Antiseptic Quotes

We've searched our database for all the quotes and captions related to Antiseptic. Here they are! All 100 of them:

There's a taste in the air, sweet and vaguely antiseptic, that reminds him of his teenage years in these streets, and of a general state of longing, a hunger for life to begin that from this distance seems like happiness.
Ian McEwan (Saturday)
Humor was an antiseptic that cleaned the deepest of personal wounds.
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live. In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake. That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead. And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
Elizabeth Wurtzel (Prozac Nation)
Gratitude is a vaccine, an antitoxin, and an antiseptic.
John Henry Jowett
Bleakly, Harriet gazed out into the antiseptic gloom. A weight lay upon her, and a darkness. She’d learned things she never knew, things she had no idea of knowing, and yet in a strange way it was the hidden message of Captain Scott: that victory and collapse were sometimes the same thing.
Donna Tartt (The Little Friend)
The principles underlying propaganda are extremely simple. Find some common desire, some widespread unconscious fear or anxiety; think out some way to relate this wish or fear to the product you have to sell; then build a bridge of verbal or pictorial symbols over which your customer can pass from fact to compensatory dream, and from the dream to the illusion that your product, when purchased, will make the dream come true. They are selling hope. We no longer buy oranges, we buy vitality. We do not just buy an auto, we buy prestige. And so with all the rest. In toothpaste, for example, we buy not a mere cleanser and antiseptic, but release from the fear of being sexually repulsive. In vodka and whisky we are not buying a protoplasmic poison which in small doses, may depress the nervous system in a psychologically valuable way; we are buying friendliness and good fellowship, the warmth of Dingley Dell and the brilliance of the Mermaid Tavern. With our laxatives we buy the health of a Greek god. With the monthly best seller we acquire culture, the envy of our less literate neighbors and the respect of the sophisticated. In every case the motivation analyst has found some deep-seated wish or fear, whose energy can be used to move the customer to part with cash and so, indirectly, to turn the wheels of industry.
Aldous Huxley (Brave New World Revisited)
Coffin,why no lid? Too antiseptic for Hell, and could the roof of heaven really be made of gray metal?
Andrew Davidson (The Gargoyle)
In these days before antiseptics, doctors themselves also suffered high mortality rates. Florence Nightingale, a nurse during the Crimean War (1853-1856), watched one particularly inept surgeon cut both himself and, somehow, a bystander while blundering about during an amputation. Both men contracted an infection and died, as did the patient. Nightingale commented that it was the only surgery she'd ever seen with 300 percent mortality.
Sam Kean (The Tale of the Dueling Neurosurgeons: The History of the Human Brain as Revealed by True Stories of Trauma, Madness, and Recovery)
You, Doctor Martin, walk from breakfast to madness. Late August, I speed through the antiseptic tunnel where the moving dead still talk of pushing their bones against the thrust of cure. And I am queen of this summer hotel or the laughing bee on a stalk of death. We stand in broken lines and wait while they unlock the doors and count us at the frozen gates of dinner. The shibboleth is spoken and we move to gravy in our smock of smiles. We chew in rows, our plates scratch and whine like chalk in school. There are no knives for cutting your throat. I make moccasins all morning. At first my hands kept empty, unraveled for the lives they used to work. Now I learn to take them back, each angry finger that demands I mend what another will break tomorrow. Of course, I love you; you lean above the plastic sky, god of our block, prince of all the foxes. The breaking crowns are new that Jack wore. Your third eye moves among us and lights the separate boxes where we sleep or cry. What large children we are here. All over I grow most tall in the best ward. Your business is people, you call at the madhouse, an oracular eye in our nest. Out in the hall the intercom pages you. You twist in the pull of the foxy children who fall like floods of life in frost. And we are magic talking to itself, noisy and alone. I am queen of all my sins forgotten. Am I still lost? Once I was beautiful. Now I am myself, counting this row and that row of moccasins waiting on the silent shelf.
Anne Sexton (To Bedlam and Part Way Back)
It’s easier to hang out with the patients in the indoor garden, with its sunlight and picnic tables. Easier to forget that someone’s ill when you’re not surrounded by the antiseptic reek of hospital-issue debris.
Corrine Jackson (If I Lie)
Normally death came at night, taking a person in their sleep, stopping their heart or tickling them awake, leading them to the bathroom with a splitting headache before pouncing and flooding their brain with blood. It waits in alleys and metro stops. After the sun goes down plugs are pulled by white-clad guardians and death is invited into an antiseptic room. But in the country death comes, uninvited, during the day. It takes fishermen in their longboats. It grabs children by the ankles as they swim. In winter it calls them down a slope too steep for their budding skills, and crosses their skies at the tips. It waits along the shore where snow met ice not long ago but now, unseen by sparkling eyes, a little water touches the shore, and the skater makes a circle slightly larger than intended. Death stands in the woods with a bow and arrow at dawn and dusk. And it tugs cars off the road in broad daylight, the tires spinning furiously on ice or snow, or bright autumn leaves.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
The serious reader in the age of technology is a rebel by definition: a protester without a placard, a Luddite without hammer or bludgeon. She reads on planes to picket the antiseptic nature of modern travel, on commuter trains to insist on individualism in the midst of the herd, in hotel rooms to boycott the circumstances that separate her from her usual sources of comfort and stimulation, during office breaks to escape from the banal conversation of office mates, and at home to revolt against the pervasive and mind-deadening irrelevance of television.
Eric Burns (Joy of Books)
What more do they want? She asks this seriously, as if there's a real conversion factor between information and lives. Well, strange to say, there is. Written down in the Manual, on file at the War Department. Don't forget the real business of the War is buying and selling. The murdering and violence are self-policing, and can be entrusted to non-professionals. The mass nature of wartime death is useful in many ways. It serves as a spectacle, as a diversion from the real movements of the War. It provides raw material to be recorded into History, so that children may be taught History as sequences of violence, battle after battle, and be more prepared for the adult world. Best of all, mass death's a stimulus to just ordinary folks, little fellows, to try 'n' grab a piece of that Pie while they're still here to gobble it up. The true war is a celebration of markets. Organic markets, carefully styled "black" by the professionals, spring up everywhere. Scrip, Sterling, Reichsmarks, continue to move, severe as classical ballet, inside their antiseptic marble chambers. But out here, down here among the people, the truer currencies come into being. So, Jews are negotiable. Every bit as negotiable as cigarettes, cunt, or Hersey bars.
Thomas Pynchon (Gravity’s Rainbow)
Pine sap is antiseptic, astringent, anti-inflammatory and antibacterial. Best damn Band-Aid in the world, Harry, remember that.
Jon Cohen (Harry's Trees)
A nation always begins to rot first in its great cities, is indeed perhaps always rotting there, and is saved only by the antiseptic virtues of fresh supplies of country blood.
John Burroughs (In the Catskills Selections from the Writings of John Burroughs)
The adoption of Lister’s antiseptic system was the most prominent outward sign of the medical community’s acceptance of a germ theory, and it marked the epochal moment when medicine and science merged.
Lindsey Fitzharris (The Butchering Art: Joseph Lister's Quest to Transform the Grisly World of Victorian Medicine)
[T]here is nothing brighter, crisper, more antiseptic, and cooler than a really first-rate corner drugstore on a hot summer night. If Anne Stanton is inside the door and the air conditioning is working.
