Antelope Quotes

We've searched our database for all the quotes and captions related to Antelope. Here they are! All 100 of them:

Stop looking at me like that." "Like what?" "Like you're hunting me. I'm not an antelope.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Beauty, the world seemed to say. And as if to prove it (scientifically) wherever he looked at the houses, at the railings, at the antelopes stretching over the palings, beauty sprang instantly. To watch a leaf quivering in the rush of air was an exquisite joy. Up in the sky swallows swooping, swerving, flinging themselves in and out, round and round, yet always with perfect control as if elastics held them; and the flies rising and falling; and the sun spotting now this leaf, now that, in mockery, dazzling it with soft gold in pure good temper; and now again some chime (it might be a motor horn) tinkling divinely on the grass stalks—all of this, calm and reasonable as it was, made out of ordinary things as it was, was the truth now; beauty, that was the truth now. Beauty was everywhere.
Virginia Woolf (Mrs. Dalloway)
In addition to the OPEN RANGE CAUTION, there were animal signs I'd never seen before-an antelope, a cow, and cow with horns...But it worried me that, without warning, a cow with horns might be running across the interstate. And that this had happened frequently enough that they'd had to erect a sign to warn people about it.
Morgan Matson (Amy & Roger's Epic Detour)
Failing and Flying" Everyone forgets that Icarus also flew. It's the same when love comes to an end, or the marriage fails and people say they knew it was a mistake, that everybody said it would never work. That she was old enough to know better. But anything worth doing is worth doing badly. Like being there by that summer ocean on the other side of the island while love was fading out of her, the stars burning so extravagantly those nights that anyone could tell you they would never last. Every morning she was asleep in my bed like a visitation, the gentleness in her like antelope standing in the dawn mist. Each afternoon I watched her coming back through the hot stony field after swimming, the sea light behind her and the huge sky on the other side of that. Listened to her while we ate lunch. How can they say the marriage failed? Like the people who came back from Provence (when it was Provence) and said it was pretty but the food was greasy. I believe Icarus was not failing as he fell, but just coming to the end of his triumph.
Jack Gilbert (Refusing Heaven: Poems)
Lions are born knowing they are predators. Antelopes understand they are the prey. Humans are one of the few creatures on Earth given the choice.
Patrick H.T. Doyle
He had a thousand-year-old stare.
Louise Erdrich (The Antelope Wife)
It's been a long time since humans were prey animals. A hundred thousand years or so. But buried deep in our genes the memory remains: the awareness of the gazelle, the instinct of the antelope. The wind whispers through the grass. A shadow flits between the trees. And up speaks the little voice that goes. Shhhh, it's close now. Close.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
We have these earthly bodies. We don't know what they want. Half the time, we pretend they are under our mental thumb, but that is the illusion of the healthy and the protected. Of sedate lovers. For the body has emotions it conceives and carries through without concern for anyone or anything else. Love is one of those, I guess. Going back to something very old knit into the brain as we were growing. Hopeless. Scorching. Ordinary.
Louise Erdrich (The Antelope Wife)
I think she is confused by the way I want her, which is like nobody else. I know this deep down. I want her in a new way, a way she's never been told about.
Louise Erdrich (The Antelope Wife)
The sadness in your heart is a yesterday you can no longer see, so put it behind you and walk always forward. Swift Antelope to Amy
Catherine Anderson (Comanche Heart (Comanche, #2))
Sam frowns at me, suddenly serious. "You know, I thought--for most of the first year we lived together--that you were going to kill me." That makes me nearly spit out beer, I laugh so hard. "No, look--living with you, it's like knowing there's a loaded gun on the other side of the room. You're like this leopard who's pretending to be a house cat." That only makes me laugh harder. "Shut up," he says. "You might do normal stuff, but a leopard can drink milk or fall off things like a house cat. It's obvious you're not--not like the rest of us. I'll look over at you, and you'll be flexing your claws, or I don't know, eating a freshly killed antelope." "Oh," I say. It's a ridiculous metaphor, but the hilarity has gone out of me. I thought I did a good job of fitting in--maybe not perfect, but not as bad as Sam makes it sound. "It's like Audrey," he says, stabbing the air with a finger clearly well on his way to inebriated and full of determination to make me understand his theory. "You acted like she went out with you because you did this good job of being a nice guy." "I am a nice guy." I try to be. Sam snorts. "She liked you because you scared her. And then you scared her too much.
Holly Black (Red Glove (Curse Workers, #2))
All of our actions have in their doing the seed of their undoing. ... That in her creation of her children there should be the unspeakable promise of their death, for by their birth she had created mortal beings.
Louise Erdrich (The Antelope Wife)
Time to paint your but white and run with antelope-in English- Stop arguing and do as your told.
Charles Martin (Chasing Fireflies)
I WANT A friend called Penelope. When I know her well enough, I’ll ask her why she doesn’t rhyme with antelope.
Caitriona Lally (Eggshells)
Perhaps when we die our names are taken from us by a divine magnet and are free to flutter here and there within the bodies of birds. I'll be a simple crow who can reach the top of Antelope Butte. (From: Hard Times)
Jim Harrison (In Search of Small Gods)
New eyes awaken. I send Love's name into the world with wings And songs grow up around me like a jungle. Choirs of all creatures sing the tunes Your Spirit played in Eden. Zebras and antelopes and birds of paradise Shine on the face of the abyss And I am drunk with the great wilderness Of the sixth day in Genesis. But sound is never half so fair As when that music turns to air And the universe dies of excellence. Sun, moon and stars Fall from their heavenly towers. Joys walk no longer down the blue world's shore. Though fires loiter, lights still fly on the air of the gulf, All fear another wind, another thunder: Then one more voice Snuffs all their flares in one gust. And I go forth with no more wine and no more stars And no more buds and no more Eden And no more animals and no more sea: While God sings by himself in acres of night And walls fall down, that guarded Paradise.
Thomas Merton
Stupid is terminal. There is no cure. I know those who've beaten cancer, but not a single individual who's ever been cured of stupid. Fortunately, nature has its own way of thinning the herd. The stupid ultimately don't survive. The antelope that doesn't recognize the lion as predator, winds up inside the lion.
