Anslinger Quotes

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Harry Anslinger is our own darkest impulses, given a government department and a license to kill.
Johann Hari (Chasing the Scream: The Search for the Truth About Addiction)
Anslinger's reefer madness did not caution even the seeds of efficient, intelligent, ruthless action ... The same goes for Hoover, sniveling Nixon, the whole miserable, wretchedly evil lot of them . . . not a man among them who could have pulled off a successful coup in a banana republic.
William S. Burroughs
Billie didn’t blame Anslinger’s agents as individuals; she blamed the drug war itself247—because it forced the police to treat ill people like criminals. “Imagine if the government chased sick people248 with diabetes, put a tax on insulin and drove it into the black market, told doctors they couldn’t treat them,” she wrote in her memoir, “then sent them to jail. If we did that, everyone would know we were crazy. Yet we do practically the same thing every day in the week to sick people hooked on drugs.” Still,
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
One day, Harry Anslinger was told that there were also white women, just as famous as Billie, who had drug problems—but he responded to them rather differently. He called Judy Garland, another heroin addict, in to see him. They had a friendly chat, in which he advised her to take longer vacations between pictures, and he wrote to her studio, assuring them she didn’t have a drug problem at all. When he discovered that a Washington society hostess he knew—“a beautiful, gracious lady,” he noted—had an illegal drug addiction, he explained he couldn’t possibly arrest her because “it would destroy . . . the unblemished reputation of one of the nation’s most honored families.” He helped her to wean herself off her addiction slowly, without the law becoming involved.
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
The first drug laws, the anti-opium laws of the 1870s, were directed at Chinese immigrants, never mind that the country was full of white middle-class laudanum addicts, tippling from their dropper bottles all day long. Early in the next century, support for the laws criminalizing cocaine was ginned up by claims that “drug-crazed Negroes” were destroying white society and murdering white women. Southern senators, unperturbed by their wives’ opioid addictions, believed that cocaine made black men superhuman, even that it made them immune to bullets. When the first drug czar, a man named Harry Anslinger, wanted to criminalize marijuana, he appealed to people’s biases against immigrants from Mexico, claiming that the drug made Mexicans sexually violent. William Randolph Hearst jumped on this bandwagon, warning again and again in the pages of his newspapers about the dangers of the Mexican “Marihuana-Crazed Madman.” This demonization continues today.*1 White people are five times as likely to use drugs as African Americans, yet African Americans are incarcerated for drug offenses at ten times the rate of whites.*2 The racism of the drug war has been the single most important driving factor in the ever-escalating incarceration of people of color in the United States.
Ayelet Waldman (A Really Good Day: How Microdosing Made a Mega Difference in My Mood, My Marriage, and My Life)
Leigh was amazed to uncover all this. She explains: “When I was a police officer nobody ever trained me on the collateral consequences of marijuana arrests. I had no idea . . . It’s not something they’re made aware of. It’s—go out and get numbers. Do your job.” Just as Jimmy Fletcher—the agent sent by Harry Anslinger to break Billie Holiday—never forgave himself for what he ended up doing to her, Leigh Maddox never forgave herself for what she had done to all the kids she arrested over the years. It was not enough, Leigh decided, for her to say she’s sorry. You have to make amends. So she completed her retraining as a lawyer, quit her job as a cop, and started providing services in Baltimore to help the very people she had been busting and breaking before. She set up a low-cost legal clinic called Just Advice, where she and her students fight to have the arrest records of accused drug offenders expunged any way they can. She writes to universities imploring them to provide access to scholarships to students with drug convictions. She defends drug users in court. This is Leigh’s life now.
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
Even before that poor fool Greenspan had called it out, I’d heard her name. Who hadn’t? When I was in Chicago, she’d been denounced every day in the American newspapers. According to them, she was, among much else; a traitor, a lesbian, a German spy, a corruptor of youth. One of the taxi drivers had assured me she was a Jewish nymphomaniac and a poisoner of reservoirs. Someone else had blamed her for the new strain of locusts that was resistant to all but German pesticides. Before then, I’d read the generally shrill letters of denunciation she sent three times a week from Montreal to The Daily Telegraph. Before starting work for Richardson on that vast hymn of praise to the Führer, she’d published an equally vast cycle of plays about the trial of Anslinger after some future American uprising. A cut down version had been played at the Old Vic, with Kenneth Williams as Anslinger. The critical derision it received had only made her Telegraph philippics more demented. Of course, I knew about Ayn Rand.
