β
Everyone sees what you appear to be, few experience what you really are.
β
β
NiccolΓ² Machiavelli (The Prince)
β
There are few people whom I really love, and still fewer of whom I think well. The more I see of the world, the more am I dissatisfied with it; and every day confirms my belief of the inconsistency of all human characters, and of the little dependence that can be placed on the appearance of merit or sense.
β
β
Jane Austen (Pride and Prejudice)
β
Life appears to me too short to be spent in nursing animosity or registering wrongs.
β
β
Charlotte BrontΓ« (Jane Eyre)
β
Appear weak when you are strong, and strong when you are weak.
β
β
Sun Tzu (The Art of War)
β
Don't wait for a light to appear at the end of the tunnel, stride down there and light the bloody thing yourself.
β
β
Sara Henderson
β
The impossible could not have happened, therefore the impossible must be possible in spite of appearances.
β
β
Agatha Christie (Murder on the Orient Express (Hercule Poirot, #10))
β
The higher we soar the smaller we appear to those who cannot fly.
β
β
Friedrich Nietzsche (Thus Spoke Zarathustra)
β
If the person you are talking to doesn't appear to be listening, be patient. It may simply be that he has a small piece of fluff in his ear.
β
β
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
β
Political language is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.
β
β
George Orwell
β
If the doors of perception were cleansed every thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all things thro' narrow chinks of his cavern.
β
β
William Blake (The Marriage of Heaven and Hell)
β
The soul is placed in the body like a rough diamond, and must be polished, or the luster of it will never appear.
β
β
Daniel Defoe
β
There are people in the world so hungry, that God cannot appear to them except in the form of bread.
β
β
Mahatma Gandhi
β
Miracles are like meatballs, because nobody can exactly agree on what they are made of, where they come from, or how often they should appear.
β
β
Lemony Snicket (The Carnivorous Carnival (A Series of Unfortunate Events, #9))
β
We all know that light travels faster than sound. That's why certain people appear bright until you hear them speak.
β
β
Albert Einstein
β
I don't mind making jokes, but I don't want to look like one.
β
β
Marilyn Monroe
β
You want me to be a tragic backdrop so that you can appear to be illuminated, so that people can say βWow, isnβt he so terribly brave to love a girl who is so obviously sad?β You think Iβll be the dark sky so you can be the star? Iβll swallow you whole.
β
β
Warsan Shire
β
Be like the sun for grace and mercy. Be like the night to cover others' faults. Be like running water for generosity. Be like death for rage and anger. Be like the Earth for modesty. Appear as you are. Be as you appear.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
In that book which is my memory,
On the first page of the chapter that is the day when I first met you,
Appear the words, βHere begins a new lifeβ.
β
β
Dante Alighieri (Vita Nuova)
β
Life is full of strange absurdities, which, strangely enough, do not even need to appear plausible, since they are true.
β
β
Luigi Pirandello (Six Characters in Search of an Author)
β
Hades raised an eyebrow. When he sat forward in his throne, shadowy faces appeared in the folds of his black robes, faces of torment,as if the garment was stitched of trapped souls from the Fields of Punishment, trying to get out. The ADHD part of me wondered, off-task, whether the rest of his clothes were made the same way. What horrible things would you have to do in your life to get woven into Hades' underwear?
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
All warfare is based on deception. Hence, when we are able to attack, we must seem unable; when using our forces, we must appear inactive; when we are near, we must make the enemy believe we are far away; when far away, we must make him believe we are near.
β
β
Sun Tzu (The Art of War)
β
The aim of art is to represent not the outward appearance of things, but their inward significance.
β
β
Aristotle
β
A sane person to an insane society must appear insane.
β
β
Kurt Vonnegut Jr. (Welcome to the Monkey House)
β
Whatever is rejected from the self, appears in the world as an event.
β
β
C.G. Jung
β
I object to violence because when it appears to do good, the good is only temporary; the evil it does is permanent.
β
β
Mahatma Gandhi (The Essential Gandhi: An Anthology of His Writings on His Life, Work, and Ideas)
β
Our true friends are those who are with us when the good things happen. They cheer us on and are pleased by our triumphs. False friends only appear at difficult times, with their sad, supportive faces, when, in fact, our suffering is serving to console them for their miserable lives.
β
β
Paulo Coelho (The Zahir)
β
But-" Maia, still looking at Alec and Magnus, broke off and rasied her eyebrows. Simon turned to see what she was looking at - and stared.
Alec had his arms around Magnus and was kissing him full on the mouth. Magnus, who appeared to be in a state of shock, stood frozen. Several groups of people - Shadowhunters and Downworlders alike - were staring and whispering. Glancing to the side, Simon saw the Lightwoods, their eyes widen, gaping at the display. Maryse had her hand over her mouth.
Maia looked perplexed. "Wait a second," she said. "Do we all have to do that, too?
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
I don't know. Just because someone's pretty doesn't mean she's decent. Or vice versa. I'm not into appearances. I like flaws, I think they make things interesting.
β
β
Sarah Dessen (The Truth About Forever)
β
It's better to keep your mouth shut and appear stupid than open it and remove all doubt
β
β
Mark Twain
β
You live like this, sheltered, in a delicate world, and you believe you are living. Then you read a book⦠or you take a trip⦠and you discover that you are not living, that you are hibernating. The symptoms of hibernating are easily detectable: first, restlessness. The second symptom (when hibernating becomes dangerous and might degenerate into death): absence of pleasure. That is all. It appears like an innocuous illness. Monotony, boredom, death. Millions live like this (or die like this) without knowing it. They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death. Some never awaken.
β
β
AnaΓ―s Nin (The Diary of AnaΓ―s Nin, Vol. 1: 1931-1934)
β
Love is a trap. When it appears, we see only its light, not its shadows.
β
β
Paulo Coelho (By the River Piedra I Sat Down and Wept)
β
Now I understand that one of the important reasons for going to college and getting an education is to learn that the things you've believed in all your life aren't true, and that nothing is what it appears to be.
β
β
Daniel Keyes (Flowers for Algernon)
β
Roses have both petals and thorns, my dark flower. You neednβt believe something weak because it appears delicate. Show the world your bravery.
β
β
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
β
Sarcasm doesn't appear to work on him. If that's true, I'm in trouble: It's my normal mode of communication.
β
β
Rick Yancey (The 5th Wave (The 5th Wave, #1))
β
The appearance of things changes according to the emotions; and thus we see magic and beauty in them, while the magic and beauty are really in ourselves.
β
β
Kahlil Gibran (The Broken Wings)
β
The brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us, that makes our lives beautiful ... Love begins with a metaphor. Which is to say, love begins at the point when a woman enters her first word into our poetic memory.
β
β
Milan Kundera (The Unbearable Lightness of Being)
β
It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible....
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
I certainly have not the talent which some people possess," said Darcy, "of conversing easily with those I have never seen before. I cannot catch their tone of conversation, or appear interested in their concerns, as I often see done.
β
β
Jane Austen (Pride and Prejudice)
β
Still, there are times I am bewildered by each mile I have traveled, each meal I have eaten, each person I have known, each room in which I have slept. As ordinary as it all appears, there are times when it is beyond my imagination.
β
β
Jhumpa Lahiri (Interpreter of Maladies)
β
The fear of appearances is the first symptom of impotence.
β
β
Fyodor Dostoevsky (Crime and Punishment)
β
When a great genius appears in the world you may know him by this sign; that the dunces are all in confederacy against him."
[Thoughts on Various Subjects]
β
β
Jonathan Swift (Abolishing Christianity and Other Essays)
β
If I am to be fallen into love, I will. And if as a result I will appear to be stupid, disillusioned, and of poor judgment, I will. And I would be damned if I cared what other people think. For I would rather be thought of as all of these things, than not love. If in loving, I become the naked woman on the horse, I will ride that horse with my head held high. This is my spirit. I am unbreakable.
β
β
C. JoyBell C.
β
To care about your outward appearance is important, but whatβs more important is to have a beautiful soul.
β
β
Roy T. Bennett
β
I do not know what I may appear to the world, but to myself I seem to have been only like a boy playing on the sea-shore, and diverting myself in now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me.
β
β
Isaac Newton
β
Coach: "All right, Patch. let's say you're at a party. the room is full of girls of all shapes and sizes. You see blondes, brunettes, redheads, a few girl with black hair. Some are talkive, while other appear shy. You've one girl who fits your profile - attractive, intelligent and vulnerable. Dow do you let her know you're interested?"
Patch: "Single her out. Talk to her."
Coach: "Good. Now for the big question - how do you know if she's game or if she wants you to move on?"
Patch: "I study her. I figure out what she's thinking and feeling. She's not gonig to come right out and tell me, which is why i have to pay attention. Does she turn her body toward mine? Does she hold me eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
If the stars should appear one night in a thousand years, how would men believe and adore; and preserve for many generations the remembrance of the city of God which had been shown! But every night come out these envoys of beauty, and light the universe with their admonishing smile.
β
β
Ralph Waldo Emerson (Nature and Selected Essays (Penguin Classics))
β
make a radical change in your lifestyle and begin to boldly do things which you may previously never have thought of doing, or been too hesitant to attempt. So many people live within unhappy circumstances and yet will not take the initiative to change their situation because they are conditioned to a life of security, conformity, and conservation, all of which may appear to give one peace of mind, but in reality nothing is more damaging to the adventurous spirit within a man than a secure future. The very basic core of a man's living spirit is his passion for adventure. The joy of life comes from our encounters with new experiences, and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun. If you want to get more out of life, you must lose your inclination for monotonous security and adopt a helter-skelter style of life that will at first appear to you to be crazy. But once you become accustomed to such a life you will see its full meaning and its incredible beauty.
