Apollo And Artemis Quotes

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Brother,” Artemis chided. “You do not help my Hunters. You do not look at, talk to, or flirt with my Hunters. And you do not call them sweetheart.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
He cleared his throat and held up one hand dramatically. “Green grass breaks through snow. Artemis pleads for my help. I am so cool.” He grinned at us, waiting for applause. "That last line was four syllables.” Artemis said. Apollo frowned. “Was it?” “Yes. What about I am so bigheaded?” “No, no, that’s six syllable, hhhm.” He started muttering to himself. Zoe Nightshade turned to us. “Lord Apollo has been going through this haiku phase ever since he visited Japan. Tis not as bad as the time he visited Limerick. If I’d had to hear one more poem that started with, There once was a godess from Sparta-" “I’ve got it!” Apollo announced. “I am so awesome. That’s five syllables!” He bowed, looking very pleased with himself.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Little sister!" Apollo called. If his teeth were any whiter he could've blinded us without the sun car. "What's up? You never call. You never write. I was getting worried!" Artemis sighed. "I'm fine, Apollo. And I am not your little sister." "Hey, I was born first." "We're twins! How many millennia do we have to argue—
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
This is so cool!" Nico said, jumping up and down in the driver's seat. "Is this really the sun? I thought Helios and Selene were the sun and moon gods. How come sometimes it's them and sometimes it's you and Artemis?" "Downsizing," Apollo said. "The Romans started it. They couldn't afford all those temple sacrifices, so they laid off Helios and Selene and folded their duties into our job descriptions. My sis got the moon. I got the sun. It was pretty annoying at first, but at least I got this cool car." "But how does it work?" Nico asked. "I thought the sun was a big fiery ball of gas!" Apollo chuckled and ruffled Nico's hair. "That rumor probably got started because Artemis used to call me a big fiery ball of gas.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
And now, sis. Transportation for the Hunters, you say? Good timing. I was just about ready to roll." These demigods will also need a ride," Artemis said, pointing to us. "Some of Chiron's campers." No problem!" Apollo checked us out. "Let's see... Thalia, right? I've heard all about you.". Thalia blushed. "Hi, Lord Apollo." Zues's girl. yes? Makes you my half sister. Used to be a tree didn't you? Glad your back. I hate it when pretty girls get turned into trees. Man, I remeber one time-
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Zoe ordered the Hunters to start loading. She picked up her camping pack, and Apollo said, "Here, sweetheart. Let me get that." Zoe recoiled. Her eyes flashed murderously. "Brother," Artemis chided. "You do not help my Hunters. You do not look at, talk to, or flirt with my Hunters. And you do not call them sweetheart.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
So," I (Percy) said glumly. "We're going to get a ride from your brother, huh?" Artemis's silver eyes gleamed. "Yes, boy. You see, Bianca di Angelo is not the only one with an annoying brother. It's time for you to meet my irresponsible twin, Apollo.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
I will not have them punished," Artemis said. "I will have them rewarded. If we destroy heroes who do us a great favor, then we are no better than the Titans. If this is Olympian justice, I will have none of it." Calm down, sis," Apollo said. "Jeez, you need to lighten up." Don't call me sis! I will reward them.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Father just needed someone to blame. So of course he picked the handsomest, most talented, hopelessly awesome god. Artemis made a gagging gesture.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Persephone, grant me the foresight to know when I must let go my old life to start anew. Artemis, grant me the strength of your spine when you helped deliver Apollo, your own twin. Athena, grant me the solidarity in your sinews for which you were born in all of your armour. Aphrodite, grant me the kind of heart that always follows my passions true. Andromeda grant me the wish to never fall out of love with the night sky or the glisten of it’s stars. And Hera, grant me your fury, so I can remind my enemies I am not the weakness they perceive, I am the oncoming storm, I am war.
Nikita Gill
Artemis grit her teeth. "I need a favor. I have some hunting to do, alone. I need you to take my companions to Camp Half-Blood." "Sure Sis!" then he raised his hands in a "stop everything" gesture. "I feel a haiku comIng on." The Hunters all groaned. Apparently they'd met Apollo before. He cleared his throat and held up one hand dramatically. "Green grass breaks through snow. Artemis pleads for my help. I am so awesome.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Leto had two beautiful babies—a boy named Apollo and a girl named Artemis. They were born on the seventh day of the seventh month,
Rick Riordan (Percy Jackson's Greek Gods)
People give abandonment many names to make themselves feel better. Apollo named his necessary. He called it ‘the lesser of two evils’. Artemis was more brutal. She named hers ‘freedom’.