Quentin R. Bufogle (Horse Latitudes)
His daughters watched in the rain. The prettiest, shyest one hid far back in the field to watch and she had good reason because she was absolutely the most beautiful girl Dean and I ever saw in all our lives. She was about sixteen, and had Plains complexion like wild roses, and the bluest eyes, the most lovely hair, and the modesty and quickness of a wild antelope. At every look from us she flinched. She stood there with the immense winds that blew clear down from Saskatchewan knocking her hair about her lovely head like shrouds, living curls of them. She blushed and blushed... 'Oh a girl like that scares me,' I said. 'I'd give up everything and throw myself on her mercy and if she didn't want me I'd just as simply go and throw myself off the edge of the world'.
Jack Kerouac
The tall form of the young professor of mental science discussing on the landing a case of conscience with his class like a giraffe cropping high leafage among a herd of antelopes
James Joyce (A Portrait of the Artist as a Young Man: Text, Criticism & Notes)
A woman's body is the gate to this life. A man's body is the gate to the next life.
Louise Erdrich (The Antelope Wife)
Should we then not expect lions to refrain from killing antelopes, ‘for the good of the mammals’?
Richard Dawkins (The Selfish Gene)
He has a superb groin. A silky pouch. A secret garden. The groin of a sire. I once saw just such a creamy, velvet groin on a male antelope.
Yury Olesha (Envy)
We know that there are many animals on this continent not found in the Old World. These must have been carried from here to the ark, and then brought back afterwards. Were the peccary, armadillo, ant-eater, sloth, agouti, vampire-bat, marmoset, howling and prehensile-tailed monkey, the raccoon and muskrat carried by the angels from America to Asia? How did they get there? Did the polar bear leave his field of ice and journey toward the tropics? How did he know where the ark was? Did the kangaroo swim or jump from Australia to Asia? Did the giraffe, hippopotamus, antelope and orang-outang journey from Africa in search of the ark? Can absurdities go farther than this?
Robert G. Ingersoll (Some Mistakes of Moses)
Whether we and our politicians know it or not, Nature is party to all our deals and decisions, and she has more votes, a longer memory, and a sterner sense of justice than we do.
Nick Offerman (Where the Deer and the Antelope Play: The Pastoral Observations of One Ignorant American Who Loves to Walk Outside)
Her mind was present because she was always gone. Her hands were filled because they grasped the meaning of empty. Life was simple. Her husband returned and she served him with indifferent patience this time. When he asked what had happened to her heat for him, she gestured to the west. The sun was setting. The sky was a body of fire.
Louise Erdrich (The Antelope Wife)
Golden eagles don`t mate with bald eagles, deer don`t mate with antelope, gray wolves don`t mate with red wolves. Just look at domesticated animals, at mongrel dogs, and mixed breed horses, and you`ll know the Great Mystery didn`t intend them to be that way. We weakened the species and introduced disease by mixing what should be kept seperate. Among humans, intermarriage weakens the respect people have for themselves and for their traditions. It undermines clarity of spirit and mind.
Russell Means (Where White Men Fear to Tread: The Autobiography of Russell Means)
When we talk about the big bang or the fabric of space, what we are doing is not a continuation of the free and fantastic stories that humans have told nightly around campfires for hundreds of thousands of years. It is the continuation of something else: of the gaze of those same men in the first light of day looking at tracks left by antelope in the dust of the savannah - scrutinising and deducting from the details of reality in order to pursue something that we can't see directly but can follow the traces of. In the awareness that we can always be wrong, and therefore ready at any moment to change direction if a new track appears; but knowing also that if we are good enough we will get it right and will find what we are seeking. That is the nature of science.
Carlo Rovelli (Seven Brief Lessons on Physics)
Emotions unreel in her like spools of cotton.
Louise Erdrich (The Antelope Wife)
Vata ...Its force is kinetic. It is the sense of touch... Its vehicle is Anahata, the black antelope who dies for sound. Its location is the heart.
Maya Tiwari
For the longest time, she’d thought an antelope was a horned melon, the ugly cousin of a cantaloupe. Which had made the song “Home on the Range” particularly confusing, because every time she heard where the deer and the antelope play, she thought a giant melon had gained sentience and escaped from the fruit aisle of the grocery store.
Roshani Chokshi (Aru Shah and the Tree of Wishes (Pandava #3))
Actually, what does man live for?” “To think about it. Any other question?” “Yes. Why does he die just when he has done that and has become a bit more sensible?” “Some people die without having become more sensible.” “Don’t evade my question. And don’t start talking about the transmigration of souls.” “I’ll ask you something else first. Lions kill antelopes; spiders flies; foxes chickens; which is the only race in the world that wars on itself uninterruptedly, fighting and killing one another?” “Those are questions for children. The crown of creation, of course, the human being— who invented the words love, kindness, and mercy.” “Good. And who is the only being in Nature that is capable of committing suicide and does it?” “Again the human being— who invented eternity, God, and resurrection.” “Excellent,” Ravic said. “You see of how many contradictions we consist. And you want to know why we die?
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
If a drop of that wine would drip into the Nile The crocodile would be drunken for hundred years by its smell If the antelope in the dessert would drink a drop of it It would become a roaring lion and wouldn’t think about the leopard
Rudaki
When I look in his eyes, I don’t see perfection. I don’t see a love story that would necessarily be something people would watch on a big screen and dream about. I see someone who will fight for me and protect me and love me in spite of all the ways I am still a wreck. I see home. Wherever he is. That’s my home.
Melanie Shankle (The Antelope in the Living Room: The Real Story of Two People Sharing One Life)
Thousands of years ago, when our ancestors encountered a predatory animal like a lion, it was best to react immediately and not stand around thinking about the lion, admiring its beauty or wondering why it was bothering them instead of tracking down some tasty antelope. Thus, the fast track to the amygdala kept our ancestors alive.
John B. Arden (Rewire Your Brain: Think Your Way to a Better Life)
It scares me shitless," I admitted. (The "scared shitless" metaphor derives from the physiological fact that animals in stressful situations-an antelope pursued by a lion, for example-involuntarily defecate to shed excess weight, thus speeding their flight.)
James Geary (I is an Other: The Secret Life of Metaphor and How it Shapes the Way We See the World)
I know of no better way to make a friend than to pitch in on hard work together, and the shittier the conditions, the faster the friendship forms.
Nick Offerman (Where the Deer and the Antelope Play: The Pastoral Observations of One Ignorant American Who Loves to Walk Outside)
What the hell are we supposed to do!” Nixon exploded in exasperation. “Paint our asses white and run with the antelopes!
Patrick J. Buchanan (The Greatest Comeback: How Richard Nixon Rose from Defeat to Create the New Majority)
The border is porous. Myths nourish science, and science nourishes myth. But the value of knowledge remains. If we find the antelope, we can eat.
