Approach A Girl Quotes

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In spite of everything I still believe that people are really good at heart. I simply can’t build up my hopes on a foundation consisting of confusion, misery, and death. I see the world gradually being turned into a wilderness, I hear the ever approaching thunder, which will destroy us too, I can feel the sufferings of millions and yet, if I look up into the heavens, I think that it will all come right, that this cruelty too will end, and that peace and tranquility will return again.
Anne Frank (The Diary of a Young Girl)
Lake breathed out a happy sigh as she approached the row filled with guns. "Matilda was my first, but ladies, you know how to make a girl want to stray.
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
You can approach the act of writing with nervousness, excitement, hopefulness, or even despair--the sense that you can never completely put on the page what's in your mind and heart. You can come to the act with your fists clenched and your eyes narrowed, ready to kick ass and take down names. You can come to it because you want a girl to marry you or because you want to change the world. Come to it any way but lightly. Let me say it again: you must not come lightly to the blank page.
Stephen King
When we refer to 'the biblical approach to economics' or the biblical response to politics' or 'biblical womanhood,' we're using the Bible as a weapon disguised as an adjective.
Rachel Held Evans (Evolving in Monkey Town: How a Girl Who Knew All the Answers Learned to Ask the Questions)
I see the world gradually being turned into a wilderness. I hear the ever-approaching thunder, which will destroy us too. I can feel the sufferings of millions and yet, if I look up into the heavens, I think that it will all come right.
Anne Frank (The Diary of a Young Girl)
Everything that originates from God will endure the test of time. Therefore, it is good to check out the origins of everything to make sure they were started by God.
Eric Ludy (When God Writes Your Love Story: The Ultimate Approach to Guy/Girl Relationships)
Women could probably be trained quite easily to see men first as sexual things. If girls never experienced sexual violence; if a girl's only window on male sexuality were a stream of easily available, well-lit, cheap images of boys slightly older than herself, in their late teens, smiling encouragingly and revealing cuddly erect penises the color of roses or mocha, she might well look at, masturbate to, and, as an adult, "need" beauty pornography based on the bodies of men. And if those initiating penises were represented to the girl as pneumatically erectible, swerving neither left nor right, tasting of cinnamon or forest berries, innocent of random hairs, and ever ready; if they were presented alongside their measurements, length, and circumference to the quarter inch; if they seemed to be available to her with no troublesome personality attached; if her sweet pleasure seemed to be the only reason for them to exist--then a real young man would probably approach the young woman's bed with, to say the least, a failing heart.
Naomi Wolf (The Beauty Myth)
and she was so simply his love, his girl, watching him approach as if she were memorizing him and his walk and those flowers and this moment, and he wanted to ask her what sound a heart made when it broke from pleasure, when just the sight of someone filled you the way food, blood, and air never could...
Dennis Lehane (Shutter Island)
A tall, thin boy with choppy black hair stood next to her. He eyed Isobel as she approached, sizing her up, grinning like he found something funny. She glared at him in return, ready for him to say just one thing about her cheer uniform, because she knew he must have pulled the black jeans he wore straight from the girls' rack at Target.
Kelly Creagh (Nevermore (Nevermore, #1))
Humility is measured by how quickly you can admit that you are wrong.
Eric Ludy (When God Writes Your Love Story: The Ultimate Approach to Guy/Girl Relationships)
The fact of the matter is that young men lack skill and experience and are very likely to approach a girl as though she were a sack of wheat. It is the old man—suave, debonair, maturely charming—who knows exactly what to do and how to do it, and is therefore better at it.
Isaac Asimov (The Sensuous Dirty Old Man)
This isn’t a bargain, it’s a deal.” “I’m not in the business of striking deals with girls in cages.” I twist my lips into a cruel smile. “Then by all means, let me out.” Elian laughs, pulls a pistol out, and shakes his head once again. “You know,” he says, approaching the cell, “I think I might like you. Thing is” – he taps his gun against my prison – “there’s a difference between liking someone and trusting them.” “I wouldn’t know. I’ve never done either.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
The gospel is not outward rituals and sacrifices, it is a living sacrifice. It is to have the laws of God written in our heart. It is to have a soft, listening, responding heart to God.
Leslie Ludy (When God Writes Your Love Story: The Ultimate Approach to Guy/Girl Relationships)
Most people never realize that loneliness is a gift from God. Not only can it draw us closer to Jesus, it can teach us to cherish a long-awaited marriage relationship all the more.
Eric Ludy (When God Writes Your Love Story: The Ultimate Approach to Guy/Girl Relationships)
Do you know how intimidating it is to approach a girl when she’s reading a book? That’s like trying to pet a cat’s belly. It might work out great, but more than likely you’ll get claws to the face for assuming they wanted anything to do with you.
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
The protagonist, Amanda, discusses her sex relationship with her husband, John Paul -- As long as it's done with honesty and grace, John Paul doesn't mind if I go to bed with other men. Or with other girls, as is sometimes my fancy. What has marriage got to do with it? Marriage is not a synonym for monogamy any more than monogamy is a synonym for ideal love. To live lightly on the earth, lovers and families must be more flexible and relaxed. The ritual of sex releases its magic inside or outside the marital bond. I approach that ritual with as much humility as possible and perform it whenever it seems appropriate. As for John Paul and me, a strange spurt of semen is not going to wash our love away.
Tom Robbins (Another Roadside Attraction)
Bring the luggage in, Thomas,” Lucian ordered with a frown as he approached the front. “What about the girl?” Thomas asked with irritation. “That’s what I meant.” Lucian stepped through the open front doors of the house.
Lynsay Sands (Bite Me If You Can (Argeneau, #6))
Sisters share a bond that no one can explain. They understand each other in a way not even girl friends can approach. Secrets, heartbreaks, codes, history, delights, and sheer happiness can be shared in a simple glance between sisters. Many have attempted to decipher the language between sisters, and many have failed. sisters everywhere understand the importance of the bond and respect the relationship in other sisters. There is nothing more prized to a women than the secrets she shares with her sisters.
Juli Caldwell (Beyond Perfection)
Despite my dad's assurances I was strangely nervous my stomach tight ever since we'd hung up. Maybe Deb had picked up on this and it was why she'd pretty much talked nonstop since I'd approached her and asked for a ride. I'd barely had time to explain the situation before she had launched into a dozen stories to illustrate the point that Things Happened But People Were Okay in the End.
Sarah Dessen (What Happened to Goodbye)
Has that ever happened to you? Have you ever stepped into a place and just known you were meant to be there?" Kind of." She glances over her shoulder at me, waiting. I pick my path toward her, unfolding the wool blanket as I approach. From behind, I wrap the blanket and my arms around her slender body, pulling her into my chest. "One night, I got out of my car to help this girl with a flat tire. I didn't know it right then, though. But I was meant to meet her.
K.A. Tucker (Burying Water (Burying Water, #1))
As the carriage rolled under the Institute’s gates, James saw his parents standing in the courtyard. “And where have you been?” Will demanded as James clambered out of the carriage. The others leaped down behind him, the girls, being in gear, needing no help to dismount. “You stole our carriage.” James wished he could tell his father the truth, but that would be breaking their sworn promise to Ragnor. “It’s only the second-best carriage,” James protested. “Remember when Papa stole Uncle Gabriel’s carriage? It’s a proud family tradition,” said Lucie, as the group of them approached the Institute steps. “I did not raise you to be horse thieves and scallywags,” said Will. “And I recall very clearly that I told you—” “Thank you for letting them borrow the carriage to come and get me,” said Cordelia. Her eyes were wide, and she looked entirely innocent. James felt an amused stab of surprise: she was an interestingly skilful liar. “I had very much wanted to come to the Institute and see what I could do to help.” Will softened immediately. “Of course. You are always welcome here, Cordelia.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
It's really a wonder that I haven't dropped all my ideals, because they seem so absurd and impossible to carry out. Yet I keep them, because inspite of everything I still believe that people are really good at heart. I simply can't build up my hopes on a foundation consisting of confusion, misery, and death. I see the world gradually being turned into a wilderness, I hear the ever approaching thunder, which will distroy us too, I can feel the sufferings of millions and yet, if i look up into the heavans, I think that it will all come right, that this cruelty too will end, and that peace and tranquility will return again. In the mean time, I must uphold my ideals, for perhaps the day will come when I shall be able to carry them out." ~Anne Frank
Anne Frank (The Diary of a Young Girl)
Now, I can tell you about some women writers who truly are fantastic. One is Anna Kavan. She writes stories like I approach "Land of a Thousand Dances": she's caught in a haze and then a light, a little teeny light, come through. It could be a leopard, that light, or it could be a spot of blood. It could be anything. But she hooks onto that and spirals out. And she does it within the accessible rhythms of plot, and that's really exciting. She's not hung up with being a woman, she just keeps extending herself, keeps telescoping language and plot. Another great woman writer is Iris Sarazan, who wrote The Runaway. She considered herself a mare, a wild runaway. She was a really intelligent girl stuck in all these convents with a hungry mind. I identify with her 'cause of her hunger to go beyond herself. She wound up in prison, but she escaped and wrote some great books before kicking off. Her books aren't page after page of her beating her breast about how shitty she's been treated, they're books about her exciting telescoping plans of escape. Rhythm, great wild rhythm.... The French poet, Rimbaud, predicted that the next great crop of writers would be women. He was the first guy who ever made a big women's liberation statement, saying that when women release themselves from the long servitude of men they're really gonna gush. New rhythms, new poetries, new horrors, new beauties. And I believe in that completely. (1976 Penthouse interview)
Patti Smith
Advising Mrs. Harris was the least I could do," David said smoothly. "After all, she was the one who brought me and my late wife together." That was stretching it a bit, since all Charlotte had done was give Sarah lessons in how to avoid fortune hunters, thus ensuring that the recalcitrant girl went right out and married the first one who approached her.
Sabrina Jeffries (Wed Him Before You Bed Him (School For Heiresses #6))
Age shame is also a problem primarily for women. As women approach and go through menopause, naturally gaining weight as fat-to-muscle ratios shift, they exhibit many of the same anxieties and symptoms that teenage girls do. The process of growing older makes women's 'flaws' more visible and acute, thus, aging, a natural process, becomes frightening, disorienting, and difficult for many women.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
It was no place for a Kabra, not even a poor one living in exile with a psychopathic cat. He approached the counter and rand the bell with authority. The clerk turned around. Evan Tolliver. "You're Amy's cousin!" "Yes, I am," Ian confirmed. "I have here a list of items–" "Have you heard from her?" Evan interrupted. "Is she okay?" "Her health is excellent." "No, I mean–" Ian sighed. "Why should you care? She promises to phone you, and she doesn't. You were nearly arrested, thanks to her. There's a message in there somewhere, don't you agree?" Evan nodded sadly. "I kind of think so, too. But we were awesome together. She's smart, fun to be with, and not immature like most of the girls in our school. It's as if she has an automatic switch for when it's time to be serious–she can almost be old beyond her years at times. Where do you learn something like that?" "I have no earthly idea," Ian lied.
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
Footsteps approach the kitchen. Garrett wanders in, wiping sweat off his brow. When he notices Sabrina, he brightens. “Oh good. You’re here. Hold on—gotta grab something.” She turns to me as if to say, Is he talking to me? He’s already gone, though, his footsteps thumping up the stairs. At the table, Hannah runs a hand through her hair and gives me a pleading look. “Just remember he’s your best friend, okay?” That doesn’t sound ominous. When Garrett returns, he’s holding a notepad and a ballpoint pen, which he sets on the table as he sits across from Sabrina. “Tuck,” he says. “Sit. This is important.” I’m so baffled right now. Hannah’s resigned expression doesn’t help in lessening the confusion. Once I’m seated next to Sabrina, Garrett flips open the notepad, all business. “Okay. So let’s go over the names.” Sabrina raises an eyebrow at me. I shrug, because I legitimately don’t know what the fuck he’s talking about. “I’ve put together a solid list. I really think you’re going to like these.” But when he glances down at the page, his face falls. “Ah crap. We can’t use any of the boy names.” “Wait.” Sabrina holds up a hand, her brow furrowed. “You’re picking names for our baby?” He nods, busy flipping the page. My baby mama gapes at me. I shrug again. “Just out of curiosity, what were the boy names?” Grace hedges, clearly fighting a smile. He cheers up again. “Well, the top contender was Garrett.” I snicker loud enough to rattle Sabrina’s water glass. “Uh-huh,” I say, playing along. “And what was the runner-up?” “Graham.” Hannah sighs. “But it’s okay. I have some kickass girl names too.” He taps his pen on the pad, meets our eyes, and utters two syllables. “Gigi.” My jaw drops. “Are you kidding me? I’m not naming my daughter Gigi.” Sabrina is mystified. “Why Gigi?” she asks slowly. Hannah sighs again. The name suddenly clicks in my head. Oh for fuck’s sake. “G.G.,” I mutter to Sabrina. “As in Garrett Graham.” She’s silent for a beat. Then she bursts out laughing, triggering giggles from Grace and eventually Hannah, who keeps shaking her head at her boyfriend. “What?” Garrett says defensively. “The godfather should have a say in the name. It’s in the rule book.” “What rule book?” Hannah bursts out. “You make up the rules as you go along!” “So?
Elle Kennedy (The Goal (Off-Campus, #4))
Just as the universal family of gifted writers transcends national barriers, so is the gifted reader a universal figure, not subject to spatial or temporal laws. It is he—the good, the excellent reader—who has saved the artists again and again from being destroyed by emperors, dictators, priests, puritans, philistines, political moralists, policemen, postmasters, and prigs. Let me define this admirable reader. He does not belong to any specific nation or class. No director of conscience and no book club can manage his soul. His approach to a work of fiction is not governed by those juvenile emotions that make the mediocre reader identify himself with this or that character and “skip descriptions.” The good, the admirable reader identifies himself not with the boy or the girl in the book, but with the mind that conceived and composed that book. The admirable reader does not seek information about Russia in a Russian novel, for he knows that the Russia of Tolstoy or Chekhov is not the average Russia of history but a specific world imagined and created by individual genius. The admirable reader is not concerned with general ideas; he is interested in the particular vision. He likes the novel not because it helps him to get along with the group (to use a diabolical progressive-school cliche); he likes the novel because he imbibes and understands every detail of the text, enjoys what the author meant to be injoyed, beams inwardly and all over, is thrilled by the magic imageries of the master-forger, the fancy-forger, the conjuror, the artist. Indeed of all the characters that a great artist creates, his readers are the best. (“Russian Writers, Censors, and Readers”)
Vladimir Nabokov (Lectures on Russian Literature)
I lived in London; I did not approach strangers
Lindsey Kelk (What a Girl Wants (A Girl, #2))
Williamson Starr doesn't use slang - if a rapper would say it, she doesn't say it, even if her white friends do. Slang makes them cool. Slang makes her "hood". Williamson Starr holds her tongue when people piss her off so nobody will think she's the "angry black girl". Williamson Starr is approachable. No stank-eyes, none of that. Williamson Starr is no confrontational. Basically, Williamson Starr doesn't give anyone a reason to call her ghetto. I can't stand myself for doing it, but I do it anyway.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
Now, even if he and Dr B made their decision, D didn't know if he had the rigour to feed the cyanide to the ill, or to watch someone else do it and maintain a professional disposition. It was absurdley like the argument in one's youth, about whether you should approach a girl you were infatuated with. And when you'd decide, it still counted for nothing. The act still had to be faced.
Thomas Keneally (Schindler's List)
Happy the writer who, passing by characters that are boring, disgusting, shocking in their mournful reality, approaches characters that manifest the lofty dignity of man, who from the great pool of daily whirling images has chosen only the rare exceptions, who has never once betrayed the exalted turning of his lyre, nor descended from his height to his poor, insignificant brethren, and, without touching the ground, has given the whole of himself to his elevated images so far removed from it. Twice enviable is his beautiful lot: he is among them as in his own family; and meanwhile his fame spreads loud and far. With entrancing smoke he has clouded people's eyes; he has flattered them wondrously, concealing what is mournful in life, showing them a beautiful man. Everything rushes after him, applauding, and flies off following his triumphal chariot. Great world poet they name him, soaring high above all other geniuses in the world, as the eagle soars above the other high fliers. At the mere mention of his name, young ardent hearts are filled with trembling, responsive tears shine in all eyes...No one equals him in power--he is God! But such is not the lot, and other is the destiny of the writer who has dared to call forth all that is before our eyes every moment and which our indifferent eyes do not see--all the stupendous mire of trivia in which our life in entangled, the whole depth of cold, fragmented, everyday characters that swarm over our often bitter and boring earthly path, and with the firm strength of his implacable chisel dares to present them roundly and vividly before the eyes of all people! It is not for him to win people's applause, not for him to behold the grateful tears and unanimous rapture of the souls he has stirred; no sixteen-year-old girl will come flying to meet him with her head in a whirl and heroic enthusiasm; it is not for him to forget himself in the sweet enchantment of sounds he himself has evoked; it is not for him, finally, to escape contemporary judgment, hypocritically callous contemporary judgment, which will call insignificant and mean the creations he has fostered, will allot him a contemptible corner in the ranks of writers who insult mankind, will ascribe to him the quality of the heroes he has portrayed, will deny him heart, and soul, and the divine flame of talent. For contemporary judgment does not recognize that equally wondrous are the glasses that observe the sun and those that look at the movement of inconspicuous insect; for contemporary judgment does not recognize that much depth of soul is needed to light up the picture drawn from contemptible life and elevate it into a pearl of creation; for contemporary judgment does not recognize that lofty ecstatic laughter is worthy to stand beside the lofty lyrical impulse, and that a whole abyss separates it from the antics of the street-fair clown! This contemporary judgment does not recognize; and will turn it all into a reproach and abuse of the unrecognized writer; with no sharing, no response, no sympathy, like a familyless wayfarer, he will be left alone in the middle of the road. Grim is his path, and bitterly he will feel his solitude.
Nikolai Gogol (Dead Souls)
I stalked over to Echo, feeling like a tiger after its prey. She backed up against the wall, but i kept up my approach. I pressed against her, feeling each sensual curve. I wanted to touch every inch of her body. Her sweet smell intoxicated me. Her eyes kept their laughter, but her smile faded as she bit her lower lip. Damn, did she have any idea what she was doing? For a girl hell-bent on keeping me away, she sure did everything to turn me on.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Boys’ aggressiveness is increasingly being treated as a medical problem, particularly in schools, a trend that has led to the diagnosing and medicating of boys whose problem may really be that they have been traumatized and influenced by exposure to violence and abuse at home. Treating these boys as though they have a chemical problem not only overlooks the distress they are in but also reinforces their belief that they are “out of control” or “sick,” rather than helping them to recognize that they are making bad choices based on destructive values. I have sometimes heard adults telling girls that they should be flattered by boys’ invasive or aggressive behavior “because it means they really like you,” an approach that prepares both boys and girls to confuse love with abuse and socializes girls to feel helpless.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
Some guys have the belief that girls don’t want to be approached, but it shouldn’t be up to her what you decide to do. If you like her, go up to her and make an attempt. What she thinks really doesn’t matter.
Roosh V. (Bang: The Most Infamous Pickup Book In The World)
The diversity of voices, issues, approaches, and processes required to make feminism work as an inclusive social movement is precisely the kind of knotty, unruly insurrection that just can't be smoothed into a neat brand.
Andi Zeisler (We Were Feminists Once: From Riot Grrrl to CoverGirl®, the Buying and Selling of a Political Movement)
And times there are when you feel very wise and ageless. You are sunning on the rocks, the water splashing at your feet, when a small chubby freckle faced girl of about ten approaches you, her hand holding something that is invisible, but evidently quite precious. 'Do you know,' she asks earnestly, 'do starfish like hot or cold water best?
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Cleanliness is next to godliness, whatever that means. But the trouble with that sort of approach to life is that it never ends. Yes, you can take time to pick the weeds from the pavement outside and scrub your skirting board and make sure there’s no dust collecting in any evil corners but you had to keep on doing it. If I had to do it all this week and then again next week and then the week after that, why not just leave it till next month? Or preferably next year?
Helen Harper (Spirit Witch (The Lazy Girl's Guide To Magic, #3))
The first symptom of love in a young man is timidity; in a girl it is boldness. The two sexes have a tendency to approach and each assumes the quality of the other.
Victor Hugo
I saunter closer, approaching her cautiously, much like you'd approach a stray dog, or a girl you know is on her period - warily, guardedly.
Sara Ney (The Studying Hours (How to Date a Douchebag, #1))
I was friendly but friendless. Approachable yet purposefully aloof. I saw no point in getting too close with anyone.
Riley Sager (Final Girls)
I see the eight of us in the Annex as if we were a patch of blue sky surrounded by menacing black clouds. The perfectly round spot on which we’re standing is still safe, but the clouds are moving in on us, and the ring between us and the approaching danger is being pulled tighter and tighter. We’re surrounded by darkness and danger, and in our desperate search for a way out we keep bumping into each other. We look at the fighting down below and the peace and beauty up above. In the meantime, we’ve been cut off by the dark mass of clouds, so that we can go neither up nor down. It looms before us like an impenetrable wall, trying to crush us, but not yet able to. I can only cry out and implore, “Oh, ring, ring, open wide and let us out!
Anne Frank (The Diary of a Young Girl)
Creepy is being attached to an outcome. If you approach someone with the goal of sex, and hten find thins not going in that direction, you may try to steer things back to sex. This is creepy.