Robert Penn Warren (All the King's Men)
Dr. Lister, who treated the wounded Pres. Garfield, had been so stung by the medical establishment's reaction to his embrace of African-American doctors that he, in response, refused to do part from the status quo enough to considering using antiseptic techniques.
Candice Millard (Destiny of the Republic: A Tale of Madness, Medicine and the Murder of a President)
Morgan's fury turned to fear. It was like antiseptic hitting pus: the seethe, the bubbling, the burn.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
Here is what I would like for you to know: In America, it is traditional to destroy the black body—it is heritage. Enslavement was not merely the antiseptic borrowing of labor—it is not so easy to get a human being to commit their body against its own elemental interest. And so enslavement must be casual wrath and random manglings, the gashing of heads and brains blown out over the river as the body seeks to escape. It must be rape so regular as to be industrial. There is no uplifting way to say this. I have no praise anthems, nor old Negro spirituals. The spirit and soul are the body and brain, which are destructible—that is precisely why they are so precious. And the soul did not escape. The spirit did not steal away on gospel wings. The soul was the body that fed the tobacco, and the spirit was the blood that watered the cotton, and these created the first fruits of the American garden. And the fruits were secured through the bashing of children with stovewood, through hot iron peeling skin away like husk from corn.
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
[The FBI offices]: Antiseptic white tiles shone everywhere. Workmen were always busy, constantly repainting, cleaning, and polishing. The obsession with hygiene reeked of an unclean mind.
Peter Wright (Spy Catcher: The Candid Autobiography of a Senior Intelligence Officer)
If Lister had nursed any hope that his diligence and reasoned argument concerning his antiseptic system would convert the American audience, he would be sorely disappointed. One attendee accused him of being mentally unhinged and having a “grasshopper in the head.
Lindsey Fitzharris (The Butchering Art: Joseph Lister's Quest to Transform the Grisly World of Victorian Medicine)
In the antiseptic world we try to purge ourselves of difficult things. Don't dwell on it, switch off the light and go home. But this is home. I have to be a home to myself. I am the place I come back to and I can't keep hiding difficult things in trunks. Soon the house will be full of trunks and I perched on top with the phone saying 'Yes, I'm fine, of course, I'm fine, everything's fine.' The trunks shudder
Jeanette Winterson
They found the Infirmary of Justice much as they had left it: white institutional walls, too-bright floors, and a reassuring smell of antiseptic. Reassuring at least to Tara, because the smell signalled that the people running this infirmary knew about antiseptic.
Max Gladstone (Three Parts Dead (Craft Sequence, #1))
Pine sap is antiseptic, astringent, anti-inflammatory and antibacterial. Best damn Band-Aid in the world,
Jon Cohen (Harry's Trees)
Gratitude is a vaccine, an antitoxin, and an antiseptic.
Rhonda Byrne (The Magic (The Secret, #3))
Some of the most powerful antiseptic essential oils include lavender oil, tea tree oil, and clove oil.
Althea Press (Essential Oils for Beginners: The Guide to Get Started with Essential Oils and Aromatherapy)
Ruth disapproved of this pointless industry. A triple-cleaned house, in her opinion, looked too much as if it had been licked all over by a cat's antiseptic tongue.
Fiona McFarlane
The air smells of something sharp and antiseptic. My
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
The nurses did their best to spruce up the antiseptic corridors but the smell of pine boughs was overpowered by Pine Sol and no one paused beneath the mistletoe on the contagious ward.
Robert Zverina (BUZZ [ebook])
Ethanol is a volatile, flammable, colourless liquid with a slight chemical odour. It is used as an antiseptic, a solvent, in medical wipes and antibacterial formulas because it kills organisms by denaturing their proteins. Ethanol is an important industrial ingredient. Ethanol is a good general purpose solvent and is found in paints, tinctures, markers and personal care products such as perfumes and deodorants. The largest single use of ethanol is as an engine fuel and fuel additive. In other words, we drink, for fun, the same thing we use to make rocket fuel, house paint, anti-septics, solvents, perfumes, and deodorants and to denature, i.e. to take away the natural properties of, or kill, living organisms. Which might make sense on some level if we weren’t a generation of green minded, organic, health-conscious, truth seeking individuals. But we are. We read labels, we shun gluten, dairy, processed foods, and refined sugars. We buy organic, we use natural sunscreen and beauty products. We worry about fluoride in our water, smog in our air, hydrogenated oils in our food, and we debate whether plastic bottles are safe to drink from. We replace toxic cleaning products with Mrs. Myers and homemade vinegar concoctions. We do yoga, we run, we SoulCycle and Fitbit, we go paleo and keto, we juice, we cleanse. We do coffee enemas and steam our yonis, and drink clay and charcoal, and shoot up vitamins, and sit in infrared foil boxes, and hire naturopaths, and shamans, and functional doctors, and we take nootropics and we stress about our telomeres. These are all real words. We are hyper-vigilant about everything we put into our body, everything we do to our body, and we are proud of this. We Instagram how proud we are of this, and we follow Goop and Well+Good, and we drop 40 bucks on an exercise class because there are healing crystals in the floor. The global wellness economy is estimated to be worth $4 trillion. $4 TRILLION DOLLARS. We are on an endless and expensive quest for wellness and vitality and youth. And we drink fucking rocket fuel.
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
My extended family and I believe the child who walks alone is a festering wound which has turned the house septic. We are looking for the anti…septic.
Jonathan Dunne (The Squatter: An Old Castle Novel)
You can always count on a tree to get you through, Harry.” The old professor dabbed the sap onto his cut, and almost immediately, the slow bleeding stopped. “Pine sap is antiseptic, astringent, anti-inflammatory and antibacterial. Best damn Band-Aid in the world, Harry, remember that.
Jon Cohen (Harry's Trees)
Carlos, your mysophobia does affect my health. I feel freer – more alive, more vivacious and, ironically enough, healthier – if I’m not constantly made to worry about germs and unhealthy choices. Whether it’s for a moment of spontaneous kissing in a phone booth or eating an occasional hamburger…Obsessing about your health doesn’t actually make you healthier. The fact of the matter is, Carlos, our bodies are decaying at every moment, regardless of what we do. Living is bad for your health.” “It doesn’t have to be.” “Maybe if you live in an antiseptic bubble specially designed by the CDC it doesn’t. But in a place like New York City, you’re fighting a pointless battle. You can either embrace the dirt and the germs as part of the risky joy of living in an exciting, overpopulated metropolis, or you can spend lots of mental real estate obsessing over whether you touched a few extra microbes when you got on the subway.
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
If there’s an eighth wonder of the world, I would suggest lavender. Not only is it beautiful to the eye and heavenly to the nose, it also is said to have antiseptic and anti-inflammatory properties and research suggests it may be useful in treating anxiety, insomnia, and depression. And it’s a wonderful addition to—ta-da—COOKIES! Mom always kept a large wooden wine barrel filled with lavender next to the back porch so she could grab a handful of lavender flowers whenever the mood struck her. She made lavender sachets to hang in the closets and added lavender to her rose potpourri. We regularly had lavender lemonade or lavender muffins and often some lavender flowers were identifiable in a lamb stew or as a garnish for steaks. All part of our Mediterranean lifestyle.
