Approaching Winter Quotes

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When she sees the leaves fall, they raise no other idea in her mind than that winter is approaching.
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
But you can't plead with autumn. No. The midnight wind stalked through the woods, hooted to frighten you, swept everything away for the approaching winter, whirled the leaves. ("The North")
Yevgeny Zamyatin (We)
I think I can remember being dead. Many times, in winter, I approached Zeus. Tell me, I would ask him, how can I endure the earth?
Louise Glück (Averno)
Between the end of that strange summer and the approach of winter, my life went on without change. Each day would dawn without incident and end as it had begun. It rained a lot in September. October had several warm, sweaty days. Aside from the weather, there was hardly anything to distinguish one day from the next. I worked at concentrating my attention on the real and useful. I would go to the pool almost every day for a long swim, take walks, make myself three meals. But even so, every now and then I would feel a violent stab of loneliness. The very water I drank, the very air I breathed, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at four o'clock in the morning.
Haruki Murakami (The Wind-Up Bird Chronicle)
Daylight...In my mind, the night faded. It was daytime and the neighborhood was busy. Miss Stephenie Crawford crossed the street to tell the latest to Miss Rachel. Miss Maudie bent over the azaleas. It was summertime, and two children scampered down the sidewalk toward a man approaching in the distance. The man waved, and the children raced each other to him. It was still summertime, and the children came closer. A boy trudged down the sidewalk dragging a fishingpole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yeard with their friend, enacting a strange little drama of their own invention. It was fall and his children fought ont he sidewalk in front of Mrs. Dubose's. The boy helped his sister to her feet and they made their way home. Fall, and his children trotted to and fro around the corner, the day's woe's and triymph's on their face. They stopped at an oak tree, delighted, puzzled apprehensive. Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter and a man walked into the street, dropped his glasses, and show a dog. Summer, and he watched his children's heart break. Autumn again, and Boo's children needed him.
Harper Lee (To Kill a Mockingbird)
I emphasize the distinction between brackets and no brackets because it will affect your reading experience, if you will allow it. Brackets are exciting. Even though you are approaching Sappho in translation, that is no reason you should miss the drama of trying to read a papyrus torn in half or riddled with holes or smaller than a postage stamp--brackets imply a free space of imaginal adventure.
Anne Carson (If Not, Winter: Fragments of Sappho)
Samhain is the threshold to the Season of Death. The fertile fields of summer give way to the bare forests of autumn. As crops slowly die and winter takes over, the cycle of life is once again approaching a renewal.
Dacha Avelin
In spring it is the dawn that is most beautiful. As the light creeps over the hills, their outlines are dyed a faint red and wisps of purplish cloud trail over them. In summer the nights. Not only when the moon shines, but on dark nights too, as the fireflies flit to and fro, and even when it rains, how beautiful it is! In autumn, the evenings, when the glittering sun sinks close to the edge of the hills and the crows fly back to their nests in threes and fours and twos; more charming still is a file of wild geese, like specks in the distant sky. When the sun has set, one's heart is moved by the sound of the wind and the hum of the insects. In winter the early mornings. It is beautiful indeed when snow has fallen during the night, but splendid too when the ground is white with frost; or even when there is no snow or frost, but it is simply very cold and the attendants hurry from room to room stirring up the fires and bringing charcoal, how well this fits the season's mood! But as noon approaches and the cold wears off, no one bothers to keep the braziers alight, and soon nothing remains but piles of white ashes.
Sei Shōnagon
Autumn came, and the leaves in the forest turned to orange and gold. Then, as winter approached, the wind caught them as they fell
Hans Christian Andersen (The Ugly Duckling)
Caught in the doldrums of August we may have regretted the departing summer, having sighed over the vanished strawberries and all that they signified. Now, however, we look forward almost eagerly to winter's approach. We forget the fogs, the slush, the sore throats an the price of coal, we think only of long evenings by lamplight, of the books which we are really going to read this time, of the bright shop windows and the keen edge of the early frosts.
Denis Mackail (Greenery Street)
Long Time. The famous seventeenth-century Ming painter Chou Yung relates a story that altered his behavior forever. Late one winter afternoon he set out to visit a town that lay across the river from his own town. He was bringing some important books and papers with him and had commissioned a young boy to help him carry them. As the ferry neared the other side of the river, Chou Yung asked the boatman if they would have time to get to the town before its gates closed, since it was a mile away and night was approaching. The boatman glanced at the boy, and at the bundle of loosely tied papers and books—“Yes,” he replied, “if you do not walk too fast.” As they started out, however, the sun was setting. Afraid of being locked out of the town at night, prey to local bandits, Chou and the boy walked faster and faster, finally breaking into a run. Suddenly the string around the papers broke and the documents scattered on the ground. It took them many minutes to put the packet together again, and by the time they had reached the city gates, it was too late. When you force the pace out of fear and impatience, you create a nest of problems that require fixing, and you end up taking much longer than if you had taken your time.
Robert Greene (The 48 Laws of Power)
Many people wish for a different universe than the one in which we live. They want one where every day is harvest time and there are no long laborious summer months to go through in order to get there. And when the harvest is ripe and they are thriving, they want no approaching winters where they see that the harvest is over and a cold death is looming.
Henry Cloud (Necessary Endings: The Employees, Businesses, and Relationships That All of Us Have to Give Up in Order to Move Forward)
The lucidity, the clarity of light that afternoon was sufficient to itself; perfect transparency must be impenetrable, these vertical bars of brass-coloured distillation of light coming down from sulphur-yellow interstices in a sky hunkered with grey clouds that bulge with more rain. It struck the wood with nicotine-stained fingers, the leaves glittered. A cold day of late October, when the withered blackberries dangled like their own dour spooks on the discoloured brambles. There were crisp husks of beechmast and cast acorn cups underfoot in the russet slime of the dead bracken where the rains of the equinox had so soaked the earth that the cold oozed up through the soles of the shoes, lancinating cold of the approaching winter that grips hold of your belly and squeezed it tight. Now the stark elders have an anorexic look; there is not much in the autumn wood to make you smile but it is not yet, not quite yet, the saddest time of the year. Only, there is a haunting sense of the imminent cessation of being; the year, in turning, turns in on itself. Introspective weather, a sickroom hush.
Angela Carter (Burning Your Boats: The Collected Short Stories)
And all the spaces of our past moments of solitude, the spaces in which we have suffered from solitude, enjoyed, desired, and compromised solitude, remain indelible within us and precisely because the human being wants them to remain so. He knows instinctively that this space identified with his solitude is creative; that even when it is forever expunged from the present, when, henceforth, it is alien to all the promises of the future, even when we no longer have a garret, when the attic room is lost and gone, there remains the fact that we once loved a garret, once lived in an attic. We return to them in our night dreams. These retreats have the value of a shell. And when we reach the very end of the labyrinths of sleep, when we attain to the regions of deep slumber, we may perhaps experience a type of repose that is pre-human; pre-human, in this case, approaching the immemorial. But in the daydream itself, the recollection of moments of confined, simple, shut-in space are experiences of heartwarming space, of a space that does not seek to become extended, but would like above all still to be possessed. In the past, the attic may have seemed too small, it may have seemed cold in winter and hot in summer. Now, however, in memory recaptured through daydreams, it is hard to say through what syncretism the attic is at once small and large, warm and cool, always comforting.
Gaston Bachelard (The Poetics of Space)
The answer to our prayer may be coming, although we may not discern its approach. A seed that is underground during winter, although hidden and seemingly dead and lost, is nevertheless taking root for a later spring and harvest.
Mrs. Charles E. Cowman (Streams in the Desert, KJV)
Whether we are speaking of a flower or an oak tree, of an earthworm or a beautiful bird, of an ape or a person, we will do well, I believe, to recognize that life is an active process, not a passive one. Whether the stimulus arises from within or without, whether the environment is favorable or unfavorable, the behaviors of an organism can be counted on to be in the direction of maintaining, enhancing, and reproducing itself. This is the very nature of the process we call life. This tendency is operative at all times. Indeed, only the presence or absence of this total directional process enables us to tell whether a given organism is alive or dead. The actualizing tendency can, of course, be thwarted or warped, but it cannot be destroyed without destroying the organism. I remember that in my boyhood, the bin in which we stored our winter's supply of potatoes was in the basement, several feet below a small window. The conditions were unfavorable, but the potatoes would begin to sprout—pale white sprouts, so unlike the healthy green shoots they sent up when planted in the soil in the spring. But these sad, spindly sprouts would grow 2 or 3 feet in length as they reached toward the distant light of the window. The sprouts were, in their bizarre, futile growth, a sort of desperate expression of the directional tendency I have been describing. They would never become plants, never mature, never fulfill their real potential. But under the most adverse circumstances, they were striving to become. Life would not give up, even if it could not flourish. In dealing with clients whose lives have been terribly warped, in working with men and women on the back wards of state hospitals, I often think of those potato sprouts. So unfavorable have been the conditions in which these people have developed that their lives often seem abnormal, twisted, scarcely human. Yet, the directional tendency in them can be trusted. The clue to understanding their behavior is that they are striving, in the only ways that they perceive as available to them, to move toward growth, toward becoming. To healthy persons, the results may seem bizarre and futile, but they are life's desperate attempt to become itself. This potent constructive tendency is an underlying basis of the person-centered approach.
Carl R. Rogers
When his hands were dry and chapped, he recalled the softness of her skin. When the world shivered at the approaching winter, he recalled the warmth of being beside her. When he felt the sneering judgment of the eyes around him, he recalled the invincibility she'd instilled in him with her belief.
Alexandra Bracken (Wayfarer (Passenger, #2))
I see no justice in that plan." "Who said," lashed out Isaac Penn, "that you, a man, can always perceive justice? Who said that justice is what you imagine? Can you be sure that you know it when you see it, that you will live long enough to recognize the decisive thunder of its occurrence, that it can be manifest within a generation, within ten generations, within the entire span of human existence? What you are talking about is common sense, not justice. Justice is higher and not as easy to understand -- until it presents itself in unmistakable splendor. The design of which I speak is far above our understanding. But we can sometimes feel its presence. "No choreographer, no architect, engineer, or painter could plan more thoroughly and subtly. Every action and every scene has its purpose. And the less power one has, the closer he is to the great waves that sweep through all things, patiently preparing them for the approach of a future signified not by simple human equity (a child could think of that), but by luminous and surprising connections that we have not imagined, by illustrations terrifying and benevolent -- a golden age that will show not what we wish, but some bare awkward truth upon which rests everything that ever was and everything that ever will be. There is justice in the world, Peter Lake, but it cannot be had without mystery.