Carlo Rovelli (Seven Brief Lessons on Physics)
What but the wolf's tooth whittled so fine. The fleet limbs of the antelope?
Robinson Jeffers (The Collected Poetry of Robinson Jeffers: Volume Five Textual Evidence and Commentary)
Pronghorn antelope were the second fastest mammals on earth—only an African cheetah could outrun them.
C.J. Box (Open Season (Joe Pickett #1))
Set the gearshift to the high gear of your soul You've got to run like an antelope out of control
Phish
Is Jace with you?" "Uh, no," said Alec. He wondered if Aline was asking for a specific reason. Aline and Jace had kissed in Alicante, before the war. Alec tried to think of what Isabelle usually said to girls about Jace. "The thing is," he added, "Jace is a beautiful antelope, who has to be free to run across the plains." "What?" said ALine. Maybe Alec had gotten that wrong. "Jace is home with his, uh, his new girlfriend. You remember Clary." Alec hoped Aline was not too heartbroken. "Oh right, the short redhead," she said. Aline was tiny herself, but refused to ever admit it. "you know, Jace was so sad before the war, I thought he must have a forbidden love. I just didn't think it was Clary, for obvious reasons. I thought it was that vampire." Alec coughed. Aline offered him a sip of her latte. "No," he said when he got his voice back. "Jace is not dating Simon. Jace is straight. Simon is straight." "I totally saw scars on Jace's neck," Aline said. "He let the vampire bite him. He brought him to Alicante. I thought: classic Jace. Never makes a mess when a total catastrophe will do. Wait, did you think I wanted a ride on that disaster train?" "Yes?" said Alec.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
No, Mr. Swift’s mind doesn’t work that way, any more than my father’s does. They’re men of business. Predators. If Mr. Swift wanted me, he wouldn’t stop to ask for my permission any more than a lion would stop and politely ask an antelope if he would mind being eaten for lunch.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Surveys have shown that ranking very close to the fear of death is the fear of public speaking. Why would someone feel profound fear, deep in his or her stomach, about public speaking, which is so far from death? Because it isn’t so far from death when we link it. Those who fear public speaking actually fear the loss of identity that attaches to performing badly, and that is firmly rooted in our survival needs. For all social animals, from ants to antelopes, identity is the pass card to inclusion, and inclusion is the key to survival. If a baby loses its identity as the child of his or her parents, a possible outcome is abandonment. For a human infant, that means death. As adults, without our identity as a member of the tribe or village, community or culture, a likely outcome is banishment and death. So the fear of getting up and addressing five hundred people at the annual convention of professionals in your field is not just the fear of embarrassment—it is linked to the fear of being perceived as incompetent, which is linked to the fear of loss of employment, loss of home, loss of family, your ability to contribute to society, your value, in short, your identity and your life. Linking an unwarranted fear to its ultimate terrible destination usually helps alleviate that fear. Though you may find that public speaking can link to death, you’ll see that it would be a long and unlikely trip.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
No man has the right to rule over another man, otherwise such a right necessarily, and immediately becomes the right of the strongest. As the tiger in the jungle rules over the defenceless antelope, so on the banks of the Nile a Pharaoh ruled over the progenitors of the fellaheen of Egypt. Nor can a group of men, by contract, from their own right, compel you to obey a fellow-man. What binding force is there for me in the allegation that ages ago one of my progenitors made a ‘Contrat Social,’ with other men of that time? As man I stand free and bold, over against the most powerful of my fellow-men. I do not speak of the family, for here organic, natural ties rule; but in the sphere of the State I do not yield or bow down to anyone, who is man, as I am.
Abraham Kuyper (Lectures on Calvinism)
Not one thing we've done changes that we are his. That he created us and loves us with a love more fierce and loyal than any we will ever know. He isn't looking for perfection. He's looking for humble hearts that know we are nothing without his lavish grace.
Melanie Shankle (The Antelope in the Living Room: The Real Story of Two People Sharing One Life)
Every morning in Africa, an antelope wakes up. It knows it must outrun the fastest lion, or it will be killed. Every morning in Africa, a lion wakes up. It knows it must run faster than the fastest antelope, or it will starve. It doesn’t matter whether you’re a lion or an antelope—when the sun comes up, you’d better be running.
Bernd Heinrich (Why We Run: A Natural History)
Sometimes on flat boring afternoons, he'd squatted on the curb of St. Deval Street and daydreamed silent pearly snowclouds into sifting coldly through the boughs of the dry, dirty trees. Snow falling in August and silvering the glassy pavement, the ghostly flakes icing his hair, coating rooftops, changing the grimy old neighborhood into a hushed frozen white wasteland uninhabited except for himself and a menagerie of wonder-beasts: albino antelopes, and ivory-breasted snowbirds; and occasionally there were humans, such fantastic folk as Mr Mystery, the vaudeville hypnotist, and Lucky Rogers, the movie star, and Madame Veronica, who read fortunes in a Vieux Carré tearoom.
Truman Capote (Other Voices, Other Rooms)
She gave her husband such a night of sexual pleasure that his eyes followed her constantly after that, narrow and hot. He grew molten when she passed near other men, and at night they made their own shaking tent. They got teased too much and moved farther off, into the brush, into the nesting ground of shy and holy loons. There, no one could hear them. In solitude they made love until they became gaunt and hungry, pale windigos with aching eyes, tongues of flame.
Louise Erdrich (The Antelope Wife)
I'd make stuff up, like, 'I heard that when Jesus built furniture he never used glue in the joints, that he'd touch them and they'd hold forever.
Scott Carrier (Running After Antelope)
And you know what I realize now? That we're all waiting on something, no matter where we are in life. It's the human condition.
Melanie Shankle (The Antelope in the Living Room: The Real Story of Two People Sharing One Life)
Three hundred types of mussel, a third of the world’s total, live in the Smokies. Smokies mussels have terrific names, like purple wartyback, shiny pigtoe, and monkeyface pearlymussel. Unfortunately, that is where all interest in them ends. Because they are so little regarded, even by naturalists, mussels have vanished at an exceptional rate. Nearly half of all Smokies mussels species are endangered; twelve are thought to be extinct. This ought to be a little surprising in a national park. I mean it’s not as if mussels are flinging themselves under the wheels of passing cars. Still, the Smokies seem to be in the process of losing most of their mussels. The National Park Service actually has something of a tradition of making things extinct. Bryce Canyon National Park is perhaps the most interesting-certainly the most striking-example. It was founded in 1923 and in less than half a century under the Park Service’s stewardship lost seven species of mammal-the white-tailed jackrabbit, prairie dog, pronghorn antelope, flying squirrel, beaver, red fox, and spotted skunk. Quite an achievement when you consider that these animals had survived in Bryce Canyon for tens of millions of years before the Park Service took an interest in them. Altogether, forty-two species of mammal have disappeared from America's national parks this century.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
Now, if the question were to destroy a lion, a tiger, a cat, a hyena, I could understand it; but to deprive an antelope or a gazelle of life, to no other purpose than the gratification of your instincts as a sportsman, seems hardly worth the trouble.