Mallory M. O'Connor
They had always seemed to Brenda antiseptically unaware that such a thing as romance existed.
Caroline Graham (Faithful Unto Death (Chief Inspector Barnaby, #5))
The stink of unwashed bodies, stale urine, and infection breaks through the cloud of antiseptic
Suzanne Collins (Mockingjay (The Hunger Games, #3))
It didn’t smell like antiseptic or bleach; rather bizarrely, it smelled like an orchestra pit. It smelled of wood, strings and bows, polish, and wax.
Alex Michaelides (The Silent Patient)
Google filters out serendipity in favor of insularity. It douses the infectious messiness of a city with an algorithmic antiseptic.
Nicholas Carr (The Glass Cage: How Our Computers Are Changing Us)
I was building a perfect and nearly impenetrable facade of gleaming antiseptic steel and glass to cement onto the front of the Gothic horror of Castle Dexter.
Jeff Lindsay (Dexter in the Dark (Dexter, #3))
Mathachen, the tapper, also brews illicit arrack—not the anise-flavored arak of North Africa that Rune knows, but a tasteless distillate that Rune uses as an antiseptic.
Abraham Verghese (The Covenant of Water)
Pine sap is antiseptic, astringent, anti-inflammatory and antibacterial.
Jon Cohen (Harry's Trees)
Ow!" Aideen suddenly hollered which earned a bark from my bedroom. "Go back asleep you fat shite!" Aideen shouted when I swiped the antiseptic wipe over a small cut above her eye. I hissed at her, "Leave him alone, he isn't fat. He just has a thick coat!" Aideen laughed through her hissing. "Yeah, a thick coat of blubber." I gave her a firm look. "Don't slag me baby when I'm cleanin' you up. Me finger might slip and jam into your eye.
L.A. Casey (Alec (Slater Brothers, #2))
All useful history is antiseptic in this fashion. It enables us to know what fairy tale, what school book, what tradition, what novel, play, picture, phrase, planted one preconception in this mind, another in that mind.
Walter Lippmann (Public Opinion)
The actual encounter was always confusing, eleven minutes of liminal contact in which I tried to conduct myself in a way that would make the doctor like me, in the hope they would take some true interest in my plight. But their day was full of tests to order, bureaucracy to cut through, an education that taught them not to say, "I don't know what's wrong with you." And so we stood together in a tiny antiseptic room, the doctor and patient, a world apart.
Meghan O'Rourke (The Invisible Kingdom: Reimagining Chronic Illness)
The Apostle’s robes billowed even though there was no wind. Pastor Bligh’s robes were white and purple. Lavender and bleach. Detergent and antiseptic. The Apostle’s black and red robes blew with flesh and blood, terror and magnificence.
Marlon James (John Crow's Devil)
What matters is the character of...stereotypes, and the gullibility with which we employ them. And these in the end depend upon...our philosophy of life. If in that philosophy we assume that the world is codified according to a code which we possess, we are likely to make our reports of what is going on describe a world run by our code. But if our philosophy tells us that each man is only a small part of the world, that his intelligence catches at best only phases and aspects in a coarse net of ideas, then, when we use our stereotypes, we tend to know that they are only stereotypes, to hold them lightly, to modify them gladly. We tend, also, to realize more and more clearly when our ideas started, where they started, how they came to us, why we accepted them. All useful history is antiseptic in this fashion. It enables us to know what fairy tale, what school book, what tradition, what novel, play, picture, phrase, planted one preconception in this mind, another in that mind.
Walter Lippmann (Public Opinion)
antiseptic wash.  He dosed himself with chlorodyne, took his own pulse, smoked a thermometer, and lay back on the couch with a suppressed groan.  It was mid-afternoon, and he had completed his third round that day.  He called the house-boy. “Take um big fella look along Jessie,” he commanded. The boy carried the long telescope out on the veranda, and searched the sea. “One fella schooner long way little bit,” he announced.  “One fella Jessie.” The white man gave a little gasp of delight. “You make um Jessie, five sticks tobacco along you,” he said. There was silence for a time, during which he waited
Jack London (Adventure)
Akos, I can’t read Shotet characters.” “Um…neither can I, really.” The supply cabinet was organized, all the individually packaged items in neat rows. Alphabetical. He knew a few of them by sight, but not enough. “You’d think after all that time in Shotet you’d have learned something,” Cyra said from her place on the table, slurring the words a little. Her arm flopped to the side, and she pointed. “Silverskin is there. Antiseptic on the left. Make me a painkiller.” “Hey, I learned a few things,” he said to her, squeezing her hand before he got to work. “The most challenging lesson was how to deal with you.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
At the door to the shop, a bell tinkled, and moments later they seemed to enter the very flowering of lavender. The scent was all around them; it curled and diffused in the air with a sweet warmth and subtlety, then burst with a peppery, musky intensity. The blind girls moved into another room. There they arranged themselves expectantly around a long wooden table, Mme Musset welcomed them, and a cork was pulled with a squeaky pop. "This is pure essence of lavender, grown on the Valensole plateau," said Madame. "It is in a glass bottle I am sending around to the right for you all to smell. Be patient, and you will get your turn." Other scents followed: rose and mimosa and oil of almond. Now that they felt more relaxed, some of the other girls started being silly, pretending to sniff too hard and claiming the liquid leapt up at them. Marthe remained silent and composed, concentrating hard. Then came the various blends: the lavender and rosemary antiseptic, the orange and clove scent for the house in winter, the liqueur with the tang of juniper that made Marthe unexpectedly homesick for her family's farming hamlet over the hills to the west, where as a child she had been able to see brightness and colors and precise shapes of faces and hills and fruits and flowers.
Deborah Lawrenson (The Sea Garden)
In the midst of the heavy, hot fragrance of summer, and of the clean salty smell of the sea, there was the odor of wounded men, a sickly odor of blood and antiseptics which marked the zone of every military hospital. All Athens quickly took on that odor, as the wounded Greek soldiers were moved out of hospitals and piled into empty warehouses to make way for German wounded. Now every church, every empty lot, every school building in Athens is full of wounded, and on the pathways of Zappion, the park in the heart of Athens, bandaged men in makeshift wheel chairs are to be seen wherever one walks. Zappion is a profusion of flowers, heavy-scented luxurious flowers; but even the flower fragrance is not as strong as that of blood.
Betty Wason (Miracles in Hellas: The Greeks Fight On)
Anyone deserves the West who arrives with fresh energy to break up the deadly, antiseptic boredom of its civilization, prepared to undergo the quarantine that we prescribe for immigrants. We do not realize that our whole life has become a quarantine, and that all our countries have become barracks and concentration camps, admittedly with all the modern conveniences.
Joseph Roth (The Wandering Jews)
Privately now, I would like to comment to you on the Noble Bitch in Trace 32. Why this eltchl, this conservative from the halls of the ikons and holy rollers, the pluckers of rondeaux and smellers of lilies, why this spalpeen should set himself up as a special critic of literary know-how is more than I can dispense with with a quodlibet. I need a stronger antiseptic.
Charles Bukowski (On Writing)
I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did. I want to bring those bloody histories to the fore. I want to make the reader confront how close to the present those histories still are.