Mark Helprin (Winter's Tale)
Today each of you is the object of the other's reading, each reads in the other the unwritten story. Tomorrow, Reader and Other Reader, if you are together, if you lie down in the same bed like a settled couple, each will turn on the lamp at the side of the bed and sink into his or her book; two parallel readings will accompany the approach of sleep; first you, then you will turn out the light; returning from separated universes, you will find each other fleetingly in the darkness, where all separations are erased, before divergent dreams draw you again, one to one side, and one to the other. But do not wax ironic on this prospect of conjugal harmony: what happier image of a couple could you set against it?
Italo Calvino (If on a Winter’s Night a Traveler)
Something about the time of year depressed him deeply. Overcast skies and cutting wind, leaves falling, dusk falling, dark too soon, night flying down before you are ready. It's a terror. It's a bareness of the soul. He hears the rustle of nuns. Here comes winter in the bone. We've set it loose on the land. There must be some song or poem, some folk magic we can use to ease this fear. Skelly Bone Pete. Here it is in the landscape and sky. We've set it loose. We've opened up the ground and here it is. He took Interstate 45 south. He didn't want them to kill Leon. He felt a saturating sense of death, a dread in the soft filling of his bones, the suckable part, approaching Galveston now.
Don DeLillo (Libra)
Dark nights are unpleasant," "Yes, for strangers to travel," "The clouds are heavy." "Yes, a storm is approaching.
Arthur Conan Doyle (The Valley of Fear)
Come on,” I said a third time, to the approaching darkness, to the figures that beckoned from within it, to the peace that comes at last to every dead thing.
John Connolly (The Wolf in Winter (Charlie Parker, #12))
If there is one central intellectual reality at the end of the twentieth century, it is that the biological approach to psychiatry--treating mental illness as a genetically influenced disorder of brain chemistry--has been a smashing success. Freud's ideas, which dominated the history of psychiatry for the past half century, are now vanishing like the last snows of winter.
Edward Shorter (A History of Psychiatry: From the Era of the Asylum to the Age of Prozac)
The leaves on the trees we approached were a molten gold, like an artist had taken a sunset and poured it over the forest, and the crisp smell of the coming winter floated on the autumn breeze. It was early afternoon, and the birds sang bright and loud in the treetops.
Ashley Poston (Among the Beasts & Briars)
Here on the deck of the Andrea in the outer reaches of the Atlantic, approaching a personal winter, I’m certain that the cold has healing powers that I don’t yet come close to understanding. After all, you apply ice to a joint after an awkward fall. Why not do the same to a life?
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
The rapid nightfall of mid-December had quite beset the little village as they approached it on soft feet over a first thin fall of powdery snow. Little was visible but squares of a dusky orange-red on either side of the street, where the firelight or lamplight of each cottage overflowed through the casements into the dark world without. Most of the low latticed windows were innocent of blinds, and to the lookers-in from outside, the inmates, gathered round the tea-table, absorbed in handiwork, or talking with laughter and gesture, had each that happy grace which is the last thing the skilled actor shall capture--the natural grace which goes with perfect unconsciousness of observation. Moving at will from one theatre to another, the two spectators, so far from home themselves, had something of wistfulness in their eyes as they watched a cat being stroked, a sleepy child picked up and huddled off to bed, or a tired man stretch and knock out his pipe on the end of a smouldering log.
Kenneth Grahame (The Wind in the Willows)
Sure, I saw enlisted men everyday, but once they donned their uniforms and committed their lives, they became a mirage. The minute you approached them, you knew they would disappear bit by bit until the only thing left was a memory.
Kathryn Miller Haines (The Winter of Her Discontent (Rosie Winter, #2))
You’re carrying on as if I am being chased by hordes of men, when that is obviously not the case. At Stony Cross Park, men went out of their way to avoid my company— and you were one of them!” The charge, though true, seemed to startle Sebastian. His face became taut, and he stared at her in stony silence. “You hardly made it easy for anyone to approach you,” he said after a moment. “A man’s vanity is more fragile than you might think. It’s easy for us to mistake shyness for coldness, and silence for indifference. You could have exerted yourself a bit, you know. One brief meeting between the two of us… one smile from you… was all the encouragement I would have needed to jump on you like a grouse on laurel.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Like a flight of swallows as winter approaches, Your soul flew away with no hope of return.
Valérie Perrin (Fresh Water for Flowers)
A Glimpse" A glimpse through an interstice caught, Of a crowd of workmen and drivers in a bar-room around the stove late of a winter night, and I unremark’d seated in a corner, Of a youth who loves me and whom I love, silently approaching and seating himself near, that he may hold me by the hand, A long while amid the noises of coming and going, of drinking and oath and smutty jest, There we two, content, happy in being together, speaking little, perhaps not a word.
Walt Whitman (Leaves of Grass)
People complain about cold weather during winter, about hot weather during summer and about rain in rainy season. People who are single are depressed that they are single, those who are married think that singles are having more fun, people with darker skin want to get fair skin, people with white skin want tanning and the list never ends. Sometimes I think what would happen to people’s life if you take their complaining habit out of their life? -Subodh Gupta author, "Stress Management a Holistic Approach-5 Steps Plan
Subodh Gupta (Stress Management A Holistic Approach)
I remember a time in a class on a cold winter morning a Japanese girl came with a surgical mask & I thought “wow people would go to extremes NOT to get sick in Japan” afterwards on a break I approached her & asked in a cynical manner: why the mask? Are you afraid of catching a cold? & then she said “in Japan you use it when YOU are under the weather & you don’t want other people to get sick, it is the polite thing to do” wow! that's a lesson I will never forget
Pablo
People play the lottery all the time unaware of how mind-bogglingly difficult it is to win. It seems like they take a different approach to probabilities. Their rationale must be, “Well, I can either win it or not win it, so my odds of winning are 50/50.
Orlando Winters (Stop Being a F***ing Idiot)
APPROACH Rain is falling. Winter approaches. I drive towards it. In the slow rain. In the semi-darkness. Cello music is playing in the car. The deep sad sound of the cello. It almost swamps me. Routine endeavours to swamp me. The everyday paying of bills. But I paint men walking in a city of icebergs and crystal. Some of the icebergs are red. I paint a woman swimming in green wavy water. Surrounded by desert mesas. Bright orange in the sunlight. With darker orange for shadows. I paint two people. With purple and pink and yellow and blue circles overlapping the boundaries of their bodies. Dancing. Life is not ordinary. When I see you tonight I will press my lips to your eyelids. Each one in turn. I will rub my fingertips over the skin on the back of your hands and around your wrists. I will sigh. I will growl. I will whinny. I will gallop into your smile. One sharp foot after the other.
Jay Woodman (SPAN)
In Sweden they have a very different approach. There, preschool children are encouraged to play and relax without any structured learning for the first six years of their lives. They go for nature walks every day, even in the bitter Scandinavian winter. They are not taught to read until they are seven years of age, yet by the age of ten, Swedish children consistently lead European literacy rankings.
Goldie Hawn (10 Mindful Minutes: Giving Our Children--and Ourselves--the Social and Emotional Skills to Reduce St ress and Anxiety for Healthier, Happy Lives)
What a happily proportioned wench you are.” “I don’t like that word.” “Wench? Forgive me…a force of habit. I always treat ladies like wenches, and wenches like ladies.” “And that approach is successful for you?” Evie asked skeptically. “Oh yes,” he replied with such cheerful arrogance that she couldn’t help smiling. “You’re a dr-dreadful man.” “True. But it’s a fact of life that dreadful people usually end up getting far better than they deserve.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I remember the sound of your laugh,” he said as the back door of the house came into view. “It pulled me like a magnet toward the beach, where I found the most beautiful girl in the world standing on the shore.” Rune’s footsteps slowed as they approached the door. His stopped altogether. “When I saw Alex at your side, I knew exactly who you were: Rune Winters. The girl Alex never shut up about. A girl who was entirely off-limits, because my little brother found her first.
Kristen Ciccarelli (Heartless Hunter (Crimson Moth, #1))
Janus found himself drawn to the edge of the rink, staring fixedly at Candace as she approached: grinning, puffing steam, her cheeks flushed, her brown hair peeking out from under a knitted cap, her hazel eyes sparkling green and gold in the bright winter sun. She wore a wool riding coat, brilliant red trimmed with black, which stood out amid the ice like a ruby on white gold. Janus thought she had never looked more beautiful than she did in that moment, with all her cares and duties laid aside for the pure joy of living. Janus wanted to freeze the moment in his memory and carry it forever: This is what happiness looks like. I never knew.
Chris Lester (A Lightbringer Carol (Metamor City, #7))
Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.
Roman Payne (Rooftop Soliloquy)
Dopamine-deficient depression is characterized by a low-energy, demotivated state and is also linked to addictions.
Nasha Winters (The Metabolic Approach to Cancer: Integrating Deep Nutrition, the Ketogenic Diet, and Nontoxic Bio-Individualized Therapies)
The good news is that low dopamine levels can be circumvented (as one example, the polyphenol in green tea helps increase dopamine levels).
Nasha Winters (The Metabolic Approach to Cancer: Integrating Deep Nutrition, the Ketogenic Diet, and Nontoxic Bio-Individualized Therapies)
which is why many people experience seasonal depressive disorder. Vitamin D regulates the conversion of tryptophan into serotonin.
Nasha Winters (The Metabolic Approach to Cancer: Integrating Deep Nutrition, the Ketogenic Diet, and Nontoxic Bio-Individualized Therapies)
It is confusing to hear on the news that “meat causes cancer.” But the reason this is often said is because the majority of the population is not eating real meat;
Nasha Winters (The Metabolic Approach to Cancer: Integrating Deep Nutrition, the Ketogenic Diet, and Nontoxic Bio-Individualized Therapies)
To be a soul of seasons is to burn and bloom, to freeze and melt away with the approaching footsteps of life...
