Apartment Hunting Quotes

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What is that?" "A hunt," Puck replied, looking off into the distance. He grimaced. "You know, I was just thinking we needed to be run down like rabbits and torn apart. My day just isn't complete without something trying to kill me." -Puck
Julie Kagawa (The Iron King (The Iron Fey, #1))
Did she cry out for God?” he pushes. “Yes,” Xavier spits, and fuck, I’m falling apart. I thrust against Zade’s hand, rolling my hips mindlessly, the bliss eroding my entire being. “Good,” he says, a grin in his voice. “That means she was crying out for me.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
I love you, Zade. Sometimes I can’t fucking stand it,” I say, my voice raspy and uneven. “But it was the only thing that kept me alive. You saved me. Even when we were apart, you saved me. And I hope to God you never stop hunting me.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
Hunt." The entire world went quiet. "I was waiting for you." "Bryce, sweetheart, just get back to your apartment and give me an hour and-" "No," she whispered, closing her eyes. She put her hand on her chest. Over her heart. "I was waiting for you- in here." Hunt couldn't stop his own tears then. "I was waiting for you, too.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
...called nine-one-one," Howie was saying, "and then I heard something in the alleyway, so I went back there and" --Howie coughed-- "and valiantly attacked his knife with my guts, to no avail." "Did you get a good look at him? Could you describe him?" Howie smiled wanly. "Yeah. He was about yay long" --he held up his hands, four inches apart-- "thin, made of steel. Pointy. Sharp.
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
Is there anyone in this apartment who hasn’t seen me naked?” I demanded, grabbing the sheet and the phone. “I genuinely hope so, Cassandra.
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
Isaiah coughed. "You watched Quinlan for one night." "Ten hours, to be exact. Right until her pet chimera just appeared next to me at dawn, bit me in ass for looking like I was dozing off, and then vanished again - right back into the apartment. Just as Quinlan came out of her bedroom and opened the curtains to see me grabbing my own ass like a f***ing idiot. Do you know how sharp a chimera's teeth are?
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
She'd found a way between the cracks in my armor and blew it apart. I wanted to have the same effect on her
Helena Hunting (Inked Armour (Clipped Wings, #2))
It started to feel like this thing happening to me was an invisible wall between us, a barrier none of us wanted to acknowledge but that was continuously pushing us apart. I started to feel like an outsider even among my closest friends.
Edward Williams (Framed & Hunted: A True Story of Occult Persecution)
The world falling apart isn't an excuse to take up bad habits...
P.C. Cast (Hunted (House of Night, #5))
Where'd you go?" "The bowels of hell," his voice echoed back. "I thought we could go apartment hunting for you...since you'll be moving here, and all.
Cecily White (Prophecy Girl (Angel Academy, #1))
I used to be the one to save her. Now I’m the reason she falls apart.
H. Hunting (Little Lies (Lies, Hearts & Truths, #1))
To help those he loved, he'd rear apart the world.
Kerri Maniscalco (Hunting Prince Dracula (Stalking Jack the Ripper #2))
Strange, isn’t it,’ said Nasir, who was never one for contemplation. ‘How the darkness brought us together, and the light will let us fall apart?’ Zafira shook her head, looking among them. ‘We’re not falling apart. We hunted the flame on Sharr, set free the stars across the skies, but it was only ever the dawn of our zumra. Now we make sure that light doesn’t go out. Forever. Together.
Hafsah Faizal (We Free the Stars (Sands of Arawiya, #2))
And it shall come to pass that what man made shall be shattered, and the Shadow shall lie across the Pattern of Age, and the Dark One shall once more lay his hand upon the world of man. Women shall weep and men quail as the nations of the earth are rent like rotting cloth. Neither shall anything stand nor abide... Yet one shall be born to face the Shadow, born once more as he was born before and shall be born again, time without end. The Dragon shall be Reborn, and there shall be wailing and gnashing of teeth at his rebirth. In sackcloth and ashes shall he clothe the people, and he shall break the world again by his coming, tearing apart all ties that bind. Like the unfettered dawn shall he blind us, and burns us, yet shall the Dragon Reborn confront the Shadow at the Last battle, and his blood shall give us the Light. Let tears flow, O ye people of the world. Weep for your salvation. -from The Karaethon Cycle: The Prophecies of the Dragon, as translated by Ellaine Marise'idin Alshinn, Chief Librarian at the Court of Arafel, in the Year of Grace 231 of the New Era, the Third Age
Robert Jordan (The Great Hunt (The Wheel of Time, #2))
Do you really think you can order me around?” He crossed his arms over his chest in a show of dominance. “I have more cupcakes in my apartment. You can have them if you fix this tonight.” “Are you trying to bribe me?” “Is it working?” “Yes.
Helena Hunting (Clipped Wings (Clipped Wings, #1))
But there was a discipline, it was just that we didn't understand. We thought he was formless, but I think now he was tormented by order, what was outside it. He tore apart the plot - see his music was immediately on top of his own life. Echoing. As if, when he was playing he was lost and hunting for the right accidental notes. Listening to him was like talking to Coleman. You were both changing direction with every sentence, sometimes in the middle, using each other as a springboard through the dark. You were moving so fast it was unimportant to finish and clear everything. He would be describing something in 27 ways. There was pain and gentleness everything jammed into each number.
Michael Ondaatje (Coming Through Slaughter)
Bors looked around the hunting lodge, the grounds, the stableyard. “It’s not the place’s fault,” he said reasonably. “It was here before she was. It doesn’t deserve to fall apart because something bad happened here.” Another of his long silences, and then he added, “Something bad happened to both of us, too. We don’t deserve to fall apart either.
T. Kingfisher (What Feasts at Night (Sworn Soldier, #2))
A pathetic thing to hope, but there you have it. I’ve always had to hunt for scraps where paternal affection’s concerned.
Lucy Foley (The Paris Apartment)
We are not our own any more than what we possess is our own. We did not make ourselves, we cannot be supreme over ourselves. We are not our own masters. We are God's property. Is it not our happiness thus to view the matter? Is it any happiness or any comfort, to consider that we are our own? It may be thought so by the young and prosperous. These may think it a great thing to have everything, as they suppose, their own way–to depend on no one–to have to think of nothing out of sight, to be without the irksomeness of continual acknowledgment, continual prayer, continual reference of what they do to the will of another. But as time goes on, they, as all men, will find that independence was not made for man–that it is an unnatural state–will do for a while, but will not carry us on safely to the end …'" Mustapha Mond paused, put down the first book and, picking up the other, turned over the pages. "Take this, for example," he said, and in his deep voice once more began to read: "'A man grows old; he feels in himself that radical sense of weakness, of listlessness, of discomfort, which accompanies the advance of age; and, feeling thus, imagines himself merely sick, lulling his fears with the notion that this distressing condition is due to some particular cause, from which, as from an illness, he hopes to recover. Vain imaginings! That sickness is old age; and a horrible disease it is. They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false–a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.'" Mustapha Mond shut the book and leaned back in his chair. "One of the numerous things in heaven and earth that these philosophers didn't dream about was this" (he waved his hand), "us, the modern world. 'You can only be independent of God while you've got youth and prosperity; independence won't take you safely to the end.' Well, we've now got youth and prosperity right up to the end. What follows? Evidently, that we can be independent of God. 'The religious sentiment will compensate us for all our losses.' But there aren't any losses for us to compensate; religious sentiment is superfluous. And why should we go hunting for a substitute for youthful desires, when youthful desires never fail? A substitute for distractions, when we go on enjoying all the old fooleries to the very last? What need have we of repose when our minds and bodies continue to delight in activity? of consolation, when we have soma? of something immovable, when there is the social order?
Aldous Huxley (Brave New World)
I want to be oblivious to the hurt written on her face. I want to be selfish and young and normal. M would be that way. She would need space to grieve. She would rebel because her parents were simply uncool, not because one was wearing a horrifying happy mask and the other was a living ghost. She’d be distant because she was preoccupied with boys or school, not because she’s tired from hunting down the Histories of the dead, or distracted by her new hotel-turned-apartment, where the walls are filled with crimes.
Victoria E. Schwab (The Archived (The Archived, #1))
we’d go to his apartment and play Kaboom! and Tank instead of fooling around. I guess to some people that might have been weird, but I got my rocks off watching someone be amazing at Duck Hunt. Whatever.
Felicia Day (You're Never Weird on the Internet (Almost))
When they ask me why I jumped off the roof of my brother’s apartment building, I will tell them it was because I wanted the sky to mourn me. And because I wanted to know what it feels like to hit something so hard it shatters me into bits that they can never sew back together.
Kady Hunt (Seven Cuts)
Sean: …………And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my life apart. You're an orphan right? [Will nods] Sean: You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.
Matt Damon
So, I live in my filthy one bedroom apartment and fuck the whores that crawl the streets of Hunts Point.  I am the Goodbye Man.
Ashleigh Giannoccaro (The Goodbye Man (Red Market #1))
I’m strong enough not to tear you apart by loving you.
Helena Hunting (Little Lies (Lies, Hearts and Truths, #1))
The Devil's Rose You would never take a rose from a beast. If his callous hand were to hold out a scarlet flower, his grip unaffected by pricking thorns, you would shrink from the gift and refuse it. I know that is what you would do. But the cunning beast will have his beauty. He hunts not in hopeless pursuit, for fear would have you sprint all the day long. Thus, he turns toward the shadows and clutches the rosebud, crunching and twisting until every delicate petal is detached. One falls not far from your feet, and you notice the red spot in the snow. The color sparkles in the sunlight, catching your curious eye. No beast stands in sight; there is nothing to fear, so you dare retrieve the lone petal. The touch of temptation is velvet against your thumb. It carries a scent you bring to your nose, and both eyes close to float on a cloud of perfume. As your lashes lift, another scarlet drop stains the snow at a near distance. A glance around perceives no danger, and so your footprints scar the snowflakes to retrieve another rosy leaflet as soft and sweet as the first. Your eyes shine with flecks of golden greed at the discovery of more discarded petals, and you blame the wind for scattering them mere footprints apart. All you want is a few, so you step and snatch, step and snatch, step and snatch. Soon, there is enough velvet to rub against your cheek like a silken kerchief. Your collection of one-plus-one-more reeks of floral essence. Distracted, you jump at the sight of the beast in your path. He stands before his lair, grinning without love. His callous hands grip at thorns on a single naked stem, and you look down at your own hands that now cup his rose. But how can it be? You would never take a rose from a beast. You would shrink from the gift and refuse it. He knows that is what you would do.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
...fiction writing is like duck hunting. You go to the right place at the right time with the right dog. You get into the water before dawn, wearing a little protective gear, then you stand behind some reeds and wait for the story to present itself...You choose the place and the day. You pick the gun and the dog. You have the desire to blow the duck apart for reasons that are entirely your own. But you have to be willing to accept not what you wanted to have happen, but what happens... By the time you get out of the marsh, you will have written a novel so devoid of ducks it will shock you.
