Anvil Quotes

We've searched our database for all the quotes and captions related to Anvil. Here they are! All 100 of them:

Life's a forge! Yes, and hammer and anvil, too! You'll be roasted, smelted, and pounded, and you'll scarce know what's happening to you. But stand boldly to it! Metal's worthless till it's shaped and tempered! More labor than luck. Face the pounding, don't fear the proving; and you'll stand well against any hammer and anvil.
Lloyd Alexander (Taran Wanderer (The Chronicles of Prydain, #4))
To the brave crew and passengers of the Kobayshi Maru…sucks to be you.
Peter David (Stone and Anvil (Star Trek: New Frontier, #14))
Under the lake by Anvil Creek, a man has been frozen much like another man in the same wilderness had been frozen, in this area of Alaska where silence is the loudest sound.
Lee Matthew Goldberg (The Ancestor)
In real life it is always the anvil that breaks the hammer...
George Orwell
I would rather be the hammer than the anvil
Erwin Rommel
You must be either the servant or the master, the hammer or the anvil.
Johann Wolfgang von Goethe
A hand landed on his shoulder like an anvil. “How’d you like to stay for dinner?” Butch looked up. The guy was wearing a baseball cap and had some kind of marking—was that a tattoo, on his face? “How’d you like to be dinner?” said another one, who looked like some kind of model.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Tell people the hammered truth, and it will ring like steel against an anvil.
Elizabeth Haydon (The Floating Island (The Lost Journals of Ven Polypheme, #1))
For all your years prepare, And meet them ever alike; When you are the anvil, bear-- When you are the hammer, strike.
Edwin Markham
The Doctor is all of us, he lives and dies as all of us, and we need him to – because no matter the anvil-imagery of the Doctor as Christ, this is actually a far older and far simpler story than that. Everything changes. We all regenerate. I am not the same woman who first saw Rose ascend. Years go by and I become someone new, with the same memories but a new face, a new self.
Catherine Valenti
Everyone stopped to blink at that for a second. I mean, come on. Impaled by a guided frozen turkey missile. Even by the standards of the quasi-immortal creatures of the night, that ain't something you see twice. "For my next trick," I panted into the startled silence, "anvils.
Jim Butcher (Blood Rites (The Dresden Files, #6))
For all your days prepare And meet them ever alike When you are the anvil, bear - When you are the hammer, strike.
A.P.J. Abdul Kalam (Wings of Fire)
For all your days prepare, And meet them ever alike: When you are the anvil, bear-When you are the hammer, strike.
Edwin Markham
I reach up to brush my hair back out of my eyes so I can look around and attempt to determine what the hell is going on. The only three things that I know for certain took place last night are that one -- small elves climbed up my body and tied my hair into a mass of tiny knots, two -- I must have slept with my mouth open because something crawled into it and died and three -- I was sucked through a vortex into some animated world where an anvil was dropped on my head.
Katja Millay (The Sea of Tranquility)
One forges one's style on the terrible anvil of daily deadlines.
Émile Zola
Hammer the iron that lies on your anvil instead of daydreaming about working silver.
Robert Jordan (Wheel of Time)
Don't imagine she trembles over the dissecting table either, Smith. She has nerves of ice. Real Good can be as ruthless as Evil when it wants to accomplish something, let me tell you.
Kage Baker (The Anvil of the World)
And deep within him, missing its accustomed tread, his heart paused, and gave one single stroke, as if on an anvil.
Dorothy Dunnett (The Ringed Castle (The Lymond Chronicles, #5))
Tyger! Tyger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare sieze the fire? And what shoulder, & what art. Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? & what dread feet? What the hammer? what the chain? In what furnace was thy brain? What the anvil? what dread grasp Dare its deadly terrors clasp? When the stars threw down their spears, And watered heaven with their tears, Did he smile his work to see? Did he who made the Lamb make thee? Tyger! Tyger! burning bright In the forests of the night, What immortal hand or eye Dare frame thy fearful symmetry?
William Blake
I am a product of the flames which burnt me; the anvil which forged me; and the will that made me grow formidable instead of breaking.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
Suffer or triumph, be the hammer or the anvil.
Johann Wolfgang von Goethe
They talk about big skies in the western United States, and they may indeed have them, but you have never seen such lofty clouds, such towering anvils, as in Iowa in July.
Bill Bryson (The Life and Times of the Thunderbolt Kid)
What the hammer? What the Chains? In what furnace was thy brain? Where the anvil? What dread grasp? Dare its deadly terrors clasp?
William Blake (The Tyger)
Palestine is the anvil of our souls.
Clovis Maksoud
What happened to your face?" Harriet asked. "It was a misunderstanding," Daniel said smoothly, wondering how long it might take for his bruises to heal. He did not think he was particularly vain, but the questions were growing tiresome. "A misunderstanding?" Elizabeth echoed. "With an anvil?" "Oh, stop," Harriet admonished her. "I think he looks very dashing." "As if he dashed into an anvil." "Pay no attention," Harriet said to him. "She lacks imagination.
Julia Quinn (A Night Like This (Smythe-Smith Quartet, #2))
Who so pulleth out this sword from this stone and anvil is trueborn King of all Britain.
