Appalachia Quotes

We've searched our database for all the quotes and captions related to Appalachia. Here they are! All 100 of them:

What on earth would I do if four bears came into my camp? Why, I would die of course. Literally shit myself lifeless.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
What keeps a poor child in Appalachia poor is not what keeps a poor child in Chicago poor—even if from a distance, the outcomes look the same. And what keeps an able-bodied black woman poor is not what keeps a disabled white man poor, even if the outcomes look the same.
Ijeoma Oluo (So You Want to Talk About Race)
...normally I consider nostalgia to be a toxic impulse. It is the twinned, yearning delusion that (a) the past was better (it wasn´t) and (b) it can be recaptured (it can´t) that leads at best to bad art, movie versions of old TV shows, and sad dads watching Fox news. At worst it leads to revisionist, extremist politics, fundamentalist terrorism, and the victory-in Appalachia in particular-of a narcissist Manhattan cartoon maybe-millionaire and cramped-up city creep who, if he ever did go up to Rocky Top in real life, would never come down again.
John Hodgman (Vacationland: True Stories from Painful Beaches)
Knowing where you come from is one thing, but it's suicide to stay there.
Dennis Covington (Salvation on Sand Mountain: Snake-Handling and Redemption in Southern Appalachia)
Despite its reputation, Appalachia—especially northern Alabama and Georgia to southern Ohio—has far lower church attendance than the Midwest, parts of the Mountain West, and much of the space between Michigan and Montana. Oddly enough, we think we attend church more than we actually do. In a recent Gallup poll, Southerners and Midwesterners reported the highest rates of church attendance in the country. Yet actual church attendance is much lower in the South.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Appalachia was Appalachia, regardless of boundaries someone had set an eternity ago. A land of breathtaking beauty, of steep hills and rolling mountains
John Grisham (Gray Mountain)
To say that I enjoyed writing... is like saying I enjoy having fingers and toes. It's difficult to imagine life without them.
Dennis Covington (Salvation on Sand Mountain: Snake-Handling and Redemption in Southern Appalachia)
In school, they tell us the Capitol was built in a place once called the Rockies. District 12 was in a region known as Appalachia. Even hundreds of years ago, they mined coal here. Which is why our miners have to dig so deep.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
All I know is that I am excessively calculating, especially when I appear not to be.
Dennis Covington (Salvation on Sand Mountain: Snake-Handling and Redemption in Southern Appalachia)
I am not only from Appalachia; I am of Appalachia.
Linda Scott Derosier
Maybe it was because I was raised in Appalachia, raised in faith and poverty and little else, but I believed in things like fate and destiny. I believed in angels, and I believed in God’s ability to direct our paths, to guide us and move us in unseen ways, and I believed in miracles. Suddenly, Finn Clyde felt like a miracle, and I felt sure that Minnie had sent him to me.
Amy Harmon (Infinity + One)
Many things about Appalachia may be true simultaneously. The support for Trump may be real, too strong for my comfort, and it may also be true that there are many who hoped and still hope for a different outcome.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
We're all Hitler inside. We're all Christ inside. I'm not keen on the idea, but it's true, isn't it? We've all got a little bit of the devil in us.
Jason Jack Miller (The Devil and Preston Black (Murder Ballads and Whiskey))
The pull of our roots can be such a strong force, no matter how far or wide we may roam.
Lauren McDuffie (Smoke, Roots, Mountain, Harvest: Recipes and Stories Inspired by My Appalachian Home)
And if you trace a flawed narrative about Appalachia back far enough, you’ll often find someone making a profit.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
It was still late summer elsewhere, but here, high in Appalachia, fall was coming; for the last three mornings, she'd been able to see her breath. The woods, which started twenty feet back from her backdoor like a solid wall, showed only hints of the impending autumn. A few leaves near the treetops had turned, but most were full and green. Visible in the distance, the Widow's Tree towered above the forest. Its leaves were the most stubborn, tenaciously holding on sometimes until spring if the winter was mild. It was a transitional period, when the world changed its cycle and opened a window during which people might also change, if they had the inclination.
Alex Bledsoe (Wisp of a Thing (Tufa, #2))
Nothing else in the whole wide world matters as much as avenging your sister.
Jason Jack Miller (HELLBENDER)
Here's how I'll tell you what I think—if you see white smoke then you know I picked a new pope. And if I'm drinking a Snapple then you know I don't give a shit.
