Ankle Chain Quotes

My mom had a soft heart after all! Instead of being chained by both wrists, we were only chained by one ankle! I mean, if I’d been looking for proof that she really did love me, this was it, right?

No man can put a chain about the ankle of his fellow man without at last finding the other end fastened about his own neck.

Every word I say has chains round its ankles; every thought I think is weighted with heavy weights.

When I looked at the painting I felt the same convergence on a single point: a glancing sun-struck instance that existed now and forever. Only occasionally did I notice the chain on the finch's ankle, or think what a cruel life for a little living creature--fluttering briefly, forced always to land in the same hopeless place.

I will remember what I was, I am sick of rope and chains - I will remember my old strength and all my forest affairs. I will not sell my back to man for a bundle of sugar cane; I will go out to my own kind, and the wood-folk in their lairs. I will go out until the day, until the morning break - Out to the wind's untainted kiss, the water's clean caress; I will forget my ankle-ring and snap my picket stake. I will revisit my lost love and playmates masterless!

It isn't a coincidence that governments everywhere want to educate children. Government education, in turn, is supposed to be evidence of the state's goodness and its concern for our well-being. The real explanation is less flattering. If the government's propaganda can take root as children grow up, those kids will be no threat to the state apparatus. They'll fasten the chains to their own ankles.

I welcomed the circling sharks but they avoided me as if knowing I preferred their teeth to the chains around my neck my waist my ankles

Every word I say has chains round its ankles; every thought I think is weighted with heavy weights. Since I was born, hasn't every word I've said, every thought I've thought, everything I've done, been tied up, weighted, chained? And mind you, I know that with all this I don't succeed. Or I succeed in flashes only too damned well. ...But think how hard I try and how seldom I dare. Think - and have a bit of pity. That is, if you ever think, you apes, which I doubt.

So you say, with your shiny hair and pouty lips - and those breasts - just wait till you start dropping whelps, they'll be at your ankles one day, big as they are - not the whelps, the breasts. The whelps will be in your hair - no, not the shiny hair on your head, well, yes, that hair, but only as a manner of speech.

The Road To Serfdom is about capitalism. That’s why on the side of that road you’ll find me, in a kiosk, selling ankle chains and handcuffs.

One of the men gave Butch a bunch of volts with a stun gun. The Rangeman didn’t move fast enough, and Butch grabbed the gun and threw it across the room. “Hunh,” Rangeman guy said. “Yeah,” I said. “Been there, done that.” “Are you sure he’s human?” “Maybe you could hook a chain to the FlexiCuffs on his ankles and drag him behind your car,” I said. “We tried that once, and Ranger didn’t like it,” the guy said. “You do something twice that Ranger doesn’t like, and you’re out of a job and damaged.

Young women today feel vulnerable to judgment; if a harsh sentence is passed (or even suspected or projected), it is not her reputation that suffers so much as the stability of her moral universe. They did not have long to explore the sexual revolution and make it their own. Before the old chains had grown cold, while young women were still rubbing the circulation back into their ankles and taking tentative steps forward, the beauty industries levied a heavy toll on further investigations, and beauty pornography offered them designer bondage.

Scrooge followed to the window: desperate in his curiosity. He looked out. The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley's Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost, in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below, upon a door-step. The misery with them all was, clearly, that they sought to interfere, for good, in human matters, and had lost the power for ever

Only occasionally did I notice the chain on the finch’s ankle, or think what a cruel life for a little living creature—fluttering briefly, forced always to land in the same hopeless place.

Her Triumph I did the dragon's will until you came Because I had fancied love a casual Improvisation, or a settled game That followed if I let the kerchief fall: Those deeds were best that gave the minute wings And heavenly music if they gave it wit; And then you stood among the dragon-rings. I mocked, being crazy, but you mastered it And broke the chain and set my ankles free, Saint George or else a pagan Perseus; And now we stare astonished at the sea, And a miraculous strange bird shrieks at us.

Still, I will protect Annie. She is the only person in the world who loves me. She is the only person in the world who would never use me. She is my anchor, the chain around my ankle, the thing that means it doesn't matter what James does or who he is - I will still be his because I will always be Annie's.