β
β
Jon Krakauer (Into the Wild)
β
Passion makes a person stop eating, sleeping, working, feeling at peace. A lot of people are frightened because, when it appears, it demolishes all the old things it finds in its path.
No one wants their life thrown into chaos. That is why a lot of people keep that threat under control, and are somehow capable of sustaining a house or a structure that is already rotten. They are the engineers of the superseded.
Other people think exactly the opposite: they surrender themselves without a second thought, hoping to find in passion the solutions to all their problems. They make the other person responsible for their happiness and blame them for their possible unhappiness. They are either euphoric because something marvelous has happened or depressed because something unexpected has just ruined everything.
Keeping passion at bay or surrendering blindly to it - which of these two attitudes is the least destructive?
I don't know.
β
β
Paulo Coelho (Eleven Minutes)
β
I think I only appear smart by staying quiet as often as possible.
β
β
Sally Rooney (Conversations with Friends)
β
God is dead. God remains dead. And we have killed him. How shall we comfort ourselves, the murderers of all murderers? What was holiest and mightiest of all that the world has yet owned has bled to death under our knives: who will wipe this blood off us? What water is there for us to clean ourselves? What festivals of atonement, what sacred games shall we have to invent? Is not the greatness of this deed too great for us? Must we ourselves not become gods simply to appear worthy of it?
β
β
Friedrich Nietzsche
β
Too many people spend money they haven't earned, to buy things they don't want, to impress people that they don't like.
β
β
Will Rogers
β
Character is like a tree and reputation its shadow. The shadow is what we think it is and the tree is the real thing.
β
β
Abraham Lincoln
β
If people appeared to behave pointlessly in grief, it was only because human life was pointless, and this was the truth that grief revealed.
β
β
Sally Rooney (Normal People)
β
Down on the lake rosy reflections of celestial vapor appeared, and I said, "God, I love you" and looked to the sky and really meant it. "I have fallen in love with you, God. Take care of us all, one way or the other." To the children and the innocent it's all the same.
β
β
Jack Kerouac (The Dharma Bums)
β
LAW 4
Always Say Less Than Necessary
When you are trying to impress people with words, the more you say, the more common you appear, and the less in control. Even if you are saying something banal, it will seem original if you make it vague, open-ended, and sphinxlike. Powerful people impress and intimidate by saying less. The more you say, the more likely you are to say something foolish.
β
β
Robert Greene (The 48 Laws of Power)
β
Sometimes things that appear very different on the surface are actually exactly the same at their core.
β
β
Jennifer Lynn Barnes (The Inheritance Games (The Inheritance Games, #1))
β
A melancholy-looking man, he had the appearance of one who has searched for the leak in life's gas-pipe with a lighted candle.
β
β
P.G. Wodehouse (The Man Upstairs and Other Stories)
β
Nothing is more deceitful," said Darcy, "than the appearance of humility. It is often only carelessness of opinion, and sometimes an indirect boast.
β
β
Jane Austen (Pride and Prejudice)
β
Promise to give me a kiss on my brow when I am dead. --I shall feel it."
She dropped her head again on Marius' knees, and her eyelids closed. He thought the poor soul had departed. Eponine remained motionless. All at once, at the very moment when Marius fancied her asleep forever, she slowly opened her eyes in which appeared the sombre profundity of death, and said to him in a tone whose sweetness seemed already to proceed from another world:--
"And by the way, Monsieur Marius, I believe that I was a little bit in love with you.
β
β
Victor Hugo (Les MisΓ©rables)
β
Careful, human." Grimalkin appeared on the corner of the stage, overshadowed by the dead chimera. "Do not lose your heart to a faery prince. It never ends well.
β
β
Julie Kagawa (The Iron King (The Iron Fey, #1))
β
If your enemy is secure at all points, be prepared for him. If he is in superior strength, evade him. If your opponent is temperamental, seek to irritate him. Pretend to be weak, that he may grow arrogant. If he is taking his ease, give him no rest. If his forces are united, separate them. If sovereign and subject are in accord, put division between them. Attack him where he is unprepared, appear where you are not expected .
β
β
Sun Tzu (The Art of War)
β
Iβve become skeptical of the unwritten rule that just because a boy and girl appear in the same feature, a romance must ensue. Rather, I want to portray a slightly different relationship, one where the two mutually inspire each other to live - if Iβm able to, then perhaps Iβll be closer to portraying a true expression of love.
β
β
Hayao Miyazaki
β
Being powerful is like being a lady. If you have to tell people you are, you aren't.
β
β
Margaret Thatcher
β
I appear to have misplaced the fucks I give for what you think.
β
β
Jay Kristoff (Nevernight (The Nevernight Chronicle #1))
β
God changes his appearance every second. Blessed is the man who can recognize him in all his disguises.
β
β
Nikos Kazantzakis (Zorba the Greek)
β
The vulgar crowd always is taken by appearances, and the world consists chiefly of the vulgar.
β
β
NiccolΓ² Machiavelli (The Prince)
β
Show your power by appearing powerless.
β
β
Holly Black (The Cruel Prince (The Folk of the Air, #1))
β
I half closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field and gradually get larger until I'd see it was Tommy, and he'd wave, and maybe even call.
β
β
Kazuo Ishiguro (Never Let Me Go)
β
Be what you would seem to be - or, if you'd like it put more simply - never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.
β
β
Lewis Carroll
β
There are moments, Jeeves, when one asks oneself, 'Do trousers matter?'"
"The mood will pass, sir.
β
β
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
β
Farewell! O Gandalf! May you ever appear where you are most needed and least expected!
β
β
J.R.R. Tolkien (The Hobbit, or There and Back Again)
β
She was becoming herself and daily casting aside that fictitious self which we assume like a garment with which to appear before the world.
β
β
Kate Chopin (The Awakening)
β
When you are grateful, fear disappears and abundance appears.
β
β
Anthony Robbins
β
Keeping up the appearance of having all your marbles is hard work, but important.
β
β
Sara Gruen (Water for Elephants)
β
I would rather a romantic relationship turn into contempt than turn into apathy. The passion in the extremities make it appear as though it once meant something. We grow from hot or cold, but lukewarm is the biggest insult.
β
β
Criss Jami (Killosophy)
β
The whole series of my life appeared to me as a dream; I sometimes doubted if indeed it were all true, for it never presented itself to my mind with the force of reality.
β
β
Mary Wollstonecraft Shelley (Frankenstein)
β
There were days when she was unhappy, she did not know why,--when it did not seem worthwhile to be glad or sorry, to be alive or dead; when life appeared to her like a grotesque pandemonium and humanity like worms struggling blindly toward inevitable annihilation.
β
β
Kate Chopin
β
When the student is ready the teacher will appear. When the student is truly ready... The teacher will Disappear.
β
β
Lao Tzu
β
Odors have a power of persuasion stronger than that of words, appearances, emotions, or will. The persuasive power of an odor cannot be fended off, it enters into us like breath into our lungs, it fills us up, imbues us totally. There is no remedy for it.
β
β
Patrick SΓΌskind (Perfume: The Story of a Murderer)
β
it seemed to me that I had never met
another person on earth
as discouraging to my happiness
as my father.
and it appeared that I had
the same effect upon
him.
β
β
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
β
The real hopeless victims of mental illness are to be found among those who appear to be most normal. "Many of them are normal because they are so well adjusted to our mode of existence, because their human voice has been silenced so early in their lives, that they do not even struggle or suffer or develop symptoms as the neurotic does." They are normal not in what may be called the absolute sense of the word; they are normal only in relation to a profoundly abnormal society. Their perfect adjustment to that abnormal society is a measure of their mental sickness. These millions of abnormally normal people, living without fuss in a society to which, if they were fully human beings, they ought not to be adjusted.
β
β
Aldous Huxley (Brave New World Revisited)
β
Appearance blinds, whereas words reveal.
β
β
Oscar Wilde
β
Maybe you are searching among the branches, for what only appears in the roots.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
If the doors of perception were cleansed, everything would appear to man as it is - infinite.
β
β
William Blake
β
Luna had decorated her bedroom ceiling with five beautifully painted faces: Harry, Ron, Hermione, Ginny, and Neville. They were not moving as the portraits at Hogwarts moved, but there was a certain magic about them all the same: Harry thought they breathed. What appeared to be fine golden chains wove around the pictures, linking them together, but after examining them for a minute or so, Harry realized that the chains were actually one word, repeated a thousand times in golden ink: friends . . . friends . . . friends . . .
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
Appearances matter β and remember to smile.
β
β
Nelson Mandela
β
I don't know if anyone's ever told you this", he begins. He doesn't blush, and his eyes don't dart away. Instead I find myself staring into a pair of oceans - one perfect, the other blemished by that tiny ripple. "You're very attractive."
I've been complimented on my appearance before. But never in his tone of voice. Of all the things he's said, I don't know why this catches me off guard. But it startles me so much that without thinking I blurt out, "I could say the same about you." I pause. "In case you didn't know."
A slow grin spreads across his face. "Oh, trust me. I know.
β
β
Marie Lu (Legend (Legend, #1))
β
A long habit of not thinking a thing wrong, gives it a superficial appearance of being right, and raises at first a formidable outcry in defense of custom. But the tumult soon subsides. Time makes more converts than reason.
β
β
Thomas Paine (Common Sense)
β
In keeping silent about evil, in burying it so deep within us that no sign of it appears on the surface, we are implanting it, and it will rise up a thousand fold in the future. When we neither punish nor reproach evildoers, we are not simply protecting their trivial old age, we are thereby ripping the foundations of justice from beneath new generations.
β
β
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918β1956 (Abridged))
β
Iβm not sad, but the boys who are looking for sad girls always find me. Iβm not a girl anymore and Iβm not sad anymore. You want me to be a tragic backdrop so that you can appear to be illuminated, so that people can say βWow, isn't he so terribly brave to love a girl who is so obviously sad?β You think Iβll be the dark sky so you can be the star? Iβll swallow you whole.