R.F. Kuang (Yellowface)
That I don’t tell my family about my job because I’m unable to let people know that I’m more than the sum of the ways I can be useful to them. That if I show my true self, with my needs and my wants, I risk being rejected. That I’ve wielded my ability to hide who I am like an emotional antiseptic, and in the process I’ve turned myself into a puppet. Or a watermelon with googly eyes.
Ali Hazelwood (Love, Theoretically)
Obedience through fear is reluctant and resentful. Obedience through gratitude is joyful, instant, and spontaneous. Gratitude is like an overflowing stream, positive, outgoing. It is a powerful antiseptic, that kills the germs of bitterness. Gratitude is the glue that binds and unites you to your neighbor. It is the salt that flavors all inspired relationships. A grateful heart is a normal heart.
Daw Nyein Tha
do want to write a good story. But I no longer trust the judgements of my age. The critic now assesses the writer’s life as much as her work. The judges award prizes according to a checklist of criteria created by corporations and bureaucrats. And we writers and artists acquiesce, fearful of a word that might be misconstrued or an image that might cause offence. I read many of the books nominated for the globalised book prizes; so many of them priggish and scolding, or contrite and chastened. I feel the same way about those films feted at global festivals and award ceremonies. It’s not even that it is dead art: it’s worse, it’s safe art. Most of them don’t even have the dignity of real decay and desiccation: like the puritan elect, they want to take their piety into the next world. Their books and their films don’t even have the power to raise a good stench. The safe is always antiseptic.
Christos Tsiolkas (Seven and a Half)
Set Your Intentions the Night Before. This is the most important step. Remember:  your first thought in the morning is usually the last thought you had before bed, so take responsibility for creating genuine excitement for the next morning, every night before bed. 2.  Keep Your Alarm Clock Across the Room. Remember:  Movement creates energy! 3.  Brush Your Teeth. Use an antiseptic mouthwash to add extra umph! 4.  Drink a Full Glass of Water. Hydrate yourself, ASAP! 5.  Get Dressed. Or jump in the shower.
Hal Elrod (The Miracle Morning: The Not-So-Obvious Secret Guaranteed to Transform Your Life: Before 8AM)
But are we strong enough?” wondered Blackwood. “How strong is strong? They won’t be prepared for us, at least. They haven’t the imagination. Those clean young rocket men with their antiseptic bloomers and fish-bowl helmets, with their new religion. About their necks, on gold chains, scalpels. Upon their heads, a diadem of microscopes. In their holy fingers, steaming incense urns which in reality are only germicidal ovens for steaming out superstition. The names of Poe, Bierce, Hawthorne, Blackwood—blasphemy to their clean lips.
Ray Bradbury (The Illustrated Man)
Let me see your arm, please, Lenzi,” Alden requested after Spook leapt onto the front passenger seat. I held it out, and he pushed up the sleeve of my sweater. He winced. “That’s a lot of threat to fit on one tiny arm. Good thing Smith writes small.” “If that’s a joke, it’s not funny. Tell me it doesn’t need stitches.” I groaned. “Nope. Just antiseptic, holy water, and time to heal.” Maddi looked over Alden’s shoulder. “Aw, that’s nothing. Remember the time he—” Alden cut her off with a glare. “Nice weather we’re having,” Maddi said as she strode to her truck.
Mary Lindsey (Shattered Souls (Souls, #1))
Not only do Judaism in general and Yiddish in particular place an unusual emphasis on complaint, but Yiddish also allows considerable scope for complaining about the complaining of others, more often than not to the others who are doing the complaining. While answering one complaint with another is usually considered a little excessive in English, Yiddish tends to take a homeopathic approach to kvetching: like cures like and kvetch cures kvetch. The best response to a complaint is another complaint, an antiseptic counter-kvetch that makes further whining impossible for anybody but you.
Michael Wex (Born to Kvetch: Yiddish Language and Culture in All of Its Moods (P.S.))
In other words, FDR understood that to be effective, governance couldn't be so antiseptic that it set aside the basic stuff of politics: You had to sell your program, reward supporters, punch back against opponents, and amplify the facts that helped your cause while fudging the details that didn't. I found myself wondering whether we'd somehow turned a virtue into a vice; whether, trapped in my own high-mindedness, I'd failed to tell the American people a story they could believe in; and whether having ceded the political narrative to my critics, I was going to be able to wrest it back.
Barack Obama (A Promised Land)
Here is what I would like you to know: In America, it is traditional to destroy the black body -- it is heritage. Enslavement was not merely the antiseptic borrowing of labor -- it is not so easy to get a human being to commit their body against its own elemental interest. And so enslavement must be casual wrath and random manglings, the gashing of heads and brains blown out over the river as the body seeks to escape. It must be rape so regular as to be industrial. There is no uplifting way to say this. I have no praise anthems, nor old Negro spirituals. The spirit and soul are the body and brain, which are destructible -- that is precisely why they are so precious. And the soul did not escape. The spirit did not steal away on gospel wings. The soul was the body that fed the tobacco, and the spirit was the blood that watered the cotton, and these created the first fruits of the American garden. And the fruits were secured through the bashing of children with stovewood, through hot iron peeling skin away like husk from corn. [. . .] And there it is -- the right to break the black body as the meaning of their sacred equality. And that right has always given them meaning, has always meant that there was someone down in the valley because a mountain is not a mountain if there is nothing below.
Ta-Nehisi Coates (Between the World and Me)
All graveyards should have moss-covered trees creaking in the wind and the sound of the waves grating the round stones on the beach. The trees are so high and large here that under this canopy, even the brightest day is pale. Wander slowly, careful where you step. No neat row of crosses, no meticulous lawn, no carefully tended flowers will guide you. Too sterile, antiseptic. Headstones carved into eagles, blackfish, ravens, beavers appear seemingly at random. In the time of the great dying, whole families were buried in one plot. Pick wild blueberries when you’re hungry, let the tart taste sink into your tongue, followed by that sharp sweetness that store-bought berries lack. Realize that the plumpest berries are over the graves.
Eden Robinson (Monkey Beach)
In pain, exhausted, and angry, I, too, was swept up in futile pageantry. I signed up for appointments, I waited, I got my hopes up, I went and sat in shoddy, sad offices with pictures of sailboats on the wall and greasily thumbed magazines on side tables sourced from bulk office furniture suppliers. The actual encounter was always confusing, eleven minutes of liminal contact in which I tried to conduct myself in a way that would make the doctor like me, in the hope they would take some true interest in my plight. But their day was full of tests to order, bureaucracy to cut through, an education that taught them not to say, “I don’t know what’s wrong with you.” And so we stood together in a tiny, antiseptic room, the doctor and the patient, a world apart.
Meghan O'Rourke (The Invisible Kingdom: Reimagining Chronic Illness)
I descended to the ocean floor and encountered bloated, symmetrical creatures with pumping white hearts and translucent skin. Collapsed blue civilizations lived down there, fissured and antiseptic, craggy with barnacles and blistering rust. I reached into the heart of the earth, the sky, the moon. I colonized language, mathematics, schemes of chemical order and atomic weight. I studied the manufacture of automobiles, microcircuitry, Kleenex and planets. I memorized the gross national products of nations and hemispheres, the populations of cities and states and principalities, the achievements of presidents, tyrants and kings. I was trying to learn what I suspect Mom had learned already: that there were journeys we all make alone that take us far away from one another.
