinary men, and romanticism is merely the turning inside out of our normal daily selves. In the most secret part of their being, all men dream of ruling over a great empire, with all men their subjects, all women theirs for the asking, adored by all the people and (if they are inferior men) of all ages … Few are as accustomed to dreaming as I am and so are not lucid enough to laugh at the aesthetic possibility of nurturing such dreams. The most serious criticism of romanticism has not yet been made, namely, that it represents the inner truth of human nature, an externalization of what lies deepest in the human soul, but made concrete, visible, even possible, if being possible depends on something other than Fate, and its excesses, its absurdities, its various ploys for moving and seducing people, all stem from that. Even I who laugh at the seductive traps laid by the imagination often find myself imagining how wonderful it would be to be famous, how gratifying to be loved, how thrilling to be a success! And yet I can never manage to see myself in those exulted roles without hearing a guffaw from the other “I” I always keep as close to me as a street in the Baixa. Do I imagine myself famous? Only as a famous bookkeeper. Do I fancy myself raised up onto the thrones of celebrity? This fantasy only ever comes upon me in the office in Rua dos Douradores, and my colleagues inevitably ruin the effect. Do I hear the applause of the most variegated multitudes? That applause comes from the cheap fourth-floor room where I live and clashes horribly with the shabby furnishings, with the surrounding vulgarity, humiliating both me and the dream. I never even had any castles in Spain, like those Spaniards we Portuguese have always feared. My castles were built out of an incomplete deck of grubby playing cards; and they didn’t collapse of their own accord, but had to be demolished with a sweeping gesture of the hand, the impatient gesture of an elderly maid wanting to restore the tablecloth and reset the table, because teatime was calling like some fateful curse. Even that vision is of little worth, because I don’t have a house in the provinces or old aunts at whose table, at the end of a family gathering, I sit sipping a cup of tea that tastes to me of repose. My dream failed even in its metaphors and figurations. My empire didn’t even go as far as a pack of old playing cards. My victory didn’t even include a teapot or an ancient cat. I will die as I lived, among the bric-a-brac of my room, sold off by weight among the postscripts of things lost. May I at least take with me into the immense possibilities to be found in the abyss of everything the glory of my disillusion as if it were that of a great dream, the splendor of my unbelief like a flag of defeat — a flag held aloft by feeble hands, but dragged through the mud and blood of the weak and held on high as we sink into the shifting sands, whether in protest or defiance or despair no one knows … No one knows because no one knows anything, and the sands swallow up those with flags and those without … And the sands cover everything, my life, my prose, my eternity. I carry with me the knowledge of my defeat as if it were a flag of victory

In every thing give thanks,” he said, “for this is the will of God in Christ Jesus concerning you.” “King James,” I said, smiling, acknowledging that he was quoting a famous verse (18) from 1 Thessalonians 5. “A rule of life,” he responded. Whoa.

For too long, the creative world has focused on idea generation at the expense of idea execution. As the legendary inventor Thomas Edison famously said, “Genius is 1 percent inspiration, and 99 percent perspiration.” To make great ideas a reality, we must act, experiment, fail, adapt, and learn on a daily basis. 99U

For the man on the street, science and math sound too and soulless. It is hard to appreciate their significance Most of us are just aware of Newton's apple trivia and Einstein's famous e mc2. Science, like philosophy, remains obscure and detached, playing role in our daily lives. There is a general perception that science is hard to grasp and has direct relevance to what we do. After all, how often do we discuss Dante or Descartes over dinner anyway? Some feel it to be too academic and leave it to the intellectuals or scientists to sort out while others feel that such topics are good only for academic debate. The great physicist, Rutherford, once quipped that, "i you can't explain a complex theory to a bartender, the theory not worth it" Well, it could be easier said than done (applications of tools

Once released from her trading responsibilities, she descended to Cannes’s famous seafront esplanade. Occasionally she dallied for a while, enjoying the sunshine while strolling the length of the Boulevard de la Croisette, or she might pause for un caffè espresso and a swift perusal of the announcements in the local daily newspaper, Nice Matin. More often than not, though, her habit was to walk purposefully in the direction of the new port close to the Pointe Croisette, where waiting patiently on the corner of Place Franklin Roosevelt was Maurice, her chauffeur, with her morning mail, seated in her second-hand 1996 Bentley Azure, its gleaming bodywork black as a beetle’s carapace.

