Apocalypse Now Best Quotes

Annabeth and I were relaxing on the Great Lawn in Central Park when she ambushed me with a question. “You forgot, didn’t you?” I went into red-alert mode. It’s easy to panic when you’re a new boyfriend. Sure, I’d fought monsters with Annabeth for years. Together we’d faced the wrath of the gods. We’d battled Titans and calmly faced death a dozen times. But now that we were dating, one frown from her and I freaked. What had I done wrong? I mentally reviewed the picnic list: Comfy blanket? Check. Annabeth’s favorite pizza with extra olives? Check. Chocolate toffee from La Maison du Chocolat? Check. Chilled sparkling water with twist of lemon? Check. Weapons in case of sudden Greek mythological apocalypse? Check. So what had I forgotten? I was tempted (briefly) to bluff my way through. Two things stopped me. First, I didn’t want to lie to Annabeth. Second, she was too smart. She’d see right through me. So I did what I do best. I stared at her blankly and acted dumb.

Civilization, as a process, is indistinguishable from diminishing time-preference (or declining concern for the present in comparison to the future). Democracy, which both in theory and evident historical fact accentuates time-preference to the point of convulsive feeding-frenzy, is thus as close to a precise negation of civilization as anything could be, short of instantaneous social collapse into murderous barbarism or zombie apocalypse (which it eventually leads to). As the democratic virus burns through society, painstakingly accumulated habits and attitudes of forward-thinking, prudential, human and industrial investment, are replaced by a sterile, orgiastic consumerism, financial incontinence, and a ‘reality television’ political circus. Tomorrow might belong to the other team, so it’s best to eat it all now.

At this stage of the game, I don’t have the time for patience and tolerance. Ten years ago, even five years ago, I would have listened to people ask their questions, explained to them, mollified them. No more. That time is past. Now, as Norman Mailer said in Naked and the Dead, ‘I hate everything which is not in myself.’ If it doesn’t have a direct bearing on what I’m advocating, if it doesn’t augment or stimulate my life and thinking, I don’t want to hear it. It has to add something to my life. There’s no more time for explaining and being ecumenical anymore. No more time. That’s a characteristic I share with the new generation of Satanists, which might best be termed, and has labeled itself in many ways, an ‘Apocalypse culture.’ Not that they believe in the biblical Apocalypse—the ultimate war between good and evil. Quite the contrary. But that there is an urgency, a need to get on with things and stop wailing and if it ends tomorrow, at least we’ll know we’ve lived today. It’s a ‘fiddle while Rome burns’ philosophy. It’s the Satanic philosophy. If the generation born in the 50’s grew up in the shadow of The Bomb and had to assimilate the possibility of imminent self destruction of the entire planet at any time, those born in the 60’s have had to reconcile the inevitability of our own destruction, not through the bomb but through mindless, uncontrolled overpopulation. And somehow resolve in themselves, looking at what history has taught us, that no amount of yelling, protesting, placard waving, marching, wailing—or even more constructive avenues like running for government office or trying to write books to wake people up—is going to do a damn bit of good. The majority of humans have an inborn death wish—they want to destroy themselves and everything beautiful. To finally realize that we’re living in a world after the zenith of creativity, and that we can see so clearly the mechanics of our own destruction, is a terrible realization. Most people can’t face it. They’d rather retreat to the comfort of New Age mysticism. That’s all right. All we want, those few of us who have the strength to realize what’s going on, is the freedom to create and entertain and share with each other, to preserve and cherish what we can while we can, and to build our own little citadels away from the insensitivity of the rest of the world.

Recalling those gone times, old memories lit by the fire of the new, I did not this time wonder how long it would last; I was too smart for that now. Take what you get, and don't think. Of course it could never be that easy, but there were moments, like now, that I could successfully pretend that it was, and I had no inclination to try to peer past those moments. I'm not one who wants to know the future: at the best it spoils the present, with longing or dismay, and at the worst, well. Who really wants to find out how tight the sling is, for your own very personal ass, who wants to know how deep the shit will really be. Not you. Not me either. Because it's rarely bliss saved up, is it, when you finally get there. I'll take my now, waking with a lover's scent on me, around me, take my hopes before they're maybe tragedy; a good morning is a good morning, even if it leads to apocalypse at night.

What's amazing to me now is that I actually recall fixating on the fact that my thighs a-l-m-o-s-t touched at the top....If I could go back in time and slap my eighteen-year-old self, I would. I would tell her to snap out of it, because that's the best you thighs will ever be. You should take pictures of your thighs right now so you can remember how amazing they were!

I lost my virginity on the football field of East St. Edwards High School, and had been kidnapped from that same place years later. And now I’d just been in the thick of a crazed zombie mob on the Tucker Point High football field. Might be best for everyone if I avoided football in general from now on.

