Dusty Rose Quotes

We've searched our database for all the quotes and captions related to Dusty Rose. Here they are! All 67 of them:

And the purple parted before it, snapping back like skin after a slash, and what it let out wasn't blood but light: amazing orange light that filled her heart and mind with a terrible mixture of joy, terror, and sorrow. No wonder she had repressed this memory all these years. It was too much. Far too much. The light seemed to give the fading air of evening a silken texture, and the cry of a bird struck her ear like a pebble made of glass. A cap of breeze filled her nostrils with a hundred exotic perfumes: frangipani, bougainvillea, dusty roses, and oh dear God, night-blooming cereus... And rising above one horizon came the orange mansion of the moon, bloated and burning cold, while the sun sank below the other, boiling in a crimson house of fire. She thought that mixture of furious light would kill her with its beauty.
Stephen King (Lisey's Story)
Martie came out of the office first, smiling prettily, and Dusty rose to greet her, smiling less prettily, and Dr. Ahriman entered the waiting room behind her, smiling paternally, and maybe Dusty smiled a little more prettily when he saw the psychiatrist, because the man virtually radiated competence and compassion and confidence and all sorts of good stuff.
Dean Koontz (False Memory)
In the country neighbor­hood thereabouts, along the dusty roads, one found at intervals the prettiest little cottage homes, snug and cozy, and so cobwebbed with vines snowed thick with roses that the doors and windows were wholly hidden from sight-sign that these were deserted homes, forsaken years ago by defeated and disap­pointed families who could neither sell them nor give them away.
Mark Twain (The $30,000 Bequest and Other Stories)
Nothing good comes easily. You have to lose things you thought you loved, give up things you thought you needed. You have to get over yourself, beyond your past, out from under the weight of your future. The good stuff never comes when things are easy. It comes when things are all heavily weighted down like moving trucks. It comes just when you think it never will, like a shimmering Las Vegas rising up out of the dry desert, sparkling and humming with energy, a blessing that rose up out of a bone-dry, dusty curse.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
After a while a three-quarter moon eased up over the treeline and the dusty road went white as milk, Rorshach patches of grass bleeding through the white dust that rose and subsided with Boyd's footfalls.
William Gay (Provinces of Night)
And on the endless dusty ribbon of the highway, on sunken roads vaulted over by branches, on paths between stands of grain that rose to his knees, the sun on his shoulders and the morning air in his nostrils, his heart full of the night's bliss, his spirit at peace and his flesh content, he would ride on his way ruminating his happiness, like someone who keeps savoring, hours later, the fragrance of the truffles he has eaten for dinner.
Gustave Flaubert (Madame Bovary)
It is poetic and lyrical; words that spill forth like cool waters into the dusty dry rock bed of the Soul desiring love. It has been said that I’ve lived in the desert all my life and do not know what it means to be wet.
H Raven Rose (Liquid Me: Poetry and Prose)
Be the man who has the spirit of a ruthless tiger, ravaging every dusty corner of my soul. Be the man for whom I will tame myself voluntarily.. Be the man who can make me forget my birth date in moments of utter dellusion. Be the man whose arms are my harbor, whose lips are my shore, and whose name is my only salvation. Be the man who erases my past and draws my future with trails of roses and kisses. Be the man who makes me sigh behind the windows of Poetry, longing to be written. Be the man whose cigarette's ashes are confounded with mine. Be the man whose voice moves mountains inside me. Be the man whose eyes devour the innocence within me with every piercing glance. Be the man for whom I will transform exceptions into rules. Be the man who will dare to tear this poem from my hands. The man who will rewrite with the uncertainty of the futur every single one of my verses.
Malak El Halabi
We cleave our way through the mountains until the interstate dips into a wide basin brimming with blue sky, broken by dusty roads and rocky saddles strung out along the southern horizon. This is our first real glimpse of the famous big-sky country to come, and I couldn't care less. For all its grandeur, the landscape does not move me. And why should it? The sky may be big, it may be blue and limitless and full of promise, but it's also really far away. Really, it's just an illusion. I've been wasting my time. We've all been wasting our time. What good is all this grandeur if it's impermanent, what good all of this promise if it's only fleeting? Who wants to live in a world where suffering is the only thing that lasts, a place where every single thing that ever meant the world to you can be stripped away in an instant? And it will be stripped away, so don't fool yourself. If you're lucky, your life will erode slowly with the ruinous effects of time or recede like the glaciers that carved this land, and you will be left alone to sift through the detritus. If you are unlucky, your world will be snatched out from beneath you like a rug, and you'll be left with nowhere to stand and nothing to stand on. Either way, you're screwed. So why bother? Why grunt and sweat and weep your way through the myriad obstacles, why love, dream, care, when you're only inviting disaster? I'm done answering the call of whippoorwills, the call of smiling faces and fireplaces and cozy rooms. You won't find me building any more nests among the rose blooms. Too many thorns.
Jonathan Evison (The Revised Fundamentals of Caregiving)
It is strange what weather we have had all this winter; no cold at all; but the ways are dusty, and the flyes fly up and down, and the rose-bushes are full of leaves, such a time of the year as was never known in this world before here.
Samuel Pepys (The Diary Of Samuel Pepys)
Moving forward quietly to Jerott’s side, Adam Blacklock had heard. ‘Don’t you understand? The authorities are afraid of them both,’ he said gently. ‘Why do you supose this cordon is here, which only an unarmed girl was allowed to pass through? Lymond, loyal to Scotland, might be a threat to French power greater than even Gabriel, one of these days—Philippa!’ And a wordless shout, like a cry at a cockfight, rose among the stone pillars and sank muffled into the old, dusty banners above the choir roof. For Philippa Somerville, who believed in action when words were not enough, had leaned over and snatched the knife from Lymond’s left hand.
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
It started to rain suddenly and ferociously as they pulled up in front of Rose’s house. A mist covered the truck. It was as if a fire hose had opened up on the dusty, dry earthen roads. The smell of moist earth and damp, pungent flowering trees gave off the last bit of heat from the former Carolina summer sun of a few minutes ago. Now cooled suddenly by the rainwater, an immediate fog to rose off the hot metal of the truck and the soil. It was impossible to see more than a few feet in the formidable rain and sudden fog. Rose pulled Carmen to her and wrapped herself around her, one hand playing around through her T as she kissed her, one hand pushing gently at her pants.
Cassandra Barnes (Secret Love (Carmen & Rose: A Love to Remember #1))
Sometimes I can hear her pacing back and forth, a heavy step and then a light one, and the soft tap of her cane on the dusty-rose carpet.