Jules Verne (Five Weeks in a Balloon)
The definitive study of the herd instincts of astronomers has yet to be written, Fernie said, but there are times when we resemble nothing so much as a herd of antelope, heads down in tight formation, thundering with firm determination in a particular direction across the plain. At a given signal from the leader we whirl about, and, with equally firm determination, thunder off in quite a different direction, still in tight parallel formation. (quoting an observation made by astronomer J. Donal Fernie)
Michael Brooks (13 Things That Don't Make Sense: The Most Baffling Scientific Mysteries of Our Time)
We welcome, the world seemed to say, we accept; we create. Beauty, the world seemed to say. And as if to prove it (scientifically) wherever he looked, at the houses, at the railings, at the antelopes stretching over the palings, beauty sprang instantly.
Virginia Woolf (Mrs. Dalloway)
Old-time ranchers planted cheatgrass because it would green up fast in the spring and provide early forage for grazing cattle,” Oyster says, nodding his head at the world outside. This first patch of cheatgrass was in southern British Columbia, Canada, in 1889. But fire spreads it. Every year, it dries to gunpowder, and now land that used to burn every ten years, it burns every year. And the cheatgrass recovers fast. Cheatgrass loves fire. But the native plants, the sagebrush and desert phlox, they don’t. And every year it burns, there’s more cheatgrass and less anything else. And the deer and antelope that depended on those other plants are gone now. So are the rabbits. So are the hawks and owls that ate the rabbits. The mice starve, so the snakes that ate the mice starve. Today, cheatgrass dominates the inland deserts from Canada to Nevada, covering an area over twice the size of the state of Nebraska and spreading by thousands of acres per year. The big irony is, even cattle hate cheatgrass, Oyster says. So the cows, they eat the rare native bunch grasses. What’s left of them... “When you think about it from a native plant perspective,” Oyster says, “Johnny Appleseed was a fucking biological terrorist.” Johnny Appleseed, he says, might as well be handing out smallpox.
Chuck Palahniuk (Lullaby)
The point, son, is that there are two kinds of people in this country. Those that think for themselves, take care of themselves, and know they have to work for what they want in this world. Then there are those that are happy to do what they are told as long as they are fed, clothed, and given a free cell phone and place to live. As long as those in control provide for their needs, even if they aren’t to the level they want but are just enough to satisfy them, then they will paint their ass white, put their heads down, and graze with the rest of the antelope,
A. American (Going Home (The Survivalist, #1))
Put yourself in the position of the hunter. That's what I have to do. Think of one of those nature films: a lion on the Serengeti plain in Africa. He sees this huge herd of antelope at a watering hole. But somehow—we can see it in his eyes—the lion locks on a single one out of those thousands of animals. He's trained himself to sense weakness, vulnerability, something different in one antelope out of the herd that makes it the most likely victim.
John E. Douglas (Mind Hunter: Inside the FBI's Elite Serial Crime Unit)
A tiger's DNA is also a 'duplicate me' program but it contains an almost fantastically large digression as an essential part of the efficient execution of its fundamental message. That digression is a tiger, complete with fangs, claws, running muscles, stalking and pouncing instincts. The tiger's DNA says, 'Duplicate me by the round-about route of building a tiger first.' At the same time, antelope DNA says, 'Duplicate me by the round-about route of building an antelope first, complete with long legs and fast muscles, complete with timorous instincts and finely honed sense organs tuned to the danger from tigers.
Richard Dawkins (The Greatest Show on Earth: The Evidence for Evolution)
The pattern glitters with cruelty. The blue beads are colored with fish blood, the reds with powdered heart. The beads collect in borders of mercy. The yellows are dyed with the ocher of silence. There is no telling which twin will fall asleep first, allowing the other's colors to dominate, for how long. The design grows, the overlay deepens. The beaders have no other order at the heart of their being. Do you know that the beads are sewn onto the fabric of the earth with endless strands of human muscle, human sinew, human hair? We are as crucial to this making as other animals. No more and no less important than the deer.
Louise Erdrich (The Antelope Wife)
A picture in a book, a lynching. The bland faces of men who watch a Christ go up in flames, smiling, as if he were a hooked fish, a felled antelope, some wild thing tied to boards and burned. His charred body gives off light--a halo burns out of him. His face is scorched featureless; the hair matted to the scalp like feathers. One man stands with his hand on his hip, another with his arm slung over the shoulder of a friend, as if this moment were large enough to hold affection.
Toi Derricotte
I think it can be easy to settle for less than you deserve just because less is right in front of you and the best may still be unseen. But I guarantee there are many women in marriages who are so lonely that they long for their single days when at least they had the hope of finding someone who would understand them, love them, and care for them.
Melanie Shankle (The Antelope in the Living Room: The Real Story of Two People Sharing One Life)
They were running on the plain harrying the antelope and the antelope moved like phantoms in the snow and circled and wheeled and the dry powder blew about them in the cold moonlight and their breath smoked palely in the cold as if they burned with some inner fire and the wolves twisted and turned and leapt in a silence such that they seemed of another world entire. They moved down the valley and turned and moved far out on the plain until they were the smallest of figures in that dim whiteness and then they disappeared.
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
The sin I have committed is the sin of adoption. I have adopted a different set of beliefs from the beliefs I was raised to obey. But this definition of sin over time has become my joy. I do have other gods before me, many, and none are a white elderly man sitting on a gilded throne in heaven. Pronghorn antelope holds authority for me, like a priest.
