Atmosphere Band Quotes

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As she drew closer to the fairgrounds, the group began to feel the festive atmosphere. People were hurrying toward the entrance, flags were flying, and a brass band was playing.
Carolyn Keene (The Mystery of the Ivory Charm (Nancy Drew, #13))
one of the crazies moved into the cone of light beneath a streetlight. It was a black man, high-stepping and making jerking movements with his arms. He made a crisp turn and began moving back into the darkness. He was a trombone player in a matching band in a world somewhere else.
Michael Connelly (The Black Ice (Harry Bosch, #2; Harry Bosch Universe, #2))
We do want to provide a physical and emotional release, but we also want to create an atmosphere where people are encouraged to think for themselves rather than accept what they’ve been told.
Michael Azerrad (Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991)
When Kirchhoff had studied sunlight with his spectroscope, he had detected a number of unaccountable dark bands in its spectrum. The light from the sun had to pass through its atmosphere, and he realized that these dark bands were the ‘fingerprints’ of the
Paul Strathern (Mendeleyev's Dream: The Quest for the Elements)
The instinctive attraction of the daughters of high society to noble ideals was probably reinforced by an idea that, in dedicating themselves to the Church, they could escape the sometimes grim realities of marriage. It was not only the problem of volatile husbands raised in a society that prized aggressive masculinity and constant pregnancy; there was also the painful fact that only a few of the numerous babies would survive to adulthood. Against these harsh realities, the new monastic communities offered an appealing alternative, a rigid but somehow delicious atmosphere similar to that of a girls' boarding school. To a virgin, this must have seemed attractive, and to a teenage Roman widow weighing the dangers of a second marriage, it must have seemed positively utopian. And, of course, there was the chance to do good work. We should not underestimate the delight that these women found in being able to pool their resources in trying to better the lot of the city's poor.
Kate Cooper (Band of Angels: The Forgotten World of Early Christian Women)
 I walk away, feeling Brody’s gaze on me. There’s no doubt that as soon as we get back in the car, I’m going to get it—good. Instead, Brody stays quiet while I assemble the paperwork. He may not be speaking, but he’s saying a whole lot in the silence. “Just say it,” I mumble and finally look over. “I’m not saying a word.” He raises his hands. “Clearly, you two know each other, and it ain’t from growing up here. You tell me everything, so there is no way you wouldn’t have told me you know him,” Brody pauses and leans back. “I’m not saying a word about who you may or may not have slept with recently. Even though, it’s pretty obvious.” “You know, you not saying a word took you a long time.” “It’s not like you’ve had a five-year drought since your divorce. Or that you slept with a singer/actor. Nope. I have nothing to say about that. Not a thing.” I groan. “Could you not say anything for real this time?” “Sure thing, boss. I’ll just be over here, watching Hell start to thaw.” This is not going to get any better. I’d almost rather hear the questions. This is Brody Webber. My partner, my friend, and the one person who I have enough dirt on to make his life hell if he repeats this. “Okay, fine. Yes, I slept with Eli Walsh. I was crazy and dumb. I also had about six beers, which is two over my threshold, and I was trying to be in the moment for once. Fucking Nicole and her pep talks.” Brody coughs a laugh and then recovers. “Sorry, go on.” “I swear, you better keep this to yourself. If you tell anyone . . .” I give him my best threatening face. “I mean anyone, I’ll make your life a living nightmare.” He shakes his head and laughs again. “I won’t say a word, but you had a one-night stand with one of the most famous men in the boy band atmosphere. You’re too cool for me, Heather. I don’t think we can be friends. I’m sure you and the band will be happy without me.” I huff and grab the papers. “I’m getting a new partner.” I walk back over to the car, praying this will be painless
Corinne Michaels (We Own Tonight (Second Time Around, #1))
The alien ship was already thundering towards the upper reaches of the atmosphere, on its way out into the appalling void which separates the very few things there are in the Universe from each other. Its occupant, the alien with the expensive complexion, leaned back in its single seat. His name was Wowbagger the Infinitely Prolonged. He was a man with a purpose. Not a very good purpose, as he would have been the first to admit, but it was at least a purpose and it did at least keep him on the move. Wowbagger the Infinitely Prolonged was --- indeed, is --- one of the Universe's very small number of immortal beings. Those who are born immortal instinctively know how to cope with it, but Wowbagger was not one of them. Indeed he had come to hate them, the load of serene bastards. He had had his immortality thrust upon him by an unfortunate accident with