Nikita Gill (Great Goddesses: Life Lessons from Myths and Monsters)
She does not have the power to heal as Apollo does, but she does have the capacity to turn them into something that heals itself. Warrior. Hold your monsters close. Turn them into your magic.
Nikita Gill (Great Goddesses: Life Lessons from Myths and Monsters)
Meg allowed the Hunters to grab her and Peaches. Then the Hunters slapped some sort of mechanisms on the sides of their belts and shot back up their ropes as if the laws of gravity were mere recommendations. Motorized winches, I thought, a very nice accessory. If I lived through this, I'm going to recommend that the Hunters of Artemis make T-shirts that read WENCHES WITH WINCHES. I'm sure they'll love that idea.
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
I vote, I challenge Bathymaasy and we shoot arrows at you dearest brother." Artemis Set and Bathymaas laughed. Apollo, not so much.
Sherrilyn Kenyon (Dark Bites (Dark-Hunter #22.5; Hellchaser, #0.5; Dream-Hunter, #0.5; Were-Hunter, #3.5))
My brother is the soft one. He’ll give you sunshine and sonnets. But me? I’ll use the moonshine to track you by night, and my bow and arrow to pierce your heart, and take your life.
Cambria Covell
She'd been conceived as a goddess of justice. But this wasn't just. It wasn't right. And her husband's wrongful death would not go unavenged. Kissing cold lips Bathymaas laid him on the ground and covered his body with her cloak. Artemis gasped and shrank away from her as she rose to her feet and turned towards Apollo and his mother. For this, there would be hell to pay. And hers would be the hand that gathered the payment.
Sherrilyn Kenyon (Dark Bites (Dark-Hunter #22.5; Hellchaser, #0.5; Dream-Hunter, #0.5; Were-Hunter, #3.5))
I, um…Yes.” I gazed around the room. “Is there a closet, or—?” Her laughter finally escaped. “A closet. That’s adorable. You can just wish yourself into clothes, Little Brother.” “I…ah…” I knew she was right, but I felt so flustered I even ignored her little brother comment. It had been too long since I’d relied on my divine power. I feared I might try and fail. I might accidentally turn myself into a camel. “Oh, fine,” Artemis said. “Allow me.” A wave of her hand, and suddenly I was wearing a knee-length silver dress—the kind my sister’s followers wore—complete with thigh-laced sandals. I suspected I was also wearing a tiara. “Um. Perhaps something less Huntery?” “I think you look lovely.” Her mouth twitched at the corner. “But very well.” A flash of silver light, and I was dressed in a man’s white chiton. Come to think of it, that piece of clothing was pretty much identical to a Hunter’s gown. The sandals were the same. I seemed to be wearing a crown of laurels instead of a tiara, but those weren’t very different, either. Conventions of gender were strange. But I decided that was a mystery for another time.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
So,” I said, making a second attempt at nonchalance, “are you and Thalia, er…?” Reyna raised an eyebrow. “Involved romantically?” “Well, I just…I mean…Um…” Oh, very smooth, Apollo. Have I mentioned I was once the god of poetry? Reyna rolled her eyes. “If I had a denarius for every time I got that question…Aside from the fact that Thalia is in the Hunters, and thus sworn to celibacy…Why does a strong friendship always have to progress to romance? Thalia’s an excellent friend. Why would I risk messing that up?” “Uh—” “That was a rhetorical question,” Reyna added. “I do not need a response.” “I know what rhetorical means.” I made a mental note to double-check the word’s definition with Socrates the next time I was in Greece.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
Before the succession of Deiphobe, whom Augustus often consulted, and Amalthea, who is still alive and most famous, there had been a run of very poor Sibyls for nearly 300 years. The cavern lies behind a pretty little Greek temple sacred to Apollo and Artemis – Cumae was an Aeolian Greek colony.
Robert Graves (I, Claudius)
Is this really the sun? I thought Helios and Selene were the sun and moon gods. How come sometimes it’s them and sometimes it’s you and Artemis?” “Downsizing,” Apollo said. “The Romans started it. They couldn’t afford all those temple sacrifices, so they laid off Helios and Selene and folded their duties into our job descriptions.