Allison Moon (Girl Sex 101)
And Miriam also refused to be approached. She was afraid of being set at nought, as by her own brothers. The girl was romantic in her soul. Everywhere was a Walter Scott heroine being loved by men with helmets or with plumes in their caps. She herself was something of a princess turned into a swine-girl in her own imagination. And she was afraid lest this boy, who, nevertheless, looked something like a Walter Scott hero, who could paint and speak French, and knew what algebra meant, and who went by train to Nottingham every day, might consider her simply as the swine-girl, unable to perceive the princess beneath; so she held aloof.
D.H. Lawrence (Sons and lovers)
Do you believe in God?” Her small hand grips onto my larger one. “Yeah, baby girl,” I say, looking down and watching her smile at my answer. “Do you think God will let me see you again?” She continues to ask questions that keep breaking me. “I know he will,” I say, believing it more than anything. My faith has now been shaken, but I can't lose hope that where she is going will be somewhere beautiful and amazing. “When I go to God, will I see Charlie the goldfish?” She yawns, almost drifting off as the hospital machines beep around us. I nearly smile at her question, but I can’t, because at the end of the day we’re talking about death, and the inevitable end that’s fast approaching. “I don’t know, baby girl,” I tell her, wishing I had the right answers for her.
River Savage (Affliction (Knights Rebels MC, #2))
I dreaded the approach of summer, when snakes and slaveholders make their appearance. I was, in fact, a slave in New York, as subject to slave laws as I had been in a Slave State. Strange incongruity in a state called free!
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
We become too embarrassed to meet up with the friend we haven’t seen in years because we might have gained weight. We sabotage relationships by thinking we’re unworthy of physical affection. We hide our face when we have breakouts. We opt out of the dance class because we’re worried we’ll look ridiculous. We miss out on sex positions because we’re afraid we’ll crush our partner with our weight. We dread family holidays because someone might say something about how we look. We don’t approach potential friends or lovers because we assume they will immediately judge our appearance negatively. We try to shrink when walking in public spaces in order to take up as little room as possible. We build our lives around the belief that we are undeserving of attention, love, and amazing opportunities, when in reality this couldn’t be further from the truth.
Jes Baker (Things No One Will Tell Fat Girls: A Handbook for Unapologetic Living)
overgrown fields, obviously abandoned. We must be getting close to the next village, which was just as well. The sun was approaching the horizon, and the constant battle with the wind was exhausting for us as well as the horses. Fierce
Kiran Millwood Hargrave (The Girl of Ink and Stars)
Niphon, standing with a glass of wine, regarded me with curious amusement as I headed straight for him.Considering I usually avoided him if it all possible, my approach undoubtedly astonished him. But not as much as when I punched him. I didn’t even need to shape-shift much bulk into my fist. I’d caught him by surprise. The wineglass fell out of his hand, hitting the carpet and spilling its contents like blood. The imp flew backward, hitting Peter’s china cabinet with a crash. Niphon slumped to the floor, eyes wide with shock. I kept coming. Kneeling, I grabbed his designer shirt and jerked him toward me. “Stay the fuck out of my life, or I will destroy you,” I hissed. Terror filled his features. “Are you out of your fucking mind? What do you—” Suddenly, the fear disappeared. He started laughing. “He did it, didn’t he? He broke up with you. I didn’t know if he could do it, even after giving him the spiel about how it’d be better for both of you. Oh my. This is lovely. All your so-called charms weren’t enough to—ahh!” I’d pulled him closer to me, digging my nails into him, and finally, I felt an emotion. Fury. Niphon’s role had been greater than I believed. My face was mere inches from his. “Remember when you said I was nothing but a backwoods girl from some gritty fishing village? You were right. And I had to survive in gritty circumstances—in situations you’d never be able to handle. And you know what else? I spent most of my childhood gutting fish and other animals.” I ran a finger down his neck. “I can do it for you too. I could slit you from throat to stomach. I could rip you open, and you’d scream for death. You’d wish you weren’t immortal. And I could do it over and over again.” That wiped the smirk off Niphon’s face.
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
I see the world being slowly transformed into a wilderness, I hear the approaching thunder that, one day, will destroy us too, I feel the suffering of millions. And yet, when I look up at the sky, I somehow feel that everything will change for the better, that this cruelty too will end, that peace and tranquillity will return once more.
Anne Frank (The Diary of a Young Girl: The Definitive Edition)
It's utterly impossible for me to build my life on a foundation of chaos, suffering and death. I see the world being slowly transformed into a wilderness; I hear the approaching thunder that, one day, will destroy us too. I feel the suffering of millions. And yet, when I look up at the sky, I somehow feel that everything will change for the better, that this cruelty too shall end, that peace and tranquility will return once more.
Anne Frank (Readings on the Diary of a Young Girl (Greenhaven Press Literary Companion to World Literature))
The girl's life had been squandered in the streets, and among the most noisome of the stews and dens of London, but there was something of the woman's original nature left in her still; and when she heard a light step approaching the door opposite to that by which she had entered, and thought of the wide contrast which the small room would in another moment contain, she felt burdened with the sense of her own deep shame: and shrunk as though she could scarcely bear the presence of her with whom she had sought this interview.
Charles Dickens (Oliver Twist)
Each time a girl approached the table, Mortimer would smile. Like this: And each time the girl would shriek and run away.
Kelly DiPucchio (Zombie in Love)
Then again," he continues, turning to me as we approach the busted old birdbath- the point where Neverland ends and the rest of the world begins- "never say never.
Kate Ellison (The Butterfly Clues (Lost Girls, #1))
If you can get comfortable approaching on the street, you can approach anywhere.
Roosh V. (Day Bang: How To Casually Pick Up Girls During The Day)
What do you say to em? Say to them? Yeah. Say. Hell, say anything. It doesnt matter, they dont listen. Well you gotta say somethin. What do you say? Try the direct approach. What's that? Well, like this friend of mine. Went up to this girl and said I sure would like to have a little pussy. No shit? What'd she say? She said I would too. Mine's as big as your hat.
Cormac McCarthy (Suttree)
Oh, you poor, dear, old boy…come here for a pat on the head.” We encountered a very ancient-appearing, dejected Australian Shepherd mix of a dog whose eyes squinted tightly as he faced into the frigid gusts and who shyly skittered the opposite direction as we approached him.
Susie Duncan Sexton (Secrets of an Old Typewriter: Stories from a Smart and Sassy Small Town Girl)
While other girls are going to dances and the theatres and courting and marrying for love,” Katherine said mournfully, “I have to remain here and watch painful death approach. I am so lonely.”5
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
Sometimes, when you arrive somewhere, it’s a good idea to pretend you can’t find the person you’re meeting, even if you’re looking right at them. I can’t really explain why, but it sets up a good power dynamic between you and your friends. Also, approaching large groups of people alone is not cute.
Babe Walker (Psychos: A White Girl Problems Book)
A friend once told me that when you’ve been in AA, drinking is never fun again. And that’s how I feel about having seen a nutritionist—I will never again approach food in an unbridled, guilt-free way.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
Approaching forty, George felt as though his world had been slowly drained of all its colors. He’d passed that age when he could reasonably expect to fall madly in love with someone and raise a family, or to take the world by storm, or to have anything surprising lift him out of his day-to-day existence.
Peter Swanson (The Girl with a Clock for a Heart)
Isn't it funny that what the Japanese authors consider their first page is our happily-ever-after last one? When you think about it, it's not a bad way to approach life. What appears to be an ending--heartbreaking wounds that you can and cannot see--may just be a beginning, a start of a brand-new adventure.
Justina Chen (Girl Overboard)
Ask Jesus to help you fully understand the joys of obedience. Also, ask Him how you can be a woman fully committed to obedience without slipping into a legalistic approach to life. We must always remember our goal is pursuing revelations of Him. Our focus can’t be just following rules but following Jesus Himself.
Lysa TerKeurst (Becoming More Than a Good Bible Study Girl)
Particular patterns of thought get attached to particular movements or activities, and before you know it, it’s impossible to approach that movement or activity without dislodging an avalanche of prethought thoughts.
Susanna Kaysen (Girl, Interrupted)
She was not the sort of woman guys settle for. She was the one they lust after and strive for. She was the one who ruins other people's relationships simply by existing, but she will always be surmounted as guys come to realize the virtues of the approachable girl next door. She was, in brief, too pretty to be trusted or had.
Thomm Quackenbush (Artificial Gods (Night's Dream, #3))
This humanity of woman, borne its full time in suffering and humiliation, will come to light when she will have stripped off the conventions of mere femininity in the mutations of her outward status, and those men who do not yet feel it approaching today will be surprised and struck by it. Some day (and for this, particularly in the northern countries, reliable signs are already speaking and shining), some day there will be girls and women whose name will no longer signify merely an opposite of the masculine, but something in itself, something that makes one think, not of any complement and limit, but only of life and existence: the feminine human being.
Rainer Maria Rilke (Rilke on Love and Other Difficulties: Translations and Considerations)
You know, Halloween is fast approaching, the day when parents encourage little boys to dress like little girls and little girls to dress like whores and go door to door browbeating hardworking Americans into giving them free food.
Sue Sylvester
It's difficult in times like these: ideals, dreams and cherished hope rise within us, only to be crushed by grim reality. It's a wonder I haven't abandoned all my ideals, they seem so absurd and impractical. still believe, in spite of everything, that people are truly good at It's utterly impossible for me to build my life on a foundation of chaos, suffering and death. I see the world being slowly transformed into a wilderness, I hear the approaching thunder one day, will destroy us too, I feel the suffering of millions. And yet, when I look up at the sky, I somehow feel that everything will change for the better, that this cruelty too will end, that peace and tranquility will return once more. In the meantime must hold on to my ideals. Perhaps the day will come when I'll be able to realize them!
Anne Frank (The Diary of a Young Girl)
I remember her, not a girl but the girl. The brains behind the all time top ten comic book vixens only wish they could conjure a a siren the likes of Susan Glenn, beneath my feet my own private earthquake registered an eight when Susan Glenn was near. In her presence all was beautiful before she arrived turned grotesque and in her shadows others became goblinesque, if she approached Susan Glenn she didn’t walk she floated, accompanied by Pyrotechnics spectacals that left me feeling a foot tall. She embodied every desireable quality I have ever wanted. In my mind I was a peasant before a Queen. And so Susan Glenn and I were never a thing, if I could do it again, I’d do it differently.
Keifer Sutherland
I remember a time in a class on a cold winter morning a Japanese girl came with a surgical mask & I thought “wow people would go to extremes NOT to get sick in Japan” afterwards on a break I approached her & asked in a cynical manner: why the mask? Are you afraid of catching a cold? & then she said “in Japan you use it when YOU are under the weather & you don’t want other people to get sick, it is the polite thing to do” wow! that's a lesson I will never forget
Pablo
Cruising along once again in this cesspool known as life, I realize that it is too late to make a detour. I will have to pass the anti-abortion pickets (50) outside of Planned Parenthood. Nothing gets on my nerves more than these pro-lifers. Not even astrology enthusiasts (51), Herman Hesse (52) or computer games (53). Look at these fools parading up and down! "Mind your own business," I yell. When one of these busybodies (a man, yet) approaches my car with literature, I lose control and scream, "I wish I was a girl so I could get an abortion!" Trembling with rage, I realize I'd better calm down before I get beat up, but can't resist one last taunt—"I hate the pope" (54), I yell to no one in particular.
John Waters (Crackpot: The Obsessions of John Waters)
I knew that hunched shoulders, hanging hair, and eyes on the ground were fairly reliable signs of a girl dejected, a girl who needed to be approached and jollied into a nice talk or a nice cup of tea; whereas a back-flung head, with eyes closed and a secret smile on the upturned face, was the signal of someone who needed to be left alone with her thoughts.
Alan Bradley (As Chimney Sweepers Come to Dust (Flavia de Luce, #7))
You wouldn’t do anything to make me hurt you,” he prompted, and she shook her head quickly. “No,” she whispered. “Good.” He let his arm drape out the open window, breathing in the air. The night was approaching its dewpoint, tinging the breeze with the smell of dust and wet wool. “I’ve started to look forward to our nights together. I’d hate for you to disappoint me now.
Nenia Campbell (Rent Girl)
I know for a fact that a lot of my Christian friends have thoughtful reasons for interpreting the Bible the way they do and that the phrase "pick and choose" sounds far too arbitrary to describe the attentiveness and concern with which they approach the text.
Rachel Held Evans (Evolving in Monkey Town: How a Girl Who Knew All the Answers Learned to Ask the Questions)
He slowed to a walk. As he approached her he was surprised at just how pretty she was. She looked a little like Maureen O'Hara in those old pirate movies. His writer's mind kicked in and he thought, This woman could break my heart. I could crash and burn on this woman. I could lose this woman, drink heavily, write profound poems, and die in the gutter of turberculosis over this woman. This was not an unusual reaction for Tommy. He had it often, mostly with girls who worked the drive-through windows at fast-food places. He would drive off with the smell of fries in his car and the bitter taste of unrequited love on his tongue. It was usually good for at least one short story.
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
The times, the seasons, the signs may have been mythical; but the sufferings were not. I lay in the dark with the breathing of men around me and knew that then, at that selfsame moment, where dawn groped across the sea, my brethren lay bound in ships, one body atop another, smelling of their green wounds and faeces; I knew in dark houses, there was torture, arms held down, firebrands approaching the soft skin of the belly or arm; and still - there is screaming in the night; there is flight; mothers sob for children they shall not see again; girls feel the weight of men atop them; men cry for their wives; boys dangle dead in the barn; and we smoke their sorrow contentedly; and we eat their sorrow; and we wear their sorrow; and wonder how it came so cheap. It was for this that we labored and fought, risking our very lives.
M.T. Anderson (The Pox Party (The Astonishing Life of Octavian Nothing, Traitor to the Nation, #1))
It's about the ways in which girls deal with anger and aggression, as opposed to the ways in which boys do. The premise is that boys tend to be more direct in their aggression - physical confrontation - while in contrast, girls use an indirect approach known as relational aggression. Relational aggression is a form of aggression where the group is used as a weapon to assault others and others' relationships. It uses lies, secrets, betrayals and a host of other two-faced tactics to destroy or damage the relationships and social standing of others in the group.
Anonymous
That girl whom I never saw save dappled with the shadows of their leaves, was to me herself a plant of local growth, only taller than the rest, and one whose structure would enable me to approach more closely than in them to the intimate savour of the land from which she had sprung.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
How long you and Vee been seeing each other?” Shane asked as he stood up. “About a month,” I shrugged. “That question earlier about falling in love? The one about how long it takes?” Shane said over his right shoulder as he pulled his hood over his head. “Yeah?” I responded. “Takes about a month, bro,” he said as he slapped my shoulder. As we approached our bikes, I pulled my key from my pocket. A month, huh? Well, it’s just about time I get that girl a pair of Chuck’s.
Scott Hildreth (Unstoppable (Fighter Erotic Romance, #2))
Theseus put his club aside. He approached the Pine Bender and sized up the situation. He wasn’t as strong as Sinis. He didn’t have the ability to root himself to the earth. He didn’t even have a plan. But he glanced over at the girl Perigune, and his distractible brain started racing. A girl in the trees. A girl. A tree. Trees have spirits. I’m hungry. Wow, Sinis smells bad. A dryad. I bet the dryads in these trees are really tired of getting bent. Hey, there’s a chipmunk.
Rick Riordan (Percy Jackson's Greek Heroes (A Percy Jackson and the Olympians Guide))
Girls and women, in their new, particular unfolding, will only in passing imitate men's behavior and misbehavior and follow in male professions. Once the uncertainty of such transitions is over it will emerge that women have only passed through the spectrum and the variety of those (often laughable) disguises in order to purify their truest natures from the distorting influences of the other sex. Women, in whom life abides and dwells more immediately, more fruitfully and more trustingly, are bound to have ripened more thoroughly, become more human human beings, than a man, who is all too light and has not been pulled down beneath the surface of life by the weight of a bodily fruit and who, in his arrogance and impatience, undervalues what he thinks he loves. This humanity which inhabits woman, brought to term in pain and humiliation, will, once she has shrugged off the conventions of mere femininity through the transformations of her outward status, come clearly to light, and men, who today do not yet feel it approaching, will be taken by surprise and struck down by it. One day (there are already reliable signs which speak for it and which begin to spread their light, especially in the northern countries), one day there will be girls and women whose name will no longer just signify the opposite of the male but something in their own right, something which does not make one think of any supplement or limit but only of life and existence: the female human being. This step forward (at first right against the will of the men who are left behind) will transform the experience of love, which is now full of error, alter its root and branch, reshape it into a relation between two human beings and no longer between man and woman. And this more human form of love (which will be performed in infinitely gentle and considerate fashion, true and clear in its creating of bonds and dissolving of them) will resemble the one we are struggling and toiling to prepare the way for, the love that consists in two solitudes protecting, defining and welcoming one another.
Rainer Maria Rilke (Letters to a Young Poet)
One afternoon a big wolf waited in a dark forest for a little girl to come along, carrying a basket of food to her grandmother. Finally a little girl did come a long and she was carrying a basket of food. “Are you carrying that basket to your grandmother? asked the wolf. The little girl said yes, she was. So the wolf asked her where her grandmother lived and the little girl told him and he disappeared into the wood. When the little girl opened the door of her grandmother’s house she saw that there was somebody in bed with a nightcap and nightgown on. She had approached no nearer than twenty-five feet from the bed when she saw that it was not her grandmother but the wolf, for even in a nightcap a wolf does not look any more like your grandmother than the Metro-Goldwyn lion looks like Calvin Coolidge. So the little girl took an automatic out of her basket and shot the wolf dead. Moral: It is not so easy to fool little girls nowadays as it used to be.
James Thurber
I remember when I was a kid at school having to learn a poem of sorts about a fellow named Pig-something—a sculptor he would have been, no doubt—who made a statue of a girl, and what should happen one morning but that the bally thing suddenly came to life. A pretty nasty shock for the chap, of course, but the point I'm working round to is that there were a couple of lines that went, if I remember correctly: She starts. She moves. She seems to feel The stir of life along her keel. And what I'm driving at is that you couldn't get a better description of what happened to Gussie as I spoke these heartening words. His brow cleared, his eyes brightened, he lost that fishy look, and he gazed at the slug, which was still on the long, long trail with something approaching bonhomie. A marked improvement.
P.G. Wodehouse (Right Ho, Jeeves)
After dinner, I went upstairs and found Ren standing on the veranda again, looking at the sunset. I approached him shyly and stood behind him. “Hello, Ren.” He turned and openly studied my appearance. His gaze drifted ever so slowly down my body. The longer he looked, the wider his smile got. Eventually, his eyes worked their way back up to my bright red face. He sighed and bowed deeply. “Sundari. I was standing here thinking nothing could be more beautiful than this sunset tonight, but I was mistaken. You standing here in the setting sun with your hair and skin aglow is almost more than a man can…fully appreciate.” I tried to change the subject. “What does sundari mean?” “It means ‘most beautiful.’” I blushed again, which made him laugh. He took my hand, tucked it under his arm, and led me to the patio chairs. Just then, the sun dipped below the trees leaving its tangerine glow in the sky for just a few more moments. We sat again, but this time he sat next to me on the swinging patio seat and kept my hand in his. I ventured shyly, “I hope you don’t mind, but I explored your house today, including your room.” “I don’t mind. I’m sure you found my room the least interesting.” “Actually, I was curious about the note I found. Did you write it?” “A note? Ah, yes. I just scribbled a few notes to help me remember what Phet had said. It just says seek Durga’s prophecy, the Cave of Kanheri, Kelsey is Durga’s favored one, that sort of thing.” “Oh. I…also noticed a ribbon. Is it mine?” “Yes. If you’d like it back, you can take it.” “Why would you want it?” He shrugged, looking embarrassed. “I wanted a memento, a token from the girl who saved my life.” “A token? Like a fair maiden giving her handkerchief to a knight in shining armor?” He grinned. “Exactly.” I jested wryly, “Too bad you didn’t wait for Cathleen to get a little older. She’s going to be very pretty.” He frowned. “Cathleen from the circus?” He shook his head. “You were the chosen one, Kelsey. And if I had the option of choosing the girl to save me, I still would have picked you.” “Why?” “A number of reasons. I liked you. You are interesting. I enjoyed listening to your voice. I felt like you saw through the tiger skin to the person underneath. When you spoke, it felt like you were saying exactly the things I needed to hear. You’re smart. You like poetry, and you’re very pretty.” I laughed at his statement. Me, pretty? He can’t be serious. I was average in so many ways. I didn’t really concern myself with current makeup, hairstyles, or fashionable, but uncomfortable, clothes like other teenagers. My complexion was pale, and my eyes were so brown that they were almost black. By far, my best feature was my smile, which my parents paid dearly for and so did I-with three years of metal braces. Still, I was flattered. “Okay, Prince Charming, you can keep your memento.” I hesitated, and then said softly, “I wear those ribbons in memory of my mom. She used to brush out my hair and braid ribbons through it while we talked.” Ren smiled understandingly. “Then it means even more to me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I first met Winston Churchill in the early summer of 1906 at a dinner party to which I went as a very young girl. Our hostess was Lady Wemyss and I remember that Arthur Balfour, George Wyndman, Hilaire Belloc and Charles Whibley were among the guests… I found myself sitting next to this young man who seemed to me quite different from any other young man I had ever met. For a long time he seemed sunk in abstraction. Then he appeared to become suddenly aware of my existence. He turned on me a lowering gaze and asked me abruptly how old I was. I replied that I was nineteen. “And I,” he said despairingly, “am thirty-two already. Younger than anyone else who counts, though, “he added, as if to comfort himself. Then savagely: “Curse ruthless time! Curse our mortality. How cruelly short is this allotted span for all we must cram into it!” And he burst forth into an eloquent diatribe on the shortness of human life, the immensity of possible human accomplishment—a theme so well exploited by the poets, prophets, and philosophers of all ages that it might seem difficult to invest it with new and startling significance. Yet for me he did so, in a torrent of magnificent language which appeared to be both effortless and inexhaustible and ended up with the words I shall always remember: “We are all worms. But I do believe that I am a glow worm.” By this time I was convinced of it—and my conviction remained unshaken throughout the years that followed. Later he asked me whether I thought that words had a magic and music quite independent of their meaning. I said I certainly thought so, and I quoted as a classic though familiar instance the first lines that came into my head. Charm’d magic casements, opening on the foam Of perilous seas, in faery lands forlorn. His eyes blazed with excitement. “Say that again,” he said, “say it again—it is marvelous!” “But I objected, “You know these lines. You know the ‘Ode to a Nightengale.’ ” He had apparently never read or heard of it before (I must, however, add that next time I met him he had not learned not merely this but all of the odes to Keats by heart—and he recited them quite mercilessly from start to finish, not sparing me a syllable). Finding that he liked poetry, I quoted to him from one of my own favorite poets, Blake. He listened avidly, repeating some lines to himself with varying emphases and stresses, then added meditatively: “I never knew that old Admiral had found so much time to write such good poetry.” I was astounded that he, with his acute susceptibility to words and power of using them, should have left such tracts of English literature entirely unexplored. But however it happened he had lost nothing by it, when he approached books it was “with a hungry, empty mind and with fairly srong jaws, and what I got I *bit*.” And his ear for the beauty of language needed no tuning fork. Until the end of dinner I listened to him spellbound. I can remember thinking: This is what people mean when they talk of seeing stars. That is what I am doing now. I do not to this day know who was on my other side. Good manners, social obligation, duty—all had gone with the wind. I was transfixed, transported into a new element. I knew only that I had seen a great light. I recognized it as the light of genius… I cannot attempt to analyze, still less transmit, the light of genius. But I will try to set down, as I remember them, some of the differences which struck me between him and all the others, young and old, whom I have known. First and foremost he was incalculable. He ran true to no form. There lurked in his every thought and world the ambush of the unexpected. I felt also that the impact of life, ideas and even words upon his mind, was not only vivid and immediate, but direct. Between him and them there was no shock absorber of vicarious thought or precedent gleaned either from books or other minds. His relationship wit
Violet Bonham Carter
I just have to be normal Starr at normal Williamson and have a normal day. That means flipping the switch in my brain so I’m Williamson Starr. Williamson Starr doesn’t use slang—if a rapper would say it, she doesn’t say it, even if her white friends do. Slang makes them cool. Slang makes her “hood.” Williamson Starr holds her tongue when people piss her off so nobody will think she’s the “angry black girl.” Williamson Starr is approachable. No stank-eyes, side-eyes, none of that. Williamson Starr is nonconfrontational. Basically, Williamson Starr doesn’t give anyone a reason to call her ghetto. I can’t stand myself for doing it, but I do it anyway.