Without knowing my number, enclosed by walls and borders, I walk around with a prisoner's moon and perpetual shadow chained to my ankle.

emigrate is to leave one place for another, with the place you’ve left tied to your ankle with steel chains. If it’s difficult for a person to emigrate, it’s only because it’s difficult to walk in the world when an entire country is shackled to your ankle, dragging behind you wherever you go.

I was the chain that bit into my ankle, and I was the ruthless guard that never slept.

Grief is personal. It isn’t something you can share, like a box of chocolates. It is yours and yours alone. A spiked steel ball chained to your ankle. A coat of nails around your shoulders. A crown of thorns. No one else can feel your pain. They cannot walk in your shoes because your shoes are full of broken glass and every time you try and take a step forward it rips your soles to bloody shreds. Grief is the worst kind of torture and it never ends. You

No,” she said, not even flinching at his rough description. “I was only in the dungeon for a week. The ankle, the chain … He did that to me long before.” “What chain.” She blinked. And he knew she’d meant to avoid telling him that one particular detail. But now that he looked … he could make out, among the mass of scars, a white band. And there, around her perfect, lovely other ankle, was its twin. A wind laced with the dust and coldness of a tomb gnawed through the field. Marion merely said, “When you kill my uncle, ask him yourself.

Scrooge followed to the window: desperate in his curiosity. He looked out. The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley’s Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost, in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below, upon a door-step. The misery with them all was, clearly, that they sought to interfere, for good, in human matters, and had lost the power for ever.

She was young still, and the chains had not yet grown tight around her ankles…Whatever was to be done, she would do it.

A quiet but indomitable voice behind me said, “I believe this is my dance.” It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze. Kishan narrowed his eyes and said, “I believe it is the lady’s choice.” Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor. Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him. He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist. When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch. I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger. He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret. He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.” I nodded my head hesitantly. “First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.” He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.” I sucked in a deep breath. He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.” He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer. “Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.

It is difficult for the isolated individual to work himself out of the immaturity which has become almost natural for him. He has even become fond of it and for the time being is incapable of employing his own intelligence, because he has never been allowed to make the attempt. Statutes and formulas, these mechanical tools of a serviceable use, or rather misuse, of his natural faculties, are the ankle-chains of a continuous immaturity. Whoever threw it off would make an uncertain jump over the smallest trench because he is not accustomed to such free movement. Therefore there are only a few who have pursued a firm path and have succeeded in escaping from immaturity by their own cultivation of the mind.

For seven years he had lived bound to her, his every step subject to her scrutiny. She might as well have chained iron balls to his ankles. Suddenly his step was much lighter. He soared. He had entered Parmenides' magic field: he was enjoying the sweet lightness of being''.

The stars will go dark and the universe will end before I get this year back. That is the weight chained to my ankle, and it is far heavier than any anchor. That is the overwhelming never that I must face. And I still don't know if I'll disappear into it, or find a way to push beyond.

Helen of Troy Does Counter Dancing The world is full of women who'd tell me I should be ashamed of myself if they had the chance. Quit dancing. Get some self-respect and a day job. Right. And minimum wage, and varicose veins, just standing in one place for eight hours behind a glass counter bundled up to the neck, instead of naked as a meat sandwich. Selling gloves, or something. Instead of what I do sell. You have to have talent to peddle a thing so nebulous and without material form. Exploited, they'd say. Yes, any way you cut it, but I've a choice of how, and I'll take the money. I do give value. Like preachers, I sell vision, like perfume ads, desire or its facsimile. Like jokes or war, it's all in the timing. I sell men back their worst suspicions: that everything's for sale, and piecemeal. They gaze at me and see a chain-saw murder just before it happens, when thigh, ass, inkblot, crevice, tit, and nipple are still connected. Such hatred leaps in them, my beery worshipers! That, or a bleary hopeless love. Seeing the rows of heads and upturned eyes, imploring but ready to snap at my ankles, I understand floods and earthquakes, and the urge to step on ants. I keep the beat, and dance for them because they can't. The music smells like foxes, crisp as heated metal searing the nostrils or humid as August, hazy and languorous as a looted city the day after, when all the rape's been done already, and the killing, and the survivors wander around looking for garbage to eat, and there's only a bleak exhaustion. Speaking of which, it's the smiling tires me out the most. This, and the pretense that I can't hear them. And I can't, because I'm after all a foreigner to them. The speech here is all warty gutturals, obvious as a slam of ham, but I come from the province of the gods where meaning are lilting and oblique. I don't let on to everyone, but lean close, and I'll whisper: My mothers was raped by a holy swan. You believe that? You can take me out to dinner. That's what we tell all the husbands. There sure are a lot of dangerous birds around. Not that anyone here but you would understand. The rest of them would like to watch me and feel nothing. Reduce me to components as in a clock factory or abattoir. Crush out the mystery. Wall me up alive in my own body. They'd like to see through me, but nothing is more opaque than absolute transparency. Look - my feet don't hit the marble! Like breath or a balloon, I'm rising, I hover six inches in the air in my blazing swan-egg of light. You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.