Ann Patchett
Look, Spanky," I said to Sharkface. "I'm a little busy to be tussling with every random weirdo who is insecure about his junk. Otherwise I would just love to smash you with a beer bottle, kick you in the balls, throw you out through the saloon doors, the whole bit. Why don't you have your people contact my people, and we can do this maybe next week?" "Next week is your self-deprecation awareness seminar," Thomas said. I snapped my fingers. "What about the week after?" "Apartment hunting." "Bother," I said. "Well, no one can say we didn't try.
Jim Butcher (Cold Days (The Dresden Files, #14))
We know this because finding an apartment belongs to a class of mathematical problems known as “optimal stopping” problems. The 37% rule defines a simple series of steps—what computer scientists call an “algorithm”—for solving these problems. And as it turns out, apartment hunting is just one of the ways that optimal stopping rears its head in daily life. Committing to or forgoing a succession of options is a structure that appears in life again and again, in slightly different incarnations. How many times to circle the block before pulling into a parking space? How far to push your luck with a risky business venture before cashing out? How long to hold out for a better offer on that house or car? The same challenge also appears in an even more fraught setting: dating. Optimal stopping is the science of serial monogamy.
Brian Christian (Algorithms To Live By: The Computer Science of Human Decisions)
Liberation My mind is clouded, I cannot hunt anymore. I lay my gun over the tracks of the rabbit. It was as though I became that creature who could not decide whether to flee or be still and so was trapped in the pursuer's eyes- And for the first time I knew those eyes have to be blank because it is impossible to kill and question at the same time. Then the shutter snapped, the rabbit went free. He flew through the empty forest that part of me that was the victim. Only victims have a destiny. And the hunter, who believed whatever struggles begs to be torn apart: that part is paralyzed.
Louise Glück (The Triumph of Achilles)
But there was a discipline, it was just that we didn’t understand. We thought he was formless, but I think now he was tormented by order, what was outside it. He tore apart the plot—see his music was immediately on top of his own life. Echoing. As if, when he was playing he was lost and hunting for the right accidental notes.
Michael Ondaatje (Coming Through Slaughter)
Hunt.' The entire world went quiet. 'I was waiting for you.' 'Bryce, sweetheart, just get back to your apartment and give me an hour and-' 'No,' she whispered, closing her eyes. She put her hand on her chest. Over her heart. 'I was waiting for you- in here.' Hunt couldn't stop his own tears then. 'I was waiting for you, too.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Hunt had managed to prop himself up on his elbows when Ithan yelled from the other side of the apartment, “Please: have sex a little louder! I didn’t hear everything that time!
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Pragmatic Programmers won't sit idly by and watch their projects fall apart through neglect.
Andrew Hunt (The Pragmatic Programmer: From Journeyman to Master)
No, it is you who are mistaken,” he said. “Look at you. You are neither man nor beast, but some pathetic creature who is less than both. You hate what you are and want to be what you cannot truly become. Your appearance may change, and you may wear all the fine clothes that you can steal from the bodies of your victims, but you will still be a wolf inside. Even then, what do you think will happen once your outer transformation is complete, when you start to resemble fully what once you hunted? You will look like a man, and the pack will no longer recognize you as its own. What you most desire is the very thing that will doom you, for they will tear you apart and you will die in their jaws as others have died in yours.
John Connolly (The Book of Lost Things)
HAPPENING APART FROM WHAT’S HAPPENING AROUND IT There is a vividness to eleven years of love because it is over. A clarity of Greece now because I live in Manhattan or New England. If what is happening is part of what’s going on around what’s occurring, it is impossible to know what is truly happening. If love is part of the passion, part of the fine food or the villa on the Mediterranean, it is not clear what the love is. When I was walking in the mountains with the Japanese man and began to hear the water, he said, “What is the sound of the waterfall?” “Silence,” he finally told me. The stillness I did not notice until the sound of water falling made apparent the silence I had been hearing long before. I ask myself what is the sound of women? What is the word for that still thing I have hunted inside them for so long? Deep inside the avalanche of joy, the thing deeper in the dark, and deeper still in the bed where we are lost. Deeper, deeper down where a woman’s heart is holding its breath, where something very far away in that body is becoming something we don’t have a name for.
Jack Gilbert (Collected Poems of Jack Gilbert)
Princes always are always happy to see developing among their subjects the taste for agreeable arts and for superfluities which do not result in the export of money. For quite apart from the fact that with these they nourish that spiritual pettiness so appropriate for servitude, they know very well that all the needs which people give themselves are so many chains binding them. When Alexander wished to keep the Ichthyophagi dependent on him, he forced them to abandon fishing and to nourish themselves on foods common to other people. And no one has been able to subjugate the savages in America, who go around quite naked and live only from what their hunting provides. In fact, what yoke could be imposed on men who have no need of anything?
Jean-Jacques Rousseau (Discourse on the Sciences and Arts and Polemics)
...when you’re property-hunting and you’re running out of patience it’s easy to make bad decisions. New York in particular has a way of making people twist reality in their heads. Who cares if the apartment is beneath a flamenco studio? I’ll get used to the noise! Yeah, I know the whole apartment has only one window facing a brick wall, but I’m never at home during the day.
Ben Ryder Howe (My Korean Deli: Risking It All for a Convenience Store)
It was supposed that the pearl buyers were individuals acting alone, bidding against one another for the pearls the fishermen brought in. And once it had been so. But this was a wasteful method, for often, in the excitement of bidding for a fine pearl, too great a price had been paid to the fisherman. This was extravagant and not to be countenanced. Now there was only one pearl buyer with many hands, and the men who sat in their offices and waited for Kino knew what price they would offer, how high they would bid, and what method each one would use. And although these men would not profit beyond their salaries, there was excitement among the pearl buyers, for there was excitement in the hunt, and if it be a man's function to break down a price, then he must take joy and satisfaction in breaking it as far down as possible. For every man in the world functions to the best of his ability, and no one does less than his best, no matter what he may think about it. Quite apart from any reward they might get, from any word of praise, from any promotion, a pearl buyer was a pearl buyer, and the best and happiest pearl buyer was he who bought for the lowest prices.
John Steinbeck (The Pearl)
There’s a security to it, how when we’re together we fall back into our old roles. We can have been apart for months, and then when we’re in each other’s company everything is back to how it always was,
Lucy Foley (The Hunting Party)
The tragic story made Brystal so angry her eyes welled. "They just wanted to be together," she said. "Why did humankind have to tear them apart? I'll never understand why the world hates a community that just wants to be loved and accepted. I'll never understand why people are so cruel to us." It's not about the prey, it's about the hunt," Madame Weatherberry said. "Humankind has always needed something to hate and fear to unite them. After all, if they had nothing to conquer and triumph over, they'd have nothing to fuel their sense of superiority. And some men would destroy the world for an ounce of self-worth.
Chris Colfer (A Tale of Magic... (A Tale of Magic, #1))
If you want the best odds of getting the best apartment, spend 37% of your apartment hunt (eleven days, if you’ve given yourself a month for the search) noncommittally exploring options. Leave the checkbook at home; you’re just calibrating. But after that point, be prepared to immediately commit—deposit and all—to the very first place you see that beats whatever you’ve already seen. This is not merely an intuitively satisfying compromise between looking and leaping. It is the provably optimal solution.
Brian Christian (Algorithms To Live By: The Computer Science of Human Decisions)
I’ve never felt this lonely. But then I’ve never witnessed someone falling apart. Even his blank stare, as he watches his world crumble around himself, is beautiful. And I’ve never seen someone break so perfectly. And all I can do is watch because he won’t let me in. Because just like his darkness, his misery is his own. But what does that make me? A passerby? No. I can’t just stand by. Why doesn’t he understand that I can’t watch him fall apart? That the sharp ends of the broken glass that is his heart, cut me too.
Kady Hunt (Perfect (Beautifully Broken Love, #1))
The Snow Leopard’s Tale is mesmeric. Tom McIntyre has compressed so many things into so few pages that I can think of only a few other short books that can compare. It was worth the wait for all of us who look forward to reading anything with his name under the title.
John Barsness (A Breed Apart: A Tribute to the Hunting Dogs That Own Our Souls, Volume 2)
But there was no denying Purvis’s ineptitude in the Dillinger hunt. Suspects were found then lost. His informants were hopeless. He raided the wrong apartments. He built no bridges to the Chicago police while annoying other departments. He’d had his car stolen from in front of his house.
Bryan Burrough (Public Enemies: America's Greatest Crime Wave and the Birth of the FBI, 1933-34)
Though I’m quite unworthy, I love to say the Divine Office every day, but apart from that I cannot bring myself to hunt through books for beautiful prayers. There are so many of them that I get a headache. Besides, each prayer seems lovelier than the next. I cannot possibly say them all and do not know which to choose, I behave like children who cannot read: I tell God very simply what I want and He always understands. For me, prayer is an upward leap of the heart, an untroubled glance towards heaven, a cry of gratitude and love which I utter from the depths of sorrow as well as from the heights of joy. It has a supernatural grandeur which expands the soul and unites it with God. I say an Our Father or a Hail Mary when I feel so spiritually barren that I cannot summon up a single worthwhile thought. These two prayers fill me with rapture and feed and satisfy my soul.
John Beevers (The Autobiography of Saint Therese: The Story of a Soul)
He picked apart the words she said, hunting for clues, the way his English teachers made them read poems and spend twenty minutes talking about a sentence, the meaning behind the meaning. The meaning behind her telling him about her life. The meaning of Florida. The meaning of her not coming home.