Terry Tempest Williams (When Women Were Birds: Fifty-four Variations on Voice)
He lay with a pack of panting dogs on a hill overlooking plains where antelope grazed. He marched with ants, and labored in the rigors of the nest, filing eggs. He danced the mating dance of the bower bird, and slept on a warm rock with his lizard kin. He was a cloud. He was the shadow of a cloud. He was the moon that cast the shadow of a cloud. He was a blind fish; he was a shoal; he was a whale; he was the sea. He was the lord of all he surveyed. He was a worm in the dung of a kite. He did not grieve, knowing his life was a day long, or an hour. He did not wonder who made him. He did not wish to be other. He did not pray. He did not hope. He only was, and was, and was, and that was the joy of it.
Clive Barker (Sacrament)
John Fugelsang put it quite succinctly when he said, “The only way you can follow both Trump and Jesus is if you’ve never read either of their books.
Nick Offerman (Where the Deer and the Antelope Play: The Pastoral Observations of One Ignorant American Who Loves to Walk Outside)
The only way you can follow both Trump and Jesus is if you’ve never read either of their books.
Nick Offerman (Where the Deer and the Antelope Play: The Pastoral Observations of One Ignorant American Who Loves to Walk Outside)
Oh, don't get me started! I love fantasy, I read it for pleasure, even after all these years. Pat McKillip, Ursula Le Guin and John Crowley are probably my favorite writers in the field, in addition to all the writers in the Endicott Studio group - but there are many others I also admire. In children's fantasy, I'm particularly keen on Philip Pullman, Donna Jo Napoli, David Almond and Jane Yolen - though my favorite novels recently were Midori Snyder's Hannah's Garden, Holly Black's Tithe, and Neil Gaiman's Coraline. I read a lot of mainstream fiction as well - I particularly love Alice Hoffman, A.S. Byatt, Sara Maitland, Sarah Waters, Sebastian Faulks, and Elizabeth Knox. There's also a great deal of magical fiction by Native American authors being published these days - Louise Erdrich's Antelope Wife, Alfredo Vea Jr.'s Maravilla, Linda Hogan's Power, and Susan Power's Grass Dancer are a few recent favorites. I'm a big fan of Jane Austen, Charlotte Bronte, Charles Dickens, and Anthony Trollope - I re-read Jane Austen's novels in particular every year.Other fantasists say they read Tolkien every year, but for me it's Austen. I adore biographies, particularly biographies of artists and writers (and particularly those written by Michael Holroyd). And I love books that explore the philosophical side of art, such as Lewis Hyde's The Gift, Carolyn Heilbrun's Writing a Woman's Life, or David Abram's Spell of the Sensuous. (from a 2002 interview)
Terri Windling
Do you think I’m crazy, fantasizing about a guy I’ve never met in person, Jeremiah? Hell, we haven’t even spoken on the phone or video chatted—just old-fashioned, hand-written letters.
Samantha A. Cole (Wannabe in Wyoming (Antelope Rock #1))
He had known a great deal about her before she knew he had any real interest in her, and that was just the way Tom wanted it. He had been looking for someone like Beverly Marsh all his life, and he moved in with the speed of a lion making a run at a slow antelope. Not that her vulnerability showed on the surface—you looked and saw a gorgeous woman, slim but abundantly stacked.
Stephen King (It)
When we talk about the big bang or the fabric of space, what we are doing is not a continuation of the free and fantastic stories that humans have told nightly around campfires for hundreds of thousands of years. It is the continuation of something else: of the gaze of those same men in the first light of day looking at tracks left by antelope in the dust of the savannah—scrutinizing and deducting from the details of reality in order to pursue something that we can’t see directly but can follow the traces of. In the awareness that we can always be wrong, and therefore ready at any moment to change direction if a new track appears; but knowing also that if we are good enough we will get it right and will find what we are seeking. This is the nature of science. The confusion between these two diverse human activities—inventing stories and following traces in order to find something—is the origin of the incomprehension and distrust of science shown by a significant part of our contemporary culture. The separation is a subtle one: the antelope hunted at dawn is not far removed from the antelope deity in that night’s storytelling. The border is porous. Myths nourish science, and science nourishes myth. But the value of knowledge remains. If we find the antelope, we can eat.
Carlo Rovelli (Seven Brief Lessons on Physics)
Mother Nature is not an American, and she is not proud. She is all creation, so her vibe encompasses all experience, in every size, shape, and color, from the high to the low. Her economy and it's successful evolution thrive on diversity, and her children never rest in their glorious participation, reproducing and adapting, so as to grow ever stronger.
Nick Offerman (Where the Deer and the Antelope Play: The Pastoral Observations of One Ignorant American Who Loves to Walk Outside)
I'm sorry, is what she means to say. Sorry, sweetheart, about the elephants. About the sea turtles with their heads lopped off, and the friendly, machine-gunned whales. About the owls, my love, and the antelope. About the drowning bears...
Noy Holland (Bird)
The answer to that question is…I won’t. You belong with me. Which leads me to the discussion I wanted to have with you.” “Where I belong is for me to decide, and though I may listen to what you have to say, that doesn’t mean I will agree with you.” “Fair enough.” Ren pushed his empty plate to the side. “We have some unfinished business to take care of.” “If you mean the other tasks we have to do, I’m already aware of that.” “I’m not talking about that. I’m talking about us.” “What about us?” I put my hands under the table and wiped my clammy palms on my napkin. “I think there are a few things we’ve left unsaid, and I think it’s time we said them.” “I’m not withholding anything from you, if that’s what you mean.” “You are.” “No. I’m not.” “Are you refusing to acknowledge what has happened between us?” “I’m not refusing anything. Don’t try to put words in my mouth.” “I’m not. I’m simply trying to convince a stubborn woman to admit that she has feelings for me.” “If I did have feelings for you, you’d be the first one to know.” “Are you saying that you don’t feel anything for me?” “That’s not what I’m saying.” “Then what are you saying?” “I’m saying…nothing!” I spluttered. Ren smiled and narrowed his eyes at me. If he kept up this line of questioning, he was bound to catch me in a lie. I’m not a very good liar. He sat back in his chair. “Fine. I’ll let you off the hook for now, but we will talk about this later. Tigers are relentless once they set their minds to something. You don’t be able to evade me forever.” Casually, I replied, “Don’t get your hopes up, Mr. Wonderful. Every hero has his Kryptonite, and you don’t intimidate me.” I twisted my napkin in my lap while he tracked my every move with his probing eyes. I felt stripped down, as if he could see into the very heart of me. When the waitress came back, Ren smiled at her as she offered a smaller menu, probably featuring desserts. She leaned over him while I tapped my strappy shoe in frustration. He listened attentively to her. Then, the two of them laughed again. He spoke quietly, gesturing to me, and she looked my way, giggled, and then cleared all the plates quickly. He pulled out a wallet and handed her a credit card. She put her hand on his arm to ask him another question, and I couldn’t help myself. I kicked him under the table. He didn’t even blink or look at me. He just reached his arm across the table, took my hand in his, and rubbed the back of it absentmindedly with his thumb as he answered her question. It was like my kick was a love tap to him. It only made him happier. When she left, I narrowed my eyes at him and asked, “How did you get that card, and what were you saying to her about me?” “Mr. Kadam gave me the card, and I told her that we would be having our dessert…later.” I laughed facetiously. “You mean you will be having dessert later by yourself this evening because I am done eating with you.” He leaned across the candlelit table and said, “Who said anything about eating, Kelsey?” He must be joking! But he looked completely serious. Great! There go the nervous butterflies again. “Stop looking at me like that.” “Like what?” “Like you’re hunting me. I’m not an antelope.” He laughed. “Ah, but the chase would be exquisite, and you would be a most succulent catch.” “Stop it.” “Am I making you nervous?” “You could say that.” I stood up abruptly as he was signing the receipt and made my way toward the door. He was next to me in an instant. He leaned over. “I’m not letting you escape, remember? Now, behave like a good date and let me walk you home. It’s the least you could do since you wouldn’t talk with me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Lightning strikes the slaughterhouse flagpole and the antelope scatter like minnows as the rain begins to fall, and finally, having lost what was to be lost, my torn and black heart rebels, saying enough already, enough, this is as low as I go.
