Applying Makeup Quotes

To wash your hair, apply your makeup and put on clothes that are well-scented with incense. Even if you’re somewhere where no one special will see you, you still feel a heady sense of pleasure inside.

Confidence could be applied like makeup. I knew that for fact.

Earlier, watching her apply mascara with ritual concentration, he'd wondered just how beautiful a woman had to be before she believed it.

Very sweetly, he always told her he loved her just the way she was. Although, honestly he had no idea. She shuddered to think what she would really look like if she stopped waxing, plucking, highlighting, manicuring, applying make-up and dressing with care and concentration.

I'd been making desicions for days. I picked out the dress Bailey would wear forever- a black slinky one- innapropriate- that she loved. I chose a sweater to go over it, earrings, bracelet, necklace, her most beloved strappy sandals. I collected her makeup to give to the funeral director with a recent photo- I thought it would be me that would dress her; I didn't think a strange man should see her naked touch her body shave her legs apply her lipstick but that's what happened all the same. I helped Gram pick out the casket, the plot at the cemetery. I changed a few lines in the obituary that Big composed. I wrote on a piece of paper what I thought should go on the headstone. I did all this without uttering a word. Not one word, for days, until I saw Bailey before the funeral and lost my mind. I hadn't realized that when people say so-and-so snapped that's what actually happens- I started shaking her- I thought I could wake her up and get her the hell out of that box. When she didn't wake, I screamed: Talk to me. Big swooped me up in his arms, carried me out of the room, the church, into the slamming rain, and down to the creek where we sobbed together under the black coat he held over our heads to protect us from the weather.

In ten minutes they will have arrived on campus. George will have to be George; the George they have named and will recognise. So now he consciously applies himself to thinking their thoughts, getting into their mood. With the skill of a veteran, he rapidly puts on the psychological makeup for this role he must play.

Lucifer waits in the wings applying his makeup, ready to take center stage once his servants have finished entertaining us into insouciance

Night changed the streets. It dressed them in the mourning clothes named darkness, and applied the makeup called mystery.

With Jason I thought I'd finally played my cards right, and now I'm just one more of those broken, sad people out there, figuring out a year in advance where they can have Easter and Christmas dinner without feeling like a burden or duty to others, cursing the quality of modern movies because it's so hard to fill weeknights with movies when they're all crap, and waiting, just waiting, for those three drinks a night to turn into four - and then, well, then I'll be applying my makeup in the morning, combing my hair, washing my clothes, but it's not really for anyone. I'm alive, but so what.

Dauntless traitors crowded the hallway; the Erudite crowd the execution room, but there, they have made a path for me already. Silently they study me as I walk to the metal table in the center of the room. Jeanine stands a few steps away. The scratches on her face show through hastily applied makeup. She doesn’t look at me. Four cameras dangle from the ceiling, one at each corner of the table. I sit down first, wipe my hands off on my pants, and then lie down. The table is cold. Frigid, seeping into my skin, into my bones. Appropriate, perhaps, because that is what will happen to my body when all the life leaves it; it will become cold and heavy, heavier than I have ever been. As for the rest of me, I am not sure. Some people believe that I will go nowhere, and maybe they’re right, but maybe they’re not. Such speculations are no longer useful to me anyway. Peter slips an electrode beneath the collar of my shirt and presses it to my chest, right over my heart. He then attaches a wire to the electrode and switches on the heart monitor. I hear my heartbeat, fast and strong. Soon, where that steady rhythm was, there will be nothing. And then rising from within me is a single thought: I don’t want to die. All those times Tobias scolded me for risking my life, I never took him seriously. I believed that I wanted to be with my parents and for all of this to be over. I was sure I wanted to emulate their self-sacrifice. But no. No, no. Burning and boiling inside me is the desire to live. I don’t want to die I don’t want to die I don’t want to! Jeanine steps forward with a syringe full of purple serum. Her glasses reflect the fluorescent light above us, so I can barely see her eyes. Every part of my body chants it in unison. Live, live, live. I thought that in order to give my life in exchange for Will’s, in exchange for my parents’, that I needed to die, but I was wrong; I need to live my life in the light of their deaths. I need to live. Jeanine holds my head steady with one hand and inserts the needle into my neck with the other. I’m not done! I shout in my head, and not at Jeanine. I am not done here! She presses the plunger down. Peter leans forward and looks into my eyes. “The serum will go into effect in one minute,” he says. “Be brave, Tris.” The words startle me, because that is exactly what Tobias said when he put me under my first simulation. My heart begins to race. Why would Peter tell me to be brave? Why would he offer any kind words at all? All the muscles in my body relax at once. A heavy, liquid feeling fills my limbs. If this is death, it isn’t so bad. My eyes stay open, but my head drops to the side. I try to close my eyes, but I can’t—I can’t move. Then the heart monitor stops beeping.

Her makeup artist, Allan Snyder, recalled applying her makeup in the morning while she was still flat on her back in bed. “There was no other way,” he said. “It would take her so long to get up in the morning, we had to start with the makeup before she was out of bed.

Only when she sits before her mirror to apply her makeup with care does she become a geisha. And I don’t mean that this is when she begins to look like one. This is when she begins to think like one too.

erah Graesin had a silky, low voice. It was reputed to be sexy, but then, everything about Terah Graesin was supposed to be sexy. Kylar didn’t see it. Oh, she was pretty. She had a wide mouth, full lips, and the kind of figure that was unattainable for the majority of noblewomen who spent their days doing nothing more strenuous than issuing orders to the servants. Maybe it was that she was a little too self-consciously good-looking. She wore lots of makeup—expertly applied and subtle, but lots—and had tweezed her eyebrows down to tiny lines. The truth was, she held herself like he ought to admire her, and it pissed him off. What pissed him off more was that to look her in the eye with his disguise, he had to stare straight at her admittedly perky breasts. Dammit, why were breasts so intriguing?

These magazines could tell me which clothes and shoes to wear, how to have my hair styled in order to fit in. They could show me the right kind of makeup to buy and how to apply it. This way, I would disappear into everywoman acceptability. I would not be stared at. The goal, ultimately, was successful camouflage as a human woman.

life isn’t something you apply like make-up. It’s something you grow and tend. Like a garden.

She... applied makeup, enough to have made an effort, not enough to be blatantly a woman...

She was an actress in the theater of true life, so good that no one suspected what was hidden behind the artfully applied makeup and carefully pinned hairnet.

Before me lay a body grayer than a sketch. Someone had applied makeup and colors to try to make it look alive. I didn’t cry. That was not my mother. My mother is free in the sky. She doesn’t have the burden of a human body, is not made up of a single dot of gray. My mother is a bird.

It's about five and the party begins at seven, so I have to get the hell out of here. I need to shower, shave, eat, straighten my hair, apply make-up, and try to get a cab on a Friday night. Ugh, girly things. Kill me now.