Shortly after reading Tolstoy I discovered his countryman Fyodor Dostoevsky. These two, the most famous and accomplished of all Russian writers, lived and worked during the same period of history. Though they read each other’s work with admiration, they never met, and perhaps it was just as well—they were opposites in every way. Where Tolstoy wrote bright, sunny novels, Dostoevsky wrote brooding, interior ones. Where Tolstoy worked out ascetic schemes for self-improvement, Dostoevsky periodically squandered his health and fortune on alcohol and gambling. Dostoevsky made many mistakes in life, but achieved an amazing feat in art. His novels communicate grace and forgiveness, the heart of the Christian gospel, with a Tolstoyan force. [Continued

A man’s as miserable as he thinks he is.

Guide Note: Zaphod Beeblebrox’s two heads and three arms have become as much a part of Galaxy lore as the Ravenous Bugblatter Beast’s cranial spigot, or Eccentrica Gallumbits’s third breast. And though Zaphod claims to have had his third arm fitted to improve his chances at ski-boxing, many media pundits believe that the arm was actually fitted so that the President could simultaneously fondle all of Eccentrica’s mammaries. This attention to erotic detail resulted in Miss Gallumbits referring to Zaphod in Street Walkie-Talkie Weekly as the “best bang since the Big One.” A quote which was worth at least half a billion votes in the presidential election and twice as many daily hits on the private members section of the Zaphod Confidential Sub-Etha site. The origin of Zaphod’s second head is shrouded in mystery and seems to be the one thing the President is reluctant to discuss with the media, other than claim that two heads are better than none. A comment which was taken as a direct jibe by Councillor Spinalé Trunco of the Headless Horsemen tribe of Jaglan Beta. Zaphod’s response to this accusation was “Of course it’s a jibe, baby. Dude’s got zero heads. Come on!” Early images do represent Zaphod with two heads, but in many shots they do not appear to be identical. In fact, in one vidcap, which has famously come to be known as the “I’m With Stupid” shot, Zaphod’s left head appears to be that of a sallow female, attempting to bite the right head’s ear. A Betelgeusean woman later surfaced claiming to be the original owner of the “sallow female” head. Loolu Softhands told Beebelblog that “Zaphod wanted us to be together, like all the time, so we conjoined. After a couple of months he found out that he liked the two-headed thing more than he liked me. So we went out for a few Blasters one night and I woke up back on my own body. Bastard.” Zaphod has never refuted Miss Softhands’s story, leading to speculation that his second head is a narcissistic affectation, an allegation President Beeblebrox claims not to understand. Related

Love me or hate me, both are in my favor. If you love me, I’ll always be in your heart; if you hate me, I’ll always be in your mind.

Have more than you show, speak less than you know.

For some male intellectuals, a regrettable aspect of popular newspapers was that they encouraged women. In the Nietzschean tradition the emancipation and education of women were signs of modern shallowness. The man who has depth, Nietzsche pronounces, can think of women only in an ‘oriental way’. Thus Spake Zarathustra contains the famous advice ‘Are you visiting women? Do not forget your whip.’18 Northcliffe, by contrast, started a new trend among newspaper proprietors by considering women readers worthy of attention. In 1891 he launched a cheap illustrated women’s weekly, Forget-Me-Not, which achieved a circulation of over 140,000 in three years, and paved the way for the highly successful Home Chat. He also insisted on two columns of articles devoted to women’s concerns in the Daily Mail.

Everything comes to him who hustles while he waits.

There is always something ridiculous about the emotions of people whom one has ceased to love.

Poison is in everything, and nothing is without poison. The dosage makes it either a poison or a remedy.

Nothing is hidden so much that it wouldn't be revealed through its fruit.

corner of the Empire and touched on the Naimans. These Uigurs are famous, at least among scholars, as having been the most devoted to learning of all Turkish nations; from them it was that the Mongols received an alphabet and their earliest instruction. The Idikut, or ruler, of the Uigurs acknowledged the Gurkhan as overlord, but the yearly tribute which he paid, and the daily

To practice zazen, Suzuki-roshi often reminded his students, is to study the self. By 1983, the senior priests at Zen Center had logged a lot of hours in the study hall. The work and meditation schedule they kept was famous for its rigor. Typically, they sat for almost two hours every morning, beginning at five, attended a midday service, and sat again for an hour or two in the evening until nine. During the two annual Practice Periods, the daily meditation periods were extended. Once a month, they sat for twelve or fourteen hours—a one-day sesshin (intensive retreat). At the end of each Practice Period, they sat a seven day sesshin—twelve to fourteen hours a day for seven straight days, during which they took their meager meals in the zendo, and slept on their cushions. In fifteen years, Reb, Yvonne, Lew, and the other senior students who'd kept the daily schedule had each sat zazen for at least 10,000 to 15,000 hours. And yet, by any common-sense standard, the most seasoned meditators at Zen Center repeatedly flunked simple tests of self-awareness. "I wonder," wrote a former Zen Center student in a letter to Yvonne in 1987, "if in some cases doing zazen doesn't augment or aggravate the dissociative process—as if in some way it cauterizes the personality and seals it off, encapsulates it, widens the breach between heart and mind.

