Quartz Love Quotes

We've searched our database for all the quotes and captions related to Quartz Love. Here they are! All 26 of them:

Chiron had said once that nations were the most foolish of mortal inventions. “No man is worth more than another, wherever he is from.” “But what if he is your friend?” Achilles had asked him, feet kicked up on the wall of the rose-quartz cave. “Or your brother? Should you treat him the same as a stranger?” “You ask a question that philosophers argue over,” Chiron had said. “He is worth more to you, perhaps. But the stranger is someone else’s friend and brother. So which life is more important?” We had been silent. We were fourteen, and these things were too hard for us. Now that we are twenty-seven, they still feel too hard. He is half of my soul, as the poets say. He will be dead soon, and his honor is all that will remain. It is his child, his dearest self. Should I reproach him for it? I have saved Briseis. I cannot save them all. I know, now, how I would answer Chiron. I would say: there is no answer. Whichever you choose, you are wrong.
Madeline Miller (The Song of Achilles)
The line-storm clouds fly tattered and swift, The road is forlorn all day, Where a myriad snowy quartz stones lift, And the hoof-prints vanish away. The roadside flowers, too wet for the bee, Expend their bloom in vain. Come over the hills and far with me, And be my love in the rain.
Robert Frost
If an evil spirit had to hide from God, it would hide in a diamond. If an angel had to hide from the Devil, it would hide in rose quartz.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
You're elegance in a misunderstood form. Crystal quartz in a world of platinum. Oh, my dizzy boy, there's a fire in you that I use to warm my hands on chilly mornings.
Taylor Rhodes (Sixteenth Notes: the breaking of the rose-colored glasses)
How can I number the worlds to which the eye gives me entry? - the world of light, of colour, of shape, of shadow: of mathematical precision in the snowflake, the ice formation, the quartz crystal, the patterns of stamen and petal: of rhythm in the fluid curve and plunging line of the mountain faces. Why some blocks of stone, hacked into violent and tortured shapes, should so profoundly tranquillise the mind I do not know. Perhaps the eye imposes its own rhythm on what is only a confusion: one has to look creatively to see this mass of rock as more than jag and pinnacle - as beauty. Else why did men for so many centuries think mountains repulsive? A certain kind of consciousness interacts with the mountain-forms to create this sense of beauty. Yet the forms must be there for the eye to see. And forms of a certain distinction: mere dollops won't do it. It is, as with all creation, matter impregnated with mind: but the resultant issue is a living spirit, a glow in the consciousness, that perishes when the glow is dead. It is something snatched from non-being, that shadow which creeps in on us continuously and can be held off by continuous creative act. So, simply to look on anything, such as a mountain, with the love that penetrates to its essence, is to widen the domain of being in the vastness of non-being. Man has no other reason for his existence.
Nan Shepherd (The Living Mountain)
Pink, the color of rose quartz, is a color with a harmonizing, loving vibration. The color and the physical makeup of this kind of quartz combine to make it a powerful force for drawing love into your life. Likewise, the color green has a vibrational resonance with abundance. Therefore, some green stones, such as bloodstone, are particularly good for spellwork involving matters of prosperity.
Lisa Chamberlain (Wicca Crystal Magic: A Beginner’s Guide to Practicing Wiccan Crystal Magic, with Simple Crystal Spells (Wicca for Beginners Series))
What do you know about me? What do you know about love that comes into a life in which everything has become questionable? What is your cheap intoxication compared to that? When falling and falling suddenly changes, when the endless Why becomes the final You, when like a fata morgana above the desert of silence feeling suddenly arises, takes shape, and inexorably the delusion of the blood becomes a landscape compared with which all dreams are pale and commonplace? A landscape of silver, a city of filigree and rose quartz, shining like the bright reflection of blooming blood—what do you know about it? Do you think that one can talk about it so easily? That a glib tongue can quickly press it into a cliché of words or even of feelings? What do you know about graves that open and how one stands in dread of the many colorless empty nights of yesterday—yet they open and no skeletons now lie bleaching there, only earth is there, earth, fertile seeds, and already the first green. What do you know about that? You love the intoxication, the conquest, the Other You that wants to die in you and that will never die, you love the stormy deceit of the blood, but your heart will remain empty because one cannot keep anything that does not grow from within oneself. And not much can grow in a storm. It is in the empty nights of loneliness that it grows, if one does not despair. What do you know about it?