Margaret Atwood (The Handmaid's Tale)
The path remained steady for a time before dwindling down to dusty silt. The sky opened above as trees fell away on either side. To their right, the land dipped down into a tiny, almost impossibly beautiful valley. A stream ran through its lowest point, its bank lined in pink lupine. Before that, tall, dark green grass sparkled with white flashes in the sunlight. Late season dandelions and breathy, tiny white flowers on slender stems were avoided by bees, while purple thistles and asters thronged with them. "I could do with a little bit of a break," she said, looking longingly at the soft, moss-covered braes above the tinkling water. The prince made a big show of cautiously surveying the scene. Aurora Rose hid a smile. Nothing seemed harmful. "All right," he finally said. "My face could definitely do with a wash. Feels all dusty." They stepped down into the quiet valley that smelled like all of summer crushed into a single flower.
Liz Braswell (Once Upon a Dream)
pink chiffon dress went down the aisle. Violet in the lilac gown followed. The bouquets she’d crafted for the bridesmaids were a mass of spring flowers: blue hydrangeas, soft purple roses, yellow carnations, pale pink peonies and the soft silvery-green foliage of dusty miller added a bit of shimmer. Each bouquet had a coordinating satin colored ribbon to match the attendant’s
Ellen Dugan (Magick & Magnolias (Legacy of Magick #9))
the day is sunny. I wonder whether or not the Commander’s Wife is in the sitting room. She doesn’t always sit. Sometimes I can hear her pacing back and forth, a heavy step and then a light one, and the soft tap of her cane on the dusty-rose carpet.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
I follow her into a storeroom at the back of the shop and catch my breath when I see the bouquets she has made for the shoot. I've seen a lot of wedding flowers, but nothing like these. There are soft apricot roses with dusty-blue delphiniums, creamy-white peonies with miniature pink alliums. Waxy green orchids with deep purple irises. A phone rings in the shop and she excuses herself and goes back outside to answer it. I bend down and pick up a pretty tumble of glossy green ivy and pale purple bells on slender stems. The flowers have a delicate scent, something elusive between hyacinth and freesia.
Ella Griffin (The Flower Arrangement)
Down the street, tree branches strung in purple Halloween lights began to shudder and sway. Dusty whirlwinds rose from the ground, and from the north came a great rush of wind. From Congo Square, she thought. Where the slaves danced and sang. "...and St. Louis Cemetery," whispered in her ear. The wind blew as cold as the icy breath of Lake Superior. Blowing veins seizured round the wrought iron gate. Yet the music continued. The only one oblivious to the sudden shift in the air--as if she were expecting it--was Angelique, who continued her dance, face to the sky. As though nothing had changed, though everything had.
Eve Wallinga (The Voodoo Breast: A Novel of Healing)
And don’t forget, the Son of God himself spent his entire life on earth far from the mountaintop. . . . He was persecuted and punished by a “mountain king” named Pilate and executed next to a thief. When he rose, he appeared not to Caesar but to a small band of ordinary men and women who would become martyrs, not rulers. Christ prevailed . . . not by fighting from the commanding power of the heights, but by fighting from “utterly different terrain.” When scripture calls Christians to “take up your cross and follow me,” it’s declaring . . . that “our mountain is Golgotha”—the dusty Israeli hill where Christ was crucified.
Jon Ward (Testimony: Inside the Evangelical Movement That Failed a Generation)
How about whatever song comes on next, that’s our song. It’ll be fate.” “We can’t just make our own fate.” “Sure we can.” Peter reaches over to turn on the radio. “Wait! Just any radio station? What if it’s not a slow song?” “Okay so we’ll put on Lite 101.” Peter hits the button. “Winnie the Pooh doesn’t know what to do, got a honey jar stuck on his nose,” a woman croons. Peter says, “What the hell?” as I say, “This can’t be our song.” “Best out of three?” he suggests. “Let’s not force it. We’ll know it when we hear it, I think.” “Maybe we’ll hear it at the prom,” Peter offers. “Oh, that reminds me. What color is your dress? My mom’s going to ask her florist friend to make your corsage.” “It’s dusty pink.” It came in the mail yesterday, and when I tried it on for everybody, Trina said it was “the most Lara Jean” dress she’d ever seen. I texted a picture to Stormy, who wrote back, “Ooh-la-la,” with a dancing woman emoji. “What the heck is dusty pink?” Peter wants to know. “It’s like a rose gold color.” Peter still looks confused, so I sigh and say, “Just tell your mom. She’ll know.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
You’ll get all dusty.” He made a sound deep in his throat. “You can brush me off.” She grinned wickedly. “Now that’s what I call incentive!” He chuckled. “Cut it out. We’ve got a serious and sensitive situation here.” “So you intimated on the phone.” She glanced around the airport. “Where’s baggage claim? I brought some tools and electronic equipment, too.” “How about clothes?” She stared at him blankly. “What do I need with a lot of clothes cluttering up my equipment case? These are wash-and-wear.” He made another sound. “You can’t expect to go to a restaurant in that!” “Why not? And who’s taking me to any restaurant?” she demanded. “You never do.” He shrugged. “I’m going to do penance while we’re out here.” Her eyes sparkled. “Great! Your bed or mine?” He laughed in spite of himself. She was the only person in his life who’d ever been able to make him feel carefree, even briefly. She lit fires inside him, although he was careful not to let them show too much. “You never give up, do you?” “Someday you’ll weaken,” she assured him. “And I’m prepared. I have a week’s supply of Trojans in my fanny pack…” He managed to look shocked. “Cecily!” She shrugged. “Women have to think about these things. I’m twenty-three, you know.” She added, “You came into my life at a formative time and rescued me from something terrible. Can I help it if you make other potential lovers look like fried sea bass by comparison?” “I didn’t bring you out here to discuss your lack of lovers,” he pointed out. “And here I hoped you were offering yourself up as an educational experience,” she sighed. He glared down at her as they walked toward baggage claim. “Okay,” she said glumly. “I’ll give up, for now.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Hero soon lost interest in the conversation, and left her chair to go and look out of the window into the busy street. When the Viscount at last rose to go she was employed in drawing faces on the dusty window-panes. 'If ever I saw such a troublesome chit!' exclaimed Sherry. 'Now look at your glove! What's more, I dare say Stoke don't like to have his windows looking like that.' Mr. Stoke, watching in some amusement her ladyship's conscience-stricken scrutiny of one dirty finger-tip, said that he thought her window sketches brightened the room, and earned a grateful smile.
Georgette Heyer (Friday's Child)
Farragut's first visitor was his wife. He was raking leaves in yard Y when the PA said that 734-508-32 had a visitor. He jogged up the road past the firehouse and into the tunnel. It was four flights up to cellblock F. "Visitor," he said to Walton, who let him into his cell. He kept his white shirt prepared for visits. It was dusty. He washed his face and combed his hair with water. "Don't take nuttin but a handkerchief," said the guard. "I know, I know, I know...." Down he went to the door of the visitor's room, where he was frisked. Through the glass he saw that his visitor was Marcia. There were no bars in the visitor's room, but the glass windows were chicken-wired and open only at the top. A skinny cat couldn't get in or out, but the sounds of the prison moved in freely on the breeze. She would, he knew, have passed three sets of bars - clang, clang, clang - and waited in an anteroom where there were pews or benches, soft-drink engines and a display of the convict's art with prices stuck in the frames. None of the cons could paint, but you could always count on some wet-brain to buy a vase of roses or a marine sunset if he had been told that the artist was a lifer. There were no pictures on the walls of the visitor's room but there were four signs that said: NO SMOKING, NO WRITING, NO EXCHANGE OF OBJECTS, VISITORS ARE ALLOWED ONE KISS.