Hmm. A grilled miso rice ball and a grilled soy sauce rice ball... But what is this covered in dried seaweed?" "When we think about the rice ball and its connection to the Japanese climate and culture, the existence of fermented food is something we can't ignore. Eating fermented food on a daily basis is a unique trait of the Japanese culinary culture. The most famous of the fermented foods are the soy sauce and miso. Seasonings that the Japanese diet cannot do without. We coated one of the rice balls with soy sauce and the other with miso... ... and grilled them over charcoal." "The slightly burnt scent of the soy sauce is so appetizing." "The grilled fragrance of miso is irresistible to a Japanese person. And this we can only taste in the form of a rice ball too." "Another fermented Japanese product that we must not forget about is natto. Natto is a little tough to put inside a rice ball as it is... ... so we've minced it along with diced green onions. It has been flavored with soy sauce and Japanese mustard. And to add some punch to it, we coated the rice ball with roasted shredded seaweed. By shredding it, the flavor of the dried seaweed becomes far better than just coating the rice ball with a sheet of it.

December 20th FEAR THE FEAR OF DEATH “Do you then ponder how the supreme of human evils, the surest mark of the base and cowardly, is not death, but the fear of death? I urge you to discipline yourself against such fear, direct all your thinking, exercises, and reading this way—and you will know the only path to human freedom.” —EPICTETUS, DISCOURSES, 3.26.38–39 To steel himself before he committed suicide rather than submit to Julius Caesar’s destruction of the Roman Republic, the great Stoic philosopher Cato read a bit of Plato’s Phaedo. In it, Plato writes, “It is the child within us that trembles before death.” Death is scary because it is such an unknown. No one can come back and tell us what it is like. We are in the dark about it. As childlike and ultimately ignorant as we are about death, there are plenty of wise men and women who can at least provide some guidance. There’s a reason that the world’s oldest people never seem to be afraid of death: they’ve had more time to think about it than we have (and they realized how pointless worrying was). There are other wonderful resources: Florida Scott-Maxwell’s Stoic diary during her terminal illness, The Measure of My Days, is one. Seneca’s famous words to his family and friends, who had broken down and begged with his executioners, is another. “Where,” Seneca gently chided them, “are your maxims of philosophy, or the preparation of so many years’ study against evils to come?” Throughout philosophy there are inspiring, brave words from brave men and women who can help us face this fear. There is another helpful consideration about death from the Stoics. If death is truly the end, then what is there exactly to fear? For everything from your fears to your pain receptors to your worries and your remaining wishes, they will perish with you. As frightening as death might seem, remember: it contains within it the end of fear.

For the time being, however, his bent was literary and religious rather than balletic. He loved, and what seventh grader doesn’t, the abstracter foxtrots and more metaphysical twists of a Dostoevsky, a Gide, a Mailer. He longed for the experience of some vivider pain than the mere daily hollowness knotted into his tight young belly, and no weekly stomp-and-holler of group therapy with other jejune eleven-year-olds was going to get him his stripes in the major leagues of suffering, crime, and resurrection. Only a bona-fide crime would do that, and of all the crimes available murder certainly carried the most prestige, as no less an authority than Loretta Couplard was ready to attest, Loretta Couplard being not only the director and co-owner of the Lowen School but the author, as well, of two nationally televised scripts, both about famous murders of the 20th Century. They’d even done a unit in social studies on the topic: A History of Crime in Urban America. The first of Loretta’s murders was a comedy involving Pauline Campbell, R.N., of Ann Arbor, Michigan, circa 1951, whose skull had been smashed by three drunken teenagers. They had meant to knock her unconscious so they could screw her, which was 1951 in a nutshell. The eighteen-year-olds, Bill Morey and Max Pell, got life; Dave Royal (Loretta’s hero) was a year younger and got off with twenty-two years. Her second murder was tragic in tone and consequently inspired more respect, though not among the critics, unfortunately. Possibly because her heroine, also a Pauline (Pauline Wichura), though more interesting and complicated had also been more famous in her own day and ever since. Which made the competition, one best-selling novel and a serious film biography, considerably stiffen Miss Wichura had been a welfare worker in Atlanta, Georgia, very much into environment and the population problem, this being the immediate pre-Regents period when anyone and everyone was legitimately starting to fret. Pauline decided to do something, viz., reduce the population herself and in the fairest way possible. So whenever any of the families she visited produced one child above the three she’d fixed, rather generously, as the upward limit, she found some unobtrusive way of thinning that family back to the preferred maximal size. Between 1989 and 1993 Pauline’s journals (Random House, 1994) record twenty-six murders, plus an additional fourteen failed attempts. In addition she had the highest welfare department record in the U.S. for abortions and sterilizations among the families whom she advised. “Which proves, I think,” Little Mister Kissy Lips had explained one day after school to his friend Jack, “that a murder doesn’t have to be of someone famous to be a form of idealism.” But of course idealism was only half the story: the other half was curiosity. And beyond idealism and curiosity there was probably even another half, the basic childhood need to grow up and kill someone.