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
Your breath comes short and quick, you are feverish with excitement; the dinner-bell may ring its clapper off, you pay no attention; friends may die, weddings transpire, houses burn down, they are nothing to you; you sweat and dig and delve with a frantic interest—and all at once you strike it! Up comes a spadeful of earth and quartz that is all lovely with soiled lumps and leaves and sprays of gold. Sometimes
Mark Twain (Roughing It)
Marriage is a jewellery box which, by some mysterious opposite of alchemy, turns gold, silver and diamonds back into base metal, paste and quartz.
Julian Barnes (The Only Story)
for the ocean so loved / the quartz / feldspar / the tiny homes of tiny creatures / that she ground them / into sand / to keep them close / to kiss them with / well / i suppose you would call it / a mouth
Franny Choi (Soft Science)
Postcolonial Love Poem (excerpt) I’ve been taught bloodstones can cure a snakebite, Can stop the bleeding-most people forgot this When the war ended. The war ended Depending on which war you mean: those we started, Before those, millennia ago and onward, Those which started me, which I lost and won- Those ever-blooming wounds. --- There are wildflowers in my desert which take up to twenty years to bloom. The seeds sleep like geodes beneath hot feldspar sand until a flash flood bolts the arroyo, lifting them in its copper current, opens them with memory— they remember what their god whispered into their ribs: Wake up and ache for your life. Where your hands have been are diamonds on my shoulders, down my back, thighs- I am your culebra. I am in the dirt for you. Your hips are quartz-light and dangerous, two rose-horned rams ascending a soft desert wash before the November sky untethers a hundred-year flood- the desert returned suddenly to its ancient sea. --- The rain will eventually come, or not. Until then, we touch our bodies like wounds- The war never ended and somehow begins again.
Natalie Díaz (Postcolonial Love Poem)
The Care and Handling of Rose Quartz Place rose quartz in a mason jar. Leave in direct sunlight. Tumble each stone in your hand with love and TLC. In less than 30 days the jar will overflow. Repeat the process with a second, third fourth, and fifth jar, etc. Rose quartz is the love stone.
Beryl Dov
To create your own poppet, you’ll need: 2 large pieces of fabric or felt Scissors A needle and thread Cotton balls and/or dried lavender or rose herbs A few strands of your hair Rose quartz (optional) 1. To create the poppet, take the pieces of fabric/felt and lay them on top of one another. Cut out the shape of the doll you want to make, then sew the sides and top together. 2. Use the opening at the bottom to stuff the doll with the cotton or herbs and your hair (or other small item that symbolizes “you”). Add rose quartz if desired to symbolize high-vibe self-love. 3. Sew the bottom shut. 4. Hold the poppet in your hand and affirm that it is an extension of you. Imagine your energy radiating out from your heart into your arms, through your hands, and into the doll. Allow yourself to feel the emotions as they come, making sure to ground yourself afterward to rebalance. 5. Sleep with the poppet under your pillow for at least one night to solidify the bond. 6. Once you have bonded with your poppet, place it somewhere that is readily accessible to you. Treat it like an extension of yourself, taking care to speak to it kindly and hold it gently, giving it the respect and love that you would want from another to support you in healing. This poppet can be taken out during emotional moments, shadow work, or just when you want a visual cue to remind you that you’re a person too! The ultimate purpose is to create a proxy by which you can hold space for yourself and your healing.
Mandi Em (Witchcraft Therapy: Your Guide to Banishing Bullsh*t and Invoking Your Inner Power)
Rose Quartz has a gentle pulse, caring and nurturing, which retains the strength of unconditional love. This contains soothing and reassuring powers, and has a pulse of profound healing. Rose Quartz removes internal bleeding and is a perfect supporting stone for people with self-esteem difficulties. This fosters self-forgiveness and tolerance, and invokes self-confidence and self-worth. Amethyst is a highly potent and defensive stone with a strong mystical resonance. The heightened pulse lets you raise your spiritual awareness. Amethyst lets us heal any kind of harmful habits that are not for the user's highest and best benefit. Selenite is a mental-clearing mineral. Selenite enhances mental flexibility, makes it possible to make decisions, and is a stone of truth and honesty.  It is a stone with a very calming vibration that can be used when doing spiritual work or meditation. Selenite in any cure provides true light.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
First: Ruby • Second: Coral • Third: Citrine • Fourth: Emerald • Fifth: Sapphire • Sixth: Amethyst • Seventh: Diamond • Eighth: Silver • Ninth: Gold • Tenth: Agate • Eleventh: Rose quartz • Twelfth: Personal to you
Cyndi Dale (Energetic Boundaries: How to Stay Protected and Connected in Work, Love, and Life)
Pink quartz creates a more loving atmosphere; it is highly helpful for healers who don’t want to fight power with power, but instead share love and compassion.