Sean Gabb (The Churchill Memorandum)
Sospecho que todo aquel que haya querido a un drogadicto - y todo el que haya estado alguna vez enganchado a la droga - alberga en su interior el mismo impulso (...). Querrá destruir la adicción. Aniquilar esa dependencia. Asfixiarla con furia. Harry Anslinger no es sino una muestra de lo que sucede con nuestros impulsos mas escondidos cuando a uno se le da poder y licencia para matar.
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
Harry Anslinger had decided that Black people were criminal drug addicts, and then he created the conditions to make it true.
Hugh Ryan (The Women's House of Detention: A Queer History of a Forgotten Prison)
Henry Smith Williams died in 1940. Drug Addicts Are Human Beings remained out of print and largely forgotten for the rest of Anslinger’s life, and ours. The book contained a prediction. If this drug war continues, Henry Smith Williams wrote, there will be a five-billion-dollar drug smuggling industry in the United States in fifty years’ time. He was right almost to the exact year.58
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
while Harry Anslinger claimed to be fighting the Mafia, he was in fact transferring a massive and highly profitable industry into their exclusive control.
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
An official government study18 found that before drug prohibition properly kicked in, three quarters of self-described addicts (not just users—addicts) had steady and respectable jobs. Some 22 percent of addicts were wealthy,19 while only 6 percent were poor. They were more sedate as a result of their addiction, and although it would have been better for them to stop, they were rarely out of control or criminal.20 But in 1914, the Harrison Act was passed, and then Anslinger arrived sixteen years later to rapidly ratchet it up.
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
In the 1950s, Harry became aware that an extremely important member of Congress was a heroin addict. “He headed one of the powerful9 committees of Congress,” he wrote. “His decisions and statements helped to shape and direct the destiny of the United States and the free world.” Harry went to this man in the corridors of Washington, D.C., and told him sternly he must stop using the drug. “I wouldn’t try to do anything about it, Commissioner,” replied the legislator. “It will be the worse for you.” He would go to the gangsters to get it whatever Harry did, “and if it winds up in a public scandal and that should hurt this country, I wouldn’t care . . . The choice is yours.”10 All over America, Anslinger had cut off legal avenues to drugs and forced addicts to go to gangsters for a filthy supply. But he had always pictured it being done to the “unstable, emotional, hysterical,11 degenerate, mentally deficient and vicious classes.” Now, before Harry, there was a man he respected, and he was an addict. So he assured the legislator that there would be a safe, legal supply for him at a Washington, D.C., pharmacy so he would never have to go to the gangsters or go without. The bureau even picked up the tab until the day the congressman died. A journalist uncovered the story and was about to break it. Harry told him that if he published a word, Harry would have him sent to prison for two years. He smothered the story.12 Years
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
But then something nobody could have predicted happened. Embarrassed by this endless protest, Mayor Owen decided he had better find out who these addicts were, and how they could be shut up. They were from a different world: he had been a businessman for thirty years, and came from a privileged political dynasty in which his grandfather was the chief constable, and his father the lieutenant governor. He hadn’t ever known any addicts, so he decided to walk around the Downtown Eastside incognito, and sit with the addicts, and hear what they had to say. And this man who had argued that they should all be rounded up and locked away on army bases—this local Anslinger—was amazed. When he described his memory of it in 2012, he still seemed startled by what he had witnessed. “The stories you hear,” he said to me, “blow you away.” These people, he found, had had such hard lives. He remembered a fifteen-year-old girl on the streets, and shook his head. They’re not malicious, he came to see. They’re not bad. They’re just broken. So he arranged “an afternoon tea party” for “the most hard-core addicts” and sat and listened to them talk about their lives for hours. “The stories were just unbelievable,” Owen repeated, shaking his head again. Now
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