John Cheever (Falconer)
He did not know how much time passed. He got up, ripped the canvas off the frame, threw it into a corner, and put on a new one. He mixed some paints, sat down, and began work. One starts with a hopeless struggle to follow nature, and everything goes wrong; one ends by calmly creating from one’s palette, and nature agrees with it and follows. On croit que j’imagine—ce n’est pas vrai—je me souviens. It was just as Pietersen had told him in Brussels; he had been too close to his models. He had not been able to get a perspective. He had been pouring himself into the mould of nature; now he poured nature into the mould of himself. He painted the whole thing in the colour of a good, dusty, unpeeled potato. There was the dirty, linen table cloth, the smoky wall, the lamp hanging down from the rough rafters, Stien serving her father with steamed potatoes, the mother pouring the black coffee, the brother lifting a cup to his lips, and on all their faces the calm, patient acceptance of the eternal order of things. The sun rose and a bit of light peered into the storeroom window. Vincent got up from his stool. He felt perfectly calm and peaceful. The twelve days’ excitement was gone. He looked at his work. It reeked of bacon, smoke, and potato steam. He smiled. He had painted his Angelus. He had captured that which does not pass in that which passes. The Brabant peasant would never die.
Irving Stone (Lust For Life)
From blossoms comes this brown paper bag of peaches we bought from the boy at the bend in the road where we turned toward signs painted Peaches. From laden boughs, from hands, from sweet fellowship in the bins, comes nectar of the roadside, succulent peaches we devour, dusty skin and all, comes the familiar dust of summer, dust we eat. O, to take what we love inside, to carry within us an orchard, to eat not only the skin, but the shade, not only the sugar, but the days, to hold the fruit in our hands, adore it, then bite into the round jubilance of peach. There are days we live as if death were nowhere in the background; from joy to joy to joy, from wing, from blossoms to blossom to impossible blossom, to sweet impossible blossom.
Li-Young Lee (Rose)
I will never grow tired of the scent of lavender in my kitchen," Elsie had said, pressing her herb-infused fingers to her face. "It smells of contentment, doesn't it?" Contentment was a hard thing to come by for Elsie, so any mention of it had made hope blossom inside Nellie's chest. Elsie began to sing, and Nellie joined in- their voices blending as pleasantly in the small kitchen as the lemon rind and lavender buds within the muffin mixture. Their frequent cooking sessions in those days weren't only an education in home economics; they were also a housewifery training program passed from mother to daughter. Elsie taught Nellie how to make her own bread yeast, and why one should add a dash of oatmeal to soups (to thicken it), and how vinegar keeps boiling cauliflower pristinely white. And underpinning those lessons was Elsie's wish for Nellie to marry a good man, unlike the one she herself committed to. They lived modestly, without luxuries, but Elsie's love for Nellie was as bountiful as her gardens. "You have been my greatest joy," Elsie would murmur to Nellie when she tucked her into bed, kissing her on the forehead, on her cheeks, her eyelids, smelling of roses and dusty baking flour. "My greatest joy.
Karma Brown (Recipe for a Perfect Wife)
I have cancer,” Agnes announced. She hadn’t been able to contain her rage after all. She didn’t expect it to come out that way—it just had. Her hands rose to the sides of her rib cage, a gesture left over from when there had been drains there. “You got the flowers we sent?” He’d been coming straight toward her but stopped, as if she’d announced a contagion. “Probably. Did I write a note?” He laughed. “Probably! How did this happen, though?” He shifted gears, stepped closer to her, looked her in the eye, and asked—intimately, wittily—“Have you been smoking, Cousin Nessie?” “Wouldn’t that be nice!” “Yes. I’d love to myself. I always say I’ll pick it up again at eighty. But you are eighty!” “And now I’m saying I’ll start at ninety.” “Oh, is that how it goes? I don’t know if I’ll last that long.” “That makes two of us.” His face crumpled. A little boy again. “Oh come on, Archie, if you can’t laugh at death, what can you laugh at?” She gave him a light punch on the arm. “I’ll be lucky to live to the age you are now,” he said awkwardly. “Yes. It is fortunate. Everything becomes very clear.” “But you still feel young, don’t you?” “Are you kidding? I feel old as the hills and twice as dusty, as my mother would say.” “You better come see the view immediately, in that case.” He hovered his hand under her elbow and moved her forward.
Alice Elliott Dark (Fellowship Point)
I jumped then. It seemed I heard a child laugh. My imagination, of course. And then, when I should have known better, I headed for the closet and the high and narrow door at the very back end and the steep and narrow dark stairs. A million times I’d ascended these stairs. A million times in the dark, without a candle, or a flashlight. Up into the dark, eerie, gigantic attic, and only when I was there did I feel around for the place where Chris and I had hidden our candles and matches. Still there. Time did stand still in this place. We’d had several candle holders, all of pewter with small handles to grasp. Holders we’d found in an old trunk along with boxes and boxes of short, stubby, clumsily made candles. We’d always presumed them to be homemade candles, for they had smelled so rank and old when they burned. My breath caught! Oh! It was the same! The paper flowers still dangled down, mobiles to sway in the drafts, and the giant flowers were still on the walls. Only all the colors had faded to indistinct gray—ghost flowers. The sparkling gem centers we’d glued on had loosened, and now only a few daisies had sequins, or gleaming stones, for centers. Carrie’s purple worm was there only now he too was a nothing color. Cory’s epileptic snail didn’t appear a bright, lopsided beach ball now, it was more a tepid, half-rotten squashy orange. The BEWARE signs Chris and I had painted in red were still on the walls, and the swings still dangled down from the attic rafters. Over near the record player was the barre Chris had fashioned, then nailed to the wall so I could practice my ballet positions. Even my outgrown costumes hung limply from nails, dozens of them with matching leotards and worn out pointe shoes, all faded and dusty, rotten smelling. As in an unhappy dream I was committed to, I drifted aimlessly toward the distant schoolroom, with the candelight flickering. Ghosts were unsettled, memories and specters followed me as things began to wake up, yawn and whisper. No, I told myself, it was only the floating panels of my long chiffon wings . . . that was all. The spotted rocking-horse loomed up, scary and threatening, and my hand rose to my throat as I held back a scream. The rusty red wagon seemed to move by unseen hands pushing it, so my eyes took flight to the blackboard where I’d printed my enigmatic farewell message to those who came in the future. How was I to know it would be me? We lived in the attic, Christopher, Cory, Carrie and me— Now there are only three. Behind the small desk that had been Cory’s I scrunched down, and tried to fit my legs under. I wanted to put myself into a deep reverie that would call up Cory’s spirit that would tell me where he lay.