I poke myself in the eye. “Would you stop touching yourself?” I drop the mascara tube on the table and pick up a tissue to wipe the smear of black I just made at the inside corner of my eyelid because I can’t keep my fricking eyes off Dean. “What’s wrong, baby? You jealous? I was thinking of how hot you look.” He rolls to his side. “You make a little circle with your mouth when you put your eye makeup on. It’s basically begging me to stick my dick in there.” Nope, there’s nothing warm and squishy about my relationship with this guy. I shoot him a disbelieving glance. “We just got done having morning sex,” I remind him. I apply two quick swipes of the mascara before Dean’s hand can do more damage under the bed sheets. “That was thirty minutes ago. Since then, you’ve showered, waved your tits and bare ass in front of me getting dressed, and then made little blowjob circles with your mouth. So yeah, I’m horny again. Sue me.

Don't search for answers. I felt like I was always searching. Literally -- when I felt depressed I'd wander online, pressing links, looking for something that would make me feel better. I'd surf from friends' photos to strangers' blog posts about how to apply makeup, to the flight message board, to Googling Will for the hundredth time--and feel worse.

Often she would lock herself in her room and sitting before the mirror, apply the makeup of John Barrymore, Barrymore of The Sea Beast or of Dr. Jekyll and Mr. Hyde. Seeing these gruesome images in the mirror she would being to rave. "Who am I?" she would say. "What am I?

Make It a Treat” is similar in spirit to “everything in moderation,” but still very distinct. “Moderation” suggests a regular, low-level intake of something. MIAT asks for more austerity; it encourages you to keep the special things in life special. I apply this rule in a variety of ways. For instance, I wear makeup and high heels on special occasions. But if I dressed up all the time, it would become ordinary, and I would receive fewer compliments.

There are countries in which the communal provision of housing, transport, education and health care is so inferior that inhabitants will naturally seek to escape involvement with the masses by barricading themselves behind solid walls. The desire for high status is never stronger than in situations where 'ordinary' life fails to answer a median need for dignity or comfort. Then there are communities—far fewer in number and typically imbued with a strong (often Protestant) Christian heritage—whose public realms exude respect in their principles and architecture, and whose citizens are therefore under less compulsion to retreat into a private domain. Indeed, we may find that some of our ambitions for personal glory fade when the public spaces and facilities to which we enjoy access are themselves glorious to behold; in such a context, ordinary citizenship may come to seem an adequate goal. In Switzerland's largest city, for instance, the need to own a car in order to avoid sharing a bus or train with strangers loses some of the urgency it has in Los Angeles or London, thanks to Zurich's superlative train network, which is clean, safe, warm and edifying in its punctuality and technical prowess. There is little reason to travel in an automotive cocoon when, for a fare of only a few francs, an efficient, stately tramway will provide transport from point A to point B at a level of comfort an emperor might have envied. One insight to be drawn from Christianity and applied to communal ethics is that, insofar as we can recover a sense of the preciousness of every human being and, even more important, legislate for spaces and manner that embody such a reverence in their makeup, then the notion of the ordinary will shed its darker associations, and, correspondingly, the desires to triumph and to be insulated will weaken, to the psychological benefit of all.

No make-up in the world can make you pretty, until you apply the foundation of love and wisdom

I’d never once seen Nikki adjust her makeup in all the times we’d driven through Vegas. It was like she applied it with a death threat, and it stayed put until she told it to move.

wondered if he was noticing from the photo how the thickly applied makeup hid the cuts on my cheek and the bruise on my chin.

she appeared to have applied her makeup rather liberally in the dark without the benefit of a mirror. The heavy rouge on her cheeks was magenta, and her lipstick looked like blood.

Dude, fix your hair and try applying a little makeup tonight. You are a girl, right?" I swear to goodness, Mom gave birth to Crystal and not me. "You two suck at being my best friends.

If I cared about what others thought, I would have applied more makeup to hide the dark circles under my eyes. But since I didn’t care, I just played with the eyeliner and mascara as usual.

As the rest of the modern world develops into what Seoul already has been for years—an image-laden, social-media-driven landscape, where digital representations of us can be automatically filtered to have longer lashes or poreless skin, and digital makeup can be instantly applied before we show up on our video meetings—it makes clear Korea’s looks-obsessed culture, where appearance norms inch further and further out of reach, isn’t some anomaly.

I had a dream about you. You had no skin or muscle on your face, and to try to conceal your bare skull you liberally applied lipstick and makeup. Your birthday was coming up, and I knew you were probably sensitive about parties that emphasize the aging process, so I decided to box up your gift in a coffin and wrap it with black wrapping paper. I got you the best gift ever too—a hooker, who happened to be dead, because that enabled me to procure a sizeable discount.


I realized, belatedly, that she had likely applied the makeup for Adriaan’s sake; certainly she had not done so for mine. I wondered then what it was like to be a man, so often surrounded by such deliberate features, more vivid than actual nature.

Ever since I could remember, I had feared being found wanting. If I did the work I wanted to do, it was certain not to measure up; if I pursued the people I wanted to know, I was bound to be rejected; if I made myself as attractive as I could, I would still be ordinary looking. Around such damages to the ego a shrinking psyche had formed: I applied myself to my work, but only grudgingly; I’d make one move toward people I liked, but never two; I wore makeup but dressed badly. To do any or all of these things well would have been to engage heedlessly with life — love it more than I loved my fears — and this I could not do. What I could do, apparently, was daydream the years away: to go on yearning for “things” to be different so that I would be different.

When I was a teen, I liked to hang out around popular girls, I thought they had some magic, secrets that only they knew and I wanted to learn it... Though pretty soon I realized... popular girls were just like spam... they promised a lot, but only thing they had and could use were their well-built bodies and ability to apply make-up here and there. Mostly they were deceptive and had no senses... they had no idea about friendship, kindness and beauty as it is. Friendship for them was not something more than poor relations, sort of like in "God Father". Love for them was not something bigger than sex. Kindness for them was to have a kitty or a dog (which was already very rare case)... And beauty for them was... well, you can imagine. Concentrated selfishness

The two girls sit and face each other. One girl will apply makeup to the other’s face, but the trick is that the girl applying the makeup has to do it blindfolded! That’s why it’s important that the makeup be safe to use on the face, especially if it accidentally gets on the lips or eyes. The audience can gather around and watch (no hints!) as the blindfolded girl applies makeup. When she’s done, the two girls switch roles, but nobody is allowed to look in the mirror until both are done. Then they can look! Option:

Key Rabbit, allow me to bore you with a comparison of your wife and a beautiful woman," I said. "In the morning a beauty must lie in bed for three or four hours gathering strength for another mighty battle with Nature. Then, after being bathed and toweled by her maids, she loosens her hair in the Cascade of Teasing Willows Style, paints her eyebrows in the Distant Mountain Range Style, anoints herself with the Nine Bends of the River Diving-water Perfume, applies rouge, mascara, and eye shadow, and covers the whole works with a good two inches of the Powder of the Nonchalant Approach. Then she dresses in a plum-blossom patterned tunic with matching skirt and stockings, adds four or five pounds of jewelry, looks in the mirror for any visible sign of humanity and is relieved to find none, checks her makeup to be sure that it has hardened into an immovable mask, sprinkles herself with the Hundred Ingredients Perfume of the Heavenly Spirits who Descended in the Rain Shower, and minces with tiny steps toward the new day. Which, like any other day, will consist of gossip and giggles.