Jayita Bhattacharjee
It was like approaching a rabid dog. All the caution in the world wouldn’t protect you if you stuck your hand in its mouth.
Pepper Winters (Take Me: Twelve Tales of Dark Possession)
The school year progressed slowly. I felt as if I had been in the sixth grade for years, yet it was only October. Halloween was approaching. Coming from Ireland, we had never thought of it as a big holiday, though Sarah and I usually went out trick-or treating. For the last couple of years I had been too sick to go out, but this year Halloween fell on a day when I felt quiet fine. My mother was the one who came up with the Eskimo idea. I put on a winter coat, made a fish out of paper, which I hung on the end of a stick, and wrapped my face up in a scarf. My hair was growing in, and I loved the way the top of the hood rubbed against it. By this time my hat had become part of me; I took it off only at home. Sometimes kids would make fun of me, run past me, knock my hat off, and call me Baldy. I hated this, but I assumed that one day my hair would grow in, and on that day the teasing would end. We walked around the neighborhood with our pillowcase sacks, running into other groups of kids and comparing notes: the house three doors down gave whole candy bars, while the house next to that gave only cheap mints. I felt wonderful. It was only as the night wore on and the moon came out and the older kids, the big kids, went on their rounds that I began to realize why I felt so good. No one could see me clearly. No one could see my face.
Lucy Grealy (Autobiography of a Face)
When iridescent summer nights fade into sullen autumn gray, as the world marches grimly towards the slow, cold death of winter, something changes. Dark spirits strengthen, emboldened by lengthening shadows and huddled masses. The sunshine of youth once kept these phantoms at bay, but the doors to my soul creak slowly open with the passing years, the seams of a skeptical mind loosen as the autumn of life approaches.
Evans Light (Dream of Halloween)
THE APPROACH OF Thanksgiving on November 29 sent Springfield into a panic—not over the nation-imperiling crisis plaguing its leading citizen, but the apparently more dismaying prospect of a local turkey shortage.
Harold Holzer (Lincoln President-Elect : Abraham Lincoln and the Great Secession Winter, 1860-1861)
Life was never quite the same for me after that winter walk to town. The charts that I brought home with me were potent and ensnaring and I feel it my duty to warn any others who may show signs of star susceptibility that they approach the observing of variable stars with the utmost caution. It is easy to become and addict and, as usual, the longer the indulgence is continued the more difficult it becomes to go back to a normal life.
Leslie C. Peltier (Starlight Nights: The Adventures of a Star-Gazer)
later learned that the aircraft carrying Lieutenant Thomas Meehan, 1st Sergeant William Evans, and most of the headquarters element, flew steadily onward, and then did a slow wingover to the right. The plane’s landing lights came on as it approached the ground. It appeared they were going to make it, but the aircraft hit a hedgerow and exploded, instantly killing everyone on board. If I survived the jump, I would be the company commander.
Dick Winters (Beyond Band of Brothers: The War Memoirs of Major Dick Winters)
When people are asleep, their spirits wander off; when they are awake, their bodies are like an open door, so that everything they touch becomes an entanglement. Day after day they use their minds to stir up trouble; they become boastful, sneaky, secretive. They are consumed with anxiety over trivial matters but remain arrogantly oblivious to the things truly worth fearing. Their words fly from their mouths like crossbow bolts, so sure are they that they know right from wrong. They cling to their positions as though they had sworn an oath, so sure are they of victory. Their gradual decline is like autumn fading into winter—this is how they dwindle day by day. They drown in what they do—you cannot make them turn back. They begin to suffocate, as though sealed up in a box—this is how they decline into senility. And as their minds approach death, nothing can cause them to turn back toward the light.
Edward Slingerland (Trying Not to Try: The Ancient Art of Effortlessness and the Surprising Power of Spontaneity)
Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
On the eleventh day, it finally stopped raining. Musashi chafed to be out in the open, but it was another week before they were able to return to work under a bright sun. The field they had so arduously carved out of the wilderness had disappeared without a trace; in its place were rocks, and a river where none had been before. The water seemed to mock them just as the villagers had. Iori, seeing no way to reclaim their loss, looked up and said, “This place is beyond hope. Let’s look for better land somewhere else.” “No,” Musashi said firmly. “With the water drained off, this would make excellent farmland. I examined the location from every angle before I chose it.” “What if we have another heavy rain?” “We’ll fix it so the water doesn’t come this way. We’ll lay a dam from here all the way to that hill over there.” ‘That’s an awful lot of work.” “You seem to forget that this is our dōjō. I’m not giving up a foot of this land until I see barley growing on it.” Musashi carried on his stubborn struggle throughout the winter, into the second month of the new year. It took several weeks of strenuous labor to dig ditches, drain the water off, pile dirt for a dike and then cover it with heavy rocks. Three weeks later everything was again washed away. “Look,” Iori said, “we’re wasting our energy on something impossible. Is that the Way of the Sword?” The question struck close to the bone, but Musashi would not give in. Only a month passed before the next disaster, a heavy snowfall followed by a quick thaw. Iori, on his return from trips to the temple for food, inevitably wore a long face, for the people there rode him mercilessly about Musashi’s failure. And finally Musashi himself began to lose heart. For two full days and on into a third, he sat silently brooding and staring at his field. Then it dawned on him suddenly. Unconsciously, he had been trying to create a neat, square field like those common in other parts of the Kanto Plain, but this was not what the terrain called for. Here, despite the general flatness, there were slight variations in the lay of the land and the quality of the soil that argued for an irregular shape. “What a fool I’ve been,” he exclaimed aloud. “I tried to make the water flow where I thought it should and force the dirt to stay where I thought it ought to be. But it didn’t work. How could it? Water’s water, dirt’s dirt. I can’t change their nature. What I’ve got to do is learn to be a servant to the water and a protector of the land.” In his own way, he had submitted to the attitude of the peasants. On that day he became nature’s manservant. He ceased trying to impose his will on nature and let nature lead the way, while at the same time seeking out possibilities beyond the grasp of other inhabitants of the plain. The snow came again, and another thaw; the muddy water oozed slowly over the plain. But Musashi had had time to work out his new approach, and his field remained intact. “The same rules must apply to governing people,” he said to himself. In his notebook, he wrote: “Do not attempt to oppose the way of the universe. But first make sure you know the way of the universe.
Eiji Yoshikawa (Musashi: An Epic Novel of the Samurai Era)
now or never. If Fletcher didn’t make this kill, he would go hungry tonight. Dusk was fast approaching and he was already running late. He needed to make his way back to the village soon, or the gates would close. If that happened, he would either have to bribe the guards with money he didn’t have or take his chances in the woods overnight. The young elk had just finished rubbing its antlers against a tall pine, scraping the soft velvet that coated them to leave the sharp tines beneath. From its small size and stature, Fletcher could tell it was a juvenile, sporting its first set of antlers. It was a fine specimen, with glossy fur and bright, intelligent eyes. Fletcher felt almost ashamed to hunt such a majestic creature, yet he was already adding up its value in his head. The thick coat would do well when the fur traders came by, especially as it was now winter. It would probably
Taran Matharu (The Novice (Summoner, #1))
In locations rainy and windy, snowy and icy, I noticed three general strategies for embracing the season. The first is to Appreciate Winter: look at winter for what it is, and let it be a time for slowing down. Adapt to the season, using your words and attention to lift up winters pleasures. The second is to Make It Special: lean into the activities and feelings that are unique to this time of year. Revel in coziness, enjoy delights made possible by winter's darkness, and create and savor rituals that imbue the season with meaning. The third is to Get Outside: layer up and enjoy the outdoors in all weather, experiment with winter bathing, and take advantage of the ways your town or city celebrates the season. Together, these three broad approaches help us find opportunities in winter, transforming it from a season of limitation to one full of possibility for meaning, connection, and fun.
Kari Leibowitz (How to Winter: Harness Your Mindset to Thrive on Cold, Dark, or Difficult Days)
Even until quite recently, many of the world’s inhabitants were not quite sure of what country they were citizens, or why it should matter. My mother, who was born a Jew in Poland, once told me a joke from her childhood: There was a small town located along the frontier between Russia and Poland; no one was ever quite sure to which it belonged. One day an official treaty was signed and not long after, surveyors arrived to draw a border. Some villagers approached them where they had set up their equipment on a nearby hill. “So where are we, Russia or Poland?” “According to our calculations, your village now begins exactly thirty-seven meters into Poland.” The villagers immediately began dancing for joy. “Why?” the surveyors asked. “What difference does it make?” “Don’t you know what this means?” they replied. “It means we’ll never have to endure another one of those terrible Russian winters!
David Graeber (Debt: The First 5,000 Years)
I turned to go home. Street lights winked down the street all the way to town. I had never seen our neighborhood from this angle. There were Miss Maudie’s, Miss Stephanie’s—there was our house, I could see the porch swing—Miss Rachel’s house was beyond us, plainly visible. I could even see Mrs. Dubose’s. I looked behind me. To the left of the brown door was a long shuttered window. I walked to it, stood in front of it, and turned around. In daylight, I thought, you could see to the postoffice corner. Daylight… in my mind, the night faded. It was daytime and the neighborhood was busy. Miss Stephanie Crawford crossed the street to tell the latest to Miss Rachel. Miss Maudie bent over her azaleas. It was summertime, and two children scampered down the sidewalk toward a man approaching in the distance. The man waved, and the children raced each other to him. It was still summertime, and the children came closer. A boy trudged down the sidewalk dragging a fishingpole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yard with their friend, enacting a strange little drama of their own invention. It was fall, and his children fought on the sidewalk in front of Mrs. Dubose’s. The boy helped his sister to her feet, and they made their way home. Fall, and his children trotted to and fro around the corner, the day’s woes and triumphs on their faces. They stopped at an oak tree, delighted, puzzled, apprehensive. Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter, and a man walked into the street, dropped his glasses, and shot a dog. Summer, and he watched his children’s heart break. Autumn again, and Boo’s children needed him. Atticus was right. One time he said you never really know a man until you stand in his shoes and walk around in them. Just standing on the Radley porch was enough.