Scott Bradfield
When he unlocked the door, the smell of the building came at me like a shout: an old, elusive smell, damp and smoke and lemon, nothing like the antiseptic tang of DV in the new building up in Phoenix Park. I hate nostalgia, it’s laziness with prettier accessories, but every step hit me straight in the gut with something: me running down those stairs with a bunch of files in each hand and an apple caught between my teeth, my partner and me high-fiving each other outside that door after getting our first confession in that interview room; the two of us double-teaming the superintendent down that hallway, one in each ear, trying to hassle him into giving us more overtime. It seemed like the corridors had an Escher look, the walls all tilting in subtle, seasick ways, but I couldn’t focus my eyes enough to figure out exactly how.
Tana French (The Likeness (Dublin Murder Squad #2))
Retrospect of Medicine & Pharmacy lists the following ‘fluids to be used for vaginal douching’ to prevent conception: alum, acetate of lead, chloride, boracic acid, carbolic acid, iodine, mercury, zinc and Lysol disinfectant. Lysol brand disinfectant was introduced in 1889 to control a severe cholera epidemic in Germany. But its antiseptic qualities were soon put to other uses, and by the 1920s Lysol was being aggressively marketed as a vaginal douching agent. Birth control was a highly controversial issue in the 1920s and certainly not something to be openly advertised. By focusing on the issue of ‘feminine hygiene’ within marriage in their advertising campaign, Lysol could raise the subject of sex and intimacy without ever having to use the word ‘sex’. Soon, a product that was used to scrub out bins, drains and toilets was being used to clean vulvas as well.
Kate Lister (A Curious History of Sex)
But when it has been shown by the researches of Pasteur that the septic property of the atmosphere depended not on the oxygen, or any gaseous constituent, but on minute organisms suspended in it, which owed their energy to their vitality, it occurred to me that decomposition in the injured part might be avoided without excluding the air, by applying as a dressing some material capable of destroying the life of the floating particles. Upon this principle I have based a practice.
Joseph Lister (On the Antiseptic Principle of the Practice of Surgery)
operative risk, it was the best kind of tumor to have, and the best place to have it; surgery would almost certainly eliminate her seizures. The alternative was a lifetime on toxic antiseizure medications. But I could see that the idea of brain surgery terrified her, more than most. She was lonesome and in a strange place, having been swept out of the familiar hubbub of a shopping mall and into the alien beeps and alarms and antiseptic smells of an ICU. She would likely refuse surgery if I launched into a detached spiel detailing all the risks and possible complications. I could do so, document her refusal in the chart, consider my duty discharged, and move on to the next task. Instead, with her permission, I gathered her family with her, and together we calmly talked through the options. As we talked, I could see the enormousness of the choice she faced dwindle into a difficult but understandable decision. I had met her in a space where she was a person, instead of a problem to be solved. She chose surgery.
Paul Kalanithi (When Breath Becomes Air)
Many people find they get better results if they imagine themselves sitting before a large motion picture screen—and imagine that they are seeing a motion picture of themselves. The important thing is to make these pictures as vivid and as detailed as possible. You want your mental pictures to approximate actual experience as much as possible. The way to do this is to pay attention to small details, sights, sounds, objects, in your imagined environment. One of my patients was using this exercise to overcome her fear of the dentist. She was unsuccessful, until she began to notice small details in her imagined picture—the smell of the antiseptic in the office, the feel of the leather on the chair arms, the sight of the dentist’s well-manicured nails as his hands approached her mouth, etc. Details of the imagined environment are all-important in this exercise, because for all practical purposes, you are creating a practice experience. And if the imagination is vivid enough and detailed enough, your imagination practice is equivalent to an actual experience insofar as your nervous system is concerned.
Maxwell Maltz (Psycho-Cybernetics: Updated and Expanded (The Psycho-Cybernetics Series))
In the course of an extended investigation into the nature of inflammation, and the healthy and morbid conditions of the blood in relation to it, I arrived several years ago at the conclusion that the essential cause of suppuration in wounds is decomposition brought about by the influence of the atmosphere upon blood or serum retained within them, and, in the case of contused wounds, upon portions of tissue destroyed by the violence of the injury. To prevent the occurrence of suppuration with all its attendant risks was an object manifestly desirable, but till lately apparently unattainable, since it seemed hopeless to attempt to exclude the oxygen which was universally regarded as the agent by which putrefaction was effected. But when it had been shown by the researches of Pasteur that the septic properties of the atmosphere depended not on the oxygen, or any gaseous constituent, but on minute organisms suspended in it, which owed their energy to their vitality, it occurred to me that decomposition in the injured part might be avoided without excluding the air, by applying as a dressing some material capable of destroying the life of the floating particles.
Joseph Lister (On the Antiseptic Principle of the Practice of Surgery)
The cliché is that illness shows the mottled wolf skull beneath the pampered skin – but it can also be a welcome corridor, returning you to places you’d left behind. Suddenly, in the antiseptic hospital room one afternoon, you remember them all: so many unstarry things. The way shadows caressed a wall in a vacant lot in Berlin, one rainy November day in … 1976, was it? A scrum of garish fans surrounding you on Sunset Boulevard. Postwar London, whose bombsites seemed to harbour all the time in the world. Make-up counters, listening booths, bakelite curves, saloon bar mirrors, diamanté in a jewellery box that played Swan Lake when the lid clicked up. The strange snake hiss of early TV. A new world inventing itself in the middle of the 20th century, when images were things that genuinely shocked, carriers of forbidden knowledge. Something torn from a Hollywood gossip mag or a single image in a clunky library book on Surrealism could literally change your life. Penguin Modern Classic paperbacks; Genet and his cruisey down-is-up theology; Andy and his abyssal Wow. The surprising new meanings ‘love’ could develop far away from home. Backstage’s suffocating air. The way she walked; the way she talked.
