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The male is a domestic animal which, if treated with firmness, can be trained to do most things.
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Jilly Cooper
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In our vile English climate, rough winds shake not only the darling buds of May, but of June, July, August and September as well.
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Jilly Cooper (Jolly Super)
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I'm bored stiff by ballet. i can't bear those muscular white legs like unbaked plaited loaves, and I get quite hysterical every time one of the women sticks out her leg at right angles, and the man suddenly grabs it and walks round in a circle as though he were opening a tin.
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Jilly Cooper (Jolly Super Too)
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So, what do you go for in a girl?”
He crows, lifting a lager to his lips
Gestures where his mate sits
Downs his glass
“He prefers tits I prefer ass. What do you go for in a girl?”
I don’t feel comfortable
The air left the room a long time ago
All eyes are on me
Well, if you must know I want a girl who reads
Yeah. Reads.
I’m not trying to call you a chauvinist
Cos I know you’re not alone in this but…
I want a girl who reads
Who needs the written word & uses the added vocabulary
She gleans from novels and poetry
To hold lively conversation In a range of social situations
I want a girl who reads
Who’s heart bleeds at the words of Graham Greene Or even Heat magazine
Who’ll tie back her hair while reading Jane Eyre
And goes cover to cover with each water stones three for two offer but
I want a girl who doesn’t stop there
I want a girl who reads
Who feeds her addiction for fiction
With unusual poems and plays
That she hunts out in crooked bookshops for days and days and days
She’ll sit addicted at breakfast, soaking up the back of the cornflakes box
And the information she gets from what she reads makes her a total fox
Cos she’s interesting & unique & her theories make me go weak at the knees
I want a girl who reads
A girl who’s eyes will analyze
The menu over dinner
Who’ll use what she learns to kick my ass in arguments so she always ends the winner
But she’ll still be sweet and she’ll still be flirty
Cos she loves the classics and the classics are dirty
So late at night she’d always have me in a stupor
As she paraphrases the raunchier moments from the works of
Jilly Cooper See, some guys prefer asses
Some prefer tits
And I’m not saying that I don’t like those bits
But what’s more important
What supersedes
Is a girl with passion, wit and dreams
So I’d like a girl who reads.
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Mark Grist
“
I'm going to get absolutely plastered tonight, darling. i love you so much, I want to see two of you.
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Jilly Cooper (Jolly Super)
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Books saw her through the pupal stage of thirteen to sixteen, frowning at Kafka and Woolf, then tearing through John Irving and Maeve Binchy, widely read in the proper sense, making no distinction between Jilly Cooper and Edith Wharton. There were stories on film and TV and, a little later, in the rolling melodrama of the internet, but those were team activities, noisy and social. Private, intimate, a book was something she could pull around and over herself, like a quilt.
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David Nicholls (You Are Here)
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Our house is so difficult to find that people always arrive late, which means that by the time we go into dinner, I've had so many dry Martinis I'm practically under the piano, and it no longer seems to matter that I haven't put the potatoes on.
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Jilly Cooper (Jolly Super)
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I loathe the telephone - vile, shrill-voiced intruder. i'd never answer it at all if I didn't feel I might be missing something: a million-pound offer from a film company or Robert Mitchum asking me out to lunch. I hate the element of uncertainty - you never know if it's going to be a friend or a foe on the line. I wish they'd invent a telephone which turned green like a breath-test when it was an enemy ringing, so I needn't answer it.
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Jilly Cooper (Jolly Super)
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To bring the balloon of the mind that bellies and drags in the wind, as Yeats had so perfectly put it, into its narrow shed.
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Jilly Cooper (Rivals (Rutshire Chronicles #2))
Jilly Cooper (Polo (Rutshire Chronicles #3))
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A man from the Electricity Board has been rabbiting on like Mr Darcy about the inferiority of our connections and says the whole place will have to be rewired.
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Jilly Cooper (Rivals (Rutshire Chronicles #2))
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the looniness of the long distance runner - pounding along country lanes, so anxious to lop off seconds he never stops to marvel at a field of buttercups or a flock of geese against the sky.