Rosemary Sutcliff
Anyone can kill a planet from orbit,” Holden replied. “You don’t even need bombs. Just push anvils out the airlock. That thing out there could kill… Shit. Anything.
James S.A. Corey (Leviathan Wakes (The Expanse, #1))
No worst, there is none. Pitched past pitch of grief, More pangs will, schooled at forepangs, wilder wring. Comforter, where, where is your comforting? Mary, mother of us, where is your relief? My cries heave, herds-long; huddle in a main, a chief- woe, world-sorrow; on an age-old anvil wince and sing — Then lull, then leave off. Fury had shrieked 'No ling- ering! Let me be fell: force I must be brief'. O the mind, mind has mountains; cliffs of fall Frightful, sheer, no-man-fathomed. Hold them cheap May who ne'er hung there. Nor does long our small Durance deal with that steep or deep. Here! creep, Wretch, under a comfort serves in a whirlwind: all Life death does end and each day dies with sleep.
Gerard Manley Hopkins (The Poems of Gerard Manley Hopkins)
Steer your boat with justice: forge A tongue on truth's anvil.
Pindar (Selected Odes)
The blades sang like the strokes of a hammer on a blacksmith's anvil echoing in the empty churchyard.
Stanley Goldyn (The Cavalier Club)
The work of Renny's bow, Anvil's teeth, Nathaniel's fists and the four swords of the others brought the fight to a quick close.
Nicole Sager (The Heart of Arcrea (The Arcrean Conquest, #1))
Julie crossed her arms. “I’m serious. Flat Finn can’t possibly go to school with her, right?” “He already went to Brandeis so, no, he doesn’t need to repeat seventh grade. Although they did make him take a bunch of tests in order to qualify out. He barely passed the oral exams, though, because the instructors found him withholding and tight-lipped. It’s a terribly biased system, but at least he passed and won’t have to suffer through the school’s annual reenactment of the first Thanksgiving. He has a pilgrim phobia.” “Funny. Really, what’s the deal with Flat Finn?” “After an unfortunate incident involving Wile E. Coyote and an anvil, Three Dimensional Finn had to change his name.
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
Let me twine Mine arms about that body, where against My grained ash an hundred times hath broke And scarr'd the moon with splinters: here I clip The anvil of my sword, and do contest As hotly and as nobly with thy love As ever in ambitious strength I did Contend against thy valour. Know thou first, I loved the maid I married; never man Sigh'd truer breath; but that I see thee here, Thou noble thing! more dances my rapt heart Than when I first my wedded mistress saw Bestride my threshold.
William Shakespeare (Coriolanus)
It is always the anvil that breaks the hammer, never the other way about.
George Orwell (Essays)
Freedom is hammered out on the anvil of discussion, dissent, and debate.
Hubert H. Humphrey
The mind must be given relaxation—it will rise improved and sharper after a good break. Just as rich fields must not be forced—for they will quickly lose their fertility if never given a break—so constant work on the anvil will fracture the force of the mind. But it regains its powers if it is set free and relaxed for a while. Constant work gives rise to a certain kind of dullness and feebleness in the rational soul.” —SENECA, ON TRANQUILITY OF MIND,
Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living)
Carpenters don’t make their saws and hammers, tailors don’t make their scissors and needles, and plumbers don’t make their wrenches, but blacksmiths can make their hammers, tongs, anvils, and chisels
Daniel C. Dennett (Intuition Pumps And Other Tools for Thinking)
The voice called his name again and it came through a lot of throat. Steven twisted quickly on his stool. Just a white wall and, down near the floor, the ventilation grille. Then movement behind the grille and Steven was on his knees, peering through it, pressing his face against the mesh. In there, in the shadows beyond the spill of light from the hall, the outline of an anvil-shaped head swayed gently. Two eyes blinked limpidly, insolent in their slowness. A dark mass moved forward into the light. “That Cripps man is going to fuck you up, dude.” It was a cow. Most of the body was below floor level but Steven could tell it was a full grown animal. A sienna Guernsey. He looked closely at the flawless sandy curves of forehead and cheek, at the chocolate darkening of the mouth and nostrils, at the badger rings around the eyes. For an absurd second he thought that if he looked hard enough at it the thing might phase back into his head and disappear. But it was real and it stayed. “What … ?” “Yeah, I’m a cow, man. Touch me.” Steven stuck his fingers through the grille. The cow was a cow, warm and solid.
Matthew Stokoe (Cows)
A misunderstanding?" Elizabeth echoed. "With an anvil?" "Oh, stop," Harriet admonished her. "I think he looks very dashing." "As if he dashed into an anvil.
Julia Quinn (A Night Like This (Smythe-Smith Quartet, #2))
You would choose only the worthy to embrace, Shield Anvil? Then what you do is not an embrace, sir. It is a reward.
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
And when matins and the first mass was done, there was seen in the churchyard, against the high altar, a great stone four square, like unto a marble stone; and in midst thereof was like an anvil of steel a foot on high, and therein stuck a fair sword naked by the point, and letters there were written in gold about the sword that said thus:—Whoso pulleth out this sword of this stone and anvil, is rightwise king born of all England.