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
I keeled over sideways. The world turned fluffy, bleached of all color. Nothing hurt anymore. I was dimly aware of Diana’s face hovering over me, Meg and Hazel peering over the goddess’s shoulders. “He’s almost gone,” Diana said. Then I was gone. My mind slipped into a pool of cold, slimy darkness. “Oh, no, you don’t.” My sister’s voice woke me rudely. I’d been so comfortable, so nonexistent. Life surged back into me—cold, sharp, and unfairly painful. Diana’s face came into focus. She looked annoyed, which seemed on-brand for her. As for me, I felt surprisingly good. The pain in my gut was gone. My muscles didn’t burn. I could breathe without difficulty. I must have slept for decades. “H-how long was I out?” I croaked. “Roughly three seconds,” she said. “Now, get up, drama queen.” She helped me to my feet. I felt a bit unsteady, but I was delighted to find that my legs had any strength at all. My skin was no longer gray. The lines of infection were gone. The Arrow of Dodona was still in my hand, though he had gone silent, perhaps in awe of the goddess’s presence. Or perhaps he was still trying to get the taste of “Sweet Caroline” out of his imaginary mouth. I beamed at my sister. It was so good to see her disapproving I-can’t-believe-you’re-my-brother frown again. “I love you,” I said, my voice hoarse with emotion. She blinked, clearly unsure what to do with this information. “You really have changed.” “I missed you!” “Y-yes, well. I’m here now. Even Dad couldn’t argue with a Sibylline invocation from Temple Hill.” “It worked, then!” I grinned at Hazel and Meg. “It worked!” “Yeah,” Meg said wearily. “Hi, Artemis.” “Diana,” my sister corrected. “But hello, Meg.” For her, my sister had a smile. “You’ve done well, young warrior.” Meg blushed. She kicked at the scattered zombie dust on the floor and shrugged. “Eh.” I checked my stomach, which was easy, since my shirt was in tatters. The bandages had vanished, along with the festering wound. Only a thin white scar remained. “So…I’m healed?” My flab told me she hadn’t restored me to my godly self. Nah, that would have been too much to expect. Diana raised an eyebrow. “Well, I’m not the goddess of healing, but I’m still a goddess. I think I can take care of my little brother’s boo-boos.” “Little brother?” She smirked.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
For hundreds of thousands of years, I’ve spent my life inspiring others. For the first time, Artemis – someone has inspired me.
Carly Spade (Apollo (Contemporary Mythos, #2))
I try to avoid weapons that talk. I find them rude and distracting. Once, Artemis had a bow that could cuss like a Phoenician sailor.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
Look, back in the old days, ravens used to be gentle and white, like doves, okay? But they were terrible gossips. One time I was dating this girl, Koronis. The ravens found out she was cheating on me, and they told me about it. I was so angry, I got Artemis to kill Koronis for me. Then I punished the ravens for being tattletales by turning them black.” Reyna stared at me like she was contemplating another kick to my nose. “That story is messed up on so many levels.” “Just wrong,” Meg agreed. “You had your sister kill a girl who was cheating on you?” “Well, I—” “Then you punished the birds that told you about it,” Reyna added, “by turning them black, as if black was bad and white was good?” “When you put it that way, it doesn’t sound right,” I protested. “It’s just what happened when my curse scorched them. It also made them nasty-tempered flesh-eaters.” “Oh, that’s much better,” Reyna snarled. “If we let the birds eat you,” Meg asked, “will they leave Reyna and me alone?” “I—What?” I worried that Meg might not be kidding. Her facial expression did not say kidding. It said serious about the birds eating you. “Listen, I was angry! Yes, I took it out on the birds, but after a few centuries I cooled down. I apologized. By then, they kind of liked being nasty-tempered flesh-eaters. As for Koronis—I mean, at least I saved the child she was pregnant with when Artemis killed her. He became Asclepius, god of medicine!” “Your girlfriend was pregnant when you had her killed?” Reyna launched another kick at my face. I managed to dodge it, since I’d had a lot of practice cowering, but it hurt to know that this time she hadn’t been aiming at an incoming raven. Oh, no. She wanted to knock my teeth in. “You suck,” Meg agreed.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
The ivory images of the gods that followed were applauded by their particular devotees: Neptune by sailors, Mars by soldiers, Apollo and Artemis by soothsayers and hunters, Minerva by craftsmen, Bacchus and Ceres by drunks and countryfolk in town for the day. Venus and Cupid were cheered by all - who could be so dull as to deny ever being touched by any aspect, physical or otherwise, of love?