β
β
Warsan Shire
β
When your desires are strong enough, you will appear to possess superhuman powers to achieve.
β
β
Napoleon Hill
β
People who live in society have learnt how to see themselves, in mirrors, as they appear to their friends. I have no friends: is that why my flesh is so naked?
β
β
Jean-Paul Sartre (Nausea)
β
And we all know love is a glass which makes even a monster appear fascinating.
β
β
Alberto Moravia (The Woman of Rome)
β
Yes, I have tricks in my pocket, I have things up my sleeve. But I am the opposite of a stage magician. He gives you illusion that has the appearance of truth. I give you truth in the pleasant disguise of illusion.
β
β
Tennessee Williams (The Glass Menagerie)
β
What's the whole point of being pretty on the outside when youβre so ugly on the inside?
β
β
Jess C. Scott (I'm Pretty (Envy))
β
He desperately tried to think of a story to explain his involvement in her sudden appearance, without mentioning the book of magic in his possession.
Β
β
β
Max Nowaz (The Three Witches and the Master)
β
Human relationships didn't work anyhow. Only the first two weeks had any zing, then the participants lost their interest. Masks dropped away and real people began to appear: cranks, imbeciles, the demented, the vengeful, sadists, killers. Modern society had created its own kind and they feasted on each other. It was a duel to the death--in a cesspool.
β
β
Charles Bukowski (Women)
β
Protect your good image from the eyes of negative viewers, who may look at your good appearance with an ugly fiendish eye, and ruin your positive qualities with their chemical infested tongues.
β
β
Michael Bassey Johnson
β
When you healed my arm...You didn't need to bargain with me. You could have demanded every single week of the year." My brows knit together as he turned, already half-consumed by the dark. "Every single week, and I would have said yes." It wasn't entirely a question, but I needed the answer.
A half smile appeared on his sensuous lips. "I know," he said, and vanished.
β
β
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
β
There is nothing more important than appearing to be religious.
β
β
NiccolΓ² Machiavelli
β
The thing about chameleoning your way through life is that it gets to where nothing is real.
β
β
John Green (An Abundance of Katherines)
β
I took a wrong turn on the way to the bathroom and found myself in a beautifully proportioned room I had never seen before, containing a really rather magnificent collection of chamberpots. When I went back to investigate more closely, I discovered that the room had vanished. But I must keep an eye out for it. Possibly it is only accessible at five thirty in the morning. Or it may only appear at the quarter moon - or when the seeker has an exceptionally full bladder.
β
β
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
β
Old friends pass away, new friends appear. It is just like the days. An old day passes, a new day arrives. The important thing is to make it meaningful: a meaningful friend - or a meaningful day.
β
β
Dalai Lama XIV
β
Sometimes, we must face our fears and our enemies on their ground, a place where they appear stronger but if we are well prepared, nothing can stop us. Their turf or not, success will be ours.
β
β
Idowu Koyenikan (Wealth for All: Living a Life of Success at the Edge of Your Ability)
β
When you're the only sane person, you look like the only insane person.
β
β
Criss Jami (Diotima, Battery, Electric Personality)
β
Age appears best in four things: old wood to burn, old wine to drink, old friends to trust and old authors to read.
β
β
Francis Bacon
β
I like that every page in every book can have a gem on it. It's probably what I love most about writingβthat words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writingβwhen an image appears that you didn't know would be there when you started work in the morning.
β
β
Markus Zusak (The Book Thief)
β
Because introverts are typically good listeners and, at least, have the appearance of calmness, we are attractive to emotionally needy people. Introverts, gratified that other people are initiating with them, can easily get caught in these exhausting and unsatisfying relationships.
β
β
Adam S. McHugh
β
We'd said we'd keep in touch. But touch is not something you can keep; as soon as it's gone, it's gone. We should have said we'd keep in words, because they are all we can string between us--words on a telephone line, words appearing on a screen.
β
β
David Levithan (How They Met, and Other Stories)
β
So many people live within unhappy circumstances and yet will not take the initiative to change their situation because they are conditioned to a life of security, conformity, and conservatism, all of which may appear to give one peace of mind, but in reality nothing is more dangerous to the adventurous spirit within a man than a secure future. The very basic core of a manβs living spirit is his passion for adventure. The joy of life comes from our encounters with new experiences, and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun.
β
β
Jon Krakauer (Into the Wild)
β
Maybe it's just hiding somewhere. Or gone on a trip to come home. But falling in love is always a pretty crazy thing. It might appear out of the blue and just grab you. Who knows β maybe even tomorrow.
β
β
Haruki Murakami (Sputnik Sweetheart)
β
What do I care how 'e looks? I am good-looking enough for both of us, I theenk! All these scars show is zat my husband is brave!
β
β
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
β
As you start to walk on the way, the way appears.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
LAW 46
Never Appear Too Perfect
Appearing better than others is always dangerous, but most dangerous of all is to appear to have no faults or weaknesses. Envy creates silent enemies. It is smart to occasionally display defects, and admit to harmless vices, in order to deflect envy and appear more human and approachable. Only gods and the dead can seem perfect with impunity.
β
β
Robert Greene (The 48 Laws of Power)
β
When God Created Mothers"
When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one."
And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands."
The angel shook her head slowly and said. "Six pairs of hands.... no way."
It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have."
That's on the standard model?" asked the angel. God nodded.
One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word."
God," said the angel touching his sleeve gently, "Get some rest tomorrow...."
I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower."
The angel circled the model of a mother very slowly. "It's too soft," she sighed.
But tough!" said God excitedly. "You can imagine what this mother can do or endure."
Can it think?"
Not only can it think, but it can reason and compromise," said the Creator.
Finally, the angel bent over and ran her finger across the cheek.
There's a leak," she pronounced. "I told You that You were trying to put too much into this model."
It's not a leak," said the Lord, "It's a tear."
What's it for?"
It's for joy, sadness, disappointment, pain, loneliness, and pride."
You are a genius, " said the angel.
Somberly, God said, "I didn't put it there.
β
β
Erma Bombeck (When God Created Mothers)
β
My mission, should I choose to accept it, is to find peace with exactly who and what I am. To take pride in my thoughts, my appearance, my talents, my flaws and to stop this incessant worrying that I canβt be loved as I am.
β
β
AnaΓ―s Nin
β
The more I see of the world, the more am I dissatisfied with it; and everyday confirms my belief of the inconsistencies of all human characters, and of the little dependence that can be placed on the appearance of merit or sense.
β
β
Jane Austen (Pride and Prejudice)
β
An image of Sydney's face appeared in my mind's eye, calm and lovely.
I believe in you.
My anxiety faded.
I took a deep breath and met the gazes of all those watching me in the room.
Who was I to do this?
I was Adrian Ivashkov.
And I was about to kick some ass.
β
β
Richelle Mead (The Fiery Heart (Bloodlines, #4))
β
I saw the prince when I was in Os Alta,β said Ekaterina. βHeβs not bad looking.β
βNot bad looking?β said another voice. βHeβs damnably handsome.β
Luchenko scowled. βSince whenββ
βBrave in battle, smart as a whip.β Now the voice seemed to be coming from above us. Luchenko craned his neck, peering into the trees. βAn excellent dancer,β said the voice. βOh, and an even better shot.β
βWhoββ Luchenko never got to finish. A blast rang out, and a tiny black hole appeared between his eyes.
I gasped. βImpossββ
βDonβt say it,β muttered Mal.
β
β
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
β
If he can only perform good or only perform evil, then he is a clockwork orangeβmeaning that he has the appearance of an organism lovely with colour and juice but is in fact only a clockwork toy to be wound up by God or the Devil.
β
β
Anthony Burgess (A Clockwork Orange)
β
If we shadows have offended,
Think but this, and all is mended,
That you have but slumbered here
While these visions did appear.
And this weak and idle theme,
No more yielding but a dream,
Gentles, do not reprehend:
If you pardon, we will mend:
And, as I am an honest Puck,
If we have unearned luck
Now to 'scape the serpent's tongue,
We will make amends ere long;
Else the Puck a liar call;
So, good night unto you all.
Give me your hands, if we be friends,
And Robin shall restore amends.
β
β
William Shakespeare (A Midsummer Nightβs Dream)
β
You and I keep looking for light in the darkness, expecting it to appear. But it already has.β I touch his shoulder. βWeβre it, boyo. Broken and cracked and stupid as we are, weβre the light, and weβre spreading.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
Do they sense it, these dead writers, when their books are read? Does a pinprick of light appear in their darkness? Is their soul stirred by the feather touch of another mind reading theirs? I do hope so.
β
β
Diane Setterfield (The Thirteenth Tale)
β
Blood began to flow, at first cautiously, as if embarrassed by its appearance; a few thin red lines exploring the gravitational trajectory of its new terrain. Now it flowed faster, steadily staining her pale flesh a horrific red.
β
β
R.D. Ronald (The Zombie Room)
β
That seems like stealing, doesn't it?" Simon pulled a cup toward him. He drew the lid back. "Ooh. Mochaccino." He looked at Magnus. "Did you pay for these?"
"Sure," said Magnus, while Jace and Alec snickered. "I make dollar bills magically appear in their cash register."
"Really?"
"No." Magnus popped the lid off his own coffee. "But you can pretend I did if it makes you feel better. So, first order of business is what?
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
I might appear confident and chatty, but I spend most of my time laughing at jokes I don't find funny, saying things I don't really mean - because at the end of the day that's what we're all trying to do: fit in, one way or another, desperately trying to pretend we're all the same.