Lisa Ko (The Leavers)
Western culture developed out of a very hostile environment. Rocks, snow, ice, long periods when the ground was too hard to be worked, when nothing could be produced from the soil, hunting became too important; accumulating, hoarding, hiding, protecting enough to last through the winter, things falling apart in winter, covetous glances at one’s neighbor’s goods. Would three or four thousand years of that kind of survival influence a culture? Would greed color itself into the total result, in a large way? Hunt, forage, store, hoard, hide, defend, the thing at stake!! Not very conducive to sensitivity, tenderness.
George L. Jackson (Soledad Brother: The Prison Letters of George Jackson)
The teaching of Jesus is clear. No one ought to be compelled to become a Christian. This sets the Christian faith drastically apart from Islam. In no country where the Christian faith is the faith of the majority is it illegal to propagate another faith. There is no country in the world that I know of where the renunciation of one’s Christian faith puts one in danger of being hunted down by the powers of state. Yet, there are numerous Islamic countries where it is against the law to publicly proclaim the gospel of Jesus Christ, and where a Muslim who renounces his or her belief in Islam to believe in anything else risks death. Freedom to critique the text of the Koran and the person of Mohammed are prohibited by the laws of blasphemy, and the result is torturous punishment. One must respect the concern of a culture to protect what it deems sacred, but to compel a belief in Jesus Christ is foreign to the gospel, and that is a vital difference. The contrast is all too clear. It is in this matter of conversion and compulsion that political theory emerges. As I stated earlier, the gospel is not to be spread at the point of a sword. When Christendom has resorted to such methods, it was not the gospel of Jesus Christ that was propagated, but a political theory that used the gospel for the benefit of power-seeking institutions and individuals.
Ravi Zacharias (Jesus Among Other Gods: The Absolute Claims of the Christian Message)
Mustapha Mond paused, put down the first book and, picking up the other, turned over the pages. “Take this, for example,” he said, and in his deep voice once more began to read: “’A man grows old; he feels in himself that radical sense of weakness, of listlessness, of discomfort, which accompanies the advance of age; and, feeling thus, imagines himself merely sick, lulling his fears with the notion that this distressing condition is due to some particular cause, from which, as from an illness, he hopes to recover. Vain imaginings! That sickness is old age; and a horrible disease it is. They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false-a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.”’ Mustapha Mond shut the book and leaned back in his chair. “One of the numerous things in heaven and earth that these philosophers didn’t dream about was this” (he waved his hand), “us, the modern world. ’You can only be independent of God while you’ve got youth and prosperity; independence won’t take you safely to the end.’ Well, we’ve now got youth and prosperity right up to the end. What follows? Evidently, that we can be independent of God. ’The religious sentiment will compensate us for all our losses.’ But there aren’t any losses for us to compensate; religious sentiment is superfluous. And why should we go hunting for a substitute for youthful desires, when youthful desires never fail? A substitute for distractions, when we go on enjoying all the old fooleries to the very last? What need have we of repose when our minds and bodies continue to delight in activity? of consolation, when we have soma? of something immovable, when there is the social order?
Aldous Huxley (Brave New World)
Men, it seems, experience the merest breeze of equality as something like a catastrophic hurricane—there’s a similar exaggeration involved when majority groups feel under attack and consider themselves practically overwhelmed as soon as victims of racism show the least sign of standing up for themselves. Apart from resistance to renouncing their privilege (whether as men or as white people), this reaction displays the inability of the dominant to comprehend the experience of the dominated, but perhaps also, despite their indignant protestations of innocence, an appalling guilty conscience, acknowledging something along the lines of: “We are hurting them so badly that, if we give them the tiniest room for maneuver, they will destroy us.
Mona Chollet (In Defense of Witches: The Legacy of the Witch Hunts and Why Women Are Still on Trial)
Now,' he says, when finished, 'let the wind blow and let the light come from the dark. I’ll sit here with my hen's egg and watch with safety even if the sky falls apart.' Every hour of the day after that, he holds the egg next to his breast, except when hunting for food. When it’s cold, or it rains, he never leaves at all, fearing a moment's neglect might prove fatal. To him, this egg is Sally,
Peter Gray (Telemachus)
Equally disagreeable is the man who, when leaving in the middle of the night, takes care to fasten the cord of his headdress. This is quite unnecessary; he could perfectly well put it gently on his head without tying the cord. And why must he spend time adjusting his cloak or hunting costume? Does he really think that someone may see him at this time of night and criticize him for not being impeccably dressed? A good lover will behave as elegantly at dawn as at any other time. He drags himself out of bed with a look of dismay on his face. The lady urges him on: “Come, my friend, it’s getting light. You don’t want anyone to find you here.” He gives a deep sigh, as if to say that the night has not been nearly long enough and that it is agony to leave. Once up, he does not instantly pull on his trousers. Instead, he comes close to the lady and whispers whatever was left unsaid during the night. Even when he is dressed, he still lingers, vaguely pretending to be fastening his sash. Presently he raises the lattice, and the two lovers stand together by the side door while he tells her how he dreads the coming day, which will keep them apart; then he slips away. The lady watches him go, and this moment of parting will remain among her most charming memories. Indeed, one’s attachment to a man depends largely on the elegance of his leave-taking. When he jumps out of bed, scurries about the room, tightly fastens his trouser-sash, rolls up the sleeves of his Court cloak, over-robe, or hunting costume, stuffs his belongings into the breast of his robe and then briskly secures the outer sash—one really begins to hate him.
Sei Shōnagon (The Pillow Book)
Put on some tea. I’m coming over. And don’t even think about having another childish fit and leaving the apartment. You might have given Ronan Fitzpatrick the slip, but I will hunt you down and make your life very uncomfortable until I am satisfied that you’ve learned your lesson. You can’t run away from people who care about you and are invested in your success and happiness. It’s a dick move, Annie. Don’t be a dick.
L.H. Cosway (The Hooker and the Hermit (Rugby, #1))
Apart from resistance to renouncing their privilege (whether as men or as white people), this reaction displays the inability of the dominant to comprehend the experience of the dominated, but perhaps also, despite their indignant protestations of innocence, an appalling guilty conscience, acknowledging something along the lines of: 'We are hurting them so badly that, if we give them the tiniest room for maneuver, they will destroy us.
Mona Chollet (In Defense of Witches: The Legacy of the Witch Hunts and Why Women Are Still on Trial)
He overheard the director talking to one of the cameramen. The cameraman was explaining that he couldn’t get a good long shot on the exterior because someone had set up a fake graveyard right in the plaza. “Kids just playing around, I guess, but it’s morbid; we’ll have to get rid of it, maybe bring in some sod to—” “No,” Albert said. “We’re almost ready for you,” the director assured him. “That’s not a fake graveyard. Those aren’t fake graves. No one was playing around.” “You’re saying those . . . those are actually . . .” “What do you think happened here?” Albert asked in a soft voice. “What do you think this was?” Absurdly, embarrassingly, he had started to cry. “Those are kids buried there. Some of them were torn apart, you know. By coyotes. By . . . by bad people. Shot. Crushed. Like that. Some of those kids in the ground there couldn’t take it, the hunger and the fear . . . some of those kids out there had to be cut down from the ropes they used to hang themselves. Early on, when we still had any animals? I had a crew go out and hunt down cats. Cats and dogs and rats. Kill them. Other kids to skin them . . . cook them up.” There were a dozen crew people in the McDonald’s. None spoke or moved. Albert brushed away tears and sighed. “Yeah. So don’t mess with the graves. Okay? Other than that, we’re good to go.
Michael Grant (Light (Gone, #6))
Not the Happiness but the Consequence of Happiness He wakes up in the silence of the winter woods, the silence of birds not singing, knowing he will not hear his voice all day. He remembers what the brown owl sounded like while he was sleeping. The man wakes in the frigid morning thinking about women. Not with desire so much as with a sense of what is not. The January silence is the sound of his feet in the snow, a squirrel scolding, or the scraping calls of a single blue jay. Something of him dances there, apart and gravely mute. Many days in the woods he wonders what it is that he has for so long hunted down. We go hand in hand, he thinks, into the dark pleasure, but we are rewarded alone, just as we are married into aloneness. He walks the paths doing the strange mathematics of the brain, multiplying the spirit. He thinks of caressing her feet as she kept dying. For the last four hours, watching her gradually stop as the hospital slept. Remembers the stunning coldness of her head when he kissed her just after. There is light or more light, darkness and less darkness. It is, he decides, a quality without definition. How strange to discover that one lives with the heart as one lives with a wife. Even after many years, nobody knows what she is like. The heart has a life of its own. It gets free of us, escapes, is ambitiously unfaithful. Dies out unaccountably after eight years, blooms unnecessarily and too late. Like the arbitrary silence in the white woods, leaving tracks in the snow he cannot recognize.
Jack Gilbert (Refusing Heaven: Poems)
At the edge of Saint-Michel is the Wildwood. The wolves who live there come out at night. They prowl fields and farms, hungry for hens and tender young lambs. But there is another sort of wolf, one that's far more treacherous. This is the wolf the old ones speak of. "Run if you see him," they tell their granddaughters. "His tongue is silver, but his teeth are sharp. If he gets hold of you, he'll eat you alive." Most of the village girls do what they're told, but occasionally one does not. She stands her ground, looks the wolf in the eye, and falls in love with him. People see her run to the woods at night. They see her the next morning with leaves in her hair and blood on her lips. This is not proper, they say. A girl should not love a wolf. So they decide to intervene. They come after the wolf with guns and swords. They hunt him down in the Wildwood. But the girl is with him and sees them coming. The people raise their rifles and take aim. The girl opens her mouth to scream, and as she does, the wolf jumps inside it. Quickly the girl swallows him whole, teeth and claws and fur. He curls up under her heart. The villagers lower their weapons and go home. The girl heaves a sigh of relief. She believes this arrangement will work. She thinks she can be satisfied with memories of the wolf’s golden eyes. She thinks the wolf will be happy with a warm place to sleep. But the girl soon realized she’s made a terrible mistake, for the wolf is a wild thing and wild things cannot be caged. He wants to get out, but the girl is all darkness inside and he cannot find his way. So he howls in her blood. He tears at her heart. The howling and gnawing –it drives the girl mad. She tries to cut him out, slicing lines in her flesh with a razor. She tries to burn him out, holding a candle flame to her skin. She tries to starve him out, refusing to eat until she’s nothing but skin over bones. Before long, the grave takes them both. A wolf lives in Isabelle. She tries hard to keep him down, but his hunger grows. He cracks her spine and devours her heart. Run home. Slam the door. Throw the bolt. It won’t help. The wolves in the woods have sharp teeth and long claws, but it’s the wolf inside who will tear you apart.