Jason Jack Miller (The Devil and Preston Black (Murder Ballads and Whiskey))
These were the hills of my blood, the land my father and all his fathers before him had worked and loved in, toiling in the coal mines, working the soil of their land, and falling in love with women who would give them proud Kentucky sons and daughters. For the first time since I'd been a little boy, I felt fierce with the love of home, of these mountains, of the people who lived here, trying, failing, trying again, hanging on by their fingernails to their God-given pride and their enduring love of Appalachia.
Mia Sheridan (Kyland)
I don't give a damn about geography, but I'll note that Vance has transcended one of the most authentically Appalachian experiences of them all: watching someone with tired ideas about race and culture get famous by selling cheap stereotypes abou the region.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
This Front Range towering over Columbine is taller than the highest peaks in all of Appalachia. Roads and regular habitation stop suddenly at the base of the foothills; even vegetation struggles to survive. Just three miles away, and it feels like the end of the world.
Dave Cullen (Columbine)
Feeling after God is dangerous business.
Dennis Covington (Salvation on Sand Mountain: Snake-Handling and Redemption in Southern Appalachia)
Mystery, I'd read somewhere, is not the absence of meaning, but the presence of more meaning than we can comprehend.
Dennis Covington (Salvation on Sand Mountain: Snake-Handling and Redemption in Southern Appalachia)
Defining Appalachian culture is often a top-down process, in which individuals with power or capital tell us who or what we are.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
On our trip to Appalachia, I realized that my destiny would always be connected to mountains.
Steve Vasiliou (Geotravel: Tips and Stories)
There is a biblical benchmark I now use. We will refer to this criterion for every hard question, big idea, topic, assessment of our own obedience, every “should” or “should not” and “will” or “will not” we ascribe to God, every theological sound bite. Here it is: If it isn’t also true for a poor single Christian mom in Haiti, it isn’t true. If a sermon promises health and wealth to the faithful, it isn’t true, because that theology makes God an absolute monster who only blesses rich westerners and despises Christians in Africa, India, China, South America, Russia, rural Appalachia, inner-city America, and everywhere else a sincere believer remains poor. If it isn’t also true for a poor single Christian mom in Haiti, it isn’t true.
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
The Everlasting Staircase" Jeffrey McDaniel When the call came, saying twenty-four hours to live, my first thought was: can't she postpone her exit from this planet for a week? I've got places to do, people to be. Then grief hit between the ribs, said disappear or reappear more fully. so I boarded a red eyeball and shot across America, hoping the nurses had enough quarters to keep the jukebox of Grandma's heart playing. She grew up poor in Appalachia. And while world war II functioned like Prozac for the Great Depression, she believed poverty was a double feature, that the comfort of her adult years was merely an intermission, that hunger would hobble back, hurl its prosthetic leg through her window, so she clipped, clipped, clipped -- became the Jacques Cousteau of the bargain bin, her wetsuit stuffed with coupons. And now --pupils fixed, chin dangling like the boots of a hanged man -- I press my ear to her lampshade-thin chest and listen to that little soldier march toward whatever plateau, or simply exhaust his arsenal of beats. I hate when people ask if she even knew I was there. The point is I knew, holding the one-sided conversation of her hand. Once I believed the heart was like a bar of soap -- the more you use it, the smaller it gets; care too much and it'll snap off in your grasp. But when Grandma's last breath waltzed from that room, my heart opened wide like a parachute, and I realized she didn't die. She simply found a silence she could call her own.
Jeffrey McDaniel
Endings are the most important part of stories. They grow inevitably from the stories themselves.
Dennis Covington (Salvation on Sand Mountain: Snake-Handling and Redemption in Southern Appalachia)
You are not a handgun. More like a pellet gun. Maybe even a slingshot.
Jason Jack Miller (The Devil and Preston Black (Murder Ballads and Whiskey))
It's Coke, my man. You really think I'm going to let you pour any more alcohol into your body tonight?
Jason Jack Miller (HELLBENDER)
We disappear as stars do, soundless, without a trace.