Harry Sidebottom (King of Kings (Warrior of Rome, #2))
I'd always wondered what it would be like to have a younger sibling. Sometimes I'd treated Artemis as my baby sister, since I'd been born a few minutes earlier, but that had mostly been to annoy her. With Meg, I felt as if it were actually true. I had someone who depended on me, who needed me around no matter how much we irritated each other. I thought about Hazel and Frank and the washing away of curses. I suppose that kind of love could come from many different types of relationships.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
I saw a streak of silver in the sky – a chariot pulled by reindeer, but it wasn’t Santa Claus driving. It was Artemis riding the storm, shooting shafts of moonlight into the darkness. A fiery golden comet crossed her path – maybe her brother, Apollo.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
If you could design a new structure for Camp Half-Blood what would it be? Annabeth: I’m glad you asked. We seriously need a temple. Here we are, children of the Greek gods, and we don’t even have a monument to our parents. I’d put it on the hill just south of Half-Blood Hill, and I’d design it so that every morning the rising sun would shine through its windows and make a different god’s emblem on the floor: like one day an eagle, the next an owl. It would have statues for all the gods, of course, and golden braziers for burnt offerings. I’d design it with perfect acoustics, like Carnegie Hall, so we could have lyre and reed pipe concerts there. I could go on and on, but you probably get the idea. Chiron says we’d have to sell four million truckloads of strawberries to pay for a project like that, but I think it would be worth it. Aside from your mom, who do you think is the wisest god or goddess on the Olympian Council? Annabeth: Wow, let me think . . . um. The thing is, the Olympians aren’t exactly known for wisdom, and I mean that with the greatest possible respect. Zeus is wise in his own way. I mean he’s kept the family together for four thousand years, and that’s not easy. Hermes is clever. He even fooled Apollo once by stealing his cattle, and Apollo is no slouch. I’ve always admired Artemis, too. She doesn’t compromise her beliefs. She just does her own thing and doesn’t spend a lot of time arguing with the other gods on the council. She spends more time in the mortal world than most gods, too, so she understands what’s going on. She doesn’t understand guys, though. I guess nobody’s perfect. Of all your Camp Half-Blood friends, who would you most like to have with you in battle? Annabeth: Oh, Percy. No contest. I mean, sure he can be annoying, but he’s dependable. He’s brave and he’s a good fighter. Normally, as long as I’m telling him what to do, he wins in a fight. You’ve been known to call Percy “Seaweed Brain” from time to time. What’s his most annoying quality? Annabeth: Well, I don’t call him that because he’s so bright, do I? I mean he’s not dumb. He’s actually pretty intelligent, but he acts so dumb sometimes. I wonder if he does it just to annoy me. The guy has a lot going for him. He’s courageous. He’s got a sense of humor. He’s good-looking, but don’t you dare tell him I said that. Where was I? Oh yeah, so he’s got a lot going for him, but he’s so . . . obtuse. That’s the word. I mean he doesn’t see really obvious stuff, like the way people feel, even when you’re giving him hints, and being totally blatant. What? No, I’m not talking about anyone or anything in particular! I’m just making a general statement. Why does everyone always think . . . agh! Forget it. Interview with GROVER UNDERWOOD, Satyr What’s your favorite song to play on the reed pipes?
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
Then he raised his hands in a stop everything gesture. “I feel a haiku coming on.” The Hunters all groaned. Apparently they’d met Apollo before. He cleared his throat and held up one hand dramatically. “Green grass breaks through snow. Artemis pleads for my help. I am so cool.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Still, it took all our strength to lead him out of the trees. I was reminded of the time Hephaestus and I had to wrestle the god Hypnos back to bed after he sleepwalked into Artemis’s private chambers on Mount Olympus. It’s a wonder any of us escaped without silver arrows pincushioning our posteriors.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