Thomas Malory (Le Morte D'Arthur)
Love like an anvil had cracked my locked heart open and unleashed an excruciating flow of tenderness
Krista Bremer (My Accidental Jihad)
Ordinary effort, ordinary result. ... Luck is the residue of design. Be steadfast. The anvil outlasts the hammer.
Ethan Hawke (Rules for a Knight)
... responsibilities are the anvil on which a man is forged.
Terry Pratchett (Dodger)
He tries to force the anger down, but it's like an anvil on his chest. He closes his eyes, like Sammy taught him, and forces the anvil up; he softens.
Chris Crutcher (The Crazy Horse Electric Game)
his abuse makes her an anvil without spark
Munia Khan
Stand like a beaten anvil. It is the part of a good athlete to be bruised and to prevail.
Ignatius of Antioch (The Epistles of Ignatius and Polycarp)
Whoso pulleth out this sword of this stone and anvil, is rightwise king born of all England. Then the people marvelled, and told it to the Archbishop. I command, said the Archbishop, that ye keep you within your church and pray unto God still, that no man touch the sword till the high mass be all done. So when all masses were done all the lords went to behold the stone and the sword. And when they saw the scripture some assayed, such as would have been king. But none might stir the sword nor move it. He is not here, said the Archbishop, that shall achieve the sword, but doubt not God will make him known.
Thomas Malory (King Arthur And His Knights)
The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin's Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes' mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin's folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge's fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin's halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep. -The Song of Durin
J.R.R. Tolkien
She had written Darcy the letter and posted it from her husband's tenth-story office while he was away in some strumpet's bed. And then she'd transformed herself into a bird, and then an anvil, and then a corpse.
Thomas Mullen (The Many Deaths of the Firefly Brothers)
Kaz rapped his cane on the stone floor. He was standing in the doorway to the tomb. “If everyone is done cuddling, we have a job to do.” “Hold up,” said Jesper, arm still slung around Inej. “We’re not talking about the job until we figure out what those things were on the Stave.” “What things?” asked Inej. “Did you miss half the Stave blowing up?” “We saw the bomb at the White Rose go off,” said Inej, “and then we heard another explosion.” “At the Anvil,” said Nina. “After that,” Inej said, “we ran.” Jesper nodded sagely. “That was your big mistake. If you’d stuck around, you could have nearly been killed by a Shu guy with wings.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
There is a sense of danger in leaving what you know, even if what you know isn’t much. These mill towns with their narrow lanes and often narrow minds were all I really knew and I feared that if I left it behind, I would lose it and not find anything to replace it. The other reason I didn’t want to go was because I wanted to be the kind of person who stays, who builds a stable and predictable life. But I wasn’t one of the people, nor would I ever be. I had a vision for my life. It wasn’t clear, but it was beautiful and involved leaving my history and my poverty behind me. I wasn’t happy about who I was or where I was, but I didn’t worry about it. It didn’t define me. We’re always in the making. God always has us on his anvil, melting, bending and shaping us for another purpose. It was time to change, to find a new purpose.
John William Tuohy
Lay me on an anvil, O God. Beat me and hammer me into a crowbar. Let me pry loose old walls. Let me lift and loosen old foundations. Lay me on an anvil, O God. Beat me and hammer me into a steel spike. Drive me into the girders that hold a skyscraper together. Take red-hot rivets and fasten me into the central girders. Let me be the great nail holding a skyscraper through blue nights into white stars.
Carl Sandburg (Cornhuskers)
We could use all the blessings we could get. The impact of what we were about to do hit me like an anvil on Wile E. Coyote's head. We were heading out to stop Satan's son and save the world from certain destruction. Piece of cake.
Terri Clark (Hollyweird)
Because it is on the anvil of pain that the gods forge heroes.
C.L. Werner (Blighted Empire (1) (Warhammer Time of Legends))
We endure the strokes like anvils or hard steel, Till pain itself make us no pain to feel.
John Webster (The White Devil)
If you knew you were going to die, wasn’t it better to choose the time and place, instead of waiting for fate to drop on you like an anvil?
Jodi Picoult (The Storyteller)
Faith is an admirable trait. It's good to have faith in another person. But when faith is used as a substitute for reality, then it becomes a crutch for refusing to deal with that reality.
Peter David (Stone and Anvil (Star Trek: New Frontier, #14))
A moment later the scowling face of Admiral Jellico appeared on the screen. He looked as ill-humored as ever. Privately, Calhoun felt that somebody should send an away team into Jellico's ass, to determine just what had crawled up there and died years ago.
Peter David (Stone and Anvil (Star Trek: New Frontier, #14))
Pip, dear old chap, life is made of ever so many partings welded together, as I may say, and one man’s a blacksmith, and one’s a whitesmith, and one’s a goldsmith, and one’s a coppersmith. Diwisions among such must come, and must be met as they come. If there’s been any fault at all to-day, it’s mine. You and me is not two figures to be together in London; nor yet anywheres else but what is private, and beknown, and understood among friends. It ain’t that I am proud, but that I want to be right, as you shall never see me no more in these clothes. I’m wrong in these clothes. I’m wrong out of the forge, the kitchen, or off th’ meshes. You won’t find half so much fault in me if you think me in forge dress, with my hammer in my hand, or even my pipe. You won’t find half so much fault in me if, supposing as you should ever wish to see me, you come and put your head in at the forge window and see Joe the blacksmith, there, at the old anvil, in the old burnt apron, sticking to the old work. I’m awful dull, but I hope I’ve beat out something nigh the rights of this at last. And so God bless you, dear old Pip, old chap, God bless you!