However, if you do want to proceed to seduce a woman, the most effective way to do so is to tell her what she wants to hear. Women already realize this fact, as they fix themselves up to show what men want to see by dying their hair, getting hair extensions, applying makeup, wearing fake fingernails, and wearing high heels. They may also go to extremes by getting breast implants, plastic surgery, and Botox. They do all that and much more to appear more attractive to men, and it is completely acceptable and often appreciated, as long as it is done in moderation.

One dog got makeup applied to its face, lipstick and blue eye shadow. It was a white-faced dog, so the makeup showed up well. We liked to have an impact. When we were done, the lipstick went back into some mother's Fendi handbag. We watched her apply it, unaware. That was satisfying.

If a boy fires off a gun, whether at a fox, a landlord or a reigning sovereign, he will be rebuked according to the relative value of these objects. But if he fires off a gun for the first time it is very likely that he will not expect the recoil, or know what a heavy knock it can give him. He may go blazing away through life at these and similar objects in the landscape; but he will be less and less surprised by the recoil; that is, by the reaction. He may even dissuade his little sister of six from firing off one of the heavy rifles designed for the destruction of elephants; and will thus have the appearance of being himself a reactionary. Very much the same principle applies to firing off the big guns of revolution. It is not a man's ideals that change; it is not his Utopia that is altered; the cynic who says, "You will forget all that moonshine of idealism when you are older," says the exact opposite of the truth. The doubts that come with age are not about the ideal, but about the real. And one of the things that are undoubtedly real is reaction: that is, the practical probability of some reversal of direction, and of our partially succeeding in doing the opposite of what we mean to do. What experience does teach us is this: that there is something in the make-up and mechanism of mankind, whereby the result of action upon it is often unexpected, and almost always more complicated than we expect.

You might want to pop your collar." "Hey if the biker doesn't pop his, I'm not popping mine. Also? We're thirty years past that fashion faux pas." "Yeah, but it still comes in handy when you're sporting a hickey." "What?" My hands flew to my neck, and I found the tender spot. "Shit. No, that's not-- I burned it. My hair wasn't cooperating, so I dragged out the curling iron." "Gabriel has a curling iron?" "No, I meant--Damn it." I rooted through my bag for concealer. "I'm sorry. If I'd noticed, I'd have hidden it." "I know." His lips twitched. "It is kinda funny, though, watching you guys scramble with excuses. Gabriel told me you weren't answering my calls because you forgot your phone in the car. Which is about as likely as you leaving your arm behind. He dried his hair so fast the back was sticking up. And then he scarfed down half the food I brought for lunch. I've never seen him eat like that." He smiled. "But I do appreciate he's being circumspect." "He's not going to wave it in your face." "No, but we are talking about Gabriel, who never goes out of his way to cushion anyone's feelings but yours. He's being very thoughtful. It's sweet. Just don't tell him I said that." "I won't." I finished applying the concealer. "Better?" "Yep." He leaned over for a better look and then stopped. "Is that a bite on your collarbone?" "Shit! No. Damn it. Ricky laughed as I frantically applied more makeup.

No time to worry about that now. In ten minutes they will have arrived on campus. In ten minutes, George will have to be George—the George they have named and will recognize. So now he consciously applies himself to thinking their thoughts, getting into their mood. With the skill of a veteran he rapidly puts on the psychological make-up for this role he must play.

Oh … dear … God! Flowers. Dim lights. Soft music. Lautner. He’s about ten feet away wearing a black suit and a titanium tie. I’ve never seen him dressed up like this. He’s … perfect. Holding up his phone, he shakes his head. “Got your message … finally.” My newly applied makeup is in serious danger. There’s a lump in my throat the size of Saturn and it’s making my eyes water … a lot!

Clara smoked in the shallow pool as Lana del Rey poured from her phone. She shaded her eyes. She liked the shallow pool because she could lay out, half in the sun, half in the water, and not get her hair wet. She had black eyeliner smeared under her eyes from who-knows-when, and while she never bothered to fix it, she did apply more, so she looked permanently hung over. She liked that.

TIA OR TARA has stopped applying makeup to my wife’s face and is looking at Scottie with disapproval. The light is hitting this woman’s face, giving me an opportunity to see that she should perhaps be working on her own makeup. Her coloring is similar to a manila envelope. There are specks of white in her eyebrows, and her concealer is not concealing. I can tell my daughter doesn’t know what to do with this woman’s critical look. “What?” Scottie asks. “I don’t want any makeup.” She looks at me for protection, and it’s heartbreaking. All the women who model with Joanie have this inane urge to make over my daughter with the notion that they’re helping her somehow. She’s not as pretty as her older sister or her mother, and these other models think that slapping on some rouge will somehow make her feel better about her facial fate. They’re like missionaries. Mascara thumpers. “I was just going to say that I think your mother was enjoying the view,” Tia or Tara says. “It’s so pretty outside. You should let the light in.” My daughter looks at the curtain. Her little mouth is open. Her hand reaches for a tumbleweed of hair. “Listen here, T. Her mother was not enjoying the view. Her mother is in a coma. And she’s not supposed to be in bright light.” “My name is not T,” she says. “My name is Allison.” “Okay, then, Ali. Don’t confuse my daughter, please.” “I’m turning into a remarkable young lady,” Scottie says. “Damn straight.” My heart feels like one of Scottie’s clogs clomping down the hall. I don’t know why I became so angry.

EYE MAKEUP 1. Makeup should be just a frame for the eyes. When you lay on all the bright-colored goop and slather white under the brows the eyes themselves are lost in camouflage. Just accent whatever God has given you with a subtle hand. 2. The more makeup a woman applies after forty the older she looks. 3. Early in my career I had plucked and plucked so that I'd have those spindly little lines that were the fashion then. When eyebrows came back a lot of girls found that they couldn't grow them anymore. They's plucked out the roots. I encouraged new growth by using castor oil and yellow Vaseline - half and half - and rubbing it the wrong way, toward the nose, with a brush. I still use it, it makes my brows grow like mad. It's good for lashes, too, but I always get the oil in my eyes, then they water and turn red. Brows frame the eyes. Encourage them. for they're a great asset.