Charles Wright (Appalachia: Poems)
The American woods have been unnerving people for 300 years. The inestimably priggish and tiresome Henry David Thoreau thought nature was splendid, splendid indeed, so long as he could stroll to town for cakes and barley wine, but when he experienced real wilderness, on a vist to Katahdin in 1846, he was unnerved to the cored. This wasn't the tame world of overgrown orchards and sun-dappled paths that passed for wilderness in suburban Concord, Massachusetts, but a forbiggind, oppressive, primeval country that was "grim and wild . . .savage and dreary," fit only for "men nearer of kin to the rocks and wild animals than we." The experience left him, in the words of one biographer, "near hysterical.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
In some cases, these communities also happened to have long-standing problems with prescription drug abuse. In some parts of Appalachia, people would pair an OxyContin with a Valium—one of Richard Sackler’s pills and one of his uncle Arthur’s. They called this “the Cadillac high.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
Your own forefathers killed to have and hold the land where you were born, and sought to extinguish the memories and souls of those that were slain. What of those who prayed in the mountains of Appalachia for thousands of years? That to me is an abomination, although it is the way of men.
Bruce Lee Bond (The Broken Coast)
The average Appalachian is not, then, a white, hypermasculine coal miner facing the inevitable loss of economic strength and social status, but the average Appalachian’s worldview may be impacted by individuals with cultural capital who are constantly assuming we are all made in that image.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
Now normally I consider nostalgia to be a toxic impulse. It is the twinned, yearning delusion that (a) the past was better (it wasn’t) and (b) it can be recaptured (it can’t) that leads at best to bad art, movie versions of old TV shows, and sad dads watching Fox News. At worst it leads to revisionist, extremist politics, fundamentalist terrorism, and the victory—in Appalachia in particular—of a narcissist Manhattan cartoon maybe-millionaire
John Hodgman (Vacationland: True Stories from Painful Beaches)
I realized that I was fortunate. To be able to run freely and unencumbered on difficult trails in Appalachia was a gift. “I am living the dream. I am living the dream!” I screamed to any tree that would listen. Here I was, huffing, puffing, and whining inwardly about something I had chosen to do of my own volition, about something I had the physical ability to complete. I made a silent promise to all my family members who had mobility issues, and to those who had heart disease and diabetes, that I wouldn’t forget this. I was able. I was strong, and this little bit of suffering I could stand—for their sake.
Mirna Valerio (A Beautiful Work In Progress)
How did journalists and correspondents for the New York Times as well as scholars not catch these acts of generalizing and aggrandizing on behalf of elite readers?” she asks. “How did we trade in the breadth of diversity the region has to offer for one view? While reading Hillbilly Elegy I thought, here is how. This is how places and people become caricatures of themselves, ourselves.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
There are moments when you stand on the brink of a new experience and understand that you have no choice about it. Either you walk into the experience or you turn away from it, but you know that no matter what you choose, you will have altered your life in a permanent way. Either way, there will be consequences.
Dennis Covington (Salvation on Sand Mountain: Snake-Handling and Redemption in Southern Appalachia)
Considerable thought was given in early Congresses to the possibility of renaming the country. From the start, many people recognized that United States of America was unsatisfactory. For one thing, it allowed of no convenient adjectival form. A citizen would have to be either a United Statesian or some other such clumsy locution, or an American, thereby arrogating to ourselves a title that belonged equally to the inhabitants of some three dozen other nations on two continents. Several alternatives to America were actively considered -Columbia, Appalachia, Alleghania, Freedonia or Fredonia (whose denizens would be called Freeds or Fredes)- but none mustered sufficient support to displace the existing name.
Bill Bryson (Made in America: An Informal History of the English Language in the United States)
Music lets you write your own checks. Don't ever forget that.
Jason Jack Miller (The Devil and Preston Black (Murder Ballads and Whiskey))
Take your right hand, and give the world the middle finger. Extend your thumb. If this is West Virginia,
Emma Copley Eisenberg (The Third Rainbow Girl: The Long Life of a Double Murder in Appalachia)
Find your teachers in the voices of the forest
Rising Appalachia
Homelessness is not a race thing. It's not a gender thing. It's not a religious thing. It's not a gay or straight thing. It's not a political thing. It's not a thing, it's people.
Nellie Cake (God Saw You Kill My Two Little Friends!)
In Appalachia, everyone has a fierce granny story.
Anthony Harkins (Appalachian Reckoning: A Region Responds to Hillbilly Elegy)
In school, they tell us the Capitol was built in a place once called the Rockies. District 12 was in a region known as Appalachia.
Suzanne Collins (The Hunger Games Trilogy)
Appalachia, in fact, is a very matriarchal culture. We revere our grandmothers and mothers.