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
Christopher’s attention was brought back abruptly to the little wild thing he had caught. In a frenzied effort to gain her release, she clawed his face with raking nails and sought to tear the hair from his head with grasping fists. He was hard pressed to defend himself until he caught the flailing arms firmly in his grasp and pressed them down, using his greater weight to subdue the Lady Saxton. Erienne was trapped, held firmly in the middle of the dusty road. Her outraged struggles had loosened her hair and disarranged her clothes to the point that her modesty was savaged. Her coat had come open in the scuffle, and their shirts were twisted awry, leaving her bosom bare against a hard chest. The meager pair of breeches made her increasingly aware of the growing pressure against her loins. She was pinned almost face to face with her captor, and even though the visage was shadowed, she could hardly miss the fact of his identity or the half-leering grin that taunted her. “Christopher! You beast! Let me go!” Angrily she struggled but could not influence him with her prowess. His teeth gleamed in the dark as his grin widened. “Nay, madam. Not until you vow to control your passion. I fear before too long I would be somewhat frayed by your zealous attention.” “I shall turn that statement back to you, sir!” she retorted. He responded with an exaggerated sigh of disappointment. “I was rather enjoying the moment.” “So I noticed!” she quipped before she thought, then bit her lip, hoping he might mistake her meaning. He didn’t. He was most aware of the effect her meagerly clad body had on him, and he replied with laughter in his voice. “Though you may choose to fault my passions, madam, they’re quite honestly aroused.” “Aye!” she agreed jeeringly. “By every twitching skirt that saunters by!” “I swear, ’tis not a skirt that attracts me now.” Holding her wrists clasped in one hand, he moved his hand down along her flank and replied in a thoughtful tone, “ ’Tis more like a pair of boy’s breeches. What? Has my ambush yielded me a stable boy?” Erienne’s indignation found new fuel that he could so casually fondle her, as if he had a perfect right. “Get off, you… you… ass!” It was the most damaging insult she could think of at the moment. “Get off me!” “An ass, you say?” he mocked. “Madam, may I point out that asses are to be ridden, and at the moment you are bearing my weight. Now, I know women are made to bear— usually their husbands or the seed they plant— but I would not suggest that you have the shape or looks even approaching an ass.” She ground her teeth in growing impatience at his wont to turn the simplest comment into an exercise of his wit. She could not bear the bold feel of him against her another moment. “Will you get off me?!” “Certainly, my sweet.” He complied as if her every wish was his command. Lifting her to her feet, he solicitously dusted her backside. -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
BEAUTY I was charged with finding Beauty. The order whispered as I slept. A voice said it was my duty. Then quietly it wept. Filled with purpose, I set out. I was honored with my quest. In my mind there was no doubt I was up to this great test. In my garden I stopped first. My roses were in bloom. Their bright red glory burst With others mixed on Nature’s loom. Then a lady drew my gaze. She was gliding o’er the grass. Her features would gods amaze. I sighed deep and let her pass. A cathedral’s spire reached to the sky, Man-made wonder to behold. No sight more pleasing to the eye Than such a work both grand and bold. I came upon a mighty mountain, Snowcap glistening against blue sky. My eyes were drinking from beauty’s fountain. Yet I knew I could do better with another try. My journey lengthened. I crossed the earth. My will strengthened. To place beauty’s birth. Witness I was to the wonders Of beauty’s many layers. Fiery sunsets, tropic thunders, Children at their prayers. But each time I thought me near To beauty’s absolute, Something better would appear Even closer to the root. I wandered thus for many years. Despaired to ever reach my goal. I often found myself in tears. I had searched from pole to pole. Until one day on a dusty street In a poor part of the world, I found a woman begging at my feet, Her fingers gnarled and curled. I fished my pocket for a coin, Thinking good luck could be bought. Her eyes raised up to my eyes join. And I saw the woman owned what I sought. She let me pass into her soul. Into the garden there. Never in my life whole Had I conceived a sight so fair. I saw the Holy Face of God, From whose smile all beauty is born. All the steps that I had trod Were redeemed on that sweet morn
Carl Johnson
Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.
Mary Spillane (Color Me Beautiful's Looking Your Best: Color, Makeup and Style)
Fall with all her luxurious colors of fire-red leaves and star-filled nights, and skies filled with clouds of faded roses and dusty blue-jeans.
Blake O'Connor (Unspoken Bond)
Even at a distance, he recognized Emma sprawled headlong in the street, and he broke into a run. The road was empty, so was the boardwalk. He knelt beside her and helped her sit up. “Emma . . . honey, are you okay?” Tears streaked her dusty cheeks. “I-I lost my Aunt Kenny, and”—she hiccupped a sob—“m-my mommy’s gone.” Her face crumpled. “Oh, little one . . . come here.” He gathered her to him, and she came without hesitation. He stood and wiped her tears, and checked for injuries. No broken bones. Nothing but a skinned knee that a little soapy water—and maybe a sugar stick—would fix right up. “Shh . . . it’s okay.” He smoothed the hair on the back of her head, and her little arms came around his neck. A lump rose in his throat. “I won’t let anything happen to you.” Her sobs came harder. “Clara fell down too, Mr. Wyatt.” She drew back and held up the doll. “She’s all dirty. And she stinks.” Wyatt tried his best not to smile. Clara was indeed filthy. And wet. Apparently she’d gone for a swim in the same mud puddle Emma had fallen in. Only it wasn’t just mud, judging from the smell. “Here . . .” He gently chucked her beneath the chin. “Let’s see if we can find your Aunt Kenny. You want to?” The little girl nodded with a hint of uncertainty. “But I got my dress all dirty. She’s gonna be mad.” Knowing there might be some truth to that, he also knew Miss Ashford would be worried sick. “Do you remember where you were with Aunt Kenny before you got lost?” Emma shook her head. “I was talkin’ to my friend, and I looked up . . .” She sniffed and wiped her nose with the back of her hand. “And Aunt Kenny was gone.” Wyatt knew better than to think it was McKenna Ashford who had wandered away. “We’ll find her, don’t you worry.” “Clara’s dress is dirty like mine, huh?” She held the doll right in front of his face. Wyatt paused, unable to see it clearly. Easily supporting Emma’s weight, he took Clara and did his best to wipe the dirt and mud from the doll’s dress and its once-yellow strands of hair. His efforts only made a bigger mess, but Emma’s smile said she was grateful. “She likes you.” Emma put a hand to his cheek, then frowned. “Your face is itchy.” Knowing what she meant, he laughed and rubbed his stubbled jaw. He’d bathed and shaved last night in preparation for church this morning, half hoping he might see McKenna and Emma there. But they hadn’t attended. “My face is itchy, huh?” She squeezed his cheek in response, and he made a chomping noise, pretending he was trying to bite her. She pulled her hand back, giggling. Instinctively, he hugged her close and she laid her head on his shoulder. Something deep inside gave way. This is what it would have been like if his precious little Bethany had lived. He rubbed Emma’s back, taking on fresh pain as he glimpsed a fragment of what he’d been denied by the deaths of his wife and infant daughter so many years ago. “Here, you can carry her.” Emma tried to stuff Clara into his outer vest pocket, but the doll wouldn’t fit. Wyatt tucked her inside his vest instead and positioned its scraggly yarn head to poke out over the edge, hoping it would draw a smile. Which it did.