an irrational particle accelerator, a liquid lunch and a pair of rubber bands. The precise details of the accident are not important because no one has ever managed to duplicate the exact circumstances under which it happened, and many people have ended up looking very silly, or dead, or both, trying. Wowbagger closed his eyes in a grim and weary expression, put some light jazz on the ship's stereo, and reflected that he could have made it if it hadn't been for Sunday afternoons, he really could have done. To begin with it was fun, he had a ball, living dangerously, taking risks, cleaning up on high-yield long-term investments, and just generally outliving the hell out of everybody. In the end, it was the Sunday afternoons he couldn't cope with, and that terrible listlessness which starts to set in at about 2:55, when you know that you've had all the baths you can usefully have that day, that however hard you stare at any given paragraph in the papers you will never actually read it, or use the revolutionary new pruning technique it describes, and that as you stare at the clock the hands will move relentlessly on to four o'clock, and you will enter the long dark teatime of the soul. So things began to pall for him. The merry smiles he used to wear at other people's funerals began to fade. He began to despise the Universe in general, and everyone in it in particular. This was the point at which he conceived his purpose, the thing which would drive him on, and which, as far as he could see, would drive him on forever. It was this. He would insult the Universe.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
a good producer. His job is not only to help a band make a great record, but also to bring out the best in his musicians by creating an encouraging, comfortable atmosphere in the studio, so that everyone feels good about themselves.
Ace Frehley (No Regrets: A Rock 'n' Roll Memoir)
My Dearest Lauren Boyers-Sloan; I have a lot of time to think about your theory on rings. You deserve this and much more. Perhaps the significance of the diamond is that nothing can destroy this precious stone even when it is heated in an oven to a temperature of 1405 degrees Fahrenheit, It will then visually disappear without a trace of ash, after releasing only a small amount of carbon dioxide into a tiny puff of air floating into the atmosphere. Remarkable as it may seem that tiny puff of air will always remain somewhere drifting in the elements.... I now know that nothing can destroy the love I have for you even when I completely disappear from the face of this earth… I do love you still….and always will… Your love will remain in and with me forever… I will never love anyone like I do you… You can keep the gold bands right along with these forever… If you can’t take me back these are yours forever to do whatever you wish with them.… I won’t take them back and they can’t be returned. In the past few years, I certainly haven’t given you the best of me… If I lose you, it will only be because I have been so ill equipped with how to be the best man I could be to you…
Joan Singleton (She Called... Broken Secrets)
There is a war going on. All talk of a Christian’s right to live luxuriantly “as a child of the King” in this atmosphere sounds hollow—especially since the King Himself is stripped for battle. It is more helpful to think of a wartime lifestyle than a merely simple lifestyle. Simplicity can be very inwardly directed and may benefit no one else. A wartime lifestyle implies that there is a great and worthy cause for which to spend and be spent (2 Corinthians 12:15). Winter continues: America today is a “save yourself” society if there ever was one. But does it really work? The underdeveloped societies suffer from one set of diseases: tuberculosis, malnutrition, pneumonia, parasites, typhoid, cholera, typhus, etc. Affluent America has virtually invented a whole new set of diseases: obesity, arteriosclerosis, heart disease, strokes, lung cancer, venereal disease, cirrhosis of the liver, drug addiction, alcoholism, divorce, battered children, suicide, murder. Take your choice. Labor-saving machines have turned out to be body-killing devices. Our affluence has allowed both mobility and isolation of the nuclear family, and as a result, our divorce courts, our prisons and our mental institutions are flooded. In saving ourselves we have nearly lost ourselves. How hard have we tried to save others? Consider the fact that the U.S. evangelical slogan, “Pray, give or go” allows people merely to pray, if that is their choice! By contrast the Friends Missionary Prayer Band of South India numbers 8,000 people in their prayer bands and supports 80 full-time missionaries in North India. If my denomination (with its unbelievably greater wealth per person) were to do that well, we would not be sending 500 missionaries, but 26,000. In spite of their true poverty, those poor people in South India are sending 50 times as many cross-cultural missionaries as we are!11
John Piper (Desiring God, Revised Edition: Meditations of a Christian Hedonist)
Whenever I come here, I pretend I'm living in the future and the atmosphere is irradiated and wild bands of biodiesel bikers rule the dusty surface.