Jennifer Donnelly
Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain. Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence. A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop. Then the screen door squeaked open and she took flight. Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive. He knew her path by now. He was ready for the hunt. The clanging unbuckled belt boomed in her ears as he gained on her. The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go. Young trees teased her in this direction, so she moved east towards the evergreens. Hunger and hurt left her no choice, she had to stop running soon. She grabbed the first tree with a branch low enough to reach, and up she went. The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree. His footsteps pounded close by. She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his. She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up. Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down. She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension. Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest. He called her name once, twice. The third time’s tone not quite as friendly. The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her. His feet crunched in circles around the tree, eventually heading back home. Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense. “Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch.
Kim Bongiorno (Part of My World: Short Stories)
Inquisition as such, that is, apart from methods and severity of results, has remained a live institution. The many dictatorships of the 20C have relied on it and in free countries it thrives ad hoc - Hunting down German sympathizers during the First World War, interning Japanese-Americans during the second, and pursuing Communist fellow-travelers during the Cold War. In the United States at the present time the workings of "political correctness" in universities and the speech police that punishes persons and corporations for words on certain topics quaintly called "sensitive" are manifestations of the permanent spirit of inquisition.
Jacques Barzun (From Dawn to Decadence: 500 Years of Western Cultural Life, 1500 to the Present)
Books? Yes, I read a lot, I’ve always read a lot. No, I’m not sure we do understand each other. I like to read best on the floor, or in bed, almost everything lying down, no, it has less to do with the books, above all it has to do with the reading, with black on white, with the letters, syllables, lines, the signs, the setting down, this inhuman fixing, this insanity, which flows from people and is frozen into expression. Believe me, expression is insanity, it arises out of our insanity. It also has to do with turning pages, with hunting from one page to the other, with flight, with complicity in an absurd, solidified effusion, with a vile overflow of verse, with insuring life in a single sentence, and, in turn, with the sentences seeking insurance in life. Reading is a vice which can replace all other vices or temporarily take their place in more intensely helping people live, it is a debauchery, a consuming addiction. No, I don’t take any drugs, I take books, of course I have certain preferences, many books don’t suit me at all, some I take only in the morning, others at night, there are books I don’t ever let go, I drag them around with me in the apartment, carrying them from the living room into the kitchen, I read them in the hall standing up, I don’t use bookmarks, I don’t move my lips while reading, early on I learned to read very well, I don’t remember the method, but you ought to look into it, they must have used an excellent method in our provincial elementary schools, at least back then when I learned to read. Yes I also realized, but not until later, that there are countries where people don’t know how to read, at least not quickly, but speed is important, not only concentration, can you please tell me who can keep chewing on a simple or even a complex sentence without feeling disgust, either with the eyes or the mouth, just keep on grinding away, over and over, a sentence which only consists of subject and predicate must be consumed rapidly, a sentence with many appositions must for that very reason be taken at tremendous speed, with the eyeballs performing an imperceptible slalom, since a sentence doesn’t convey anything to itself, it has to “convey” something to the reader. I couldn’t “work my way through” a book, that would almost be an occupation. There are people, I tell you, you come across the strangest surprises in this field of reading . . . I do profess a certain weakness for illiterates, I even know someone here who doesn’t read and doesn’t want to, a person who has succumbed to the vice of reading more easily understands such a state of innocence, really unless people are truly capable of reading they ought not to read at all.
Ingeborg Bachmann (Malina)
He had got a good start on another book, Silent Spring, by Rachel Carson. I stood until he finished a paragraph, shut the book on a finger, and looked the question. “Twenty grand,” I told him. “The DA wanted fifty, so I’m stepping high. One of the dicks was pretty good, he nearly backed me into a corner on the overalls, but I got loose. No mention of Saul or Fred or Orrie, so they haven’t hit on them and now they probably won’t. I signed two different statements ten hours apart, but they’re welcome to them. The status quo has lost no hide. If there’s nothing urgent I’ll go up and attend to my hide. I had a one-hour nap with a dick standing by. As for eating, what’s lunch?
Rex Stout (The Mother Hunt (Nero Wolfe, #38))
Most of the bears had never seen mountains, apart from the cliffs on their own island of Svalbard, and fell silent as they looked up at the giant ramparts, still so far off. “What will we hunt there, Iorek Byrnison?” said one. “Are there seals in the mountains? How shall we live?” “There is snow and ice,” was the king’s reply. “We shall be comfortable. And there are wild creatures there in plenty. Our lives will be different for a while. But we shall survive, and when things return to what they should be, and the Arctic freezes once more, we shall still be alive to go back and claim it. If we had stayed there, we would have starved. Be prepared for strangeness and for new ways, my bears.
Philip Pullman (The Amber Spyglass (His Dark Materials #3))
If you read Lord of the Flies at some point in the past, you probably remember the story’s premise. A plane carrying a group of British schoolboys crashes on a desert island. In the adult world, war is raging. While the boys wait for grown-ups to rescue them, they set up a miniature society. They elect Ralph as their leader because he’s the one who finds a conch shell and uses it to call them together. They establish groups and roles: some boys will hunt, some will build shelters, and some will keep a fire burning in hopes of summoning a rescue boat. These plans are sensible and practical, but it’s only a matter of time before they fall apart. In order to eat meat, some of the boys must be willing to kill. Doing so requires them to cross a line—to let go of all they’ve been taught and unleash some part of themselves that they never before dared to reveal. As the leader of the hunters, Jack is intoxicated by this freedom. Meanwhile there’s Piggy, the voice of reason, reminding them that they must have rules and remain focused on rescue. But it’s easier to play than to work, and being wild is more fun than being disciplined. Undermining it all is the element of fear, which trumps reason and incites panic. Soon the same war raging in the adult world erupts on the island. Children who were once proper schoolboys become distortions of their former selves, barely recognizable as human.
William Golding (Lord of the Flies)
Men, it seems, experience the merest breeze of equality as something like a catastrophic hurricane -- there's a similar exaggeration involved when majority groups feel under attack and consider themselves practically overwhelmed as the victims of racism show the least sign of standing up for themselves. Apart from resistance to renouncing their privilege (whether as men or as white people), this reaction displays the inability of the dominant to to comprehend the experience of the dominated, but perhaps also, despite their indignant protestations of innocence, an appallingly guilty conscience, acknowledging something along the lines of: 'We are hurting them so badly that, if we give them the tiniest room for maneuver, they will destroy us.
Mona Chollet (In Defense of Witches: The Legacy of the Witch Hunts and Why Women Are Still on Trial)
And it shall come to pass that what men made shall be shattered, and the Shadow shall lie across the Pattern of the Age, and the Dark One shall once more lay his hand upon the world of man. Women shall weep and men quail as the nations of the earth are rent like rotting cloth. Neither shall anything stand nor abide . . . Yet one shall be born to face the Shadow, born once more as he was born before and shall be born again, time without end. The Dragon shall be Reborn, and there shall be wailing and gnashing of teeth at his rebirth. In sackcloth and ashes shall he clothe the people, and he shall break the world again by his coming, tearing apart all ties that bind. Like the unfettered dawn shall he blind us, and burn us, yet shall the Dragon Reborn confront the Shadow at the Last Battle, and his blood shall give us the Light. Let tears flow, O ye people of the world. Weep for your salvation.
Robert Jordan (The Great Hunt (The Wheel of Time #2))
And it shall come to pass that what men made shall be shattered, and the Shadow shall lie across the Pattern of the Age, and the Dark One shall once more lay his hand upon the world of man. Women shall weep and men quail as the nations of the earth are rent like rotting cloth. Neither shall anything stand nor abide . . . Yet one shall be born to face the Shadow, born once more as he was born before and shall be born again, time without end. The Dragon shall be Reborn, and there shall be wailing and gnashing of teeth at his rebirth. In sackcloth and ashes shall he clothe the people, and he shall break the world again by his coming, tearing apart all ties that bind. Like the unfettered dawn shall he blind us, and burn us, yet shall the Dragon Reborn confront the Shadow at the Last Battle, and his blood shall give us the Light. Let tears flow, O ye people of the world. Weep for your salvation.
Robert Jordan (The Great Hunt (The Wheel of Time #2))
Long before history began we men have got together apart from the women and done things. We had to. And to like doing what must be done is a characteristic that has survival value. We not only had to do the things, we had to talk about them. We had to plan the hunt and the battle. When they were over we had to hold a post mortem and draw conclusions for future use. We liked this even better. We ridiculed or punished the cowards and bunglers, we praised the star-performers. We revelled in technicalities. (‘He might have known he’d never get near the brute, not with the wind that way’ . . . ‘You see, I had a lighter arrowhead; that’s what did it’ . . . ‘What I always say is—’ . . . ‘stuck him just like that, see? Just the way I’m holding this stick’ . . .). In fact, we talked shop. We enjoyed one another’s society greatly: we Braves, we hunters, all bound together by shared skill, shared dangers and hardships, esoteric jokes—away from the women and children.