β
β
Tabitha Suzuma (Forbidden)
β
Islam appears to me like a perfect work of architecture. All its parts are harmoniously conceived to complement and support each other; nothing is superfluous and nothing lacking; and the result is a structure of absolute balance and solid composure.
β
β
Muhammad Asad
β
We judge others instantly by their clothes, their cars, their appearance, their race, their education, their social status. The list is endless. What gets me is that most people decide who another person is before they have even spoken to them. What's even worse is that these same people decide who someone else is, and don't even know who they are themselves.
β
β
Ashly Lorenzana
β
Most humans think the appearance of quiet is quiet. They do not see that sometimes the enemy is as quiet as the serpent. Only when it has stolen all of their eggs will they know bad walks in the quiet as well as the noisy.
β
β
Tamora Pierce (Trickster's Choice (Daughter of the Lioness, #1))
β
The moment we stepped out into the hall, Cam's apartment door flung open. Ollie appeared, a cellphone in one hand and Raphael wiggling in the other. "Smile!" he shouted as he snapped a picture on his phone. "It's like my two kids are going to prom.
β
β
J. Lynn (Wait for You (Wait for You, #1))
β
Man, do not pride yourself on your superiority to the animals, for they are without sin, while you, with all your greatness, you defile the earth wherever you appear and leave an ignoble trail behind you -- and that is true, alas, for almost every one of us!
β
β
Fyodor Dostoevsky (The Brothers Karamazov)
β
When a girl feels that sheβs perfectly groomed and dressed she can forget that part of her. Thatβs charm
β
β
F. Scott Fitzgerald (The Short Stories)
β
Every now and then go away, have a little relaxation, for when you come back to your work your judgment will be surer. Go some distance away because then the work appears smaller and more of it can be taken in at a glance and a lack of harmony and proportion is more readily seen.
β
β
Leonardo da Vinci
β
A shaft of moonlight illuminated a row of sentinel silver birch in a phosphorescent glow, appearing almost ethereal in the relative surrounding gloom. Boris had stopped again, his silhouette a stark black juxtaposition against the background of illuminated branches.
β
β
R.D. Ronald (The Elephant Tree)
β
One of the first signs of the beginning of understanding is the wish to die. This life appears unbearable, another unattainable. One is no longer ashamed of wanting to die; one asks to be moved from the old cell, which one hates, to a new one, which one willl only in time come to hate. In this there is also a residue of belief that during the move the master will chance to come along the corridor, look at the prisoner and say: "This man is not to be locked up again, He is to come with me.
β
β
Franz Kafka (The Blue Octavo Notebooks)
β
I often stood in front of the mirror alone, wondering how ugly a person could get.
β
β
Charles Bukowski (Ham on Rye)
β
I discovered that my obsession for having each thing in the right place, each subject at the right time, each word in the right style, was not the well-deserved reward of an ordered mind but just the opposite: a complete system of pretense invented by me to hide the disorder of my nature. I discovered that I am not disciplined out of virtue but as a reaction to my negligence, that I appear generous in order to conceal my meanness, that I pass myself off as prudent because I am evil-minded, that I am conciliatory in order not to succumb to my repressed rage, that I am punctual only to hide how little I care about other peopleβs time. I learned, in short, that love is not a condition of the spirit but a sign of the zodiac.
β
β
Gabriel GarcΓa MΓ‘rquez (Memories of My Melancholy Whores)
β
I have named you queen.
There are taller than you, taller.
There are purer than you, purer.
There are lovelier than you, lovelier.
But you are the queen.
When you go through the streets
No one recognizes you.
No one sees your crystal crown, no one looks
At the carpet of red gold
That you tread as you pass,
The nonexistent carpet.
And when you appear
All the rivers sound
In my body, bells
Shake the sky,
And a hymn fills the world.
Only you and I,
Only you and I, my love,
Listen to it.
β
β
Pablo Neruda (Love Poems)
β
Eric called Al's suicide brave, and he was wrong. My mother's death was brave. I remember how calm she was, how determined. It isn't just brave that she died for me; it is brave that she did it without announcing it, without hesitation, and without appearing to consider another option.
β
β
Veronica Roth (Divergent (Divergent, #1))
β
They were within twenty yards of each other, and so abrupt was his appearance, that it was impossible to avoid his sight. Their eyes instantly met, and the cheeks of each were overspread with the deepest blush. He absolutely started, and for a moment seemed immoveable from surprise; but shortly recovering himself, advanced towards the party, and spoke to Elizabeth, if not in terms of perfect composure, at least of perfect civility.
β
β
Jane Austen (Pride and Prejudice)
β
I go to the saltwater and wash off the blood, trying to decide which I hate more, pain or itching. Fed up, I stomp back onto the beach, turn my face upward and snap, "Hey, Haymitch, if you're not too drunk, we could use a little something for our skin."
It's almost funny how quickly the parachute appears above me. I reach up and the tube lands squarely in my open hand.
"About time" I say, but I can't keep the scowl on my face. Haymitch. What I wouldn't give for five minutes of conversation with him.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
The guard looked down at the scarlet bloodstains blooming on his chest. He appeared to think of something that he needed to say, but as his lips began to form the words, his knees gave up the strain of supporting his ruined bulk. He collapsed to the floor, his throat issuing a final sound like a bubbling casserole.
β
β
R.D. Ronald (The Zombie Room)
β
Once upon a time, there was a girl who talked to the moon. And she was mysterious and she was perfect, in that way that girls who talk to moons are. In the house next door, there lived a boy. And the boy watched the girl grow more and more perfect, more and more beautiful with each passing year. He watched her watch the moon. And he began to wonder if the moon would help him unravel the mystery of the beautiful girl. So the boy looked into the sky. But he couldn't concentrate on the moon. He was too distracted by the stars. And it didn't matter how many songs or poems had already been written about them, because whenever he thought about the girl, the stars shone brighter. As if she were the one keeping them illuminated.
One day, the boy had to move away. He couldn't bring the girl with him, so he brought the stars. When he'd look out his window at night, he would start with one. One star. And the boy would make a wish on it, and the wish would be her name.
At the sound of her name, a second star would appear. And then he'd wish her name again, and the stars would double into four. And four became eight, and eight became sixteen, and so on, in the greatest mathematical equation the universe had ever seen. And by the time an hour had passed, the sky would be filled with so many stars that it would wake the neighbors. People wondered who'd turned on the floodlights.
The boy did. By thinking about the girl.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not wither,
Deep roots are not reached by the frost.
β
β
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
β
You're going to meet many people with domineering personalities: the loud, the obnoxious, those that noisily stake their claims in your territory and everywhere else they set foot on. This is the blueprint of a predator. Predators prey on gentleness, peace, calmness, sweetness and any positivity that they sniff out as weakness. Anything that is happy and at peace they mistake for weakness. It's not your job to change these people, but it's your job to show them that your peace and gentleness do not equate to weakness. I have always appeared to be fragile and delicate but the thing is, I am not fragile and I am not delicate. I am very gentle but I can show you that the gentle also possess a poison. I compare myself to silk. People mistake silk to be weak but a silk handkerchief can protect the wearer from a gunshot. There are many people who will want to befriend you if you fit the description of what they think is weak; predators want to have friends that they can dominate over because that makes them feel strong and important. The truth is that predators have no strength and no courage. It is you who are strong, and it is you who has courage. I have lost many a friend over the fact that when they attempt to rip me, they can't. They accuse me of being deceiving; I am not deceiving, I am just made of silk. It is they who are stupid and wrongly take gentleness and fairness for weakness. There are many more predators in this world, so I want you to be made of silk. You are silk.
β
β
C. JoyBell C.
β
Youβre here!β Isabelle danced up to them in delight, carrying a glass of fuchsia liquid, which she thrust at Clary. βHave some of this!β
Clary squinted at it. βIs it going to turn me into a rodent?β
βWhere is the trust? I think itβs strawberry juice,β Isabelle said. βAnyways, itβs yummy. Jace?β She offered him the glass.
βI am a man,β he told her, βand men do not consume pink beverages. Get thee gone, woman, and bring me something brown.β
βBrown?β Isabelle made a face.
βBrown is a manly color,β said Jace, and yanked on a stray lock of Isabelleβs hair with his free hand. βIn fact, look β Alec is wearing it.β
Alec looked mournfully down at his sweater. βIt was black,β he said. βBut then it faded.β
βYou could dress it up with a sequined headband,β Magnus suggested, offering his boyfriend something blue and sparkly. βJust a thought.β
βResist the urge, Alec.β Simon was sitting on the edge of a low wall with Maia beside him, though she appeared to be deep in conversation with Aline. βYouβll look like Olivia Newton-John in Xanadu.β
βThere are worse things,β Magnus observed.
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in many a mudded field is unspeakable and calamitous beyond reckoning.
The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For existence has its own order and that no man's mind can compass, that mind itself being but a fact among others.
β
β
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
I think the act of reading imbues the reader with a sensitivity toward the outside world that people who don't read can sometimes lack. I know it seems like a contradiction in terms; after all reading is such a solitary, internalizing act that it appears to represent a disengagement from day-to-day life. But reading, and particularly the reading of fiction, encourages us to view the world in new and challenging ways...It allows us to inhabit the consciousness of another which is a precursor to empathy, and empathy is, for me, one of the marks of a decent human being.
β
β
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
β
I do not mourn the loss of my sister because she will always be with me, in my heart," she says. "I am, however, rather annoyed that my Tara has left me to suffer you lot alone. I do not see as well without her. I do not hear as well without her. I do not feel as well without her. I would be better off without a hand or a leg than without my sister. Then at least she would be here to mock my appearance and claim to be the pretty one for a change. We have all lost our Tara, but I have lost a part of myself as well.
β
β
Erin Morgenstern (The Night Circus)
β
Some people, in order to discover God, read books. But there is a great book: the very appearance of created things. Look above you! Look below you! Read it. God, whom you want to discover, never wrote that book with ink. Instead, He set before your eyes the things that He had made. Can you ask for a louder voice than that?