Charles Dickens (Great Expectations)
Entrepreneurship is when an individual retrieves a red hot idea from the creativity furnace without the constraint of the heat of lean resources, and with each persistent blow of the innovation hammer shapes the still malleable idea against the anvil of passion, vision, insight, strategy, and principles to forge a fitting vessel of a creative concern.
Ini-Amah Lambert (Cracking the Stock Market Code: How to Make Money in Shares)
That there is in this world neither brains, nor goodness, nor good sense, but only brute force. Bloodshed. Starvation. Death. That there was not the slightest hope not even a glimmer of hope, of justice being done. It would never happen. No one would ever do it. The world was just one big Babi Yar. And there two great forces had come up against each other and were striking against each other like hammer and anvil, and the wretched people were in between, with no way out; each individual wanted only to live and not be maltreated, to have something to eat, and yet they howled and screamed and in their fear they were grabbing at each other’s throats, while I, little blob of watery jelly, was sitting in the midst of this dark world. Why? What for? Who had done it all? There was nothing, after all, to hope for! Winter. Night.
Anatoly Kuznetsov (Babi Yar: A Document in the Form of a Novel)
Never was the victory of patience more complete than in the early church. The anvil broke the hammer by bearing all the blows that the hammer could place upon it. The patience of the saints was stronger than the cruelty of tyrants.
Charles Haddon Spurgeon
In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire? And what shoulder and what art Could twist the sinews of thy heart? And, when thy heart began to beat, What dread hand and what dread feet? What the hammer? what the chain? In what furnace was thy brain? What the anvil? what dread grasp Dare its deadly terrors clasp?
William Blake (The Complete Poems)
I first set the needle on this record and bingo! the whole mechanism begins: the record player's arm tugs at a thread as the record plays; the thread pulls over this glass and lets this marble loose; the marble rolls down this miniature slide and snap! the spring is released, cutting off your heads! Brilliant! 'And just to be on the safe side,' he continued, 'this crossbow will shoot you as the trap is released, the axe will chop you in half and the anvil will crush you to pieces!' 'And do you see this gun?' Ratigan asked with a smile. 'In case you hadn't noticed, dear friends, it's also pointed at you! Ha! Ha! Ha!' Ratigan burst you laughing
Walt Disney Company
...& she, armed with both & abandoning the joys of reason that had meant so much to her as well as me, made a suitably advantageous marriage with an ironmonger with a face like an anvil & a soul like a slag, & so I never saw her freckles fade, her auburn hair dull, never had to watch our love turn to that non-colour, white.
Richard Flanagan (Gould's Book of Fish: A Novel in Twelve Fish)
My kinfolks thought more about character than about culture. They said culture could be acquired but character had to be formed. Character had to be hammered into shape like hot iron on an anvil. It had to be molded in the most exact and unrelenting form.
Ben Robertson (Red Hills and Cotton: An Upcountry Memory)
For his part he sensed with despair that he wouldn’t come, no matter how long they kept at it. But this activity made him happy, he could stand here all night and offer pleasure to this other human being, this creature of form and flesh crying like an anvil.
Denis Johnson (Already Dead: A California Gothic)
ZENITH NOON beats out on its solar anvil the rays of light
Sonia Delaunay (The Cubist Poets in Paris: An Anthology (French Modernist Library))
Outside the windows, the land was as flat, as interesting, as the head of an anvil, and the shadows of the corn advanced like the rifle barrels of an approaching army.
Stephen Wright (M31: A Family Romance)
As for the coyote, he was nothing like his cartoon icon. He was sleek, fast, healthy and apparently without an anvil or Acme product of any kind.
Doug Fine
On the anvil of August, the city lay paralyzed, stunned into stupidity by the heat.
Janet Fitch (White Oleander)
shitty smiths use shitty materials to make shitty product...and I’ll not have you shittifying my anvil.
Shane Walker (Master of None (All Trades, #1))
But if we understand anything of the unconscious, we know that it cannot be swallowed. We also know that it is dangerous to suppress it, because the unconscious is life and this life turns against us if suppressed, as happens in neurosis. Conscious and unconscious do not make a whole when one of them is suppressed and injured by the other. If they must contend, at least let it be a fair fight with equal rights on both sides. Both are aspects of life. Consciousness should defend its reason and protect itself, and the chaotic life of the unconscious should be given the chance of having its way too - as much of it as we can stand. This means open conflict and open collaboration at once. That, evidently, is the way human life should be. It is the old game of hammer and anvil: between them the patient iron is forged into an indestructible whole, an ‘individual.’ This, roughly, is what I mean by the individuation process.