Anthony Harkins (Appalachian Reckoning: A Region Responds to Hillbilly Elegy)
Change the names and dates, and the Italian Mafia starts to look a lot like the Hatfield-McCoy dispute back in Appalachia.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
There’s not a single social problem in Appalachia, however, that can’t be found elsewhere in our country.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
Narratives of dependency conceal the uneven distribution of wealth that haunts Appalachia and indeed, much of the nation.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
Outdated theories about a culture of poverty in Appalachia, honed in the 1960s, had become popular once more thanks to Hillbilly Elegy.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
You might be asking, “Why does Hillbilly Elegy sound kind of like the Moynihan Report?” One reason is that white Appalachians became persona non grata after the War on Poverty failed.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
Ars Poetica II" I find, after all these years, I am a believer— I believe what the thunder and lightning have to say; I believe that dreams are real, and that death has two reprisals; I believe that dead leaves and black water fill my heart. I shall die like a cloud, beautiful, white, full of nothingness. The night sky is an ideogram, a code card punched with holes. It thinks it’s the word of what’s-to-come. It thinks this, but it’s only The Library of Last Resort, The reflected light of The Great Misunderstanding. God is the fire my feet are held to.
Charles Wright (Appalachia: Poems)
Deep Southerners assumed Appalachia would rally to the Confederacy because of a shared doctrine of white supremacy. Instead, Borderlanders did as they always had: they took up arms against whatever enemy they felt was the greatest threat, and fought ferociously against them. To the planters’ shock, most Appalachian people regarded them as a greater threat to their liberty than the Yankees.
Colin Woodard (American Nations: A History of the Eleven Rival Regional Cultures of North America)
More than 80 percent of Appalachia’s population identifies as white, but for the past thirty years, African American and Hispanic individuals have fueled more than half of Appalachia’s population growth.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
school, they tell us the Capitol was built in a place once called the Rockies. District 12 was in a region known as Appalachia. Even hundreds of years ago, they mined coal here. Which is why our miners have to dig so deep.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I had a collection of ideas about West Virginia, but I had a hunch that they were all gross misinformation, plus none of them agreed: coal and the end of coal. Poverty and a mansion on a stripped mountain. Pickup trucks and VW buses. OxyContin and Jesus. Mother Jones and Don Blankenship. Knobby elbows and the fattest city in America.
Emma Copley Eisenberg (The Third Rainbow Girl: The Long Life of a Double Murder in Appalachia)
In school, they tell us the Capitol was built in a place once called the Rockies. District 12 was in a region known as Appalachia. Even hundreds of years ago, they mined coal here. Which is why our miners have to dig so deep. Somehow
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Preston Black couldn't sleep the whole night through, Preston Black couldn't sleep the whole night through. He'd lay in bed 'til the morning came, but the devil'd visit him just the same. Preston Black couldn't sleep the whole night through.
Jason Jack Miller (The Devil and Preston Black (Murder Ballads and Whiskey))
As the economies of Kentucky and West Virginia lagged behind those of their neighbors, the mountains had only two products that the industrial economies of the North needed: coal and hill people. And Appalachia exported a lot of both. Precise
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
True, beneath the human façade, I was an interloper, an alien whose ship had crashed beyond hope of repair in the backwoods of Southern Appalachia—but at least I’d learned to walk and talk enough like the locals to be rejected as one of their own.
Sol Luckman (Beginner's Luke (Beginner's Luke, #1))
While traditionalism can thwart the planners and molders of industry, education, and society in general, fatalism can so stultify a people that passive resignation becomes the approved norm, and acceptance of undesirable conditions becomes the way of life.