Gone as usual in the morning, and me left behind and naked, inner thighs lightly scaled with the dried spoor of our lovemaking: she liked to stay on top afterward and let the juice run down, and I liked whatever she liked. Imagining in the shower that I could smell her still, the angular scent of those secret bones, had she always smelled so fierce and so good? Recalling those gone times, old memories lit by the fire of the new, I did not this time wonder how long it would last; I was too smart for that now. Take what you get, and don’t think. Of course it could never be that easy, but there were moments, like now, that I could successfully pretend that it was, and I had no inclination to try to peer past those moments. I’m not one who wants to know the future: at the best it spoils the present, with longing or dismay, and at the worst, well. Who really wants to find out how tight the sling is, for your own very personal ass, who wants to know how deep the shit will really be? Not you. Not me either. Because it’s rarely bliss saved up, is it, when you finally get there. I’ll take my now, waking with a lover’s scent on me, around me, take my hopes before they’re maybe tragedy; a good morning is still a good morning, even if it leads to apocalypse at night.

Except for the coconut cake (filled with Meyer lemon curd and glazed with brown sugar), most of the desserts she made for Walter were not her best or most original, but they were exemplars of their kind: portly, solid-citizen desserts, puddings of rice, bread, and noodles-sweets that the Pilgrims and other humble immigrants who had scraped together their prototypes would have bartered in a Mayflower minute for Greenie's blood-orange mousse, pear ice cream, or tiny white-chocolate eclairs. Walter had also commissioned a deep-dish apple pie, a strawberry marble cheesecake, and a layer cake he asked her to create exclusively for him. "Everybody expects one of those, you know, death-by-chocolate things on a menu like mine, but what I want is massacre by chocolate, execution by chocolate- firing squad by chocolate!" he told her. So that very night, after tucking George in bed, Greenie had returned to the kitchen where she made her living, in a basement two blocks from her home, and stayed up till morning to birth a four-layer cake so dense and muscular that even Walter, who could have benched a Shetland pony, dared not lift it with a single hand. It was the sort of dessert that appalled Greenie on principle, but it also embodied a kind of uberprosperity, a transgressive joy, flaunting the potential heft of butter, that Protean substance as wondrous and essential to a pastry chef as fire had been to early man. Walter christened the cake Apocalypse Now; Greenie held her tongue. By itself, this creation doubled the amount of cocoa she ordered from her supplier every month. After it was on his menu for a week, Walter bet her a lobster dinner that before the year was out, Gourmet would request the recipe, putting both of them on a wider culinary map.

parallel to all other ages, not a chronological series of events. Indeed, one of the great marvels of God’s gracious activity toward us is that it occurs in real time without being prejudiced in favor of any particular age. Just because we are the latest does not mean we are the best. The effects of sin prevent any age—including ours—from being “golden,” at least in the spiritual sense. Every Christian generation learns equally the lessons of Revelation—that God is in control, that the powers of the world are minuscule when compared with God, that God is as likely to work through apparent weakness and failure as through strength and success, and that in the end God’s people will prevail. Revelation is the last book of the Bible. It reveals important truths about the end times. But it is also last in another important sense—it calls on all the hermeneutical courage, wisdom, and maturity one can muster in order to be understood properly. In many ways it serves as a graduation exercise for the NIV Application Commentary Series, an opportunity to fully apply the many lessons we have learned in the Bridging Contexts sections of previous volumes. God’s time is his, not ours. The story of God’s gracious activity on our behalf will be fulfilled in a great and glorious conclusion. But all Christians, everywhere and at all times, have equal access to the time. That access has been and is made possible by God’s message in the book of Revelation. Terry C. Muck Author’s Preface AS A NEW CHRISTIAN recently converted from atheism, I eagerly hurried through Paul’s letters, reaching Revelation as soon as possible. Once I reached it, however, I could hardly understand a word of it. I listened attentively to the first few “prophecy teachers” I heard, but even if they had not contradicted one another, over the years I watched as most of their detailed predictions failed to materialize. Perhaps six years after my conversion, as I began to read Revelation in Greek for the first time, the book came alive to me. Because I was now moving through the text more carefully, I noticed the transitions and the structure, and I realized it was probably addressing something much different from what I had first supposed. At the same time, I catalogued parallels I found between Revelation and biblical prophets like Daniel, Ezekiel, and Zechariah. I also began reading an apocalypse contemporary with Revelation, 4 Ezra (2 Esdras in the Apocrypha), to learn more about the way Revelation’s original, first-century audience may have heard its claims. Yet even in my first two years as a Christian, Revelation and other end-time passages proved a turning point for me. As a young Christian, I was immediately schooled in a particular, popular end-time view, which I respectfully swallowed (the