THE COUNCIL WAS NOTHING LIKE Jason imagined. For one thing, it was in the Big House rec room, around a Ping-Pong table, and one of the satyrs was serving nachos and sodas. Somebody had brought Seymour the leopard head in from the living room and hung him on the wall. Every once in a while, a counselor would toss him a Snausage. Jason looked around the room and tried to remember everyone’s name. Thankfully, Leo and Piper were sitting next to him—it was their first meeting as senior counselors. Clarisse, leader of the Ares cabin, had her boots on the table, but nobody seemed to care. Clovis from Hypnos cabin was snoring in the corner while Butch from Iris cabin was seeing how many pencils he could fit in Clovis’s nostrils. Travis Stoll from Hermes was holding a lighter under a Ping-Pong ball to see if it would burn, and Will Solace from Apollo was absently wrapping and unwrapping an Ace bandage around his wrist. The counselor from Hecate cabin, Lou Ellen something-or-other, was playing “got-your-nose” with Miranda Gardiner from Demeter, except that Lou Ellen really had magically disconnected Miranda’s nose, and Miranda was trying to get it back. Jason had hoped Thalia would show. She’d promised, after all—but she was nowhere to be seen. Chiron had told him not to worry about it. Thalia often got sidetracked fighting monsters or running quests for Artemis, and she would probably arrive soon. But still, Jason worried. Rachel Dare, the oracle, sat next to Chiron at the head of the table. She was wearing her Clarion Academy school uniform dress, which seemed a bit odd, but she smiled at Jason. Annabeth didn’t look so relaxed. She wore armor over her camp clothes, with her knife at her side and her blond hair pulled back in a ponytail. As soon as Jason walked in, she fixed him with an expectant look, as if she were trying to extract information out of him by sheer willpower. “Let’s come to order,” Chiron said. “Lou Ellen, please give Miranda her nose back. Travis, if you’d kindly extinguish the flaming Ping-Pong ball, and Butch, I think twenty pencils is really too many for any human nostril. Thank you. Now, as you can see, Jason, Piper, and Leo have returned successfully…more or less. Some of you have heard parts of their story, but I will let them fill you in.” Everyone looked at Jason. He cleared his throat and began the story. Piper and Leo chimed in from time to time, filling in the details he forgot. It only took a few minutes, but it seemed like longer with everyone watching him. The silence was heavy, and for so many ADHD demigods to sit still listening for that long, Jason knew the story must have sounded pretty wild. He ended with Hera’s visit right before the meeting.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Artemis was a goddess of the hunt, and also of the wild animals that she hunted.  She demonstrated the principles of conservation by being the protectress of young animals, ensuring the propagation of the species.  References were frequently made to Artemis in regard to this role.  Hence she is Artemis sovereign of all creatures,[ccxx] and Artemis Agrotera [of the wilderness], Potnia Theron [Lady of wild beasts].[ccxxi] In his manual for hunters, Xenophon describes the prayer the hunter spoke as he released the hunting hounds, "To thee thy share of this chase, Lord Apollo; and thine to thee, O Huntress Queen!"[ccxxii] As well as protecting young animals Artemis also protected their mothers, and hunting female animals could have fatal consequences.  On one occasion a hunter called Saron of Troizenos was chasing a doe when it swam into the sea.  He drowned and his body washed up at the grove of Artemis at the Phoibaian lagoon.
Sorita d'Este (Artemis: Virgin Goddess of the Sun, Moon & Hunt)
From the Heliconian Muses let us begin to sing, who hold the great and holy mount of Helicon, and dance on soft feet about the deep-blue spring and the altar of the almighty son of Cronos, and, when they have washed their tender bodies in Permessus or in the Horse's Spring or Olmeius, make their fair, lovely dances upon highest Helicon and move with vigorous feet. Thence they arise and go abroad by night, veiled in thick mist, and utter their song with lovely voice, praising Zeus the aegis-holder and queenly Hera of Argos who walks on golden sandals and the daughter of Zeus the aegis-holder bright-eyed Athene, and Phoebus Apollo, and Artemis who delights in arrows, and Poseidon the earth-holder who shakes the earth, and reverend Themis and quick-glancing Aphrodite, and Hebe with the crown of gold, and fair Dione, Leto, Iapetus, and Cronos the crafty counsellor, Eos and great Helius and bright Selene, Earth too, and great Oceanus, and dark Night, and the holy race of all the other deathless ones that are for ever. And one day they taught Hesiod glorious song while he was shepherding his lambs under holy Helicon, and this word first the goddesses said to me—the Muses of Olympus, daughters of Zeus who holds the aegis: 'Shepherds of the wilderness, wretched things of shame, mere bellies, we know how to speak many false things as though they were true; but we know, when we will, to utter true things'.