Jack E. Weller (Yesterday's People: Life in Contemporary Appalachia)
Coal barons credited their industry with bringing order and harmony to an uncivilized place, but what actually came to the mountains was a vast system of economic exploitation, facilitated through violence and malice by both outside developers and compliant local elites.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
For many conservatives, the beauty of Elegy was not just what it said about the lot of poor white Americans, but what it implied about Black Americans as well. Conservatives believed that Elegy would make their intellectual platforming about the moral failures of the poor colorblind in a way that would retroactively vindicate them for viciously deploying the same stereotypes against nonwhite people for decades.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
It’s worth noting that although I focus on the group of people I know—working-class whites with ties to Appalachia—I’m not arguing that we deserve more sympathy than other folks. This is not a story about why white people have more to complain about than black people or any other group.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
The company town became emblematic of this new industrial order. Miners and other coal workers in West Virginia, eastern Kentucky, and southwestern Virginia—Appalachia’s historic coal fields—often lived in privately owned towns, which grew to outnumber independent and unincorporated communities.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
People in power use and recycle these strategies not because it’s enjoyable to read lurid tales of a pathological “other”—although that certainly informs part of the allure—but because they are profitable. And if you trace a flawed narrative about Appalachia back far enough, you’ll often find someone making a profit.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
Ultimately, I believe that the far right in America, at least the incarnation I spent years covering, is destined to fail. Not because America is inherently good and that the forces of justice and progress are always stronger than those of intolerance and hatred, but because white supremacy is doing just fine without the far right. The country has spent decades perfecting an ostensibly nonracial form of white supremacy, and it is serving with remarkable efficiency. Private prisons, mandatory sentencing, seemingly unchecked police power, gerrymandering, increasingly limited access to healthcare and abortion—these are all tendrils in an ingenious web designed to keep people poor and powerless. Yes, white people were caught in that web too, but when it comes to those experiencing poverty, African Americans, Native Americans, and Latinos vastly outnumber whites. The people Matthew was ostensibly fighting for—the broken, beaten, and forgotten whites of Appalachia and the Rust Belt—weren’t victims in a war against white people but rather collateral damage in a war against poor people and minorities. I believe Matthew was right when he said that the elites and politicians hate his people, but they don’t hate them because they’re white; they hate them because they’re poor.
Vegas Tenold (Everything You Love Will Burn: Inside the Rebirth of White Nationalism in America)
In the sixteenth century, Swiss chemist Paracelsus coined the adage “the dose makes the poison.” It’s a fundamental principle of toxicology: High concentrations of any substance can kill. In this case, prescription opioids were particularly deadly. The coal barons no longer ruled Appalachia. Now it was the painkiller profiteers.
Eric Eyre (Death in Mud Lick: A Coal Country Fight against the Drug Companies That Delivered the Opioid Epidemic)
My time at Parklife got me thinking about drug users who do not have access to such drug-related services and education. The amount of money required to attend a festival, especially when entrance ticket, travel, and food costs are included, is prohibitive for most. Consequently, it is not surprising that the highest drug-related mortality rates in the United States are found in regions, including Appalachia and Oklahoma, with lower rates of university completion and greater economic distress.12 Attention-grabbing headlines claiming that opioids (or any other drug) are killing people are wrong. Ignorance and poverty are killing people, just as they have for centuries.
Carl L. Hart (Drug Use for Grown-Ups: Chasing Liberty in the Land of Fear)
The idea of Appalachia is well understood; the real place, less so. It is a borderland, not truly of the South or the North, and West Virginia is the only state entirely within its bounds. Because of its enormous natural resources and their subsequent extraction, which has largely profited corporations based elsewhere, the relationship between the people of West Virginia and the broader United States of America is often compared to that between a colonized people and their colonizers. The programs of Lyndon Johnson’s War on Poverty that funneled national dollars and aid workers to central Appalachia, though founded on humanitarian ideas, also furthered this troubled interdependency.
Emma Copley Eisenberg (The Third Rainbow Girl: The Long Life of a Double Murder in Appalachia)
They travel through the heartland, past cold factories and drifty towns, to the old, old mountains slumbering east of Tennessee.
Sarah Sullivan (Passing the Music Down)
If it ran, a Bean would eat it. If it fell, a Bean would eat it.
Carolyn Chute
If it ran, a Bean would shoot it. If it fell, a Bean would eat it.
Carolyn Chute
Who is destroying the mountains of eastern Kentucky and West Virginia?...It isn't the coal companies. It's us...You did this. Okay, forget the guilt. How can we change that?
Erik Reece (Lost Mountain: A Year in the Vanishing Wilderness Radical Strip Mining and the Devastation of Appalachia)
God made Jesus who knew no sin to be sin on our behalf, that we might become the righteousness of God in Him. There is now no condemnation for those who are in Christ Jesus.
Francine Rivers (The Last Sin Eater: A Novel (A Captivating Historical Christian Fiction Story of Suffering, Seeking, and Redemption Set in Appalachia in the 1850s))
If you don't tell your story, somebody else will.
Frank X. Walker
so all you can hear is just general leaves?
Charles Frazier (Cold Mountain)
Elegies are poems dedicated to the dead. The American hillbilly(assuming we can use that word for the white working class) isn't dead; she is just poor.
Anthony Harkins (Appalachian Reckoning: A Region Responds to Hillbilly Elegy)
Yeah, but a hellbender never dies. You ever see a dead one?