I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.' But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich. Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth. Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ. I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.' I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain. I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again. This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.

I am the manacle chained to Man’s ankles. Only when he sees the light will he be set free of my shackles, and I, the manacle, be set free of my shackles: Man.

The merengue was invented out of necessity,” I tell everyone. “It was the only dance possible for ankle-chained slaves in the cane fields of the Caribbean.

AFFIANCED, pp. Fitted with an ankle-ring for the ball-and-chain.

I was thrilled and grateful to be safely away from that maniac. Do you have any idea what it’s like to wake up and realize that no one is going to rape you that day? How wonderful it is to see the sunlight pouring through your window? How great it is to just walk around without a heavy chain on your wrist or ankle? It feels amazing. And once you have that feeling, you want your full independence. In other words, you want your whole life back.

I didn’t have the cable around my ankle, and I was grateful for that, but that wasn’t enough to make me happy. I was still welded to Mitchell. I was anything but free. His words were stronger to me than any chains or cable ever could be.

The anatomical specifications of rupture, of altered human tissue, take on the objective description of laboratory prose – eyes beaten out, arms, backs, skulls branded, a left jaw, a right ankle, punctured; teeth missing, as the calculated work of iron, whips, chains, knives, the canine patrol, the bullet. These undecipherable markings on the captive body render a kind of hieroglyphics of the flesh whose severe disjunctures come to be hidden to the cultural seeing by color.

Grief is personal. It isn't something you can share like a box of chocolates. It's yours and yours alone, a spiked steel ball chained to your ankle, a coat of nails around your shoulders, a crown of thorns. No one else can feely your pain. They cannot walk in your shoes because your shoes are full with broken glass and every time you take a step forward, it rips your soles to bloody shreds. Grief is the worst kind of torture and it never ends. You have dibs on that dungeon for the rest of your life.

You could let me go, Joshua,” I plead for the millionth time. “If you truly knew me, Toy, you would understand that I can’t.” I think his smile is tinged with sadness. At least, if it were anyone else, that would be a sad smile. “I simply can’t.” How can anyone truly know someone as fucked up as you, Joshua? I step back out of his arms, as far as I can go with my ankle still chained to the chair, and my body cries out at the loss of his warmth. He bends down and uncuffs my ankle. But he doesn’t set me free

I love you," she told him, and he knew that this was true, and she knew that he believed her; but when she said it she saw the chain around his ankle, a length of links that let him wander, but not far. She did not see the chain around her own ankle, because love is blind.

Everyone can't go where you're headed. This is often preached, but I don't think enough people understand the severity of this advice. Attempting to keep everyone with you, is the equivalent of walking with a ball and chain around your ankles. You will not get too far ahead.

The painting, the magic and aliveness of it, was like that odd airy moment of the snow falling, greenish light and flakes whirling in the cameras, where you no longer cared about the game, who won or lost, but just wanted to drink in that speechless windswept moment. When I looked at the painting I felt the same convergence on a single point: a sunstruck instant that existed now and forever. Only occasionally did I notice the chain on the finch’s ankle, or think what a cruel life for a little living creature—fluttering briefly, forced always to land in the same hopeless place.