Angie Thomas (The Hate U Give)
By Jove, it's great! Walk along the streets on some spring morning. The little women, daintily tripping along, seem to blossom out like flowers. What a delightful, charming sight! The dainty perfume of violet is everywhere. The city is gay, and everybody notices the women. By Jove, how tempting they are in their light, thin dresses, which occasionally give one a glimpse of the delicate pink flesh beneath! "One saunters along, head up, mind alert, and eyes open. I tell you it's great! You see her in the distance, while still a block away; you already know that she is going to please you at closer quarters. You can recognize her by the flower on her hat, the toss of her head, or her gait. She approaches, and you say to yourself: 'Look out, here she is!' You come closer to her and you devour her with your eyes. "Is it a young girl running errands for some store, a young woman returning from church, or hastening to see her lover? What do you care? Her well-rounded bosom shows through the thin waist. Oh, if you could only take her in your arms and fondle and kiss her! Her glance may be timid or bold, her hair light or dark. What difference does it make? She brushes against you, and a cold shiver runs down your spine. Ah, how you wish for her all day! How many of these dear creatures have I met this way, and how wildly in love I would have been had I known them more intimately. "Have you ever noticed that the ones we would love the most distractedly are those whom we never meet to know? Curious, isn't it? From time to time we barely catch a glimpse of some woman, the mere sight of whom thrills our senses. But it goes no further. When I think of all the adorable creatures that I have elbowed in the streets of Paris, I fairly rave. Who are they! Where are they? Where can I find them again? There is a proverb which says that happiness often passes our way; I am sure that I have often passed alongside the one who could have caught me like a linnet in the snare of her fresh beauty.
Guy de Maupassant (Selected Short Stories)
So, you see, my dear friend, looking now at that ridiculous letter from Home Office, I feel to tell the world that my life is not fake. Is just my life, the best version I have. And even if some people would advise me to not take it personally, I just can't take this advice. My life is the most personal thing to me ever. My love as well. And God knows how many travels we might need to do in approaching our happiness. Regardless the slaps we might get because we dare to love behind the borders. - Write Like A Girl Anthology
Simona Prilogan
Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.
Roman Payne (Rooftop Soliloquy)
Back when I was with Justin, if I was going out clubbing with Rachel he would always remind me that lots of men see ‘quirky girl’ and think ‘desperate and easy’. He’s right, as per usual. I actually wonder if it’s easier to get laid as a quirky girl than a perky cheerleader type: you’re more approachable, and nobody assumes you’ve already got a boyfriend.
Beth O'Leary (The Flatshare)
Always Sami. I was tethered to her somehow. To that scared little girl I’d found on the staircase nearly a year earlier; to the past, when teaching was simpler and I could care about everyday problems, when being relentless meant running two extra laps, not waiting for an MP to search the undercarriage of a bus for bombs before letting students approach it.
Tucker Elliot (The Day Before 9/11)
was friendly but friendless. Approachable yet purposefully aloof. I saw no point in getting too close with anyone.
Riley Sager (Final Girls)
A gypsy girl approached Don Zana and Alfanhui and held out her tambourine. Don Zana said to her, 'You don't pay for art, kid.
Rafael Sánchez Ferlosio (Adventures of the Ingenious Alfanhui)
The best approach to get girls is to understand that women actually are easy while at the same time never letting them feel so.
W. Anton (The Manual: What Women Want and How to Give It to Them)
I think I was enchanted When first a sombre Girl — I read that Foreign Lady** — The Dark — felt beautiful — And whether it was noon at night — Or only Heaven — at Noon — For very Lunacy of Light I had not power to tell — The Bees — became as Butterflies — The Butterflies — as Swans — Approached — and spurned the narrow Grass — And just the meanest Tunes That Nature murmured to herself To keep herself in Cheer — I took for Giants — practising Titanic Opera — The Days — to Mighty Metres stept — The Homeliest — adorned As if unto a Jubilee 'Twere suddenly confirmed — I could not have defined the change — Conversion of the Mind Like Sanctifying in the Soul — Is witnessed — not explained — 'Twas a Divine Insanity — The Danger to be Sane Should I again experience — 'Tis Antidote to turn — To Tomes of solid Witchcraft — Magicians be asleep — But Magic — hath an Element Like Deity — to keep —
Emily Dickinson
What is the age of the soul of man? As she hath the virtue of the chameleon to change her hue at every new approach, to be gay with the merry and mournful with the downcast, so too is her age changeable as her mood. No longer is Leopold, as he sits there, ruminating, chewing the cud of reminiscence, that staid agent of publicity and holder of a modest substance in the funds. He is young Leopold, as in a retrospective arrangement, a mirror within a mirror (hey, presto!), he beholdeth himself. That young figure of then is seen, precociously manly, walking on a nipping morning from the old house in Clambrassil street to the high school, his booksatchel on him bandolierwise, and in it a goodly hunk of wheaten loaf, a mother's thought. Or it is the same figure, a year or so gone over, in his first hard hat (ah, that was a day!), already on the road, a fullfledged traveller for the family firm, equipped with an orderbook, a scented handkerchief (not for show only), his case of bright trinketware (alas, a thing now of the past!), and a quiverful of compliant smiles for this or that halfwon housewife reckoning it out upon her fingertips or for a budding virgin shyly acknowledging (but the heart? tell me!) his studied baisemoins. The scent, the smile but more than these, the dark eyes and oleaginous address brought home at duskfall many a commission to the head of the firm seated with Jacob's pipe after like labours in the paternal ingle (a meal of noodles, you may be sure, is aheating), reading through round horned spectacles some paper from the Europe of a month before. But hey, presto, the mirror is breathed on and the young knighterrant recedes, shrivels, to a tiny speck within the mist. Now he is himself paternal and these about him might be his sons. Who can say? The wise father knows his own child. He thinks of a drizzling night in Hatch street, hard by the bonded stores there, the first. Together (she is a poor waif, a child of shame, yours and mine and of all for a bare shilling and her luckpenny), together they hear the heavy tread of the watch as two raincaped shadows pass the new royal university. Bridie! Bridie Kelly! He will never forget the name, ever remember the night, first night, the bridenight. They are entwined in nethermost darkness, the willer and the willed, and in an instant (fiat!) light shall flood the world. Did heart leap to heart? Nay, fair reader. In a breath 'twas done but - hold! Back! It must not be! In terror the poor girl flees away through the murk. She is the bride of darkness, a daughter of night. She dare not bear the sunnygolden babe of day. No, Leopold! Name and memory solace thee not. That youthful illusion of thy strength was taken from thee and in vain. No son of thy loins is by thee. There is none to be for Leopold, what Leopold was for Rudolph.
James Joyce (Ulysses)
If the Baudelaire orphans had been stalks of celery, they would not have been small children in great distress, and if they had been lucky, Carmelita Spats would have not approached their table at this particular moment and delivered another unfortunate message. "Hello, you cakesniffers," she said, "although judging from the baby brat you're more like saladsniffers. I have another message for you from Coach Genghis. I get to be his Special Messenger because I'm the cutest, prettiest, nicest little girl in the whole school." "If you were really the nicest person in the whole school," Isadora said, "you wouldn't make fun of a sleeping infant. But never mind, what is the message?" "It's actually the same as last time," Carmelita said, "but I'll repeat it in case you're too stupid to remember. The three Baudelaire orphans are to report to the front lawn tonight, immediately after dinner." "What?" Klaus asked. "Are you deaf as well as cakesniffy?" Carmelita asked.
Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
she was so simply his love, his girl, watching him approach as if she were memorizing him and his walk and those flowers and this moment, and he wanted to ask her what sound a heart made when it broke from pleasure, when just the sight of someone filled you the way food, blood, and air never could, when you felt as if you’d been born for only one moment, and this, for whatever reason, was it.
Dennis Lehane (Shutter Island)
She had always dimly guessed him to be in touch with important people, involved in complicated relations—but she felt it all to be so far beyond her understanding that the whole subject hung like a luminous mist on the farthest verge of her thoughts. In the foreground, hiding all else, there was the glow of his presence, the light and shadow of his face, the way his short-sighted eyes, at her approach, widened and deepened as if to draw her down into them; and, above all, the flush of youth and tenderness in which his words enclosed her. Now she saw him detached from her, drawn back into the unknown, and whispering to another girl things that provoked the same smile of mischievous complicity he had so often called to her own lips. The feeling possessing her was not one of jealousy: she was too sure of his love. It was rather a terror of the unknown, of all the mysterious attractions that must even now be dragging him away from her, and of her own powerlessness to contend with them.
Edith Wharton (Summer)
It was Don Paolo's birthday and all the people of the village were gathered in the piazza to celebrate him. The band played, the wine flowed, the children danced, and, as he stood for a moment alone under the pergola, a little girl approached the the beloved priest. "But Don Paolo, are you not happy?" she asked him. "Of course I am happy," he assured the little girl. "Why, then, aren't you crying?
Marlena de Blasi (The Lady in the Palazzo: At Home in Umbria)
I promise you this.” I squared my shoulders and stood, facing him head-on. “I’m going to make your life a living hell.” “Hell is fast approaching, little girl. But I assure you, it’s not coming for me.
Pam Godwin (Lessons in Sin)
This woman controls my heartbeats. Every love lyric I sing each night is made for her. Every melody chases her heartbeat, and every chorus begs for her love. It has been brought to my attention that a few people on my management team have chosen to approach the love of my life and tell her that she wasn't good for my image. Due to her looks and the past she had no say in creating, they said she wasn't good enough. It's true, we grew up in the same town, but that didn't mean our home lives were built on the same steady foundation. I was blessed enough to never know struggle. This girl had to fight tooth and nail for everything she was given. She sacrificed her own youth, because she didn't want her little sister to go into the foster system. She gave up love, in order for me to go chase my dreams. She gives and gives in order to make others happy, because that's the person she is. She's the most beautiful human being alive, and for anyone--especially people who are supposed to be in my corner--to say differently disgusts me to my core. I am not a robot. I hurt, I ache, I love, and I cry. And it breaks me to live in a world where I have to be afraid of showing who I really am in order to gain followers. So if you don't like this fact--that I am not single and that I am hopelessly in love--then that's fine. If I lose fans over this, I'm okay with that. I will make every sacrifice in the world from this point on in order to give my love fully to the woman who has given more than she ever should've had to give. I love you, Haze. From the new moon to the fullest. From now until forever.
Brittainy C. Cherry (The Wreckage of Us)
Unlike wizards, who like nothing better than a complicated hierarchy, witches don’t go in much for the structured approach to career progression. It’s up to each individual witch to take on a girl to hand the area over to when she dies. Witches are not by nature gregarious, at least with other witches, and they certainly don’t have leaders. Granny Weatherwax was the most highly-regarded of the leaders they didn’t have.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Pieces Sometimes there only seem to be clouds. Tonight, the clouds hang above me, sulking in the sky. They watch me write the words. I don’t even think they bother to read. I imagine myself in a room, where some shattered pieces are strewn on the floor, in front of me. As I walk towards them, I have no idea what they are, so I approach with trepidation. They seem to be a puzzle, all torn up and thrown apart. They look injured. I crouch down and being putting them together, finding each scrap that surrounds my feet. Gradually, I see the picture form as I put it all together. Gradually, I see. These pieces on the ground. Are made of me.
Markus Zusak (Getting the Girl (Wolfe Brothers, #3))
The spike heels left a trail of silent reproach in the broadloom. Petite and lovely as the girl next door, Dusty eschewed manners and bras in a way that complimented her boss's more uptight, corseted approach to life.
James Wilcox (Plain and Normal)
Nice to have you back, girl,” he said softly. Then he turned to Alyss. “Ready to go?” She held up a hand. “One thing I have to take care of,” she said. She looked around the camp and spotted Petulengo, lurking guiltily by the goat pen. “Petulengo!” she called. Her voice was high and penetrating and he started, realizing he had been spotted. He looked around, seeking an escape route. But as he did so, Will unslung the massive longbow from his shoulder and casually plucked an arrow from his quiver. Suddenly, escaping didn’t seem like such a good idea. Then Alyss favored Petulengo with her most winning smile. “Don’t be frightened, dear,” she said soothingly. “I just want to say good-bye.” She beckoned to him, smiling encouragingly, and he stepped forward, gradually gaining in confidence as he realized that, somehow, he had won the favor of this young woman. Some of his old swagger returned as he approached and stood before her, urged a little closer by that smile. Underneath the ash and the dirt, he thought, she was definitely a looker. He gave her a smile in return. Petulengo, it has to be said, fancied himself with the ladies. Treat ’em rough and they’ll eat out of your hand, he thought. Then the smile disappeared like a candle being blown out. He felt a sudden jolt of agony in his right foot. Alyss’s heavy boot, part of Hilde’s wardrobe, had stamped down on his instep, just below the ankle. He doubled over instinctively, gasping with pain. Then Alyss pivoted and drove the heel of her open left hand hard into his nose, snapping his head back and sending him reeling. His arms windmilled and he crashed over onto the hard-packed dirt of the compound. He lay groggily, propped up on his elbows, coughing as blood coursed down the back of his throat. “Next time you throw firewood at an old lady,” Alyss told him, all traces of the winning smile gone, “make sure she can’t do that.” She turned to Will and dusted her hands together in a satisfied gesture. “Now I’m ready to go,” she said.
John Flanagan (The Lost Stories (Ranger's Apprentice, #11))
As for Katherine Schaub, nobody even saw her anymore: she stayed at home and refused to go out. “While other girls are going to dances and the theatres and courting and marrying for love,” Katherine said mournfully, “I have to remain here and watch painful death approach. I am so lonely.”5 She left the house only to attend church. While Katherine had not been especially religious before, she now pronounced, “You don’t know what a consolation I obtain from going to mass.
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
Gideon was instantly captivated. A hundred questions crowded in his mind. He wanted to know who she was, why she was there, if she liked sugar in her tea, had she climbed trees as a girl, and what her first kiss had been like... The flood of curiosity puzzled him. He usually managed to avoid caring about anyone long enough to ask questions about him. Not quite trusting himself to speak, Gideon approached her cautiously. She stiffened slightly, as if she was unused to proximity with a stranger. As he drew closer, he saw that her features were even and her nose was a little too long, and her mouth was soft and sweetly shaped. Her eyes were some light color... green, perhaps... shining eyes that contained unexpected depths.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
You can approach the act of writing with nervousness, excitement, hopefulness, or even despair - the sense that you can never completely put on the page what's in your mind and heart. You can come to the act with your fists clenched and your eyes narrowed, ready to kick ass and take down names. You can come to it because you want a girl to marry you or because you want to change the world. Come to it any way but lightly. Let me say it again: you must not come lightly to the blank page.
Stephen King (On Writing: A Memoir of the Craft)
Knowing a woman's mind and spirit had been allowed me, with dance I discovered my body more intimately than I had imagined possible. With the acceptance of the ethnicity of my thighs and backside, came a clearer understanding of my voice as a woman and poet. The freedom to move in space, to demand of my own sweat perfection that could continually be approached, though never known, waz poem to me, my body and mind ellipsing, probably for the first time in my life. Dance as explicated by Raymond Sawyer and Ed Mock insisted that everything African, everything halfway colloquial, a grimace, a strut, an arched back over a yawn, waz mine. I moved what waz my unconscious knowledge of being a colored woman's body to my known everydayness.
Ntozake Shange (For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf)
Caine wanted to be a doctor," Serena recalled with an innocent smile. "At least,that's what he told all the little girls." "It was a natural aspiration," Caine defended himself, lifting his hand to his mother's knee while his arm held Diana firmly against him. "Grant used a different approach," Shelby recalled. "I think he was fourteen when he talked Dee-Dee O'Brian into modeling for him-in the nude." "That was strictly for the purpose of art," he countered when Gennie lifted a brow at him. "And I was fifteen." "Life studies are an essential part of any art course," Gennie said as she started to draw again. "I remember one male model in particular-" She broke off as Grant's eyes narrowed. "Ah,that scowl's very natural,Grant,try not to lose it.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
In the woodblock prints of the Genroku period one often finds the features of a pair of lovers to be surprisingly similar, with little to distinguish the man from the woman. The universal ideal of beauty in Greek sculpture likewise approaches a close resemblance between the male and female. Might this not be one of the secrets of love? Might it not be that through the innermost recesses of love there courses an unattainable longing in which both the man and the woman desire to become the exact image of the other? Might not this longing drive them on, leading at last to a tragic reaction in which they seek to attain the impossible by going to the opposite extreme? In short, since their mutual love cannot achieve a perfection of mutual identity, is there not a mental process whereby each of them tries instead to emphasize their points of dissimilarity—the man his manliness and the woman her womanliness—and uses this very revolt as a form of coquetry toward the other? Or if they do achieve a similarity, it unfortunately lasts for only a fleeting moment of illusion. Because, as the girl becomes more bold and the boy more shy, there comes an instant at which they pass each other going in opposite directions, overshooting their mark and passing on beyond to some point where the mark no longer exists.
Yukio Mishima (Confessions of a Mask)
She'd been there for a few hours when Sawyer showed up. It was after midnight, but there he was, walking around the track. The moon was out and he was wearing white shorts and a white polo, so she could see him very clearly from her seat. She didn't move, so she didn't know what made him look up. But he did, and her breath caught, as it did every time he looked at her in school. They stared at each other for a long moment. Then he crossed the track and walked up the bleachers towards her. Sawyer had never approached her before, but he had always watched her at school. A lot of people watched her, so that in itself wasn't unusual. But he was always so deliberate about it. She'd often wondered if that was why she had these strange feelings for him, because she thought he really saw her.