C.G. Jung
...Our character was being forged on the anvil of the difficult experiences we were facing. We knew that if we remained committed to God's purposes for us, we would be prepared to face the future.
George Foster (Amazing Peace: Hope and Encouragement for the Storms of Life)
Will the spellbound world die with you" Will the spellbound world die with you where memory hangs on to clean breaths in life, the white shadow of a first love, a voice that struck your heart, the hand you wanted to grab in dreams, and every love that fell in the soul down to the bottom sky? Will your world die with you, the old life you remade in your way? Have the anvils and crucibles of your soul been working for dust and wind?
Antonio Machado (Border of a Dream: Selected Poems)
It is a mistake to read too many good books when quite young. A man once told me that he had read all the books that mattered. Cross-questioned, he appeared to have read a great many, but they seemed to have made only a slight impression. How many had he understood? How many had entered into his mental composition? How many had been hammered on the anvils of his mind and afterwards ranged in an armoury of bright weapons ready to hand? It is a great pity to read a book too soon in life. The first impression is the one that counts….Young people should be careful in their reading, as old people in eating their food. They should not eat too much. They should chew it well.
Winston S. Churchill (Painting As a Pastime)
Writing a novel is a bit like making a sword. First, you take all the raw material and melt it down in a crucible, then you take it to the anvil and hammer out as many of the impurities as possible before folding and turning the whole thing over on itself and hammering it out again. The more often you can fold it over and incorporate another layer the stronger it will be. Finally, put an edge on it, give it a handle to show to the world, and the job's done. The result should be something flexible and elegant; perfectly balanced, of suitable length and, above all with a point to it.
Robert Stephen Parry
And what shoulder, & what art, Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? & what dread feet? What the hammer? what the chain, In what furnace was thy brain? What the anvil? what dread grasp, Dare its deadly terrors clasp! When the stars threw down their spears And water'd heaven with their tears: Did he smile his work to see?
William Blake (The Complete Illuminated Books)
Not that he wanted to say that. It would make it sound as if he wanted to blame her.. Women were very complicated creatures. He suddenly realised he was running through his head a list of everything he considered preferable to women. It was a long and most impressive imaginary document.
Peter David (Stone and Anvil (Star Trek: New Frontier, #14))
Hope doesn’t float. Hope is an anchor forged from the nails that pierced Him and the iron-will that held Him to the cross, made Him stay the course, and drove Him to live out His extreme devotion to His Father’s will. His back became the anvil on which God forged our redemption. Jesus is our only hope.
Lori Stanley Roeleveld
You are strong, tempered like steel in the fire and by the blows of the hammer of life. Nothing will break you again, only make you stronger and more whole. Perfection is the pride of those who have not lived, who know not these things in their arrogance. They remain the same - raw and without form. The hammer never touches them, and they lie on the shelf, gathering dust, slowly tarnishing and fading and crumbling. the blows of the hammer in the fire refine us into bright shining glory for the roles we play in life - until we are one with the anvil, becoming immune to the hammer's little knocks, and smile at it.
Christina Engela (Demonspawn)
Poetry is no less than this: An unexpected workplace kiss The brandy in the spirit cage A salve upon our wounded age That lustful swell, the secret damp The yellow of the attic lamp The drifting, smoky, hazel haze Of wooded hills on autumn days Between the thoughts of summer lost And anvil of the winter frost
Martin Newell
Stand like a beaten anvil, when thy dream Is laid upon thee, golden from the fire. Flinch not, though heavily through that furnace-gleam The black forge-hammers fall on thy desire. Demoniac giants round thee seem to loom. 'Tis but the world-smiths heaving to and fro. Stand like a beaten anvil. Take the doom Their ponderous weapons deal thee, blow on blow. Needful to truth as dew-fall to the flower Is this wild wrath and this implacable scorn. For every pang, new beauty, and new power, Burning blood-red shall on thy heart be born. Stand like a beaten anvil. Let earth's wrong Beat on that iron and ring back in song.
Alfred Noyes (Collected Poems Complete)
The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.
Shailja Patel (Migritude)
Ah, yes. Perhaps I have confused you. There was a time when my mind was full of darkness. Then Brother Oats helped me to the light, and I was born.’ ‘Oh, religion stuff.’ ‘But here I am. You asked why I am strong? When I lived in the dark of the forge, I used to lift weights. The tongs at first, and then the little hammer and then the biggest hammer, and then one day I could lift the anvil. That was a good day. It was a little freedom.’ ‘Why was it so important to lift the anvil?’ ‘I was chained to the anvil.
Terry Pratchett (Unseen Academicals (Discworld, #37))
Strip by strip the lash carved into Grace's shuddering flesh. My tears were falling by then, heavy drops, joining in the leaf dust with the blood that had begun to trickle from the table. My limbs were so weak that I could not even raise a hand to wipe the mucus that dripped from my nose. She had been lying with her head faced away from me. She lifted it then, and turned, so that we looked at one another. If an anvil had fallen from the sky at that moment and landed upon me, I could not have felt more crushed.