β
β
Augustine of Hippo
β
Fair enough, that's what most people look for to begin with, but money can be a sliding scale, the more you have, the more you want, the more you need,' McBlane said as he sharpened the ash on the tip of his cigar into a point against the rim of the ashtray. It gave him the appearance of wielding a dagger as he gestured with his cigar holding hand.
β
β
R.D. Ronald (The Elephant Tree)
β
A nation can survive its fools, and even the ambitious. But it cannot survive treason from within. An enemy at the gates is less formidable, for he is known and carries his banner openly. But the traitor moves amongst those within the gate freely, his sly whispers rustling through all the alleys, heard in the very halls of government itself. For the traitor appears not a traitor; he speaks in accents familiar to his victims, and he wears their face and their arguments, he appeals to the baseness that lies deep in the hearts of all men. He rots the soul of a nation, he works secretly and unknown in the night to undermine the pillars of the city, he infects the body politic so that it can no longer resist. A murderer is less to fear.
β
β
Taylor Caldwell (A Pillar of Iron)
β
When people are suicidal, their thinking is paralyzed, their options appear spare or nonexistent, their mood is despairing, and hopelessness permeates their entire mental domain. The future cannot be separated from the present, and the present is painful beyond solace. βThis is my last experiment,β wrote a young chemist in his suicide note. βIf there is any eternal torment worse than mine Iβll have to be shown.
β
β
Kay Redfield Jamison (Night Falls Fast: Understanding Suicide)
β
Stand in the machine there, letβs see what state your internal organs are in. The imagesβ¨will be projected on screen, and I can go through the diagnosis with you, step by step.ββ¨Brown did as he was told and soon images of his vital organs appeared on the screen.β¨ As you can see, your heart is slightly enlarged and your lungs and kidneys are not inβ¨good shape either. Have you been experiencing any pain lately?ββ¨βNot that I can think of. What can you do to help?ββ¨βDifficult to say, you see you are dyingβ said the Doctor. You can see theβ¨discolouration in your kidneys.β Brown strained his eyes.
β
β
Max Nowaz (The Arbitrator)
β
So long as they (the Proles) continued to work and breed, their other activities were without importance. Left to themselves, like cattle turned loose upon the plains of Argentina, they had reverted to a style of life that appeared to be natural to them, a sort of ancestral pattern...Heavy physical work, the care of home and children, petty quarrels with neighbors, films, football, beer and above all, gambling filled up the horizon of their minds. To keep them in control was not difficult.
β
β
George Orwell (1984)
β
Before a dream is realized, the Soul of the World tests everything that was learned along the way. It does this not because it is evil, but so that we can, in addition to realizing our dreams, master the lessons weβve learned as weβve moved toward that dream. Thatβs the point at which most people give up. Itβs the point at which, as we say in the language of the desert, one 'dies of thirst just when the palm trees have appeared on the horizon.
β
β
Paulo Coelho (The Alchemist)
β
I do not believe in the creed professed by the Jewish church, by the Roman church, by the Greek church, by the Turkish church, by the Protestant church, nor by any church that I know of. My own mind is my own church.
All national institutions of churches, whether Jewish, Christian, or Turkish, appear to me no other than human inventions set up to terrify and enslave mankind, and monopolize power and profit.
β
β
Thomas Paine (The Age of Reason)
β
Actors are so fortunate. They can choose whether they will appear in tragedy or in comedy, whether they will suffer or make merry, laugh or shed tears. But in real life it is different. Most men and women are forced to perform parts for which they have no qualifications. Our Guildensterns play Hamlet for us, and our Hamlets have to jest like Prince Hal. The world is a stage, but the play is badly cast.
β
β
Oscar Wilde (Lord Arthur Savile's Crime and Other Stories)
β
This story ["The Depressed Person"] was the most painful thing I ever wrote. It's about narcissism, which is a part of depression. The character has traits of myself. I really lost friends while writing on that story, I became ugly and unhappy and just yelled at people. The cruel thing with depression is that it's such a self-centered illness - Dostoevsky shows that pretty good in his "Notes from Underground". The depression is painful, you're sapped/consumed by yourself; the worse the depression, the more you just think about yourself and the stranger and repellent you appear to others.
β
β
David Foster Wallace
β
Did you know that she was cyborg?β asked a woman in an unhidden tone of disgust.
Kai stared at her, appearing confused, then let his gaze dance over the crowd. He shuffled his feet
closer to the podium, a wrinkle forming on the bridge of his nose.
Cinder bit the inside of her cheek and braced herself for adamant disgust. Who would ever invite a
cyborg to the ball?
But instead, Kai said simply, βI donβt see that her being cyborg is relevant. Next question?β
Cinderβs metal fingers jolted.
β
β
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
β
Grimalkin yawned and licked his whiskers. 'Not dead,' he replied. 'Hardly dead. But she changed her name and appearance so many times, even the oldest fey would hardly remember her. She likes to keep a low profile, you know.' Puck frowned, knitting his bows together. 'Then how is it you remember her?' he demanded, sounding indignant. 'I am a cat,' purred Grimalkin.
β
β
Julie Kagawa (The Iron King (The Iron Fey, #1))
β
So many people live within unhappy circumstances and yet will not take the initiative to change their situation because they are conditioned to a life of security, conformity, and conservatism, all of which may appear to give one peace of mind, but in reality nothing is more damaging to the adventurous spirit within a man than a secure future. The very basic core of a man's living spirit is his passion for adventure. The joy of life comes from our encounters with new experiences and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun.
β
β
Christopher McCandless
β
What must it be like, I wonder, to live in a world where food appears at the press of a button? How would I spend the hours I now commit to combing the woods for sustenance if it were so easy to come by? What do they do all day, these people in the Capitol, besides decorating their bodies and waiting around for a new shipment of tributes to rill in and die for their entertainment?
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
The longer I live, the more I realize the impact of attitude on life. Attitude, to me, is more important than facts. It is more important than the past, than education, than money, than circumstances, than failures, than successes, than what other people think or say or do. It is more important than appearance, giftedness or skill. It will make or break a company...a church....a home. The remarkable thing is we have a choice every day regarding the attitude we will embrace for that day. We cannot change our past...we cannot change the fact that people will act in a certain way. We cannot change the inevitable. The only thing we can do is play on the one string we have, and that is our attitude...I am convinced that life is 10% what happens to me and 90% how I react to it. And so it is with you...we are in charge of our attitudes.
β
β
Charles R. Swindoll
β
You point your feet out too much when you walk,β Will went on. He was busy polishing an apple on his shirtfront, and appeared not to notice Tessa glaring at him. βCamille walks delicately. Like a faun in the woods. Not like a duck.β
βI do not walk like a duck.β
βI like ducks,β Jem observed diplomatically. βEspecially the ones in Hyde Park.β He glanced sideways at Will; both boys were sitting on the edge of the high table, their legs dangling over the side. βRemember when you tried to convince me to feed poultry pie to the mallards in the park to see if you could breed a race of cannibal ducks?β
βThey ate it too,β Will reminisced. βBloodthirsty little beasts. Never trust a duck.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
Humans, as a rule, don't like mad people unless they are good at painting, and only then once they are dead. But the definition of mad, on Earth, seems to be very unclear and inconsistent. What is perfectly sane in one era turns out to be insane in another. The earliest humans walked around naked with no problem. Certain humans, in humid rainforests mainly, still do so. So, we must conclude that madness is sometimes a question of time, and sometimes of postcode.
Basically, the key rule is, if you want to appear sane on Earth you have to be in the right place, wearing the right clothes, saying the right things, and only stepping on the right kind of grass.
β
β
Matt Haig (The Humans)
β
I'd like to repeat the advice that I gave you before, in that I think you really should make a radical change in your lifestyle and begin to boldly do things which you may previously never have thought of doing, or been too hesitant to attempt. So many people live within unhappy circumstances and yet will not take the initiative to change their situation because they are conditioned to a life of security, conformity, and conservatism, all of which may appear to give one peace of mind, but in reality nothing is more damaging to the adventurous spirit within a man than a secure future. The very basic core of a man's living spirit is his passion for adventure. The joy of life comes from our encounters with new experiences, and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun.
If you want to get more out of life, Ron, you must lose your inclination for monotonous security and adopt a helter-skelter style of life that will at first appear to you to be crazy. But once you become accustomed to such a life you will see its full meaning and its incredible beauty. And so, Ron, in short, get out of Salton City and hit the Road. I guarantee you will be very glad you did. But I fear that you will ignore my advice. You think that I am stubborn, but you are even more stubborn than me. You had a wonderful chance on your drive back to see one of the greatest sights on earth, the Grand Canyon, something every American should see at least once in his life. But for some reason incomprehensible to me you wanted nothing but to bolt for home as quickly as possible, right back to the same situation which you see day after day after day. I fear you will follow this same inclination in the future and thus fail to discover all the wonderful things that God has placed around us to discover.
Don't settle down and sit in one place. Move around, be nomadic, make each day a new horizon. You are still going to live a long time, Ron, and it would be a shame if you did not take the opportunity to revolutionize your life and move into an entirely new realm of experience.
You are wrong if you think Joy emanates only or principally from human relationships. God has placed it all around us. It is in everything and anything we might experience. We just have to have the courage to turn against our habitual lifestyle and engage in unconventional living.
My point is that you do not need me or anyone else around to bring this new kind of light in your life. It is simply waiting out there for you to grasp it, and all you have to do is reach for it. The only person you are fighting is yourself and your stubbornness to engage in new circumstances.