Anonymous
In 1918, anti-German hysteria was sweeping Texas. Germans who showed insufficient enthusiasm in purchasing Liberty Bonds were publicly horsewhipped; bands of armed men broke into the homes of German families who were rumored to have pictures of the Kaiser on the walls; a State Council of Defense, appointed by the Governor, recommended that German (and all other foreign languages) be barred from the state forever. Hardly had Sam Johnson arrived in Austin in February, 1918, when debate began on House Bill 15, which would make all criticism, even a remark made in casual conversation, of America’s entry into the war, of America’s continuation in the war, of America’s government in general, of America’s Army, Navy or Marine Corps, of their uniforms, or of the American flag, a criminal offense punishable by terms of two to twenty-five years—and would give any citizen in Texas the power of arrest under the statute. With fist-waving crowds shouting in the House galleries above, legislators raged at the Kaiser and at Germans in Texas whom they called his “spies” (one legislator declared that the American flag had been hauled down in Fredericksburg Square and the German double eagle raised in its place) in an atmosphere that an observer called a “maelstrom of fanatical propaganda.” But Sam Johnson, standing tall, skinny and big-eared on the floor of the House, made a speech—remembered with admiration fifty years later by fellow members—urging defeat of Bill 15;
Robert A. Caro (The Path to Power (The Years of Lyndon Johnson #1))
Hygge is just a temporary fix. It's a lifestyle Band-Aid that will help create a home in the short term. True and lasting comfort, though, can't be tablescaped or found in some twelve-step Scandinavian formula. The perfect blend of coffee can't cultivate true contentment. There's no flannel blanket big enough to cover deep soul ache. A long walk in the woods won't change a life for the long haul. Reshaping an atmosphere can never permanently reshape a heart. But it can help, especially when paired with the hope of Jesus.
Jamie Erickson (Holy Hygge: Creating a Place for People to Gather and the Gospel to Grow)
With the Allies on the advance nearly everywhere and invasion talk in the air, London was a welcoming place for young airmen who were taking the fight to Hitler’s doorstep. The first stop for American airmen was usually the nearest Red Cross Club, where helpful volunteers made bookings free of charge at commercial hotels or at one of the Red Cross’s own dormitory-like facilities. After checking in and dropping off their kits, most men headed straight for Rainbow Corner. Located on the corner of Shaftesbury Avenue and Piccadilly Circus, it was a place as close to home as a GI could find in all of England. Administered by the American Red Cross, Rainbow Corner had been designed “to create a strictly American atmosphere.” There was an exact replica of a small-town corner drugstore in the club’s basement, where ice-cold Cokes were sold for a nickel and grilled hamburgers for a dime. Upstairs, in the grand ballroom, servicemen danced with volunteer hostesses to the driving music of soldier bands—the Flying Forts, the Thunderbolts, the Sky Blazers. There was also a lounge with a jukebox and a small dance floor with tables and chairs around it. Lonely GIs dunking donuts in fresh coffee would loaf there, listening to the latest American hits. Rainbow Corner never closed its doors. The key had been symbolically thrown away the day of the grand opening in November 1942.