Ian Penman
Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now. “I wish we’d never come,” the woman said. She was looking at him, holding the glass and biting her lip. “You never would have gotten anything like this in Paris. You always said you loved Paris. We could have stayed in Paris or gone anywhere. I’d have gone anywhere. I said I’d go anywhere you wanted. If you wanted to shoot we could have gone shooting in Hungary and been comfortable.” “Your bloody money,” he said. “That’s not fair,” she said. “It was always yours as much as mine. I left everything and I went wherever you wanted to go and I’ve done what you wanted to do. But I wish we’d never come here.” “You said you loved it.” “I did when you were all right. But now I hate it. I don’t see why that had to happen to your leg. What have we done to have that happen to us?” “I suppose what I did was to forget to put iodine on it when I first scratched it. Then I didn’t pay any attention to it because I never infect. Then, later, when it got bad, it was probably using that weak carbolic solution when the other antiseptics ran out that paralyzed the minute
Ernest Hemingway (The Complete Short Stories of Ernest Hemingway)
Ella.” The sound was so quiet, I barely heard it through the blood-rush in my ears. I turned to look down the hallway. A man was coming toward me, his lean form clad in a pair of baggy scrub pants and a loose T-shirt. His arm was bandaged with silver-gray burn wrap. I knew the set of those shoulders, the way he moved. Jack. My eyes blurred, and I felt my pulse escalate to a painful throbbing. I began to shake from the effects of trying to encompass too much feeling, too fast. “Is it you?” I choked. “Yes. Yes. God, Ella . . .” I was breaking down, every breath shattering. I gripped my elbows with my hands, crying harder as Jack drew closer. I couldn’t move. I was terrified that I was hallucinating, conjuring an image of what I wanted most, that if I reached out I would find nothing but empty space. But Jack was there, solid and real, reaching around me with hard, strong arms. The contact with him was electrifying. I flattened against him, unable to get close enough. He murmured as I sobbed against his chest. “Ella . . . sweetheart, it’s all right. Don’t cry. Don’t . . .” But the relief of touching him, being close to him, had caused me to unravel. Not too late. The thought spurred a rush of euphoria. Jack was alive, and whole, and I would take nothing for granted ever again. I fumbled beneath the hem of his T-shirt and found the warm skin of his back. My fingertips encountered the edge of another bandage. He kept his arms firmly around me as if he understood that I needed the confining pressure, the feel of him surrounding me as our bodies relayed silent messages. Don’t let go. I’m right here. Tremors kept running along my entire frame. My teeth chattered, making it hard to talk. “I th-thought you might not come back.” Jack’s mouth, usually so soft, was rough and chapped against my cheek, his jaw scratchy with bristle. “I’ll always come back to you.” His voice was hoarse. I hid my face against his neck, breathing him in. His familiar scent had been obliterated by the antiseptic pungency of antiseptic burn dressings, and heavy saltwater brine. “Where are you hurt?” Sniffling, I reached farther over his back, investigating the extent of the bandage. His fingers tangled in the smooth, soft locks of my hair. “Just a few burns and scrapes. Nothing to worry about.” I felt his cheek tauten with a smile. “All your favorite parts are still there.” We were both quiet for a moment. I realized he was trembling, too. “I love you, Jack,” I said, and that started a whole new rush of tears, because I was so unholy glad to be able to say it to him. “I thought it was too late . . . I thought you’d never know, because I was a coward, and I’m so—” “I knew.” Jack sounded shaken. He drew back to look down at me with glittering bloodshot eyes. “You did?” I sniffled. He nodded. “I figured I couldn’t love you as much as I do, without you feeling something for me, too.” He kissed me roughly, the contact between our mouths too hard for pleasure. I put my fingers to Jack’s bristled jaw and eased his face away to look at him. He was battered and scraped and sun-scorched. I couldn’t begin to imagine how dehydrated he was. I pointed an unsteady finger at the waiting room. “Your family’s in there. Why are you in the hallway?” My bewildered gaze swept down his body to his bare feet. “They’re . . . they’re letting you walk around like this?” Jack shook his head. “They parked me in a room around the corner to wait for a couple more tests. I asked if anyone had told you I was okay, and nobody knew for sure. So I came to find you.” “You just left when you’re supposed to be having more tests?” “I had to find you.” His voice was quiet but unyielding.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Good luck. For most of my generation, it would just go to student debt and cocktails. If anything came to me (an impossibility), I would dump it into a poorly managed career in edgy luxury items. You can’t make opera money on perfume that smells like cunts and gasoline. At any rate, I didn’t usually make an appearance beyond the gala. Or, I hadn’t until recently. But Joseph Eisner had promised me a fortune, and now he wouldn’t take my calls. He did, however, like his chamber music. It had been an acquired taste for me. In my distant undergraduate past, when circumstance sat me in front of an ensemble, I spent the first five minutes of each concert deciding which musician I would fuck if I had the chance, and the rest shifting minutely in my seat. I still couldn’t stand Chanel. And while I had learned to appreciate—indeed, enjoy—chamber ensembles, orchestras, and on occasion even the opera, I retained my former habit as a dirty amusement to add some private savor to the proceedings. Tonight, it was the violist, weaving and bobbing his way through Dvořák’s Terzetto in C Major like a sinuous dancer. I prefer the romantics—fewer hair-raising harmonies than modern fare, and certainly more engaging than funereal baroque. The intriguing arrangement of the terzetto kept me engaged, in that slightly detached and floating manner engendered by instrumental performance. Moreover, the woman to my left, one row ahead, was wearing Salome by Papillon. The simple fact of anyone wearing such a scent in public pleased me. So few people dared wear anything at all these days, and when they did, it was inevitably staid: an inoffensive classic or antiseptic citrus-and-powder. But this perfume was one I might have worn myself. Jasmine, yes, but more indolic than your average floral. People sometimes say it smells like dirty panties. As the trio wrapped up for intermission, I took a steadying breath of musk and straightened my lapels. The music was only a means to an end, after all.
Lara Elena Donnelly (Base Notes)
Here is what I would like for you to know: In America, it is traditional to destroy the black body—it is heritage. Enslavement was not merely the antiseptic borrowing of labor—it is not so easy to get a human being to commit their body against its own elemental interest. And so enslavement must be casual wrath and random manglings, the gashing of heads and brains blown out over the river as the body seeks to escape. It must be rape so regular as to be industrial. There is no uplifting way to say this. I have no praise anthems, nor old Negro spirituals. The spirit and soul are the body and brain, which are destructible—that is precisely why they are so precious. And the soul did not escape. The spirit did not steal away on gospel wings. The soul was the body that fed the tobacco, and the spirit was the blood that watered the cotton, and these created the first fruits of the American garden. And the fruits were secured through the bashing of children with stovewood, through hot iron peeling skin away like husk from corn. It had to be blood. It had to be nails driven through tongue and ears pruned away. “Some disobedience,” wrote a Southern mistress. “Much idleness, sullenness, slovenliness…. Used the rod.” It had to be the thrashing of kitchen hands for the crime of churning butter at a leisurely clip. It had to be some woman “chear’d… with thirty lashes a Saturday last and as many more a Tuesday again.” It could only be the employment of carriage whips, tongs, iron pokers, handsaws, stones, paperweights, or whatever might be handy to break the black body, the black family, the black community, the black nation. The bodies were pulverized into stock and marked with insurance. And the bodies were an aspiration, lucrative as Indian land, a veranda, a beautiful wife, or a summer home in the mountains. For the men who needed to believe themselves white, the bodies were the key to a social club, and the right to break the bodies was the mark of civilization. “The two great divisions of society are not the rich and poor, but white and black,” said the great South Carolina senator John C. Calhoun. “And all the former, the poor as well as the rich, belong to the upper class, and are respected and treated as equals.” And there it is—the right to break the black body as the meaning of their sacred equality. And that right has always given them meaning, has always meant that there was someone down in the valley because a mountain is not a mountain if there is nothing below.*
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
In Hiding - coming summer of 2020 WAYNE ANTHONY SEEKS REDEMPTION FROM A BAD DAY - Although warned about getting the stitches wet, he believed a hot shower was the only road to his redemption. Experienced taught him the best way to relieve the tightness in his lower back was by standing beneath the near-scalding water. Dropping the rest of his clothing, he turned the shower on full blast. The hot water rushed from the showerhead filling the tiny room with steam, instantly the small mirror on the medicine cabinet fogged up. The man quietly pulled the shower curtain back and entered the shower stall without a sound. Years of acting as another’s shadow had trained him to live soundlessly. The hot water cascaded over his body as the echo from the pounding water deadened slightly. Grabbing the sample sized soap, he pulled the paper off and tossed the wrapper over the curtain rail. Wayne rubbed the clean smelling block until his large hands disappeared beneath the lather. He ignored the folded washcloth, opting to use his hands across his body. Gently he cleaned the injury allowing the slime of bacterial soap to remove the residual of the rust-colored betadine. All that remained when he finished was the pale orange smear from the antiseptic. This scar was not the only mar to his body. The water cascaded down hard muscles making rivulets throughout the thatches of dark hair. He raised his arms gingerly as he washed beneath them; the tight muscles of his abdomen glistened beneath the torrent of water. Opening a bottle of shampoo-slash-conditioner, he applied a dab then ran his hands across his scalp. Finally, the tension in his square jaw had eased, making his handsome face more inviting. The cords of his neck stood out as he rinsed the shampoo from his hair. It coursed down his chest leading down to his groin where the scented wash caught in his pelvic hair. Wayne's body was one of perfection for any woman; if that was, she could ignore the mutilations. Knife injuries left their mark with jagged white lines. Most of these, he had doctored himself; his lack of skill resulted in crude scars. The deepest one, undulated along the left side of his abdomen, that one had required the art of a surgeon. Dropping his arms, he surrenders himself to the pelting deluge from the shower. The steamy water cascaded down his body, pulling the soap toward the drain. Across his back, it slid down several small indiscernible pockmarks left by gunshot wounds, the true extent of their damage far beneath his skin. Slowly the suds left his body, snaking down his muscular legs. It slithered down the scars on his left knee, the result of replacement surgery after a thug took a bat to it. Wayne stood until the hot water cooled, and ran translucent over his body. Finally, he washes the impact of the long day from his mind and spirit.