Sarah Addison Allen (The Girl Who Chased the Moon)
And now Snape stood again in the headmaster’s study as Phineas Nigellus came hurrying into his portrait. “Headmaster! They are camping in the Forest of Dean! The Mudblood--” “Do not use that word!” “--the Granger girl, then, mentioned the place as she opened her bag and I heard her!” “Good. Very good!” cried the portrait of Dumbledore behind the headmaster’s chair. “Now, Severus, the sword! Do not forget that it must be taken under conditions of need and valor--and he must not know that you give it! If Voldemort should read Harry’s mind and see you acting for him--” “I know,” said Snape curtly. He approached the portrait of Dumbledore and pulled at its side. It swung forward, revealing a hidden cavity behind it from which he took the sword of Gryffindor. “And you still aren’t going to tell me why it’s so important to give Potter the sword?” said Snape as he swung a traveling cloak over his robes. “No, I don’t think so,” said Dumbledore’s portrait. “He will know what to do with it. And Severus, be very careful, they may not take kindly to your appearance after George Weasley’s mishap--” Snape turned at the door. “Don’t worry, Dumbledore,” he said coolly. “I have a plan…” And Snape left the room. Harry rose up out of the Pensieve, and moments later he lay on the carpeted floor in exactly the same room: Snape might just have closed the door.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Pulling to a stop in front of Aly’s house, I take a deep breath. With a flick of my wrist, I cut the engine and listen to the silence. I’ve sat in this exact spot more times than I can count. In many ways, Aly’s house is like my sanctuary. A place I go when my own home feels like a graveyard. I glance up at the bedroom window of the girl who knows me better than anyone, the only person I let see me cry after Dad died. I won’t let this experiment take that or her away from me. Tonight, I’m going to prove that Aly and I can go back to our normal, easy friendship. Throwing open my door, I trudge up her sidewalk, plant my feet outside her front door, and ring the bell. “Coming!” I step back and see Aly stick her head out of her second-story window. “No problem,” I call back up. “Take your time.” More time to get my head on straight. Aly disappears behind a film of yellow curtain, and I turn to look out at the quiet neighborhood. Up and down the street, the lights blink on, filling the air with a low hum that matches the thrumming of my nerves. Across the street, old Mr. Lawson sits at his usual perch under a gigantic American flag, drinking beer and mumbling to himself. Two little girls ride their bikes around the cul-de-sac, smiling and waving. Just a normal, run-of-the-mill Friday night. Except not. I thrust my hands into my pockets, jiggling the loose change from my Taco Bell run earlier tonight, and grab my pack of Trident. I toss a stick into my mouth and chew furiously. Supposedly, the smell of peppermint can calm your nerves. I grab a second stick and shove it in, too. With the clacking sound of Aly’s shoes approaching the door behind me, I remind myself again about tonight’s mission. All I need is focus. I take another deep breath for good measure and rock back on my heels, ready to greet my best friend. She opens the door, wearing a black dress molded to her skin, and I let the air out in one big huff.
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
KIAAB Blacks tends to be super-pessimistic about our future and resist anything new. They are happy to list everything that black people don’t do. THE APPROACH: The Awkward Black is too outside-the-box for the Know-It-All About Blacks Black to comprehend. If you’re black and say something a Know-It-All disagrees with, be prepared to be called white or whitewashed. For the general population, the KIAAB Black probably doesn’t want to associate with you. He/She is content with sitting back and judging you. There’s literally nothing you can do about it. Nothing.
Issa Rae (The Misadventures of Awkward Black Girl)
I couldn’t take my eyes off the little dark girl and the way, like a queen, she walked around and was even reduced by the sullen bartender to menial tasks such as bringing us drinks and sweeping the back. Of all the girls in there she needed the money most; maybe her mother had come to get money from her for her little infant/ sisters and brothers. It never, never occurred to me just to approach her and give her some money. I have a feeling she would have taken it with a degree of scorn, and scorn from the likes of her made me flinch. In my madness I was actually in love with her for the few hours it all lasted; it was the same unmistakable ache and stab across the mind, the same sighs, the same pain, and above all the same reluctance and fear to approach. Strange that Neal and Frank also failed to approach her; her unimpeachable dignity was the thing that made her poor in a wild old whorehouse, and think of that. At one point I saw Neal leaning like a statue toward her, ready to fly, and befuddlement cross his face as she glanced coolly and imperiously his way and he stopped rubbing his belly and gaped and finally bowed his head. For she was the queen.
Jack Kerouac (On the Road)
A girl in long pigtails nearly closed the door on her thumb as I approached. Her friend nudged her. She nudged back. They whispered furiously to each other. I overheard a lot of "you ask her" and "no, you ask her". And then the second girl shoved her friend right into my path, solving the argument.
Alyxandra Harvey (Blood Moon (Drake Chronicles, #5))
Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
A prison chaplain in the West of England confessed he had given up one prisoner as hopeless, so stubborn was he against any approach by him, and known throughout the jail as the most truculent and obstinate troublemaker. But one day the governor was told of a visitor who insisted on seeing him. To his surprise, it was a little girl. "He's my daddy," she explained, "It's his birthday." The governor allowed the prisoner to be sent for. "Daddy," said the child as he was brought in, "this was your birthday, so I wanted to come and see you." Then taking a lock of hair out of her pocket, she offered it to him. "I had no money to buy a present for you. But I brought this, a lock of my own hair." The prisoner broke down and clasped her in his arms, sobbing. He became a changed man after that and guarded, as his most precious possession, the lock of hair that reminded him that somebody still loved him.
Francis Gay
I opened myself up to the kiss and kissed him back with enthusiasm. Putting all my secret emotions and tender feelings into the embrace, I wound my arms around his neck and slid my hands into his hair. Pulling his body that much closer to mine, I embraced him with all the warmth and affection that I wouldn’t allow myself to express verbally. He paused, shocked for a brief instant, and then quickly adjusted his approach, escalating into a passionate frenzy. I shocked myself by matching his energy. I ran my hands up his powerful arms and shoulders and then down his chest. My senses were in turmoil. I felt wild. Eager. I clutched at his shirt. I couldn’t get close enough to him. He even smelled delicious. You’d think that several days of being chased by strange creatures and hiking through a mysterious kingdom would make him smell bad. In fact, I wanted him to smell bad. I’m sure I did. I mean, how can you expect a girl to be fresh as a daisy while traipsing through the jungle and getting chased by monkeys. It’s just not possible. I desperately wanted him to have some fault. Some weakness. Some…imperfection. But Ren smelled amazing-like waterfalls, a warm summer day, and sandalwood trees all wrapped up in a sizzling, hot guy. How could a girl defend herself from a perfect onslaught delivered by a pefect person? I gave up and let Mr. Wonderful take control of my senses. My blood burned, my heart thundered, my need for him quickened, and I lost all track of time in his arms. All I was aware of was Ren. His lips. His body. His soul. I wanted all of him. Eventually, he put his hands on my shoulders and gently separated us. I was surprised that he had the strength of will to stop because I was nowhere near being able to. I blinked my eyes open in a daze. We were both breathing hard. “That was…enlightening,” he breathed. “Thank you, Kelsey.” I blinked. The passion that had dulled my mind dissipated in an instant, and my mind sharply focused on a new feeling. Irritation. “Thank you? Thank you! Of all the-“ I slammed up the steps angrily and then spun around to look down at him. “No! Thank you, Ren!” My hands slashed at the air. “Now you got what you wanted, so leave me alone!” I ran up the stairs quickly to put some distance between us. Enlightening? What was that about? Was he testing me? Giving me a one-to-ten score on my kissing ability? Of all the nerve? I was glad that I was mad. I could shove all the other emotions into the back of my mind and just focus on the anger, the indignation. He leapt up the stairs two at a time. “That’s not all I want, Kelsey. That’s for sure.” “Well, I no longer care about what you want!” He shot me a knowing look and raised an eyebrow. Then, he lifted his foot out of the opening, placed it on the dirt, and instantly changed back into a tiger. I laughed mockingly. “Ha!” I tripped over a stone but quickly found my footing. “Serves you right!” I shouted angrily and stumbled blindly along the dim path. After figuring out where to go, I marched off in a huff. “Come on, Fanindra. Let’s go find Mr. Kadam.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
No, let’s be fair,” I said. “Being a villain’s an option.” “You did not say that,” Fox-mask said, incredulous, “It’s not an option at all.” The girl in blue looked at Mrs. Yamada, “Ex-villain’s corrupting the kids, and you’re not stopping her?” Mrs. Yamada was frowning at me. “I’m going somewhere with this, honest,” I said. “If you’re sure,” she said. “I can stop you at any time.” “You can.” I looked at the gathered kids. A few of the less successful butterfly catchers had drifted away and approached. “I always hated the speeches when I was in school, the preaching in auditoriums, the one-note message. Stuff like saying drugs are bad. It’s wrong. Drugs are fantastic.” “Um,” Fox-mask said. Mrs. Yamada was glaring at me, but she hadn’t interrupted. “People wouldn’t do them if they weren’t. They make you feel good, make your day brighter, give you energy-” “Weaver,” Mrs. Yamada cut in. “-until they don’t,” I said. “People hear the message that drugs are bad, that they’ll ruin your life if you do them once. And then you find out that isn’t exactly true because your friends did it and turned out okay, or you wind up trying something and you’re fine. So you try them, try them again. It isn’t a mind-shattering moment of horrible when you try that first drug. Or so I hear. It’s subtle, it creeps up on you, and you never really get a good, convincing reason to stop before it ruins your life beyond comprehension. I never went down that road, but I knew a fair number of people who did. People who worked for me, when I was a supervillain.
Wildbow (Worm (Parahumans, #1))
Playing and fun are not the same thing, though when we grow up we may forget that and find ourselves mixing up playing with happiness. There can be a kind of amnesia about the seriousness of playing, especially when we played by ourselves or looked like we were playing by ourselves. I believe a kid who is playing is not alone. There is something brought alive during play, and this something, when played, seems to play back. If playing isn't happiness or fun, if it is something which may lead to those things or to something else entirely, not being able to play is a misery. No one stopped me from playing when I was alone, but there were times when I wasn't able to, though I wanted to--there were times when nothing played back. Writers call it 'writer's block'. For kids there are other names for that feeling, though kids don't usually know them. Fairy tales and myths are often about this very thing. They begin sometimes with this very situation: a dead kingdom. Its residents all turned to stone. It's a good way to say it, that something alive is gone. The television eased the problem by presenting channels to an ever-lively world I could watch, though it couldn't watch me back, not that it would see much if it could. A girl made of stone facing a flickering light, 45 years later a woman made of stone doing the same thing. In a myth or a fairy tale one doesn't restore the kingdom by passivity, nor can it be done by force. It can't be done by logic or thought. It can't be done by logic or thought. So how can it be done? Monsters and dangerous tasks seem to be part of it. Courage and terror and failure or what seems like failure, and then hopelessness and the approach of death convincingly. The happy ending is hardly important, though we may be glad it's there. The real joy is knowing that if you felt the trouble in the story, your kingdom isn't dead.
Lynda Barry (What It Is)
fishing, my philosophy is that men will treat women like one of these two things: a sports fish or a keeper. How we meet, how the conversation goes, how the relationship develops, and the demands you make on a man will all determine whether you’ll be treated like a sports fish—a throwback—or a keeper, the kind of woman a man can envision settling down with. And the way we separate the two is very simple, as I explain next. A SPORTS FISH . . . Doesn’t have any rules, requirements, respect for herself, or guidelines, and we men can pick up her scent a mile away. She’s the party girl who takes a sip of her Long Island iced tea or a shot of her Patrón, then announces to her suitor that she just wants to “date and see how it goes,” and she’s the conservatively dressed woman at the office who is a master at networking, but clueless about how to approach men. She has no plans for any ongoing relationships, is not expecting anything in particular from a man, and sets absolutely not nary one condition or restriction on anyone standing before her—she makes it very clear that she’s just along for whatever is getting ready to happen. For sure, as soon as she lets a man know through words and action that he can treat her just any old kind of way, he will do just
Steve Harvey (Act Like a Lady, Think Like a Man, Expanded Edition: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
[Neurotic] pride is both so vulnerable and so precious that it also must be protected in the future. The neurotic may build an elaborate system of avoidances in the hope of circumventing future hurts. This too is a process that goes on automatically. He is not aware of wanting to avoid an activity because it might hurt his pride. He just avoids it, often without even being aware that he is. The process pertains to activities, to associations with people, and it may put a check on realistic strivings and efforts. If it is widespread it can actually cripple a person's life. He does not embark on any serious pursuits commensurate with his gifts lest he fail to be a brilliant success. He would like to write or to paint and does not dare to start. He does not dare to approach girls lest they reject him. [...] He withdraws from social contacts lest he be self-conscious. So, according to his economic status, he either does nothing worthwhile or sticks to a mediocre job and restricts his expenses rigidly. In more than one way he lives beneath his means. In the long run this makes it necessary for him to withdraw farther from others, because he cannot face the fact of lagging behind his age group and therefore shuns comparisons or questions from anybody about his work. In order to endure life he must now entrench himself more firmly in his private fantasy-world. But, since all these measures are more a camouflage than a remedy for his pride, he may start to cultivate his neuroses because the neurosis with a capital N then becomes a precious alibi for the lack of accomplishment.
Karen Horney (Neurosis and Human Growth: The Struggle Towards Self-Realization)
He felt a tremor of fear at the image, and a disquieting thought... ran through his mind almost too quickly to read and was gone. But...but it wasn't all disquiet, was it? No. It was desire as well... The desire to go fast, to feel the wind race pass you without knowing if you were racing toward or running away from, to just go. To fly. Disquiet and desire. All the difference between the world and want---the difference between being an adult who counted the cost and a child who just got on it and went, for instance. All the world between. Yet not that much difference at all. Bedfellows, really. The way you felt it when the roller coaster car approached the top of the first steep grade, are the ride really begins. Disquiet and desire. What you want and what you're scared to try for. Where you've been and where you want to go. Something in a rock-and-roll song about wanting the girl, the car, the place to stand and be. Oh please God can you dig it.
Stephen King (It)
Define seduction. Skimpy clothes. Lap dances. Sucking the red off a cherry lollipop. I don’t want to be a skank about it. Look, sweetie. Obviously the nice girl, can-we-move-to-the-next-level-but-only-when-you’re-ready routine has not worked. What you need is guns blazing, no-holds barred seduction. You need to stop approaching this so meekly and take control of the situation. You need to set the atmosphere. Scented candles. Lingerie. Wine. Dinner. Handcuffs. Handcuffs? Really? You don’t want him to run, do you? I worry about you sometimes. Why do you think Lance has stuck around for so long? Because you keep him chained to your bed? That's not the point.
Em Wolf (Tangled)
TED” HAD SURFACED, allowed himself to be seen in broad daylight, and approached at least a half dozen young women, beyond the missing pair. He’d given his name. His true name? Probably not, but for the media who pounced on the incredible disappearances it was something to headline. Ted. Ted. Ted. Indeed, the dogged pursuit of reporters seeking something new to write was going to interfere mightily with the police investigation. The frantic families of the missing girls from Lake Sammamish were besieged by some of the most coercive tactics any reporter can use. When families declined to be interviewed, there were some reporters who hinted that they might have to print unsavory rumors about Janice and Denise unless they could have interviews, or that, even worse, families’ failure to tell of their exquisite pain in detail might mean a lessening of publicity needed to find their daughters. It was ugly and cruel, but it worked. The grieving parents allowed themselves to be photographed and gave painful interviews.
Ann Rule (The Stranger Beside Me)
when she asked where Miss Mavis might be answered that he hadn’t the least idea.  I sat with my friend at her particular request: she told me she knew that if I didn’t Mrs. Peck and Mrs. Gotch would make their approach, so that I must act as a watch-dog.  She was flurried and fatigued with her migration, and I think that Grace Mavis’s choosing this occasion for retirement suggested to her a little that she had been made a fool of.  She remarked that the girl’s not being there showed her for the barbarian she only could be, and that she herself was really very good so to have put herself out; her charge was a mere bore: that was the end of it.  I could see that my companion’s advent
Henry James (The Patagonia)
I was walking ahead of our little group and, as the Wallace princesses approached, I stepped off the sidewalk into the dew-dampened grass to let them pass. Aunt Belle saw this; she hurried up to me and asked, "Why did you get off the walk when you met those girls?" I replied, as if it should have been clear to anyone, "Because they are the prettiest girls in town! And I didn't want them to get their feet wet!" Aunt Belle grabbed me above the right elbow with both of her hands and shook me until I actually saw blue stars, roughly pushed me back onto the sidewalk, and growled between clenched teeth, emphasizing each word: "DON'T YOU EVER, EVER GET OFF THE SIDEWALK FOR ANYONE! YOU ARE AS PRETTY AS ANYONE! DO YOU UNDERSTAND?
Mildred Armstrong Kalish (Little Heathens: Hard Times and High Spirits on an Iowa Farm During the Great Depression)
But Kashmir was watching, his arms folded, standing against the door to the Captain's Cabin. As we approached, he smiled thinly. "Don't they say the road to hell is paved with honorable intentions?" "That's good intentions." I said, making a face. "Ah, yes. Of course." He turned the knob and opened the door with a flourish. "But perhaps Mr. Hart can go to hell anyway.
Heidi Heilig (The Girl from Everywhere (The Girl from Everywhere, #1))
A young black man, who I think was a summer intern, approached me in the lobby. Without saying so much as “Excuse me,” he sat down next to me in a huff and growled, “Why do black women get so mad when they see us walking down the street with a white girl?” I slowly turned toward this handsome, ebony boy and said, “Do you really want to know the answer to that question?” He said, “Yeah, I really want to know. I get sick of that shit.” I said, “Well, it might have something to do with this. For decades, black men were lynched, often for allegedly looking at a white woman. Our mothers’ mothers cut the black bodies of their sons and husbands down from the trees. But we black women did something we didn’t have to do before we buried them. First, we washed their bodies.” I let my words sink in and continued. “So, little boy, when you see a black woman walking down the street, you tilt your hat and acknowledge her existence. If only for the fact that first, we washed you. And next time you sit down next to me, you say, ‘Excuse me, Miss Lewis.’ Now get the fuck on where you’re going. I’m studying Brecht, little boy.
Jenifer Lewis (The Mother of Black Hollywood: A Memoir)
Without screaming or weeping these people undressed, stood around in family groups, kissed each other, said farewells and waited for a sign from another S.S. man, who stood near the pit, also with a whip in his hand. During the fifteen minutes that I stood near the pit I heard no complaint or plea for mercy… An old woman with snow-white hair was holding a one-year-old child in her arms and singing to it and tickling it. The child was cooing with delight. The parents were looking on with tears in their eyes. The father was holding the hand of a boy about 10 years old and speaking to him softly; the boy was fighting his tears. The father pointed to the sky, stroked his head and seemed to explain something to him. At that moment the S.S. man at the pit shouted something to his comrade. The latter counted off about twenty persons and instructed them to go behind the earth mound… I well remember a girl, slim and with black hair, who, as she passed close to me, pointed to herself and said: “twenty-three years old.” I walked around the mound and found myself confronted by a tremendous grave. People were closely wedged together and lying on top of each other so that only their heads were visible. Nearly all had blood running over their shoulders from their heads. Some of the people were still moving. Some were lifting their arms and turning their heads to show that they were still alive. The pit was already two-thirds full. I estimated that it contained about a thousand people. I looked for the man who did the shooting. He was an S.S. man, who sat at the edge of the narrow end of the pit, his feet dangling into the pit. He had a tommy gun on his knees and was smoking a cigarette. The people, completely naked, went down some steps and clambered over the heads of the people lying there to the place to which the S.S. man directed them. They lay down in front of the dead or wounded people; some caressed those who were still alive and spoke to them in a low voice. Then I heard a series of shots. I looked into the pit and saw that the bodies were twitching or the heads lying already motionless on top of the bodies that lay beneath them. Blood was running from their necks. The next batch was approaching already. They went down into the pit, lined themselves up against the previous victims and were shot. And so it went, batch after batch. The next morning the German engineer returned to the site. I saw about thirty naked people lying near the pit. Some of them were still alive… Later the Jews still alive were ordered to throw the corpses into the pit. Then they themselves had to lie down in this to be shot in the neck… I swear before God that this is the absolute truth.47
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
She looked at him. She was feeling reckless, emotional, out of sorts, and she was tired of his constant hints. “I found the experience so unpleasant with Wilfred that I kicked him out lest he want to repeat the whole thing.” She shuddered. “I was expecting someone younger and healthier than Sir Thomas would convince me that lovemaking was worth the trouble. It isn’t. It’s nasty and ugly and dirty.” He stared at her for a long moment. And then he spoke. “Dear girl,” he said softly, “don’t you know that any reasonable man would take that as a challenge?” She jerked her head up to look at him, into those very dark green eyes. “Don’t be absurd. Why would anyone bother when there are so many willing females around? I’m too much trouble. And besides, I don’t consider you a reasonable man.” His smile was fleeting. “I’m an eminently reasonable man.” And before she realized what he was doing she was back in his arms and he was kissing her, openmouthed and hot and wet, no teasing approach, just raw, sexual demand that should have filled her with disgust and dismay. He didn’t like mysteries, any more than he liked emotions, weaknesses or unsatisfied lust.
Anne Stuart (Shameless (The House of Rohan, #4))
During some of the darkest days of the American Revolution, a courageous patriot risked life and limb to alert the rebels to the approaching British. This hero rode at breakneck speeds on a rain-slick night through dangerous territory, evading enemy soldiers and brigands to rouse the Americans against the menace at their doors. Paul who? We’re talking about Sybil Ludington, a 16-year-old girl.
Jason Porath (Rejected Princesses: Tales of History's Boldest Heroines, Hellions, and Heretics)
Her Majesty to the theatre. The performance took place on a stage erected in the courtyard, and Her Majesty closed in one part of her veranda for the use of the guests and Court ladies. During the performance I began to feel very drowsy, and eventually fell fast asleep leaning against one of the pillars. I awoke rather suddenly to find that something had been dropped into my mouth, but on investigation I found it was nothing worse than a piece of candy, which I immediately proceeded to eat. On approaching Her Majesty, she asked me how I had enjoyed the candy, and told me not to sleep, but to have a good time like the rest. I never saw Her Majesty in better humor. She played with us just like a young girl, and one could hardly recognize in her the severe Empress Dowager we knew her to be.