Tamera Alexander (The Inheritance)
They whirled around in the light dance of a duchess entering a ball—majestic yet understated—a spiraling splash of purity of color that took shape under nature’s watch. A newly-sculpted garden burst forth, glistening in an afternoon sun. It welcomed the dusty pink rose, who stood beside its fellows, basked themselves in their own serenity of white, triumphant red, or cheery yellow. It swayed in the breath of a wind, caressing each and becoming more. It was a mixture of quiet and thunderous, light and dark, shyness and boldness. It was a mixture of the quiet strength and overwhelming courage that the human soul might wish to one day possess.
Gina Marinello-Sweeney (The Rose and the Sword (The Veritas Chronicles, #2))
Years later, she remembered her zombie days.... No name turned the key to her prison.... So in the land of the dead the men sang to her. The sound faded across the rows of plants. The dusty mechanism of her arms rose and fell.... At last they tried a new tune whose tune carried across the gray field. Hair as black as coal in the mine, little Liza Jane / Eyes so large and big and fine, little Liza Jane. You are beautiful. We need you. You cannot go where you are trying to go. Come back to us.... You plant a patch of cotton, I'll plant a patch of cane / I'm gonna make molasses, to sweeten Liza Jane... Sobs began to heave out of her mouth... Oh Lisa, poor gal, Oh Liza Jane / Oh Liza poor gal, she died on the trail. Liza, the sang. Lucy raised her head. Tears flowed down her face and she opened her mouth: 'I got happy,' Lucy Thompson remembered eighty years after her resurrection, 'and sang with the rest.'" - The Half Has Never Been Told: Slavery and the Making of American Capitalism
Edward E. Baptist
The library could be summed up in three words – enormous, ancient and dusty – extremely dusty. It was exactly like those magnificent libraries you more or less see in every gothic movie. What’s more, I was thankful that I was not an asthmatic, for this was most definitely their form of hell.
Adele Rose (Awakening (The VIth Element #1))
Women perform to make men hungry. Men watch to eat. The dancing boys flip that deep-down knowledge neatly on its head in their first moment of performance. Men see bodies like their own offered up for the pleasure of...well, everyone. Anyone at all who has an appetite. Then they maybe start to sense a hunger of a different kind than they've let themselves feel before. And the women, even the married ones, are too often like I was that hot dusty day when I first saw the boys leave the tent—they're waking up for the first time to the fact that, their whole lives through, they've been starving.
Betsy Cornwell (The Circus Rose)
My Butterfly. An Elegy THINE emulous fond flowers are dead, too, And the daft sun-assaulter, he That frighted thee so oft, is fled or dead: Save only me (Nor is it sad to thee!) Save only me There is none left to mourn thee in the fields. The gray grass is not dappled with the snow; Its two banks have not shut upon the river; But it is long ago— It seems forever— Since first I saw thee glance, With all the dazzling other ones, In airy dalliance, Precipitate in love, Tossed, tangled, whirled and whirled above, Like a limp rose-wreath in a fairy dance. When that was, the soft mist Of my regret hung not on all the land, And I was glad for thee, And glad for me, I wist. Thou didst not know, who tottered, wandering on high, That fate had made thee for the pleasure of the wind, With those great careless wings, Nor yet did I. And there were other things: It seemed God let thee flutter from his gentle clasp: Then fearful he had let thee win Too far beyond him to be gathered in, Snatched thee, o’er eager, with ungentle grasp. Ah! I remember me How once conspiracy was rife Against my life— The languor of it and the dreaming fond; Surging, the grasses dizzied me of thought, The breeze three odors brought, And a gem-flower waved in a wand! Then when I was distraught And could not speak, Sidelong, full on my cheek, What should that reckless zephyr fling But the wild touch of thy dye-dusty wing! I found that wing broken to-day! For thou are dead, I said, And the strange birds say. I found it with the withered leaves Under the eaves. Robert Frost, A Boy’s Will. (1st World Library - Literary Society February 20, 2006) Originally published 1913.
Robert Frost (A Boy's Will)
She knelt and began gathering up the dirty cups, plates, and silverware she’d dropped with the tray. The movements of her hands were quick and jerky, but she went still when she saw a pair of scuffed black boots come to a stop directly in front of her, and her temper swelled anew. These rascals had been harassing her with their exuberant mischief all morning, and she was through turning the other cheek. She rose slowly to her feet and sighed as she felt the pins in her once-tidy hair give way, sending the silver-gold tresses tumbling down over her shoulders. Crows of amusement rose all around her as she set her hands on her hips and raised her chin. The eyes that gazed down at her were just the color of maple sugar and shadowed by the brim of a dusty blue field hat banded in gold braid. A gloved hand reached up to remove the hat, revealing a thatch of golden-brown hair. “On behalf of the United States Army, ma’am,” a deep voice said with barely contained amusement, “I’d like to apologize for these men.” Lily reminded herself that the soldiers from nearby Fort Deveraux kept the hotel dining room in business, and that without them she wouldn’t have a job. Nevertheless, she was near the end of her patience. “They would seem to be boys,” she answered pointedly, “rather than men.” The barb brought a chorus of howls, whistles, and cries of mock despair. The man looking down at Lily—a major, judging by his insignia—grinned rather insolently, showing teeth as white as the keys on a new piano. “They’ve been on patrol for two weeks, ma’am,” he explained with elaborate cordiality, apparently choosing to ignore her comment on their collective bad manners. Something about the curve of his lips made Lily feel as though the room had done a half spin. She reached out to steady herself by gripping the back of a chair. “I fail to see how that gives them the right to behave like circus gorillas.” The major’s grin intensified, half blinding Lily. “Of course, you’re right,” he said. Every word that came out of his mouth was congenial. So why did she feel that he was making fun of her? Lily found herself looking at the button-down panel on the front of his shirt and wondering about the chest beneath it. Was it as broad and muscled as it appeared, covered in a downy mass of maple hair? With a toss of her head she shook off the unwelcome thought and knelt to finish gathering the crockery.