C.S. Lewis (The Four Loves)
Jack took two steps towards the couch and then heard his daughter’s distressed wails, wincing. “Oh, right. The munchkin.” He instead turned and headed for the stairs, yawning and scratching his messy brown hair, calling out, “Hang on, chubby monkey, Daddy’s coming.” Jack reached the top of the stairs. And stopped dead. There was a dragon standing in the darkened hallway. At first, Jack swore he was still asleep. He had to be. He couldn’t possibly be seeing correctly. And yet the icy fear slipping down his spine said differently. The dragon stood at roughly five feet tall once its head rose upon sighting Jack at the other end of the hallway. It was lean and had dirty brown scales with an off-white belly. Its black, hooked claws kneaded the carpet as its yellow eyes stared out at Jack, its pupils dilating to drink him in from head to toe. Its wings rustled along its back on either side of the sharp spines protruding down its body to the thin, whip-like tail. A single horn glinted sharp and deadly under the small, motion-activated hallway light. The only thing more noticeable than that were the many long, jagged scars scored across the creature’s stomach, limbs, and neck. It had been hunted recently. Judging from the depth and extent of the scars, it had certainly killed a hunter or two to have survived with so many marks. “Okay,” Jack whispered hoarsely. “Five bucks says you’re not the Easter Bunny.” The dragon’s nostrils flared. It adjusted its body, feet apart, lips sliding away from sharp, gleaming white teeth in a warning hiss. Mercifully, Naila had quieted and no longer drew the creature’s attention. Jack swallowed hard and held out one hand, bending slightly so his six-foot-two-inch frame was less threatening. “Look at me, buddy. Just keep looking at me. It’s alright. I’m not going to hurt you. Why don’t you just come this way, huh?” He took a single step down and the creature crept forward towards him, hissing louder. “That’s right. This way. Come on.” Jack eased backwards one stair at a time. The dragon let out a warning bark and followed him, its saliva leaving damp patches on the cream-colored carpet. Along the way, Jack had slipped his phone out of his pocket and dialed 9-1-1, hoping he had just enough seconds left in the reptile’s waning patience. “9-1-1, what’s your emergency?” “Listen to me carefully,” Jack said, not letting his eyes stray from the dragon as he fumbled behind him for the handle to the sliding glass door. He then quickly gave her his address before continuing. “There is an Appalachian forest dragon in my house. Get someone over here as fast as you can.” “We’re contacting a retrieval team now, sir. Please stay calm and try not to make any loud noises or sudden movements–“ Jack had one barefoot on the cool stone of his patio when his daughter Naila cried for him again. The dragon’s head turned towards the direction of upstairs. Jack dropped his cell phone, grabbed a patio chair, and slammed it down on top of the dragon’s head as hard as he could.
Kyoko M. (Of Fury & Fangs (Of Cinder & Bone, #4))
Deep blue like the hour between the dog and the wolf. An attractively scooped neckline. Sleeves and hemline a length and cut you would call kind. Buttons in back like discreetly sealed lips. Good give in the fabric. Double lined. The sort of dress that looks like nothing but a sad dark sack on the hanger, but on the body it’s a different story. Takes extremely well to accessories. My mother loved this sort of dress. At whatever weight she was—thin, fat, middling—she owned an iteration. I saw her wear it to work, lunch with friends, on dates, to movies, parties, funerals. I saw her wear it alone in her apartment for days on end. Scratch at a stain on the boob. Shit. The hemline begin to unravel. Fuck fuck fuck. Do you have a safety pin? Holes begin to appear in the armpits. Jesus. The sleeves fray. Well. That’s that, isn’t it? She wore it so much she’d wear it out and then she’d have to hunt for another, whip through the plus-size racks for something that fit just as impossibly well, that was just as dignified, just as forgiving in its plain dark elegance.
Mona Awad (13 Ways of Looking at a Fat Girl)
How generous is your mistress,’ said the light, mocking voice of Prince Dmitri Ivanovich Vishnevetsky, ‘who said that as your guest I might hunt where I pleased.’ Half veiled by the blossom, he leaned against the opposite wall: a man strongly made with cleft chin and soft chestnut hair and moustache, and all the arts of a courtier. In his hands was a small Turkish bow; and across the spangled silk of his shirt hung a quiver. He smiled as he ceased speaking, and bending the bow, took aim, lightly, at a fluttering host of birds calling from the cherry tree over his head. The Voevoda smiled. ‘I am more generous still,’ he said, and drew back his arm, the fingers brushing his girdle. A flick of silver, arching through the air, touched Vishnevetsky’s bow with a click, and the Prince made a sound, cut off at once, as he stumbled off-balance, the sliced wood and hemp whipping about him: his arms flung involuntarily apart. Lymond’s knife, its chased hilt gold in the lamplight, lay on the cracked tiles at his feet. Lymond said, ‘I give you both weapon and quarry.
Dorothy Dunnett (The Ringed Castle (The Lymond Chronicles, #5))
Quite apart from this general proposition, what kind of people seek these new combinations? They are the men of thought, who have finely-differentiated brains coupled with the sensitivity of a woman and the emotionality of a child. They are the slenderest, most delicate branches on the great tree of humanity: they bear the flower and the fruit. Many become brittle too soon, many break off. Differentiation creates in its progress the fit as well as the unfit; wits are mingled with nitwits—there are fools with genius and geniuses with follies, as Lombroso has remarked. One of the commonest and most usual marks of degeneracy is hysteria, the lack of self-control and self-criticism. Without succumbing to the pseudo-psychiatric witch-hunting of an author like Nordau,3 who sees fools everywhere, we can assert with confidence that unless the hysterical mentality is present to a greater or lesser degree genius is not possible. As Schopenhauer rightly says, the characteristic of the genius is great sensibility, something of the mimosa-like quality of the hysteric. Geniuses also have other qualities in common with hysterical persons.
C.G. Jung (Estudos Psiquiátricos - Volume 1. Coleção Obras Completas de C. G. Jung (Em Portuguese do Brasil))
It doesn't take ten years of study, you don't need to go to the University, to find out that this is a damned good world gone wrong. Gone wrong, because it is being monkeyed with by people too greedy and mean and wrong-hearted altogether to do the right thing by our common world. They've grabbed it and they won't let go. They might lose their importance; they might lose their pull. Everywhere it's the same. Beware of the men you make your masters. Beware of the men you trust. We've only got to be clear-headed to sing the same song and play the same game all over the world, we common men. We don't want Power monkeyed with, we don't want Work and Goods monkeyed with, and, above all, we don't want Money monkeyed with. That's the elements of politics everywhere. When these things go wrong, we go wrong. That's how people begin to feel it and see it in America. That's how we feel it here -- when we look into our minds. That's what common people feel everywhere. That's what our brother whites -- "poor whites" they call them -- in those towns in South Carolina are fighting for now. Fighting our battle. Why aren't we with them? We speak the same language; we share the same blood. Who has been keeping us apart from them for a hundred and fifty-odd years? Ruling classes. Politicians. Dear old flag and all that stuff! Our school-books never tell us a word about the American common man; and his school-books never tell him a word about us. They flutter flags between us to keep us apart. Split us up for a century and a half because of some fuss about taxing tea. And what are our wonderful Labour and Socialist and Communist leaders doing to change that? What are they doing to unite us English-speaking common men together and give us our plain desire? Are they doing anything more for us than the land barons and the factory barons and the money barons? Not a bit of it! These labour leaders of to-day mean to be lords to-morrow. They are just a fresh set of dishonest trustees. Look at these twenty-odd platforms here! Mark their needless contradictions! Their marvellous differences on minor issues. 'Manoeuvres!' 'Intrigue.' 'Personalities.' 'Monkeying.' 'Don't trust him, trust me!' All of them at it. Mark how we common men are distracted, how we are set hunting first after one red herring and then after another, for the want of simple, honest interpretation...
H.G. Wells (The Holy Terror)
The mythical ‘butterfly effect’ does exist, but we don’t spend enough time butterfly hunting. Here are some recent butterfly effect discoveries, from my own experience: A website adds a single extra option to its checkout procedure – and increases sales by $300m per year. An airline changes the way in which flights are presented – and sells £8m more of premium seating per year. A software company makes a seemingly inconsequential change to call-centre procedure – and retains business worth several million pounds. A publisher adds four trivial words to a call-centre script – and doubles the rate of conversion to sales. A fast-food outlet increases sales of a product by putting the price . . . up. All these disproportionate successes were, to an economist, entirely illogical. All of them worked. And all of them, apart from the first, were produced by a division of my advertising agency, Ogilvy, which I founded to look for counter-intuitive solutions to problems. We discovered that problems almost always have a plethora of seemingly irrational solutions waiting to be discovered, but that nobody is looking for them; everyone is too preoccupied with logic to look anywhere else. We also found, rather annoyingly, that the success of this approach did not always guarantee repeat business; it is difficult for a company, or indeed a government, to request a budget for the pursuit of such magical solutions, because a business case has to look logical.