Der Ling (Two Years In The Forbidden City)
Lise was on only the first day of what would be a three-day bicycle ride over small back roads “through thick enemy formations” to the combat zone. She slept in ditches when she tired, then picked up her vélo and began traveling again to her headquarters. She was nowhere near a radio when the communiqué from General Dwight D. Eisenhower, supreme commander of Allied forces, aired for the people of Normandy: The lives of many of you depend on the speed with which you obey. Leave your towns at once—stay off the roads—go on foot and take nothing with you that is difficult to carry. Do not gather in groups which may be mistaken for enemy troops. The largest armada the world had ever known was minutes away from landing on the northern beaches of France. The hour of your liberation is approaching.
Sarah Rose (D-Day Girls: The Spies Who Armed the Resistance, Sabotaged the Nazis, and Helped Win World War II)
I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.
Bram Stoker (Dracula (Annotated))
from her purse. “We have to follow that car!” “But not too close,” Nancy replied. “We’d make them suspicious.” The girls waited three minutes before backing out into the main highway and then turning into the adjacent road. Though the automobile ahead had disappeared, tire prints were plainly visible. The road twisted through a stretch of wood-land. When finally the tire prints turned off into a heavily wooded narrow lane, Nancy was sure they were not far from the cabin. She parked among some trees and they went forward on foot. “There it is!” whispered Nancy, recognizing the chimney. “Bess, I want you to take my car, drive to River Heights, and look up the name of the owner of the car we just saw. Here’s the license number. “After you’ve been to the Motor Vehicle Bureau, please phone Mrs. Putney’s house. If she answers, we’ll know it wasn’t she we saw in the car. Then get hold of Dad or Ned, and bring one of them here as fast as you can. We may need help. Got it straight?” “I—I—g-guess so,” Bess answered. “Hurry back! No telling what may happen while you’re away.” The two watched as Nancy’s car rounded a bend and was lost to view. Then Nancy and George walked swiftly through the woods toward the cabin. Approaching the building, Nancy and George were amazed to find that no car was parked on the road in front. “How do you figure it?” George whispered as the girls crouched behind bushes. “We certainly saw tire marks leading into this road!” “Yes, but the car that passed may have gone on without stopping. Possibly the driver saw us and changed her plans. Wait here, and watch the cabin while I check the tire marks out at the
Carolyn Keene (The Ghost of Blackwood Hall (Nancy Drew, #25))
Wrong again. I'll tell you, shall I?" The djinni fixed him with its black-eyed stare. "You knocked yourself out, like the idiot you are. The golem was approaching, doubtless planning to take the Staff and crush your head like a melon. It was foiled—" "By your prompt action?" Nathaniel said. "If so, I'm grateful, Bartimaeus." "Me? Save you? Please—someone I know might be listening. No. My magic is canceled out by the golem's, remember? I sat back to watch the show. In fact... it was the girl and her friend. They saved you. Wait—don't mock! I do not lie. The boy distracted it while the girl climbed on the golem's back, tore the manuscript from its mouth, and threw it to the ground. Even as she did so, the golem seized her and the boy—incinerated them in seconds. Then its life force ebbed and it finally froze, inches from your sorry neck.
Jonathan Stroud (The Golem's Eye (Bartimaeus, #2))
His mother had always been a headstrong woman, and with her grayish-white mane and unsmiling face, she appeared as regal and intimidating as she had ever been. Still, seeing her through other people’s eyes, Hanfeng realized that all that made her who she was—the decades of solitude in her widowhood, her coldness to the prying eyes of people who tried to mask their nosiness with friendliness, and her faith in the notion of living one’s own life without having to go out of one’s way for other people—could be deemed pointless and laughable. Perhaps the same could be said of any living creature: a caterpillar chewing on a leaf, unaware of the beak of an approaching bird; an egret mesmerized by its reflection in a pond, as if it were the master of the universe; or Hanfeng’s own folly of repeating the same pattern of hope and heartbreak, hoping despite heartbreak.
Yiyun Li (Gold Boy, Emerald Girl)
My job title was youth advocate. My approach was unconditional positive regard. My mission was to help the girl youth succeed in spite of the unspeakably harrowing crap stew they’d been simmering in all of their lives. Succeeding in this context meant getting neither pregnant nor locked up before graduating high school. It meant eventually holding down a job at Taco Bell or Walmart. It was only that! It was such a small thing and yet it was enormous. It was like trying to push an eighteen-wheeler with your pinkie finger. I was not technically qualified to be a youth advocate. I’d never worked with youth or counseled anyone. I had degrees in neither education nor psychology. I’d been a waitress who wrote stories every chance I got for most of the preceding years. But for some reason, I wanted this job and so I talked my way into it. I wasn’t meant to let the girls know I was
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
The reason for which the book Dalaa’ilul Khayraat was written is well known. The author was once in need of making wudhu when he could not find a rope and bucket to draw water from a well. Seeing his dilemma, a young girl approached the well and spat into it, causing the water to rise to the top. Taken aback, the author asked her the reason for this. She replied that it was because of the blessings of Durood. This then spurred him on to write the book.
Muhammad Zakariya Kandhlawi (Faza’il e Durood)
Darce and Jill were an odd couple—especially when we all were kids. Darcy was short and small with chin-length black hair. My wife was always cute and approachable. Jill was as tall as most boys. Her straight blond hair cascaded down to her butt. She floated through the high school hallways like a goddess. I would have never dreamed of speaking to her back then. As adults, Jill was the one who was always nervously telling jokes and Darcy was the one who was always quick to laugh, throwing her head back and roaring with her mouth wide open. My wife was easy to please and Jill was a pleaser. Jill’s looks often made other girls self-conscious but my wife was always very comfortable in her own skin. Jill was impulsive. Darcy was thoughtful. All of the Jill and Darcy puzzle pieces just naturally snapped together. For every tab, knob, and loop one had, the other had a corresponding blank, hole, or socket. They were a perfect fit.
Matthew Quick (We Are the Light)
What misery! and all these girls, broken by fatigue, were silly enough to come here at night and make babies, more flesh to toil and suffer! It would never end while they went on getting themselves filled with starvelings.Ought they rather not stop up their wombs and close their thighs tight against approaching disaster? But then, perhaps he was only harbouring these dismal thoughts because he resented being alone, when all the others were pairing off to take their pleasure.
Émile Zola (Germinal)
You can approach the act of writing with nervousness, excitement, hopefulness, or even despair—the sense that you can never completely put on the page what’s in your mind and heart. You can come to the act with your fists clenched and your eyes narrowed, ready to kick ass and take down names. You can come to it because you want a girl to marry you or because you want to change the world. Come to it any way but lightly. Let me say it again: you must not come lightly to the blank page.
Stephen King (On Writing: A Memoir of the Craft)
May I interrupt you for a few moments?” “Of course.” She gestured to a chair near her writing desk, and set the pen in its holder. Noticing the deliberately bland expression on his face, she asked, “What scheme are you hatching?” He blinked in surprise. “How do you know there’s a scheme?” “Whenever you try to look innocent, it’s obvious you’re up to something.” West grinned. “The girls wouldn’t dare approach you about it, but I told them I would, since it’s been established that I can outrun you when necessary.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
At Zuzanna’s urging, I approached him for advice about my being overwhelmed as a mother. With trying to juggle work, caring for a young daughter, and being a wife, I was often worn to a frazzle and lost my temper more and more. Father Skala suggested that, in addition to prayer, I might also wear a rubber band on my wrist and snap it every time I felt my temper getting the better of me. I wore the dull red band on my wrist and did a good deal of band-snapping each day. By week’s end, my wrist was raw from snaps.
Martha Hall Kelly (Lilac Girls (Lilac Girls, #1))
If a man takes a wife and, after lying with her, dislikes her and slanders her and gives her a bad name, saying, ‘I married this woman, but when I approached her, I did not find proof of her virginity,’ then the girl’s father and mother . . . shall display the cloth [that the couple slept on] before the elders of the town . . . If, however, the charge is true and no proof of the girl’s virginity can be found, she shall be brought to the door of her father’s house and there the men of her town shall stone her to death. – DEUTERONOMY 22:13 – 21
Nicholas D. Kristof (Half the Sky: How to Change the World)
I glance around the set—everyone is buzzing like worker bees getting ready for the shot. Cordelia’s getting primped and powdered by a makeup girl, Vanessa is speaking with a few of the cameramen, and the convertible I’m supposed to drive is just sitting there . . . all by its lonesome. And look at that—someone left the keys in the ignition. Stealthily, I sidle up to Sarah. “Have you ever driven in a convertible?” She looks up sharply, like she didn’t see me approach. “Of course I have.” My hands slide into my pockets and I lean back on my heels. “Have you ever been in a convertible driven by a prince?” Her eyes are lighter in the sun, with a hint of gold. They crinkle as she smiles. “No.” I nod. “Perfect. We do this in three.” Now she looks nervous. “Do what?” I spot James across the way, eyes scanning the crowd—far enough away that he’ll never get over here in time. “Three . . .” “I don’t know what you mean.” “Two . . .” “Henry . . .” “One.” “I . . .” “Go, go, go!” “Go where?” she asks, loud enough to draw attention. So I wrap my arm around her waist, lift her off her feet, carry her to the car, and swing her up and into the passenger seat. Then, I jump into the driver’s side. “Shit!” James curses. But then the engine is roaring to life. I back out, knocking over a food service table, and the tires screech as I turn around and drive across the grounds . . . toward the woods. “The road is that way!” Sarah yells, the wind making her long, dark hair dance and swirl. “I know a shortcut. Buckle up.” We fly into the woods, sending a flurry of leaves in our wake. The car bounces and jostles, and I feel Sarah’s hand wrapped around my arm—holding on. It feels good. “Duck.” “What?” I push her head down and crouch at the same time, to avoid getting whipped in the face by the low-branch of a pine tree. After we’re past it, Sarah sits up, owl-eyed, and looks back at the branch and then at me. I smirk. “If you wanted me to push your head down, love, you could’ve just said so.” “You’re insane!” I hit the gas hard, swerving around a stump. “What? You’re the only one who gets to make dirty jokes?” We have a sharp turn coming up ahead. I lay my arm across Sarah’s middle. “Hold on.
Emma Chase (Royally Matched (Royally, #2))
Harriet turned round, and we both saw a girl walking towards us. She was dark-skinned and thin, not veiled but dressed in a sitara, a brightly coloured robe of greens and pinks, and she wore a headscarf of a deep rose colour. In that barren place the vividness of her dress was all the more striking. On her head she balanced a pitcher and in her hand she carried something. As we watched her approach, I saw that she had come from a small house, not much more than a cave, which had been built into the side of the mountain wall that formed the far boundary of the gravel plateau we were standing on. I now saw that the side of the mountain had been terraced in places and that there were a few rows of crops growing on the terraces. Small black and brown goats stepped up and down amongst the rocks with acrobatic grace, chewing the tops of the thorn bushes. As the girl approached she gave a shy smile and said, ‘Salaam alaikum, ’ and we replied, ‘Wa alaikum as salaam, ’ as the sheikh had taught us. She took the pitcher from where it was balanced on her head, kneeled on the ground, and gestured to us to sit. She poured water from the pitcher into two small tin cups, and handed them to us. Then she reached into her robe and drew out a flat package of greaseproof paper from which she withdrew a thin, round piece of bread, almost like a large flat biscuit. She broke off two pieces, and handed one to each of us, and gestured to us to eat and drink. The water and the bread were both delicious. We smiled and mimed our thanks until I remembered the Arabic word, ‘Shukran.’ So we sat together for a while, strangers who could speak no word of each other’s languages, and I marvelled at her simple act. She had seen two people walking in the heat, and so she laid down whatever she had been doing and came to render us a service. Because it was the custom, because her faith told her it was right to do so, because her action was as natural to her as the water that she poured for us. When we declined any further refreshment after a second cup of water she rose to her feet, murmured some word of farewell, and turned and went back to the house she had come from. Harriet and I looked at each other as the girl walked back to her house. ‘That was so…biblical,’ said Harriet. ‘Can you imagine that ever happening at home?’ I asked. She shook her head. ‘That was charity. Giving water to strangers in the desert, where water is so scarce. That was true charity, the charity of poor people giving to the rich.’ In Britain a stranger offering a drink to a thirsty man in a lonely place would be regarded with suspicion. If someone had approached us like that at home, we would probably have assumed they were a little touched or we were going to be asked for money. We might have protected ourselves by being stiff and unfriendly, evasive or even rude.
Paul Torday (Salmon Fishing in the Yemen)
When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud. As the Poet introduced the next performer, all I heard was "bang bang," and when Lana returned to the table reserved for all the performers, with the seat next to her left empty by the singer who had replaced her, I told Bon I would be back in ten minutes. I heard him say, Don't do it, you stupid bastard, but without further thought I began my walk across the lounge. The hardest thing to do in talking to a woman was taking the first step, but the most important thing to do was not to think. Not thinking is more difficult than it sounds, and yet, with women, one should never think. Never. It simply won't do. The first few times in approaching girls, during my lycée years, I had thought too much, hesitated, and as a result, flailed and failed. But even so, I discovered that all the childhood bullying directed at me had toughened me, making me believe that being rejected was better than not having the chance to be rejected at all. Thus it was that I approached girls, and now women, with such Zen negation of all doubt and fear the Buddha would approve.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer #1))
Yet I cling to them because I still believe, in spite of everything, that people are truly good at heart. It’s utterly impossible for me to build my life on a foundation of chaos, suffering and death. I see the world being slowly transformed into a wilderness, I hear the approaching thunder that, one day, will destroy us too, I feel the suffering of millions. And yet, when I look up at the sky, I somehow feel that everything will change for the better, that this cruelty too will end, that peace and tranquility will return once more. In the meantime, I must hold on to my ideals. Perhaps the day will come when I’ll be able to realize them!
Anne Frank (The Diary of a Young Girl)
As the third evening approached, Gabriel looked up blearily as two people entered the room. His parents. The sight of them infused him with relief. At the same time, their presence unlatched all the wretched emotion he'd kept battened down until this moment. Disciplining his breathing, he stood awkwardly, his limbs stiff from spending hours on the hard chair. His father came to him first, pulling him close for a crushing hug and ruffling his hair before going to the bedside. His mother was next, embracing him with her familiar tenderness and strength. She was the one he'd always gone to first whenever he'd done something wrong, knowing she would never condemn or criticize, even when he deserved it. She was a source of endless kindness, the one to whom he could entrust his worst thoughts and fears. "I promised nothing would ever harm her," Gabriel said against her hair, his voice cracking. Evie's gentle hands patted his back. "I took my eyes off her when I shouldn't have," he went on. "Mrs. Black approached her after the play- I pulled the bitch aside, and I was too distracted to notice-" He stopped talking and cleared his throat harshly, trying not to choke on emotion. Evie waited until he calmed himself before saying quietly, "You remember when I told you about the time your f-father was badly injured because of me?" "That wasn't because of you," Sebastian said irritably from the bedside. "Evie, have you harbored that absurd idea for all these years?" "It's the most terrible feeling in the world," Evie murmured to Gabriel. "But it's not your fault, and trying not to make it so won't help either of you. Dearest boy, are you listening to me?" Keeping his face pressed against her hair, Gabriel shook his head. "Pandora won't blame you for what happened," Evie told him, "any more than your father blamed me." "Neither of you are to blame for anything," his father said, "except for annoying me with this nonsense. Obviously the only person to blame for this poor girl's injury is the woman who attempted to skewer her like a pinioned duck." He straightened the covers over Pandora, bent to kiss her forehead gently, and sat in the bedside chair. "My son... guilt, in proper measure, can be a useful emotion. However, when indulged to excess it becomes self-defeating, and even worse, tedious." Stretching out his long legs, he crossed them negligently. "There's no reason to tear yourself to pieces worrying about Pandora. She's going to make a full recovery." "You're a doctor now?" Gabriel asked sardonically, although some of the weight of grief and worry lifted at his father's confident pronouncement. "I daresay I've seen enough illness and injuries in my time, stabbings included, to predict the outcome accurately. Besides, I know the spirit of this girl. She'll recover." "I agree," Evie said firmly. Letting out a shuddering sigh, Gabriel tightened his arms around her. After a long moment, he heard his mother say ruefully, "Sometimes I miss the days when I could solve any of my children's problems with a nap and a biscuit." "A nap and a biscuit wouldn't hurt this one at the moment," Sebastian commented dryly. "Gabriel, go find a proper bed and rest for a few hours. We'll watch over your little fox cub.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Catching my breath, I lean against the front of the car and focus on the individual blades of grass hedging my flip-flop, trying not to throw up or pass out or both. In the far distance, a vehicle approaches-the first one to witness the scene of our accident. A million explanations run through my mind, but I can’t imagine a single scenario that would solve all-or any-of our issues right now. None of us can risk going to the hospital. Mom technically doesn’t qualify as human, so I’m sure we’d get a pretty interesting diagnosis. Rachel is technically supposed to be deceased as of the last ten years or so, and while she probably has a plethora of fake IDs, she’s still antsy around cops, which will surely be called to the hospital in the event of a gunshot wound, even if it is just in the foot. And let’s not forget that Mom and Rachel are new handcuff buddies. There just isn’t an explanation for any of this. That’s when I decide I’m not the one who should do the talking. After all, I didn’t kidnap anyone. I didn’t shoot anyone. And I certainly didn’t handcuff myself to the person who shot me. Besides, both Mom and Rachel are obviously much more skilled at deception then I’ll ever be. “If someone pulls over to help us, one of you is explaining all this,” I inform them. “You’ll probably want to figure it out fast, because here comes a car.” But the car comes and goes without even slowing. In fact, a lot of cars come and go, and if the situation weren’t so strange and if I weren’t so thankful that they didn’t actually stop, I’d be forced to reexamine what the world is coming to, not helping strangers in an accident. Then it occurs to me that maybe the passerby don’t realize it’s the scene of an accident. Mom’s car is in the ditch, but the ditch might be steep enough to hide it. It’s possible that no one can even see Rachel and Mom from the side of the road. Still, I am standing at the front of Rachel’s car. An innocent-looking teenage girl just loitering for fun in the middle of nowhere and no one cares to stop? Seriously? Just as I decide that people suck, a vehicle coming from the opposite direction slows and pulls up a few feet behind us. It’s not a good Samaritan traveler pulling over to see what he or she can do to inadvertently complicate things. It’s not an ambulance. It’s not a state trooper. If only we could be so lucky. But, nope, it’s way worse. Because it’s Galen’s SUV. From where I stand, I can see him looking at me from behind the wheel. His face is stricken and tried and relieved and pained. I want to want to want to believe the look in his eyes right now. The look that clearly says he’s found what he’s looking for, in more ways than one.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Closing the distance between them, he had savored the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
Now that you are living on such intimate terms with her, Gwyn has emerged as a slightly different person... She is both funnier and more salacious than you imagined, more vulgar and idiosyncratic, more passionate, more playful, and you are startled to realize how deeply she exults in filthy language and the bizarre slang of sex... Common twentieth-century words do not interest her. She shuns the term making love, for example, in favor of older, more hilarious locutions, such as rumpty-rumpty, quaffing, and bonker bang. A good orgasm is referred to as a bone-shaker. Her ass is a rumdadum. Her crotch is a slittie, a quim, a quim-box, a quimsby. Her breasts are boobs and tits, boobies and titties, her twin girls. At one time or another, your penis is a bong, a blade, a slurp, a shaft, a drill, a quencher, a lancelot, a lightning rod, Charles Dickens, Dick Driver, and Adam Junior... In the grip of approaching orgasm, however, she tends to revert to the contemporary standbys, falling back on the simplest, crudest words in the English lexicon to express her feelings. Cunt, pussy, fuck. Fuck me, Adam. Again and again. Fuck me, Adam. For an entire month you are the captive of that word, the willing prisoner of that word, the embodiment of that word. You dwell in the land of flesh, and your cup runneth over. Surely goodness and mercy shall follow you all the days of your life.
Paul Auster (Invisible (Rough Cut))
He is totally dreamy Grace. You see that don’t you?” Sarah gave me more Caylie learned lingo. “Oh, don’t I know. I just don’t want anyone else dreaming about him.” “He’s far from ugly Grace. He’s gorgeous.” I gave her a glare. She kept on, “I will tell you this because you are my friend. He is so gorgeous every girl in this court has fantasized about him, including me. But you don’t see the way we see him look at you. The way he stops everything when you come in the room. They way his eyes pop when you speak the first time to him when you approach. It’s how he breathes too Grace. He seems to hold his breath until you are close enough for him to touch. He is completely and utterly in love with you girl.
Cyndi Goodgame
I get out the car. For at least seven hours I don’t have to talk about One-Fifteen. I don’t have to think about Khalil. I just have to be normal Starr at normal Williamson and have a normal day. That means flipping the switch in my brain so I’m Williamson Starr. Williamson Starr doesn’t use slang—if a rapper would say it, she doesn’t say it, even if her white friends do. Slang makes them cool. Slang makes her “hood.” Williamson Starr holds her tongue when people piss her off so nobody will think she’s the “angry black girl.” Williamson Starr is approachable. No stank-eyes, side-eyes, none of that. Williamson Starr is nonconfrontational. Basically, Williamson Starr doesn’t give anyone a reason to call her ghetto.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
I did not have the luxury of perceiving my situation as difficult or painful. I could not give much thought to each passing day; I had to live from each passing day to the next. The day was always hectic, from morning to evening, leaving me no time to think about anything else but the most immediate and necessary tasks that had to be done before I had to quickly go to sleep or wake up again. It was only after I approached thirty that I got to thinking about how worn out and exhausted I must have been back then. I was about to turn thirty and one day I felt extremely, utterly tired. I realized, right away, that my fatigue dated back to those years, that I had already turned thirty, or even thirty-two, many years ago.