Donald L. Miller (Masters of the Air: America's Bomber Boys Who Fought the Air War Against Nazi Germany)
I’m sort of nervous you’ll find out Even though I want you to I’m sort of nervous you’ll be angry Even though I know that’s not you We’ve been through this all before And you never made me feel unsure But still A hush had fallen over the crowd as soon as she began to sing and Julie marveled at how different this atmosphere was from the raucous one the boys had described to her from their visit to the club. She wondered if Caleb would be satisfied with her slow and emotional song choice but if he was dissatisfied with her he didn’t show it on his face. He merely glanced around at the rapt expressions of the lifers and smirked. Julie allowed her eyes to slide over to her friends who were both watching her with knowing looks. She knew that the sadness in her lyrics was reflected in their eyes, that they felt sorry for her and that they ached for Luke too. She forced her gaze away from them, needing to focus on getting through the song and finding it almost impossible in the face of their pity. I’m sort of hopeful you’ll find out Even though that’s not fair I’m sort of hopeful you'll guess Even though I’m so scared I don’t know what the right choice is And part of me wants you to insist But still Despite all of the circumstances that made singing this particular song in this particular venue absolutely loaded down with baggage she found herself slipping into the zone she always occupied when performing. She could feel the heady rush of doing what she was meant to do in front of people hanging on her every word. She wished Luke was there to sing with her but she had also never been so glad that he wasn’t. She gripped the mic stand and raised her voice to new heights as she began the chorus. How do I tell you this isn’t where I belong? How do I tell you this was a tragedy all along? That we never had a chance At a happy ending at all Just a few brief stolen moments Between your heart and mine How do I tell you? How do I tell you? Goodbye She could hear emotion breaking through into her voice but she didn’t care. The ghost band once again seemed to sense what she had heard in her head and the music built and built before suddenly dropping to next to nothing. A few chords on the piano were all that accompanied the final verse as she gave it her all. I’m sort of happy we happened Even though I know the memories Will hurt I’m sort of happy we met here Even if it took a curse I know that I’ve made mistakes And some of them are hard to shake But still Julie allowed herself to truly see the audience for the first time. They were still watching her with awed expressions but something about the lighting in the club seemed different. There was a soft golden glow settling over the whole room. Julie blinked and the glow was gone. She barely had time to wonder if she had imagined it before the band came back in full force for the final chorus. How do I tell you this isn’t where I belong? How do I tell you this was a tragedy all along? That we never had a chance At a happy ending at all Just a few brief stolen moments Between your heart and mine How do I tell you? How do I tell you? Goodbye The band fell away again and Julie’s voice echoed through the ballroom alone on the final lines. How do I tell you? Goodbye
ICanSpellConfusionWithAK (We Found Wonderland)
Much like being in a fantastic new band, surely, having a favourite new band is one of life’s most intoxicating thrills, a prismatic explosion of hitherto dormant energy channelled from the atmosphere directly into your soul; an atomic collision promising unknowable new possibilities of sonic beguilement, lyrical connection, dancing upside down on a dance floor with your greatest friends and talking synapse-shredded cobblers ’til three days hence at dawn. All of these things, at least, were the touchstones of Oasis fandom. It’s not so very different from falling in love (even if it is in the worst possible, all-obsessional, one-directional way). One
Sylvia Patterson (I'm Not with the Band: A Writer's Life Lost in Music)
From the beginning, hostilities between Colman and Oboler created an atmosphere of anger, which finally became untenable. The press knew little of this: even a Radio Life reporter, who attended a rehearsal in March, mistook a sharp Oboler dig (“What’s the matter, Ronnie, is it too early in the morning to turn on your charm?”) for good-natured camaraderie. It was suggested that the series was a partnership, growing out of a mutual admiration. In fact, Oboler revealed to writer Sam Frank, “we hated each other’s guts.” Their differences existed on almost every front, personal and professional. It began, according to Juliet Benita Colman’s biography of her father, with Oboler’s wardrobe. He worked in “dirty dungarees, no socks, thong sandals, and a hat with a grease-stained band—you can imagine Ronnie’s reaction!” Colman’s idea of casual dress was an immaculate sweater and well-pressed tweeds.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
When I in dreams behold thy fairest shade Whose shade in dreams doth wake the sleeping morn The daytime shadow of my love betray’d Lends hideous night to dreaming’s faded form Were painted frowns to gild mere false rebuff Then shoulds’t my heart be patient as the sands For nature’s smile is ornament enough When thy gold lips unloose their drooping bands As clouds occlude the globe’s enshrouded fears Which can by no astron’my be assail’d Thus, thyne appearance tears in atmospheres No fond perceptions nor no gaze unveils Disperse the clouds which banish light from thee For no tears be true, until we truly see
SwiftKey
Hallmarks of Winning Teams •Band of boys atmosphere, happy and relaxed. •Ability to pass the ball. •Living in the present, planning for the future. •Carrying everyone along—backing up under-performers. •A ‘can-do’ approach. •Being attentive to the one per cent things. •Common shared vision. •Strong personal goals yet subordinate to team goals. •Focussing on competition, not internal differences. •Non-negotiable work ethic. •Bringing in new people and ideas to prevent staleness. •Nurturing or culling at the right moment. •Hunger, passion, energy.