Rory Sutherland (Alchemy: The Dark Art and Curious Science of Creating Magic in Brands, Business, and Life)
To pass the time, he hunted through the apartment, patting surfaces down with his palms in an attempt to find computers, extra phones, more goddamn guns. He’d just returned to the second bedroom when something ricocheted off the window. Wrath unholstered his forty again and back-flatted it on the wall next to the window. With his hand, he sprang the lock and pushed the sheet of glass open a crack. The cop’s Boston accent was about as subtle as a loudspeaker. “Yo, Rapunzel, you going to let down your frickin’ hair, there?” “Shh, you wanna wake the neighbors?” “Like they can hear anything over that TV? Hey, this is the bat epi…” Wrath left Butch to talk to himself, putting his gun back on his hip, pushing the window wide, then heading for the closet. The only warning he gave the cop as he winged the first two-hundred-pound crate out of the building was, “Brace yourself, Effie.” “Jesus Ch—” A grunt cut off the swearing. Wrath poked his head out of the window and whispered, “You’re supposed to be a good Catholic. Isn’t that blasphemy?” Butch’s tone was like someone had pissed out a fire on his bed. “You just threw half a car at me with nothing but a quote from Mrs. fucking Doubtfire.” “Put on your big-girl pants and deal.” As the cop cursed his way over to the Escalade, which he’d managed to park under some pine trees, Wrath headed back to the closet. When Butch returned, Wrath heaved again. “Two more.” There was another grunt and a rattle. “Fuck me.” “Not on your life.” “Fine. Fuck you.” -Butch & Wrath
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
It is often said that Vietnam was the first television war. By the same token, Cleveland was the first war over the protection of children to be fought not in the courts, but in the media. By the summer of 1987 Cleveland had become above all, a hot media story. The Daily Mail, for example, had seven reporters, plus its northern editor, based in Middlesbrough full time. Most other news papers and television news teams followed suit. What were all the reporters looking for? Not children at risk. Not abusing adults. Aggrieved parents were the mother lode sought by these prospecting journalists. Many of these parents were only too happy to tell — and in some cases, it would appear, sell— their stories. Those stories are truly extraordinary. In many cases they bore almost no relation to the facts. Parents were allowed - encouraged to portray themselves as the innocent victims of a runaway witch-hunt and these accounts were duly fed to the public. Nowhere in any of the reporting is there any sign of counterbalancing information from child protection workers or the organisations that employed them. Throughout the summer of 1987 newspapers ‘reported’ what they termed a national scandal of innocent families torn apart. The claims were repeated in Parliament and then recycled as established ‘facts’ by the media. The result was that the courts themselves began to be paralysed by the power of this juggernaut of press reporting — ‘journalism’ which created and painstakingly fed a public mood which brooked no other version of the story. (p21)
Sue Richardson (Creative Responses to Child Sexual Abuse: Challenges and Dilemmas)
They found Tharion on the couch with Ithan, the tv blasting the latest sports stats. Tharion munched on a piece of pizza, long legs sprawled out in front of him, bare feet on the coffee table. Ruhn might have stepped inside to grab a piece of that pizza had Bryce not gone still. A Fae sort of stillness, sizing up a threat. His instinct went to high alert, bellowing at him to defend, to attack, to slaughter any threat to his family. Ruhn suppressed it, held back by the shadows begging to be unleashed, to hide Bryce from sight. Ithan called over to them, “Pizza’s on the counter if you want some.” Bryce remained silent as fear washed over her scent. Ruhn’s fingers grazed the cool metal of the gun strapped to his thigh. “Your cat’s a sweetheart, by the way,” Ithan went on, not taking his focus from the TV as he stroked the white cat curled on his lap. Bryce slowly shut the door behind her. “He scared the shit out of me when he leapt onto the counter a few minutes ago, the bastard.” The wolf ran his fingers through the luxurious coat, earning a deep purr in response. The cat had stunning blue eyes. They seemed keenly aware as they fixed on Bryce. Ruhn’s shadows gathered at his shoulders, snakes waiting to strike. He subtly drew his gun. Behind her, a familiar ripple of ether-laced power kissed over her skin. A small reassurance as Bryce croaked, “That’s not a cat.” Hunt arrived at the apartment just in time to hear Bryce’s words through the shut front door. He was inside in a moment, lightning gathered at his fingers. “Oh, calm yourself,” the Prince of the Chasm said, leaping into the coffee table.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
I have lived centuries and endured vampire hunts, wars, and betrayals. Until you came into my life, I have never lost control. I never had anything I wanted so much. I never had anything to lose.” She pulled his head down to her and pressed little healing kisses to his throat, to his strong jaw, to the hard corners of his mouth. “You are a good man, Mikhail.” She grinned impishly, her blue eyes teasing. “You just have too much power for your own good. But don’t worry, I know this American girl. She’s very disrespectful, and she’ll take all that arrogant starch out of you.” His answering laughter was slow in coming, but with it the terrible tension drained out of him. He wrapped his arms around her and lifted her off her feet, swinging her around, crushing her to him. As always, her heart jumped wildly. His mouth fastened on hers as he whirled them across the room to land on the bed. Raven’s laughter was soft and taunting. “We can’t possibly again.” His body was settling over hers, his knee nudging her thighs apart so he could press against her soft, welcoming body. “I think you should just stay naked and waiting for me,” he growled, stroking her to ensure her readiness. She lifted her hips invitingly. “I’m not sure we’ll know how to do this in a bed.” The last word was a gasp of pleasure as he joined their bodies. His mouth found hers again, laughter mingling with the sweet taste of passion. His hands shaped her breasts possessively and then tunneled in her hair. There was so much joy in her heart, in her mind, so much compassion and sweetness. His eternity would be filled with her laughter and her zest for life. He laughed aloud for the sheer joy of it.
Christine Feehan (Dark Prince (Dark, #1))
I remember being amazed that death could so easily rise up from the nothing of a boyish afternoon, billow up like fog. I knew that West Baltimore, where I lived; that the north side of Philadelphia, where my cousins lived; that the South Side of Chicago, where friends of my father lived, comprised a world apart. Somewhere out there beyond the firmament, past the asteroid belt, there were other worlds where children did not regularly fear for their bodies. I knew this because there was a large television resting in my living room. In the evenings I would sit before this television bearing witness to the dispatches from this other world. There were little white boys with complete collections of football cards, and their only want was a popular girlfriend and their only worry was poison oak. That other world was suburban and endless, organized around pot roasts, blueberry pies, fireworks, ice cream sundaes, immaculate bathrooms, and small toy trucks that were loosed in wooded backyards with streams and glens. Comparing these dispatches with the facts of my native world, I came to understand that my country was a galaxy, and this galaxy stretched from the pandemonium of West Baltimore to the happy hunting grounds of 'Mr. Belvedere.' I obsessed over the distance between that other sector of space and my own. I knew that my portion of the American galaxy, where bodies were enslaved by a tenacious gravity, was black and that the other, liberated portion was not. I knew that some inscrutable energy preserved the breach. I felt, but did not yet understand, the relation between that other world and me. And I felt in this a cosmic injustice, a profound cruelty, which infused an abiding, irrepressible desire to unshackle my body and achieve the velocity of escape.
Ta-Nehisi Coates (Between the World and Me)
Slavery has a special interaction with the normal structures of being a human being. So a human being is sort of a generalist creature with a capacity to have its software re-worked for different habitats. The reason that human beings are able to exploit every terrestrial habitat where plants grow is that they don't all have the software program that's the same, right? You can have a software program for hunting in the Calihari, you can have one for terracing the Andes to grow potatoes, you can have any one of a number of software programs. Well, slavery took the software program that Africans who were brought into the slave trade had, and it did its best to erase that program – and to render that program non-functional. It rendered it non-functional by combining people from different places who didn't even necessarily speak a language so there was not one culture available. And it sort of forces the bootstrapping of a new culture, which was composed of various things but of course it was, you know, prohibition against teaching slaves to read and things like that, and so there was a systematic breaking of the original culture that Africans had during the New World, and a substituting of a version that was not a much of a threat to the slave-holding population, right? And at the point that slavery comes to an end, it is not as if, frankly, even, you know, we didn't even have the tools to talk about these things in responsible terms. There wasn't enough known about how the mind works and what its relationship is to the body and all...so, the thing that makes the black population and the Indian population different, I would argue, is the systematic hobbling of the on-board, the inherited, evolved culture in the case of Indians by transporting them to reservations and by putting them in schools that disrupt the passage of normal culture and in the case of Africans, it was breaking apart of families, keeping people from being in contact with others they had the right language to talk to and all...so in any case, that carries through to the present: it creates a situation where there has not been access to the materials to fully update software.
Bret Weinstein
The birds had multiplied. She'd installed rows upon rows of floating melamine shelves above shoulder height to accommodate the expression of her once humble collection. Though she'd had bird figurines all over the apartment, the bulk of her prized collection was confined to her bedroom because it had given her joy to wake up to them every morning. Before I'd left, I had a tradition of gifting her with bird figurines. It began with a storm petrel, a Wakamba carving of ebony wood from Kenya I had picked up at the museum gift shop from a sixth-grade school field trip. She'd adored the unexpected birthday present, and I had hunted for them since. Clusters of ceramic birds were perched on every shelf. Her obsession had brought her happiness, so I'd fed it. The tiki bird from French Polynesia nested beside a delft bluebird from the Netherlands. One of my favorites was a glass rainbow macaw from an Argentinian artist that mimicked the vibrant barrios of Buenos Aires. Since the sixth grade, I'd given her one every year until I'd left: eight birds in total. As I lifted each member of her extensive bird collection, I imagined Ma-ma was with me, telling a story about each one. There were no signs of dust anywhere; cleanliness had been her religion. I counted eighty-eight birds in total. Ma-ma had been busy collecting while I was gone. I couldn't deny that every time I saw a beautiful feathered creature in figurine form, I thought of my mother. If only I'd sent her one, even a single bird, from my travels, it could have been the precursor to establishing communication once more. Ma-ma had spoken to her birds often, especially when she cleaned them every Saturday morning. I had imagined she was some fairy-tale princess in the Black Forest holding court over an avian kingdom. I was tempted to speak to them now, but I didn't want to be the one to convey the loss of their queen. Suddenly, however, Ma-ma's collection stirred. It began as a single chirp, a mournful cry swelling into a chorus. The figurines burst into song, tiny beaks opening, chests puffed, to release a somber tribute to their departed beloved. The tune was unfamiliar, yet its melancholy was palpable, rising, surging until the final trill when every bird bowed their heads toward the empty bed, frozen as if they hadn't sung seconds before. I thanked them for the happiness they'd bestowed on Ma-ma.