A woman wearing a trowel's layer of cosmetics approached. "Trixie Stone?" she said. "My name's Janice. I'm a sexual assault advocate. "I'm here to answer questions for you and your family, and to help you understand what's going to be happening." Daniel couldn't get past the makeup. If this woman had been called in for Trixie, how much time had been lost applying those false eyelashes, that glittery blush? How much faster might she have come?

As with the first Nightmare, we shot a couple of interesting scenes that didn’t make it into the final cut, most notably one featuring a female Freddy. One of the kids in the hospital has a Freddy dream in which he’s being seduced by a sexy nurse. The nightmare evolves into a kinky S&M fantasy, but becomes less M and more S when the ropes that bind the kid to the bed become Freddy tongues, and the nurse’s face morphs into Freddy’s, but her topless torso, which features a pair of perfect Playboy breasts, remains smooth and inviting… that is, for a moment. All of a sudden, the veins in her areolas come to life and turn into Freddy-like burn scars and snake up her cleavage, past her neck, and onto her face. (I’m pretty sure Kevin enjoyed the four hours it took to apply makeup to those tits.) This troubling, erotic transformation didn’t make the final cut for some reason. Occasionally I find myself signing bootleg stills from the missing sequence. Especially in Europe. Ooh la la!

gene plays a role, are quite tractable, but anything entailing higher dimensionality falls apart. Understanding the genetic makeup of a unit will never allow us to understand the behavior of the unit itself. A reminder that what I am writing here isn’t an opinion. It is a straightforward mathematical property. The mean-field approach is when one uses the average interaction between, say, two people, and generalizes to the group—it is only possible if there are no asymmetries. For instance, Yaneer Bar-Yam has applied the failure of mean-field to evolutionary theory of the selfish-gene narrative trumpeted by such aggressive journalistic minds as Richard Dawkins and Steven Pinker, with more mastery of English than probability theory. He shows that local properties fail and the so-called mathematics used to prove the selfish gene are woefully naive and misplaced. There has been a storm around work by Martin Nowack and his colleagues (which include the biologist E. O. Wilson) about the terminal flaws in the selfish gene theory.fn2

March 9: With Schenck’s help, Marilyn obtains a contract with Columbia Pictures for $125 a week. The studio puts her up at the Hotel Bel-Air. Ed Cronenwerth shoots her in various exercise positions, toning and stretching her body. She is also shown seated on steps, her right elbow on her raised right thigh and her right hand on her chin next to the sign “Los Angeles City Limits.” He also photographs makeup sessions. Marilyn applies lipstick, looking into a hand-held mirror, and is shot sitting while Helen Hunt styles her hair.

She sits at her dressing table looking at her face in the mirror. Her face lacks definition around the cheeks and jaw. It's a face like a piece of technology, and her two eyes are cursors blinking. Or it's reminiscent of the moon reflected in something, wobbly and oblique. It expresses everything all at once, which is the same as expressing nothing. To wear makeup for this occasion would be, she concludes, embarrassing. Without breaking eye contact with herself, she dips her finger in an open pot of clear lip balm and applies it.

Try this: Tomorrow as you shower, praise God for the cleansing that Jesus’ forgiveness provides. As you’re getting dressed, thank God for clothing you with Christ’s righteousness. When you put on your moisturizer, ask God to soften your heart to his leading throughout the day. As you apply your makeup, thank him for being the foundation of your life. When you put in your contacts, ask God to give you eyes to see his workings in the world. And as you put on your earrings, thank him for beautifying your life with the fruits of the Spirit.

Depending on who’s living in your gut, you may or may not benefit from what you eat. Or be harmed. Charred red meat has long been called a carcinogen, but in fact it is only the raw material for making carcinogens. Without the gut bacteria that break it down, the raw goods are harmless. (This applies to drugs too; depending on the makeup of your gut flora, the efficacy of a drug may vary.) The science is new and extremely complex, but the bottom line is simple. Changing people’s bacteria is turning out to be a more effective strategy for treatment and prevention of disease than changing their diet.

My general feeling is that date make-up should be an honest advertisement for a potential relationship. Frankly, it’s easier for you that way. There’s no point labouring over lots of perfectly applied make-up if you are, in reality, a low-maintenance kind of girl who can’t possibly keep it up beyond the honeymoon period. Equally, it seems unwise to imply you’re someone who rolls out of bed and out to a Sunday farmer’s market all natural skin, flushed cheeks and a smidge of lip balm when your real life is spent in full coverage foundation and smoky eyes. Like any part of dating, it is always safer to be yourself because who can maintain a lie for long?

The lady is ninety-two years old, petite, well poised, and proud. She is fully dressed each morning by eight o’clock, with her hair fashionably coiffed and her makeup perfectly applied, in spite of the fact that she is legally blind. Today she has moved to a nursing home. Her husband of seventy years recently passed away, making this move necessary. After many hours of waiting patiently in the lobby of the nursing home, she smiles sweetly when told her room was ready. As she maneuvers her walker to the elevator, the staff person provides a visual description of her tiny room, including the eyelet curtains that have been hung on her window. “I love it,” she states with the enthusiasm of an eight-year-old having just been presented with a new puppy. “Mrs. Jones, you haven’t seen the room… just wait,” the staff person says. Then Mrs. Jones speaks these words: “That does not have anything to do with it,” she gently replies. “Happiness is something you decide on ahead of time. Whether I like the room or not does not depend on how the furniture is arranged. It is how I arrange my mind that matters. I have already decided to love it. It is a decision I make every morning when I wake up. I have a choice. I can spend the day in bed recounting the difficulty I have with the parts of my body that no longer work, or I can get out of bed and be thankful for the ones that do work. Each day is a gift, and as long as my eyes open, I will focus on the new day and all of the happy memories I have stored away… just for this time in my life.

It was in Cleveland that Magic Slim became the most successful pornographic film producer in America. His training center was a key link in a human trafficking supply chain stretching from the former Soviet Republics in Eastern Europe to the United States. Trafficking accounts for an estimated $32 billion in annual trade with sex slavery and pornographic film production accounting for the greatest percentage. The girls arrived at Slim’s building young and naive, they left older and wiser. This was a classic value chain with each link making a contribution.  Slim’s trainers were the best, and it showed in the final product. Each class of girls was judged on the merits. The fast learners went on to advanced training. They learned proper etiquette, social skills and party games. They learned how to dress, apply makeup and discuss world events.  Best in-class were advertised in international style magazines with code words. These codes were known only to select clients and certain intermediaries approved by Slim. This elaborate distribution system was part of Slim’s business model, his clients paid an annual subscription fee for the on-line dictionary. The code words and descriptions were revised monthly.  An interested client would pay an access fee for further information that included a set of professional  photographs, a video and voice recordings of the model addressing the client by name.  Should the client accept, a detailed travel itinerary was submitted calling for first class travel and accommodation.  Slim required a letter of understanding spelling out terms and conditions and a 50% deposit. He didn’t like contracts, his word was his bond, everyone along the chain knew that. Slim's business was booming.