George Saunders (CivilWarLand in Bad Decline)
It seemed to him that he heard notes of fitful music leaping upwards a tone and downwards a diminished fourth, upwards a tone and downwards a major third, like triplebranching flames leaping fitfully, flame after flame, out of a midnight wood. It was an elfin prelude, endless and formless; and, as it grew wilder and faster, the flames leaping out of time, he seemed to hear from under the boughs and grasses wild creatures racing, their feet pattering like rain upon the leaves. Their feet passed in pattering tumult over his mind, the feet of hare and rabbits, the feet of harts and hinds and antelopes, until he heard them no more and remembered only a proud cadence from Newman: Whose feet are as the feet of harts and underneath the everlasting arms.
James Joyce (A Portrait of the Artist as a Young Man)
When we talk about the big bang or the fabric of space, what we are doing is not a continuation of the free and fantastic stories that humans have told nightly around campfires for hundreds of thousands of years. It is the continuation of something else: of the gaze of those same men in the first light of day looking at tracks left by antelope in the dust of the savannah—scrutinizing and deducting from the details of reality in order to pursue something that we can’t see directly but can follow the traces of.
Carlo Rovelli (Seven Brief Lessons on Physics)
And then the finale, its four modest notes. Do, re, fa, mi: half a jumbled scale. Too simple to be called invented. But the thing spills out into the world like one of those African antelopes that fall from the womb, still wet with afterbirth but already running.
Richard Powers
Forever, Tom thought. Maybe he’d never go back to the States. It was not so much Europe itself as the evenings he had spent alone, here and in Rome, that made him feel that way. Evenings by himself simply looking at maps, or lying around on sofas thumbing through guidebooks. Evenings looking at his clothes - his clothes and Dickie’s - and feeling Dickie’s rings between his palms, and running his fingers over the antelope suitcase he had bought at Gucci’s. He had polished the suitcase with a special English leather dressing, not that it needed polishing because he took such good care of it, but for its protection. He loved possessions, not masses of them, but a select few that he did not part with. They gave a man self-respect. Not ostentation but quality, and the love that cherished the quality. Possessions reminded him that he existed, and made him enjoy his existence. It was as simple as that. And wasn’t that worth something? He existed. Not many people in the world knew how to, even if they had the money. It really didn’t take money, masses of money, it took a certain security. He had been on the road to it, even with Marc Priminger. He had appreciated Marc’s possessions, and they were what had attracted him to the house, but they were not his own, and it had been impossible to make a beginning at acquiring anything of his own on forty dollars a week. It would have taken him the best years of his life, even if he had economised stringently, to buy the things he wanted. Dickie’s money had given him only an added momentum on the road he had been travelling. The money gave him the leisure to see Greece, to collect Etruscan pottery if he wanted (he had recently read an interesting book on that subject by an American living in Rome), to join art societies if he cared to and to donate to their work. It gave him the leisure, for instance, to read his Malraux tonight as late as he pleased, because he did not have to go to a job in the morning. He had just bought a two-volume edition of Malraux’s Psychologic de I’art which he was now reading, with great pleasure, in French with the aid of a dictionary.
Patricia Highsmith (The Talented Mr. Ripley (Ripley, #1))
And eventually there is no one left in the world except people who don't look at other people's faces and who don't know what these pictures mean and these people are all special people like me. And they like being on their own and I hardly ever see them because they are like okapi in the jungle in the Congo, which are a kind of antelope and very shy and rare. And I can go anywhere in the world and I know that no one is going to talk to me or touch me or ask me a question. But if I don't want to go anywhere I don't have to, and I can stay at home and eat broccoli and oranges and licorice laces all the time, or I can play computer games for a whole week, or I can just sit in the corner of the room and rub £1 coin back and forward over the ripple shapes on the surface of the radiator. And I wouldn't have to go to France.
Mark Haddon
Some of us are blessed, or cursed, with a dream, and have to bare claw and fang to claim it. To anyone with a diehard dream I want to say: Put aside all the kneading and fretting. Choose your trail. Jump. Watch a moose as it paws through a great depth of snow to get to the antelope bitterbrush underneath (you want to grow that kind of persistence). Deflect naysayers for now; they’ll come around in the end. Be open to the sturdy graces that show up. Welcome friends, regardless of species. Beware of trappings; they tend to transmute into traps. Trust thyself.
Mary Beth Baptiste (Altitude Adjustment: A Quest for Love, Home, and Meaning in the Tetons)
BORN TO RUN In his book Racing the Antelope: What Animals Can Teach Us about Running and Life, biologist Bernd Heinrich describes the human species as an endurance predator. The genes that govern our bodies today evolved hundreds of thousands of years ago, when we were in constant motion, either foraging for food or chasing antelope for hours and days across the plains. Heinrich describes how, even though antelope are among the fastest mammals, our ancestors were able to hunt them down by driving them to exhaustion—keeping on their tails until they had no energy left to escape. Antelope are sprinters, but their metabolism doesn’t allow them to go and go and go. Ours does. And we have a fairly balanced distribution of fast-twitch and slow-twitch muscle fibers, so even after ranging miles over the landscape we retain the metabolic capacity to sprint in short bursts to make the kill.