Cyndi Dale (Energetic Boundaries: How to Stay Protected and Connected in Work, Love, and Life)
Rose quartz. The stone of love, self-love, emotional calm, and healing.
Meagan Brandy (Fate of a Royal (Lords of Rathe, #1))
Aphrodite battled Ares to protect her wounded lover Adonis. When she was wounded and fell next to Adonis, their blood combined, turning the white quartz around them pink. The fusion is what made Rose Quartz—love and war. Battle and blood. Unconditional and perfect—just like you.
Heather Long (Fierce Dancer (82 Street Vandals, #9))
The anger I had felt for years at my father was what I had had instead of him. It was all I had of him. So, I carried it with me always, like a rose quartz in my palm. And it was slowly disappearing, my quartz. Growing tiny. I was hardly feeling the rough edges of it anymore. I realized, as time passed in the kitchen, the grandfather clock in the parlor having sung its swan song three times now, that love was wearing me down. Love, like a tide, just washing over and over that piece of
Tara M. Stringfellow (Memphis)
In "The Devil's Presence," Goldsborough brilliantly captures the Zeitgeist of our troubled times, writing with an honesty and passion that will stir your soul and rekindle your belief that a better world is within our grasp. Richard Feinberg, former White House and State Department official, official book reviewer for "Foreign Affairs." Put "Blood and Oranges" on the L.A. shelf next to Mike Davis' "City of Quartz," a Raymond Chandler or two and a DVD of "Chinatown." Just dive in. And hold on. Arthur Salm, former book editor, "San Diego Union Tribune." The Paris Herald'" is a witty, tender and evocative portrait of Americans in Paris that vividly brings to life the city they loved and made their own. Ronald Steel, author of "Walter Lippmann and the American Century." "Waiting for Uncle John" is a wonderful story that should be read and reread, told and retold. The Cuban people will never support an invader." Alejandro Orfila, former Secretary General of the Organization of American States. "Misfortunes of Wealth" is wonderfully structured and written, a gripping work of social history. I was utterly absorbed while reading it and have been haunted by it ever since. Beth Gutcheon, author of eleven novels including "Still Missing" and "Leeway Cottage." "Rebel Europe" is the most important book I have read in years. Charles Champlain, "The Los Angeles Times.
James Oliver Goldsborough
How is it I have never dated / someone who is also Coast Salish / or at least Indigenous / instead it's Disney's Pocahontas / her animated dad with his hands up / these white men are dangerous / and I come running
Sasha taqwšəblu LaPointe (Rose Quartz: Poems)
known as the love stone, rose quartz opens your heart chakra and encourages unconditional love
Amy Leigh Mercree (The Healing Home: A Room-by-Room Guide to Positive Vibes)
Mother once said I’d marry a quarryman. She looked at me as we washed clothes in the giant steel washtub, two pairs of water-wrinkled hands scrubbing and soaking other people’s laundry. We were elbow-deep in dirty suds and our fingers brushed under the foamy mounds. “Some mistakes are bound to be repeated,” she murmured We lived in Stony Creek, a granite town at a time when granite was going out of fashion. There were only three types of men here: Cottagers, rich, paunchy vacationers who swooped into our little Connecticut town in May and wiled away time on their sailboats through August; townsmen, small-time merchants and business owners who dreamed of becoming Cottagers; and quarrymen, men like my father, who worked with no thought to the future. The quarrymen toiled twelve hours a day, six days a week. They didn’t care that they smelled of granite dust and horses, grease and putty powder. They didn’t care about cleaning the crescents of grime from underneath their fingernails. Even when they heard the foreman’s emergency signal, three sharp shrieks of steam, they scarcely looked up from their work. In the face of a black powder explosion gone awry or the crushing finality of a wrongly cleaved stone, they remained undaunted. I knew why they lived this way. They did it for the granite. Nowhere else on earth did such stone exist—mesmerizing collages of white quartz, pink and gray feldspar, black lodestone, winking glints of mica. Stony Creek granite was so striking, it graced the most majestic of architecture: the Battle Monument at West Point, the Newberry Library in Chicago, the Fulton Building in Pittsburgh, the foundations of the Statue of Liberty and the Brooklyn Bridge. The quarrymen of Stony Creek would wither and fall before the Cottagers, before the townsmen. But the fruits of their labor tethered them to a history that would stand forever. “You’ll marry one, Adele—I’m sure of it. His hands will be tough as buckskin, but you’ll love him regardless,” Mother told me, her breath warm in my ear as the steam of the wastewater rose around us. I didn’t say that she was wrong, that she couldn’t know what would happen. I’d learned that from the quarry. Pa was a stonecutter and he cut the granite according to rift and grain, to what he could feel with his fingertips and see with his eyes. But there were cracks below the surface, cracks that betrayed the careful placement of a chisel and the pounding of a mallet. The most beautiful piece of stone could shatter into a pile of riprap. It all depended on where those cracks teased and wound, on where the stone would fracture when forced apart. “Keep your eyes open, Adele. I don’t know who it will be—a steam driller, boxer, derrickman, powderman? Maybe a stonecutter like your father?” I turned away from her, feigning disinterest. “There’s no predicting, I told her.