Ocean Acidification is sometimes referred to as Global Warming's Equally Evil Twin. The irony is intentional and fair enough as far as it goes... No single mechanism explains all the mass extinctions in the record and yet changes in ocean chemistry seem to be a pretty good predictor. Ocean Acidification played a role in at least 2 of the Big Five Extinctions: the End-Permian and the End-Triassic. And quite possibly it was a major factor in a third, the End-Cretaceous. ...Why is ocean acidification so dangerous? The question is tough to answer only because the list of reasons is so long. Depending on how tightly organisms are able to regulate their internal chemistry, acidification may affect such basic processes as metabolism, enzyme activity, and protein function. Because it will change the makeup of microbial communities, it will alter the availability of key nutrients, like iron and nitrogen. For similar reasons, it will change the amount of light that passes through the water, and for somewhat different reasons, it will alter the way sound propagates. (In general, acidification is expected to make the seas noisier.) It seems likely to promote the growth of toxic algae. It will impact photosynthesis—many plant species are apt to benefit from elevated CO2 levels—and it will alter the compounds formed by dissolved metals, in some cases in ways that could be poisonous. Of the myriad possible impacts, probably the most significant involves the group of creatures known as calcifiers. (The term calcifier applies to any organism that builds a shell or external skeleton or, in the case of plants, a kind of internal scaffolding out of the mineral calcium carbonate.)... Ocean acidification increases the cost of calcification by reducing the number of carbonate ions available to organisms that build shells or exoskeletons. Imagine trying to build a house while someone keeps stealing your bricks. The more acidified the water, the greater the energy that’s required to complete the necessary steps. At a certain point, the water becomes positively corrosive, and solid calcium carbonate begins to dissolve. This is why the limpets that wander too close to the vents at Castello Aragonese end up with holes in their shells. According to geologists who work in the area, the vents have been spewing carbon dioxide for at least several hundred years, maybe longer. Any mussel or barnacle or keel worm that can adapt to lower pH in a time frame of centuries presumably already would have done so. “You give them generations on generations to survive in these conditions, and yet they’re not there,” Hall-Spencer observed.

Beauty Killer" If I can't be beautiful.. I'd rather just die. So self-obsessed with my mascara and mistakes. Vanity's like a funeral an everyone's at my wake. Before I run out of air there's more makeup to apply. Doll eyes stare into Valium colored skies... I gotta sweet tooth and strawberry youth. You wanna be my licorice and misguided truth. And right now - I'll show you how.. I'm a beauty killer. Rhinestone my eyes closed and please fix my hair. This concealer can't hide all my pink nightmares. Before I run out of air there's more makeup to apply. Doll eyes stare into Valium colored skies. I almost died but it felt great. Faking perfection wasn't worth the wait. I may be easy, easy to hate. But you're so fucking easy.. easy to break. I gotta sweet tooth and strawberry youth. You wanna be my licorice and misguided truth. And right now - I'll show you how.. I'm a beauty killer. I almost died but it felt great. Faking perfection wasn't worth the wait. I may be easy, easy to hate. But you're so fucking easy.. easy to break. Tell me your secrets and ill tell you my lies. Everything is monotone in my dead eyes. If I cant be beautiful..I'd rather just die. I'm a beauty killer. I gotta sweet tooth and strawberry youth. You wanna be my licorice and misguided truth. And right now - I'll show you how.. I'm a beauty killer. Gorgeous killer. Hot pink killer. Fierce killer. I'm a beauty killer. I'll fucking kill you...

The people are pieces of software called avatars. They are the audiovisual bodies that people use to communicate with each other in the Metaverse. Hiro's avatar is now on the Street, too, and if the couples coming off the monorail look over in his direction, they can see him, just as he's seeing them. They could strike up a conversation: Hiro in the U-Stor-It in L.A. and the four teenagers probably on a couch in a suburb of Chicago, each with their own laptop. But they probably won't talk to each other, any more than they would in Reality. These are nice kids, and they don't want to talk to a solitary crossbreed with a slick custom avatar who's packing a couple of swords. Your avatar can look any way you want it to, up to the limitations of your equipment. If you're ugly, you can make your avatar beautiful. If you've just gotten out of bed, your avatar can still be wearing beautiful clothes and professionally applied makeup. You can look like a gorilla or a dragon or a giant talking penis in the Metaverse. Spend five minutes walking down the Street and you will see all of these. Hiro's avatar just looks like Hiro, with the difference that no matter what Hiro is wearing in Reality, his avatar always wears a black leather kimono. Most hacker types don't go in for garish avatars, because they know that it takes a lot more sophistication to render a realistic human face than a talking penis. Kind of the way people who really know clothing can appreciate the fine details that separate a cheap gray wool suit from an expensive hand-tailored gray wool suit. You can't just materialize anywhere in the Metaverse, like Captain Kirk beaming down from on high. This would be confusing and irritating to the people around you. It would break the metaphor. Materializing out of nowhere (or vanishing back into Reality) is considered to be a private function best done in the confines of your own House. Most avatars nowadays are anatomically correct, and naked as a babe when they are first created, so in any case, you have to make yourself decent before you emerge onto the Street. Unless you're something intrinsically indecent and you don't care.

Switching on the ground-floor lights, she checked the gas jet and the main gas plug and poured water over the smoldering, half-buried charcoal in the brazier. She stood before the upright mirror in the four-and-a-half-mat room and held up her skirts. The bloodstains made it seem as if a bold, vivid pattern was printed across the lower half of her white kimono. When she sat down before the mirror, she was conscious of the dampness and coldness of her husband’s blood in the region of her thighs, and she shivered. Then, for a long while, she lingered over her toilet preparations. She applied the rouge generously to her cheeks, and her lips too she painted heavily. This was no longer make-up to please her husband. It was make-up for the world which she would leave behind, and there was a touch of the magnificent and the spectacular in her brushwork. When she rose, the mat before the mirror was wet with blood. Reiko was not concerned about this. (...) The lieutenant was lying on his face in a sea of blood. The point protruding from his neck seemed to have grown even more prominent than before. Reiko walked heedlessly across the blood. Sitting beside the lieutenant’s corpse, she stared intently at the face, which lay on one cheek on the mat. The eyes were opened wide, as if the lieutenant’s attention had been attracted by something. She raised the head, folding it in her sleeve, wiped the blood from the lips, and bestowed a last kiss. (...) Reiko sat herself on a spot about one foot distant from the lieutenant’s body. Drawing the dagger from her sash, she examined its dully gleaming blade intently, and held it to her tongue. The taste of the polished steel was slightly sweet. Reiko did not linger. When she thought how the pain which had previously opened such a gulf between herself and her dying husband was now to become a part of her own experience, she saw before her only the joy of herself entering a realm her husband had already made his own. In her husband’s agonized face there had been something inexplicable which she was seeing for the first time. Now she would solve that riddle. Reiko sensed that at last she too would be able to taste the true bitterness and sweetness of that great moral principle in which her husband believed. What had until now been tasted only faintly through her husband’s example she was about to savor directly with her own tongue. Reiko rested the point of the blade against the base of her throat. She thrust hard. The wound was only shallow. Her head blazed, and her hands shook uncontrollably. She gave the blade a strong pull sideways. A warm substance flooded into her mouth, and everything before her eyes reddened, in a vision of spouting blood. She gathered her strength and plunged the point of the blade deep into her throat.