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Jilly Cooper (Jolly Super)
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The thing that first knocked me out about Amsterdam, even on the coldest, greyest February day, was its beauty. The houses rise, red and grey, and seem to float swanlike above the canals. The sheen on the water is olive-green, and mallards with their brilliant emerald heads slide gravely under the bridges. if you close your eyes you can see the city peopled again by those who built it - seventeenth century burghers in their black coats, rich from trading with the Indies.
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Jilly Cooper (Jolly Superlative)
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We all need the pipe dream of writing the great novel, or winning the pools, or becoming managing director and kicking all our colleagues in the teeth. The world is deep and dark and full of tigers, and we need those shimmering white castles in the air to creep into when life gets unbearable.
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Jilly Cooper (Jolly Super)
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I simply adore Princeton. To begin with it is so beautiful : ravishing white clapboard houses with dark green shutters, verandas weighed down with great amethyst watrfalls of wisaria, mists of white dogwood and syringa; copper beeches so shiny that they must be put outside the gardens to be polished every night.
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Jilly Cooper (Jolly Super Too)
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I adore watching other people in restaurants, beautiful people toying with steak tartare, hoping to be recognized, married couples eating but not talking, lovers eating each other, illicit couples ducking nevously behind the celery and the gristicks every time the door opens, children doing more whining than dining, storing food in the corners of their cheeks like cherubs at the corner of old maps, then suddenly spraying spinach all over the snow-white tablecloth.
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Jilly Cooper (Jolly Super)
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People are going to be sent to prison for saying somebody’s common soon, aren’t they? Really. You can’t say anybody’s fat, you can’t say anybody’s anything, now. Not that one wants to say people are fat, but mind you, they are huge, aren’t they. Enormous. Enormous. I hate people being hurt. But nobody can say anything now. Anyway, enough of that. And all this [anti] wolf-whistling. I love being wolf-whistled at. I’m that generation. All contributions gratefully received.
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Jilly Cooper
“
Pardon This word is the most notorious pet hate of the upper and upper-middle classes. Jilly Cooper recalls overhearing her son telling a friend ‘Mummy says that “pardon” is a much worse word than “fuck”.’ He was quite right: to the uppers and upper-middles, using such an unmistakably lower-class term is worse than swearing. Some even refer to lower-middle-class suburbs as ‘Pardonia’. Here is a good class-test you can try: when talking to an English person, deliberately say something too quietly for them to hear you properly. A lower-middle or middle-middle person will say, ‘Pardon?’; an upper-middle will say ‘Sorry?’ (or perhaps ‘Sorry – what?’ or ‘What – sorry?’); but an upper-class and a working-class person will both just say, ‘What?’ The working-class person may drop the t – ‘Wha’?’ – but this will be the only difference. Some upper-working-class people with middle-class aspirations might say ‘pardon’, in a misguided attempt to sound ‘posh’.
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Kate Fox (Watching the English)
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Father-in-law comes to stay, goes to local church and returns saying he will spend the rest of his life translating New English Bible back into English.
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Jilly Cooper (Supercooper)
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If Women's Lib want a crack at the positions of power, they must forfeit their position of weakness. It will be men and children in future who will be helped solicitously into the first lifeboats, and the man who sits like a stuck pig in the car while his wife leaps out in the pouring rain, opens the door for him, and spikes her eyes out as she covers him with an umbrella.
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Jilly Cooper (Jolly Super)
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Never drink black coffee at lunch: it will keep you awake in the afternoon.
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Jilly Cooper (How to survive from nine to five)
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He thought of Hilary's tantrums, of her vacuum-cleaner kisses, her sharp teeth and scraping hands.
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Jilly Cooper (Riders (Rutshire Chronicles, #1))
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straw or a speck of dust anywhere.
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Jilly Cooper (Jilly Cooper: Rivals and Riders (Rutshire Chronicles #1 & #2))
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She was a good if sloppy writer.