Jason Jack Miller
I had grown up in the 1950s, with radio and television and Reader's Digest, and I had assumed that everyone around us was pretty much alike.
Dennis Covington (Salvation on Sand Mountain: Snake-Handling and Redemption in Southern Appalachia)
Private businesses and out-of-state landowners do not carry anything close to an equitable local tax burden, making it impossible for communities to survive, let alone thrive.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
I tried to go to a counselor, but it was just too weird. Talking to some stranger about my feelings made me want to vomit. I did go to the library...
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Appalachia, an Indian name meaning “Endless Mountains”, is well suited to the land. The Appalachians are one of the oldest mountain ranges in the world, and were at one time higher in elevation than the Himalayas are today. The territory was originally home to many of the eastern Indian tribes, including the Iroquois, the Mohicans, the Cherokee and the Shawnee.
Nancy Richmond (Appalachian Folklore Omens, Signs and Superstitions)
In the mid-1980s, the medical world wrestled with how to use the new opiates that pharmaceutical companies were developing to treat pain. David Procter was an early and aggressive adopter. He prescribed opiates for neck, leg, and lower back pain, arthritis, and lower lumbar spine pain. He combined them with benzodiazepines—anxiety relievers, of which Valium and Xanax, Procter’s favorite, are the best known. In Portsmouth, people had anxiety and they had pain. Appalachia had a long history of using benzodiazepines—dating to the release of Valium in the early 1960s. Little old ladies used it. In this part of the country, anything that relieved pain was welcome. But opiates and benzos together also led quickly to addiction.
Sam Quinones (Dreamland: The True Tale of America's Opiate Epidemic)
The lack of an integrated life meant that no part of his life recognized the treatment of black people as an important disturbance. To not remember is perhaps not to feel touched by events that don’t interfere with your livelihood. This is the reality that defines white privilege no matter how much money one has or doesn’t have. From Appalachia to Fifth Avenue, my precarity is not a reality shared.
Claudia Rankine (Just Us: An American Conversation)
If ethnicity is one side of the coin, then geography is the other. When the first wave of Scots-Irish immigrants landed in the New World in the eighteenth century, they were deeply attracted to the Appalachian Mountains. This region is admittedly huge—stretching from Alabama to Georgia in the South to Ohio to parts of New York in the North—but the culture of Greater Appalachia is remarkably cohesive.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
The youthful volunteers who staffed the anti-poverty offices and community actions programs of the Kennedy-Johnson years were, like the religious and benevolent workers of the last century, fleeing events in the lowland South, namely the rise of Black Power…the liberal television commentators and welfare bureaucrats who displayed Appalachian poverty to the nation took obvious relish in the white skins and blue eyes of the region’s hungry children.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
Finally, we entered Chetaube County, my imaginary birthplace, where the names of the little winding roads and minuscule mountain communities never failed to inspire me: Yardscrabble, Big Log, Upper, Middle and Lower Pigsty, Chicken Scratch, Cooterville, Felchville, Dust Rag, Dough Bag, Uranus Ridge, Big Bottom, Hooter Holler, Quickskillet, Buck Wallow, Possum Strut ... We always say a picture speaks a thousand words, but isn’t the opposite equally true?
Sol Luckman (Beginner's Luke (Beginner's Luke, #1))
Chemically speaking, the two drugs were closely related. In some ways, heroin had always been the benchmark for OxyContin. The tremendous potency of Oxy led to its reputation as “heroin in a pill.” When it first became popular as a recreational high in Appalachia, OxyContin acquired the nickname hillbilly heroin. So, it might have been only logical that when they could no longer count on OxyContin, people who already had an opioid use disorder would make the short segue to heroin itself.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
I wanted to tell her that masculinity, as we have traditionally conceived of it, was a disease that was killing people. Mountain Views was an important part of treating it, but it was not enough. You cannot treat women only for a disease of which men are the main carriers.
