Antenna Sayings And Quotes

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Awakening is not a thing. It is not a goal, not a concept. It is not something to be attained. It is a metamorphosis. If the caterpillar thinks about the butterfly it is to become, saying ‘And then I shall have wings and antennae,’ there will never be a butterfly. The caterpillar must accept its own disappearance in its transformation. When the marvelous butterfly takes wing, nothing of the caterpillar remains.
Alejandro Jodorowsky
I can pick up the city feeds on my antenna. It said they were going to change you all. Turn you into something less dangerous. Are you still...?" She gazed at him. "What do you think, David?" He peered into her eyes for a long moment, then sighed and shook his head. "You just look like Tally to me." She looked down, her vision blurring. What's the matter?" Nothing, David." She shook her head. "You just took on five million years of evolution again." I what? Did I say something wrong?" No." She smiled. "You said something right.
Scott Westerfeld (Specials (Uglies, #3))
Today I'm on tell you bout a man from outer space." She just loves hearing about peoples from outer space. Her favorite show on the tee-vee is My Favorite Martian, I pull on my antennae hats I shaped last night out a tin foil, fasten em on our heads. One for her and one for me. We look like we a couple a crazy people in them things. "One day, a wise Martian come down to Earth to teach us people a thing or two," I say. "Martian? How big?" "oh, he about six-two." "What's his name?" "Martian Luther King." She take a deep breath and lean her head down on my shoulder. I feel her three-year-old heart racing against mine, flapping like butterflies on my white uniform. "He was a real nice Martian, Mister King. Looked just like us, nose, mouth, hair up on his head, but sometime people looked at him funny and sometime, well, I guess sometime people was just downright mean." I coul get in a lot a trouble telling her these little stories, especially with Mister Leefolt. But Mae Mobley know these our "secret stories". "Why Aibee? Why was they so mean to him?" she ask. "Cause he was green.
Kathryn Stockett (The Help)
And the roaches. The roaches were so bold in his flat that turning on the lights did not startle them. They waved their three-inch antennas as if to say, Hey, puto, turn that shit off.
Junot Díaz (Drown)
People walk the paths of the gardens below, and the wind sings anthems in the hedges, and the big old cedars at the entrance to the maze creak. Marie-Laure imagines the electromagnetic waves traveling into and out of Michel’s machine, bending around them, just as Etienne used to describe, except now a thousand times more crisscross the air than when he lived - maybe a million times more. Torrents of text conversations, tides of cell conversations, of televisions programs, of e-mails, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I am going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscape we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.
Anthony Doerr (All the Light We Cannot See)
I CAN STILL SEE YOU: an echo that can be groped towards with antenna words, on the ridge of parting. Your face quietly shies when suddenly there is lamplike brightness inside me, just at the point where most painfully one says, never.
Paul Celan (Poems of Paul Celan)
Whenever he can, Werner records what the partisans say on magnetic tape. Everybody, he is learning, likes to hear themselves talk. Hubris, like the oldest stories. They raise the antenna too high, broadcast for too many minutes, assume the world offers safety and rationality when of course it does not.
Anthony Doerr (All the Light We Cannot See)
It worked! Holy shit, it worked! I just suited up and checked the lander. The high-gain antenna is angled directly at Earth! Pathfinder has no way of knowing where it is, so it has no way of knowing where Earth is. The only way for it to find out is getting a signal. They know I’m alive! I don’t even know what to say. This was an insane plan and somehow it worked! I’m going to be talking to someone again. I spent three months as the loneliest man in history and it’s finally over. Sure, I might not get rescued. But I won’t be alone. The whole time I was recovering Pathfinder, I imagined what this moment would be like. I figured I’d jump up and down a bit, cheer, maybe flip off the ground (because this whole damn planet is my enemy), but that’s not what happened. When I got back to the Hab and took off the EVA suit, I sat down in the dirt and cried. Bawled like a little kid for several minutes. I finally settled down to mild sniffling and then felt a deep calm. It was a good calm.