Newspapers had different sections you didn’t want to read, like sport or overseas news, and stuff you did, like the word “jumble” and Fred Basset. You “scrolled” to the bit you wanted by putting the bits you didn’t want in the bin, which is bad for the planet. Luckily now we can get exactly the parts of a newspaper that we want delivered straight to our phone, though it has made painting a shelf harder because you can’t put the Daily Mail Sidebar Of Shame underneath to stop your table getting painty like you could with the family supplement. And it’s impossible to start a fire using the Guardian app. Which is good for the planet too. Some of the most famous newspapers such as The Times and TV Quick started in coffee shops in the 1800th century and by Victorian times they could be seen everywhere. Holding that day’s newspaper was a sign that you were keeping up with events. Either that or you were helping your kidnapper prove to the police that you weren’t dead yet. Newspapers made ordinary people feel part of big events, whether it was the sinking of the Titanic, men pretending to land on the Moon, the death of Lady Diana or Kinga off Big Brother sticking a wine bottle up her growler. Without newspapers we would never have heard of Piers Morgan, Rupert Murdoch or Jeremy Clarkson, so it’s understandable that in the 21st century the average person no longer buys a daily paper, in an attempt to stop it happening again.

Kannada writing is one of the most seasoned and most extravagant scholarly customs in India, tracing all the way back to north of 1,000 years. Known for its significant narrating and graceful profundity, Kannada authors includes a great many sorts, from exemplary stories to contemporary books, verse, and social discourses. Veera Loka Books praises this heritage by offering an organized assortment of works by eminent Kannada writers, furnishing perusers with admittance to immortal stories and current points of view. Tradition of Kannada Writing Kannada authors has delivered a portion of India's best writers and writers, contributing fundamentally to Indian scholarly legacy. Throughout the long term, Kannada creators have investigated subjects of reasoning, otherworldliness, social change, and individual personality. Works from artists like Pampa, Ranna, and Basavanna mirror the early graceful customs and philosophical idea in Kannada, while present day creators like Kuvempu, U. R. Ananthamurthy, and S. L. Bhyrappa bring complex accounts that dig into society, culture, and the human mind. Veera Loka Books: A Center for Kannada Writing Veera Loka Books is committed to advancing Kannada writing by furnishing perusers with admittance to exemplary and contemporary works by acclaimed Kannada writers. From books and brief tales to verse assortments and youngsters' books, Veera Loka Books offers something for each peruser, encouraging a more profound association with the language and culture of Karnataka. Highlighted Kannada Writers Accessible at Veera Loka Books Kuvempu - Known as Karnataka's most memorable Jnanpith awardee, Kuvempu is commended for his verse and books that reflect profound otherworldliness and human qualities. His works, like Malegalalli Madumagalu and Sri Ramayana Darshanam, are immortal works of art that keep on moving perusers across ages. U. R. Ananthamurthy - A focal figure in present day Kannada writing, Ananthamurthy is famous for his striking stories that question social and social standards. His original Samskara, a significant investigate of standing and conventionality, is a fundamental perused for anybody investigating Kannada writing. S. L. Bhyrappa - Known for his point by point, philosophical narrating, Bhyrappa's books frequently tackle topics of custom, history, and existential inquiries. Works like Parva and Saartha grandstand his scholarly profundity and sharp perceptions of society. Poornachandra Tejaswi - As the child of Kuvempu, Tejaswi cut his own specialty in Kannada writing with works that feature provincial life, nature, and human connections. His books like Karvalo offer a one of a kind viewpoint on life in Karnataka. Vaidehi - A main female voice in Kannada writing, Vaidehi's accounts are praised for their responsiveness, particularly in portraying ladies' encounters. Her works point out the subtleties of daily existence and social issues, making them interesting and powerful. Why Pick Veera Loka Books? Veera Loka Books is in excess of a book shop - it's a stage to encounter the best of Kannada writing. By offering works from observed Kannada writers, Veera Loka Books assists perusers with interfacing with their social roots, find novel thoughts, and appreciate enthralling stories. Whether you're a long lasting peruser or new to Kannada writing, Veera Loka Books gives the ideal choice to begin or develop your excursion into this lively scholarly custom. Investigate the huge universe of Kannada writing with Veera Loka Books and drench yourself in stories that mirror the essence of Karnataka.