Hesiod (Theogony / Works and Days)
Gods in The Lost Hero Aeolus The Greek god of the winds. Roman form: Aeolus Aphrodite The Greek goddess of love and beauty. She was married to Hephaestus, but she loved Ares, the god of war. Roman form: Venus Apollo The Greek god of the sun, prophecy, music, and healing; the son of Zeus, and the twin of Artemis. Roman form: Apollo Ares The Greek god of war; the son of Zeus and Hera, and half brother to Athena. Roman form: Mars Artemis The Greek goddess of the hunt and the moon; the daughter of Zeus and the twin of Apollo. Roman form: Diana Boreas The Greek god of the north wind, one of the four directional anemoi (wind gods); the god of winter; father of Khione. Roman form: Aquilon Demeter The Greek goddess of agriculture, a daughter of the Titans Rhea and Kronos. Roman form: Ceres Dionysus The Greek god of wine; the son of Zeus. Roman form: Bacchus Gaea The Greek personification of Earth. Roman form: Terra Hades According to Greek mythology, ruler of the Underworld and god of the dead. Roman form: Pluto Hecate The Greek goddess of magic; the only child of the Titans Perses and Asteria. Roman form: Trivia Hephaestus The Greek god of fire and crafts and of blacksmiths; the son of Zeus and Hera, and married to Aphrodite. Roman form: Vulcan Hera The Greek goddess of marriage; Zeus’s wife and sister. Roman form: Juno Hermes The Greek god of travelers, communication, and thieves; son of Zeus. Roman form: Mercury Hypnos The Greek god of sleep; the (fatherless) son of Nyx (Night) and brother of Thanatos (Death). Roman form: Somnus Iris The Greek goddess of the rainbow, and a messenger of the gods; the daughter of Thaumas and Electra. Roman form: Iris Janus The Roman god of gates, doors, and doorways, as well as beginnings and endings. Khione The Greek goddess of snow; daughter of Boreas Notus The Greek god of the south wind, one of the four directional anemoi (wind gods). Roman form: Favonius Ouranos The Greek personification of the sky. Roman form: Uranus Pan The Greek god of the wild; the son of Hermes. Roman form: Faunus Pompona The Roman goddess of plenty Poseidon The Greek god of the sea; son of the Titans Kronos and Rhea, and brother of Zeus and Hades. Roman form: Neptune Zeus The Greek god of the sky and king of the gods. Roman form: Jupiter
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
The Parthenon was 228 feet long by 101 broad, and 64 feet high; the porticoes at each end had a double row of eight columns; the sculptures in the pediments were in full relief, representing in the eastern the Birth of Athene, and in the western the Struggle between that goddess and Poseidon, whilst those on the metopes, some of which are supposed to be from the hand of Alcamenes, the contemporary and rival of Phidias, rendered scenes from battles between the Gods and Giants, the Greeks and the Amazons, and the Centaurs and Lapithæ. Of somewhat later date than the Parthenon and resembling it in general style, though it is very considerably smaller, is the Theseum or Temple of Theseus on the plain on the north-west of the Acropolis, and at Bassæ in Arcadia is a Doric building, dedicated to Apollo Epicurius and designed by Ictinus, that has the peculiarity of facing north and south instead of, as was usual, east and west. Scarcely less beautiful than the Parthenon itself is the grand triple portico known as the Propylæa that gives access to it on the western side. It was designed about 430 by Mnesicles, and in it the Doric and Ionic styles are admirably combined, whilst in the Erectheum, sacred to the memory of Erechtheus, a hero of Attica, the Ionic order is seen at its best, so delicate is the carving of the capitals of its columns. It has moreover the rare and distinctive feature of what is known as a caryatid porch, that is to say, one in which the entablature is upheld by caryatides or statues representing female figures. Other good examples of the Ionic style are the small Temple of Niké Apteros, or the Wingless Victory, situated not far from the Propylæa and the Parthenon of Athens, the more important Temple of Apollo at Branchidæ near Miletus, originally of most imposing dimensions, and that of Artemis at Ephesus, of which however only a few fragments remain in situ. Of the sacred buildings of Greece in which the Corinthian order was employed there exist, with the exception of the Temple of Jupiter at Athens already referred to, but a few scattered remains, such as the columns from Epidaurus now in the Athens Museum, that formed part of a circlet of Corinthian pillars within a Doric colonnade. In the Temple of Athena Alea at Tegea, designed by Scopas in 394, however, the transition from the Ionic to the Corinthian style is very clearly illustrated, and in the circular Monument of Lysicrates, erected in 334 B.C. to commemorate the triumph of that hero's troop in the choric dances in honour of Dionysos, and the Tower of the Winds, both at Athens, the Corinthian style is seen at its best. In addition to the temples described above, some remains of tombs, notably that of the huge Mausoleum at Halicarnassus in memory of King Mausolus, who died in 353 B.C., and several theatres, including that of Dionysos at Athens, with a well-preserved one of larger size at Epidaurus, bear witness to the general prevalence of Doric features in funereal monuments and secular buildings, but of the palaces and humbler dwelling-houses in the three Greek styles, of which there must have been many fine examples, no trace remains. There is however no doubt that the Corinthian style was very constantly employed after the power of the great republics had been broken, and the Oriental taste for lavish decoration replaced the love for austere simplicity of the virile people of Greece and its dependencies. CHAPTER III
Nancy R.E. Meugens Bell (Architecture)
Zeus turned the sky black, commanding dozens of explosive lightning strikes that filled the plain with ear-splitting thunder and sent thick smoke curling into the air from the fires left in their stead. Poseidon drove his glowing trident into the ground, opening gaping rifts that swallowed everyone in their path. Ares mercilessly wielded his sword, slashing through human after human, leaving his hands and armour dripping with blood. Athena whirled her spear around, skewering anyone who came too close. Apollo’s hands glowed, sunlight bursting from his outstretched palms, blinding and scorching everyone within twenty feet. Artemis fired off arrows while commanding an army of ferocious beasts that used their pointed teeth and enormous talons to maim and kill their victims. Aphrodite bewitched males with pink mist she blew from her mouth, forcing them to turn on their allies. And Hera threw crackling white fireballs, incinerating the humans they collided with.