Geraldine Brooks (March)
The Stones This is the city where men are mended. I lie on a great anvil. The flat blue sky-circle Flew off like the hat of a doll When I fell out of the light. I entered The stomach of indifference, the wordless cupboard. The mother of pestles diminished me. I became a still pebble. The stones of the belly were peaceable, The head-stone quiet, jostled by nothing.
Sylvia Plath (The Colossus: and Other Poems (Vintage International))
And as soon as you accepted that the man’s breakdown was a consequence of his war experience rather than his own innate weakness, then inevitably the war became the issue. And the therapy was a test, not only of the genuineness of the individual’s symptoms, but also of the validity of the demands the war was making on him. Rivers had survived partly by suppressing his awareness of this. But then along came Sassoon and made the justifiability of the war a matter for constant, open debate, and that suppression was no longer possible. At times it seemed to Rivers that all his other patients were the anvil and that Sassoon was the hammer. Inevitably there were times when he resented this. As a civilian, Rivers’s life had consisted of asking questions, and devising methods by which truthful answers could be obtained, but there are limits to how many fundamental questions you want to ask in a working day that starts before eight am and doesn’t end till midnight.
Pat Barker (Regeneration (Regeneration, #1))
But then, in Piazza di Carbonara, from stones she moved on to weapons, and it became the place where men fought to the last drop of blood. Beggars and gentlemen and princes hurried to see people killing each other in revenge. When some handsome youth fell, pierced by a blade beaten on the anvil of death, immediately beggars, bourgeois citizens, kings and queens offered applause that rose to the stars.
Elena Ferrante (The Story of the Lost Child)
Bloody hell, what did he hit me with? An anvil?" "His fist." "You should put that fool in a bear-baiting pit. You'd make a fortune." Dougal struggled to rise. Sophia helped him on one side, Mary slipping under his other arm. The wind swirled a bit harder, sending dust into the air. "Heavens!" Mary said, glancing over their heads at the sky. "That's the third thunderhead as has passed this way today." Sophia turned. A huge bank of thunderclouds hung overhead, roiling as if alive. "We should get inside," she said uneasily. Dougal didn't even glance at the clouds as he held a hand over his bruised eye and cheek. "Bloody hell, I can barely see.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
We all think we understand each other,' Kin heard Silver say. 'We eat together, we trade, many of us pride ourselves on having alien friends - but all this is only possible, only possible, Kin, because we do not fully comprehend the other. You've studied Earth history. Do you think you could understand the workings of of the mind of a Japanese warrior a thousand years ago? But he is as a twin to you compared with Marco, or with myself. When we use the word "cosmopolitan" we use it too lightly - it's flippant, it means we're galactic tourists who communicate in superficialities. We don't comprehend. Different worlds, Kin. Different anvils of gravity and radiation and evolution.
Terry Pratchett (Strata)
Bobby’s eyes widened. Then he swallowed like there was an anvil in his throat. “You want me...” She waited for him to continue but he didn’t seem capable. So she shifted and the pain brought him back from wherever his glazed gaze had taken him. “You want me to rip your underwear off?” Given the need to clamp her thighs together, she didn’t care how he worded it. She nodded. “I think I’ve died and gone to Heaven,” he murmured. “You will if you don’t watch it, Wichowski. Just...reach under...
Dee Tenorio (A Wedding Story)
The fox speaks with the hurricane and says, “I need to travel far and fast. Can you take me?” The hurricane regards the puny fox with its huge, calm eye and asks, “What can you do for me?” “Why, I will let you whisper your dreams to me.” “But I must kill whatever I carry. You are a living thing and do not wish to die.” “If you do not kill me, I will listen to your inmost self, and tell all the animals, that they may feel sympathy for you.” “What do I care for sympathy? I am all-powerful.” “Yes, but someday, your winds will die, and my kits will tell this tale even when you are gone, of the time great-great-great-grandfather fox was carried by the winds and lived and learned their secrets.” “But then they will not be afraid of me, and what good am I if I do not inspire fear?” “Oh, no living thing could ever be so strong they would not fear you. I give you something more. I give you a voice throughout time that is more than a wordless bellow of rage.
Greg Bear (Anvil of Stars (Forge of God, #2))
FUCK There are people who will tell you that using the word fuck in a poem indicates a serious lapse of taste, or imagination, or both. It’s vulgar, indecorous, an obscenity that crashes down like an anvil falling through a skylight to land on a restaurant table, on the white linen, the cut-glass vase of lilacs. But if you were sitting over coffee when the metal hit your saucer like a missile, wouldn’t that be the first thing you’d say? Wouldn’t you leap back shouting, or at least thinking it, over and over, bell-note riotously clanging in the church of your brain while the solicitous waiter led you away, wouldn’t you prop your shaking elbows on the bar and order your first drink in months, telling yourself you were lucky to be alive? And if you wouldn’t say anything but Mercy or Oh my or Land sakes, well then I don’t want to know you anyway and I don’t give a fuck what you think of my poem. The world is divided into those whose opinions matter and those who will never have a clue, and if you knew which one you were I could talk to you, and tell you that sometimes there’s only one word that means what you need it to mean, the way there’s only one person when you first fall in love, or one infant’s cry that calls forth the burning milk, one name that you pray to when prayer is what’s left to you. I’m saying in the beginning was the word and it was good, it meant one human entering another and it’s still what I love, the word made flesh. Fuck me, I say to the one whose lovely body I want close, and as we fuck I know it’s holy, a psalm, a hymn, a hammer ringing down on an anvil, forging a whole new world.