Harper Lee (To Kill a Mockingbird: York Notes for GCSE (New Edition))
When summer and winter in autumn divide The sun will uncover a secret inside. Should winter from summer irrevocably part The whole of the book will fall quickly apart. Yet if the seasons join hands together The order of things will last forever. These are the words of Endymion spring. Bring only the insight the Inside brings. The child may see what the man does not A future time which time forgot: Books yet to be and books already written Within these pages lie dormant and hidden. Yet darkness seeks what light reveals A shadow grows: these truths conceal. These are my words, Endymion spring. Bring only the insight the Inside brings. The silence will end-the sum approaches Mark my word-the shadow encroaches. The present had passed-the past has gone The future will come-once Two become One. The sun must look the shadow in the eye Then forfeit the book lest one half die. The lesion of darkness cannot be healed Until, with Child's Blood, the whole is sealed. These are the words of Endymion spring. Bring only the insight the Inside brings.
Matthew Skelton (Endymion Spring)
AT THE SAME TIME Empire was dying, a new and very different kind of company town was thriving seventy miles to the south. In many ways, it felt like the opposite of Empire. Rather than offering middle-class stability, this village was populated by members of the “precariat”: temporary laborers doing short-term jobs in exchange for low wages. More specifically, its citizens were hundreds of itinerant workers living in RVs, trailers, vans, and even a few tents. Early each fall, they began filling the mobile home parks surrounding Fernley. Linda didn’t know it yet, but she would soon be joining them. Many were in their sixties and seventies, approaching or well into traditional retirement age. Most had traveled hundreds of miles—and undergone the routine indignities of criminal background checks and pee-in-a-cup drug tests—for the chance to earn $11.50 per hour plus overtime at temporary warehouse jobs. They planned to stay through early winter, despite the fact that most of their homes on wheels weren’t designed to support life in subzero temperatures. Their employer was Amazon.com.
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
Flares and small incendiary bombs began to fall as the car approached Kreuzberg. The neighborhood was a typical target for the RAF’s current strategy of killing as many civilian factory workers as possible. With staggering hypocrisy Churchill and Attlee were claiming they attacked only military targets, and civilian casualties were a regrettable side effect. Berliners knew better.
Ken Follett (Winter of the World (The Century Trilogy #2))
It was the Gypsy, the boy with the eyes of a hungry panther. He had removed his coat and waistcoat... and his necktie as well... so that his upper half was covered only in a thin white shirt that had been tucked loosely into the waist of his close-fitting trousers. The sight of him elicited the same reaction Daisy had felt upstairs- a swift sting in her chest followed by the rapid pumping of her heart. Paralyzed by the realization that she was alone in the room with him, Daisy watched with unblinking eyes as he approached her slowly. She had never seen any living being who had been fashioned with such dark exotic beauty... his skin the color of raw clover honey, the light hazel of his eyes framed with heavy black lashes, his thick obsidian hair tumbled over his forehead.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Daylight would have shown a wilderness weathered and blowzy, a wanton that had lived her summer too fast and too greedily. It would have shown the white birches pale and shivering in a sudden ague, and here and there an ash or a sumac burning red, like a hectic spot, where the first frosts already had set the marks of their galloping consumption on the cheek of the forest, giving warning of the time when the white plague of the winter would make a massacre of all this present glory and turn the trees to naked skeletons and stretch a bony bare cadaver on every steeper hillside to bleach there until the snows covered things up. But now the kindly nighttime had all signs and threats of approaching death, so that each shriveled speckled leaf, as revealed and traced in the waning light, seemed flawless — a perfect part of a perfect tapestry.
Irvin S. Cobb (On an Island that Cost Twenty-Four Dollars)
MOTHER. I do not believe that there is anything sweeter in the world than the ideas which awake in a mother’s heart at the sight of her child’s tiny shoe; especially if it is a shoe for festivals, for Sunday, for baptism, the shoe embroidered to the very sole, a shoe in which the infant has not yet taken a step. That shoe has so much grace and daintiness, it is so impossible for it to walk, that it seems to the mother as though she saw her child. She smiles upon it, she kisses it, she talks to it; she asks herself whether there can actually be a foot so tiny; and if the child be absent, the pretty shoe suffices to place the sweet and fragile creature before her eyes. She thinks she sees it, she does see it, complete, living, joyous, with its delicate hands, its round head, its pure lips, its serene eyes whose white is blue. If it is in winter, it is yonder, crawling on the carpet, it is laboriously climbing upon an ottoman, and the mother trembles lest it should approach the fire. If it is summer time, it crawls about the yard, in the garden, plucks up the grass between the paving-stones, gazes innocently at the big dogs, the big horses, without fear, plays with the shells, with the flowers, and makes the gardener grumble because he finds sand in the flower-beds and earth in the paths. Everything laughs, and shines and plays around it, like it, even the breath of air and the ray of sun which vie with each other in disporting among the silky ringlets of its hair. The shoe shows all this to the mother, and makes her heart melt as fire melts wax.
Victor Hugo (Notre-Dame de Paris: The Hunchback of Notre Dame)
The ground was hard, the air was still, my road was lonely; I walked fast till I got warm, and then I walked slowly to enjoy and analyse the species of pleasure brooding for me in the hour and situation. It was three o’clock; the church bell tolled as I passed under the belfry: the charm of the hour lay in its approaching dimness, in the low-gliding and pale-beaming sun. I was a mile from Thornfield, in a lane noted for wild roses in summer, for nuts and blackberries in autumn, and even now possessing a few coral treasures in hips and haws, but whose best winter delight lay in its utter solitude and leafless repose. If a breath of air stirred, it made no sound here; for there was not a holly, not an evergreen to rustle, and the stripped hawthorn and hazel bushes were as still as the white, worn stones which causewayed the middle of the path. Far and wide, on each side, there were only fields, where no cattle now browsed; and the little brown birds, which stirred occasionally in the hedge, looked like single russet leaves that had forgotten to drop.
Charlotte Brontë (Charlotte Brontë's Jane Eyre (Classic Collection))
As the cab headed down Massachusetts Avenue, she felt hot in her winter coat and like she couldn’t breathe, so she asked the driver if she could roll down the window. From the window, she could see the water tower of the New England Confectionery Company’s factory, which had recently been painted to resemble a roll of Necco wafers, those barely flavored, pastel-colored, vaguely religious-looking chalky disks. As they approached the factory, the air increasingly smelled of sugar, and the scent made Sadie nostalgic for a candy she had never even tasted.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Tomorrow, Reader and Other Reader, if you are together, if you lie down in the same bed like a settled couple, each will turn on the lamp at the side of the bed and sink into his or her book; two parallel readings will accompany the approach of sleep; first you, then you will turn out the light; returning from separated universes, you will find each other fleetingly in the darkness, where all separations are erased, before divergent dreams draw you again, one to one side, and one to the other. But do not wax ironic on this prospect of conjugal harmony: what happier image of a couple could you set against it?
Italo Calvino (If on a Winter's Night a Traveler)
She deigned to asked me how ice queens reproduce. I grinned, and her mother looked horrified. “We procreate by way of ice cubes, of course. We put them in our nests and let them incubate for the period of about four months, and when the temperature is right, we put them out to roost and let them flake off into billions of snowflakes, rather like tadpoles breaking in droves from their eggs. And that, child,” I said, with a simulacrum of glee, “is how winter is born.” “Does it hurt?” “No more than the approach of Monday does to most of the world. It is a natural process, you understand, but it is dreadful hard work.
Michelle Franklin
Then it all came together—every particle of discontent, nostalgia, and resistance in England—fusing in the North. The North: two words to describe a territory and a state of mind. England was conquered and civilized from the South upwards, and as one approached the borders of Scotland—first through Yorkshire and then Durham and finally Northumberland—everything dwindled. The great forests gave way first to stunted trees and then to open, windswept moors; the towns shrank to villages and then to hamlets; cultivated fields were replaced by empty, wild spaces. Here the Cistercian monasteries flourished, they who removed themselves from the centers of civilization and relied on manual labour as a route to holiness. The sheep became scrawnier and their wool thicker, and the men became lawless and more secretive, clannish. Winter lasted eight months and even the summers were grey and raw, leading Northumberland men to claim they had “two winters—a white one and a green one.” Since ancient times these peripheral lands had gone their own way, little connected to anything further south. A few great warrior families—the Percys, the Nevilles, the Stanleys—had claimed overlordship of these dreary, cruel wastes, and through them, the Crown had demanded obeisance. But
Margaret George (The Autobiography of Henry VIII: With Notes by His Fool, Will Somers)
Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?
Percy Bysshe Shelley (Ode to the West Wind and Other Poems)
Brightly and merrily swaying, like an April shower, came the young lady. Perhaps if she had been sad and conscience stricken, like certain dames of old who left the site of their illicit love as woe-begone as the passing moment that never returns; if the lady had approached in full cognizance of her frailty, ready to forego a man's respectful handkisses of greeting, and trembling in shame at the tryst exposed in broad daylight, like Risoulette, sixty-six times, whenever having misbehaved, she hastened back home teary-eyed to her Captain; or if a lifelong memory's untearable veil had floated over her fine features, like the otherworldly wimple of a nun . . . Then Pistoli would have stood aside, closed his eyes, swallowed the bitter pill, and come next winter, might have scrawled on the wall something about women's unpredictability. Then he would have glimpsed ghostly, skeletal pelvic bones reflected in his wine goblet, and strands of female hair, once wrapped around the executioner's wrist, hanging from his rafters; and would have heard wails and cackles emanating from the cellar's musty wine casks, but eventually Pistoli would have forgiven this fading memory, simply because women are related to the sea and the moon, and that is why at times they know not what they do.