John J. Ratey (Spark: The Revolutionary New Science of Exercise and the Brain)
Oh, she had been some kind of fine-looking, all right, with that dynamite body and that gorgeous fall of red wavy hair. But she was weak . . . weak somehow. It was as if she was sending out radio signals which only he could receive. You could point to certain things—how much she smoked (but he had almost cured her of that), the restless way her eyes moved, never quite meeting the eyes of whoever was talking to her, only touching them from time to time and then leaping nimbly away; her habit of lightly rubbing her elbows when she was nervous; the look of her fingernails, which were kept neat but brutally short. Tom noticed this latter the first time he met her. She picked up her glass of white wine, he saw her nails, and thought: She keeps them short like that because she bites them. Lions may not think, at least not the way people think . . . but they see. And when antelopes start away from a waterhole, alerted by that dusty-rug scent of approaching death, the cats can observe which one falls to the rear of the pack, maybe because it has a lame leg, maybe because it is just naturally slower . . . or maybe because its sense of danger is less developed. And it might even be possible that
Stephen King (It)
Actually, what does man live for?” “To think about it. Any other question?” “Yes. Why does he die just when he has done that and has become a bit more sensible?” “Some people die without having become more sensible.” “Don’t evade my question. And don’t start talking about the transmigration of souls.” “I’ll ask you something else first. Lions kill antelopes; spiders flies; foxes chickens; which is the only race in the world that wars on itself uninterruptedly, fighting and killing one another?” “Those are questions for children. The crown of creation, of course, the human being— who invented the words love, kindness, and mercy.” “Good. And who is the only being in Nature that is capable of committing suicide and does it?” “Again the human being— who invented eternity, God, and resurrection.” “Excellent,” Ravic said. “You see of how many contradictions we consist. And you want to know why we die?
Erich Maria Remarque
A beautiful antelope panting under the fangs of a tiger, a defenceless ox, groaning beneath the butcher’s axe, is a spectacle, which instantly awakens compassion in a virtuous and unvitiated breast. Many there are, however, sufficiently hardened to the rebukes of justice and the precepts of humanity, as to regard the deliberate butchery of thousands of their species, as a theme of exultation and a source of honour, and to consider any failure in these remorseless enterprises as a defect in the system of things. The criteria of order and disorder are as various as those beings from whose opinions and feelings they result.
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
She made him want to be better. She always had, from the first. But when she left him, he’d be lost all over again. It would never work, unless . . . Unless he didn’t let her go. Keep her close. Make her stay. Make her yours. He dragged her into his arms and kissed her. There was no more contemplation in his mind. No more logic or reason or sense. Only a wild impulse that roared to life inside him and pounded in his blood like an ancient drum. One his cave-dwelling ancestors likely pounded in some torch-lit mating ceremony followed by a buffet of raw antelope. Each beat resonated as a primal urge. Want. Need. Take. Claim. Mine.
Tessa Dare (The Governess Game (Girl Meets Duke, #2))
world as a reflection of the relationship between gods and humans. Our prayers, our sacrifices, our sins and our good deeds determined the fate of the entire ecosystem. A terrible flood might wipe out billions of ants, grasshoppers, turtles, antelopes, giraffes and elephants, just because a few stupid Sapiens made the gods angry.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
And then you figure that you get unicorn horses and unicorn cows and some of those unicorn gazelles over in the desert where they got all the stories about evil antelope unicorns, and of course whales are all descended from hoofstock that went back into the ocean a shit-ton of time ago, pardon my language, but I don’t think you can really express geologic time properly without profanity and you figure that maybe that Ambulocetus what they call the “walking whale” took the unicorn genes with him and if it happened a bunch and they all swam around together and kept marrying their cousins the way you’re not supposed to do, you’d get your narwhals eventually.
T. Kingfisher (Jackalope Wives and Other Stories)
As a new mom, your life changes overnight. Your priorities change, you forget to brush your teeth, you aren’t sure how you’re ever going to balance all your new responsibilities, and it’s overwhelming. Not to mention that your body that used to be almost purely recreational has become much like a dairy cow but not as delicate and petite.
Melanie Shankle (The Antelope in the Living Room: The Real Story of Two People Sharing One Life)
The confusion of inequality with poverty comes straight out of the lump fallacy—the mindset in which wealth is a finite resource, like an antelope carcass, which has to be divvied up in zero-sum fashion, so that if some people end up with more, others must have less. As we just saw, wealth is not like that: since the Industrial Revolution, it has expanded exponentially.7 That means that when the rich get richer, the poor can get richer, too.
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
Break up your cycle. Get out of your rut. Find a way in your normal setting to "feel alive." One thing I'll do is get up early and see the sunrise from my yard, or for some bonus points, from my roof or a nearby hilltop. Jump in a chilly swimming pool! If it belongs to your neighbor, experiment with not telling them. Don a thong and maybe a midriff tank and head to the post office. I have not tried that one yet but I'll bet it won't be boring.
Nick Offerman (Where the Deer and the Antelope Play: The Pastoral Observations of One Ignorant American Who Loves to Walk Outside)
Unicorns practically breathed magic. He was to a horse what a horse was to a pig. Four tiny cloven hooves shone like burnished silver, slender legs as graceful as an antelope's led to a slender body, a delicate neck with an arch like the stem of a lily-blossom and a head like the blossom itself, crowned with that glorious pearly horn. And the eyes- big golden-brown eyes you could fall into and never come out of- 'It's a male Unicorn, Andie.' Her brain prompted her with that information. 'Male Unicorns are attracted to female virgins, female Unicorns are attracted to male virgins.
Mercedes Lackey (One Good Knight (Five Hundred Kingdoms, #2))
The argument that our nation should be allied with any one religion, or religion at all, is simply bonkers. It's about as solipsistic as thinking can get, to somehow try to reconcile the supposed American ideals of diversity and freedom for all with those of your church (or synagogue or mosque, but I believe it's mainly the churches that are pissing in this particular bed). If our national sloganeering and jingoistic jingles don't recognize the varied nuances of humanity by acknowledging our past mistakes (and crimes) against and our present dependence upon said variety, then those refrains are not patriotic at all, they're nationalist.