They were empowered and fulfilled. They dated occasionally but were just as happy living the feminist dream of a professional woman not answerable to any man. Do what they wanted to, go where they wanted to and spend indecent amount of money on clothes and shoes, it was all good. There were not slaves to diets, shaving hairy legs, waxing eyebrows, dying their roots, endless showers, applying tons of make-up and trying to be domestic goddesses. They could slum around in leisure suits and runners reading Cosmo with a fag in their mouth and a cup of coffee in their hands. There could be slummy mummies or tidy queens or takeaway junkies it all depended on their daily rota and social live. Good, freedom was definitely good. One husband in a lifetime was enough for them

At her age, another woman would wear her hair shorter and her skirts lower. But Linda had that classic Nordic skin: pale, soft and clean looking. The kind of woman who doesn’t need to wear much if any makeup. She wore lightly-applied lipstick, but kept her blond hair basic. Sometimes she let it flow, easy and beautiful; other times, done up tightly with bobby pins. No matter, because she was Beauty, the men Beasts. Her clothes were simple, too, not plain, but easy on the eyes, like her face. Easy on the eyes. She was the kind of a good lookin’ dame you’d be proud to call your wife. She was innocent looking; yeah, well, that’s one in her favor. Because men trusted her, because she acted with such guileless innocence, she became confessor to numbers of men with no one else to turn to. The cigarette girl. “Hey, babe!” Gunnar Swernbernin shouted as he snuck up behind Linda at the Club Festival. “Eowww!” she shrieked as Gunnar grabbed her around the midsection. Linda turned quickly around and slapped her molester. The sound reverberated throughout the club. “Ouch!” Gunnar yelled. “You didn’t have to do that!” “Buster,” she yelled back, “the next time you touch me, prepare to die!

We clean up nice, don’t we?” she said as we applied our makeup in the long bathroom mirror. “Yeah, we’re the hottest romance novelists I know,” I said, pouting my lips at her. “Suck it, Nora Roberts,” Raine said, adjusting her bra.

An invigorating shower of soft florals, all the time with a watchful eye on the door. Only panicking when the shampoo temporarily obscures my vision, rinsing it through as quickly as if my life depends on it. Not long later, I leave the house, double-checking the locks. Not bad, a transformation from home-comfort clothes to a tailored azure dress. Softly applied make-up, coral lips. Elegant shoes with a sharp distinguishing echo. Finally, my files, mobile and diary. All in less than thirty minutes. Trepidation has its perverse benefits.

If you had an Internet connection and lived in North America at the time, you may have seen it. Vasquez is the man behind the “Double Rainbow” video, which at last check had 38 million views. In the clip, Vasquez pans his camera back and forth to show twin rainbows he’d discovered outside his house, first whispering in awe, then escalating in volume and emotion as he’s swept away in the moment. He hoots with delight, monologues about the rainbows’ beauty, sobs, and eventually waxes existential. “What does it mean?” Vasquez crows into the camera toward the end of the clip, voice filled with tears of sheer joy, marveling at rainbows like no man ever has or probably ever will again. It’s hard to watch without cracking up. That same month, the viral blog BuzzFeed boosted a different YouTuber’s visibility. Michelle Phan, a 23-year-old Vietnamese American makeup artist, posted a home video tutorial about how to apply makeup to re-create music star Lady Gaga’s look from the recently popular music video “Bad Romance.” BuzzFeed gushed, its followers shared, and Lady Gaga’s massive fanbase caught wind of the young Asian girl who taught you how to transform into Gaga. Once again, the Internet took the video and ran with it. Phan’s clip eventually clocked in at roughly the same number of views as “Double Rainbow.” These two YouTube sensations shared a spotlight in the same summer. Tens of millions of people watched them, because of a couple of superconnectors. So where are Vasquez and Phan now? Bear Vasquez has posted more than 1,300 videos now, inspired by the runaway success of “Double Rainbow.” But most of them have been completely ignored. After Kimmel and the subsequent media flurry, Vasquez spent the next few years trying to recapture the magic—and inadvertent comedy—of that moment. But his monologues about wild turkeys or clips of himself swimming in lakes just don’t seem to find their way to the chuckling masses like “Double Rainbow” did. He sells “Double Rainbow” T-shirts. And wears them. Today, Michelle Phan is widely considered the cosmetic queen of the Internet, and is the second-most-watched female YouTuber in the world. Her videos have a collective 800 million views. She amassed 5 million YouTube subscribers, and became the official video makeup artist for Lancôme, one of the largest cosmetics brands in the world. Phan has since founded the beauty-sample delivery company Ipsy.com, which has more than 150,000 paying subscribers, and created her own line of Sephora cosmetics. She continues to run her video business—now a full-blown production company—which has brought in millions of dollars from advertising. She’s shot to the top of a hypercompetitive industry at an improbably young age. And she’s still climbing. Bear Vasquez is still cheerful. But he’s not been able to capitalize on his one-time success. Michelle Phan could be the next Estée Lauder. This chapter is about what she did differently.

Applying makeup took energy and choosing the perfect outfit drained mental faculties

Jett's artistic talent was as weighty and emphatic as the heavy black makeup she applied to her lips and eyelids.

Her auburn hair was swept into a chignon, her makeup artfully applied.

Relative Difficulty and Power Provided You cannot determine how the player perceives the difficulty of a challenge through absolute difficulty alone. You must also take into account two more factors. The first is the amount of power that the game gives to the player to meet the challenge. Power provided measures, by means appropriate to the situation, the player’s strength: the health and powers of his avatar, the size and makeup of his army, the performance characteristics of his racing car, or whatever factors apply. In the simple example described in the previous section, power provided would refer to the amount of damage the avatar can do when hitting the enemy and the avatar’s resistance to damage: the number of health points that he has to lose before dying.

The truth about yourself is so near, so close, that it is very difficult to perceive. Just as it is difficult to style your hair, apply makeup, or shave without a mirror, we require a mirror of sorts to spiritually groom ourselves. For most, that mirror is relationships with others. People who wear masks of untrustworthiness, dishonesty, selfishness, and greed see those qualities reflected back from everyone they meet—even the most noble souls who cross their paths. But people who have put their masks aside are able to experience compassion, love, and wholeness in others, even in their adversaries—even in those who are still mired in a tangled web of fear, insecurity, and abrasiveness.