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Thomas glanced back at the stairs, excited nerves leaping in his stomach. “Is Eliza coming?” After the words escaped his mouth he realized how comical he sounded. Of course she was coming. “I mean to say, is Eliza ready?” A wide grin washed over Kitty’s face, as if she were hiding something. “She’ll be down shortly.” Thomas nodded and rested his fidgety hands on the back of the embroidered chair. Nathaniel led Kitty to the other seat and helped her to sit. At that moment, the dainty tap of Eliza’s shoes on the stairs forced Thomas to whirl around. Nathaniel came up behind him. “Steady, boy.” Thomas clenched his jaw to keep it from gaping and dropped his hands to his sides. His eyes traced Eliza’s dainty form. She was even more radiant in that gown than he’d imagined and her face glittered with the most magnificent smile he’d ever seen. The fitted gown accentuated her perfect curves and impossibly tiny waist. The white lace around the neckline tickled her creamy skin, while the dusty-pink color drew out the rosy nature of her cheeks and lips. He tried, but he couldn’t stop staring. Her hair was curled like Kitty’s and wrapped with a delicate ribbon that matched the color of her gown. Her creamy complexion and the velvety look of her long neck were so enticing he had to fight the sudden urge to taste it. Eliza curtsied low and dipped her head. Upon rising she lifted her lashes and spoke to him in a tantalizing timbre. “Good evening, Thomas.” Thomas’s heart beat with such profound strength, it ripped every word from his mind. He wanted to say how beautiful she was. He wanted to tell her he was sorry for keeping his distance when she needed him. Even more than that, he wanted to move his face near hers, and inhale her graceful rose scent deep into his lungs before tasting her lips once again. Every appropriate response fled his mind as his blood raced around his body. He bowed. “Good evening, Eliza.” “Do my eyes deceive me?” Nathaniel, back to his charismatic self, pushed Thomas aside and kissed Eliza’s hand as he bowed with dramatic flare. “You are even more alluring than Aphrodite herself, my dear.” Eliza smiled again and giggled low in her throat. “You are too generous, Doctor.” “I am too enamored. You and your sister shine like the stars themselves.” A hearty grin flashed across his proud face. “Shall we go in to dinner?” He took his place beside Kitty and sent a flashing glance to Thomas, no doubt intended to instruct him to make the most of the moment. Thomas could kill himself. Good evening? That’s all he could say? Eliza’s body faced away from him, but she turned in his direction and the rest of her followed, her gown sweeping across the floor. Thomas closed the space between them, offering his arm. “Shall we go in?” Her slender hand grasped his arm. “You look very nice this evening, Thomas.” Thomas’s tongue dried up in his mouth, shriveling his ability to speak. He could never compete with Nathaniel’s theatrical praises. He’d have to just say what he thought. “You’re a vision, Eliza.” Her
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
Thomas’s heart drummed. Where was Eliza? And then he saw her. His breath stalled in his lungs as she moved toward him, floating over the ground like a pink angel from heaven. The dusty-rose gown she’d worn that infamous night hugged her luscious curves, giving him ample fuel for his imagination, but he pushed those thoughts away for the moment. They would be man and wife soon enough. Never had he seen such beauty, or known such grace. Lord, help me be the kind of man she deserves. He glanced to heaven. Robert, I shall do my best to make you proud and give your daughter the best of my days. A quiet voice brushed behind his ear, and Thomas stilled as Robert’s familiar tone made his heart swell. I know. In that moment Eliza’s dark eyes found his, and she smiled, lifting Thomas from the ground. Her cheeks darkened to the same rosy hue of her gown as she neared. Nathaniel chuckled deep and low. “You’re a lucky man, Thomas.” Nodding, Thomas couldn’t move his eyes away from his bride. “I know.” “Good
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
Shafts of dusty light broke through the branches of the pomerac tree outside the open window. Pohpoh stared at the glittery dust particles that rose and fell in waves around Asha's head, partially silhouetting it in a halo of shimmering light.
Shani Mootoo (Cereus Blooms at Night)
Dear Saffy, looking up from behind the typewriter in the way that was habit with her; always just a little bewildered, as if she'd been caught in the middle of a rose petal, dewdrop dream and reality was a slightly dusty surprise.
Kate Morton (The Distant Hours)
Once, when his father was alive, Langdon had heard his mom begging his father to “stop and smell the roses.” That year, Langdon bought his father a tiny blown-glass rose for Christmas. It was the most beautiful thing Langdon had ever seen . . . the way the sun caught it, throwing a rainbow of colors on the wall. “It’s lovely,” his father had said when he opened it, kissing Robert on the forehead. “Let’s find a safe spot for it.” Then his father had carefully placed the rose on a high dusty shelf in the darkest corner of the living room. A few days later, Langdon got a stool, retrieved the rose, and took it back to the store. His father never noticed it was gone.
Dan Brown (Angels & Demons (Robert Langdon #1))
Where the hell are you? I scanned around me, and found nothing but shadow and merry flame and books. Two levels below. And why are you two levels below? I shoved out of my chair, back aching in protest as I stormed for the walkway and rail beyond, then peered down into the gloom. Sure enough, in a reading area two levels below, I could spy his dark hair and wings- could spy him leaning back in his chair before an identical desk, an ankle crossed over a knee. Smirking up at me. Because I can't work with you distracting me. I scowled at him. I'm distracting you? If you're sitting next to me, the last thing on my mind is reading dusty old books. Especially when you're in all that tight leather. Pig. His chuckle echoed up through the library amid the fluttering papers and scratching pens of the priestesses working throughout. ... Two hours of work, he promised me, turning back to the table and flaring his wings- a veritable screen to block my view of him. And his view of me. Then we can play. I gave him a vulgar gesture. I saw that. I did it again, and his laugh floated to me as I faced the books stacked before me and began to read.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
The dancing boys flip that deep-down knowledge neatly on its head in their first moment of performance. Men see bodies like their own offered up for the pleasure of . . . well, everyone. Anyone at all who has an appetite. Then they maybe start to sense a hunger of a different kind than they’ve let themselves feel before. And the women, even the married ones, are too often like I was that hot dusty day when I first saw the boys leave the tent—they’re waking up for the first time to the fact that, their whole lives through, they’ve been starving.
Betsy Cornwell (The Circus Rose)
Every inch of her is glowing. Her shiny mane of hair. Her glittering eyes. Her lips. Her dress. That fucking dress that somehow equally embodies innocence and sin. The dusty rose color says good girl, but the way it sparkles over her curves whispers sultry goddess.