Gyula Krúdy (Sunflower)
The story was a favorite of his mother’s, repeated every so often throughout childhood and adolescence. There’s a flock of swans on a lake in the deepening autumn. As the nights grow colder, they all fly away. Except one, for reasons Alkaitis can’t remember: a lone swan who doesn’t perceive the approaching danger or loves the lake too much to leave even though it’s clearly time to go or is afflicted by hubris—the swan’s motivations were hazy and, Alkaitis suspects, changeable, depending on what message his mother was trying to impart at any given moment—and then winter sets in and the swan is frozen in ice, because it didn’t get out of the water in time. —
Emily St. John Mandel (The Glass Hotel)
Entering the office, Evie found Sebastian and Cam on opposite sides of the desk. They both mulled over account ledgers, scratching out some entries with freshly inked pens, and making notations beside the long columns. Both men looked up as she crossed the threshold. Evie met Sebastian’s gaze only briefly; she found it hard to maintain her composure around him after the intimacy of the previous night. He paused in mid-sentence as he stared at her, seeming to forget what he had been saying to Cam. It seemed that neither of them was yet comfortable with feelings that were still too new and powerful. Murmuring good morning to them both, she bid them to remain seated, and she went to stand beside Sebastian’s chair. “Have you breakfasted yet, my lord?” she asked. Sebastian shook his head, a smile glinting in his eyes. “Not yet.” “I’ll go to the kitchen and see what is to be had.” “Stay a moment,” he urged. “We’re almost finished.” As the two men discussed a few last points of business, which pertained to a potential investment in a proposed shopping bazaar to be constructed on St. James Street, Sebastian picked up Evie’s hand, which was resting on the desk. Absently he drew the backs of her fingers against the edge of his jaw and his ear while contemplating the written proposal on the desk before him. Although Sebastian was not aware of what the casual familiarity of the gesture revealed, Evie felt her color rise as she met Cam’s gaze over her husband’s downbent head. The boy sent her a glance of mock reproof, like that of a nursemaid who had caught two children playing a kissing game, and he grinned as her blush heightened further. Oblivious to the byplay, Sebastian handed the proposal to Cam, who sobered instantly. “I don’t like the looks of this,” Sebastian commented. “It’s doubtful there will be enough business in the area to sustain an entire bazaar, especially at those rents. I suspect within a year it will turn into a white elephant.” “White elephant?” Evie asked. A new voice came from the doorway, belonging to Lord Westcliff. “A white elephant is a rare animal,” the earl replied, smiling, “that is not only expensive but difficult to maintain. Historically, when an ancient king wished to ruin someone he would gift him with a white elephant.” Stepping into the office, Westcliff bowed over Evie’s hand and spoke to Sebastian. “Your assessment of the proposed bazaar is correct, in my opinion. I was approached with the same investment opportunity not long ago, and I rejected it on the same grounds.” “No doubt we’ll both be proven wrong,” Sebastian said wryly. “One should never try to predict anything regarding women and their shopping.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I say this—after six million years of evolution, is there anything else more in tune with the planet than the human body? We grow muscles to withstand fourteen pounds of air pressure per square inch at sea level. We develop senses to detect changes in wind patterns and know when a storm is approaching. We can hear threatening footsteps approaching and feel the stares of an angry ex-girlfriend as her eyes burn a hole in our back. We have millions of nerve endings in our skin to feel our environment. In short, we evolve. We become more in tune with the world, like birds that use the Earth’s magnetic field to help guide them on their long migration or mammals that can feel winter coming and prepare for hibernation. So when my body tells me there’s a spirit present, I trust it.
Zak Bagans (Dark World: Into the Shadows with the Lead Investigator of the Ghost Adventures Crew)
By October of 1958, most roads leading to the Oriente Province had become impassable. Bridges were cut and dropped by the rebels, making travel to the eastern part of Cuba extremely difficult. The elections in November were seen as an obvious sham and everyone knew that the only way to survive was to keep quiet and wait for changes to take place. Most of Batista’s supporters were still in denial and carried out their atrocities with abandon. Tension among the people in Havana had grown and as Christmas approached, it became obvious that this year things would be different. People that had been harassed, or worse, were in no mood to celebrate the holidays. With the country engaged in a civil war that affected everyone, Christmas was not celebrated in the usual manner during the winter of 1958.
Hank Bracker
Philosophy is one of those subjects, like astrophysics and neurosurgery, that are not for the fainthearted. To delve into the absolutes of the human experience, to seek to advance the progress of enlightenment first expounded by the likes of the revered Aristotle and Plato, to search for the answers to the profound questions of the universe, often at the risk of deadly reprisal from entrenched powers, requires not only brilliance and tenacity but a deep sense of purpose. But even among this select fraternity, [René] Descartes stands out. From him did we get practical discoveries like coordinates in geometry and the law of refraction of light. But what he really did was to shake loose the human mind from the shackles of centuries of stultifying religious orthodoxy by creating an entirely original approach to reasoning: the Cartesian method.
Nancy Goldstone (Daughters of the Winter Queen: Four Remarkable Sisters, the Crown of Bohemia, and the Enduring Legacy of Mary, Queen of Scots)
Winter was come indeed bringing with it those pleasures of which the summer dreamer knows nothing—the delight when the fine and glittering day shows in the window, though one knows how cold it is outside; the delight of getting as close as possible to the blazing range which in the shadowy kitchen throws reflections very different from the pale gleams of sunlight in the yard, the range we cannot take with us on our walk, busy with its own activity, growling and grumbling as it sets to work, for in three hours time luncheon must be ready; the delight of filling one's bowl with steaming café-au-lait—for it is only eight o'clock—and swallowing it in boiling gulps while servants at their tasks come in and out with a, 'Good morning: up early, aren't you?' and a kindly, 'It's snug enough in here, but cold outside,' accompanying the words with that smile which is to be seen only on the faces of those who for the moment are thinking of others and not of themselves, whose expressions, entirely freed from egotism, take on a quality of vacillating goodness, a smile which completes that earlier smile of the bright golden sky touching the window-panes, and crowns our every pleasure as we stand there with the lovely heat of the range at our backs, the hot and limpid flavour of the café-au-lait in our mouths; the delight of night-time when, having had to get up to go shiveringly to the icy lavatory in the tower, into which the air creeps through the ill-fitting window, we later return deliciously to our room, feeling a smile of happiness distend our lips, finding it hard not to jump for sheer joy at the thought of the big bed already warm with our warmth, of the still burning fire, the hot-water bottle, the coverlets and blankets which have imparted their heat to the bed into which we are about to slip, walled in, embattled, hiding ourselves to the chin as against enemies thundering at the gates, who will not (and the thought brings gaiety) get the better of us, since they do not even know where we have so snugly gone to earth, laughing at the wind which is roaring outside, climbing up all the chimneys to every floor of the great house, conducting a search on each landing, trying all the locks: the delight of rolling ourselves in the blankets when we feel its icy breath approaching, sliding a little farther down the bed, gripping the hot-water bottle between our feet, working it up too high, and when we push it down again feeling the place where it has been still hot, pulling up the bedclothes to our faces, rolling ourselves into a ball, turning over, thinking—'How good life is!' too gay even to feel melancholy at the thought of the triviality of all this pleasure.
Marcel Proust (Jean Santeuil)
Something staticky and paranormally ventilated about the air, which drifted through a half-open window, late one afternoon, caused a delicately waking Paul, clutching a pillow and drooling a little, to believe he was a small child in Florida, in a medium-size house, on or near winter break. He felt dimly excited, anticipating a hyperactive movement of his body into a standing position, then was mostly unconscious for a vague amount of time until becoming aware of what seemed to be a baffling non sequitur—and, briefly, in its mysterious approach from some eerie distance, like someone else’s consciousness—before resolving plainly as a memory, of having already left Florida, at some point, to attend New York University. After a deadpan pause, during which the new information was accepted by default as recent, he casually believed it was autumn and he was in college, and as he felt that period’s particular gloominess he sensed a concurrent assembling, at a specific distance inside himself, of dozens of once-intimate images, people, places, situations. With a sensation of easily and entirely abandoning a prior context, of having no memory, he focused, as an intrigued observer, on this assembling and was surprised by an urge, which he immediately knew he hadn’t felt in months, or maybe years, to physically involve himself—by going outside and living each day patiently—in the ongoing, concrete occurrence of what he was passively, slowly remembering. But the emotion dispersed to a kind of nothingness—and its associated memories, like organs in a lifeless body, became rapidly indiscernible, dissembling by the metaphysical equivalent, if there was one, of entropy—as he realized, with some confusion and an oddly instinctual reluctance, blinking and discerning his new room, which after two months could still seem unfamiliar, that he was somewhere else, as a different person, in a much later year.