The notion of culminating moments was anticipated many years ago by the psychologist Abraham Maslow, who named such experiences “peak moments.” His interest was not religious worship or even ritual, but human psychology as it applies to religious experience in general. Maslow wrote in the 1960s, when all institutions—including churches and synagogues—were under attack by a younger generation that considered them sterile. He tried to replace organized religion with a sort of humanistic personalism, in that he denied the need for any institutionalized format to bring out the religious impulse within us. Instead, he felt that every human being has the potential for religious experience, since religion is an intrinsic element in our psychological makeup.

One mindfulness trick I love is to mentally “be where my feet are.” As you fix your hair, shave your beard, or apply your makeup, don’t drift into autopilot. Take a moment to pause and actually be with yourself. An intentional glance in the bathroom mirror is meaningful. It can be an intimate moment of self-recognition, appreciation . . . even love. It can be your ONE chance ALL day to acknowledge your own strength, beauty, and fabulousness. But it rarely is—until now.

Your avatar can look any way you want it to, up to the limitations of your equipment. If you’re ugly, you can make your avatar beautiful. If you’ve just gotten out of bed, your avatar can still be wearing beautiful clothes and professionally applied makeup. You can look like a gorilla or a dragon or a giant talking penis in the Metaverse. Spend five minutes walking down the Street and you will see all of these.

Chee pulled his police unit into the left lane, glanced at the drivers, all cruising along at the speed limit with both hands on the wheel. No doubt with their cell phones on their laps, waiting for him to pass to go back to texting while sipping their coffee, eating a sweet roll, and applying makeup or shaving.

I also made my bed every day, fixed my hair, applied my makeup, and washed the dishes. The result of being faithful in these small things was the restoration of my sense of worth and dignity. And proper placement restores order to one’s surroundings, which in turn restores order to some of the brain’s clutter.

used my little finger to apply gold pigment to my emerald-painted lips. Denim, the drag troupe that I set up seven years earlier, had survived the gruelling Fringe Festival, and we were one show away from crossing our scratched heels over the finish line. A month of performances, often two a day, had taken its toll. My skin was at war with the industrial quantity of make-up it was being suffocated in (a two-hour procedure each time); I had obliterated my left kneecap because of a wannabe-rockstar ‘jump-and-slam-onto-the-ground’ move I felt impelled to perform each show;

Please allow me to wax philosophical. The purpose of eyesight, as well as insight for that matter, is for you and I to be in awe of not just creation itself but of the very One who created it. I will confidently propose that this is the purpose behind creation. Consider this: Evolution cannot explain purpose. It can only explain function. Science can explain how and why you and I function. It might even suggest your function within society. However, science alone will never give you the answer to your ultimate purpose for being on this Earth. “Let’s suppose you go to an art museum. While pursuing the halls of art, your eyes are directed to a certain painting. You become fixated on that painting. It is beautiful. The painting is so mesmerizing and beautiful that you are taken with the image it conveys. You begin to speculate on the story behind the painting. You become emotional and even shed a tear as you stare at it in wonder. For a brief moment in time you become immersed in the essence of this work of art. What is happening here? The one who designed and created the painting did so in order to perhaps bring about an emotional response from the viewer. You didn’t look at the painting and wonder about the chemical makeup of paint or the composition of the canvas mat or what type of device was used to apply those chemical compounds to the mat. You didn’t measure the dimensions of the frame. No. The painter gave that painting a purpose. While the painting itself is remarkable and beautiful, the ultimate purpose of it is to direct you to the one who created it. We give honor to Rembrandt, Monet, Goya, Van Gogh, and Picasso. Why does evolution deny that we give honor to the One who designed, created, and gave beauty to you and me, or to any other created thing? For sure, some evolutionists will try to say that the method the grand Creator used in His creation was evolution but will continue to ignore any mention of His creative hand and minimize other accounts such as the evidence for the origin of life in Scripture. They suppress the truth as they give high honor to their evolutionary theories that they guard with defiance. “The appearance of design isn’t just a common sense factor; it comes from a scientific explanation to which I have spoken here tonight. “Each one of you has the ability to hear, read, study, and think on everything that goes into your mind. While we do well to consider objective theory, we still must then decide for ourselves what it is we are going to believe. We are not just lab rats responding to stimuli. We have the ability to reason, love, express emotions, think deeply on matters, and create things—not just as an evolutionary function but from our innate giftedness and developed talents. “Give much consideration to what is true. Consider what is splendid and beautiful and magnificent. Think on things that are right or lovely or worthy of your admiration. Reflect on those things, not just as some facts of science but on the effect these things have on your very heart and soul. There is a word for those thoughts and feelings that penetrate deep within the depths of your soul. The word is visceral. No other creature on this privileged terrestrial ball has this ability. Visceral feelings are not merely a product of our DNA or the chemical and electrical impulses within our brain. Evolution offers no explanation for these deeply rooted expressions of artistic and creative thoughts and ideas. These things come from our Creator. May we not merely skim the surface of wisdom and knowledge without ever going deep. These things are meant to propel you to a deeper awareness of the world around you. They are even meant to propel us to the eternal realm.

You don’t need it,” I tell her. “You are beautiful with and without your makeup. But on the days you want to wear it, I’ll learn how to apply it and do it for you if you like. That way, you don’t have to strain your eyes or worry that it’s coming out crooked.

There was something wrong about this, unforgivable, about choosing sin after someone had been murdered. Melinda knew it as she showered, as she applied her makeup and dressed and examined her face in the mirror.

Turning, I opened my mouth to respond, but the words died on my tongue. Dressed in a navy dress that was fitted at the bust and flared out around her lush hips where a floral design reached up from the hem, Liv was stunning. Blonde hair curled around her face, and the tiniest hint of makeup had been applied to her eyes. She was a vision, and she was going out with another man.

The long drive to work gave me time to apply my makeup in the car and for my hair to air dry, providing it wasn’t humid enough to give me the frizzies.

Weekday morning routine: Take shower. Assemble perfect outfit. Apply makeup. Pull hair into bun. Secure with glitter pencils. Accept twenty-dollar bill from Dad. Pick up latte and creamy chocolate brioche from cafe. Drive to school the long way. Listen to sad music way too loud. Nab choice parking spot under tree.

Years later Bundy would describe how he returned to the corpses to shampoo their hair and apply makeup.

A tent was set up as a make shift changing room for the models to do their preparation. Hair and make-up were done within this 12' x 12' fabric enclosure which sprouted electrical cords for hair dryers and electric rollers, necessities for “bouffant” hairdos. I was mesmerized while watching different colored eye shadows, face powders and lipsticks painted onto the females. Seeing glamorous pictures in a glossy magazine was one thing but witnessing first-hand how it was applied was quite another. The hours of preparation that went into preparation for each model included in a photograph stunned me.