Emma Copley Eisenberg (The Third Rainbow Girl: The Long Life of a Double Murder in Appalachia)
One of those classes, a constitutional law seminar of sixteen students, became a kind of family for me. We called ourselves the island of misfit toys, as there was no real unifying force to our team—a conservative hillbilly from Appalachia, the supersmart daughter of Indian immigrants, a black Canadian with decades’ worth of street smarts, a neuroscientist from Phoenix, an aspiring civil rights attorney born a few minutes from Yale’s campus, and an extremely progressive lesbian with a fantastic sense of humor, among others—but we became excellent friends.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Indeed, the only conservative Protestants I knew who attended church regularly were my dad and his family.17 In the middle of the Bible Belt, active church attendance is actually quite low.18 Despite its reputation, Appalachia—especially northern Alabama and Georgia to southern Ohio—has far lower church attendance than the Midwest, parts of the Mountain West, and much of the space between Michigan and Montana. Oddly enough, we think we attend church more than we actually do. In a recent Gallup poll, Southerners and Midwesterners reported the highest rates of church attendance in the country. Yet actual church attendance is much lower in the South. This
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
The writing style which is most natural for you is bound to echo the speech you heard when a child. English was the novelist Joseph Conrad's third language, and much of that seems piquant in his use of English was no doubt colored by his first language, which was Polish. And lucky indeed is the writer who has grown up in Ireland, for the English spoken there is so amusing and musical. I myself grew up in Indianapolis, where common speech sounds like a band saw cutting galvanized tin, and employs a vocabulary as unornamental as a monkey wrench. In some of the more remote hollows of Appalachia, children still grow up hearing songs and locutions of Elizabethan times. Yes, and many Americans grow up hearing a language other than English, or an English dialect a majority of Americans cannot understand. All these varieties of speech are beautiful, just as the varieties of butterflies are beautiful. No matter what your first language, you should treasure it all your life. If it happens not to be standard English, and if it shows itself when you write standard English, the result is usually delightful, like a very pretty girl with one eye that is green and one that is blue. I myself find that I trust my own writing most, and others seem to trust it most, too, when I sound most like a person from Indianapolis, which is what I am. What alternatives do I have? The one most vehemently recommended by teachers has no doubt been pressed on you, as well: to write like cultivated Englishmen of a century or more ago.
Kurt Vonnegut Jr.
Not long after I began thinking about what might help the American working class get ahead, a team of economists, including Raj Chetty, published a groundbreaking study on opportunity in America. Unsurprisingly, they found that a poor kid’s chances of rising through the ranks of America’s meritocracy were lower than most of us wanted. By their metrics, a lot of European countries seemed better than America at the American Dream. More important, they discovered that opportunity was not spread evenly over the whole country. In places like Utah, Oklahoma, and Massachusetts, the American Dream was doing just fine—as good or better than any other place in the world. It was in the South, the Rust Belt, and Appalachia where poor kids really struggled. Their findings surprised a lot of people, but not me. And not anyone who’d spent any time in these areas. In
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
The tragedy of Central Appalachia is that it is becoming more marginalized in American life just when the country needs more than ever what it has to offer. At a time when the bonds of community and family are visibly failing and people feel more alone than ever, and as they are bombarded from all sides with more demands, and with more "data" that they can possibly digest, Appalachia offers a model for a less frenetic and more measured way of life. People of Appalachian descent elsewhere in the nation-and they number many millions-still feel deep ties to some Appalachian hamlet or hollow as to an ancestral homeland, though they may never have even visited it. As they make their way in the big world of getting and spending they know that something valuable has been lost for all they may have gained. That less frenetic way of life is deeply embedded in Appalachian culture, which has proved incredibly tough and enduring. Yet Appalachia has now been so thoroughly bypassed and forgotten that it cannot give, because the rest of America will not take, what could be it's greatest gift.