Andy Weir (The Martian)
Alex was right in front of the mantel now, bent forward, his nose mere inches from a picture of me. "Oh,God. Don't look at that!" It was from the year-end recital of my one and only year of ballet class. I was six: twig legs, a huge gap where my two front teeth had recently been, and a bumblebee costume. Nonna had done her best, but there was only so much she could do with yellow and black spandex and a bee butt. Dad had found one of those headbands with springy antennai attached. I'd loved the antennae. The more enthusiastic my jetes, the more they bounced. Of course, I'd also jeted my flat-chested little self out of the top of my costume so many times that, during the actual recital itself,I'd barely moved at all, victim to the overwhelming modesty of the six-year-old. Now, looking at the little girl I'd been, I wished someone had told her not to worry so much, that within a year, that smooth, skinny, little bare shoulder would have turned into the bane of her existence. That she was absolutely perfect. "Nice stripes," Alex said casually, straightening up. That stung. It should't have-it was just a photo-but it did. I don't know what I'd expected him to say about the picture. It wasn't that. But then, I didn't expect the wide grin that spread across his face when he got a good look at mine, either. "Those," he announced, pointing to a photo of my mulleted dad leaning against the painted hood of his Mustang "are nice stripes. That-" he pointed to the me-bee- "Is seriously cute." "You're insane," I muttered, insanely pleased. "Yeah,well, tell me something I don't know." He took the bottle and plate from me. "I like knowing you have a little vanity in there somewhere." He stood, hands full, looking expectant and completely beautiful. The reality of the situation hadn't really been all that real before. Now, as I started up the stairs to my bedroom, Alex Bainbridge in tow, it hit me. I was leading a boy, this boy, into my very personal space. Then he started singing. "You're so vain, I bet you think this song is about you. You're sooo vain....!" He had a pretty good voice. It was a truly excellent AM radio song. And just like that, I was officially In Deep
Melissa Jensen (The Fine Art of Truth or Dare)
Vague sentiments do little to inspire but affirming specific actions behavior or character can have a lasting impact. This means we should be on the lookout for good things to praise. Our beauty and goodness antenna should be up ready to notice and celebrate the good in those God has placed in our life.
Carolyn Lacey (Say the Right Thing: How Your Words Can Glorify God and Encourage Others (What the Bible says about the power of our words and how the gospel can shape the way we speak))
It is us, he says, who pass by, not time. We, the human creatures with the short-lived biological destiny, come and go. The dimension of depth eludes us. Our antennas have a very limited capacity. They only form subjective impressions that are totally irrelevant to the true and objective “Great Reality”, the Samith as he called it.
Paul Amadeus Dienach (Chronicles From The Future: The amazing story of Paul Amadeus Dienach)
There are other noteworthy characteristics of this rock art style: Anthropomorphs without headdresses instead sport horns, or antennae, or a series of concentric circles. Also prominent in many of the figures' hands are scepters--each one an expression of something significant in the natural world. Some look like lightning bolts, some like snakes; other burst from the fingers like stalks of ricegrass. Colorado Plateau rock-art expert Polly Schaafsma has interpreted these figures as otherworldly--drawn by shamans in isolated and special locations, seemingly as part of a ceremonial retreat. Schaafsma and others believe that the style reflects a spirituality common to all hunter-gatherer societies across the globe--a way of life that appreciates the natural world and employs the use of visions to gain understanding and appreciation of the human relationship to the earth. Typically, Schaafsma says, it is a spirituality that identifies strongly with animals and other aspects of nature--and one that does so with an interdependent rather than dominant perspective. To underscore the importance of art in such a culture, Schaafsma points to Aboriginal Australians, noting how, in a so-called primitive society, where forms of written and oral communication are considered (at least by our standards) to be limited, making art is "one means of defining the mystic tenets of one's faith.
Amy Irvine (Trespass: Living at the Edge of the Promised Land)
Torrents of text conversations, tides of cell conversations, of television programs, of e-mail, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I’m going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscapes we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.