Caroline Walken
Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live.
Elizabeth Wurtzel (Prozac Nation)
One solution, suggested by Pasteur and implemented by Lister, was antisepsis. This strategy was to prevent microorganisms from gaining access to the wound by destroying them. Lister proposed this solution in his work “On the Antiseptic Principle in the Practice of Surgery” of 1867. Patients, Lister noted, usually died after surgery not from their original ailment or the postoperative healing process, but rather from infections contracted as “collateral damage” during the surgery. This was iatrogenesis, or what Lister called “hospitalism.
Frank M. Snowden III (Epidemics and Society: From the Black Death to the Present)
In other words, FDR understood that to be effective, governance couldn’t be so antiseptic that it set aside the basic stuff of politics: You had to sell your program, reward supporters, punch back against opponents, and amplify the facts that helped your cause while fudging the details that didn’t. I found myself wondering whether we’d somehow turned a virtue into a vice; whether, trapped in my own high-mindedness, I’d failed to tell the American people a story they could believe in; and whether, having ceded the political narrative to my critics, I was going to be able to wrest it back.
Barack Obama (A Promised Land)
If asked, Benjamin would probably have found it hard to explain what drew him to the world of finance. It was the complexity of it, yes, but also the fact that he viewed capital as an antiseptically living thing. It moves, eats, grows, breeds, falls ill, and may die. But it is clean. This became clearer to him in time. The larger the operation, the further removed he was from its concrete details. There was no need for him to touch a single banknote or engage with the things and people his transaction affected. All he had to do was think, speak, and, perhaps, write. And the living creature would be set in motion, drawing beautiful patterns on its way into realms of increasing abstraction, sometimes following appetites of its own.
Hernan Diaz (Trust)
Black grasses bristling out of whiteness. Festoons of dirtyish ice hung from rocks like soiled cotton wool. A smug antiseptic-looking gargantuan face, every girl’s magazine cover college boyfriend, magnified to the nth degree and thanking God he’s American. I began to feel cold and lonely
Anna Kavan (Machines in the Head: The Selected Short Writing of Anna Kavan)
There’s nothing quite like a perfectly stocked maid’s trolley early in the morning. It is, in my humble opinion, a cornucopia of bounty and beauty. The crisp little packages of delicately wrapped soaps that smell of orange blossom, the tiny Crabtree & Evelyn shampoo bottles, the squat tissue boxes, the toilet-paper rolls wrapped in hygienic film, the bleached white towels in three sizes—bath, hand, and washcloth—and the stacks of doilies for the tea-and-coffee service tray. And last but not least, the cleaning kit, which includes a feather duster, lemon furniture polish, lightly scented antiseptic garbage bags, as well as an impressive array of spray bottles of solvents and disinfectants, all lined up and ready to combat any stain, be it coffee rings, vomit—or even blood. A well-stocked housekeeping trolley is a portable sanitation miracle; it is a clean machine on wheels. And as I said, it is beautiful.
Nita Prose (The Maid (Molly the Maid, #1))
Insofar as contemporary psychoanalysts, and particularly some so-called revisionist analysts, address the question of love at all, they attempt to distinguish “mature” love from romantic love, loving from being in love: the former being healthy, the latter neurotic (perhaps worse) or inconsequential, or just an adolescent phase. Most mental health treatments of love are stale, antiseptic, and preachy; they generally denigrate the experience of falling in love. In essence they downgrade romantic love and endorse some version of nonpassionate “love” which is based on a rational decision to commit oneself to a person or situation.
Ethel Spector Person (Dreams of Love and Fateful Encounters: The Power of Romantic Passion)
This is antiseptic language, which puts our human dramas in political and economic boxes and holds us at arm’s length from the heart of the matter. Still, I feel more and more of us willingly seeing, choosing to care about the heart of the matter, holding the question of love,
Krista Tippett (Becoming Wise: An Inquiry into the Mystery and the Art of Living)
Whisky can indeed be used as an antiseptic, but I'd recommend it only as a last resort, since pouring it into an open wound could damage exposed tissue. I'd much rather pour it into a glass and drink it neat over ice." "You like whisky?" Keir asked. "Love it," came her prompt reply, which Merritt could see had earned his instant liking.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Can I get you a drink? And then I’ll change the tape and gauze,” she adds when Victoria attempts to interrupt. “I’m lucky—a few Band-Aids will probably do it.” “Do you have vodka?” “For my toes? I was going to just use some antiseptic.” “To drink, Anna.
Lola Keeley (The Music and the Mirror)
In other words, we drink—for fun—the same thing we use to make rocket fuel, house paint, antiseptics, solvents, perfumes, and deodorants, and to denature (i.e., take away the natural properties of, or kill) living organisms. Which might make sense on some level if we weren’t a generation of green-minded, organic, health-conscious, truth-seeking individuals. But we are.