β
β
Jon Krakauer (Into the Wild)
β
Whoever you are, bear in mind that appearance is not reality. Some people act like extroverts, but the effort costs them energy, authenticity, and even physical health. Others seem aloof or self-contained, but their inner landscapes are rich and full of drama. So the next time you see a person with a composed face and a soft voice, remember that inside her mind she might be solving an equation, composing a sonnet, designing a hat. She might, that is, be deploying the powers of quiet.
β
β
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
β
It is a curious thing, but as one travels the world getting older and older, it appears that happiness is easier to get used to than despair. The second time you have a root beer float, for instance, your happiness at sipping the delicious concoction may not be quite as enormous as when you first had a root beer float, and the twelfth time your happiness may be still less enormous, until root beer floats begin to offer you very little happiness at all, because you have become used to the taste of vanilla ice cream and root beer mixed together. However, the second time you find a thumbtack in your root beer float, your despair is much greater than the first time, when you dismissed the thumbtack as a freak accident rather than part of the scheme of a soda jerk, a phrase which here means "ice cream shop employee who is trying to injure your tongue," and by the twelfth time you find a thumbtack, your despair is even greater still, until you can hardly utter the phrase "root beer float" without bursting into tears. It is almost as if happiness is an acquired taste, like coconut cordial or ceviche, to which you can eventually become accustomed, but despair is something surprising each time you encounter it.
β
β
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
β
Conventionality is not morality. Self-righteousness is not religion. To attack the first is not to assail the last. To pluck the mask from the face of the Pharisee, is not to lift an impious hand to the Crown of Thorns.
These things and deeds are diametrically opposed: they are as distinct as is vice from virtue. Men too often confound them: they should not be confounded: appearance should not be mistaken for truth; narrow human doctrines, that only tend to elate and magnify a few, should not be substituted for the world-redeeming creed of Christ. There is β I repeat it β a difference; and it is a good, and not a bad action to mark broadly and clearly the line of separation between them.
β
β
Charlotte BrontΓ« (Jane Eyre)
β
A woman must continually watch herself. She is almost continually accompanied by her own image of herself. Whilst she is walking across a room or whilst she is weeping at the death of her father, she can scarcely avoid envisaging herself walking or weeping. From earliest childhood she has been taught and persuaded to survey herself continually. And so she comes to consider the surveyor and the surveyed within her as the two constituent yet always distinct elements of her identity as a woman. She has to survey everything she is and everything she does because how she appears to men, is of crucial importance for what is normally thought of as the success of her life. Her own sense of being in herself is supplanted by a sense of being appreciated as herself by another....
One might simplify this by saying: men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object -- and most particularly an object of vision: a sight.
β
β
John Berger (Ways of Seeing)
β
Falling in love is like getting hit by a truck and yet not being mortally wounded. just sick to your stomach, high one minute, low the next. Starving hungry but unable to eat. hot, cold, forever horny, full of hope and enthusiasm, with momentary depressions that wipe you out.
It is also not being able to remove the smile from your face, loving life with a mad passionate intensity, and feeling ten years younger.
Love does not appear with any warning signs. You fall into it as if pushed from a high diving board. No time to think about what's happening. It's inevitable. An event you can't control. A crazy, heart-stopping, roller-coaster ride that just has to take its course.
β
β
Jackie Collins (Lucky (Lucky Santangelo, #2))
β
Ozymandias"
I met a traveller from an antique land
Who said: "Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shattered visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear:
'My name is Ozymandias, King of Kings:
Look on my works, ye mighty, and despair!'
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.
β
β
Percy Bysshe Shelley (Rosalind and Helen: A Modern Eclogue With Other Poems)
β
There are metaphors more real than the people who walk in the street. There are images tucked away in books that live more vividly than many men and women. There are phrases from literary works that have a positively human personality. There are passages from my own writing that chill me with fright, so distinctly do I feel them as people, so sharply outlined do they appear against the walls of my room, at night, in shadows... I've written sentences whose sound, read out loud or silently (impossible to hide their sound), can only be of something that acquired absolute exteriority and a full-fledged soul.
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β
Fernando Pessoa (The Book of Disquiet)
β
This is a magical place,β I said. βEverything shines here.β βYou must stop yourself from thinking like that,β Dr. Kerry said, his voice raised. βYou are not foolβs gold, shining only under a particular light. Whomever you become, whatever you make yourself into, that is who you always were. It was always in you. Not in Cambridge. In you. You are gold. And returning to BYU, or even to that mountain you came from, will not change who you are. It may change how others see you, it may even change how you see yourselfβeven gold appears dull in some lightingβbut that is the illusion. And it always was.
β
β
Tara Westover (Educated)
β
That was the only time, as I stood there, looking at that strange rubbish, feeling the wind coming across those empty fields, that I started to imagine just a little fantasy thing, because this was Norfolk after all, and it was only a couple of weeks since Iβd lost him. I was thinking about the rubbish, the flapping plastic in the branches, the shore-line of odd stuff caught along the fencing, and I half-closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy, and he'd wave, maybe even call. The fantasy never got beyond that --I didn't let it-- and though the tears rolled down my face, I wasn't sobbing or out of control. I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.
β
β
Kazuo Ishiguro (Never Let Me Go)
β
But, first, remember, remember, remember the signs. Say them to yourself when you wake in the morning and when you lie down at night, and when you wake in the middle of the night. And whatever strange things may happen to you, let nothing turn your mind from following the signs. And secondly, I give you a warning. Here on the mountain I have spoken to you clearly: I will not often do so down in Narnia. Here on the mountain, the air is clear and your mind is clear; as you drop down into Narnia, the air will thicken. Take great care that it does not confuse your mind. And the signs which you have learned here will not look at all as you expect them to look, when you meet them there. That is why it is so important to know them by heart and pay no attention to appearances. Remember the signs and believe the signs. Nothing else matters.
β
β
C.S. Lewis (The Chronicles of Narnia (The Chronicles of Narnia, #1-7))
β
Melancholia is, I believe, a musical problem: a dissonance, a change in rhythm. While on the outside everything happens with the vertiginous rhythm of a cataract, on the inside is the exhausted adagio of drops of water falling from time to tired time. For this reason the outside, seen from the melancholic inside, appears absurd and unreal, and constitutes βthe farce we all must playβ. But for an instant β because of a wild music, or a drug, or the sexual act carried to its climax β the very slow rhythm of the melancholic soul does not only rise to that of the outside world: it overtakes it with an ineffably blissful exorbitance, and the soul then thrills animated by delirious new energies
β
β
Alejandra Pizarnik
β
The longer I live, the more I realize the impact of attitude on life. Attitude, to me, is more important than facts. It is more important than the past, the education, the money, than circumstances, than failure, than successes, than what other people think or say or do. It is more important than appearance, giftedness or skill. It will make or break a company... a church... a home. The remarkable thing is we have a choice everyday regarding the attitude we will embrace for that day. We cannot change our past... we cannot change the fact that people will act in a certain way. We cannot change the inevitable. The only thing we can do is play on the one string we have, and that is our attitude. I am convinced that life is 10% what happens to me and 90% of how I react to it. And so it is with you... we are in charge of our attitudes.
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β
Charles R. Swindoll
β
If we think only of ourselves, forget about other people, then our minds occupy very small area. Inside that small area, even tiny problem appears very big. But the moment you develop a sense of concern for others, you realize that, just like ourselves, they also want happiness; they also want satisfaction. When you have this sense of concern, your mind automatically widens. At this point, your own problems, even big problems, will not be so significant. The result? Big increase in peace of mind. So, if you think only of yourself, only your own happiness, the result is actually less happiness. You get more anxiety, more fear.
β
β
Dalai Lama XIV (The Wisdom of Forgiveness: Intimate Conversations and Journeys)
β
But what is the sense in forever speculating what might have happened had such and such a moment turned out differently? One could presumably drive oneself to distraction in this way. In any case, while it is all very well to talk of 'turning points', one can surely only recognize such moments in retrospect. Naturally, when one looks back to such instances today, they may indeed take the appearance of being crucial, precious moments in one's life; but of course, at the time, this was not the impression one had. Rather, it was as though one had available a never-ending number of days, months, years in which to sort out the vagaries of one's relationship with Miss Kenton; an infinite number of further opportunities in which to remedy the effect of this or that misunderstanding. There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.
β
β
Kazuo Ishiguro (The Remains of the Day)
β
Dr. Watson's summary list of Sherlock Holmes's strengths and weaknesses:
"1. Knowledge of Literature: Nil.
2. Knowledge of Philosophy: Nil.
3. Knowledge of Astronomy: Nil.
4. Knowledge of Politics: Feeble.
5. Knowledge of Botany: Variable. Well up in belladonna, opium, and poisons generally. Knows nothing of practical gardening.
6. Knowledge of Geology: Practical but limited. Tells at a glance different soils from each other. After walks has shown me splashes upon his trousers, and told me by their colour and consistence in what part of London he had received them.
7. Knowledge of Chemistry: Profound.
8. Knowledge of Anatomy: Accurate but unsystematic.
9. Knowledge of Sensational Literature: Immense. He appears to know every detail of every horror perpetrated in the century.
10. Plays the violin well.
11. Is an expert singlestick player, boxer, and swordsman.
12. Has a good practical knowledge of British law.
β
β
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
β
There were days when she was very happy without knowing why. She was happy to be alive and breathing, when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day. She liked then to wander alone into strange and unfamiliar places. She discovered many a sunny, sleepy corner, fashioned to dream in. And she found it good to dream and to be alone and unmolested.
There were days when she was unhappy, she did not know whyβwhen it did not seem worth while to be glad or sorry, to be alive or dead; when life appeared to her like a grotesque pandemonium and humanity like worms struggling blindly toward inevitable annihilation.