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Jilly Cooper (Riders (Rutshire Chronicles, #1))
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Out in the country, autumn was busy daubing the woods in orange and yellow. Rooks and gulls argued over newly ploughed fields. Behind veils of little cobwebs, the hedgerows blushed with berries.
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Jilly Cooper
“
Between towering beeches, like ice cliffs, the lake glittered in the moonlight, arctic white along the frozen edges, but with a dark badger stripe of flowing water down the centre.
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Jilly Cooper
“
What was the point of becoming famous anyway? The Press dumped on you when you were alive, and pigeons when you were dead.
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Jilly Cooper
“
What a disastrous dog owner I've been. What a squandering, through my soppy indulgence and inability to discipline a flea, of two marvellous dogs [who were put down].
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Jilly Cooper (The Common Years)
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I do so love books. I can’t think of many truer pleasures than settling into a fat armchair, letting my mouth fall open, and reading a novel. And I mean really reading one – not just skim-reading it before a live TV interview, or pretending to read Middlemarch while smiling sagely to look more attractive in a departure lounge – genuinely reading. For me, books aren’t just a feast for the eyes. I love the feel of books: the flaps of reformed pulp nestling compliantly in the crook of my hand, my fingers tracing their supple spines; I love the sound of books – I don’t mean audiobooks, I don’t like audiobooks, I’ve never liked audiobooks: If I want to hear Sam West reading Inspector Morse out loud I’ll go to one of his garden parties; no, I’ll only allow audiobooks if you’re operating heavy machinery or are just plain blind (and don’t forget they have been given braille) – I mean the sound of a book: The moth-like thrum of flicked pages, the gedoink of a thudding tome as it lands on a bedside table. But most of all, I love the stench of books; the thick odour that leaps from their pages. If I’m feeling a little low and I’m in a library, I’ve been known to open a book (just a little), slot my nose into its tempting crevice, and inhale a deep whiff of book until my eyes roll back in their sockets and I have to lie down in a section where no-one goes (such as African literature). For me, nothing beats the delight of quietly slipping my nose into the crack of a Brontë or A Few Good Men and letting the aroma tantalise my olfactory nerve endings. Oh, the smell! Oh! The! Smell! The trusty, musty, dusty, fusty, crusty, and (if it’s a Jilly Cooper) busty and lusty smell of literature!
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Alan Partridge (From the Oasthouse: The Alan Partridge Podcast (Series 2))
Jilly Cooper (Appassionata (Rutshire Chronicles #5))
“
Tehát végül is azt hiszem, a könyv eredeti címe, a How to be a Woman kicsit félrevezető. A botladozó, rémisztő és csodálatos évek alatt végig azt hittem, hogy amit akarok, az, hogy nővé váljak. Germaine Greer, Elizabeth Taylor, E. Nesbit, Courtney Love, Jilly Cooper és Lady Gaga valamiféle mesébe illő ötvözete. Hogy valamiképpen elsajátítsam a női lét misztikus művészetét, és végül varázserejű eszményképe legyek mindazoknak a dolgoknak, amelyek már kezdettől fogva összezavartak és lesújtottak, ott, akkor, 13 évesen, wolverhamptoni ágyamban. Hercegnő. Istennő. Múzsa.
De ahogy teltek az évek, rájöttem, hogy nem akarok más lenni, csak ember, és kész. Csak egy eredményes, becsületes ember, akivel mások udvariasan bánnak. Egy „a Srácok” közül. Csak épp igazán gyönyörű hajjal.
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Caitlin Moran (How to Be a Woman)
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wicked, dangerously direct eyes.
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Jilly Cooper (Riders (Rutshire Chronicles #1))
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mostly to stop blacks killing blacks, they’re so tribal
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Jilly Cooper (Mount! (Rutshire Chronicles #10))
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Hunting’s like adultery,’ he said. ‘Endless hanging about, interspersed with frenzied moments of excitement, very expensive and morally indefensible.
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Jilly Cooper (Riders (Rutshire Chronicles, #1))
Jilly Cooper (Mount! (Rutshire Chronicles #10))