Tao Lin (Taipei)
He concluded the speech with an irritated motion of his hands. Unfortunately, Evie had been conditioned by too many encounters with Uncle Peregrine to discern between angry gestures and the beginnings of a physical attack. She flinched instinctively, her own arms flying up to shield her head. When the expected pain of a blow did not come, she let out a breath and tentatively lowered her arms to find Sebastian staring at her with blank astonishment. Then his face went dark. “Evie,” he said, his voice containing a bladelike ferocity that frightened her. “Did you think I was about to…Christ. Someone hit you. Someone hit you in the past—who the hell was it?” He reached for her suddenly—too suddenly—and she stumbled backward, coming up hard against the wall. Sebastian went very still. “Goddamn,” he whispered. Appearing to struggle with some powerful emotion, he stared at her intently. After a long moment, he spoke softly. “I would never strike a woman. I would never harm you. You know that, don’t you?” Transfixed by the light, glittering eyes that held hers with such intensity, Evie couldn’t move or make a sound. She started as he approached her slowly. “It’s all right,” he murmured. “Let me come to you. It’s all right. Easy.” One of his arms slid around her, while he used his free hand to smooth her hair, and then she was breathing, sighing, as relief flowed through her. Sebastian brought her closer against him, his mouth brushing her temple. “Who was it?” he asked. “M-my uncle,” she managed to say. The motion of his hand on her back paused as he heard her stammer. “Maybrick?” he asked patiently. “No, th-the other one.” “Stubbins.” “Yes.” Evie closed her eyes in pleasure as his other arm slid around her. Clasped against Sebastian’s hard chest, with her cheek tucked against his shoulder, she inhaled the scent of clean male skin, and the subtle touch of sandalwood cologne. “How often?” she heard him ask. “More than once?” “I…i-it’s not important now.” “How often, Evie?” Realizing that he was going to persist until she answered, Evie muttered, “Not t-terribly often, but…sometimes when I displeased him, or Aunt Fl-Florence, he would lose his temper. The l-last time I tr-tried to run away, he blackened my eye and spl-split my lip.” “Did he?” Sebastian was silent for a long moment, and then he spoke with chilling softness. “I’m going to tear him limb from limb.” “I don’t want that,” Evie said earnestly. “I-I just want to be safe from him. From all of them.” Sebastian drew his head back to look down into her flushed face. “You are safe,” he said in a low voice. He lifted one of his hands to her face, caressing the plane of her cheekbone, letting his fingertip follow the trail of pale golden freckles across the bridge of her nose. As her lashes fluttered downward, he stroked the slender arcs of her brows, and cradled the side of her face in his palm. “Evie,” he murmured. “I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard…but I wouldn’t hurt you that way. You must believe that.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
You make me afraid,” she murmured one morning when he came back to sit beside her on the bed. “The thought plagues me that I will see you slain and, like your mother, will have to flee to find a haven for our babe.” “By the grace of God, madam, I will prove wiser than my enemy.” He lay back across the bed, resting his head in her lap while he reached up a hand to caress softly her smooth, flat belly through the light fabric of her nightgown. “I have a fancy to see our offspring and plant other seeds where this one grows, so you needn’t fret that I’ll be foolhardy, my love.” Erienne ran her fingers through his hair. “I hope the hour quickly approaches when you may give up the mask and guise. I want to tell the world and all the women in it that you’re mine.” She shrugged lightly. “ ’Twould not overburden me to tell my father of our marriage, either.” Christopher chuckled. “He’ll croak.” Erienne giggled and leaned over him. “Aye, that he will. Louder than any wily toad that e’er’s been born. He’ll stamp and snort and claim injustice, but with your babe growing in me, I doubt that anyone will lend an ear to the question of annulment.” Her eyes gleamed with twinkling humor. “Besides, what suitor would look twice at me when I’ve grown fat with child?” Christopher raised up on an elbow and leered at her. “Madam, if you think your father or any suitor could get past me to try to separate us, then let me assure you that the highwaymen have not yet seen such a wrath that I would display should that happen.” His brow raised in question. “Do you doubt what I say?” Erienne gave a flirtatious shrug, then rolled to the edge of the bed and bounced to her feet with light, lilting laughter floating behind her. Before she could catch up her robe, however, Christopher swung around the end of the bed and caught her close against him, slipping his arms around her waist and holding her tightly to him. Their lips met in a long, slow kiss of love, and after he drew away it was a full moment or more before Erienne opened her eyes to find the grayish-green ones smiling into hers, and her arms tightly clasped about his neck. “I believe you,” she breathed unsteadily. -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
Seeing that I would never manage to fall asleep, I arose, lit a candle, and after dressing went outside. Beneath the dull glow of the winter moon the snow glowed like pale blue china. The sidewalks sparkled weakly beneath the rays of the flickering street lamps; the benumbed streets slumbered forlornly. I walked, passing one corner after the other, and suddenly found myself on the edge of town. Further, beyond the square, an endless expanse began to glisten with a somber silverness. I stopped just before the gates. My intent gaze could distinguish nothing in the distant white expanse. Before me rose the imposing bank of the Volga like a gigantic snowdrift. So barren and uninviting was this deserted view resembling eternity that my heart contracted. I turned to the right and approached quite close to the monastery enclosure. From behind the bronze gates, glimmered a dense net of crosses and gravestones. The ancient eyes of the church gazed forbiddingly down on me, and with an eerie feeling I thought of the monks sleeping at this moment in tomb-like cells together with corpses. Were any of them thinking of the hour of death on this night? ("Lamia")
Boris Sadovskoy (Silver Age of Russian Culture (An Anthology))
Daylight...In my mind, the night faded. It was daytime and the neighborhood was busy. Miss Stephenie Crawford crossed the street to tell the latest to Miss Rachel. Miss Maudie bent over the azaleas. It was summertime, and two children scampered down the sidewalk toward a man approaching in the distance. The man waved, and the children raced each other to him. It was still summertime, and the children came closer. A boy trudged down the sidewalk dragging a fishingpole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yeard with their friend, enacting a strange little drama of their own invention. It was fall and his children fought ont he sidewalk in front of Mrs. Dubose's. The boy helped his sister to her feet and they made their way home. Fall, and his children trotted to and fro around the corner, the day's woe's and triymph's on their face. They stopped at an oak tree, delighted, puzzled apprehensive. Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter and a man walked into the street, dropped his glasses, and show a dog. Summer, and he watched his children's heart break. Autumn again, and Boo's children needed him.
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People had always been told that the house at Skuytercliff was an Italian villa. Those who had never been to Italy believed it; so did some who had. The house had been built by Mr. van der Luyden in his youth, on his return from the "grand tour," and in anticipation of his approaching marriage with Miss Louisa Dagonet. It was a large square wooden structure, with tongued and grooved walls painted pale green and white, a Corinthian portico, and fluted pilasters between the windows. From the high ground on which it stood a series of terraces bordered by balustrades and urns descended in the steel–engraving style to a small irregular lake with an asphalt edge overhung by rare weeping conifers. To the right and left, the famous weedless lawns studded with "specimen" trees (each of a different variety) rolled away to long ranges of grass crested with elaborate cast–iron ornaments; and below, in a hollow, lay the four–roomed stone house which the first Patroon had built on the land granted him in 1612. Against the uniform sheet of snow and the greyish winter sky the Italian villa loomed up rather grimly; even in summer it kept its distance, and the boldest coleus bed had never ventured nearer than thirty feet from its awful front.
Edith Wharton (The Age of Innocence)
Auric Colors and Their Meanings. Ÿ Black: represents hatred, malice, revenge, and similar feelings. Ÿ Gray: of a bright shade, represents selfishness. Ÿ Gray: of a peculiar shade (almost that of a corpse) , represents fear and terror. Ÿ Gray: of a dark shade, represents depression and melancholy. Ÿ Green: of a dirty shade, represents jealousy. If much anger is mingled with the jealousy, it will appear as red flashes on the green background. Ÿ Green: of almost a slate color shade, represents low deceit. Ÿ Green: of a peculiar bright shade, represents tolerance to the opinions and beliefs of others, easy adjustment to changing conditions, adaptability, tact, politeness, worldly wisdom, etc., and qualities which some might possibly consider "refined deceit." Ÿ Red: of a shade resembling the dull flame when it bursts out of a burning building, mingled with the smoke, represents sensuality and the animal passions. Ÿ Red: seen in the shape of bright red flashes resembling the lightning flash in shape, indicates anger. These are usually shown on a black background in the case of anger arising from hatred or malice, but in cases of anger arising from jealousy they appear on a greenish background. Anger arising from indignation or defense of a supposed "right," lacks these backgrounds, and usually shows as red flashes independent of a background. Ÿ Blue: of a dark shade, represents religious thought, emotion, and feeling. This color, however, varies in clearness according to the degree of unselfishness manifest in the religious conception. The shades and degrees of clearness vary from a dull indigo to Ÿ Crimson: represents love, varying in shade according to the character of the passion. A gross sensual love will be a dull and heavy crimson, while one mixed with higher feelings will appear in lighter and more pleasing shades. A very high form of love shows a color almost approaching a beautiful rose color. Ÿ Brown: of a reddish tinge, represents avarice and greed. Ÿ Orange: of a bright shade, represents pride and ambition. Ÿ Yellow: in its various shades, represents intellectual power. If the intellect contents itself with things of a low order, the shade is a dark, dull yellow; and as the field of the intellect rises to higher levels, the color grows brighter and clearer, a beautiful golden yellow betokening great intellectual attainment, broad and brilliant reasoning, etc. a beautiful rich violet, the latter representing the highest religious feeling. § Light Blue: of a peculiarly clear and luminous shade, represents spirituality. Some of the higher degrees of spirituality observed in ordinary mankind show themselves in this shade of blue filled with luminous bright points, sparkling and twinkling like stars on a clear winter night.