β
β
Kate Chopin (The Awakening)
β
For I amβor I wasβone of those people who pride themselves in on their willpower, on their ability to make a decision and carry it through. This virtue, like most virtues, is ambiguity itself. People who believe that they are strong-willed and the masters of their destiny can only continue to believe this by becoming specialists in self-deception. Their decisions are not really decisions at allβa real decision makes one humble, one knows that it is at the mercy of more things than can be namedβbut elaborate systems of evasion, of illusion, designed to make themselves and the world appear to be what they and the world are not. This is certainly what my decision, made so long ago in Joeyβs bed, came to. I had decided to allow no room in the universe for something which shamed and frightened me. I succeeded very wellβby not looking at the universe, by not looking at myself, by remaining, in effect, in constant motion.
β
β
James Baldwin (Giovanniβs Room)
β
One must learn to love.β This is what happens to us in music: first one has to learn to hear a figure and melody at all, to detect and distinguish it, to isolate it and delimit it as a separate life; then it requires some exertion and good will to tolerate it in spite of its strangeness, to be patient with its appearance and expression, and kindhearted about its oddity:βfinally there comes a moment when we are used to it, when we wait for it, when we sense that we should miss it if it were missing: and now it continues to compel and enchant us relentlessly until we have become its humble and enraptured lovers who desire nothing better from the world than it and only it.β But that is what happens to us not only in music: that is how we have learned to love all things that we now love. In the end we are always rewarded for our good will, our patience, fairmindedness, and gentleness with what is strange; gradually, it sheds its veil and turns out to be a new and indescribable beauty:βthat is its thanks for our hospitality. Even those who love themselves will have learned it in this way: for there is no other way. Love, too, has to be learned.
β
β
Friedrich Nietzsche
β
I have said that Texas is a state of mind, but I think it is more than that. It is a mystique closely approximating a religion. And this is true to the extent that people either passionately love Texas or passionately hate it and, as in other religions, few people dare to inspect it for fear of losing their bearings in mystery or paradox. But I think there will be little quarrel with my feeling that Texas is one thing. For all its enormous range of space, climate, and physical appearance, and for all the internal squabbles, contentions, and strivings, Texas has a tight cohesiveness perhaps stronger than any other section of America. Rich, poor, Panhandle, Gulf, city, country, Texas is the obsession, the proper study, and the passionate possession of all Texans.
β
β
John Steinbeck (Travels with Charley: In Search of America)
β
You may have noticed that the books you really love are bound together by a secret thread. You know very well what is the common quality that makes you love them, though you cannot put it into words: but most of your friends do not see it at all, and often wonder why, liking this, you should also like that. Again, you have stood before some landscape, which seems to embody what you have been looking for all your life; and then turned to the friend at your side who appears to be seeing what you saw -- but at the first words a gulf yawns between you, and you realise that this landscape means something totally different to him, that he is pursuing an alien vision and cares nothing for the ineffable suggestion by which you are transported. Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of -- something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boat's side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possessed your soul have been but hints of it -- tantalising glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest -- if there ever came an echo that did not die away but swelled into the sound itself -- you would know it. Beyond all possibility of doubt you would say "Here at last is the thing I was made for". We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the thing we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all.
β
β
C.S. Lewis (The Problem of Pain)
β
Ian stood above me, his chest heaving with exertion and fury. For a second he turned away and put the door back in place with one swift wrench. And then he was glowering again.
I took a deep breath and rolled up onto my knees, holding my hands out, palms up, wishing that some magic would appear in them. Something I could give him, something I could say. But my hands were empty.
"You. Are. Not. Leaving. Me." His eyes blazed - burning brighter than I had ever seen them, blue fires.
"Ian," I whispered. "You have to see that... that I can't stay. You must se that."
"No!" he shouted at me.
I cringed back, and, abruptly, Ian crumpled forward, falling to his knees, falling into me. He buried his head in my stomach, and his arms locked around my waist. He was shaking, shaking hard, and loud, desperate sobs were breaking out of his chest.
"No, Ian, no," I begged. This was so much worse than his anger. "Don't, please. Please, don't."
"Wanda," he moaned.
"Ian, please. Don't feel this way. Don't. I'm so sorry. Please."
I was crying too, shaking too, though that might have been him shaking me.
"You can't leave."
"I have to, I have to," I sobbed.
And then we cried wordlessly for a long time.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
It sounds like a fairy-tale, but not only that; this story of what man by his science and practical inventions has achieved on this earth, where he first appeared as a weakly member of the animal kingdom, and on which each individual of his species must ever again appear as a helpless infant... is a direct fulfilment of all, or of most, of the dearest wishes in his fairy-tales. All these possessions he has acquired through culture. Long ago he formed an ideal conception of omnipotence and omniscience which he embodied in his gods. Whatever seemed unattainable to his desires - or forbidden to him - he attributed to these gods. One may say, therefore, that these gods were the ideals of his culture. Now he has himself approached very near to realizing this ideal, he has nearly become a god himself. But only, it is true, in the way that ideals are usually realized in the general experience of humanity. Not completely; in some respects not at all, in others only by halves. Man has become a god by means of artificial limbs, so to speak, quite magnificent when equipped with all his accessory organs; but they do not grow on him and they still give him trouble at times... Future ages will produce further great advances in this realm of culture, probably inconceivable now, and will increase man's likeness to a god still more.
β
β
Sigmund Freud (Civilization and Its Discontents)
β
So we all have to do that?' Maia said. 'Get drawn on, I mean.'
Only if you're going to fight,' Isabelle said, looking at the other girl coldly. 'You don't look eighteen yet.'
Maia smiled tightly. 'I'm not a Shadowhunter. Lycanthropes are considered adults at sixteen.'
Well, you have to get drawn on, then,' said Isabelle. 'By a Shadowhunter. So you'd better look for one.'
But--' Maia, still looking over at Alec and Magnus, broke off and raised her eyebrows. Simon turned to see what she was looking at--and stared.
Alec had his arms around Magnus and was kissing him, full on the mouth. Magnus, who appeared to be in a state of shock, stood frozen. Several groups of people--Shadowhunters and Downworlders alike--were staring and whispering. Glancing to the side, Simon saw the Lightwoods, their eyes wide, gaping at the display. Maryse had her hand over her mouth.
Maia looked perplexed. 'Wait a second,' she said. 'Do we all have to do that, too.
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
Perfectly Imperfect
We have all heard that no two snowflakes are alike. Each snowflake takes the perfect form for the maximum efficiency and effectiveness for its journey. And while the universal force of gravity gives them a shared destination, the expansive space in the air gives each snowflake the opportunity to take their own path. They are on the same journey, but each takes a different path.
Along this gravity-driven journey, some snowflakes collide and damage each other, some collide and join together, some are influenced by wind... there are so many transitions and changes that take place along the journey of the snowflake. But, no matter what the transition, the snowflake always finds itself perfectly shaped for its journey.
I find parallels in nature to be a beautiful reflection of grand orchestration. One of these parallels is of snowflakes and us. We, too, are all headed in the same direction. We are being driven by a universal force to the same destination. We are all individuals taking different journeys and along our journey, we sometimes bump into each other, we cross paths, we become altered... we take different physical forms. But at all times we too are 100% perfectly imperfect. At every given moment we are absolutely perfect for what is required for our journey. Iβm not perfect for your journey and youβre not perfect for my journey, but Iβm perfect for my journey and youβre perfect for your journey. Weβre heading to the same place, weβre taking different routes, but weβre both exactly perfect the way we are.
Think of what understanding this great orchestration could mean for relationships. Imagine interacting with others knowing that they too each share this parallel with the snowflake. Like you, they are headed to the same place and no matter what they may appear like to you, they have taken the perfect form for their journey. How strong our relationships would be if we could see and respect that we are all perfectly imperfect for our journey.
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β
Steve Maraboli (Life, the Truth, and Being Free)
β
The alchemist picked up a book that someone in the caravan had brought. Leafing through the pages, he found a story about Narcissus.
The alchemist knew the legend of Narcissus, a youth who knelt daily beside a lake to contemplate his own beauty. He was so fascinated by himself that, one morning, he fell into the lake and drowned. At the spot where he fell, a flower was born, which was called the narcissus.
But this was not how the author of the book ended the story.
He said that when Narcissus died, the goddesses of the forest appeared and found the lake, which had been fresh water, transformed into a lake of salty tears.
'Why do you weep?' the goddesses asked.
'I weep for Narcissus," the lake replied.
'Ah, it is no surprise that you weep for Narcissus,' they said, 'for though we always pursued him in the forest, you alone could contemplate his beauty close at hand.'
'But... was Narcissus beautiful?' the lake asked.
'Who better than you to know that?' the goddesses asked in wonder. 'After all, it was by your banks that he knelt each day to contemplate himself!'
The lake was silent for some time. Finally, it said:
'I weep for Narcissus, but I never noticed that Narcissus was beautiful. I weep because, each time he knelt beside my banks, I could see, in the depths of his eyes, my own beauty reflected.'
'What a lovely story,' the alchemist thought.
β
β
Paulo Coelho (The Alchemist)
β
In speaking of this desire for our own far off country, which we find in ourselves even now, I feel a certain shyness. I am almost committing an indecency. I am trying to rip open the inconsolable secret in each one of youβthe secret which hurts so much that you take your revenge on it by calling it names like Nostalgia and Romanticism and Adolescence; the secret also which pierces with such sweetness that when, in very intimate conversation, the mention of it becomes imminent, we grow awkward and affect to laugh at ourselves; the secret we cannot hide and cannot tell, though we desire to do both. We cannot tell it because it is a desire for something that has never actually appeared in our experience. We cannot hide it because our experience is constantly suggesting it, and we betray ourselves like lovers at the mention of a name. Our commonest expedient is to call it beauty and behave as if that had settled the matter. Wordsworthβs expedient was to identify it with certain moments in his own past. But all this is a cheat. If Wordsworth had gone back to those moments in the past, he would not have found the thing itself, but only the reminder of it; what he remembered would turn out to be itself a remembering. The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These thingsβthe beauty, the memory of our own pastβare good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshipers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.