Anita Bhogle and Harsha Bhogle (The Winning Way 2.0Learnings from Sport for Managers)
Every Sunday the balance of power now swings sharply in favor of the pedestrian as Bogotá closes seventy-five miles of its streets to traffic. People of all social classes pour into thoroughfares normally jammed with cars to run, cycle, stroll, and play football and Frisbee. With bands playing in the parks and aerobics and yoga teachers leading classes in the open air, there is a carnival atmosphere, a giddy sense that the natural order has been reversed, or restored.
Carl Honoré (The Slow Fix: Solve Problems, Work Smarter, and Live Better In a World Addicted to Speed)
Let’s follow the carbon in that Saskatoon. The leaves of the tree drew carbon dioxide from the atmosphere, which they made into sugar via the brilliant mechanism of photosynthesis. The gift of the atmosphere now resides in the berry. When the Cedar Waxwing gobbles it up, some of that carbon becomes the feathers that paint a yellow band on its tail, which flashes in the afternoon light. When that feather falls to the ground it becomes food for beetles, who become food for a Vole whose death feeds the soil who feeds the Serviceberry seedling just germinating at the edge of the woods. Materials move through ecosystems in a circular economy and are constantly transformed. Abundance is created by recycling, by reciprocity. This recycling proceeds at different paces. Sometimes it is as quick as minutes, like a molecule of phosphorus dancing between water and a spinning cell of virid green alga. That alga takes up the phosphorus into its body, which is eaten by zooplankton a few minutes later, and they excrete the mineral back into the water, where another alga is happy to have it. Other cycles proceed more slowly. Sometimes the minerals get squirreled away in long-term storage, like nitrogen immobilized in a tree trunk for three hundred years, but it always comes back into circulation. The juice that bursts from these berries was rain just last week and is already on its way back to the clouds. These processes are the models for principles of a circular economy, in which there is no such thing as waste, only starting materials. Abundance is fueled by constantly circulating materials, not wasting them.
Robin Wall Kimmerer (The Serviceberry: Abundance and Reciprocity in the Natural World)
I do envy these Europeans the comfort they take. When the work of the day is done, they forget it. Some of them go, with wife and children, to a beer hall and sit quietly and genteelly drinking a mug or two of ale and listening to music; others walk the streets, others drive in the avenues; others assemble in the great ornamental squares in the early evening to enjoy the sight and the fragrance of flowers and to hear the military bands play—no European city being without its fine military music at eventide; and yet others of the populace sit in the open air in front of the refreshment houses and eat ices and drink mild beverages that could not harm a child. They go to bed moderately early, and sleep well. They are always quiet, always orderly, always cheerful, comfortable, and appreciative of life and its manifold blessings. One never sees a drunken man among them. The change that has come over our little party is surprising. Day by day we lose some of our restlessness and absorb some of the spirit of quietude and ease that is in the tranquil atmosphere about us and in the demeanor of the people. We grow wise apace. We begin to comprehend what life is for.
Mark Twain (The Innocents Abroad, Or, the New Pilgrims' Progress)