Shin Kyung-sook (The Girl Who Wrote Loneliness)
Approaching the trail, he broke through the thicket a short distance ahead of the Empath. Causing the Empaths horse to startle as the surprised rider jerked on the reins. Cap was equally surprised to find a young girl before him instead of an older, experienced male Empath. Cap brought his horse to a quick halt. The young girl pulled a small knife from her boot and cautioned him. "I don't know where you came from, but I'm not easy prey.” Her voice shook slightly with fear as she raised the knife. Not sure how to proceed, they stared silently at each other. Cap had always believed that Empaths didn't carry weapons. This pretty, chestnut haired girl couldn't be more than 18 years old. Her long straight tresses covered the spot on her jacket where the Empathic Emblem was usually worn, causing Cap to doubt she was the one he sought. Not wanting to frighten her any more than he already had, Cap tried to explain. "I'm Commander Caplin Taylor. I’m looking for an Empath that is headed for the Western Hunting Lodge.” "My name is Kendra; I am the Empath you seek.” She answered cautiously, still holding the blade. A noise from the brush drew her attention as a small rodent pounced out, trying to evade an unseen predator. Cap was just close enough to lurch forward and snatch the dirk from her hand. Her head jerked back in alarm. "Bosen May has been mauled by a Sraeb, his shoulder is a mass of pulp." Cap spoke quickly not wanting to hesitate any longer. That was all Kendra needed to hear. She pushed her horse past him and headed quickly down the trail. "Wait!" Cap called after her, turning his horse around. Reining in the horse, she turned back to face him annoyed by the delay. "Are you a good horseman?" Cap asked, as he stuffed her dirk in his jacket. "I've been in the saddle since I was a child." She answered, abruptly. "Okay so just a few years then?" Cap's rebuke angered her. Jerking the horse back toward the trail, she ignored him. "Wait, I'm sorry!" Cap called after her. "It's just that I know a quicker way, if you can handle some rough terrain." "Let’s go then." Kendra replied, gruffly, turning back to face him. Without another word, Cap dove back into the brush and the girl followed.
Alaina Stanford (Tempest Rise (Treborel, #1))
And when Aphrodite was told about Cupid`s rapid progress, she asked Zeus whether he would take her other son, Hymen, along too, since Hymen was already twenty-one & was about to be appointed as the God of Marriage, but knew precious little about love & sex, let alone, marriage. And thus Zeus took Hymen along too on his oyster hunt. But the Nymphs did not like Hymen. They shrieked & ran in all directions at his approach. But Hymen turned out to be a worthy oyster hunter. He caught the Nymphs easily enough & after catching them, he fed them with wine which his father, the God of Wine, made. And thus drugged, he harvested their oysters painlessly. And this was how all virgin Nymphs & girls got their oysters named after him, the God of Marriage.
Nicholas Chong
I didn’t know how to tell you . . .” “You didn’t know how to tell me? How about: ‘Cathy, I got fired because I was drunk at work’? How about that?” I flinch and her face softens. “I’m sorry, but honestly, Rachel.” She really is too nice. “What have you been doing? Where do you go? What do you do all day?” “I walk. Go to the library. Sometimes—” “You go to the pub?” “Sometimes. But—” “Why didn’t you tell me?” She approaches me, placing her hands on my shoulders. “You should have told me.” “I was ashamed,” I say, and I start to cry. It’s awful, cringeworthy, but I start to weep. I sob and sob, and poor Cathy holds me, strokes my hair, tells me I’ll be all right, that everything will be all right. I feel wretched. I hate myself almost more than I ever have.
Paula Hawkins (The Girl on the Train)
Girls seemed to have it easy in comparison. They mostly stood there in blue frocks or tight jeans or frilly skirts or whatever and handed out judgement, like flocks of Caesars in lipstick, crushing my fledging ego with their precious thumbs. And just like Caesar, they never seemed to earn the right to do that, it was theirs by birth. Who had decided this? I sure was never consulted. I had no choice, forced to bury my head in a game I had never agreed to join. I resented girls for it, and that cost me dearly. It nearly crippled me for life. But the winds of power were beginning to shift now. Just as those girls were becoming women, approaching the big 30 and being overtaken by a new batch of free riders, I was starting to get noticed. Time was a great leveller, and time was here.
MT Burell
The Great Carouser by Stewart Stafford The Great Carouser approaches, His belly as stacked cheddar rolls, Used as a springboard for lust, And a battering ram for tavern doors. Shrieks of terror and welcome, Greet his arrival with ale demands, Tankards clank and merriment begins, Lewd ditties and jokes by the bar. Balancing acts on tables, With tongues held hostage, By braggadocio squatters, In an intoxicated stranglehold. Slurred speech and equilibrium loss, Signal festivities end for the gang, Staggering out into the starlit street, Partners on each arm for shady exertions. Then waking as if mauled by a bear, A quick drink and a greasy feast initiated, For the strange girls snoring in his bed, The Great Carouser has struck again. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
The merman does not want to seduce Agnes, although previously he had seduced many. He is no longer a merman, or, if one so will, he is a miserable merman who already has long been sitting on the floor of the sea and sorrowing. However, he knows (as the legend in fact teaches), that he can be delivered by the love of an innocent girl. But he has a bad conscience with respect to girls and does not dare to approach them. Then he sees Agnes. Already many a time when he was hidden in the reeds he had seen her walking on the shore. Her beauty, her quiet occupation with herself, fixes his attention upon her ; but only sadness prevails in his soul, no wild desire stirs in it. And so when the merman mingles his sighs with the soughing of the reeds she turns her ear thither, and then stands still and falls to dreaming, more charming than any woman and yet beautiful as a liberating angel which inspires the merman with confidence. The merman plucks up courage, he approaches Agnes, he wins her love, he hopes for his deliverance. But Agnes was no quiet maiden, she was fond of the roar of the sea, and the sad sighing beside the inland lake pleased her only because then she seethed more strongly within. She would be off and away, she would rush wildly out into the infinite with the merman whom she loved – so she incites the memman. She disdained his humility, now pride awakens. And the sea roars and the waves foam and the merman embraces Agnes and plunges with her into the deep. Never had he been so wild, never so full of desire, for he had hoped by this girl to find deliverance. He soon became tired of Agnes, yet no one ever found her corpse, for she became a mermaid who tempted men by her songs.
Søren Kierkegaard (Fear and Trembling)
The first, and more traditional, involved the ingestion of mercury as well as the topical application of this liquid metal to chancres and lesions. The second, more modern theory favored other metals and chemicals—gold, silver, copper, bromine, iodine, and nitric acid—to be taken internally or applied in ointments. Both approaches were hazardous to patients’ health. Of these two methods, Gothenburg’s Kurhuset appears to have favored non-mercurial cures. Elisabeth, during her stay, was treated internally with hydroiodic acid, the main components of which are iodine and hydrogen; her genital warts would have been dehydrated with a cream or cut off. After receiving this cure for seventeen days, Elisabeth went into premature labor. On April 21, while under lock and key at the Kurhuset, she gave birth to a stillborn seven-month-old girl.* She did not cite the father’s name on the birth certificate.
Hallie Rubenhold (The Five: The Untold Lives of the Women Killed by Jack the Ripper)
Die before your Death...’ IT IS ALSO narrated that once Moulana said to his son: ‘If the people ask you what is your Path, then reply “My Path is to eat very little, nay, my Path is ‘to die’, that is, to be annihilated into the radiance of the Divine”.’ And then he related a story of a Dervish who, approaching a house, asked for some water to drink. A very beautiful girl appeared at the door and handed an empty utensil to the man; but the dervish said: ‘I want some water to drink.’ The girl asked him to go away, saying, ‘I have given you your reply, for a Dervish is not one who eats the whole day and sleeps the whole night; but the real pious one is he who sleeps hungry many a night and eats nothing during the day.’ Another Persian sage has said: ‘Eating is to preserve life, not living only to eat and yet eat more.’ Moulana said that the Dervish, after that encounter with the girl, never ate during the day until his last hour.
Idries Shah (The Hundred Tales of Wisdom)
She leaned forward, eager to see what it was. She was wearing her charm bracelet that day, as she always did, so she was eager to add the new one. But what was it? “That’s funny,” Luca said. “It looked a lot bigger in the store.” He dropped the charm into her hand. It was a teeny, tiny ring. An engagement ring. “Luca,” she said. The older lady giggled nervously. “Hang on,” Luca said. “Don’t say anything yet.” He reached into his pocket again, and that time he pulled out a full-sized ring. One that would fit on her finger. It was the second most beautiful thing Tina Gardenia had ever seen. The most beautiful thing she’d ever seen was Luca’s blue eyes, glistening as he looked up at her and asked, “Will you marry me?” The word came out of her mouth without even registering in her brain. “Yes.” She leaned forward and wrapped her arms around his big shoulders. The other patients, and some nurses who’d approached quietly, clapped and cheered.
Angie Pepper
Half inebriated, he vaulted up the stairs to find them lolling in chairs in the hall outside Maria’s door. Gabe clasped a bunch of violets in his hand while Jarret held a rolled-up piece of parchment in his. “What are you two louts doing here in the middle of the night?” he growled. “It’s nearly dawn,” Gabe said coolly. “Hardly the middle of the night. Not that you would have noticed, in your drunken state.” Scowling, Oliver took a step toward them. “It’s still earlier than you, at least, every rise.” Gabe glanced at Jarret. “Clearly, the old boy doesn’t remember what today is.” “I believe you’re right,” Jarret returned, a hint of condemnation in his tone. Oliver glared at them both as he sifted through his soggy brain for what they menat. When it came to him, he groaned. St. Valentine’s Day. That sobered him right up. “That doesn’t explain why you’re lurking outside Maria’s door.” Jarret cast him a scathing glance as he got to his feet. “Why do you care? You ran off to town to find your entertainment. Seems to me that you’re relinquishing the field.” “So you two intend to step in?” he snapped. “Why not?” Gabe rose to glower at him. “Since your plan to thwart Gran isn’t working, and it’s looking as if we’ll have to marry someone, we might as well have a go at Miss Butterfield. She’s an heiress and a very nice girl, too, in case you hadn’t noticed If you’re stupid enough to throw her over for a bunch of whores and opera dancers, we’re more than happy to take your place. We at least appreciate her finer qualities.” The very idea of his brothers appreciating anything of Maria’s made his blood boil. “In the first place, I didn’t throw her over for anyone. In the second, I am damned well not relinquishing the field. And I’m certainly not giving it over to a couple of fortune hunters like you.” The sound of footsteps coming down the hall from the servants’ stairs made them whirl in that direction. Betty walked slowly toward them, one hand shading her eyes. That’s when it hit him. His brothers were here because of that silly superstition about a maiden’s heart being joined to that of whoever was the first man she spotted on St. Valentine’s Day. “Good morning, gentlemen,” Betty murmured as she approached, carefully avoiding looking at any of them. A devilish grin lit Gabe’s face. “Betty, catch!” he cried and tossed a violet at her. She didn’t even move a finger to stop it from bouncing off her and falling to the floor. “If your lordships will excuse me,” she said in a decidedly snippy tone, “my mistress rang the bell for me.” With a sniff that conveyed her contempt for them, she slipped inside Maria’s rom and shut the door firmly behind her. “That was shameful,” Jarret told Gabe. “You know bloody well that Betty and John are sweethearts.” “It’s not my fault that John didn’t show up this morning so she could see him first,” Gabe said with a shrug.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Cheat wore a Valorian jacket Kestrel was sure she had seen on the governor the night before. He sat at the right hand of the empty head of the dining table, but stood when Kestrel and Arin entered. He approached. His eyes dragged over her. “Arin, your slave looks positively wild.” Lack of sleep made her thoughts broken and shiny, like pieces of mirrors on strings. Cheat’s words spun in her head. Arin tensed beside her. “No offense,” Cheat told him. “It was a compliment to your taste.” “What do you want, Cheat?” Arin said. The man stroked a thumb over his lower lip. “Wine.” He looked straight at Kestrel. “Get some.” The order itself wasn’t important. It was how Cheat had meant it: as the first of many, and how, in the end, they translated into one word: obey. The only thing that kept Kestrel’s face clean of her thoughts was the knowledge that Cheat would take pleasure in any resistance. Yet she couldn’t make herself move. “I’ll get the wine,” Arin said. “No,” Kestrel said. She didn’t want to be left alone with Cheat. “I’ll go.” For an uncertain moment, Arin stood awkwardly. Then he walked to the door and motioned a Herrani girl into the room. “Please escort Kestrel to the wine cellar, then bring her back here.” “Choose a good vintage,” Cheat said to Kestrel. “You’ll know the best.” As she left the room, his eyes followed her, glittering. She returned with a clearly labeled bottle of Valorian wine dated to the year of the Herran War. She placed it on the table in front of the two seated men. Arin’s jaw set, and he shook his head slightly. Cheat lost his grin. “This was the best,” Kestrel said. “Pour.” Cheat shoved his glass toward her. She uncorked the bottle and poured--and kept pouring, even as the red wine flowed over the glass’s rim, across the table, and onto Cheat’s lap. He jumped to his feet, swatting wine from his fine stolen clothes. “Damn you!” “You said I should pour. You didn’t say I should stop.” Kestrel wasn’t sure what would have happened next if Arin hadn’t intervened. “Cheat,” he said, “I’m going to have to ask you to stop playing games with what is mine.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
He lavished on me a friendliness which was as far above that of Saint-Loup as that was above the affability of a mere tradesman. Compared with that of a great artist, the friendliness of a great gentleman, charming as it may be, has the effect of an actor’s playing a part, of being feigned. Saint-Loup sought to please; Elstir loved to give, to give himself. Everything that he possessed, ideas, work, and the rest which he counted for far less, he would have given gladly to anyone who could understand him. But, failing society that was endurable, he lived in an isolation, with a savagery which fashionable people called pose and ill-breeding, public authorities a recalcitrant spirit, his neighbours madness, his family selfishness and pride. And no doubt at first he had thought, even in his solitude, with enjoyment that, thanks to his work, he was addressing, in spite of distance, he was giving a loftier idea of himself, to those who had misunderstood or hurt him. Perhaps, in those days, he lived alone not from indifference but from love of his fellows, and, just as I had renounced Gilberte to appear to her again one day in more attractive colours, dedicated his work to certain people as a way of approaching them again, by which without actually seeing him they would be made to love him, admire him, talk about him; a renunciation is not always complete from the start, when we decide upon it in our original frame of mind and before it has reacted upon us, whether it be the renunciation of an invalid, a monk, an artist or a hero. But if he had wished to produce with certain people in his mind, in producing he had lived for himself, remote from the society to which he had become indifferent; the practice of solitude had given him a love for it, as happens with every big thing which we have begun by fearing, because we knew it to be incompatible with smaller things to which we clung, and of which it does not so much deprive us as it detaches us from them. Before we experience it, our whole preoccupation is to know to what extent we can reconcile it with certain pleasures which cease to be pleasures as soon as we have experienced it.
Marcel Proust (In the Shadow of Young Girls in Flower)
Those who know your name will trust in you, for you, LORD, have never forsaken those who seek you. PSALM 9:10 SEPTEMBER 29 A missionary’s wife in central China during World War II knew the Japanese were approaching her city. She was with her baby girl, two months old, and her son, just over a year old. Her husband had been taken to a hospital, himself ill. He was one hundred and fifteen miles away and would not be back for perhaps a month. The poor woman was filled with fear—she was alone and unprotected, in bitter January weather. When morning came, she realized that she was without food for her children. She pulled off the calendar page. That day’s verse stated simply: “So then, don’t be afraid. I will provide for you and your children” (Genesis 50:21). There was a rap at the door. “We knew you would be hungry,” said a longtime neighbor, “and you didn’t know how to milk the goats. So I have milked your goats. Here is milk for your children.” Will you try to explain this away, handle it on an intellectual basis as just pure coincidence? When you come right down to it, what is coincidence? It is an act of God in the midst of time.
Norman Vincent Peale (Positive Living Day by Day)
Normally, Bentner would have beamed approvingly at the pretty portrait the girls made, but this morning, as he put out butter and jam, he had grim news to impart and a confession to make. As he swept the cover off the scones he gave his news and made his confession. “We had a guest last night,” he told Elizabeth. “I slammed the door on him.” “Who was it?” “A Mr. Ian Thornton.” Elizabeth stifled a horrified chuckle at the image that called to mind, but before she could comment Bentner said fiercely, “I regretted my actions afterward! I should have invited him inside, offered him refreshment, and slipped some of that purgative powder into his drink. He’d have had a bellyache that lasted a month!” “Bentner,” Alex sputtered, “you are a treasure!” “Do not encourage him in these fantasies,” Elizabeth warned wryly. “Bentner is so addicted to mystery novels that he occasionally forgets that what one does in a novel cannot always be done in real life. He actually did a similar thing to my uncle last year.” “Yes, and he didn’t return for six months,” Bentner told Alex proudly. “And when he does come,” Elizabeth reminded him with a frown to sound severe, “he refuses to eat or drink anything.” “Which is why he never stays long,” Bentner countered, undaunted. As was his habit whenever his mistress’s future was being discussed, as it was now, Bentner hung about to make suggestions as they occurred to him. Since Elizabeth had always seemed to appreciate his advice and assistance, he found nothing odd about a butler sitting down at the table and contributing to the conversation when the only guest was someone he’d known since she was a girl. “It’s that odious Belhaven we have to rid you of first,” Alexandra said, returning to their earlier conversation. “He hung about last night, glowering at anyone who might have approached you.” She shuddered. “And the way he ogles you. It’s revolting. It’s worse than that; he’s almost frightening.” Bentner heard that, and his elderly eyes grew thoughtful as he recalled something he’d read about in one of his novels. “As a solution it is a trifle extreme,” he said, “but as a last resort it could work.” Two pairs of eyes turned to him with interest, and he continued, “I read it in The Nefarious Gentleman. We would have Aaron abduct this Belhaven in our carriage and bring him straightaway to the docks, where we’ll sell him to the press gangs.” Shaking her head in amused affection, Elizabeth said, “I daresay he wouldn’t just meekly go along with Aaron.” “And I don’t think,” Alex added, her smiling gaze meeting Elizabeth’s, “a press gang would take him. They’re not that desperate.” “There’s always black magic,” Bentner continued. “In Deathly Endeavors there was a perpetrator of ancient rites who cast an evil spell. We would require some rats’ tails, as I recall, and tongues of-“ “No,” Elizabeth said with finality. “-lizards,” Bentner finished determinedly. “Absolutely not,” his mistress returned. “And fresh toad old, but procuring that might be tricky. The novel didn’t say how to tell fresh from-“ “Bentner!” Elizabeth exclaimed, laughing. “You’ll cast us all into a swoon if you don’t desist at once.” When Bentner had padded away to seek privacy for further contemplation of solutions, Elizabeth looked at Alex. “Rats’ tails and lizards’ tongues,” she said, chuckling. “No wonder Bentner insists on having a lighted candle in his room all night.” “He must be afraid to close his eyes after reading such things,” Alex agreed.
Judith McNaught (Almost Heaven (Sequels, #3))
The first symptom of true love in a young man is timidity; in a young girl, boldness. This is surprising, yet nothing is more simple. It is the two sexes tending to approach each other and assuming, each the other’s qualities. That day, Cosette’s glance drove Marius beside himself, and Marius’ glance set Cosette to trembling. Marius went away confident, and Cosette uneasy. From that day forth, they adored each other. The first thing that Cosette felt was a confused and profound melancholy. It seemed to her that her soul had become black since the day before. She no longer recognized it. The whiteness of soul in young girls, which is composed of coldness and gayety, resembles snow. It melts in love, which is its sun. Cosette did not know what love was. She had never heard the word uttered in its terrestrial sense. She did not know what name to give to what she now felt. Is any one the less ill because one does not know the name of one’s malady? She loved with all the more passion because she loved ignorantly. She did not know whether it was a good thing or a bad thing, useful or dangerous, eternal or temporary, allowable or prohibited; she loved. She would have been greatly astonished, had any one said to her: ‘You do not sleep? But that is forbidden! You do not eat? Why, that is very bad! You have oppressions and palpitations of the heart? That must not be! You blush and turn pale, when a certain being clad in black appears at the end of a certain green walk? But that is abominable!’ She would not have understood, and she would have replied: ‘What fault is there of mine in a matter in which I have no power and of which I know nothing?’ It turned out that the love which presented itself was exactly suited to the state of her soul. It was admiration at a distance, the deification of a stranger. It was the apparition of youth to youth, the dream of nights become a reality yet remaining a dream, the longed-for phantom realized and made flesh at last, but having as yet, neither name, nor fault, nor spot, nor exigence, nor defect; in a word, the distant lover who lingered in the ideal, a chimaera with a form. Any nearer and more palpable meeting would have alarmed Cosette at this first stage, when she was still half immersed in the exaggerated mists of the cloister. She had all the fears of children and all the fears of nuns combined. The spirit of the convent, with which she had been permeated for the space of five years, was still in the process of slow evaporation from her person, and made everything tremble around her. In this situation he was not a lover, he was not even an admirer, he was a vision. She set herself to adoring Marius as something charming, luminous, and impossible. As extreme innocence borders on extreme coquetry, she smiled at him with all frankness. Every day, she looked forward to the hour for their walk with impatience, she found Marius there, she felt herself unspeakably happy, and thought in all sincerity that she was expressing her whole thought when she said to Jean Valjean:— ‘What a delicious garden that Luxembourg is!’ Marius and Cosette were in the dark as to one another. They did not address each other, they did not salute each other, they did not know each other; they saw each other; and like stars of heaven which are separated by millions of leagues, they lived by gazing at each other. It was thus that Cosette gradually became a woman and developed, beautiful and loving, with a consciousness of beauty and in ignorance of love.