β
β
C.S. Lewis (The Weight of Glory)
β
Clarissa had a theory in those days - they had heaps of theories, always theories, as young people have. It was to explain the feeling they had of dissatisfaction; not knowing people; not being known. For how could they know each other? You met every day; then not for six months, or years. It was unsatisfactory, they agreed, how little one knew people. But she said, sitting on the bus going up Shaftesbury Avenue, she felt herself everywhere; not 'here, here, here'; and she tapped the back of the seat; but everywhere. She waved her hand, going up Shaftesbury Avenue. She was all that. So that to know her, or any one, one must seek out the people who completed them; even the places. Odd affinities she had with people she had never spoke to, some women in the street, some man behind a counter - even trees, or barns. It ended in a transcendental theory which, with her horror of death, allowed her to believe, or say that she believed (for all her scepticism), that since our apparitions, the part of us which appears, are so momentary compared with the other, the unseen part of us, which spreads wide, the unseen might survive, be recovered somehow attached to this person or that, or even haunting certain places, after death. Perhaps - perhaps.
β
β
Virginia Woolf (Mrs. Dalloway)
β
For ages you have come and gone
courting this delusion.
For ages you have run from the pain
and forfeited the ecstasy.
So come, return to the root of the root
of your own soul.
Although you appear in earthly form
Your essence is pure Consciousness.
You are the fearless guardian
of Divine Light.
So come, return to the root of the root
of your own soul.
When you lose all sense of self
the bonds of a thousand chains will vanish.
Lose yourself completely,
Return to the root of the root
of your own soul.
You descended from Adam, by the pure Word of God,
but you turned your sight
to the empty show of this world.
Alas, how can you be satisfied with so little?
So come, return to the root of the root
of your own soul.
Why are you so enchanted by this world
when a mine of gold lies within you?
Open your eyes and come ---
Return to the root of the root
of your own soul.
You were born from the rays of God's Majesty
when the stars were in their perfect place.
How long will you suffer from the blows
of a nonexistent hand?
So come, return to the root of the root
of your own soul.
You are a ruby encased in granite.
How long will you decieve Us with this outer show?
O friend, We can see the truth in your eyes!
So come, return to the root of the root
of your own soul.
After one moment with that glorious Friend
you became loving, radiant, and ecstatic.
Your eyes were sweet and full of fire.
Come, return to the root of the root
of your own soul.
Shams-e Tabriz, the King of the Tavern
has handed you an eternal cup,
And God in all His glory is pouring the wine.
So come! Drink!
Return to the root of the root
of your own soul.
Soul of all souls, life of all life - you are That.
Seen and unseen, moving and unmoving - you are That.
The road that leads to the City is endless;
Go without head and feet
and you'll already be there.
What else could you be? - you are That.
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Jalal ad-Din Muhammad ar-Rumi
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The letter said that they were two feet high, and green, and shaped like plumber's friends. Their suction cups were on the ground, and their shafts, which were extremely flexible, usually pointed to the sky. At the top of each shaft was a little hand with a green eye in its palm. The creatures were friendly, and they could see in four dimensions. They pitied Earthlings for being able to see only three. They had many wonderful things to teach Earthlings, especially about time. Billy promised to tell what some of those wonderful things were in his next letter.
Billy was working on his second letter when the first letter was published. The second letter started out like this:
The most important thing I learned on Tralfamadore was that when a person dies he only appears to die. He is still very much alive in the past, so it is very silly for people to cry at his funeral. All moments, past, present and future, always have existed, always will exist. The Tralfamadorians can look at all the different moments just that way we can look at a stretch of the Rocky Mountains, for instance. They can see how permanent all the moments are, and they can look at any moment that interests them. It is just an illusion we have here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever.
When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in a bad condition in that particular moment, but that the same person is just fine in plenty of other moments. Now, when I myself hear that somebody is dead, I simply shrug and say what the Tralfamadorians say about dead people, which is "so it goes.
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Kurt Vonnegut Jr. (Slaughterhouse-Five)
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If you imagine the 4,500-bilion-odd years of Earth's history compressed into a normal earthly day, then life begins very early, about 4 A.M., with the rise of the first simple, single-celled organisms, but then advances no further for the next sixteen hours. Not until almost 8:30 in the evening, with the day five-sixths over, has Earth anything to show the universe but a restless skin of microbes. Then, finally, the first sea plants appear, followed twenty minutes later by the first jellyfish and the enigmatic Ediacaran fauna first seen by Reginald Sprigg in Australia. At 9:04 P.M. trilobites swim onto the scene, followed more or less immediately by the shapely creatures of the Burgess Shale. Just before 10 P.M. plants begin to pop up on the land. Soon after, with less than two hours left in the day, the first land creatures follow.
Thanks to ten minutes or so of balmy weather, by 10:24 the Earth is covered in the great carboniferous forests whose residues give us all our coal, and the first winged insects are evident. Dinosaurs plod onto the scene just before 11 P.M. and hold sway for about three-quarters of an hour. At twenty-one minutes to midnight they vanish and the age of mammals begins. Humans emerge one minute and seventeen seconds before midnight. The whole of our recorded history, on this scale, would be no more than a few seconds, a single human lifetime barely an instant. Throughout this greatly speeded-up day continents slide about and bang together at a clip that seems positively reckless. Mountains rise and melt away, ocean basins come and go, ice sheets advance and withdraw. And throughout the whole, about three times every minute, somewhere on the planet there is a flash-bulb pop of light marking the impact of a Manson-sized meteor or one even larger. It's a wonder that anything at all can survive in such a pummeled and unsettled environment. In fact, not many things do for long.
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Bill Bryson (A Short History of Nearly Everything)
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In all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these:
1. Because as they have more Knowledge of the World and their Minds are better storβd with Observations, their Conversation is more improving and more lastingly agreable.
2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman.
3. Because there is no hazard of Children, which irregularly producβd may be attended with much Inconvenience.
4. Because throβ more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclinβd to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes.
5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement.
6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy.
7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy.
8thly and Lastly They are so grateful!!
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Benjamin Franklin
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what love looks like
what does love look like the therapist asks
one week after the breakup
and iβm not sure how to answer her question
except for the fact that i thought love
looked so much like you
thatβs when it hit me
and i realized how naive i had been
to place an idea so beautiful on the image of a person
as if anybody on this entire earth
could encompass all love represented
as if this emotion seven billion people tremble for
would look like a five foot eleven
medium-sized brown-skinned guy
who likes eating frozen pizza for breakfast
what does love look like the therapist asks again
this time interrupting my thoughts midsentence
and at this point iβm about to get up
and walk right out the door
except i paid too much money for this hour
so instead i take a piercing look at her
the way you look at someone
when youβre about to hand it to them
lips pursed tightly preparing to launch into conversation
eyes digging deeply into theirs
searching for all the weak spots
they have hidden somewhere
hair being tucked behind the ears
as if you have to physically prepare for a conversation
on the philosophies or rather disappointments
of what love looks like
well i tell her
i donβt think love is him anymore
if love was him
he would be here wouldnβt he
if he was the one for me
wouldnβt he be the one sitting across from me
if love was him it would have been simple
i donβt think love is him anymore i repeat
i think love never was
i think i just wanted something
was ready to give myself to something
i believed was bigger than myself
and when i saw someone
who probably fit the part
i made it very much my intention
to make him my counterpart
and i lost myself to him
he took and he took
wrapped me in the word special
until i was so convinced he had eyes only to see me
hands only to feel me
a body only to be with me
oh how he emptied me
how does that make you feel
interrupts the therapist
well i said
it kind of makes me feel like shit
maybe weβre looking at it wrong
we think itβs something to search for out there
something meant to crash into us
on our way out of an elevator
or slip into our chair at a cafe somewhere
appear at the end of an aisle at the bookstore
looking the right amount of sexy and intellectual
but i think love starts here
everything else is just desire and projection
of all our wants needs and fantasies
but those externalities could never work out
if we didnβt turn inward and learn
how to love ourselves in order to love other people
love does not look like a person
love is our actions
love is giving all we can
even if itβs just the bigger slice of cake
love is understanding
we have the power to hurt one another
but we are going to do everything in our power
to make sure we donβt
love is figuring out all the kind sweetness we deserve
and when someone shows up
saying they will provide it as you do
but their actions seem to break you
rather than build you
love is knowing who to choose
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Rupi Kaur (The Sun and Her Flowers)
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What are the dead, anyway, but waves and energy? Light shining from a dead star?
That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition β tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead starβ¦
Which reminds me, by the way, of a dream I had a couple of weeks ago.
I found myself in a strange deserted city β an old city, like London β underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly β past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble.
I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below.
I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple⦠click click click⦠the Pyramids⦠the Parthenon.
History passing beneath my very eyes, changing every moment.
'I thought I'd find you here,' said a voice at my elbow.
It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple.
I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.'
He stared down at the machine. The Colosseum⦠click click click⦠the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.'
'What?'
He cleared his throat. 'My movements are restricted,' he said.
'I no longer have the ability to travel as freely as I would like.'
Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him.
'That information is classified, I'm afraid.'
1 looked around curiously. It seemed that I was the only visitor.
'Is it open to the public?' I said.
'Not generally, no.'
I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point.
'Are you happy here?' I said at last.
He considered this for a moment. 'Not particularly,' he said.
'But you're not very happy where you are, either.'
St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch.
'I hope you'll excuse me,' he said, 'but I'm late for an appointment.'
He turned from me and walked away. I watched his back receding down the long, gleaming hall.
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Donna Tartt (The Secret History)