Chandra Prasad
Mother once said I’d marry a quarryman. She looked at me as we washed clothes in the giant steel washtub, two pairs of water-wrinkled hands scrubbing and soaking other people’s laundry. We were elbow-deep in dirty suds and our fingers brushed under the foamy mounds. “Some mistakes are bound to be repeated,” she murmured We lived in Stony Creek, a granite town at a time when granite was going out of fashion. There were only three types of men here: Cottagers, rich, paunchy vacationers who swooped into our little Connecticut town in May and wiled away time on their sailboats through August; townsmen, small-time merchants and business owners who dreamed of becoming Cottagers; and quarrymen, men like my father, who worked with no thought to the future. The quarrymen toiled twelve hours a day, six days a week. They didn’t care that they smelled of granite dust and horses, grease and putty powder. They didn’t care about cleaning the crescents of grime from underneath their fingernails. Even when they heard the foreman’s emergency signal, three sharp shrieks of steam, they scarcely looked up from their work. In the face of a black powder explosion gone awry or the crushing finality of a wrongly cleaved stone, they remained undaunted. I knew why they lived this way. They did it for the granite. Nowhere else on earth did such stone exist—mesmerizing collages of white quartz, pink and gray feldspar, black lodestone, winking glints of mica. Stony Creek granite was so striking, it graced the most majestic of architecture: the Battle Monument at West Point, the Newberry Library in Chicago, the Fulton Building in Pittsburgh, the foundations of the Statue of Liberty and the Brooklyn Bridge. The quarrymen of Stony Creek would wither and fall before the Cottagers, before the townsmen. But the fruits of their labor tethered them to a history that would stand forever. “You’ll marry one, Adele—I’m sure of it. His hands will be tough as buckskin, but you’ll love him regardless,” Mother told me, her breath warm in my ear as the steam of the wastewater rose around us. I didn’t say that she was wrong, that she couldn’t know what would happen. I’d learned that from the quarry. Pa was a stonecutter and he cut the granite according to rift and grain, to what he could feel with his fingertips and see with his eyes. But there were cracks below the surface, cracks that betrayed the careful placement of a chisel and the pounding of a mallet. The most beautiful piece of stone could shatter into a pile of riprap. It all depended on where those cracks teased and wound, on where the stone would fracture when forced apart. “Keep your eyes open, Adele. I don’t know who it will be—a steam driller, boxer, derrickman, powderman? Maybe a stonecutter like your father?” I turned away from her, feigning disinterest. “There’s no predicting, I told her.
Chandra Prasad (On Borrowed Wings)
You are the explosion of carnations in a dark room. Or the unexpected scent of pine miles from the woods of Maine. You are a full moon that gives midnight it's meaning. And the explanation of water For all living things. You are a compass, a sapphire, a bookmark. A rare coin, a smooth stone, a marble. You are an old lore, a small shell, a saved silver dollar. You are a fine quartz, a feathered quill, and a fob from a favorite watch. You are a valentine tattered and loved and reread a hundred times. You are a medal found in the drawer of a once sung hero. You are honey, and cinnamon and West Indies spices, lost from the boat that was once Marco Polo's. You are a pressed rose, a pearl ring, and a red perfume bottle found near the Nile. You are an old soul from an ancient place a thousand years, and centuries and millenniums ago. And you have traveled all this way just so I could love you. I do.
James Patterson (Suzanne's Diary for Nicholas)
the boy is in love but he has no idea of what he loves none of us have ever known what we're doing homos each one of us opaque as rose quartz I am so lost
Richard Scott, Soho