Victor Hugo
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
Cambria Hebert (#Hater (Hashtag, #2))
Gray waited a full verse before approaching her, prowling around her periphery and coming to rest behind her right shoulder. A few of the men gave him friendly nods, but most were too absorbed in their spirits and song to pay him any mind. “What are you doing?” she asked, flicking him a glance through the swaying lamplight. “Who, me?” he murmured. “I’m simply leaning against the foremast. You know, this tall bit of timber you weren’t to go past.” She sipped her drink. Gray pushed off the mast and crouched at her side. If she’d turn and look at him, they would be eye-to-eye. But she didn’t. “The better question is, what the hell are you doing?” “I’m enjoying myself,” she said lightly, taking another drink. “I suggest you do the same.” She passed the tankard to him and applauded with wild enthusiasm as the song came to its tuneless end. Gray peered at the half-empty tankard, then lifted it to his nose and sniffed. Straight, unadulterated rum, the girl was drinking. That would explain the enthusiasm. Her applause concluded, she snatched the tankard back and downed a swallow to do a sailor proud. Bloody hell. Gray suspected the only thing worse than watching over a prim governess would be watching over a soused one.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Harper walked over to her reception desk. “What’s with the Tyson look-alikes out there? I almost couldn’t get in here.” Pixie frowned. “Better go ask your boy-o. Famous rock star in the house.” Pixie accentuated her comment with the poke of her pen. Jeez, he was huge. And built. And shirtless. Okay, enough staring. Well, maybe just for another second. Trent was leaning over the guy, and she could tell from the wide-reaching spread of purple transfer lines that he was just beginning a sleeve on the other man’s lower arm. The guy in the chair might well be a rock star— although Harper would never admit she had no clue who he was— but he was wincing. Harper could totally feel for him. Trent was in his usual position— hat on backward, gloves on, and perched on a stool. Harper approached them nervously. The big guy’s size and presence were a little intimidating. “I don’t bite.” Oh God. He was talking to her. “Excuse me?” He sucked air in between clenched teeth. “I said I don’t bite. You can come closer.” His blue eyes were sparkling as he studied her closely. Trent looked up. “Hey, darlin’,” he said, putting the tattoo machine down and reaching for her hand. “Dred, this is my girl, Harper. Harper, this is Dred Zander from the band Preload. He’s one of the other judges I told you about.” Wow. Not that she knew much about the kind of music that Trent listened to, but even she had heard of Preload. That certainly explained the security outside. Dred reached out his hand and shook hers. “Nice to meet you, Harper. And a pity. For a minute, I thought you were coming over to see me.” “No,” Harper exclaimed quickly, looking over at Trent, who was grinning at her. “I mean, no, I was just bringing Trent some cookies.” Holy shit. Was she really that lame? It was like that moment in Dirty Dancing when Baby told Johnny she carried a watermelon. Dred turned and smiled enigmatically at Trent. “I see what you mean, man.” “Give.” Smiling, Trent held out his hand. Reaching inside her bag, she pulled out the cookies and handed the container to him. “Seriously, dude, she’s the best fucking cook on the planet.” Trent paused to take a giant bite. “You got to try one,” he mumbled, offering the container over. Harper watched, mortified, as a modern-day rock legend bit into one of her cookies. Dred chewed and groaned. “These are almost as good as sex.” Harper laughed. “Not quite,” Trent responded, giving her a look that made her burn. “You should try her pot roast. Could bring a grown man to his knees.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
It didn’t take long for us to realize, though, that we hadn’t eaten since the eggs twenty-four hours earlier. Eating was the one desire of the flesh we hadn’t fulfilled. I remembered seeing a McDonald’s near the entrance of our hotel, and since I needed a little exercise I offered to dart out for some safe and predictable American food, which would tide us over till the dinner we had reservations for that night. Our blood sugar was too low to comb the city, looking for a place to have a quick lunch. I knew Marlboro Man was a ketchup-only guy when it comes to burgers, and that’s what I ordered when I approached the counter: “Hamburger, ketchup only, please.” “Sar…you only want kitchipinmite?” the innocent clerk replied. “Excuse me?” “Kitchipinmite?” “Uh…pardon?” “You jis want a hamburger with kitchipinmite?” “Uh…what?” I had no idea what the poor girl was saying. It took me about ten minutes to realize the poor Australian woman behind the counter was merely repeating and confirming my order: kitchip (ketchup) inmite (and meat). It was a traumatic ordering experience. I returned to the hotel room, and Marlboro Man and I dug into our food like animals. “This tastes a little funny,” my new husband said. I concurred. The mite was not right. It didn’t taste like America.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Have you met my new dancer?" The girl approached and he was able to dink in the sigh of her with a slackened jaw. Her short, icy-blonde hair wisped around her face, drawing him in to her deep brown eyes. Her brows had a strong arch to them that made her look as though she was either intrigued or annoyed. Beau didn't care so long as she was looking at him. He liked his lips absently, letting his gaze sweep over her face for a moment more. He couldn't stop his brain from picturing her smearing the shimmering pink gloss from her perfect mouth all over his body. Leaving her mark. He cursed in his thoughts again. Who the hell was this girl and what was she doing to him? He cleared his throat and extended his hand toward her coolly. "Beau Harris, nice to meet you," he said. The corner of the young woman's mouth twitched and she took his hand before her eyes darted to Vanessa. "Beau!" Vanessa barked. He glanced at her and reluctantly dropped the dancer's hand. He looked between the two woman for a moment and tried to keep his gaze up and off the stranger's tight, tanned stomach. "What?" He bit back. Vanessa huffed and a cackled cracked out of her throat. "You losing eyesight in your old age? That's Whitney. My little sister," she said, drawing out her words out like he was an idiot.
Kate Roth
Eena focused on the younger version of herself. Her hair was tied back with a pink ribbon. The ruffled dress she wore was soiled up to the waist in wet grains of sand. A short, square shovel was gripped tightly as the child concentrated on her digging efforts. Curious, Eena stepped closer to the girls. Ian followed along silently. Eena could feel his eyes on her, searching her profile before turning to the sand scene. She approached her younger self and stopped to watch. At first, she smiled at the darling ponytailed child. Then the spoiled girl’s mouth opened. “Angee,” the five-year-old called the younger version of Angelle. “Go get water.” The older child jumped up at the command. “Yes, Eena.” “A whole bucket full.” “Yes, Eena.” “Angee, don’t step on my holes!” The older girl quickly picked up her foot, checking to be sure there were no child-made burrows nearby. She nodded at the little five-year-old. “Okay, Eena, I’ll be careful.” Instead of being grateful, the ponytailed child tilted her head and bugged out her eyes. “Hurry up, Angee!” “Okay, okay.” The young Angelle lifted her skirt to watch for surrounding holes while carting a bucket in her other hand towards the lake. Eena frowned at the sight. She heard Ian snicker beside her. “I was a brat,” she admitted ruefully. “You still are.
Richelle E. Goodrich (Eena, The Tempter's Snare (The Harrowbethian Saga #5))
Here I will mention one more strange thing; but whether this peculiarity was owing to my shadow at all, I am not able to assure myself. I came to a village, the inhabitants of which could not at first sight be distinguished from the dwellers in our land. They rather avoided than sought my company, though they were very pleasant when I addressed them. But at last I observed, that whenever I came within a certain distance of any one of them, which distance, however, varied with different individuals, the whole appearance of the person began to change; and this change increased in degree as I approached. When I receded to the former distance, the former appearance was restored. The nature of the change was grotesque, following no fixed rule. The nearest resemblance to it that I know, is the distortion produced in your countenance when you look at it as reflected in a concave or convex surface—say, either side of a bright spoon. Of this phenomenon I first became aware in rather a ludicrous way. My host's daughter was a very pleasant pretty girl, who made herself more agreeable to me than most of those about me. For some days my companion-shadow had been less obtrusive than usual; and such was the reaction of spirits occasioned by the simple mitigation of torment, that, although I had cause enough besides to be gloomy, I felt light and comparatively happy. My impression is, that she was quite aware of the law of appearances that existed between the people of the place and myself, and had resolved to amuse herself at my expense; for one evening, after some jesting and raillery, she, somehow or other, provoked me to attempt to kiss her. But she was well defended from any assault of the kind. Her countenance became, of a sudden, absurdly hideous; the pretty mouth was elongated and otherwise amplified sufficiently to have allowed of six simultaneous kisses. I started back in bewildered dismay; she burst into the merriest fit of laughter, and ran from the room. I soon found that the same undefinable law of change operated between me and all the other villagers; and that, to feel I was in pleasant company, it was absolutely necessary for me to discover and observe the right focal distance between myself and each one with whom I had to do. This done, all went pleasantly enough. Whether, when I happened to neglect this precaution, I presented to them an equally ridiculous appearance, I did not ascertain; but I presume that the alteration was common to the approximating parties. I was likewise unable to determine whether I was a necessary party to the production of this strange transformation, or whether it took place as well, under the given circumstances, between the inhabitants themselves.
George MacDonald (Phantastes)
His gaze was locked on the young woman approaching beside Lady Withram. Short, no more than five feet, with a pretty face, shiny, long, wavy midnight hair and more curves than his shield. He noted all that in an instant, his eyes traveling with appreciation over each asset before settling on her eyes. They were a color he’d never seen before in eyes, a combination of pale blue and green, almost teal with a darker rim circling the unusual irises. They were absolutely beautiful . . . and presently brimming with anxiety and fear. Before he’d even realized he was going to do it, Ross found himself moving around the table to approach the girl. Taking her hand in his, he placed it on his arm and peered solemnly down into her unusual eyes before announcing, “Well worth the wait.” He was pleased to see some of her fear dissipate. Just a little, but it was something. She blushed too, ducking her head as if unused to and embarrassed by such a compliment . . . and her fingers were trembling where they rested on his arm. She did not strike him as a light-skirt, nor was she sour faced or ugly, but she had the finest eyes he’d ever seen, and he wanted to see more of them, so Ross turned and escorted her to the table. He didn’t miss the audible sighs of relief from her parents at their backs. Nor did he miss Gilly’s muttered, “Bloody hell. He’s done fer now.” Judging
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
I see you are fixated on the least of my doings,” he said. “Very well, my abrupt departure from the Domain is easily enough explained: I am not at your beck and call, Madam Inquisitor. You cannot simply say to me, ‘May I call on you this evening, Your Highness, to discuss what you have seen?’” The Inquisitor thinned her lips. “Besides, if you had taken the time to inquire from my attendants, you would have learned that I had decided to go back to school at an earlier time, before the lightning came down. “Now, the hotel suite. I am a young man and have needs that must be met. Since that slum of a school Atlantis so strenuously recommended does not allow for such activities, I keep a place outside of school. As for why I left, I cannot imagine why I should remain once the deed is done.” “And where was your accomplice in . . . the deed?” “Left before I did. No need for her presence once she had served her purpose.” “There was no report of anyone coming or going.” Of course not, since she left with me. This time he had to swallow the words as they rose on his tongue. “Were you watching all the service doors? A large hotel has many.” “Where did you find her?” In a certain house in Little-Grind-on-Woe. Very well suited to wielding lightning, that girl. “In a certain—” What was the matter with him? He was an accomplished liar. Truth should never approach his lips.
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
Winterborne, who was standing beside a plate-glass counter and looking down at its contents, glanced up at their approach. “Welcome,” he said, a smile in his eyes. “Is this what you had expected?” The question was addressed to the group, but his gaze had gone to Helen. The twins erupted with happy exclamations and praise, while Helen shook her head and smiled. “It’s even more grand than I had imagined,” she told him. “Let me take you on a tour.” Winterborne slid a questioning glance to the rest of the group. “Would any of you like to accompany us? Or perhaps you’d like to start shopping?” He gestured to a stack of rattan baskets near the counter. The twins looked at each other, and decisively said, “Shopping.” Winterborne grinned. “The confectionery and books are in that direction. Drugs and perfumery over there. Back there you’ll find hats, scarves, ribbons, and lace.” Before he had even finished the sentence, the twins had each grabbed a basket and dashed away. “Girls…” Kathleen began, disconcerted by their wildness, but they were already out of earshot. She looked at Winterborne ruefully. “For your own safety, try to stay out of their path or you’ll be trampled.” “You should have seen how the ladies behaved during my first bi-annual sale discounts,” Winterborne told her. “Violence. Screaming. I’d rather go through the train accident again.” Kathleen couldn’t help smiling.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
back. She knew she was lucky to have a job but she didn’t feel lucky. She felt depressed. Sad. Tired. And most of all, confused. She knew this was the week of Ruth Ann’s trial. There hadn’t been any press coverage yet, but she remembered the date. She had wanted to call Rick and wish him luck. In fact, she had picked up the phone several times and started to dial the number, but she just couldn’t go through with it. Not after all the things they had said to each other. She opened the back door to the office and stepped out into the night. The parking lot was barren except for her white Mustang, and the only sounds she heard were the passing of cars on Greensboro a few blocks up. She shut the door behind her, putting the key in the dead bolt and twisting it. “Kinda late for a pretty girl like you to be out.” Dawn turned to the sound of the voice, her stomach tightening into a knot. The lot was sparsely lit, and for a moment she didn’t see him. Then, standing by her Mustang, she saw a tall man dressed in khaki pants and a golf shirt. As he stepped toward her, she noticed that his hair was sandy blond and he had a patch of stubble on his face. “Can I help you?” Dawn asked, her voice shaky. She reached into her pocket for her cell phone but then remembered that the battery was dead. Damn, damn, damn. The man was in front of her now. He had continued to approach as if his appearance were completely natural.
Robert Bailey (The Professor (McMurtrie and Drake, #1))
Miss Bronson,” Jason said to Elizabeth with extreme casualness, “are you enjoying the evening so far?” Elizabeth fiddled with the silver dance card and made a show of adjusting the ribbon around her wrist. “Very much, Mr. Somers.” Staring at Elizabeth's down-bent head, with all the silky dark curls confined with pins, Jason spoke a bit gruffly. “I thought I should approach you before every place on your dance card was filled—or is it already too late?” “Hmmm… let me see…” Elizabeth flipped back the silver lid and consulted the tiny pages, deliberately drawing out the moment. Holly bit back a smile, knowing that Elizabeth had followed her advice and saved a few spaces for just an occasion such as this. “I suppose I could squeeze you in somewhere,” Elizabeth said, pursing her lips thoughtfully. “The second waltz, perhaps?” “The second waltz it is,” he said. “I'll be interested to discover if your dancing skills are more advanced than your architectural taste.” Elizabeth responded to the little jab by turning to Holly and adopting a look of round-eyed puzzlement. “Is that an example of witty repartee, my lady?” she asked, “or is he by chance saving that for later?” “I believe,” Holly said with a soft laugh, “that Mr. Somers is attempting to provoke you.” “Really.” Elizabeth turned back to Jason. “Does that technique usually attract many girls, Mr. Somers?” “I'm not trying to attract all that many,” he said with a sudden grin. “Only one, in fact.
Lisa Kleypas (Where Dreams Begin)
Deep down, the young are lonelier than the old.” I read this in a book somewhere and it’s stuck in my mind. As far as I can tell, it’s true. So if you’re wondering whether it’s harder for the adults here than for the children, the answer is no, it’s certainly not. Older people have an opinion about everything and are sure of themselves and their actions. It’s twice as hard for us young people to hold on to our opinions at a time when ideals are being shattered and destroyed, when the worst side of human nature predominates, when everyone has come to doubt truth, justice and God. Anyone who claims that the older folks have a more difficult time in the Annex doesn’t realize that the problems have a far greater impact on us. We’re much too young to deal with these problems, but they keep thrusting themselves on us until, finally, we’re forced to think up a solution, though most of the time our solutions crumble when faced with the facts. It’s difficult in times like these: ideals, dreams and cherished hopes rise within us, only to be crushed by grim reality. It’s a wonder I haven’t abandoned all my ideals, they seem so absurd and impractical. Yet I cling to them because I still believe, in spite of everything, that people are truly good at heart. It’s utterly impossible for me to build my life on a foundation of chaos, suffering and death. I see the world being slowly transformed into a wilderness, I hear the approaching thunder that, one day, will destroy us too, I feel the suffering of millions. And yet, when I look up at the sky, I somehow feel that everything will change for the better, that this cruelty too will end, that peace and tranquility will return once more.
Anne Frank (The Diary of a Young Girl)
ANNA •   •   • SATURDAY, AUGUST 10, 2013 MORNING I drove to the gym in Northcote for my spin class this morning, then dropped into the Matches store on the way back and treated myself to a very cute Max Mara minidress (Tom will forgive me once he sees me in it). I was having a perfectly lovely morning, but as I parked the car there was some sort of commotion outside the Hipwells’ place—there are photographers there all the time now—and there she was. Again! I could hardly believe it. Rachel, barrelling past a photographer, looking rough. I’m pretty sure she’d just left Scott’s house. I didn’t even get upset. I was just astounded. And when I brought it up with Tom—calmly, matter-of-factly—he was just as baffled as I was. “I’ll get in touch with her,” he said. “I’ll find out what’s going on.” “You’ve tried that,” I said as gently as I could. “It doesn’t make any difference.” I suggested that maybe it was time to take legal advice, to look into getting a restraining order or something. “She isn’t actually harassing us, though, is she?” he said. “The phone calls have stopped, she hasn’t approached us or come to the house. Don’t worry about it, darling. I’ll sort it.” He’s right, of course, about the harassment thing. But I don’t care. There’s something up, and I’m not prepared to just ignore it. I’m tired of being told not to worry. I’m tired of being told that he’ll sort things out, that he’ll talk to her, that eventually she’ll go away. I think the time has come to take matters into my own hands. The next time I see her, I’m calling that police officer—the woman, Detective Riley. She seemed nice, sympathetic. I know Tom feels sorry for Rachel, but honestly I think it’s time I dealt with that bitch once and for all.