S.J. Tilly (Mr. Sin (Sin, #1))
Her fingers curled into a fist and she shouldered the door open. Its rusted hinges objected, creaking, and a dusty, half-rotten scent swarmed her nose. Her cheeks heated. For Cassian to be here, to see this- 'Just a brute, remember,' he stepped to her side. 'I've lived in far worse. At least you had walls and a roof.' Nesta hadn't realised how much she needed to hear those words, and her shoulders loosened as she stepped into the cottage proper. In the chill dimness, broken only by rays of sunlight, she frowned at the ceiling. 'This house used to have a roof.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
...the morning was sunny, and the sidewalk under my silly shoes was dry and dusty; the dust rose with the warm air, and I felt the smell. I was home. The problem was, I had spent ten years trying to convince myself - and everyone else - that this was not my home. A country that had treated us so badly could lay no clam to that title
Masha Gessen (Ester and Ruzya: How My Grandmothers Survived Hitler's War and Stalin's Peace)
I stood under the arch and absorbed the image. Rose and blue and ancient oriental rugs held pale pink loveseats with curved arms and perfectly faded silk upholstery. Sheer white-winged angels floated on a ceiling of baby-blue sky with clouds of spun gold. And eastern-facing windows of blue stained glass held paler blue stained-glass crosses in the middle. Daylight and streetlamps were obliterated by thick velvet curtains with gold tasseled ropes, and a small, dusty beam of faded light managed to seep past the heavy drapes, making it look like the tail end of the day instead of the early part of the afternoon. His home was lavish and seductive, and I thought it rare that a man living alone could create a thing of such intensity. For the second time in two days I found myself having to adjust my opinion of Michael Bon Chance. It was a marble fountain that ended my reverie and brought me back down to earth. It was the true centerpiece of the room, with water slowly seeping from a cracked jug and dripping over a statue of a nude couple, bathing. I cringed at the sound. Michael looked at me. "Something wrong?" "It's the dripping." He went over to the bar and poured me a glass of wine. "You're tense. Maybe this will help." I took a sip from the glass and put it down on the fireplace mantel. I caught a glimpse of Michael and myself in the mirror above the fire and felt trapped by how beautiful we looked in the rose glow of the dragon's-head lamps with pale pink bulbs.
Margot Berwin (Scent of Darkness)
My fingers danced above the open box as I tried to anticipate which flavor would be the very best. Lionel, equal parts benevolent and impatient, steered me to a dusty rose-colored one; it was the famous Ispahan flavor. I bit into the shell that, poof, crunched ever so delicately before collapsing in a delightfully chewy and moist mouthful. And then the storm of flavors hit me. Bright raspberry, exotic lychee, and a whiff of rose. There was so much power in that pretty little thing. It was a delicacy packed with skill, imagination, poetry, and, God, give me another one!
Amy Thomas (Paris, My Sweet: A Year in the City of Light (and Dark Chocolate))
Jack weaves his fingers through mine, grinning curiously, like he's just sprung from a shadow and frightened a ghost back into the dark---one of his favorite pastimes---and we follow the winding path out of the forest, away from the grove of seven trees. I run my fingertips along the dusty pink poppies and vibrant bloodred roses that line the path, and when we finally step free of the dense forest, I peer up at a cloudless sky, shimmering a soft airy pink.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Her fingers curled into a fist and she shouldered the door open. Its rusted hinges objected, creaking, and a dusty, half-rotten scent swarmed her nose. Her cheeks heated. For Cassin to be here, to see this- 'Just a brute, remember,' he stepped to her side. 'I've lived in far worse. At least you had walls and a roof.' Nesta hadn't realised how much she needed to hear those words, and her shoulders loosened as she stepped into the cottage proper. In the chill dimness, broken only by rays of sunlight, she frowned at the ceiling. 'This house used to have a roof.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
In other words, they have failed to find the paleontological equivalent of the numerous finely graded intermediate colors (Pendleton blue, dusty rose, gun barrel gray, magenta, etc.) that interior designers covet.
Stephen C. Meyer (Darwin's Doubt: The Explosive Origin of Animal Life and the Case for Intelligent Design)
There was a biography of J. S. Bach in the box, and when I opened it up I found a piece of greaseproof paper, carefully folded to enclose a rose. The paper crackled as I unbent it, but didn’t break; the rose seemed more brittle than the wrapping, and I held my breath over it, not wanting to touch it with anything at all, in case I broke it apart. The petals might have been pink, once, but they had become a dusty grey, tucked away from air and light. I refolded it in the paper and pinned it on the ‘Found in a Book’ noticeboard at the front of the shop, wondering who had saved it, and why; whether it had been pressed on an impulse and forgotten, or whether it was a symbol of something more significant. I find the fact that I’ll never know quite comforting. It’s good to be reminded that the world is full of stories that are, potentially, at least as painful as yours.
Stephanie Butland (The Lost for Words Bookshop)
Behind its outer walls, the Temple of Inanna was another world. When they entered the bronze gates from the dusty barren city streets, patrons became submerged in a world of sensuality, a garden of earthly delights. Lush flora filled the open courtyard: exotic fruit trees with dates, figs, and pomegranates. Tamarisk and palm trees rose above the floor in a canopy of leaves. The complex artificial irrigation channels of the city watered this botanical paradise of flowers and vegetation. A wisp of incense mixed with perfume wafted through the air, teasing the nostrils. The temple and palace gardens replicated a memory of Eden. It was as if gods and kings sought to retain their ancestral past even as they perverted it into its mirror opposite.
Brian Godawa (Noah Primeval (Chronicles of the Nephilim Book 1))
So what are you doing in Florence?” Falco asked. Cass fumbled for a reply. She almost spilled the story of what she had seen at Palazzo della Notte, but suddenly she felt ashamed. Perhaps she had stumbled into a fancy brothel. She didn’t want to tell Falco what she’d been doing, and what she’d seen. He grinned. “Lured here by a dead body or a devastatingly handsome artist?” He pulled a dusty wooden chair from beneath the table. “Sit down. Have a drink. I promise to escort you safely back to your satin sheets once we’ve gotten reacquainted.” Before she could speak, Falco’s eyes settled on the diamond pendant that had worked its way out from beneath her bodice. His face tightened. He reached toward Cass’s throat, but stopped just short of making contact. “Or maybe your husband is expecting you home,” he said, bringing his hand quickly to his side. “Enjoying all the trappings of married life, are you?” “I’m not married,” Cass said sharply, tucking the lily safely away beneath her high lace collar. “And Luca’s not in Florence with me.” Falco relaxed visibly, although he didn’t smile. “Then I insist on buying the beautiful signorina a drink.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
Luca exhaled deeply, touching his forehead to hers. “I don’t want you to get hurt, Cass.” His voice threatened to break apart on the last word. He reached his other hand up to stroke Cass’s cheek with a single fingertip. “I don’t want you to die,” Cass whispered. A droplet of sweat fell from her chin and landed on the dusty floor in front of the cell. Inside of her, a wound opened, spilling sadness and rage throughout her body. Luca was brave. Luca was innocent. Luca would never let her rot away in a prison cell. Their fingers were still intertwined, their foreheads touching. Connected. So close. Their eyelashes practically weaving together. Cass realized she could kiss him. She could just tilt her head slightly and their lips would meet. For the first time she wanted to. She wanted to show him that she cared for him, that she was a good and decent woman, not the kind of person who would just let him die because it was convenient to do so. Luca reached up with his free hand again. Cass felt certain he was going to angle her mouth toward his. Her eyelids started to flutter closed, but then stopped when she felt a point of pressure against her throat. She realized her cloak had fallen open, and that her lily pendant was exposed. Luca was touching it. “I’m so glad you’re wearing it,” he whispered, his voice growing hoarse. “It’ll be something for you to remember me by.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