Anthony Doerr (All the Light We Cannot See)
She keeps her fingers on Faye’s face. Faye closes her eyes against tears. When she opens them Julie is still looking at her. She’s smiling a wonderful smile. Way past twenty. She takes Faye’s hands.“‘Then tell them to look closely at men’s faces. Tell them to stand perfectly still, for time, and to look into the face of a man. A man’s face has nothing on it. Look closely. Tell them to look. And not at what the faces do–men’s faces never stop moving–they’re like antennae. But all the faces do is move through different configurations of blankness.’ Faye looks for Julie’s eyes in the mirror. Julie says, ‘Tell them there are no holes for your fingers in the masks of men. Tell them how could you ever even hope to have what you can’t grab onto.’ Julie turns her makeup chair and looks up at Faye. ‘That’s when I love you, if I love you,’ she whispers, running a finger down her white powdered cheek, reaching to trace an angled line of white onto Faye’s own face. 'Is when your face moves into expression. Try to look out from yourself, different, all the time. Tell people that you know your face is at least pretty at rest.’ 'You asked me once how poems informed me,’ she says. Almost a whisper–her microphone voice. 'And you asked whether we, us, depended on the game, to even be. Baby?’–lifting Faye’s face with one finger under the chin–'Remember? Remember the ocean? Our dawn ocean, that we loved? We loved it because it was like us, Faye. That whole ocean was obvious. We were looking at something obvious, the whole time.’ She pinches a nipple, too softly for Faye even to feel. 'Oceans are only oceans when they move,’ Julie whispers. 'Waves are what keep oceans from just being very big puddles. Oceans are just their waves. And every wave in the ocean is finally going to meet what it moves toward, and break. The whole thing we looked at, the whole time you asked, was obvious. It was obvious and a poem because it was us. See things like that, Faye. Your own face, moving into expression. A wave, breaking on a rock, giving up its shape in a gesture that expresses that shape. See?’ It wasn’t at the beach that Faye had asked about the future. It was in Los Angeles. And what about the anomalous wave that came out of nowhere and broke on itself? Julie is looking at Faye. 'See?’ Faye’s eyes are open. They get wide. 'You don’t like my face at rest?
David Foster Wallace (Girl with Curious Hair)
Broadway lit up just as crazy as ever, and the crowd thick as molasses. Just fling yourself into it like an ant and let yourself get pushed along. Everybody doing it, some for a good reason, and some for no reason at all. All this push and movement representing action, success, get ahead. Stop and look at shoes, or fancy shirts. The new fall overcoat, wedding rings at 98 cents a piece. Every other joint a food emporium. Everytime I hit that runway toward dinner hour, a fever of expectancy seized me. It's only a stretch of a few blocks from Time Square to 50th street, and when one says 'Broadway', that's all that's really meant. And it's really nothing, just a chicken run, and a lousy one at that. But at 7 in the evening, when everybody's rushing for a table, there is a sort of electrical crackle in the air. And your hair stands on end like antennae, and if you're receptive, you not only get every flash and flicker, but you get the statistical itch. The quid pro quo of the interactive, interstitial, ectoplasmatic quantum of bodies jostling in space like the stars which compose the Milky Way. Only, this is the gay white way. The top of the world with no roof above and not even a crack or a hole under your feet to fall through and say it's a lie. The absolute impersonality of it brings you to a pitch of warm human delirium, which makes you run forward like a blind nag, and wag your delirious ears. Everyone is so utterly, confoundedly not himself, that you become automatically the personification of the whole human race. Shaking hands with a thousand human hands, cackling with a thousand different human tongues, cursing, applauding, whistling, crooning, soliloquizing, orating, gesticulating, urinating, fecundating, wheedling, cajoling, whimpering, bartering, pimping, caterwauling, and so on and so forth. You are all the men who ever lived up until Moses, and beyond that, you are a woman buying a bird cage, or just a mouse trap.