Nick Offerman (Where the Deer and the Antelope Play: The Pastoral Observations of One Ignorant American Who Loves to Walk Outside)
Those who came before me did not take for granted the world in which they lived. They blessed the air with smoke and pollen. They touched the ground, the trees, the stones with respect and reverence. I believe that they imagined me before I was born, that they prepared the way for me, that they placed their faith and hope in me and in the generations that followed and will follow them. Will I give my children an inheritance of the earth? Or will I give them less than I was given? On one side of time there are herds of buffalo and antelope. Redbud trees and chokecherries splash color on the plain. The waters are clear, and there is a glitter on the early morning grass. You breathe in the fresh fragrances of rain and wind on which are borne silence and serenity. It is good to be alive in this world. But on the immediate side there is the exhaust of countless machines, toxic and unavoidable. The planet is warming, and the northern ice is melting. Fires and floods wreak irresistible havoc. The forests are diminished and waste piles upon us. Thousands of species have been destroyed. Our own is at imminent risk. The earth and its inhabitants are in crisis, and at the center it is a moral crisis. Man stands to repudiate his humanity. I make a prayer for words. Let me say my heart
N. Scott Momaday (Earth Keeper: Reflections on the American Land)
As the Mongol warriors withdrew from the cities of the Jurched, they had one final punishment to inflict upon the land where they had already driven out the people and burned their villages. Genghis Khan wanted to leave a large open land with ample pastures should his army need to return. The plowed fields, stone walls, and deep ditches had slowed the Mongol horses and hindered their ability to move across the landscape in any direction they wished. The same things also prevented the free migration of the herds of antelope, asses, and other wild animals that the Mongols enjoyed hunting. When the Mongols left from their Jurched campaign, they churned up the land behind them by having their horses trample the farmland with their hooves and prepare it to return to open pasture. They wanted to ensure that the peasants never returned to their villages and fields. In this way, Inner Mongolia remained a grazing land, and the Mongols created a large buffer zone of pastures and forests between the tribal lands and the fields of the sedentary farmers. The grassy steppes served as ready stores of pasturage for their horses that allowed them easier access in future raids and campaigns, and they provided a ready store of meat in the herds of wild animals that returned once the farmers and villagers had been expelled.
Jack Weatherford (Genghis Khan and the Making of the Modern World)
We can never comprehend all of the information in an given circumstance, so the brain creates little false, constructed scale models to allow us to function, but they're all incorrect. Because of all the information we're missing, the more complex and substantial your imagined scale models become, the more deluded you actually grow.
Nick Offerman (Where the Deer and the Antelope Play: The Pastoral Observations of One Ignorant American Who Loves to Walk Outside)
In a lot of ways home improvement is like marriage. It’s not glamorous. It can take a lot of hard work and effort. There are days it feels like it might be easier to burn the whole thing to the ground and start all over again. Then you remember how much you love the house or your husband and you recommit yourself to what it takes to see the whole thing through. Even when it might involve paintbrushes and compromise and sanding and scraping all the rough edges. And when you look back on a tough patch a few months after the worst has passed, you don’t remember all the hard work and the tears. You just have the satisfaction of knowing you’ve made something beautiful.
Melanie Shankle (The Antelope in the Living Room: The Real Story of Two People Sharing One Life)
They came late to the empty land and looked with bitterness upon the six wolves watching them from the horizon's rim. With them was a herd of goats and a dozen black sheep. They took no account of the wolves' possession of this place, for in their minds ownership was the human crown that none other had the right to wear. The beasts were content to share in survival's struggle, in hunt and quarry, and the braying goats and bawling sheep had soft throats and carelessness was a common enough flaw among herds; and they had not yet learned the manner of these two-legged intruders. Herds were fed upon by many creatures. Often the wolves shared their meals with the crows and coyotes, and had occasion to argue with lumbering bears over a delectable prize. When I came upon the herders and their longhouse on a flat above the valley, I found six wolf skulls spiked above the main door. In my travels as a minstrel I knew enough that I had no need to ask - this was a tale woven into our kind, after all. No words, either, for the bear skins on the walls, the antelope hides and elk racks. Not a brow lifted for the mound of bhederin bones in the refuse pit, or the vultures killed by the poison-baited meat left for the coyotes. That night I sang and spun tales for my keep. Songs of heroes and great deeds and they were pleased enough and the beer was passing and the shank stew palatable. Poets are sembling creatures, capable of shrugging into the skin of man, woman, child and beast. There are some among them secretly marked, sworn to the cults of the wilderness. And that night I shared out my poison and in the morning I left a lifeless house where not a dog remained to cry, and I sat upon a hill with my pipe, summoning once more the wild beasts. I defend their ownership when they cannot, and make no defence against the charge of murder; but temper your horror, friends: there is no universal law that places a greater value upon human life over that of a wild beast. Why would you ever imagine otherwise?
Steven Erikson
We are often appalled at the tragic prevalence of wildlife poaching in Africa, where only a resolute if underfunded band of park guards works to prevent the total elimination of rhino and elephant.* But 70 years ago things were even more desperate in Europe, for Europe had lost its megafauna, and even its wisent had been driven into extinction in the wild. Its largest surviving wild creatures were antelope-sized, and even some of them were being exterminated by the most determined poaching. The lessons of history should make the world more helpful to the dozens of unsung African Renzo Videsotts working today. With a little help, they may succeed in conserving some of Africa’s fauna.
Tim Flannery (Europe: A Natural History)
Would a panther carry off a little girl, Pa?” “Yes,” said Pa. “And kill her and eat her, too. You and Mary must stay in the house till I shoot that panther. As soon as daylight comes I will take my gun and go after him.” All the next day Pa hunted that panther. And he hunted the next day and the next day. He found the panther’s tracks, and he found the hide and bones of an antelope that the panther had eaten, but he did not find the panther anywhere. The panther went swiftly through tree-tops, where it left no tracks. Pa said he would not stop till he killed that panther. He said, “We can’t have panthers running around in a country where there are little girls.” But he did not kill that panther, and he did stop hunting it. One day in the woods he met an Indian. They stood in the wet, cold woods and looked at each other, and they could not talk because they did not know each other’s words. But the Indian pointed to the panther’s tracks, and he made motions with his gun to show Pa that he had killed that panther. He pointed to the tree-tops and to the ground, to show that he had shot it out of a tree. And he motioned to the sky, and west and east, to say that he had killed it the day before. So that was all right. The panther was dead. Laura asked if a panther would carry off a little papoose and kill and eat her, too, and Pa said yes. Probably that was why the Indian had killed that panther.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))