Win walked through the glares with a smile and a nod. The pub was old and run-down, and it looked almost fake, which only made it feel more authentic. The women were big and chesty with rat-nest hair. Many wore those off-one-shoulder Flashdance sweatshirts. One eyed Win. She had several missing teeth. There were little ribbons in her hair that seemed to add nothing, à la “Starlight”-era Madonna, and her makeup looked as though it’d been applied with paintball pellets in a dark closet.

Orson arrived at the school lugging his makeup box, and once after a bully had attacked him, Orson repaired to the school washroom where he applied makeup so his face would resemble a bloody pulp. The bully screamed and fled. After that he left Orson alone.

Sandra, a blonde, favored skin-tight scrubs in garish colors to augment her makeup, which appeared to have been applied with a paint gun.

David Sandler recognized that salespeople had to engage all three aspects of the prospect’s makeup – the Parent, the Adult, and the Child – when developing a selling opportunity. The Child must want what you have to sell. The Adult must conclude that logically, it is appropriate to obtain it. And the Parent must give the Child permission to have it.

Labels make death and disease easier to handle. They apply makeup to tragedy’s face.

She wore a lot of makeup, badly applied. There was lipstick on her teeth. If she’d been a dancer, it must have been in Fantasia.

What I needed was an emotional Geiger counter that could objectively measure other people for sadness. I looked at the woman in the car next to me. She was applying makeup during the stops, opening and closing her mouth like a feeding fish, staring at her red lips in the rearview mirror. I imagined holding the Geiger counter to her forehead. I would ask her a question about her children. Were they an accident? What dreams did they make impossible? She would say, “They are the best thing I ever did,” and the readout would expose her lie with a pixelated frown.

I did," Ace says. "I think Ms. Manning will be pleased to know that her daughter suffered before she died.” Corina steps out from behind him. My expression goes slack with shock. She's cleaned her face, removed all evidence of her earlier crocodile tears—if what my memory is telling me is true. She's redressed in a black pencil skirt and heels that flash red on the bottoms as she makes her way towards me. Her makeup is perfectly applied once more—black eyeliner and red lipstick to match the rest of her. Her hair has been pulled back into a high ponytail, and I suddenly have the urge to do to her what I did to Kate. No. I have the urge to do far worse than simply make her piss herself as I chop off her hair. I’d rather take a blade to her motherfucking throat and let her drown in her own blood.

Melissa Booster answered after the first knock, apparently having seen our approach. She was robust—add a hundred pounds to Rubenesque and you’d have her figure. I suppose the PC term would be glandularly imbalanced or calorically challenged. She wore a red housedress that hung on her like a set of drapes. Her makeup was simple and expertly applied, and her brown eyes crinkled at us through the layers of doughy skin that made up her face. Her three chins waggled in a cheerful smile and she invited us in.

I’ve still never held a job with a yearly salary or learned how to apply artful makeup.

Her makeup looked as though it’d been applied with a paintball gun.

After that outcry, all emotion was drained from me. I sat down defeated and started applying the makeup to play Old Man Joe, a character I created long before Madea. Suddenly, I heard God’s voice, the one I’ve

Jaq has put on her gown, her long silver gown, and she’s rebraided her hair and applied her makeup, and she’s breathtakingly beautiful. She has her backpack on and her bike helmet. Roxanne says, “What’s this?” Jaq says, “I’m going to the Ball, Mama.

Later in the day, Holly frowned at her reflection in the mirror. “This can’t be right!” Holly muttered to herself. She looked like a cross between a panda bear and a raccoon. She had tried to apply a more advanced version of makeup than she was used to, and it was not going well. “Smokey eye, my foot! I look like I have two black eyes.” She had not done the proper shading with her eye shadow, and now her large green eyes were encased with a deep black color that spanned her entire eyelid. “Maybe I should try a different one,” Holly mused aloud. She sat in William’s bedroom at his dresser. She already had on her pretty crushed velvet black dress and a small heart-shaped diamond pendant. It had been William’s birthday gift to her last year. “Let me re-read this article again to see if I can make sense of these instructions.” Holly read her magazine article out loud. “Which Greek Goddess are you? Athena, Venus, or Aphrodite? Check out our makeup tips below to turn heads at your next event!” “Hmmmm, that sounds soooooo good, if only I was better at applying makeup.” She had decided to try their Aphrodite look and had been trying to apply the eyeliner to give her a smoky eye effect. Holly had to wash her face four times already and start over because each time was worse than the last. “Concentrate, Holly, or you’ll be late for the gala. This is your last chance; it’s do or die time!” she warned her reflection in the mirror. “So, it says to put the light grey eyeshadow on the inner one-third of my eyelids. Hmmm, maybe that’s the problem. I don’t know where the inner third is.” She got an idea and went to William’s desk. Looking around, she found a ruler. “Ah-ha! Eureka, I got it!” She went back to her position at his dresser and closed her eyes for a quick, small prayer, then held the ruler up to measure her eye. “Ah-ha! Twenty-one millimeters. So, that means the inner one-third of my eye must be from my nose out seven millimeters . . . right about HERE!” Holly expertly applied the light grey eye shadow to the inner third of her eyelids. “What a big improvement already! Wow! I’m not a panda bear anymore! Ok, one-third down, two-thirds to go . . . I can do this!” Reading further, she said, “Ok, now apply the dark grey eye shadow to the next third of your eye, finishing with the dark brown eye shadow on the outer third of your eyelid.” Holly expertly followed the instructions and sat back in her chair, stunned. She looked beautiful! She had achieved the desired effect, and now her green eyes were enhanced to perfection. “Wow, wow, wow!” Holly felt encouraged to keep going. She read the next instructions. “‘Now, apply blush to your face with an emphasis on contouring your cheekbones.’” “‘Contouring my cheekbones? Who do they think I am, Rembrandt?” Holly said with a groan. Holly gingerly picked up her blush container as if it were about to bite her. She decided another quick prayer wouldn’t go amiss. With a deep breath she muttered, “Ok, I’m going in!” She glanced nervously at the picture in the magazine and tried her hardest to follow it along her cheekbones. “That turned out pretty good!” Holly turned her face this way and that, examining it. It may not have been exactly as in the picture, but the blush now accentuated her beautiful high cheekbones. “Whew! Only the lip left, thank goodness! You got this, Holly!” She encouraged her reflection in the mirror.

Ambition, assertiveness, nonconformity, high standards, the ability to say no, control over your own body: all witchcraft, by our definition. Our witchcraft also means practicing arts that may be devalued because they’re too feminine: listening, supporting your friends, choosing clothes, applying makeup, crafts and cooking, taking care of people or animals, making and keeping friends, allowing yourself space. If you speak when you’re told to be quiet, take pride when you’re told to feel shame, love what and who you love whether or not others approve, you’re practicing witchcraft.

After a total of about ten man-hours of stitching, gluing, filling, and applying makeup, his head still didn’t look right. Dead people never look right.