Roselle Lim (Natalie Tan's Book of Luck & Fortune)
In the year after Chris died, a friend organized a trip for the kids and me to use the time-share at Disney World in Florida. I felt exceptionally lonely the night we arrived in our rental car, exhausted from our flight. Getting our suitcases out, I mentioned something along the lines of “I wish we had Dad here.” “Me, too,” said both of the kids. “But he’s still with us,” I told them, forcing myself to sound as optimistic as possible. “He’s always here.” It’s one thing to say that and another to feel it, and as we walked toward the building I didn’t feel that way at all. We went upstairs--our apartment was on the second floor--and went to the door. A tiny frog was sitting on the door handle. A frog, really? Talk about strange. Anyone who knows the history of the SEALs will realize they trace their history to World War II combat divers: “frogmen” specially trained to infiltrate and scout enemy beaches before invasions (among other duties). They’re very proud of that heritage, and they still occasionally refer to themselves as frogmen or frogs. SEALs often feature frogs in various tattoos and other art related to the brotherhood. As a matter of fact, Chris had a frog skeleton tattoo as a tribute to fallen SEALs. (The term frogman is thought to derive from the gear the combat divers wore, as well as their ability to work both on land and at sea.) But for some reason, I didn’t make the connection. I was just consumed by the weirdness--who finds a frog, even a tiny one, on a door handle? The kids gathered round. Call me squeamish, but I didn’t want to touch it. “Get it off, Bubba!” I said. “No way.” We hunted around and found a little tree branch on the grounds. I held it up to the doorknob, hoping it would hop on. It was reluctant at first, but finally it toddled over to the outside of the door jam. I left it to do whatever frogs do in the middle of the night. Inside the apartment, we got settled. I took out my cell phone and called my mom to say we’d arrived safely. “There was one strange thing,” I told her. “There was a frog on the door handle when we arrived.” “A…frog?” “Yes, it’s like a jungle down here, so hot and humid.” “A frog?” “Yeah.” “And you don’t think there’s anything interesting about that?” “Oh my God,” I said, suddenly realizing the connection. I know, I know: just a bizarre coincidence. Probably. I did sleep really well that night. The next morning I woke up before the kids and went into the living room. I could have sworn Chris was sitting on the couch waiting for me when I came out. I can’t keep seeing you everywhere. Maybe I’m crazy. I’m sorry. It’s too painful. I went and made myself a cup of coffee. I didn’t see him anymore that week.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
THEORY OF ALMOST EVERYTHING After the war, Einstein, the towering figure who had unlocked the cosmic relationship between matter and energy and discovered the secret of the stars, found himself lonely and isolated. Almost all recent progress in physics had been made in the quantum theory, not in the unified field theory. In fact, Einstein lamented that he was viewed as a relic by other physicists. His goal of finding a unified field theory was considered too difficult by most physicists, especially when the nuclear force remained a total mystery. Einstein commented, “I am generally regarded as a sort of petrified object, rendered blind and deaf by the years. I find this role not too distasteful, as it corresponds fairly well with my temperament.” In the past, there was a fundamental principle that guided Einstein’s work. In special relativity, his theory had to remain the same when interchanging X, Y, Z, and T. In general relativity, it was the equivalence principle, that gravity and acceleration could be equivalent. But in his quest for the theory of everything, Einstein failed to find a guiding principle. Even today, when I go through Einstein’s notebooks and calculations, I find plenty of ideas but no guiding principle. He himself realized that this would doom his ultimate quest. He once observed sadly, “I believe that in order to make real progress, one must again ferret out some general principle from nature.” He never found it. Einstein once bravely said that “God is subtle, but not malicious.” In his later years, he became frustrated and concluded, “I have second thoughts. Maybe God is malicious.” Although the quest for a unified field theory was ignored by most physicists, every now and then, someone would try their hand at creating one. Even Erwin Schrödinger tried. He modestly wrote to Einstein, “You are on a lion hunt, while I am speaking of rabbits.” Nevertheless, in 1947 Schrödinger held a press conference to announce his version of the unified field theory. Even Ireland’s prime minister, Éamon de Valera, showed up. Schrödinger said, “I believe I am right. I shall look an awful fool if I am wrong.” Einstein would later tell Schrödinger that he had also considered this theory and found it to be incorrect. In addition, his theory could not explain the nature of electrons and the atom. Werner Heisenberg and Wolfgang Pauli caught the bug too, and proposed their version of a unified field theory. Pauli was the biggest cynic in physics and a critic of Einstein’s program. He was famous for saying, “What God has torn asunder, let no man put together”—that is, if God had torn apart the forces in the universe, then who were we to try to put them back together?
Michio Kaku (The God Equation: The Quest for a Theory of Everything)
Mustapha Mond paused, put down the first book and, picking up the other, turned over the pages. “Take this, for example,” he said, and in his deep voice once more began to read: “ ‘A man grows old; he feels in himself that radical sense of weakness, of listlessness, of discomfort, which accompanies the advance of age; and, feeling thus, imagines himself merely sick, lulling his fears with the notion that this distressing condition is due to some particular cause, from which, as from an illness, he hopes to recover. Vain imaginings! That sickness is old age; and a horrible disease it is. They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false—a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.’ ” Mustapha Mond shut the book and leaned back in his chair. “One of the numerous things in heaven and earth that these philosophers didn’t dream about was this” (he waved his hand), “us, the modern world. ‘You can only be independent of God while you’ve got youth and prosperity; independence won’t take you safely to the end.’ Well, we’ve now got youth and prosperity right up to the end. What follows? Evidently, that we can be independent of God. ‘The religious sentiment will compensate us for all our losses.’ But there aren’t any losses for us to compensate; religious sentiment is superfluous. And why should we go hunting for a substitute for youthful desires, when youthful desires never fail? A substitute for distractions, when we go on enjoying all the old fooleries to the very last? What need have we of repose when our minds and bodies continue to delight in activity? of consolation, when we have soma? of something immovable, when there is the social order?
Aldous Huxley (Brave New World)
Reaching the door of his mother’s apartments, Marcus found it locked. He rattled the handle violently. “Open it,” he bellowed. “Open it now!” Silence, and then a maid’s frightened reply from within. “Milord… the countess bade me to tell you that she is resting.” “I’ll send her to her eternal fucking rest,” Marcus roared, “if this door isn’t opened now.” “Milord, please—” He drew back three or four paces and hurled himself against the door, which shook on its hinges and partially gave with a splintering sound. There were fearful cries in the hallway from a pair of female guests who happened to witness the astonishing display of raging frenzy. “Dear God,” one exclaimed to the other, “he’s gone berserk!” Marcus drew back again and lunged at the door, this time sending chunks of paneling flying. He felt Simon Hunt’s hands grasp him from behind, and he whirled with his fist drawn back, ready to launch an attack on all fronts. “Jesus,” Hunt muttered, retreating a step or two with his hands raised in a defensive gesture. His face was taut and his eyes were wide, and he stared at Marcus as if he were a stranger. “Westcliff—” “Stay the hell out of my way!” “Gladly. But let me point out that if our positions were reversed, you would be the first to tell me to keep a cool—” Ignoring him, Marcus swerved back to the door and targeted the disjointed lock with a powerful, accurately aimed blow of his boot heel. The housemaid’s scream shot through the doorway as the ruined portal swung open. Bursting into the receiving room, Marcus charged toward the bedchamber, where the countess sat in a chair by a small hearth fire. Fully dressed and swathed in ropes of pearls, she stared at him with amused disdain. Breathing heavily, Marcus advanced on her with bloodlust racing through his veins. It was certain that the countess had no idea that she was in mortal danger, or she would not have received him so calmly. “Full of animal spirits today, are we?” she asked. “Your descent from gentleman to savage brute has been accomplished so very quickly. I must offer Miss Bowman my compliments on her efficacy.” “What have you done with her?” “Done with her?” Her expression taunted him with its innocent perplexity. “What the devil do you mean, Westcliff?” “You met with her at Butterfly Court this morning.” “I never walk that far from the manor,” the countess said haughtily. “What a ridiculous asser—” She let out a strident cry as Marcus seized her, his fingers wrapping around the pearl ropes and tightening them around her throat. “Tell me where she is, or I’ll snap your neck like a wishbone!” Simon Hunt seized him from behind once more, determined to prevent a murder from occurring. “Westcliff!” Marcus closed his hand in a harder grip around the pearls. He glared without blinking into his mother’s face, not missing the flicker of vindictive triumph that lurked in her eyes. He did not take his gaze from hers even as he heard his sister Livia’s voice. “Marcus,” she said urgently. “Marcus, listen to me! You have my permission to throttle her later. I’ll even help. But at least wait until we’ve found out what she’s done.” Marcus tightened the tension of the pearls until the elderly woman’s eyes seemed to protrude from their shallow sockets. “Your only value to me,” he said in a low tone, “is your knowledge of Lillian Bowman’s whereabouts. If I can’t obtain that from you, I’ll send you to the devil. Tell me, or I’ll choke it from you. And believe that I have enough of my father in me to do it without a second thought.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Authentic religious expression for them was an experience of the soul and made no distinctions of gender. As Lucretia Mott said, "In Christ, there is neither male nor female." Gradually, I have realized the core of what set them apart for me. It is that they lived, more than most of us, from a place of wholeness. They were authentically themselves without amputations or edits.
Helen LaKelly Hunt (Faith and Feminism: A Holy Alliance)
dog’ll hunt.” We were southerners and spoke the same language. This was not a visiting lecturer in jurisprudence but a man in the trenches. Suddenly I wanted to be there with him, under fire. I shook Beldon Ruth’s hard hand, and I took the job he offered me. When I passed the bar exam I married Toba, and we moved into an apartment on Neptune Beach, forty minutes from the courthouse in downtown Jacksonville.
Clifford Irving (Final Argument)
MacMillian steepled his fingers on the head of his cane. Anticipation rose in his chest. Lena and Cyrus Alan might have an advantage over him when it came to hunting ghosts, but this was where he excelled. This part of the game was all about patterns. He saw patterns. Always had.
Laura Oliva (A World Apart (Shades Below, #1))
Oh bell-dumb heart, it makes you a fool to think you were ever closer to opening up the world — to art, to breaking it apart — than those who came before. But knowing that can't make you read or breathe more slowly. Since when did you listen to anyone? To give up on motivation is to give up on the work we do with alphabet and light. It's not enough to hunt or haunt our parents' hearts; we must occupy our own.
Ander Monson (Letter to a Future Lover: Marginalia, Errata, Secrets, Inscriptions, and Other Ephemera Found in Libraries)
Birds of the Western Front Your mess-tin cover's lost. Kestrels hover above the shelling. They don't turn a feather when hunting-ground explodes in yellow earth, flickering star-shells and flares from the Revelation of St John. You look away from artillery lobbing roar and suck and snap against one corner of a thicket to the partridge of the war zone making its nest in shattered clods. History floods into subsoil to be blown apart. You cling to the hard dry stars of observation. How you survive. They were all at it: Orchids of the Crimea nature notes from the trench leaving everything unsaid - hell's cauldron with souls pushed in, demons stoking flames beneath - for the pink-flecked wings of a chaffinch flashed like mediaeval glass. You replace gangrene and gas mask with a dream of alchemy: language of the birds translating human earth to abstract and divine. While machine-gun tracery gutted that stricken wood you watched the chaffinch flutter to and fro through splintered branches, breaking buds and never a green bough left. Hundreds lay in there wounded. If any, you say, spotted one bird they may have wondered why a thing with wings would stay in such a place. She must have, sure, had chicks she was too terrified to feed, too loyal to desert. Like roots clutching at air you stick to the lark singing fit to burst at dawn sounding insincere above the burning bush: plough-land latticed like folds of brain with shell-ravines where nothing stirs but black rats, jittery sentries and the lice sliding across your faces every night. Where every elixir's gone wrong you hold to what you know. A little nature study. A solitary magpie blue and white spearing a strand of willow. One for sorrow. One for Babylon, Ninevah and Northern France, for mice and desolation, the burgeoning barn-owl population and never a green bough left.