Henry Miller (Tropic of Capricorn (Tropic, #2))
To test these ideas, Dr. Mario Beauregard of the University of Montreal recruited a group of fifteen Carmelite nuns who agreed to put their heads into an MRI machine. To qualify for the experiment, all of them must “have had an experience of intense union with God.” Originally, Dr. Beauregard had hoped that the nuns would have a mystical communion with God, which could then be recorded by an MRI scan. However, being shoved into an MRI machine, where you are surrounded by tons of magnetic coils of wire and high-tech equipment, is not an ideal setting for a religious epiphany. The best they could do was to evoke memories of previous religious experiences. “God cannot be summoned at will,” explained one of the nuns. The final result was mixed and inconclusive, but several regions of the brain clearly lit up during this experiment: •  The caudate nucleus, which is involved with learning and possibly falling in love. (Perhaps the nuns were feeling the unconditional love of God?) •  The insula, which monitors body sensations and social emotions. (Perhaps the nuns were feeling close to the other nuns as they were reaching out to God?) •  The parietal lobe, which helps process spatial awareness. (Perhaps the nuns felt they were in the physical presence of God?) Dr. Beauregard had to admit that so many areas of the brain were activated, with so many different possible interpretations, that he could not say for sure whether hyperreligiosity could be induced. However, it was clear to him that the nuns’ religious feelings were reflected in their brain scans. But did this experiment shake the nuns’ belief in God? No. In fact, the nuns concluded that God placed this “radio” in the brain so that we could communicate with Him. Their conclusion was that God created humans to have this ability, so the brain has a divine antenna given to us by God so that we can feel His presence. David Biello concludes, “Although atheists might argue that finding spirituality in the brain implies that religion is nothing more than divine delusion, the nuns were thrilled by their brain scans for precisely the opposite reason: they seemed to provide confirmation of God’s interactions with them.” Dr. Beauregard concluded, “If you are an atheist and you live a certain kind of experience, you will relate it to the magnificence of the universe. If you are a Christian, you will associate it with God. Who knows. Perhaps they are the same thing.” Similarly, Dr. Richard Dawkins, a biologist at Oxford University and an outspoken atheist, was once placed in the God helmet to see if his religious beliefs would change. They did not. So in conclusion, although hyperreligiosity may be induced via temporal lobe epilepsy and even magnetic fields, there is no convincing evidence that magnetic fields can alter one’s religious views.
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
Look, nothing personal, guys, but you look like the top half of an S and M wedding cake. Cops don’t like people who look sort of . . .” I wasn’t sure how to say it without being insulting. Cops were meat-and-potatoes people. They weren’t impressed by the exotic. They’d seen it all and cleaned up the mess. Most of the exotic that they saw were bad guys. After a while, policemen seem to think anything exotic is a bad guy; just saves time. If I walked into the police station with Tweedle-punk and Tweedle-slut, it was going to raise the cop’s antennae.
Laurell K. Hamilton (Blue Moon (Anita Blake, Vampire Hunter, #8))
I knew Michael had to be right about the argument that would come later because Mom didn’t say anything about us being gone or even ask where we’d been. In the kitchen, Dad had the extra cheerfulness he got with us when Mom was angry at him. He let us each drop a lobster in the boiling water. He had to hold Alec so he’d be high enough not to get his hand splashed. Their black antennae whipped back and forth against the sides of the pot before disappearing.
Adam Haslett (Imagine Me Gone)
Something must be wrong with me. Other Christians don’t seem to have this trouble praying. After five minutes we give up, saying, “I am no good at this. I might as well get some work done.” Something is wrong with us. Our natural desire to pray comes from Creation. We are made in the image of God. Our inability to pray comes from the Fall. Evil has marred the image. We want to talk to God but can’t. The friction of our desire to pray, combined with our badly damaged prayer antennae, leads to constant frustration. It’s as if we’ve had a stroke.
Paul E. Miller (A Praying Life: Connecting with God in a Distracting World)
I realized our kinks and coils grew up and out toward the sun. Shrinkage, although frustrating, is our protection from the sun. I viewed natural hair as our antenna and everything that connects us with the Most High.
Felicia Leatherwood (Root Therapy: How to Love Your Hair (And Find Yourself))
and parking is often an issue. None of these is my favorite. I have thought long and hard and decided not to name my preferred south shore beach, because what I love about it is it’s not popular and never very crowded except by locals and summer residents. Because I feel guilty for holding back, I will say that if you want a terrific not-crowded beach, drive out to Miacomet Golf Course, but just before you reach the clubhouse, take a right onto the dirt road that leads past the big antenna.