Kim Addonizio (What Is This Thing Called Love: Poems)
The collar of Lars of Tassla fell away and clattered onto the tiles. katriana felt unable to breathe. Her neck, so long encased with the symbol of Lars’ ownership of her, seemed paradoxically to be suddenly constricted. She felt naked. Naked and abandoned. Her head sank down to lie across the hardness of the anvil. Her entire body shook uncontrollably as she felt all security evaporate from her world. How many minutes she lay there she could not with any certainty say. Yet, eventually she became aware of one tiny point in the cruel world surrounding her. It was a scent. His scent. It entered her. It stroked inside her. It pulsed against her pain until she acknowledged its presence. Her eyes flicked open. And then she saw him there, sitting quietly beside her, watching her with all the intentness that she loved so much in him. His face was still set in the neutrality he reserved for formal times but his eyes were flashing with…with some emotion kept hidden behind his Master’s mask. katriana struggled to read the look flowing from deep inside his eyes. She awkwardly rose to kneel before her former Master. Her body and her breasts were offered. She could not do otherwise whether or not she wore his collar. (A Master's Dilemma, eXtasy)
Khul Waters
He rolled and thrashed in his bed, waiting for the dancing blue shadows to come in his window, waiting for the heavy knock on his door, waiting for some bodiless, Kafkaesque voice to call: Okay, open up in there! And when he finally fell asleep he did it without knowing it, because thought continued without a break, shifting from conscious rumination to the skewed world of dreams with hardly a break, like a car going from drive to low. Even in his dreams he thought he was awake, and in his dreams he committed suicide over and over: burned himself; bludgeoned himself by standing under an anvil and pulling a rope; hanged himself; blew out the stove’s pilot lights and then turned on the oven and all four burners; shot himself; defenestrated himself; stepped in front of a moving Greyhound bus; swallowed pills; swallowed Vanish toilet bowl disinfectant; stuck a can of Glade Pine Fresh aerosol in his mouth, pushed the button, and inhaled until his head floated off into the sky like a child’s balloon; committed hara-kiri while kneeling in a confessional at St. Dom’s, confessing his self-murder to a dumbfounded young priest even as his guts accordioned out onto the bench like beef stew, performing an act of contrition in a fading, bemused voice as he lay in his blood and the steaming sausages of his intestines. But most vividly, over and over, he saw himself behind the wheel of the LTD, racing the engine a little in the closed garage, taking deep breaths and leafing through a copy of National Geographic, examining pictures of life in Tahiti and Aukland and the Mardi Gras in New Orleans, turning the pages ever more slowly, until the sound of the engine faded to a faraway sweet hum and the green waters of the South Pacific inundated him in rocking warmth and took him down to a silver fathom.
Stephen King (Roadwork)
It is time for you to go. Lan and I must be on our way to the Stone. There can be no waiting, now.” “No.” He said it quietly, but when Moiraine opened her mouth, he raised his voice. “No! I will not leave her!” The Aes Sedai took a deep breath. “Very well, Perrin.” Her voice was ice; calm, smooth, cold. “Remain if you wish. Perhaps you will survive this night. Lan!” She and the Warder strode down the hall to their rooms. In moments they returned, Lan wearing his color-changing cloak, and vanished down the stairs without another word to him. He stared through the open door at Faile. I have to do something. If it is like the wolf dreams. . . . “Perrin,” came Loial’s deep rumble, “what is this about Faile?” The Ogier came striding down the hall in his shirtsleeves, ink on his fingers and a pen in his hand. “Lan told me I had to go, and then he said something about Faile, in a trap. What did he mean?” Distractedly, Perrin told him what Moiraine had said. It might work. It might. It has to! He was surprised when Loial growled. “No! Perrin, it is not right! Faile was so free. It is not right to trap her!” Perrin peered up at Loial’s face, and suddenly remembered the old stories that claimed Ogier were implacable enemies. Loial’s ears had laid back along the sides of his head, and his broad face was as hard as an anvil. “Loial, I am going to try to help Faile. But I will be helpless myself while I do. Will you guard my back?” Loial raised those huge hands that held books so carefully, and his thick fingers curled as if to crush stone. “None will pass me while I live, Perrin. Not Myrddraal or the Dark One himself.” He said it like a simple statement of fact. Perrin nodded, and looked through the door again. It has to work. I don’t care if Min warned me against her or not! With a snarl he leaped toward Faile, stretching out his hand. He thought he touched her ankle before he was gone.