A trio of boys were weaving drunkenly across the square. Cass was hoping they wouldn’t notice her walking all by herself. She must act confident. That’s what Falco would do. As soon as she thought of Falco, Cass realized one of the boys had dark hair that curled toward his chin. Hair that looked identical to Falco’s. It was as if Cass’s mere thoughts had conjured him from the air. She blinked, then rubbed her eyes, expecting him to transform into a university student, or for the whole piazza to become her dusty little room at Palazzo Alioni. But she wasn’t dreaming. There, just a few feet away from her, unmistakably, was Falco.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
So what are you doing in Florence?” Falco asked. Cass fumbled for a reply. She almost spilled the story of what she had seen at Palazzo della Notte, but suddenly she felt ashamed. Perhaps she had stumbled into a fancy brothel. She didn’t want to tell Falco what she’d been doing, and what she’d seen. He grinned. “Lured here by a dead body or a devastatingly handsome artist?” He pulled a dusty wooden chair from beneath the table. “Sit down. Have a drink. I promise to escort you safely back to your satin sheets once we’ve gotten reacquainted.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
He tilted her chin upward. Softly, he pressed his lips to hers. Reaching up into her bonnet, he buried one of his hands in her hair. Without breaking the embrace, she yanked the hat from her head. Luca’s grasp tightened on her hair, and pleasure raced through her body. He tried to pull her into his lap using only his good arm, but ended up half dragging her across the wooden crate. The medicinal ointments went flying onto the floor, the containers rolling across the wet stones with a clatter. Cass pulled back. She wanted to kiss him harder, to melt into his arms. “We need to go,” she said instead, raising one hand to her face to blot the sweat from her cheeks. “Once we have taken down the Order, there will be time for…everything else.” Luca started to protest, but then they heard the sound of the key in the lock and Narissa slipped into the room with a tray of food. Cass blushed furiously as she finger-combed her hair. She and Luca laughed nervously. “Breakfast. We were just commenting on how hungry we were,” Cass said brightly. Narissa surveyed the salves and ointments strewn about on the floor and Cass’s hair hanging free. Her brown eyes narrowed knowingly. “Were you now?” she asked, her voice a bit shrill. “I’ll just leave this food for you and retrieve the tray later.” She hurriedly shuffled across the room and back to the door. Cass blushed again. “Thank you, Narissa,” she said. When the handmaid closed the door, Cass and Luca both burst into giggles. Luca struggled to hold a straight face. He imitated Narissa’s nasal voice. “Signorina Cassandra,” he said. “You are a wicked and depraved woman, and I should appreciate it if you do not further sully my dusty storage room.” Cass laughed aloud. She poked Luca in his chest. “Me, wicked? You tried to attack me. I’m just your victim.” “Willing victim?” Luca looked hopefully at her. “Well,” Cass said, trying to look extra thoughtful as she positioned the food tray between the two of them. “I suppose there are a few worse ways to spend my time.” Luca’s eyes softened. “I love you, Cassandra,” he said, stroking her face gently. “And I love you,” she replied, almost without thinking. For once there was no hesitation.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
Breakfast. We were just commenting on how hungry we were,” Cass said brightly. Narissa surveyed the salves and ointments strewn about on the floor and Cass’s hair hanging free. Her brown eyes narrowed knowingly. “Were you now?” she asked, her voice a bit shrill. “I’ll just leave this food for you and retrieve the tray later.” She hurriedly shuffled across the room and back to the door. Cass blushed again. “Thank you, Narissa,” she said. When the handmaid closed the door, Cass and Luca both burst into giggles. Luca struggled to hold a straight face. He imitated Narissa’s nasal voice. “Signorina Cassandra,” he said. “You are a wicked and depraved woman, and I should appreciate it if you do not further sully my dusty storage room.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
Outside the closed windshield, birds hovered mid-air, held aloft by the relentless breeze. Lethbridge was a prairie city, dusty and slow-moving, but it had one constant that separated it from other places on the flatland: Wind. Bracing for it, Lou swung the door open and caught the handle before the gusts could tear it from her hand. Black hair whipped around her face. Scents rose and swirled past, carried by the breeze. Lou breathed in sunbaked soil and sparse golden grasses, motor oil and fast food.
Danika Stone (The Dark Divide)
I opened my eyes. Thick columns of stone rose in the shadows toward a naked vault. Needles of dusty light fell diagonally, revealing endless rows of ramshackle beds. Small drops of water fell from the heights like black tears, exploding with an echo as they touched the ground. The darkness smelled of mildew and damp. 'Welcome to Purgatory.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
... the house seemed filled with dusty sunlight, which rose politely from wherever it had been resting on floors and windowsills, and then hung motionless and golden in the air until they moved to another room.
Elizabeth Jane Howard (The Long View)
She looked a sight. No wonder he had mistaken her for a little country nobody, no make-up, and her old brown coat. Nothing in the world, she suddenly realized, could be quite so brown or quite so old as an old brown coat and to complete the picture, nothing could make a second-hand station wagon look less imposing than a flat tire and two dusty bags of dog food sitting up in the rear of it, like lumpy old ladies. But no matter what he thought, she'd be a fool to take one insult after another without doing something about it. If she didn't, his attitude was enough to give her an inferiority complex for the rest of her life. David would not know what had happened but he would miss some indefinable voltage that had been part of her in time their marriage would become a bloodless union which he would cease to cherish with jealousy and pride. It might sound a little far-fetched in theory, but in actual practice she knew that it was true.
Rose Franken (Claudia (U))
Ted rose early the next morning and took a taxi to the Museo Nazionale, cool, echoey, empty of tourists despite the fact that it was spring. He drifted among dusty busts of Hadrian and the various Caesars, experiencing a physical quickening in the presence of so much marble that verged on the erotic. He sensed the proximity of Orpheus and Eurydice before he saw it, felt its cool weight across the room but prolonged the time before he faced it, reminding himself of the events leading up to the moment it described: Orpheus and Eurydice in love and newly married; Eurydice dying of a snakebite while fleeing the advances of a shepherd; Orpheus descending to the underworld, filling its dank corridors with music from his lyre as he sang of his longing for his wife; Pluto granting Eurydice's release from death on the sole condition that Orpheus not look back at her during their ascent. And then the hapless instant when, out of fear for his bride as she stumbled in the passage, Orpheus forgot himself and turned. Ted stepped toward the relief. He felt as if he's walked inside it, so completely did it enclose and affect him. It was the moment before Eurydice must descend to the underworld a second time, when she and Orpheus are saying goodbye. What moved Ted, mashed some delicate glassware in his chest, was the quiet of their interaction, the absence of drama or tears as they gazed at each other, touching gently. He sensed between them an understanding too deep to articulate: the unspeakable knowledge that everything is lost. (p. 211)
Jennifer Egan (A Visit from the Goon Squad)