Joan had told me a story once about some elephants in captivity somewhere, how as babies they were put into ankle cuffs with chains that were attached to spikes driven into the ground, which they couldn't pull out. They stopped trying within their first years, because it was frustrating and pointless, so they grew up believing that the spikes were stronger than they were. Apparently it never occurred to them to try again later when they were giant adult elephants perfectly capable of yanking the spikes out without even exerting much effort and running free into the jungle, so they wound up staying put next to these tiny little spikes that were now ridiculously weak in comparison to their powerful legs. Joan said we were like that, too. She said we humans often remained bound by old beliefs that had not real power aside from that which we placed upon them. She said our fears were the little tiny spikes we were sill seeing from the vantage point of the baby elephants, but now, my darling, she had told me, now we were mighty beasts who could uproot the spike any old time we were ready. (266)

The walls that hold my prison pent soul closed with an eternal thud. A destructive bent blossomed in the desert of my ebbing passion. I am a lonely man with no skeleton key that will allow me to escape a static penitentiary and enter a world where joy reigns. My strangeness sentenced me forever to be alone. Stranded alone, I must bear the mental lashings associated with a penal life. My relegated daily vigil consists of dragging around ankle chains and enduring a penitence period hobbled to punitive labor. There is no relief in sight; no chance exists to receive a stay of execution from self-punishment arising from a criminal spree of failure. My crazed-eyed preoccupation is to stand on my tippy toes in a private cellblock and stare down at the starkness of my picked over bones.

A gold chain cut across her forehead with a diamond the size of my thumb in it. More diamonds burned like white fire at her throat. She was absolutely naked except for a sprinkling of gold body glitter, done thick enough on her nipples to make them seem metallic. A diamond anklet glittered on her right ankle. Three gold chains rode low on her hips, and that was it. And I’d complained about my outfit.

In Chinese myth, the old gods tie a red thread around the ankles of those who are destined to meet, who are meant to help one another. It’s a pretty thought, isn’t it?” “No,” Wallace said bluntly. “It’s a shackle. A chain.” “Or it’s a tether,” Hugo said, not unkindly. “Though I know it doesn’t seem like that to you now. It keeps you grounded while you’re here. It helps me to find you if you’re ever lost.

My wrists were shackled and cuffed together, a heavy chain linking them to the leg irons around my ankles. For a moment, I imagined wrapping that chain around all their necks, but then I unclenched my fists and placed the palms of my hands together as if to pray. I wasn’t a murderer. Never had been, never would be. I looked over at the jury, at McGregor, who stared back at me with hatred and self-righteousness, at the judge, who looked overheated and bored. I had spent a good many years testifying for God in church, and now it was

I held Carlito's hands in mine, my fingers wedged between the cuffs and his wrists because I hoped that at least for a moment he would feel me and not the cold metal against his skin. Those are things to which he'd become too accustomed. I saw it in his posture. The way the years of walking with his hands chained to his waist, his ankles shackled together by leg irons, had sloped his spine, causing him to walk with his head tilted down, in short steps, so different from the way he moved when he was free, with rhythm in his gait, a walk more like a glide

There was some that they called crayons, which one of the daughters which was dead made her own self when she was only fifteen years old. They was different from any pictures I ever see before—blacker, mostly, than is common. One was a woman in a slim black dress, belted small under the armpits, with bulges like a cabbage in the middle of the sleeves, and a large black scoop-shovel bonnet with a black veil, and white slim ankles crossed about with black tape, and very wee black slippers, like a chisel, and she was leaning pensive on a tombstone on her right elbow, under a weeping willow, and her other hand hanging down her side holding a white handkerchief and a reticule, and underneath the picture it said “Shall I Never See Thee More Alas.” Another one was a young lady with her hair all combed up straight to the top of her head, and knotted there in front of a comb like a chair-back, and she was crying into a handkerchief and had a dead bird laying on its back in her other hand with its heels up, and underneath the picture it said “I Shall Never Hear Thy Sweet Chirrup More Alas.” There was one where a young lady was at a window looking up at the moon, and tears running down her cheeks; and she had an open letter in one hand with black sealing wax showing on one edge of it, and she was mashing a locket with a chain to it against her mouth, and underneath the picture it said “And Art Thou Gone Yes Thou Art Gone Alas.” These was all nice pictures, I reckon, but I didn’t somehow seem to take to them, because if ever I was down a little they always give me the fan-tods. Everybody was sorry she died, because she had laid out a lot more of these pictures to do, and a body could see by what she had done what they had lost. But I reckoned that with her disposition she was having a better time in the graveyard.