Our media also lavish mega attention on our idols, devoting countless hours of coverage to actors and sports figures, much of the coverage about how they get into trouble. Some networks admit to trying to include some daily snippet of “news” about Britney Spears, or Lindsay Lohan, or some other troubled famous young actor, co-enabled by the coverage and public attention, into their behavior. Some of the nation’s bestselling magazines and weekly newspapers exclusively report on the varied activities of public figures, almost all in the entertainment industry. People Magazine recently paid a movie star $4.1 million dollars. To make a movie? No, $4.1 million dollars was paid for the right to publish pictures of her new baby. America’s media covered the unfortunate death of singer Michael Jackson non-stop for days on end. We are “mad upon our idols.

They took us to the best club in Bishkek, with a big black and white sign out front that said “Face Control” in English. Which meant that only the rich, pretty and famous were allowed in. This sort of thing is being done in clubs all over the world on a daily basis, but I had never before seen it done so explicitly - or so honestly.

Never Sell Yourself Short.

As you enter ministry, you will be tempted to orient your desires toward doing large things in famous ways as fast and as efficiently as you can. But take note. A crossroads waits for you. Jesus is that crossroads. Because almost anything in life that truly matters will require you to do small, mostly overlooked things, over a long period of time with him. The pastoral vocation, because it focuses on helping people cultivate what truly matters, is therefore no exception.

For too long, the creative world has focused on idea generation at the expense of idea execution. As the legendary inventor Thomas Edison famously said, “Genius is 1 percent inspiration, and 99 percent perspiration.” To make great ideas a reality, we must act, experiment, fail, adapt, and learn on a daily basis.

Reveille sounded, followed by a postlude chorus of hacking and coughing as thousands of men woke up and began the daily routine. The famous army cough was the true sound of the start of the army day.

Tessa Dahl A daughter of famed British novelist Roald Dahl, Tessa Dahl was a good friend of Diana’s and her colleague at several successful charities. A prolific writer and editor, Tessa is a regular contributor to many important British newspapers and magazines, including the Sunday Times, the Daily Mail, the Telegraph, Vogue and the Tatler. The only part that marred the night was, typically, my dad, Roald Dahl, who left at the interval. I was devastated, but that was his modus operandi. I wanted him to see me in the Royal Box. I fear most of the post-party was spent with me on the phone crying to him, after Diana had left and we had done the royal lineup. Gosh, she was always so good at that. Talk about doing her homework. Every single performer, she had time for, even knowing a little bit about each one. We didn’t see each other again until Bruce Oldfield’s ball. Diana had come with Prince Charles and looked really miserable. Beautiful, in a gold crown (with Joan Collins trying to outdo her--good luck, Joan), but still, she had a new aura of hopelessness. Although she did dance with Bruce to KC and the Sunshine Band’s “That’s the Way I Like It.” We stopped to talk. “How’s Daisy?” she asked kindly. She obviously knew that I had been having my baby down the hall in the same hospital and at the same time as she had had Prince Harry. “Actually, it’s a different bovine name. She’s called Clover.” I was touched that she had remembered that we had had our babies around the same time and that my little girl did have a good old-fashioned cow’s name. I asked, “Wasn’t it fun at the Lindo? I do love having babies.” “I’m afraid I find it rather disgusting,” she revealed. This, of course, was the famous time when Prince Charles had been so disparaging about Harry’s being a redhead.

I do not wait till i am in trouble till i can call on God. I have learned to speak the way God speaks, I have learned to see things the way God sees and I have also learned to handle it the way God handles it. Christ is the daily language of my mouth and faith is my daily talk and my actions have become the language of my life.

The Greek word for ‘self-control’ comes from a root word meaning ‘to grip’. It calls for getting a grip on your spending so that you don’t go into debt for things you don’t need and can’t pay for. It calls for getting a grip on your temper and not saying things you’ll later regret: ‘Better … a man who controls his temper than one who takes a city’ (Proverbs 16:32 NIV 1984 Edition). It calls for getting a grip on your desires. If Joseph had failed to say no to the repeated advances of his boss’ wife, he’d never have seen his life’s dream fulfilled and sat on the throne of Egypt. Understand this: Satan has discerned your destiny and he’s out to stop you from reaching it. So pray for self-control, and practise it on a daily basis.