Harry M. Caudill (Night Comes to the Cumberlands: A Biography of a Depressed Area)
I consumed books about social policy and the working poor. One book in particular, a study by eminent sociologist William Julius Wilson called The Truly Disadvantaged, struck a nerve. I was sixteen the first time I read it, and though I didn’t fully understand it all, I grasped the core thesis. As millions migrated north to factory jobs, the communities that sprouted up around those factories were vibrant but fragile: When the factories shut their doors, the people left behind were trapped in towns and cities that could no longer support such large populations with high-quality work. Those who could—generally the well educated, wealthy, or well connected—left, leaving behind communities of poor people. These remaining folks were the “truly disadvantaged”—unable to find good jobs on their own and surrounded by communities that offered little in the way of connections or social support. Wilson’s book spoke to me. I wanted to write him a letter and tell him that he had described my home perfectly. That it resonated so personally is odd, however, because he wasn’t writing about the hillbilly transplants from Appalachia—he was writing about black people in the inner cities.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
was my first indication that the policies of Mamaw’s “party of the working man”—the Democrats—weren’t all they were cracked up to be. Political scientists have spent millions of words trying to explain how Appalachia and the South went from staunchly Democratic to staunchly Republican in less than a generation. Some blame race relations and the Democratic Party’s embrace of the civil rights movement. Others cite religious faith and the hold that social conservatism has on evangelicals in that region. A big part of the explanation lies in the fact that many in the white working class saw precisely what I did, working at Dillman’s. As far back as the 1970s, the white working class began to turn to Richard Nixon because of a perception that, as one man put it, government was “payin’ people who are on welfare today doin’ nothin’! They’re laughin’ at our society! And we’re all hardworkin’ people and we’re gettin’ laughed at for workin’ every day!”20 At around that time, our neighbor—one of Mamaw and Papaw’s oldest friends—registered the house next to ours for Section 8. Section 8 is a government program that offers low-income residents a voucher to rent housing. Mamaw’s friend had little luck renting his property, but when he qualified his house for the Section 8 voucher, he virtually assured that would change. Mamaw saw it as a betrayal, ensuring that “bad” people would move into the neighborhood and drive down property values. Despite our efforts to draw bright lines between the working and nonworking poor, Mamaw and I recognized that we shared a lot in common with those whom we thought gave our people a bad name. Those Section 8 recipients looked a lot like us. The matriarch of the first family to move in next door was born in Kentucky but moved north at a young age as her parents sought a better life. She’d gotten involved with a couple of men, each of whom had left her with a child but no support. She was nice, and so were her kids. But the drugs and the late-night fighting revealed troubles that too many hillbilly transplants knew too well. Confronted with such a realization of her own family’s struggle, Mamaw grew frustrated and angry. From that anger sprang Bonnie Vance the social policy expert: “She’s a lazy whore, but she wouldn’t be if she was forced to get a job”; “I hate those fuckers for giving these people the money to move into our neighborhood.” She’d rant against the people we’d see in the grocery store: “I can’t understand why people who’ve worked all their lives scrape by while these deadbeats buy liquor and cell phone coverage with our tax money.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Many in Richmond and Washington, DC, looked down on western Virginia, regarding it as a lawless place where poor families occupied land they didn’t own and didn’t farm, a lifestyle that was at odds with both the Puritan ideals of family and Southern aristocratic values. Something “had to be done” about this place. The Virginia government adopted a policy that anyone squatting on land in the western territories of the state could claim first rights to buy it, but if they couldn’t come up with the cash fast, they would have to either start paying rent or move on. Most families in western Virginia made their livings from the natural world or bartered; they didn’t keep money on hand. Great swaths of land were sold to rich investors in Baltimore, Philadelphia, and New York.
Emma Copley Eisenberg (The Third Rainbow Girl: The Long Life of a Double Murder in Appalachia)
it isn’t also true for a poor single Christian mom in Haiti, it isn’t true. If a sermon promises health and wealth to the faithful, it isn’t true, because that theology makes God an absolute monster who only blesses rich westerners and despises Christians in Africa, India, China, South America, Russia, rural Appalachia, inner-city America, and everywhere else a sincere believer remains poor. If it isn’t also true for a poor single Christian mom in Haiti, it isn’t true. If doctrine elevates a woman’s married-with-children status as her highest calling, it isn’t true, because that omits single believers (whose status Paul considered preferable), widows, the childless by choice or fate or loss, the divorced, and the celibate gay. If these folks are second-class citizens in the kingdom because they aren’t married with children, then God just excluded millions of people from gospel work, and I guess they should just eat rocks and die. If it isn’t also true for a poor single Christian mom in Haiti, it isn’t true. Theology is either true everywhere or it isn’t true anywhere. This helps untangle us from the American God Narrative and sets God free to be God instead of the My-God-in-a-Pocket I carried for so long. It lends restraint when declaring what God does or does not think, because sometimes my portrayal of God’s ways sounds suspiciously like the American Dream and I had better check myself. Because of the Haitian single mom. Maybe I should speak less for God. This brings me to the question at hand, another popular subject I am asked to pontificate on: What is my calling? (See also: How do I know my calling? When did you know your calling? How can I get your calling? Has God told you my calling? Can you get me out of my calling?) Ah yes, “The Calling.” This is certainly a favorite Christian concept over in these parts. Here is the trouble: Scripture barely confirms our elusive calling—the bull’s-eye, life purpose, individual mission every hardworking Protestant wants to discover. I found five scriptures, three of which referred to
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)