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
Set aside a period of 30 minutes each day where you can be alone and undisturbed. Relax and make yourself as comfortable as possible. Now close your eyes and exercise your imagination. Many people find they get better results if they imagine themselves sitting before a large motion picture screen—and imagine that they are seeing a motion picture of themselves. The important thing is to make these pictures as vivid and as detailed as possible. You want your mental pictures to approximate actual experience as much as possible. The way to do this is pay attention to small details, sights, sounds, objects, in your imagined environment. One of my patients was using this exercise to overcome her fear of the dentist. She was unsuccessful, until she began to notice small details in her imagined picture—the smell of the antiseptic in the office, the feel of the leather on the chair arms, the sight of the dentist’s well-manicured nails as his hands approached her mouth, etc. Details of the imagined environment are all-important in this exercise, because for all practical purposes, you are creating a practice experience. And if the imagination is vivid enough and detailed enough, your imagination practice is equivalent to an actual experience, insofar as your nervous system is concerned. The next important thing to remember is that during this 30 minutes you see yourself acting and reacting appropriately, successfully, ideally. It doesn’t matter how you acted yesterday. You do not need to try to have faith you will act in the ideal way tomorrow. Your nervous system will take care of that in time—if you continue to practice. See yourself acting, feeling, “being,” as you want to be. Do not say to yourself, “I am going to act this way tomorrow.” Just say to yourself—“I am going to imagine myself acting in this way now—for 30 minutes—today.” Imagine how you would feel if you were already the sort of personality you want to be. If you have been shy and timid, see yourself moving among people with ease and poise—and feeling good because of it. If you have been fearful and anxious in certain situations—see yourself acting calmly and deliberately, acting with confidence and courage—and feeling expansive and confident because you are.
Maxwell Maltz (Psycho-Cybernetics Deluxe Edition: The Original Text of the Classic Guide to a New Life (The Psycho-Cybernetics Series))
Her gaze returned to my wings, and then her brow pursed. “You’re bleeding,” she said on a gulp and pointed over my left shoulder. When I looked, I could just see a trickle of blue from the cut the guard’s sword had made. Rising, I went to my satchel again and removed a vial of antiseptic that our healers in Gadlizel made. I poured some on a clean cloth and stretched out my left wing. I could barely reach the cut, but I could see that the guard’s blade hadn’t gone to the bone. Still, it was wide enough to cause infection. “Damn,” I muttered, reaching back to try and wipe the blue blood still streaming lightly from the wound. “Let me.” I actually startled, finding Murgha standing right next to me. Without a word, I handed her the cloth. “You’ll need to sit down. I can’t reach.” She was quite small, even for a light fae. I sat on the pallet and spread my wing. She stood eye level with the top of my wing. Then she dabbed at the cut, the sting of the medicine sharp, but I didn’t move a muscle. “This needs to be stitched,” she said softly. I looked up at her. “I don’t suppose you know how to stitch wounds.” She swallowed nervously. “I do, actually. I sew all my own clothes, and Papa has needed cuts treated in the past. My sister was always too squeamish to do it.
Juliette Cross (The Lovely Dark: A Monster Romance Anthology)
It makes the most grotesque killings look antiseptic, staged. Like you’re in a new and daring section of Disney World. Dahmer Land. Come ride the refrigerator.
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
I haven’t quite acclimated to the icicles dangling from my nostrils in the mornings yet.” Ridge pushed back the parka, unfastened his uniform jacket, and went so far as to tug his shirt out of his trousers, but he wasn’t exposing any flesh until she was hovering over him with a swab of antiseptic in one hand and bandages in the other. Already, cold whispered up his back from having his shirt loosened. “I suppose that means I needn’t worry about you wishing to engage in… convivial activities with me tonight then, activities that might require the shedding of clothing.” Sardelle shifted toward him, her rag now doused. “Shirt up, please.” “No, you needn’t worry about that.” Ridge supposed her comment proved that his earlier thought was unlikely. She wasn’t there to seduce him for information. He probably shouldn’t feel disappointed by that. “Although, for the record, men don’t need to expose a whole lot of skin to get convivial.” “I suppose that’s true. Shirt up,” she repeated. Ridge reached for the hem, but hesitated, nibbling thoughtfully on the inside of his cheek. “Problem?” Sardelle asked. “Just wondering if I need to rub my dragon before enduring this.” “Uhm, pardon?” “You know, my little charm.” Ridge eyed her doused rag. “Or maybe you should rub my dragon.” “Perhaps later,” she murmured.
Lindsay Buroker (The Dragon Blood Collection, Books 1-3)
THERE IS SOMETHING STRANGE AND DISARMING about looking at a homicide scene in the bright daylight of the Miami sun. It makes the most grotesque killings look antiseptic, staged. Like you’re in a new and daring section of Disney World. Dahmer Land. Come ride the refrigerator. Please hurl your lunch in the designated containers only.
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
thoroughly scrubbing them with the most powerful disinfectant solution available and for as long as it took to expunge all traces of the smell of cadavers. He now set about single-mindedly researching what would be the most effective antiseptic.38
Andrew Schafer (Unclean Hands)
In other words, FDR understood that to be effective, governance couldn’t be so antiseptic that it set aside the basic stuff of politics: You had to sell your program, reward supporters, punch back against opponents, and amplify the facts that helped your cause while fudging the details that didn’t.
Barack Obama (A Promised Land)
sign on the wall just outside the entrance to the First Division, where antiseptic-solution-filled basins had been placed on two tables: “ALLE ARTZE MÜSSEN IHRE HANDE MIT CHLORKALK WASSEN” (“All medical practitioners must wash hands with chlorine.”) Hand brushes for scrubbing and towels were placed next to the basins. Ignác stationed himself there, arms folded over his chest, awaiting the arrival of the students from the morgue.
Andrew Schafer (Unclean Hands)
The antiseptic scrubbing protocol was introduced in the middle of May 1847.49 And then the women stopped dying. Only on occasional days in the last two weeks of May did a single patient succumb. The abrupt drop in the mortality rate was plain to see, and practically miraculous.
Andrew Schafer (Unclean Hands)
said to expect such thoughts when I returned home, and that those thoughts would fade with time. I sure hoped she was right. I still had a shock every time I looked in the mirror, a pleasant shock mind you, but nevertheless a shock. Even though my life had immeasurably changed for the better, I was still having trouble coming to terms with the change itself. I had been told time and time again that this was normal, but that didn’t make it any easier to experience. I suppose I had been depressed before the accident. I looked around my cottage, surprised that this had been my taste. The curtains were hideous, and everything was dark. I suppose I had been trying to hide away from the world. Still, my job wouldn’t have helped. I had been the marketing manager for a local small art gallery. The boss had been a screaming banshee, and that was a polite description for her. She had been impossible to deal with and had a regular staff turnover. I had been there years longer than any other employee. Looking back, I wondered how I had taken her verbal abuse and yelling for years, but I suppose I had been used to being bullied since school. I shook myself. That was all behind me now, and my only connection with that was a desire to work in some way to help people who had been bullied. There was altogether way too much bullying in the world. Now I had enough money to buy a nice place, but first things first. I was going to concentrate on starting my business. I would simply buy some bright new cushions to make the place look a little better and make sure all the curtains were open. I’d buy some nice smelling incense and an oil burner, and burn lavender oil. I was craving nice fragrances, after being accustomed to the antiseptic smell of the hospital, a smell I am sure I will never forget.
Morgana Best (Sweet Revenge (Cocoa Narel Chocolate Shop, #1))
In the early twentieth century, the vision of a future society unbelievably rich, leisured, orderly, and efficient—a glittering antiseptic world of glass and steel and snow-white concrete—was part of the consciousness of nearly every literate person.
George Orwell (1984)