Richard Kay Richard Kay became friends with Diana, Princess of Wales, through his job as royal correspondent for London’s Daily Mail. After her separation in 1992, he used his knowledge to give a penetrating and unique insight into Diana’s troubled life, and they remained friends until the end. Richard is now diary editor or the Daily Mail and lives in London with his wife and three children. Over the years, I saw her at her happiest and in her darkest moments. There were moments of confusion and despair when I believed Diana was being driven by the incredible pressures made on her almost to the point of destruction. She talked of being strengthened by events, and anyone could see how the bride of twenty had grown into a mature woman, but I never found her strong. She was as unsure of herself at her death as when I first talked to her on that airplane, and she wanted reassurance about the role she was creating for herself. In private, she was a completely different person form the manicured clotheshorse that the public’s insatiable demand for icons had created. She was natural and witty and did a wonderful impression of the Queen. This was the person, she told me, that she would have been all the time if she hadn’t married into the world’s most famous family. What she hated most of all was being called “manipulative” and privately railed against those who used the word to describe her. “They don’t even know me,” she would say bitterly, sitting cross-legged on the floor of her apartment in Kensington Palace and pouring tea from a china pot. It was this blindness, as she saw it, to what she really was that led her seriously to consider living in another country where she hoped she would be understood. The idea first emerged in her mind about three years before her death. “I’ve got to find a place where I can have peace of mind,” she said to me. She considered France, because I was near enough to stay in close touch with William and Harry. She thought of America because she--naively, it must be said--saw it as a country so brimming over with glittery people and celebrities that she would be able to “disappear.” She also thought of South Africa, where her brother, Charles, made a home, and even Australia, because it was the farthest place she could think of from the seat of her unhappiness. But that would have separated her form her sons. Everyone said she would go anywhere, do anything, to have her picture taken, but in my view the truth was completely different. A good day for her was one where her picture was not taken and the paparazzi photographers did not pursue her and clamber over her car. “Why are they so obsessed with me?” she would ask me. I would try to explain, but I never felt she fully understood. Millions of women dreamed of changing places with her, but the Princess that I knew yearned for the ordinary humdrum routine of their lives. “They don’t know how lucky they are,” she would say. On Saturday, just before she was joined by Dodi Al Fayed for their last fateful dinner at the Ritz in Pairs, she told me how fed up she was being compared with Camilla. “It’s all so meaningless,” she said. She didn’t say--she never said--whether she thought Charles and Camilla should marry. Then, knowing that as a journalist I often work at weekends, she said to me, “Unplug your phone and get a good night’s sleep.

Missy: Great Mother-in-Law, Great Friend I learned 90 percent of what I know about cooking from watching Kay. At my wedding shower, I received a recipe card set. I took that set of blank cards and headed straight for Miss Kay’s kitchen. I pulled them out, took the first one, got a pen, and asked her to start giving me recipes for the things Jase liked to eat best. She happily obliged. There was only one problem. Miss Kay had no idea what any measurement was for any of her ingredients. She would say, “One shake of this” or “Two scoops of that.” Since I had no knowledge of cooking, I was looking for exact measurements. I did not want to mess up Jase’s favorite recipes. I had some big shoes to shill, for goodness’ sake! Miss Kay tried to give me her best directions while she was busy around the house. At that time she didn’t understand how little I knew, and we both became frustrated. One example of this was when she told me how to make mashed potatoes. She said to cut up four or five large potatoes and boil them. I asked, “How long do you boil them?” She replied, “Until they’re done.” “How many minutes does that take?” I asked, thinking I could set a timer. She said, “You can’t go by time.” “Then how do you know when they’re done?” “They’re done when they’re soft,” she answered. Thinking about how much I did not want to stick my hands in boiling water to see when they turned soft, I asked, “How do you know when they are soft?” At that point, Miss Kay had become completely frustrated at this whole ridiculous line of questioning on my part. She said rather abruptly, “You stick a fork in them!” I apologized for my ignorance, and Miss Kay realized I needed special attention. She then pulled up a chair, put her hand on my arm, and said, “Okay, let’s start from the beginning.” The next few minutes consisted of her gently instructing me in the ways of heating canned corn in a skillet, browning hamburger meat for her homemade spaghetti, making her famous homemade white sauce, and creating many other dishes I still make for my family on an almost daily basis.

Wickedness arrays itself in fair garments, and imitates the language of holiness; but the precepts of Jesus, like His famous scourge of small cords, chase it out of the temple, and will not tolerate it in the Church.