Ruth Padel
A loser like Larry didn’t deserve a fine vintage car like Gloria. The Corvette Stingray had been lovingly restored by a jackass who named his car, yet treated his kids like afterthoughts. I planned to lovingly tear the fucking thing apart. “Have your fun then we’ll torch it and get a beer,” Vaughn said, yawning. “Did anyone see you?” I asked just to annoy him. My question worked like a charm and Vaughn squinted disgusted at me then walked over to a large rock where he sat down and looked at his phone. Swinging the bat, I smashed out the taillight. As painful as it was to tear apart such a beautiful car, Lark needed vengeance. In my mind, I wasn’t hitting the Corvette. I was destroying every person who ever hurt my girl. Every stepfather who hit her, mocked her, and ignored her. I imagined the hung over fucker who let her little brother die. I even pictured her mother who chose the latest fuck over her own kids. I hated them all for every tear Lark ever shed. If I couldn’t hunt them down, I’d destroyed the prized possession of the latest bastard to mistreat my muse. Smashing the windows, the lights, denting the cherry red doors, I trashed the car until I was out of breath. Eventually, I grabbed a blade and tore the tires, just to finish off my rage. “Wuss,” Vaughn said, standing over me as I leaned against the car. “Shame about Gloria. She was a beauty.” “I haven’t been to the batting cage in awhile. I think I pulled something” “Sure,” Vaughn muttered, yanking me to my feet. “Let’s light this little bitch up and get a beer.” “I need to get home to Lark.” “Are you fucking kidding me? I steal this car for you and don’t even get to trash it and you won’t have a beer with me? What an asshole.” “Please, don’t cry,” I said, patting his shoulder. “I don’t have the energy to hold you until your sobs turn to baby hiccups.” Vaughn laughed. “I miss Judd. The guy knew how to drink a beer and he didn’t mind when I pissed myself weeping like a chick.” “The guy is the epitome of patience,” I said, picking up the container of gas. “Or indifference. He always did seem a little bored when you two were talking.” “You looking to have me use that bat on you, is that it?” Grinning, I splashed gasoline on Gloria, careful not to have the liquid hit me. Once the car was thoroughly drenched, Vaughn lit a match.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
In the Alpine valleys of Piedmont there had been for centuries congregations of believers calling themselves brethren, who came later to be widely known as Waldenses, or Vaudois. . . . In the South of France. . . the congregations of believers who met apart from the Catholic Church were numerous and increasing. They are often called Albigenses [and] had intimate connections with the brethren—whether called Waldenses, Poor Men of Lyons, Bogomils, or otherwise—in the surrounding countries, where churches spread among the various peoples.       In 1209 [Pope Innocent III] proclaimed a crusade against [them]. Indulgences, such as had been given to the [Holy Land] Crusaders. . . were now offered to all who would take part in the easier work of destroying the most fruitful provinces of France. This, and the prospect of booty and license of every kind, attracted hundreds of thousands of men. Under the presidence of high clerical dignitaries and led by Simon de Montfort, a military leader of great ability. . . the most beautiful and cultivated part of Europe at that time was ravaged. . . .33
Dave Hunt (A Woman Rides the Beast)
river rippling behind the tree line, and the rich purples and deep oranges of the random wildflowers that had sprouted up all around, were absolutely stunning. To her, being in Hope Falls felt like she had been transported into a Thomas Kincaid painting. The entire town was postcard perfect. She didn’t miss the fact that she was one lucky girl getting to spend a significant amount of time here. That luck, however, was not translating to her house-hunting efforts. In fact, the apartment above Sue Ann’s Café was looking more and more appealing. After seeing six properties, Lily had come to the conclusion that settling was most likely her only option. Four out of the six properties Lauren had shown her had had everything that Lily needed. Space, hardwood floors, updated appliances. But they also all had one thing in common—they were totally secluded. She had been nervous just being at the properties and she’d been with Lauren the entire time. She couldn’t imagine what she would have felt like being out there alone. Which, logically, Lily knew was a completely ridiculous reaction. Whether or not there is a neighbor for a mile should have no relevance in Lily’s house hunt. But…it did. Maybe next year it wouldn’t, Lily thought to herself, trying to put a positive spin on her neurosis. “Okay, I think this one might be the one,” Lauren said confidently. Lily felt the car coming to a stop, and she looked up, squinting in the sun, to see a quaint cottage-style house.
Melanie Shawn (Snow Angel (Hope Falls, #5))
When her touch feels like this is the way perfect should be. When her heart beats so peacefully next to mine. When we intertwine our fingers and pretend like we’re never going to be apart and it feels like everything is right with the world. When every moment I spend with her, feels like I’m falling in love all over again. We might never find forever, or a happily-ever-after. Not with the things I now know. But for those few moments, we can pretend that we have it all. But that’s the thing about moments. No matter how hard you try to hold on— They always end.
Kady Hunt (Perfect (Beautifully Broken Love, #1))
She was going out today, woo hoo, getting out of this drab place and apartment-hunting no less, and if she had to climb stairs or stumble off some curb it was her choice as opposed to having some drunk run her down.
J.A. Schneider (Fear Dreams (Detective Kerri Blasco #1))
What does True Wireless Earbuds Mean Where are my earphones? Ahh!! There they are….and they are tangled (with irksome scream inside your head). There is nothing more frustrating than going on a search operation for your headphones and finally finding them entangled. Well thanks to the advance technology these days one of your daily struggles is gone with the arrival of wireless earphones in the market. No wire means no entanglement. ‘Kill the problem before it kills you’, you know the saying. Right! So what actually truly wireless earbuds are? Why should you replace your old headphones and invest in wireless ones? Without any further delay let’s dig deep into it. image WHAT ARE TRUE WIRELESS EARBUDS? A lot of people misunderstand true wireless earbuds and wireless earphones as the same thing. When it’s not. A true wireless earbuds which solely connects through Bluetooth and not through any wire or cord or through any other source. While wireless earphones are the ones which are connected through Bluetooth to audio source but the connection between the two ear plugs is established through a cable between them. Why true wireless earbuds? Usability: Who doesn’t like freedom! With no wire restrictions, it’s easier to workout without sacrificing your music motivation. From those super stretch yoga asanas to marathon running, from weight training to cycling - you actually can do all those without worrying about your phone safety or the dilemma of where to put them. With no wire and smooth distance connection interface, you have the full freedom of your body movement. They also comes with a charging case so you don’t have to worry about it’s battery. Good audio quality and background noise cancellation: With features like active noise cancellation, which declutter the unwanted background voice giving you the ultimate audio quality. These earbuds has just leveled up the experience of music and prevents you from getting distracted. Comfort and design: These small ear buddies are friendly which snuggles into your ear canal and don’t put too much pressure on your delicate ears as they are light weight. They are style statement maker and are comfortable to use even when you are on move, they stick to your ear and don’t fall off easily. Apart from all that you can easily answer your call on go, pause your music or whatever you are listening, switch to next by just touching your earplugs. image Convenience: You don’t necessarily have to have your phone on you like the wired ones. The farthest distance you could go was the length of the cable. But with wireless ones this is not the case, they could transmit sound waves from 8 meter upto 30 meters varying from model to model. Which allows you multi-task and make your household chores interesting. You can enjoy your podcasts or music or follow the recipe while cooking in your kitchen when your phone is lying in your living room. Voice assistance: How fascinating was it to watch all those detective/ secret agent thriller movies while they are on run and getting directions from their computer savvy buddies. Ethan Hunt from Mission Impossible….. Remember! Many wireless earphones comes with voice assistance feature which makes it easy to go around the places you are new to. You don’t have to stop and look to your phone screen for directions which makes it easier to move either on foot or while driving. Few things for you to keep in mind and compare before investing in a true wireless earphones :- Sound Quality Battery Life Wireless Range Comfort and design Warranty Price Gone are those days when true wireless earbuds were expensive possession. They are quite economical now and are available with various features depending upon different brands in your price range.
Hammer
Her apartment is owned by Brent Hendrix—the fucking bartender.
Eden Summers (Hunter (Hunting Her, #1))
It is also unclear why physical inactivity might be a mismatch for the immune system apart from the generally negative effects of sedentariness on overall health and levels of stress (which, as we have seen, depresses the immune system). One possibility is that because heading off to the bush to hunt and gather potentially made our ancestors more likely to encounter pathogens, our immune systems evolved to compensate by ramping up our defenses when we are active. A related possible explanation stems from the stingy way our bodies use calories. The fatigue we experience when fighting a cold is a reminder that the immune system is often energetically costly. As a result, maybe our immune systems evolved to be less vigilant when they are less needed. For hunter-gatherers, unlike most industrial people, those times might have been when they were less physically active and thus less likely to be exposed to pathogens.
Daniel E. Lieberman (Exercised: Why Something We Never Evolved to Do Is Healthy and Rewarding)
FAO scientists decided to measure people’s energy expenditures using the simplest metric possible, the physical activity level, or PAL.20 Your PAL is calculated as the ratio of how much energy you spend in a twenty-four-hour period divided by the amount of energy you would use to sustain your body if you never left your bed. This ratio has the advantage of being unbiased by differences in body size. Theoretically, a big person who is very physically active will have the same PAL as a small person who does the same activities. Ever since the PAL metric was conceived, scientists have measured the PALs of thousands of people from every walk of life and every corner of the globe. If you are a sedentary office worker who gets no exercise apart from generally shuffling about, your PAL is probably between 1.4 and 1.6. If you are moderately active and exercise an hour a day or have a physically demanding job like being a construction worker, your PAL is likely between 1.7 and 2.0. If your PAL is above 2.0, you are vigorously active for several hours a day. Although there is much variation, PALs of hunter-gatherers average 1.9 for men and 1.8 for women, slightly below PAL scores for subsistence farmers, which average 2.1 for men and 1.9 for women.21 To put these values into context, hunter-gatherer PALs are about the same as those of factory workers and farmers in the developed world (1.8), and about 15 percent higher than PALs of people with desk jobs in developed countries (1.6). In other words, typical hunter-gatherers are about as physically active as Americans or Europeans who include about an hour of exercise in their daily routine. In case you are wondering, most mammals in the wild have PALs of 3.3 or more, nearly twice as high as hunter-gatherers.22 Thus, comparatively speaking, humans who must hunt and gather all the food they eat and make everything they own by hand are substantially less active than average free-ranging mammals.
Daniel E. Lieberman (Exercised: Why Something We Never Evolved to Do Is Healthy and Rewarding)