weren’t sure if we were even going to make it. But the thing that was really bothering me was that my Mom, Dad and Wesley were out there. Man, if I had told Mom and Dad the truth, they would still be safe with us right here, I thought. Because I lied, my Mom, Dad and Wesley could be really hurt right now. Man, what am I going to do? “Zombie, are you ready?” Skelee asked. I looked at all the guys who were covered in pots and pans from head to toe. I thought about my Mom, Dad and Wesley. If they were still OK, I had to go save them. I thought about my best pals that really needed me right now. And I thought about Steve, who I knew somehow, somewhere, needed my help. And I knew that if there was ever a time to quit, if there was ever a time to give up, if there was ever a time to throw in the towel, this was not

The Director’s Chair is with Francis Ford Coppola (The Godfather, Apocalypse Now, etc.), and Robert refers later to this quote from Francis: “Failure is not necessarily durable. Remember that the things that they fire you for when you are young are the same things that they give lifetime achievement awards for when you’re old.” ROBERT: “Even if I didn’t sell Mariachi, I would have learned so much by doing that project. That was the idea—I’m there to learn. I’m not there to win; I’m there to learn, because then I’ll win, eventually. . . . “You’ve got to be able to look at your failures and know that there’s a key to success in every failure. If you look through the ashes long enough, you’ll find something. I’ll give you one. Quentin [Tarantino] asked me, ‘Do you want to do one of these short films called Four Rooms [where each director can create the film of their choosing, but it has to be limited to a single hotel room, and include New Year’s Eve and a bellhop]?’ and my hand went up right away, instinctively. . . . “The movie bombed. In the ashes of that failure, I can find at least two keys of success. On the set when I was doing it, I had cast Antonio Banderas as the dad and had this cool little Mexican as his son. They looked really close together. Then I found the best actress I could find, this little half-Asian girl. She was amazing. I needed an Asian mom. I really wanted them to look like a family. It’s New Year’s Eve, because [it] was dictated by the script, so they’re all dressed in tuxedos. I was looking at Antonio and his Asian wife and thinking, ‘Wow, they look like this really cool, international spy couple. What if they were spies, and these two little kids, who can barely tie their shoes, didn’t know they were spies?’ I thought of that on the set of Four Rooms. There are four of those [Spy Kids movies] now and a TV series coming. “So that’s one. The other one was, after [Four Rooms] failed, I thought, ‘I still love short films.’ Anthologies never work. We shouldn’t have had four stories; it should have been three stories because that’s probably three acts, and it should just be the same director instead of different directors because we didn’t know what each person was doing. I’m going to try it again. Why on earth would I try it again, if I knew they didn’t work? Because you figured something out when you’re doing it the first time, and [the second attempt] was Sin City.” TIM: “Amazing.

Now I know she couldn’t ambush a panda bear on Quaaludes.

Here.” He held out his hand. “I’ll carry you on my back, but we have to move. There might be a highway within reach. You could hitch a ride into Belize and get to the coast, maybe to an airport.” “Why am I the only one hitching a ride?” When he ran his fingers through his hair, she said, “What? Tell me.” “The moon is full this eve.” “Oh.” Of course she’d noticed, but she hadn’t thought the ramifications could be this dire until she’d seen his expression just now. Oh, hell. “I’ve been debating the best way to get you out of my reach. If I run from you, I leave you vulnerable. If I stay with you . . .” He trailed off. “You look like the apocalypse has arrived. Is it really so dangerous?” Instead of reassuring her, he nodded. “Aye. I lose control over myself, and the difference between us in strength is just too vast. If given free leave to take you, I’d rend you in two.” She swallowed. “What exactly do you turn into, MacRieve? Describe it to me.” He answered, “The Lykae call it saorachadh ainmhidh bho a cliabhan—letting the beast out of its cage. My face will change, becoming a cross between lupine and human. My body grows larger, taller. My strength increases exponentially.” “I’ve seen the fangs and claws.” “Sharper and longer. And flickering over me will be an image of the beast inside me. It is . . . harrowing to those not of my kind.” “What would you do to me?” He looked away. “I’d take you in the dirt like an animal. I’d mark your body with my fangs, and even after the bite healed, Lykae could still see it forever and know you’d been claimed.” He rubbed his hand over his mouth, as if imagining it even then. “What does your gut feeling tell you to do with me?” he asked, facing her again. “Take away everything else—what do you sense?” She thought for a moment, trying to digest what he’d just told her. She’d known Lykae bit and scratched each other during sex. But she’d never imagined that Bowen would want to sink his fangs in her skin, marking her forever—or that he’d lose control over himself so totally. “Honestly, I have no idea. But I could ask the mirror what to do.” He clenched his jaw, clearly struggling with the idea. “What can it tell you?” he finally said. “I usually only get cursory answers. Classic oracular.” He hesitated for long moments, the conflict within him clear on his face. “Ask it, then. Would it be more dangerous to escape me—or to remain within my reach?