Sarah A. Vogler (Poseidon's Academy (Book 1))
You know, I’m kind of hungry. Do you think maybe I could get a little food?” Wendlynn’s face lit up before he bowed deeply. “It would be the greatest honor of my life to bring you some nourishment.” I arched an eyebrow at him. That would make for a very sad life. “Great.
Riley D. Brady (The Key of Apollo (The Gates of Artemis #1))
There,’ I said. ‘Happy?’ Meg did not appear happy. Nevertheless, she returned the bow to its place. ‘Fine,’ she said. ‘But you’d better have my back.’ I had never understood that expression. It made me think of the KICK ME signs Artemis used to tape to my toga during festival days. Still, I nodded. ‘Your back shall be had.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
But, Apollo! You are divine! You cannot commit murder. Any death you cause is the will of the gods and entirely beyond reproach. It would be an honor if you killed me! I like the way you think, good reader. It’s true I had laid waste to whole cities with my fiery arrows. I had inflicted countless plagues upon humanity. Once Artemis and I slew a family of twelve because their mama said something bad about our mama. The nerve! None of that did I consider murder. But as I stumbled to the bathroom, ready to vomit into a toilet I had cleaned just yesterday, dreadful memories consumed me. I found myself in ancient Rome on a cold winter day when I truly did commit a terrible act. A bitter wind swept through the palace halls. Fires guttered in the braziers. The faces of the praetorian guards betrayed no sign of discomfort, but as I passed them at every doorway, I could hear their armor clattering as they shivered.
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
thirteen full-body statues arranged in a loose circle around the room. One for each member of the Thirteen, the group that rules Olympus. I name them off silently as my gaze skips over each one—Zeus, Poseidon, Hera, Demeter, Athena, Ares, Dionysus, Hermes, Artemis, Apollo, Hephaestus, Aphrodite—before turning back to face the final statue. This one is covered in a black cloth that pours over it, spilling down to pool on the floor at its feet. Even still, it’s impossible to miss the wide-set shoulders, the spiky crown that adorns his head. My fingers itch to grab the fabric and rip it away so I can finally see his features once and for all. Hades.
Katee Robert (Neon Gods (Dark Olympus, #1))
We need to climb that. The phoenix’s nest we’re looking for is up there.” “So let me get this straight, we need to walk for a little while longer and then climb a giant hill while avoiding gorgons, basilisks, and overprotective dragons?” “Along with some plants that will kill you if they think you’re a threat, and about half a dozen more lethal creatures, not to mention the bugs.” He shuddered. “Yet again, you bring great joy to those around you, Gnobly,” I said. He nodded solemnly. “I try.
R.D. Brady (The Key of Apollo (The Gates of Artemis #1))
Meg hesitated. Still sniffling, she rose from her cot and trudged toward me. She fell into my hug like I was a comfy mattress. I grunted, surprised by how solid and heavy she was. She smelled of apple peels and mud, but I didn’t mind. I didn’t even mind the mucus and tears soaking my shoulder. I’d always wondered what it would be like to have a younger sibling. Sometimes I’d treated Artemis as my baby sister, since I’d been born a few minutes earlier, but that had been mostly to annoy her. With Meg, I felt as if it were actually true. I had someone who depended on me, who needed me around no matter how much we irritated each other. I thought about Hazel and Frank and the washing away of curses. I supposed that kind of love could come from many different types of relationships.