Elin Hilderbrand (The Hotel Nantucket)
Another game-changing project is the BRCK, pronounced “brick,” created by the same team behind Ushahidi and iHub. On a flight back to Africa from the United States some years ago, Hersman looked down on our vast, rugged continent and wondered why it was that most routers and modems were built for the first-world comfort zones of, say, New York or London, whereas most Internet users actually live in the harsh, far less comfortable environments of Asia, Africa and Latin America. The team sketched out a design for a rugged portable connectivity device that could work in remote conditions where electrical power and Internet connections were a problem. The result is the BRCK, a sturdy, brick-shaped, cloud-enabled Wi-Fi hotspot router from which you can access the Internet from anywhere on the continent that is close to a signal. It has an antenna, charger, USB ports, 4 GB of storage, a built-in global SIM card and enough backup power to survive a blackout. The device sells for $199 online and is already being used in 45 countries around the world. Consider the provenance: designed in Nairobi, Kenya; manufactured in Austin, Texas. This is a complete reversal of the standard manufacturing paradigm. Again, an example of African technology going global.
Ashish J. Thakkar (The Lion Awakes: Adventures in Africa's Economic Miracle)
Julie says, "Tell them to look closely at men's faces. Tell them to stand perfectly still, for time, and to look into the face of a man. A man's face has nothing on it. Look closely. Tell them to look. And not at what the faces do - men's faces never stop moving-they're like antennae. But all the faces do is move through different configurations of blankness." Faye looks for Julie's eyes in the mirror. Julie says, "Tell them there are no holes for your fingers in the masks of men. Tell them how could you ever even hope to love what you can't grab onto.
David Foster Wallace (Little Expressionless Animals)
Julie says, "Tell them to look closely at men's faces. Tell them to stand perfectly still, for time, and to look into the face of a man. A man's face has nothing on it. Look closely. Tell them to look. And not at what the faces do - men's faces never stop moving-they're like antennae. But all the faces to is move through different configurations of blankness." Faye looks for Julie's eyes in the mirror. Julie says, "Tell them there are no holes for your fingers in the masks of men. Tell them how could you ever even hope to love what you can't grab onto.
David Foster Wallace (Little Expressionless Animals)
This was the second time a recall had hit home. The first time, Iris’s toy cell phone was recalled because the antenna could break off and present a choking hazard. We contacted the company, and they promptly sent a replacement. By this time, however, Iris was three years old, too old to choke on a busted cell phone, so we just kept both toys. This was probably unethical of us, but we got our karmic payback: two toy cell phones are twice as loud as one. I complained to Iris that she was making an infernal racket, and thereafter she would come to me, waving the two phones, and say, “Hey, Dada, you want to play Infernal Racket?
Matthew Amster-Burton (Hungry Monkey: A Food-Loving Father's Quest to Raise an Adventurous Eater)
If we become attuned to these fallacies, then every time we hear them - every time we hear a person attacked, an emotional appeal made, an idea rejected because it isn't perfect, or a phrase like ''we have only two choices'' - our antennae will go up. This doesn't mean that we should necessarily reject what the person is saying but that we should reason more carefully about the issue before deciding what we believe should be done.
Madeleine L. Van Hecke (Blind Spots: Why Smart People Do Dumb Things)
After all, if the average person was told about an often nude girl prancing around in front of an open window and a love-struck guy across the street watching, discreetly, most people would say I’m the nut. But you’re the nut. You’re just not called a nut because your pussy is a thing that all these people want to know about, whereas my whole being is abhorrent to your neighbors. I live in a sixth-floor walk-up in Bed-Stuy. I didn’t allow my nut sack to be raided by the College Loan Society of Bullshit. I get paid under the table and own a TV with an antenna. These people don’t want to touch my dick with a ten-foot pole. Your pussy, on the other hand, is gold. I
Caroline Kepnes (You (You, #1))
