Anvil The Story Of Anvil Quotes

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The Doctor is all of us, he lives and dies as all of us, and we need him to – because no matter the anvil-imagery of the Doctor as Christ, this is actually a far older and far simpler story than that. Everything changes. We all regenerate. I am not the same woman who first saw Rose ascend. Years go by and I become someone new, with the same memories but a new face, a new self.
Catherine Valenti
She had written Darcy the letter and posted it from her husband's tenth-story office while he was away in some strumpet's bed. And then she'd transformed herself into a bird, and then an anvil, and then a corpse.
Thomas Mullen (The Many Deaths of the Firefly Brothers)
Life takes each of us to the anvil, shapes us with fire and hammer, and some of us break while some of us become stronger, more able to face the day. Even happy.
Jewel (Never Broken: Songs Are Only Half the Story)
But then, in Piazza di Carbonara, from stones she moved on to weapons, and it became the place where men fought to the last drop of blood. Beggars and gentlemen and princes hurried to see people killing each other in revenge. When some handsome youth fell, pierced by a blade beaten on the anvil of death, immediately beggars, bourgeois citizens, kings and queens offered applause that rose to the stars.
Elena Ferrante (The Story of the Lost Child)
When some handsome youth fell, pierced by a blade beaten on the anvil of death, immediately beggars, bourgeois citizens, kings and queens offered applause that rose to the stars. Ah, the violence: tearing, killing, ripping.
Elena Ferrante (The Story of the Lost Child (The Neapolitan Novels #4))
Bobby’s eyes widened. Then he swallowed like there was an anvil in his throat. “You want me...” She waited for him to continue but he didn’t seem capable. So she shifted and the pain brought him back from wherever his glazed gaze had taken him. “You want me to rip your underwear off?” Given the need to clamp her thighs together, she didn’t care how he worded it. She nodded. “I think I’ve died and gone to Heaven,” he murmured. “You will if you don’t watch it, Wichowski. Just...reach under...
Dee Tenorio (A Wedding Story)
It is time for you to go. Lan and I must be on our way to the Stone. There can be no waiting, now.” “No.” He said it quietly, but when Moiraine opened her mouth, he raised his voice. “No! I will not leave her!” The Aes Sedai took a deep breath. “Very well, Perrin.” Her voice was ice; calm, smooth, cold. “Remain if you wish. Perhaps you will survive this night. Lan!” She and the Warder strode down the hall to their rooms. In moments they returned, Lan wearing his color-changing cloak, and vanished down the stairs without another word to him. He stared through the open door at Faile. I have to do something. If it is like the wolf dreams. . . . “Perrin,” came Loial’s deep rumble, “what is this about Faile?” The Ogier came striding down the hall in his shirtsleeves, ink on his fingers and a pen in his hand. “Lan told me I had to go, and then he said something about Faile, in a trap. What did he mean?” Distractedly, Perrin told him what Moiraine had said. It might work. It might. It has to! He was surprised when Loial growled. “No! Perrin, it is not right! Faile was so free. It is not right to trap her!” Perrin peered up at Loial’s face, and suddenly remembered the old stories that claimed Ogier were implacable enemies. Loial’s ears had laid back along the sides of his head, and his broad face was as hard as an anvil. “Loial, I am going to try to help Faile. But I will be helpless myself while I do. Will you guard my back?” Loial raised those huge hands that held books so carefully, and his thick fingers curled as if to crush stone. “None will pass me while I live, Perrin. Not Myrddraal or the Dark One himself.” He said it like a simple statement of fact. Perrin nodded, and looked through the door again. It has to work. I don’t care if Min warned me against her or not! With a snarl he leaped toward Faile, stretching out his hand. He thought he touched her ankle before he was gone.
Robert Jordan (The Dragon Reborn (The Wheel of Time, #3))
For five nights in a row, again and again, at different locations and in different positions he had offered me everything. Maybe his specialty was showing not only his prick but also his testicles, hair, belly, and top of his thighs. There was a certain merciless openness in this. The relief of his stomach, thighs, and loins, his head, and his entire splendid figure eerily reminded me of the man with anvil and hammer one can see on the twenty-forint bill. On each occasion, I had stupidly run away from him. To my shame, in the light of day I would take out the twenty-forint bill to see him and be with him. I couldn’t forget him. The only difference between him and his image on the bill was that on the latter the artist had used drapery to conceal the loins.
Péter Nádas (Parallel Stories: A Novel)
Kathy’s death, and what he’d done to get rid of her body, was an anvil pitched on Dave’s shoulders. He knew he could never erase what he’d done. He thought of how Kathy’s family would always wonder where she’d gone, and if she was happy.
Gregg Olsen (If You Tell: A True Story of Murder, Family Secrets, and the Unbreakable Bond of Sisterhood)
25,000 B.C., the first of the postglacial industries, and the first known culture of Cro-Magnon Man. Bone tools—pins, anvils, polishers, etc.—were now added to those of stone; and art appeared in the form of crude engravings on the rocks, or simple figurines in high relief, mostly of nude women.