The saying used to go ‘what you don’t know can’t hurt you,’ but it’s changed in this world.  Now it’s ‘what you don’t know can eat you.’ From

* * * * Chapter 1 – Blizzards, Bites, and Zombies Ever have a really bad day? I'm not talking miss the bus, caught cheating on a test, bike gets stolen bad. I mean people dying and coming back from the dead to eat your brains bad. This whole mess started one night when my best friend Misty messaged me, "DQ run now!

You’ve never told me how he died.” “What?” “Josh. I knew he was dead, but you never told me what happened to him.” “Oh.” I swallow. Put my head back down on his shoulder since it seems safer that way. “I thought I had.” “You haven’t. I figured it was too raw and hard for you, so I never asked directly. You don’t have to tell me now if you don’t want.” “No. It’s okay. After Impact… After Impact, he got worse. A lot of people did. All the fear and the stress and the struggle to even survive. He eventually started to hit me. He’d do it once and then act all sorry and promise to never do it again. He’d be good for a while, but then he’d do it again. In the old world, I think him hitting me would have been a hard line for me. I really think I would have left after the first time. But after everything fell apart… I felt trapped. I was trapped. How the hell was I going to survive on my own in that world right after Impact. Everything was chaos. And so incredibly dangerous.” “So what happened?” he murmurs gently. “It went on like that for about six months. Then one day he hit me in the face. I tried to cover the bruise with the makeup I had left, but an older lady in town noticed and asked about it. I… I told her. The truth. That he was hitting me and it had been going on for a while. Nothing I did would make him stop.” Mack is silent. His hand is still now as it rests on my back. “Then… Then the next day…” I take a ragged breath. “Maybe it was just a coincidence. I never knew for sure. But the timing… Anyway, the next day he went off into the woods with a hunting party like normal. He never came back.” “Fuck,” Mack breathes out. “They said it was an accident. Someone else was shooting in the area and must have mistaken him for a deer or something. But he was wearing orange, so… I don’t know. But he was dead, and I was…” “You were what?” “I was so relieved. Not sad at all. Just relieved.” “Of course you were. Anyone would have been.” “And it was then I decided I was going to make the best of my freedom and new start. Even though we were going through an apocalypse, why shouldn’t I finally try to learn how to be strong?” “You did.” “Yeah. I think I did okay. I did get stronger, and maybe I’ve also finally figured out that real strength isn’t what I used to assume it was.

Like she’s never completely sure if she’s doing or saying the right thing, only hopes that she is. The capture is framed from the shoulders up like one of her previous broadcasts, but the background is all wrong. Instead of the Tea room’s neat, orderly space, she’s standing in what looks like the interior of a house. There are picture frames on a dresser behind her, filled with a family he doesn’t recognize. “We’ve intercepted several messages like the one I’m about to play in the past two months, broadcast over open channels. Allow me to also preface this by saying, Chersky believes them to be clever digital forgeries. Our technicians are the best at what they do. However, I feel it prudent to get your unique perspective.” Another finger tap, and the video begins to play. “This is Rhona Long, former commander of McKinley base,” the woman begins. It must be cold where she is. Her breath mists, and her throat is wrapped in a thick hand-knit scarf. A small chain hangs over it, pendant out of frame. “I have made several attempts now to reach out to McKinley base but have received no response. It is my hope that other factions will receive this message and share it.” She then goes on to describe the events surrounding the missile strike on Calgary, masking the mission’s goal under the guise of “recovering crucial assets from the machines.” She warns against trusting the New Soviets but stops just sort of inciting insurrection, concluding with some now-outdated intelligence about the higher echelon’s movements in the region.

best it spoils the present, with longing or dismay, and at the worst, well. Who really wants to find out how tight the sling is, for your own very personal ass, who wants to know how deep the shit will really be? Not you. Not me either. Because it’s rarely bliss saved up, is it, when you finally get there. I’ll take my now, waking with a lover’s scent still on me, around me, take my hopes before they’re maybe tragedy; a good morning is still a good morning, even if it leads to apocalypse at night.

No, said a little voice in the back of her head, you can’t. She knew that voice quite well. She didn’t like it much, mostly because it told her the truth, a commodity whose supply had a tendency to exceed demand. For a genuine free spirit, the very best the truth can ever be is a starting point, a fixer-upper in need of a great deal of tender loving imagination. At its worst – like now, for example – it’s a brick wall across the highway, with barbed wire, searchlights and dogs. No, you can’t.