They turn on short-range telemetry kits, and we approach through the clear-cut. The black soil is deformed into thigh-high welts from earth-moving equipment. Pings from the radio collars tell them that the male is south of the female, who is farther up the wood line. Because the male wolf and the yearlings will often sit the pups while the female goes off to hunt or rest elsewhere, the biologists must choose which wolf’s signal to focus upon. This morning, they can’t decide which wolf might be with the pups. Chris whispers a game plan to Ryan. “I’m going to walk up on the male,” Chris says. “You walk farther up and get a bead on the female. Wait a few minutes before you go in - give me some time to find him first because the wind will wash your scent south right back on top of him, okay? If the pups aren’t with him, I’ll just keep moving north toward her and find you.” Ryan nods his agreement, and Chris slips into the woods. The density of the vegetation encloses around him within a few feet from the tree line. Chris, having spent twenty-five years using telemetry to track wolves, can interpret the pings like most people read road signs. His body melts behind thick vines, woody growth, and an abundance of wax myrtle bushes that crowd the understory. Ryan and I walk north along the clear-cut. He listens for the female, holding his telemetry antennae high. He waves the unit this way and that, searching the radio wave for the best strength. It begins raining. He paces up and down a fifty-foot stretch of the tree line. Where the female wolf’s signal is the strongest, he scratches a large X in the dark muck with his boot heel. We wait in the light drizzle. Minutes tick by. Finally, Ryan motions for me to follow him into the woods. We creep deliberately, slowly, and I plant each step where he does. After about ten yards, he drops onto his hands and knees and crawls beneath a cluster of thorny devil’s walking sticks. I trail him as if playing a silent game of follow the leader. We pause here and there to let the wolf confuse our sounds with a foraging squirrel. He uses vine clippers to snip through several large branches obscuring our way. Soon, Ryan pulls the cable from his antennae and shows me that he can hear her with just the receiver box. We are close. I try not to breathe. She is within thirty feet. Then the pinging in his headphones tells him she is running. We don’t hear or even see her flush. It is like tracking a ghost.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
Viewed from a suitable height, the aggregating clusters of medical scientists in the bright sunlight of the boardwalk at Atlantic City, swarmed there from everywhere for the annual meetings, have the look of assemblages of social insects. There is the same vibrating, ionic movement, interrupted by the darting back and forth of jerky individuals to touch antennae and exchange small bits of information; periodically, the mass casts out, like a trout-line, a long single file unerringly toward Childs’s. If the boards were not fastened down, it would not be a surprise to see them put together a nest of sorts. It is permissible to say this sort of thing about humans. They do resemble, in their most compulsively social behavior, ants at a distance. It is, however, quite bad form in biological circles to put it the other way round, to imply that the operation of insect societies has any relation at all to human affairs.
Lewis Thomas (The Lives of a Cell: Notes of a Biology Watcher)
The perils in the way of the evolution of the philosopher are in truth so manifold today one may well doubt whether this fruit can still ripen at all. The compass and tower-building of the sciences has grown enormous, and therewith the probability has also grown enormous that the philosopher will become weary while still no more than a learner, or that he will let himself be stopped somewhere and ‘specialize’: so that he will never reach his proper height, the height from which he can survey, look around and look down. Or that he will reach this height too late, when his best time is past and his best strength spent; or damaged, coarsened, degenerate, so that his view, his total value judgement, no longer means much. Perhaps it is the very refinement of his intellectual conscience which makes him linger on the way and arrive late; he fears he may be seduced into dilettantism, into becoming an insect with a thousand feet and a thousand antennae, he knows too well that one who has lost respect for himself can no longer command, can no longer lead as a man of knowledge either, unless he wants to become a great actor, a philosophical Cagliostro and pied piper of the spirit, in short a mis-leader. This is ultimately a question of taste even if it were not a question of conscience. In addition to this, so as to redouble his difficulties, there is the fact that the philosopher demands of himself a judgement, a Yes or No, not in regard to the sciences but in regard to life and the value of life – that he is reluctant to believe he has a right, to say nothing of a duty, to come to such a judgement, and has to find his way to this right and this faith only through the widest – perhaps most disturbing and shattering – experiences, and often hesitating, doubting, and being struck dumb. Indeed, the mob has long confounded and confused the philosopher with someone else, whether with the man of science or with the religiously exalted, dead to the senses, ‘dead to the world’ fanatic and drunkard of God; and today if one hears anyone commended for living ‘wisely’ or ‘like a philosopher’, it means hardly more than ‘prudently and apart’. Wisdom: that seems to the rabble to be a kind of flight, an artifice and means for getting oneself out of a dangerous game; but the genuine philosopher – as he seems to us, my friends? – lives ‘unphilosophically’ and ‘unwisely’, above all imprudently, and bears the burden and duty of a hundred attempts and temptations of life – he risks himself constantly, he plays the dangerous game…
Nietzsche