Paula Hawkins (The Girl on the Train)
Thich Nhat Hanh shares this Mahayana philosophy of non-dualism. This is clearly demonstrated in one of his most famous poems, “Call Me By My True Names:”1 Don’t say that I will depart tomorrow– even today I am still arriving. Look deeply: every second I am arriving to be a bud on a spring branch, to be a tiny bird, with still fragile wings, learning to sing in my new nest, to be a caterpillar in the heart of flower, to be a jewel hiding itself in a stone. I am still arriving, in order to laugh and to cry, in order to fear and to hope, the rhythm of my heart is the birth and death of every living creature. I am the mayfly metamorphosing on the surface of the river. And I am the bird, that swoops down to swallow the mayfly. I am the frog swimming happily in the clear water of a pond, and I am the grass-snake that silently feeds itself on the frog. I am the child in Uganda, all skin and bones, my legs as thin as bamboo sticks. And I am the arms merchant, selling deadly weapons to Uganda. I am the twelve-year-old girl, refugee on a small boat, who throws herself into the ocean after being raped by a sea pirate. And I am the pirate, my heart not yet capable of seeing and loving. I am a member of the politburo, with plenty of power in my hands, and I am the man who has to pay his “debt of blood” to my people, dying slowly in a forced-labor camp. My joy is like spring, so warm that it makes flowers bloom all over the Earth. My pain is like a river of tears, so vast that it fills up all four oceans. Please call me by my true names, so I can hear all my cries and laughter at once, so I can see that my joy and pain are one. Please call me by my true names, so I can wake up and open the door of my heart, the door of compassion. (Nhat Hanh, [1993] 1999, pp. 72–3) We
Darrell J. Fasching (Comparative Religious Ethics: A Narrative Approach to Global Ethics)
Annabelle met her at the door, looking strained and weary but wearing a brilliant smile. And there was a tiny bundle of linen and clean toweling in her arms. Daisy put her fingers over her mouth and shook her head slightly, laughing even as her eyes prickled with tears. “Oh my,” she said, staring at the red-faced baby, the bright dark eyes, the wealth of black hair. “Say hello to your niece,” Annabelle said, gently handing the infant to her. Daisy took the baby carefully, astonished by how light she was. “My sister—” “Lillian’s fine,” Annabelle replied at once. “She did splendidly.” Cooing to the baby, Daisy entered the room. Lillian was resting against a stack of pillows, her eyes closed. She looked very small in the large bed, her hair braided in two plaits like a young girl’s. Westcliff was at her side, looking like he had just fought Waterloo singlehandedly. The veterinarian was at the washstand, soaping his hands. He threw Daisy a friendly smile, and she grinned back at him. “Congratulations, Mr. Merritt,” she said. “It seems you’ve added a new species to your repertoire.” Lillian stirred at the sound of her voice. “Daisy?” Daisy approached with the baby in her arms. “Oh, Lillian, she’s the most beautiful thing I’ve ever seen.” Her sister grinned sleepily. “I think so too. Would you—” she broke off to yawn. “Show her to Mother and Father?” “Yes, of course. What is her name?” “Merritt.” “You’re naming her after the veterinarian?” “He proved to be quite helpful,” Lillian replied. “And Westcliff said I could.” The earl tucked the bedclothes more snugly around his wife’s body and kissed her forehead. “Still no heir,” Lillian whispered to him, her grin lingering. “I suppose we’ll have to have another one.” “No, we won’t,” Westcliff replied hoarsely. “I’m never going through this again.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
You’re having a bad day. You mess up a few lines. You’re distracted. You’ve had this look about you all afternoon, like you’re not quite there. “Christ, Cunningham, get it together,” Hastings says, running his hands down his face. “If you can’t handle being Brutus—” “Fuck you.” You cut him off. “Don’t act like you’re perfect.” “I don’t make rookie mistakes,” Hastings says. “Maybe if you weren’t so preoccupied with trying to screw the new girl, you might—” BAM. You shut him up mid-sentence with a punch to the face, your fist connecting hard, nearly knocking him off his feet. He stumbles, stunned, as you go at him again, grabbing the collar of his uniform shirt and yanking him to you. “Shut your fucking mouth.” People come between the two of you, forcing you apart. Hastings storms out, shouting, “I can’t deal with him!” Drama Club comes to a screeching halt. You stand there for a moment, fists clenched at your side, calming down. You flex your hands, loosening them as you approach the girl. She’s watching you in silence, expression guarded. You sit down near her. There’s an empty seat between you today. It’s the first time you’ve not sat right beside her in weeks. You’re giving her space. It doesn’t take long before Hastings returns, but he isn’t alone. The administrator waltzes in behind him. The man heads for you, expression stern. “Cunningham, give me one good reason why I shouldn’t expel you.” “Because my father gives you a lot of money.” “That’s what you have to say?” “Is that not a good reason?” “You punched a fellow student!” “We were just acting,” you say. “I’m Brutus. He’s Caesar. It’s to be expected.” “Brutus stabs him. He doesn’t throw punches.” “I was improvising.” The girl laughs when you say that. She tries to stop herself, but the sound comes out, and the administrator hears it, his attention shifting to her. “Look, it won’t happen again,” you say, drawing the focus back to you. “Next time, I’ll stab him and be done with it.” “You better watch yourself,” the administrator says, pointing his finger in your face. “One more incident and you’re gone for good. Understand?” “Yes, sir.” “And rest assured, your father will be hearing about this
J.M. Darhower (Ghosted)
So your theory is that Nancy plans to marry Samuel, pass off as her own the child he fathered on her maid, and then raise it, assuming it’s a boy, to be heir to the title. That doesn’t gain Nancy much, does it? It’s not her son, and she’s not Samuel’s only lover. He and his mistress and the son get everything; she gets only the privilege of knowing she’s married to a seducer.” Dom ignored the fact that some of what she said made sense. “She gains an exalted rank as mother to the new viscount. She gains a husband she’s always coveted. And she might not even care if Samuel was having an affair with her maid--you said yourself that Nancy wasn’t fond of the intimate side of marriage.” The moment Jane paled, he realized what he’d said. Something highly inappropriate. Something that revealed just how frank he and Jane had been in their conversations. God only knew what Blakeborough would make of that. Bloody hell. Whatever it was, it wouldn’t help Dom’s situation with Jane any. Not that any of this would. Damn Nancy for coming between them yet again. Jane’s gaze turned stormy as she poked him in the chest. “You’ve got it all figured out, don’t you? But as usual, you ignore all the ways that your theory doesn’t fit.” He stared her down. “Such as what?” Again she poked him in the chest. “Why did Samuel mention coming to London to see a doctor if they were sure that Nancy had lost the baby?” Another poke. “Why did she leave York in such strange circumstances that she roused our suspicions?” Poke. “Why did she not even pack bags for the journey?” When she started to poke him once more, he grabbed her hand. “Perhaps she and Barlow worked up the scheme once she got to York.” Jane snatched her hand free. “And she didn’t try to return to Rathmoor Park to allay the servants’ suspicions or pack or even take her dogs?” “Nancy didn’t take her dogs?” Sadler echoed. “That’s not right, not right at all. That girl carries those deuced dogs everywhere. Many is the trip I’ve taken with her when I’ve had to endure the mutts in my lap.” Sadler approached to stand beside Jane. “I tell you, the only way she’d leave them behind is if Barlow abducted her and forced her to do his bidding. That’s what has happened. I know it!” With a smug lift of her eyebrow, Jane crossed her arms over her chest and dared Dom to refute that. He couldn’t. Because until he could investigate more, he simply couldn’t be sure of the truth, damn it.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Sidney, is that what you girls go for these days?” Kathleen asked, pointing toward her oldest son. “All this scruffy whatnot?” Well, nothing like putting her on the spot here. Personally, Sidney thought that the dark hint of scruff along Vaughn’s angular jaw looked fine. Better than fine, actually. She would, however, rather be trapped for the next thirty-six hours in a car with the crazy pregnant lady before admitting that in front of him. “I generally prefer clean-shaven men.” She shrugged—sorry—when Vaughn gave her the side-eye as he began setting the table. “See? If you don’t believe me, at least listen to her,” Kathleen said, while peeling a carrot over a bowl at the island. “If you want to find a woman of quality, you can’t be running around looking like you just rolled out of bed.” “I’ll keep that in mind. But for now, the ‘scruffy whatnot’ stays. I need it for an undercover role,” Vaughn said. Surprised to hear that, Sidney looked over as she dumped the tomatoes into a large salad bowl filled with lettuce. “You’re working undercover now?” “Well, I’m not in the other identity right this second,” Vaughn said. “I’m kind of guessing my mother would be able to ID me.” Thank you, yes, she got that. “I meant, how does that work?” Sidney asked him. “You just walk around like normal, being yourself, when you’re not . . . the other you?” “That’s exactly how it works. At least, when we’re talking about a case that involves only part-time undercover work.” “But what if I were to run into the other you somewhere? Say . . . at a coffee shop.” A little inside reference there. “If I called you ‘Vaughn’ without realizing that you were working, wouldn’t that blow your cover?” “First of all, like all agents who regularly do undercover work, I tell my friends and family not to approach me if they happen to run into me somewhere—for that very reason. Second of all, in this case, the ‘other me’ doesn’t hang out at coffee shops.” “Where does the other you hang out?” Sidney asked. Not to contribute to his already healthy ego, but this was pretty interesting stuff. “In dark, sketchy alleys doing dark, sketchy things,” Vaughn said as he set the table with salad bowls. “So the other you is a bad guy, then.” Sidney paused, realizing something. “Is what you’re doing dangerous?” “The joke around my office is that the agents on the white-collar crime squad never do anything dangerous.” Sidney noticed that wasn’t an actual answer to her question
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
After that, we don’t talk, instead we get hammered. Shot after shot we down, chasing each one with a Little Debbie snack. Before we know it, we’re hanging on to the bar counter floating around in a sugar and alcohol coma, just the way I like it. “There’s my girl,” Racer shouts as he topples off his stool and onto the floor, laughing hysterically. Georgie stops in her tracks and looks over at Emma, who’s standing next to her, both holding two boxes of Little Debbie snacks each. “Emmmmmmmma,” Tucker drags out, waving his glass in the air. “You brought the snacks.” “Oh, Jesus,” Emma mutters as she approaches us. I point to my mouth and say, “Feed me. Daddy needs sugar.” Racer is beside me, tangled in the pegs of his bar stool, still laughing. “Did you bring Oatmeal Pies, George? Please tell me you have the pies.” “Uh, I think you’ve had enough for tonight,” she says, looking down at her boyfriend. “Never!” Racer struggles to get up and finally knocks the chair over to free himself. “Fucking bitch chair, digging into me with its claws.” Talking to the stool directly he says, “I’m taken, warm someone else’s ass.” “He’s going to propose, chair, leave him alone,” Tucker announces, causing me to cringe. “Dude, don’t say it out loud.” I punch Tucker in the shoulder. “Georgie is right there.” All three of us turn to Georgie, who’s shaking her head in humor. Hopefully. “I’ll take Aaron,” Emma tells Georgie. “Seems like Racer is more of a handful.” “Hell yeah, I am.” Racer stumbles while cupping his crotch. “A giant handful.” Georgie rolls her eyes. “And that’s our cue to leave.” “But we didn’t eat our snacks.” “Seems like you had enough.” Georgie grabs Racer by the hand. “Come on.” As they walk away, Racer asks, “Want to have sex in the car?” “Not even a little.” “Here, you two, you can have your boxes of snacks.” Emma hands Tucker and me both a box of Oatmeal Pies that we clutch to our chests. “You’re the best,” I admit. “She is, isn’t she?” Tucker says. “I love her so fucking hard. Best wife ever.” She pulls on both of our hands to get us moving. “She wins wife of the year award,” I announce. “Best wife goes to Emma. Can we get a round of applause?” Tucker breaks open his Oatmeal Pies and starts spraying them like confetti. “Emma. Emma. Emma.” He chants, getting the three other patrons in the bar to join in. I pump my fist as well, forgetting everything from earlier. I knew I could count on my guys. “Emma. Emma. Emma . . .” And then, everything fades to black. Emotions and feelings are non-existent as I pass out, just the way I like it. Just the way I need it.
Meghan Quinn (The Other Brother (Binghamton, #4))
Noah smiled at her, then his smile froze. He looked her slowly up and down. And again. “What?” she demanded hotly, hands on her hips. “Nothing,” he said, turning away. “No. What? What’s the matter?” He turned back slowly, put his tools down on top of the ladder and approached her. “I don’t know how to say this. I think it would be in the best interests of both of us if you’d dress a little more…conservatively.” She looked down at herself. “More conservatively than overalls?” she asked. He felt a laugh escape in spite of himself. He shook his head. “Ellie, I’ve never seen anybody look that good in overalls before.” “And this is a bad thing?” she asked, crossing her arms over her chest. “It’s provocative,” he tried to explain. “Sexy. People who work around churches usually dress a little more… What’s the best way to put this…?” “Frumpy? Dumpy? Ugly?” “Without some of their bra showing, for one thing.” “Well now, Reverend, just where have you been? Because this happens to be in style. And I’ll do any work you give me, but you really shouldn’t be telling me what to wear. The last guy I was with tried to do me over. He liked me well enough when he was trying to get my attention, but the second I married him, he wanted to cover me up so no one would notice I had a body!” “The husband?” “The very same. It didn’t work for him and it’s not going to work for you. You didn’t say anything about a dress code. Maybe I’ll turn you in to the Better Business Bureau or something.” “I think you mean the Equal Employment Opportunity Commission. Or maybe you should go straight to the American Civil Liberties Union.” He stepped toward her. “Ellie,” he said, using his tender but firm minister voice. “I’m a single man. You’re a very beautiful young woman. I would like it if the good people of Virgin River assumed you were given this job solely because of your qualifications and not because you’re eye candy. Tomorrow, could you please wear something less distracting?” “I’ll do my best,” she said in a huff. “But this is what I have, and there’s not much I can do about that. Especially on what you’re paying me.” “Just think ‘baggy,’” he advised. “We’re going to have a problem there,” she said. “I don’t buy my clothes baggy. Or ugly. Or dumpy. And you can bet your sweet a…butt I left behind the clothes Arnie thought I should wear.” She just shook her head in disgust. “I don’t know what you’re complaining about. You know how many guys would rather have something nice to look at than a girl in a flour sack? Guess you didn’t get to Count Your Blessings 101.” She cocked her head and lifted her eyebrows. “I’m counting,” he said. But his eyes bore down on hers seriously. He was not giving an inch. “Just an ounce of discretion. Do what you can.” She took a deep breath. “Let’s just get to work. Tomorrow I’ll look as awful as possible. How’s that?” “Perfect.
Robyn Carr (Forbidden Falls)
I prepared to explore it as I had done the others; but no sooner had I entered the lodge than my fire failed me, leaving me in total darkness. Handing it out to the doctor to be relighted, I began feeling my way about the interior of the lodge. I had almost made the circuit when my hand came in contact with a human foot; at the same time a voice unmistakably Indian, and which evidently came from the owner of the foot, convinced me that I was not alone. I would have gladly placed myself on the outside of the lodge and there matured plus for interviewing its occupant; but, unfortunately, to reach the entrance of the lodge, I must either pass over or around the owner of the before-mentioned foot and voice. Could I have been convinced that among its other possessions there was neither tomahawk nor scalping-knife, pistol nor war club, or any similar article of the noble red man's toilet, I would have risked an attempt to escape through the low narrow opening of the lodge; but who ever saw an Indian without one or all of these interesting trinkets? Had I made the attempt, I should have expected to encounter either the keen edge of the scalping-knife or the blow of the tomahawk and to have engaged in a questionable struggle for life. This would not do. I crouched in silence for a few moments, hoping the doctor would return with the lighted fire. I need not say that each succeeding moment spent in the darkness of that lodge seemed like an age. I could hear a slight movement on the part of my unknown neighbor, which did not add to my comfort. Why does the doctor not return? At last I discovered the approach of a light on the outside. When it neared the entrance I called to the doctor and informed him that an Indian was in the lodge, and that he had better have his weapons ready for a conflict. With his lighted fire in one hand and docked revolver in the other, the doctor cautiously entered the lodge. And there, directly between us, wrapped in a buffalo robe, lay the cause of my anxiety - a little Indian girl, probably ten years old; not a full blood, but a half-breed. She was terribly frightened to find herself in our hands, with none of her people near. Why was she left behind in this manner? This little girl, who was at first an object of our curiosity, became at once an object of our pity. The Indians, an unusual thing for them to do toward their own blood, had willfully deserted her; but this, alas! was the least of their injuries to her. After being shamefully abandoned by the entire village, a few of the young men of the tribe returned to the deserted lodge, and upon the person of this little girl, committed outrages, the details of which are too sickening for these pages. She was carried to the fort and placed under the care of kind hands and warm hearts, where everything was done for her comfort that was possible.
George Armstrong Custer (My Life on the Plains: Or, Personal Experiences with Indians)
Long ago there was a little boy who lived in the wood with his father and his sister. One night, the three of them were out collecting firewood when they heard a low, delicate whimper. The father realised it was an injured animal and ordered the children to fetch water from the lake, whilst he followed the sound. Hours past but the father did not return. The children became fearful for their father’s safety and in their moment of fright, they disobeyed their father in order to find him. And find him they did. However, he was no longer the man he once was. Both his eyes were slit through their centre, oozing blood down the paleness of his face. His neck had been torn open. The entirety of his midsection was split but nothing, not one, single organ, seemed to be left within. Each limb still remained, however they had been dragged, with some exceptional force, in the opposite direction to which they were designed. The children screamed and ran, though the image of their father’s mangled corpse seemed to chase after them. They slept. Within the whisper of the wind came the sweet tune of a woman’s song. The little girl awoke to the feeling of happiness, security and motherly love that the song carried with it. She needed to find the woman it had come from. Leaving her brother, she took off into the wood to try and find the singer. The little boy quickly entered into a spit of panic when he found his sister missing. He didn’t know whether he should call out for her, look for her or wait. But waiting could mean the worst, he thought, and so he took off into the woods after her. He had searched everywhere, every dark corner and decrepit tree, before reaching the lake. The moon reflected off its black surface, which drew his attention to something bobbing within the ripples. It was a leg. When he caught sight of the foot, the boy fell to his knees. He recognised the shoe. It was his sister’s shoe; his sister’s leg. Soon enough, the other body parts came drifting to join the leg, forming a rough manifestation of what was once his sister’s living body. Firstly, there was a head facing down in the water, then arms seemingly blue under the moonlight, and lastly a torso coated in her favourite dress. He felt sick, lost, terrified to his very core. Just as thoughts of never being whole again began to pain his chest, the boy heard the snapping of a twig behind him. He dared to turn around but all he found was a small, black-furred wolf. The wolf approached him timidly, whining deep in its throat to say to the boy that he too was lonely and afraid. The boy put out his hand for the wolf to join him and they sat together. Perhaps he would be OK. Perhaps all that had happened had led to this; something new. He rustled the fur of his new friend, starting with its back then its ear before going under its snout. His hand touched something wet and sticky. He drew it from the wolf to get a better look, only to find a crimson substance now clinging to his small hands. Blood. The wolf turned on the boy as its eyes became a pale blue before thwack! He tore the boy’s face from his head…
S.R. Crawford (Bloodstained Betrayal)
He went straight to ‘his alley,’ and when he reached the end of it he perceived, still on the same bench, that wellknown couple. Only, when he approached, it certainly was the same man; but it seemed to him that it was no longer the same girl. The person whom he now beheld was a tall and beautiful creature, possessed of all the most charming lines of a woman at the precise moment when they are still combined with all the most ingenuous graces of the child; a pure and fugitive moment, which can be expressed only by these two words,— ‘fifteen years.’ She had wonderful brown hair, shaded with threads of gold, a brow that seemed made of marble, cheeks that seemed made of rose-leaf, a pale flush, an agitated whiteness, an exquisite mouth, whence smiles darted like sunbeams, and words like music, a head such as Raphael would have given to Mary, set upon a neck that Jean Goujon would have attributed to a Venus. And, in order that nothing might be lacking to this bewitching face, her nose was not handsome— it was pretty; neither straight nor curved, neither Italian nor Greek; it was the Parisian nose, that is to say, spiritual, delicate, irregular, pure,— which drives painters to despair, and charms poets. When Marius passed near her, he could not see her eyes, which were constantly lowered. He saw only her long chestnut lashes, permeated with shadow and modesty. This did not prevent the beautiful child from smiling as she listened to what the white-haired old man was saying to her, and nothing could be more fascinating than that fresh smile, combined with those drooping eyes. For a moment, Marius thought that she was another daughter of the same man, a sister of the former, no doubt. But when the invariable habit of his stroll brought him, for the second time, near the bench, and he had examined her attentively, he recognized her as the same. In six months the little girl had become a young maiden; that was all. Nothing is more frequent than this phenomenon. There is a moment when girls blossom out in the twinkling of an eye, and become roses all at once. One left them children but yesterday; today, one finds them disquieting to the feelings. This child had not only grown, she had become idealized. As three days in April suffice to cover certain trees with flowers, six months had sufficed to clothe her with beauty. Her April had arrived. One sometimes sees people, who, poor and mean, seem to wake up, pass suddenly from indigence to luxury, indulge in expenditures of all sorts, and become dazzling, prodigal, magnificent, all of a sudden. That is the result of having pocketed an income; a note fell due yesterday. The young girl had received her quarterly income. And then, she was no longer the school-girl with her felt hat, her merino gown, her scholar’s shoes, and red hands; taste had come to her with beauty; she was a well-dressed person, clad with a sort of rich and simple elegance, and without affectation. She wore a dress of black damask, a cape of the same material, and a bonnet of white crape. Her white gloves displayed the delicacy of the hand which toyed with the carved, Chinese ivory handle of a parasol, and her silken shoe outlined the smallness of her foot. When one passed near her, her whole toilette exhaled a youthful and penetrating perfume.
Hugo
Chapter One Vivek Ranadivé “IT WAS REALLY RANDOM. I MEAN, MY FATHER HAD NEVER PLAYED BASKETBALL BEFORE.” 1. When Vivek Ranadivé decided to coach his daughter Anjali’s basketball team, he settled on two principles. The first was that he would never raise his voice. This was National Junior Basketball—the Little League of basketball. The team was made up mostly of twelve-year-olds, and twelve-year-olds, he knew from experience, did not respond well to shouting. He would conduct business on the basketball court, he decided, the same way he conducted business at his software firm. He would speak calmly and softly, and he would persuade the girls of the wisdom of his approach with appeals to reason and common sense. The second principle was more important. Ranadivé was puzzled by the way Americans play basketball. He is from Mumbai. He grew up with cricket and soccer. He would never forget the first time he saw a basketball game. He thought it was mindless. Team A would score and then immediately retreat to its own end of the court. Team B would pass the ball in from the sidelines and dribble it into Team A’s end, where Team A was patiently waiting. Then the process would reverse itself. A regulation basketball court is ninety-four feet long. Most of the time, a team would defend only about twenty-four feet of that, conceding the other seventy feet. Occasionally teams played a full-court press—that is, they contested their opponent’s attempt to advance the ball up the court. But they did it for only a few minutes at a time. It was as if there were a kind of conspiracy in the basketball world about the way the game ought to be played, Ranadivé thought, and that conspiracy had the effect of widening the gap between good teams and weak teams. Good teams, after all, had players who were tall and could dribble and shoot well; they could crisply execute their carefully prepared plays in their opponent’s end. Why, then, did weak teams play in a way that made it easy for good teams to do the very things that they were so good at? Ranadivé looked at his girls. Morgan and Julia were serious basketball players. But Nicky, Angela, Dani, Holly, Annika, and his own daughter, Anjali, had never played the game before. They weren’t all that tall. They couldn’t shoot. They weren’t particularly adept at dribbling. They were not the sort who played pickup games at the playground every evening. Ranadivé lives in Menlo Park, in the heart of California’s Silicon Valley. His team was made up of, as Ranadivé put it, “little blond girls.” These were the daughters of nerds and computer programmers. They worked on science projects and read long and complicated books and dreamed about growing up to be marine biologists. Ranadivé knew that if they played the conventional way—if they let their opponents dribble the ball up the court without opposition—they would almost certainly lose to the girls for whom basketball was a passion. Ranadivé had come to America as a seventeen-year-old with fifty dollars in his pocket. He was not one to accept losing easily. His second principle, then, was that his team would play a real full-court press—every game, all the time. The team ended up at the national championships. “It was really random,” Anjali Ranadivé said. “I mean, my father had never played basketball before.” 2. Suppose you were to total up all the wars over the past two hundred years that occurred between very large and very small countries. Let’s say that one side has to be at least ten times larger in population and armed might
Malcolm Gladwell (David and Goliath: Underdogs, Misfits and the Art of Battling Giants)