Robert Jordan (The Dragon Reborn (The Wheel of Time, #3))
Did the countess tell you what was said between her and me?” Lillian asked tentatively. Marcus shook his head, his mouth twisting. “She told me that you had decided to elope with St. Vincent.” “Elope?” Lillian repeated in shock. “As if I deliberately… as if I had chosen him over—” She stopped, aghast, as she imagined how he must have felt. Although she had not shed a single tear during the entire day, the thought that Marcus might have wondered for a split second if yet another woman had left him for St. Vincent… it was too much to bear. She burst into noisy sobs, startling herself as well as Marcus. “You didn’t believe it, did you? My God, please say you didn’t!” “Of course I didn’t.” He stared at her in astonishment, and hastily reached for a table napkin to wipe at the stream of tears on her face. “No, no, don’t cry—” “I love you, Marcus.” Taking the napkin from him, Lillian blew her nose noisily and continued to weep as she spoke. “I love you. I don’t mind if I’m the first one to say it, nor even if I’m the only one. I just want you to know how very much—” “I love you too,” he said huskily. “I love you too. Lillian… Please don’t cry. It’s killing me. Don’t.” She nodded and blew into the linen folds again, her complexion turning mottled, her eyes swelling, her nose running freely. It appeared, however, that there was something wrong with Marcus’s vision. Grasping her head in his hands, he pressed a hard kiss to her mouth and said hoarsely, “You’re so beautiful.” The statement, though undoubtedly sincere, caused her to giggle through her last hiccupping sobs. Wrapping his arms around her in an embrace that was just short of crushing, Marcus asked in a muffled voice, “My love, hasn’t anyone ever told you that it’s bad form to laugh at a man when he’s declaring himself?” She blew her nose with a last inelegant snort. “I’m a hopeless case, I’m afraid. Do you still want to marry me?” “Yes. Now.” The statement shocked her out of her tears. “What?” “I don’t want to return with you to Hampshire. I want to take you to Gretna Green. The inn has its own coach service— I’ll hire one in the morning, and we’ll reach Scotland the day after tomorrow.” “But… but everyone will expect a respectable church wedding…” “I can’t wait for you. I don’t give a damn about respectability.” A wobbly grin spread across Lillian’s face as she thought of how many people would be astonished to hear such a statement from him. “It smacks of scandal, you know. The Earl of Westcliff rushing off for an anvil wedding in Gretna Green…” “Let’s begin with a scandal, then.” He kissed her, and she responded with a low moan, clinging and arching against him, until he pushed his tongue deeper, molding his lips tighter over hers, feasting on the warm, open silkiness of her mouth. Breathing heavily, he dragged his lips to her quivering throat. “Say, ‘Yes, Marcus,’” he prompted. “Yes, Marcus.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
I sucked on a blade of grass and watched the millwheel turn. I was lying on my stomach on the stream's opposite bank, my head propped in my hands. There was a tiny rainbow in the mist above the froth and boil at the foot of the waterfall, and an occasional droplet found its way to me. The steady splashing and the sound of the wheel drowned out all other noises in the wood. The mill was deserted today, and I contemplated it because I had not seen its like in ages. Watching the wheel and listening to the water were more than just relaxing. It was somewhat hypnotic. … My head nodding with each creak of the wheel, I forced everything else from my mind and set about remembering the necessary texture of the sand, its coloration, the temperature, the winds, the touch of salt in the air, the clouds... I slept then and I dreamed, but not of the place that I sought. I regarded a big roulette wheel, and we were all of us on it-my brothers, my sisters, myself, and others whom I knew or had known-rising and falling, each with his allotted section. We were all shouting for it to stop for us and wailing as we passed the top and headed down once more. The wheel had begun to slow and I was on the rise. A fair-haired youth hung upside down before me, shouting pleas and warnings that were drowned in the cacophony of voices. His face darkened, writhed, became a horrible thing to behold, and I slashed at the cord that bound his ankle and he fell from sight. The wheel slowed even more as I neared the top, and I saw Lorraine then. She was gesturing, beckoning frantically, and calling my name. I leaned toward her, seeing her clearly, wanting her, wanting to help her. But as the wheel continued its turning she passed from my sight. “Corwin!” I tried to ignore her cry, for I was almost to the top. It came again, but I tensed myself and prepared to spring upward. If it did not stop for me, I was going to try gimmicking the damned thing, even though falling off would mean my total ruin. I readied myself for the leap. Another click... “Corwin!” It receded, returned, faded, and I was looking toward the water wheel again with my name echoing in my ears and mingling, merging, fading into the sound of the stream. … It plunged for over a thousand feet: a mighty cataract that smote the gray river like an anvil. The currents were rapid and strong, bearing bubbles and flecks of foam a great distance before they finally dissolved. Across from us, perhaps half a mile distant, partly screened by rainbow and mist, like an island slapped by a Titan, a gigantic wheel slowly rotated, ponderous and gleaming. High overhead, enormous birds rode like drifting crucifixes the currents of the air. We stood there for a fairly long while. Conversation was impossible, which was just as well. After a time, when she turned from it to look at me, narrow-eyed, speculative, I nodded and gestured with my eyes toward the wood. Turning then, we made our way back in the direction from which we had come. Our return was the same process in reverse, and I managed it with greater ease. When conversation became possible once more, Dara still kept her silence, apparently realizing by then that I was a part of the process of change going on around us. It was not until we stood beside our own stream once more, watching the small mill wheel in its turning, that she spoke.
Roger Zelazny (The Great Book of Amber (The Chronicles of Amber, #1-10))