They go out to their work, searching for food…. —Job 24:5 (NKJV) My husband, Keith, and I decided to drive down to Tulip Town and wander the fields of vibrant color the Skagit Valley is famous for. Enchanted, we ordered about twenty different varieties for our half-barrel planters. I loved deciding between the American Dream and the Peking Red, the Black Diamond and the Purissima, the Monte Carlo and the Gudoshnik. We planted the bulbs in September, but it was a bad winter. When spring came, I saw only about one-tenth of the tulips we’d planted. Closer inspection revealed squirrels had lived off our bulbs when other food was really scarce. I was upset and complained loudly, angrily, to Keith, but he only said, “The squirrels needed food.” I grumped about that for a while but slowly came to realize that he was right: Providing nourishment should trump surface beauty every time. I came to see the squirrels as survivors and was glad that the tulips had helped them get through the winter. Lord, help me to understand more quickly that being part of the balance of life means I don’t always get to do things my way. —Rhoda Blecker Digging Deeper: Prv 18:17; Ez 34:18

Daily, the media report human activity in which force is used to settle disputes. Since 1945 not a single day has gone by without war, and the end of the Cold War has not reduced its frequency. For example, in 1994 more than thirty major armed conflicts were fought in twenty-seven locations throughout the world in such places as Afghanistan, Algeria, Bosnia, Chechnya, Liberia, Rwanda, and Somalia. Given its wide spread occurrence, it is little wonder so many people equate world politics with violence. In On War, Prussian strategist Karl von Clausewitz advanced his famous dictum that war is merely an extension of diplomacy by other means - "a form of communication between countries," albeit an extreme form. This insight underscores the realist belief that war is an instrument for states to use to resolve their disputes. War, however, is the deadliest instrument of conflict resolution, its onset indicating that persuasion and negotiations have failed. In international relations, conflict regularly occurs when actors interact and disputes over incompatible interests rise. In and of itself, conflict is not necessarily threatening when the partners turn to arms to settle their perceived irreconcilable differences.

As a self-confessed Pre-Raphaelite - a term that by the 1880s was interchangeable with ‘Aesthete’ - Constance was carrying a torch whose flame had ben lit in the 1850s by a group of women associated with the founding Pre-Raphaelite Brotherhood painters. Women such as Elizabeth Siddal and Jane Morris, the wives respectively of the painter Dante Gabriel Rossetti and the poet, designer and socialist William Morris, had modelled for the Pre-Raphaelite artists, wearing loose, flowing gowns. But it was not just their depiction on canvas that sparked a new fashion among an intellectual elite. Off canvas these women also establised new liberties for women that some twenty years later were still only just being taken up by a wider female population. They pioneered new kinds of dresses, with sleeves either sewn on at the shoulder, rather than below it, or puffed and loose. While the rest of the female Victorian populace had to go about with their arms pinned to their bodies in tight, unmoving sheaths, the Pre-Raphaelite women could move their arms freely, to paint or pose or simply be comfortable. The Pre-Raphaelite girls also did away with the huge, bell-shaped crinoline skirts, held out by hoops and cages strapped on to the female undercarriage. They dispensed with tight corsets that pinched waists into hourglasses, as well as the bonnets and intricate hairstyles that added layer upon layer to a lady’s daily toilette. Their ‘Aesthetic’ dress, as it became known, was more than just a fashion; it was a statement. In seeking comfort for women it also spoke of a desire for liberation that went beyond physical ease. It was also a statement about female creative expression, which in itself was aligned to broader feminist issues. The original Pre-Raphaelite sisterhood lived unconventionally with artists, worked at their own artistic projects and became famous in the process. Those women who were Aesthetic dress in their wake tended to believe that women should have the right to a career and ultimately be enfranchised with the vote. […] And so Constance, with ‘her ugly dresses’, her schooling and her college friends, was already in some small degree a young woman going her own way. Moving away from the middle-class conventions of the past, where women were schooled by governesses at home, would dress in a particular manner and be chaperoned, Constance was already modern.

Bill Gates, who regularly (and famously) takes a regular week off from his daily duties at Microsoft simply to think and read.