Rick Riordan (The Tyrant's Tomb (The Trials of Apollo, #4))
Did he see?” I wondered because, if they fought, then Apollo would have had to see the cowardly thief Artemis talked about. “He did,” she said now, sipping on her tea slowly. “He saw. And once we get to him down there, we’ll know exactly who’s behind all of this. I’ll know exactly whom to hunt down.” The grin on her face was downright scary. Easy to see that she was a predator, even with a soft beauty like hers. So easy to see how she would rip you apart piece by piece—not only without hesitation or an ounce of guilt, but she would enjoy it, too. “Why haven’t you gotten him out yet?” I wondered. If this had happened a thousand years ago—give or take a couple hundred, she said—why was Apollo not out of the portal yet? At that, Artemis flinched, then put the cup down on the table. “Because we can’t get through the daemons,” she told me.
D.N. Hoxa (The Elysean Illusion (The Holy Bloodlines Book 3))
They were born on the seventh day of the seventh month, when Leto was seven months pregnant, so their holy number was thirteen. (Just kidding. It was seven)
Rick Riordan (Percy Jackson's Greek Gods)
And the bobcat won.
R.D. Brady (The Key of Apollo (The Gates of Artemis #1))
There is a history to art, I've learned. Religion. Philosophy. Myth. Photography. I am reading about them. But there are chapters, whole books, missing. I see the stories of women, but they are always stuck inside the stories of men. Why is that?... I pull down from the shelves a book of world mythology and my sadness grows. Artemis, why the paler sister of Apollo, whom she brought through blood into the world from her mother's womb with her own hands? I turn to the section about my part of the world, and in the mythology of my so-called people--the goddesses--what use are they? Why did I ever like these stories? What is Gabija, goddess of fire, who protects against unclean people? I do not need this protection. It is a trick to place fear there. What use is Laima, goddess of fate, luck, childbirth, marriage, and death, if she keeps women inside the house, away from the open space of the world? Saule--saint of orphans, symbol of the sun...who cannot teach me what the fire inside me is. Who would have me put it out, or give it to a man? Still, I have torn pictures of them all from books and pasted them next to my own paintings in the barn, hoping for company. Though I find it hard to trust them. I wonder about what they want.
Lidia Yuknavitch (The Small Backs of Children)
Artemis was one of the most widely venerated of the Ancient Greek deities. Her Roman equivalent was Diana. Some scholars believe that the name, and indeed the goddess herself, was originally pre-Greek. Homer refers to her as Artemis Agrotera, Potnia Theron: “Artemis of the wildland, Mistress of Animals”. In the classical period of Greek mythology, Artemis was often described as the daughter of Zeus and the twin sister of Apollo. She was the Hellenic goddess of the hunt, wild animals, wilderness, childbirth, virginity and protector of young girls, bringing and relieving disease in women; she was depicted as a huntress carrying aBow and Arrow. The wolves, deer, and the cypress were sacred to her. In later Hellenistic times, she even assumed the ancient role of Eileithyia in aiding childbirth.
Summer Lee (The Coins of Judas (A Biblical Adventure #6))
They named supernatural culprits, and traced their actions to enmities in heaven. Artemis was hostile to Pan, Earth to Apollo, virgin Athena to loving Aphrodite.... Because the gods were `present' and manifest, it was necessary to ask them about [things] which might concern them. Otherwise, they might be `unpropitious'.... The old compound of awe and intimacy was still alive. (Pagans and Christians, Penguin, 1988, pp. 236-37)
N.T. Wright (Following Jesus)
Artemis let her head fall back, her eyes closed, her lips suddenly trembling. Apollo dying. “Please. Please, Maximus. I’ll refrain from provoking you anymore. I’ll stay in the shadows with my stockings and shoes on and never swim in your pond again, never disturb you again, only please do this one thing, I beg you. Save my brother.
Elizabeth Hoyt (Duke of Midnight (Maiden Lane, #6))
One for each member of the Thirteen, the group that rules Olympus. I name them off silently as my gaze skips over each one—Zeus, Poseidon, Hera, Demeter, Athena, Ares, Dionysus, Hermes, Artemis, Apollo, Hephaestus, Aphrodite—before turning back to face the final statue.
Katee Robert (Neon Gods (Dark Olympus, #1))
Jin sipped his coffee and made a face. I’ve seen it before. Earthers hate our coffee. Physics dictates that it tastes like shit. Earth’s air is 20 percent oxygen. The rest is stuff human bodies don’t need like nitrogen and argon. So Artemis’s air is pure oxygen at 20 percent Earth’s air pressure. That gives us the right amount of oxygen while minimizing pressure on the hulls. It’s not a new concept—it goes back to the Apollo days. Thing is, the lower the pressure, the lower the boiling point of water.
Andy Weir (Artemis)
But
Riley D. Brady (The Key of Apollo (The Gates of Artemis #1))