Will Durant (The Complete Story of Civilization)
You soon got pretty handy with the fire, if I remember rightly. And you can make a well-tempered hoe. We’ll send you off to Faversham where you’ll do your two years of improving, and then you’ll always be welcome back here as a master blacksmith, and maybe take over when my back’s given in and I can’t do no more.’ Len handed Stephen a copy of his indenture, releasing him from his apprenticeship. The crowd applauded as Stephen tucked it into his pocket. ‘Now show us how you handle that anvil,’ Len said. Stephen stepped forwards, cracking his knuckles. He bent down and put both forearms under the anvil. He took a deep breath and tensed the muscles and sinews in his neck before he straightened, slowly lifting the heavy weight off the ground. A roar of cheers went up as he held it steady. ‘His arms are very strong, very strong indeed. He’s handsome, don’t you think?’ Emily said as Stephen gently lowered it down again. ‘He’s
Evie Grace (Half a Sixpence: Catherine’s Story (Maids of Kent #1))
Maybe tomorrow I’ll get hit by a bus or be pushed in front of a subway. Pianos and safes and anvils fall from pulleys in cartoons—why not in real life? Are there random acts of cyanide poisoning? Why am I so nonchalant about life and death? Why is “nonchalant” a word but “chalant” isn’t?
David Poses (The Weight of Air: A Story of the Lies about Addiction and the Truth about Recovery)
One day, Elva visited, as she often did from Brooklyn. Lily and Normon were chasing one another, tripping over their younger brother and all falling into a heap onto the floor. Chun grabbed the two by the arms and gave both a swift rap to the head with a sharp knuckle. Lily swiftly burst into tears. Normon bit his lip, nostrils flaring, refusing to cry. Chun flew into a rage—the eldest needed to model good behavior for the youngest children, and here was the toddler Johnny on the floor, bawling. If Normon was going to be so hard-necked obstinate, then both Lily and Normon, as the oldest children in the pecking order, needed to be punished. With a harder rap to the head, they were soon both crying—Normon’s face breaking open like a floodgate. Before she knew it, at the sight of them, Chun was herself in tears. It’s unclear if Elva put her hand on Chun’s shoulder or cleared her throat and said, Okay, enough, but once she’d ushered the children into their bedroom, she returned to find Chun sitting on a chair. They hate me, Chun said. They love you—they’re just being children. Not them, Chun said. The women—in this building. Why? They know that I am different, Chun said, attempting to explain, but knowing it was no use. For Elva, they were all Chinese at 37 Mott, but Chun was distinctly aware of the divisions. It was embarrassing to talk about such things to her aunt, her only true friend aside from Doshim, and a lofan. Elva was truly puzzled. “Shouldn’t that no longer matter here? You’re in a new country! This is America, after all.” Chun’s natural inclination to try to please Elva, to pretend that things were fine even when things were so bad that mo’ paa, mo’ waa—you can’t crawl, can’t scratch—made Elva’s misunderstanding feel like an anvil pressing down on her chest. “Don’t give up,” Elva finally said, her hand on Chun’s small shoulders, so bony like a little bird, now shaking as the tears began to flow. “I know it seems impossible, but there is always a way.” • • •
Ava Chin (Mott Street: A Chinese American Family's Story of Exclusion and Homecoming)
June 1 The Tragedy of Old Wineskins “No one puts new wine into old wineskins; or else the new wine bursts the wineskins, the wine is spilled, and the wineskins are ruined. But new wine must be put into new wineskins.” Mark 2:22 I’ll never forget Steven. His twenty-three years had been hard on him, his arm scarred from the needle and his wrist scarred from the knife. His pride was his fist, and his weakness was his girl. Steve’s initial response to love was beautiful. As we unfolded the story of Jesus before him, his hardened face would soften and his dark eyes would dance. But his girlfriend would have none of it. Any changes Steve made would be quickly muffled as she would craftily maneuver him back into his old habits. We begged him to leave her. He was trying to put new wine into an old wineskin. He wrestled for days trying to decide what to do. Finally, he reached a conclusion. He couldn’t leave her. The last time I saw Steve, he wept . . . uncontrollably. The prophecy of Jesus was true. By putting his new wine into an old skin, it was lost. Think for a minute. Do you have any wineskins that need to be thrown out? Maybe yours is an old indulgence—food, clothes, sex. Or an old habit, like gossip or profanity. Or possibly, like Steve, an old relationship. Repentance means change. And change means purging your heart of anything that can’t coexist with Christ. You can’t put new life into an old lifestyle. The inevitable tragedy occurs. The new life is lost. On the Anvil
Max Lucado (God Is With You Every Day: 365-Day Devotional)