Remedies To Remove Vashikaran Vashikaran removal Pooja is an early method of some astrologer & the religious perfume of Pooja remove all the dreadful spirit & prohibit the access of these terrible feelings in the house. For appalling spirits it is simple to go into in someone’s home to obliterate the life of a someone, but Black Magic takes away Pooja convert all the bad intention of people in opposite way & fail all the bad thoughts of them. The Recite of mantra heals you with positive energy & give you a supernatural imperceptible power to clash against this dreadful effect of Black Magic. If you daily this tough Mantra of Black Magic then in a small number of days you will be free from this terrible crash. Remove Vashikaran Mantra In Hindi We are offering the remove Vashikaran Mantra in Hindi, this mantra is a wish satisfying Mantra can be recited in any wants, goals, issue or troubles. You can apply for for some purpose or incentive, as extended as you wish for maximum good & do not carry damage to others. There are mantras & remedies to remove Vashikaran Mantra in Hindi from your existing place as well. After the evil forces get removed you power feel that present is grouping of dissimilarity in organism free due to damaging effects of Vashikaran removal Mantra, so a great deal so that, you would sense sacred that you are existing your existence to the fullest.

believe in pink. I believe that laughing is the best calorie burner. I believe in kissing, kissing a lot. I believe in being strong when everything seems to be going wrong. I believe that happy girls are the prettiest girls. I believe that tomorrow is another day and I believe in miracles.” ~ Audrey Hepburn Audrey Hepburn believes in many different things, most of which would be considered frivolous by people. However, when you read it in depth, it does make you think. 67)

Then the king made a great feast, the Feast of Esther, for all his officials and servants; and he proclaimed a holiday in the provinces and gave gifts according to the generosity of a king. Esther 2:18 After the king decides Esther will be his queen, he throws a party. You might remember that this guy is famous for his parties! He proclaims the day he met Esther as a holiday: “The Feast of Esther”. Ahasuerus celebrates with all his servants and all his officials, and the news of the new queen is spread to all the provinces. Ahasuerus also gives Esther gifts “according to the generosity of a king”... that must have really been something! I love that little phrase... “gave gifts according to the generosity of a king”. It is another little parallel to make between you and Esther: your King — the Lord of Lords — gives to you gifts according to His generosity as well, doesn’t He? Every day is something new! Esther prepared and gave her best to King Ahasuerus, and the response from him was tremendous. Imagine if you prepared your heart daily to give God your very best — wow! The Lord cannot resist that! Open yourself up to your King and expect great things!   Before you close the word today, consider that phrase again: “gifts according to the generosity of a king”. You have a king celebrating you today — the King of Kings, truly the greatest King... He desires to give you gifts according to His generosity!

So foolish was I; and ignorant…. —Psalm 73:22 (KJV) LORNE GREENE, ACTOR I was a very new, very inexperienced writer, just arrived in California on my first Guideposts assignment. I was checking into my hotel when my editor phoned with another story lead: “I’ve got you an interview with Lorne Greene!” Lorne Greene? I’d never heard of him, but from the excitement in the editor’s voice, I knew it must be someone famous. And rather than expose my ignorance, I said, “Great!” “He’ll meet you on the Bonanza set.” He gave me a TV studio address. We didn’t yet own a TV, but I’d read about the new quiz shows offering big prizes. Bonanza, I decided, must be one of those. I’d interview Mr. Greene about competitiveness! I spent two hours writing out a long list of questions. The next day I stood in the wings of the soundstage, staring at a log cabin, a covered wagon, a backdrop of Ponderosa pines…I crumpled my sheet of questions. We sat at a table while I fumbled for a question. Beneath his broad-brimmed hat, smiling brown eyes met mine. He must have perceived immediately that a novice writer had asked a busy man for his time and then arrived unprepared. He took pity on my floundering efforts. “I was a radio interviewer in Canada before I got into acting,” he said. “I think I have a story you’ll like.” No thanks to me, I flew home with a wonderful piece. And a new petition for my daily prayers: Father, grant me the grace to say, “I don’t know.” —Elizabeth Sherrill Digging Deeper: Prv 22:4; Jas 4:6

This petition very wisely reminds us of how prayer works. If people prayed this prayer, and then sat back and waited for bread to fall into their hands, they would certainly starve. It reminds us that prayer and work go hand in hand and that when we pray we must go on to work to make our prayers come true. It is true that the living seed comes from God, but it is equally true that it is our task to grow and to cultivate that seed. Dick Sheppard, the famous pacifist and preacher, used to love a certain story. There was a man who had an allotment; he had with great toil reclaimed a piece of ground, clearing away the stones, eradicating the rank growth of weeds, enriching and feeding the ground, until it produced the loveliest flowers and vegetables. One evening he was showing a pious friend around his allotment. The pious friend said: ‘It’s wonderful what God can do with a bit of ground like this, isn’t it?’ ‘Yes,’ said the man who had put in such toil, ‘but you should have seen this bit of ground when God had it to himself!’ God’s bounty and human toil must combine. Prayer, like faith, without works is dead. When we pray this petition, we are recognizing two basic truths – that without God we can do nothing, and that without our effort and co-operation God can do nothing for us.