Jazz was the opposite of everything Harry Anslinger believed in. It is improvised, and relaxed, and free-form. It follows its own rhythm. Worst of all, it is a mongrel music made up of European, Caribbean, and African echoes, all mating on American shores. To Anslinger, this was musical anarchy, and evidence of a recurrence of the primitive impulses that lurk in black people, waiting to emerge. “It sounded,” his internal memos said, “like the jungles in the dead of night.”94 Another memo warned that “unbelievably ancient indecent rites of the East Indies are resurrected”95 in this black man’s music. The lives of the jazzmen, he said, “reek of filth.”96 His agents reported back to him97 that “many among the jazzmen think they are playing magnificently when under the influence of marihuana but they are actually becoming hopelessly confused and playing horribly.” The Bureau believed that marijuana slowed down your perception of time98 dramatically, and this was why jazz music sounded so freakish—the musicians were literally living at a different, inhuman rhythm. “Music hath charms,”99 their memos say, “but not this music.” Indeed, Harry took jazz as yet more proof that marijuana drives people insane. For example, the song “That Funny Reefer Man”100 contains the line “Any time he gets a notion, he can walk across the ocean.” Harry’s agents warned: “He does think that.” Anslinger looked out over a scene filled with men like Charlie Parker,101 Louis Armstrong,102 and Thelonious Monk,103 and—as the journalist Larry Sloman recorded—he longed to see them all behind bars.104 He wrote to all the agents he had sent to follow them, and instructed: “Please prepare all cases in your jurisdiction105 involving musicians in violation of the marijuana laws. We will have a great national round-up arrest of all such persons on a single day. I will let you know what day.” His advice on drug raids to his men was always “Shoot first.”106 He reassured congressmen that his crackdown would affect not “the good musicians, but the jazz type.”107 But when Harry came for them, the jazz world would have one weapon that saved them: its absolute solidarity. Anslinger’s men could find almost no one among them who was willing to snitch,108 and whenever one of them was busted,109 they all chipped in to bail him out.
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
right at the start of the drug war, gangsters supported prohibition, even bribing Harry Anslinger’s agents to impose it more rapidly. Now, at the end of the drug war, they were violently intimidating people who wanted to end prohibition. What, I wondered to myself, does this reveal about who really benefits from this war?
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
Anslinger was the U.S. government’s “expert witness” advocating the Tax Act. In his testimonies between the House Ways and Means Committee, the Senate Subcommittee, as well as to Congress, Anslinger produced the following as “factual statements”: “Marijuana is the most violence-causing drug in the history of mankind.” “Marijuana is an addictive drug which produces in its users insanity, criminality, and death.” “I believe in some cases one cigarette might develop a homicidal mania, probably to kill his brother.” “…but all the experts agree that the continued use leads to insanity. There are many cases of insanity.” “There are 100,000 total marijuana smokers in the U.S., and most are Negroes, Hispanics, Filipinos, and entertainers. Their Satanic music, jazz and swing, result from marijuana use. This marijuana causes white women to seek sexual relations with Negroes, entertainers, and any others.
Alan Archuleta (The Gospel of Hemp: How Hemp Can Save Our World)
Dr. Fort looked over at Anslinger’s vast bald head and replied. “You have led this country to treat scientific questions,” he said, “the way such matters were handled in the Middle Ages.” Dr. Henry Smith Williams had said this at the beginning of Anslinger’s long career; now another doctor was standing before him saying precisely the same thing, as Harry Anslinger offered his last recorded words.
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
The Mafia paid Harry Anslinger to launch his crusade because they wanted the drug market all to themselves.
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
Why? He believed the two most-feared groups in the United States—Mexican immigrants and African Americans—were taking the drug much more than white people, and he presented the House Committee on Appropriations with a nightmarish vision of where this could lead. He had been told, he said, of “colored students at the University of Minn[esota] partying with female students (white) and getting their sympathy with stories of racial persecution. Result: pregnancy.” This was the first hint of much more to come. He wrote to thirty scientific experts asking a series of questions about marijuana. Twenty-nine of them wrote back saying it would be wrong to ban it, and that it was being widely misrepresented in the press. Anslinger decided to ignore them and quoted instead the one expert who believed it was a great evil that had to be eradicated.
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
Sheriff Joe has built a jail that he refers to publicly as his “concentration camp,” and presidential candidates flock here during election campaigns, emerging full of praise. Anslinger said addicts were “lepers” who needed to be “quarantined,” and so Arpaio has built a leper colony for them in the desert.
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
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Kate Anslinger (The Gift (McKenna Mystery #1))