William Walker Atkinson (Fourteen Lessons in Yogi Philosophy and Oriental Occultism)
Through the buzzing in her ears, she heard new sounds from outside, shouting and cursing. All of a sudden the carriage door was wrenched open and someone vaulted inside. Evie squirmed to see who it was. Her remaining breath was expelled in a faint sob as she saw a familiar glitter of dark golden hair. It was Sebastian as she had never seen him before, no longer detached and self-possessed, but in the grip of bone-shaking rage. His eyes were pale and reptilian as his murderous gaze fastened on Eustace, whose breath began to rattle nervously behind the pudgy ladder of his chin. “Give her to me,” Sebastian said, his voice hoarse with fury. “Now, you pile of gutter sludge, or I’ll rip your throat out.” Seeming to realize that Sebastian was eager to carry out the threat, Eustace released his chokehold on Evie. She scrambled toward Sebastian and took in desperate pulls of air. He caught her with a low murmur, his hold gentle but secure. “Easy, love. You’re safe now.” She felt the tremors of rage that ran in continuous thrills through his body. Sebastian sent a lethal glance to Eustace, who was trying to gather his jellylike mass into the far end of the seat. “The next time I see you,” Sebastian said viciously, “no matter what the circumstances, I’m going to kill you. No law, nor weapon, nor God Himself will be able to stop it from happening. So if you value your life, don’t let your path cross mine again.” Leaving Eustace in a quivering heap of speechless fear, Sebastian hauled Evie from the vehicle. She clung to him, still trying to regain her breath as she glanced apprehensively around the scene. It appeared that Cam had been alerted to the fracas, and was keeping her two uncles at bay. Brook was on the ground, while Peregrine was staggering backward from some kind of assault, his beefy countenance turning ruddy from enraged surprise. Swaying as her feet touched the ground, Evie turned her face into her husband’s shoulder. Sebastian was literally steaming, the chilly air striking off his flushed skin and turning his breath into puffs of white. He subjected her to a brief but thorough inspection, his hands running lightly over her, his gaze searching her pale face. His voice was astonishingly tender. “Are you hurt, Evie? Look up at me, love. Yes. Sweetheart… did they do you any injury?” “N-no.” Evie stared at him dazedly. “My uncle Peregrine,” she whispered, “he’s very p-powerful—” “I’ll handle him,” he assured her, and called out to Cam. “Rohan! Come fetch her.” The young man obeyed instantly, approaching Evie with long, fluid strides. He spoke to her with a few foreign-sounding words, his voice soothing her overwrought nerves. She hesitated before going with him, casting a worried glance at Sebastian. “It’s all right,” he said without looking at her, his icy gaze locked on Peregrine’s bullish form. “Go.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Christopher observed the passage of the coach from his sight and then turned his gaze to the pair of men who approached them. It was Farrell and Captain Daniels, and while the latter was smiling broadly, the former frowned in sharp disapproval at the couple. Christopher thrust out a hand in greeting to his captain, then looked to his wife’s brother. “Farrell, I don’t think we’ve been properly introduced.” Christopher smiled as he extended his hand. “I am Lord Saxton.” The young man’s eyes widened, and he searched the softly smiling visage of his sister as he mechanically accepted the hand. “Lord Saxton? The Lord Saxton?” “Aye, I am the one who wore the mask and walked with a limp,” Christopher confessed. “ ’Twas done partly to fool the thieves into believing the man they had murdered was still alive, and then too, I desired to wed your sister and found no other way. I hope you will value the friendship we began when you knew me as the cripple.” Farrell tried to grasp all the facts and put them together in their proper places. “You are really married to my sister, and you are the father of her…” Erienne blushed as she glanced hesitantly toward the sea captain, who seemed to be enjoying the whole exchange. His smile broadened as her husband gave a reply. “You needn’t sharpen your skill with firearms to avenge your sister’s honor,” Christopher replied. The teasing gleam in his eyes shone brighter. “ ’Twas quite properly made, I assure you.” -Christopher & Farrell
Kathleen E. Woodiwiss (A Rose in Winter)
Death The first of the Modoc Indians, Kumokums, built a village on the banks of a river. Although it left the bears plenty of room to curl up and sleep, the deer complained that it was very cold and there wasn’t enough grass. Kumokums built another village far from there and decided to spend half of every year in each. For this he divided the year into two parts, six moons of summer and six of winter, and the remaining moon was dedicated to moving. Life between the two villages was as happy as could be, and births multiplied amazingly; but people who died refused to get out, and the population got so big that there was no way to feed it. Then Kumokums decided to throw out the dead people. He knew that the chief of the land of the dead was a great man and didn’t mistreat anybody. Soon afterward Kumokums’s small daughter died. She died and left the country of the Modocs, as her father had ordered. In despair, Kumokums consulted the porcupine. “You made the decision,” said the porcupine, “and now you must take the consequences like anyone else.” But Kumokums journeyed to the far-off land of the dead and claimed his daughter. “Now your daughter is my daughter,” said the big skeleton in charge there. “She has no flesh or blood. What can she do in your country?” “I want her anyway,” said Kumokums. The chief of the land of the dead thought for a long time. “Take her,” he yielded, and warned, “Shell walk behind you. On approaching the country of the living, flesh will return to cover her bones. But you may not turn around till you arrive. Understand? I give you this chance.” Kumokums set out. The daughter walked behind him. Several times he touched her hand, which was more fleshy and warm each time, and still he didn’t look back. But when the green woods appeared on the horizon he couldn’t stand the strain and turned his head. A handful of bones crumbled before his eyes. (132)
Eduardo Galeano (Genesis (Memory of Fire Book 1))
Hm? These cherry tomatoes... they've been dried. Right, Tadokoro?" "Y-yes, sir! Back home, winter can be really long. In the summer we harvest a lot of vegetables and preserve them so we can have them in winter too. Mostly by sun drying them. When I was little, I'd help with that part. That's when my Ma -um, I mean, my mother- taught me how to dry them in the oven. You cut the cherry tomatoes in half, sprinkle them with rock salt and then slowly dry them at a low temperature, around 245* F. I, um... thought they'd make a nice accent for the terrine..." "Right. Tomatoes are rich in the amino acid glutamate essential in umami. Drying them concentrates the glutamate, greatly increasing the amount of sweetness the tongue senses. In Shinomiya's case... ... his nine-vegetable terrine focused on fresh vegetables, with their bright and lively flavors. But this recette accentuates the savory deliciousness of vegetables preserved over time. Both dishes are vegetable terrines... ... but one centers on the delicacy of the fresh... ... while the other on the savory goodness of the ripe and aged. They are two completely different approaches to the same ingredient- vegetables!" "Mmm! This is the flavor that warms the soul. You can feel my darling Megumi's kindness in every bite." "For certain. If Shinomiya is the "Vegetable Magician"... ... I would say Megumi is... a modest spirit who gifts you with the bounty of nature. a Vegetable Colobuckle!" *A tiny spirit from Ainu folklore said to live under butterbur leaves* "No, that's not what she is! Megumi is a spirit who brings happiness and tastiness... a Vegetable Warashi!" *Childlike spirits from Japanese folklore said to bring good fortune* "Or perhaps she is that spirit which delivers the bounty of vegetables from the snowy north... a Vegetable Yukinoko!" *Small snow sprites* "It's not winter, so you can't call her a snow sprite!" "How come all of you are picking spirits from Japanese folklore anyway?
Yūto Tsukuda (食戟のソーマ 4 [Shokugeki no Souma 4] (Food Wars: Shokugeki no Soma, #4))
Was that not the effect behind my daily reading of the paper? In their businesses and politics, their taverns, movies, assaults, divorces, murders, I tried continually to find clear signs of their common humanity. It was undeniably to, my interest to do this. Because I was involved with them; because, whether I liked it or not, they were my generation, my society, my world. We were figures in the same plot, eternally fixed together. I was aware, also, that their existence, just as it was, made mine possible. And if, as was often said, this part of the century was approaching the nether curve in a cycle, then I, too, would remain on the bottom and there, extinct, merely add my body, my life, to the base of a coming time. This would probably be a condemned age. But... it might be a mistake to think of it in that way. Mists faded and spread and faded on the pane as I breathed. Perhaps a mistake. And when I thought of the condemned ages and those unnamed, lying in their obscurity, I wondered. How did we know how it was? In all principal ways the human spirit must have been the same. Good apparently left fewer traces. And we were coming to know that we had misjudged whole epochs. Besides, the giants of the last century had their Liverpools and Londons, their Lilles and Hamburgs to contend against, as we have our Chicagos and Detroits. And there might be a chance that I was misled, even with these ruins before my eyes, sodden, themselves the color of the fateful paper that I read daily. I have spoken of an "invariable question." But the fact is that it had for many months been not in the least invariable. These were things I would have thought last winter, and now, in their troubled density, they served only to remind me of the sort of person I had been. For a long time "common humanity" and "bring myself to concede" had been completely absent from my mind. And all at once I saw how I had lapsed from that older self to whom they had been so natural.
Saul Bellow (Dangling Man)
Cam let go of Evie and approached Sebastian as the room emptied. “You fight like a gentleman, my lord,” he commented. Sebastian gave him a sardonic glance. “Why doesn’t that sound like a compliment?” Sliding his hands into his pockets, Cam observed mildly, “You do well enough against a pair of drunken sots—” “There were three to start with,” Sebastian growled. “Three drunken sots, then. But the next time you may not be so fortunate.” “The next time? If you think I’m going to make a habit of this—” “Jenner did,” Cam countered softly. “Egan did. Nearly every night there is some to-do in the alley, the stable yard, or the card rooms, after the guests have had hours of stimulation from gaming, spirits, and women. We all take turns dealing with it. And unless you care to get the stuffing knocked out of you on a weekly basis, you’ll need to learn a few tricks to put down a fight quickly. It causes less damage to you and the patrons, and keeps the police away.” “If you’re referring to the kind of tactics used in rookery brawls, and quarrels over back-alley bobtails—” “You’re not going for a half hour of light exercise at the pugilistic club,” Cam said acidly. Sebastian opened his mouth to argue, but as he saw Evie drawing closer something changed in his face. It was a response to the anxiety that she couldn’t manage to hide. For some reason her concern gently undermined his hostility, and softened him. Looking from one to the other, Cam observed the subtle interplay with astute interest. “Have you been hurt?” Evie asked, looking over him closely. To her relief, Sebastian appeared disheveled and riled, but free of significant damage. He shook his head, holding still as she reached up to push back a few damp amber locks that were nearly hanging in his eyes. “I’m fine,” he muttered. “Compared to the drubbing I received from Westcliff, this was nothing.” Cam interrupted firmly. “There are more drubbings in store, milord, if you won’t take a few pointers on how to fight.” Without waiting for Sebastian’s assent, he went to the doorway and called, “Dawson! Come back here for a minute. No, not for work. We need you to come take a few swings at St. Vincent.” He glanced back at Sebastian and remarked innocently, “Well, that got him. He’s hurrying over here.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
That I haven’t told you the parable of the man, the boy, and the mule.” Cettie nodded eagerly. He stared down at the book, thumbing through its pages. “I heard this one when I first went away to study the Mysteries. It was shared with all of us, but I don’t think all of us heard it the same way. That’s the thing about stories. They can touch on truths that some people just are not ready to hear. The tale goes like this. Long before the first flying castles and sky ships and cauldrons of molten steel—before the Fells—life was simpler. A man and his son needed to sell their mule to buy food to last the winter. So they started walking to get to the market, which was very far. They met a fellow traveler along the way who criticized them for not riding the mule. So the man, realizing that his beast of burden wasn’t being used for its purpose, put his son on it to ride. But when they arrived at the first village on their path, some men in the square scoffed and said how inconsiderate the son was for making his father walk. They stopped and watered the beast, and so the father ordered the boy to walk while he rode. Again, they reached the next village, and what did they hear? Some washerwomen complained that the father must be evil to force his son to walk while he rode. Ashamed by their words, the father decided to change yet again. Do you know what he did?” Cettie shook her head no, eager for him to continue. Fitzroy wagged his finger at her. “So they both rode the mule into the next town. By this time, the mule was getting very tired, and when they reached the next village, they were ridiculed for being lazy and working the poor beast half to death! The market was in the very next town, and they feared they’d not be able to sell the poor creature, now it was so spent. And so the father and son cut down a sapling, lashed the mule to the pole, and carried it to the next town. You can imagine what the townsfolk thought as they saw the father and son laboring and exhausted as they approached the town. Who were these country bumpkins who carried a mule on their own shoulders? As they crossed the bridge into town, suffering the jeers and taunts of passersby, one of the ropes broke loose, and the mule kicked free. The boy dropped his end of the pole, and the beast fell into the river and drowned.” “No!” Cettie said, mouth wide open. Fitzroy nodded sagely. “A man with a crooked staff had been following them into town. As
Jeff Wheeler (Storm Glass (Harbinger, #1))
Christopher’s attention was brought back abruptly to the little wild thing he had caught. In a frenzied effort to gain her release, she clawed his face with raking nails and sought to tear the hair from his head with grasping fists. He was hard pressed to defend himself until he caught the flailing arms firmly in his grasp and pressed them down, using his greater weight to subdue the Lady Saxton. Erienne was trapped, held firmly in the middle of the dusty road. Her outraged struggles had loosened her hair and disarranged her clothes to the point that her modesty was savaged. Her coat had come open in the scuffle, and their shirts were twisted awry, leaving her bosom bare against a hard chest. The meager pair of breeches made her increasingly aware of the growing pressure against her loins. She was pinned almost face to face with her captor, and even though the visage was shadowed, she could hardly miss the fact of his identity or the half-leering grin that taunted her. “Christopher! You beast! Let me go!” Angrily she struggled but could not influence him with her prowess. His teeth gleamed in the dark as his grin widened. “Nay, madam. Not until you vow to control your passion. I fear before too long I would be somewhat frayed by your zealous attention.” “I shall turn that statement back to you, sir!” she retorted. He responded with an exaggerated sigh of disappointment. “I was rather enjoying the moment.” “So I noticed!” she quipped before she thought, then bit her lip, hoping he might mistake her meaning. He didn’t. He was most aware of the effect her meagerly clad body had on him, and he replied with laughter in his voice. “Though you may choose to fault my passions, madam, they’re quite honestly aroused.” “Aye!” she agreed jeeringly. “By every twitching skirt that saunters by!” “I swear, ’tis not a skirt that attracts me now.” Holding her wrists clasped in one hand, he moved his hand down along her flank and replied in a thoughtful tone, “ ’Tis more like a pair of boy’s breeches. What? Has my ambush yielded me a stable boy?” Erienne’s indignation found new fuel that he could so casually fondle her, as if he had a perfect right. “Get off, you… you… ass!” It was the most damaging insult she could think of at the moment. “Get off me!” “An ass, you say?” he mocked. “Madam, may I point out that asses are to be ridden, and at the moment you are bearing my weight. Now, I know women are made to bear— usually their husbands or the seed they plant— but I would not suggest that you have the shape or looks even approaching an ass.” She ground her teeth in growing impatience at his wont to turn the simplest comment into an exercise of his wit. She could not bear the bold feel of him against her another moment. “Will you get off me?!” “Certainly, my sweet.” He complied as if her every wish was his command. Lifting her to her feet, he solicitously dusted her backside. -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
Evie shook her head in confusion, staring from her husband’s wrathful countenance to Gully’s carefully blank one. “I don’t understand—” “Call it a rite of passage,” Sebastian snapped, and left her with long strides that quickly broke into a run. Picking up her skirts, Evie hurried after him. Rite of passage? What did he mean? And why wasn’t Cam willing to do something about the brawl? Unable to match Sebastian’s reckless pace, she trailed behind, taking care not to trip over her skirts as she descended the flight of stairs. The noise grew louder as she approached a small crowd that had congregated around the coffee room, shouts and exclamations renting the air. She saw Sebastian strip off his coat and thrust it at someone, and then he was shouldering his way into the melee. In a small clearing, three milling figures swung their fists and clumsily attempted to push and shove one another while the onlookers roared with excitement. Sebastian strategically attacked the man who seemed the most unsteady on his feet, spinning him around, jabbing and hooking with a few deft blows until the dazed fellow tottered forward and collapsed to the carpeted floor. The remaining pair turned in tandem and rushed at Sebastian, one of them attempting to pin his arms while the other came at him with churning fists. Evie let out a cry of alarm, which somehow reached Sebastian’s ears through the thunder of the crowd. Distracted, he glanced in her direction, and he was instantly seized in a mauling clinch, with his neck caught in the vise of his opponent’s arm while his head was battered with heavy blows. “No,” Evie gasped, and started forward, only to be hauled back by a steely arm that clamped around her waist. “Wait,” came a familiar voice in her ear. “Give him a chance.” “Cam!” She twisted around wildly, her panicked gaze finding his exotic but familiar face with its elevated cheekbones and thick-lashed golden eyes. “They’ll hurt him,” she said, clutching at the lapels of his coat. “Go help him— Cam, you have to—” “He’s already broken free,” Cam observed mildly, turning her around with inexorable hands. “Watch— he’s not doing badly.” One of Sebastian’s opponents let loose with a mighty swing of his arm. Sebastian ducked and came back with a swift jab. “Cam, why the d-devil aren’t you doing anything to help him?” “I can’t.” “Yes, you can! You’re used to fighting, far more than he—” “He has to,” Cam said, his voice quiet and firm in her ear. “He’ll have no authority here otherwise. The men who work at the club have a notion of leadership that requires action as well as words. St. Vincent can’t ask them to do anything that he wouldn’t be willing to do himself. And he knows that. Otherwise he wouldn’t be doing this right now.” Evie covered her eyes as one opponent endeavored to close in on her husband from behind while the other engaged him with a flurry of blows. “They’ll be loyal to him only if he is w-willing to use his fists in a pointless display of brute force?” “Basically, yes.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
He concluded the speech with an irritated motion of his hands. Unfortunately, Evie had been conditioned by too many encounters with Uncle Peregrine to discern between angry gestures and the beginnings of a physical attack. She flinched instinctively, her own arms flying up to shield her head. When the expected pain of a blow did not come, she let out a breath and tentatively lowered her arms to find Sebastian staring at her with blank astonishment. Then his face went dark. "Evie," he said, his voice containing a bladelike ferocity that frightened her. "Did you think I was about to... Christ. Someone hit you. Someone hit you in the past---who the hell was it?" He reached for her suddenly---too suddenly---and she stumbled backward, coming up hard against the wall. Sebastian went very still. "Goddamn," he whispered. Appearing to struggle with some powerful emotion, he stared at her intently. After a long moment, he spoke softly. "I would never strike a woman. I would never harm you. You know that, don't you?" Transfixed by the light, glittering eyes that held hers with such intensity, Evie couldn't move or make a sound. She started as he approached her slowly. "It's all right," he murmured. "Let me come to you. It's all right. Easy." One of his arms slid around her, while he used his free hand to smooth her hair, and then she was breathing, sighing, as relief flowed through her. Sebastian brought her closer against him, his mouth brushing her temple. "Who was it?" he asked. "M-my uncle," she managed to say. The motion of his hand on her back paused as he heard her stammer. "Maybrick?" he asked patiently. "No, th-the other one." "Stubbins." "Yes." Evie closed her eyes in pleasure as his other arm slid around her. Clasped against Sebastian's hard chest, with her cheek tucked against his shoulder, she inhaled the scent of clean male skin, and the subtle touch of sandalwood cologne. "How often?" she heard him ask. "More than once?" "I... i-it's not important now." "How often, Evie?" Realizing that he was going to persist until she answered, Evie muttered, "Not t-terribly often, but... sometimes when I displeased him, or Aunt Fl-Florence, he would lose his temper. The l-last time I tr-tried to run away, he blackened my eye and spl-split my lip." "Did he?" Sebastian was silent for a long moment, and then he spoke with chilling softness. "I'm going to tear him limb from limb." "I don't want that," Evie said earnestly. "I-I just want to be safe from him. From all of them." Sebastian drew his head back to look down into her flushed face. "You are safe," he said in a low voice. He lifted one of his hands to her face, caressing the plane of her cheekbone, letting his fingertip follow the trail of pale golden freckles across the bridge of her nose. As her lashes fluttered downward, he stroked the slender arcs of her brows, and cradled the side of her face with his palm. "Evie," he murmured. "I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard... but I wouldn't hurt you that way. You must believe that." The delicate nerves of her skin drank in sensations thirstily... his touch, the erotic waft of his breath against her lips. Evie was afraid to open her eyes, or to do anything that might interrupt the moment. "Yes," she managed to whisper. "Yes... I---" There was the sweet shock of a probing kiss against her lips... another... She opened to him with a slight gasp. His mouth was hot silk and tender fire, invading her with gently questing pressure. His fingertips traced over her face, tenderly adjusting the angle between them.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
It was December in the cold state of Michigan. Twinkling lights and Christmas carolers lined the busy sidewalks. The bare trees shivered in the wind, already anxious for Spring's arrival. Grey clouds filled the sky, promising the season's first snowfall. As the end of the year approached, Hadley held a bittersweet feeling in her heart. This year had brought the best and the worst of things, things that altered her life forever.
Brandi Little (One Step Forward)
The excellent book The Body Keeps the Score by physician Bessel van der Kolk delves deeply into trauma concepts and how to heal from them.
Nasha Winters (The Metabolic Approach to Cancer: Integrating Deep Nutrition, the Ketogenic Diet, and Nontoxic Bio-Individualized Therapies)
When the feelings of fear and anxiety overwhelm us, it depletes our kidney both energetically and physiologically, and may result in symptoms such as lower back pain, anxiety, intense thirst, hypersensitivity, coldness, poor memory, impotence, prematurely graying hair, and frequent urination.
Nasha Winters (The Metabolic Approach to Cancer: Integrating Deep Nutrition, the Ketogenic Diet, and Nontoxic Bio-Individualized Therapies)
Perhaps next time you have an altercation, stop, breathe, and take a shot of apple cider vinegar or—Dr. Nasha’s favorite post-workout or sauna—a glug of raw fermented pickle juice.
Nasha Winters (The Metabolic Approach to Cancer: Integrating Deep Nutrition, the Ketogenic Diet, and Nontoxic Bio-Individualized Therapies)
For psychological imbalances, CBD-dominant remedies can offer the most benefit for anxiety, depression, and insomnia.
Nasha Winters (The Metabolic Approach to Cancer: Integrating Deep Nutrition, the Ketogenic Diet, and Nontoxic Bio-Individualized Therapies)
Coconut aminos are another great source of quality sodium, as are bone broths. They offer an array of minerals that will stabilize the electrolytes and restore kidney balance without the toxicity of a chip.
Nasha Winters (The Metabolic Approach to Cancer: Integrating Deep Nutrition, the Ketogenic Diet, and Nontoxic Bio-Individualized Therapies)
Sour flavors can be obtained in things like apple cider vinegar, ume plum vinegar, lemon, and fermented pickles.
Nasha Winters (The Metabolic Approach to Cancer: Integrating Deep Nutrition, the Ketogenic Diet, and Nontoxic Bio-Individualized Therapies)