And now he learned how men can consider other men as beasts and that the easiest way to get along with such men was to be a beast. A clean face, an open face, an eye raised to meet an eye—these drew attention and attention drawn brought punishment. Adam thought how a man doing an ugly or a brutal thing has hurt himself and must punish someone for the hurt. To be guarded at work by men with shotguns, to be shackled by the ankle at night to a chain, were simple matters of precaution, but the savage whippings for the least stir of will, for the smallest shred of dignity or resistance, these seemed to indicate that guards were afraid of prisoners, and Adam knew from his years in the army that a man afraid is a dangerous animal. And Adam, like anyone in the world, feared what whipping would do to his body and his spirit. He drew a curtain around himself. He removed expression from his face, light from his eyes, and silenced his speech. Later he was not so much astonished that it had happened to him but that he had been able to take it and with a minimum of pain. It was much more horrible afterward than when it was happening. It is a triumph of self-control to see a man whipped until the muscles of his back show white and glistening through the cuts and to give no sign of pity or anger or interest. And Adam learned this.

The trial wasn’t the finest hour of American justice as the treatment of the prisoners seemed medieval in its barbarism. Almost all of the male prisoners were dragged into the courtroom with linen masks shielding their faces and chains and heavy iron balls strapped to their ankles. With clanking irons, they shuffled in and, once seated, their hoods were removed. The military commission took testimony for seven weeks and ultimately found all eight defendants guilty, with four of them (Mary Surratt, Lewis Powell, David Herold, and George Atzerodt) sentenced to hang while three others (including Michael O’Laughlen) were given life imprisonment and one a six-year term. Mary Surratt, who ran a boardinghouse where Booth colluded with other conspirators, went down in historical annals as the first woman ever executed by the federal government.

I took my solo and beat hell out of the skins. Then Spoof swiped at his mouth and let go with a blast and moved it up into that squeal and stopped and started playing. It was all headwork. All new to us. New to anybody. I saw Sonny get a look on his face, and we sat still and listened while Spoof made love to that horn. Now like a scream, now like a laugh - now we're swinging in the trees, now the white men are coming, now we're in the boat and chains are hanging from our ankles and we're rowing, rowing - Spoof, what is it? - now we're sawing wood and picking cotton and serving up those cool cool drinks to the Colonel in his chair - Well, blow, man! - now we're free, and we're struttin' down Lenox Avenue and State & Madison and Pirate's Alley, laughing, crying - Who said free? - and we want to go back and we don't want to go back - Play it, Spoof! God, God, tell us all about it! Talk to us! - and we're sitting in a cellar with a comb wrapped up in paper, with a skin-barrel and a tinklebox - Don't stop, Spoof! Oh Lord, please don't stop! - and we're making something, something, what is it? Is it jazz? Why, yes, Lord, it's jazz. Thank you, sir, and thank you, sir, we finally got it, something that is ours, something great that belongs to us and to us alone, that we made, and that's why it's important and that's what it's all about and - Spoof! Spoof, you can;t stop now -- But it was over, middle of the trip. And there was Spoof standing there facing us and tears streaming out of those eyes and down over that coaldust face, and his body shaking and shaking. It's the first we ever saw that. It's the first we ever heard him cough, too - like a shotgun going off every two seconds, big raking sounds that tore up from the bottom of his belly and spilled out wet and loud. ("Black Country")

YOU felons on trial in courts; You convicts in prison-cells—you sentenced assassins, chain’d and hand-cuff’d with iron; Who am I, too, that I am not on trial, or in prison? Me, ruthless and devilish as any, that my wrists are not chain’d with iron, or my ankles with iron? You prostitutes flaunting over the trottoirs, or obscene in your rooms, Who am I, that I should call you more obscene than myself? O culpable! I acknowledge—I exposé! (O admirers! praise not me! compliment not me! you make me wince, I see what you do not—I know what you do not.) Inside these breast-bones I lie smutch’d and choked; Beneath this face that appears so impassive, hell’s tides continually run; Lusts and wickedness are acceptable to me; I walk with delinquents with passionate love; I feel I am of them—I belong to those convicts and prostitutes myself, And henceforth I will not deny them—for how can I deny myself?

He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year. The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home. He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street. They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then. The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips. Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites. The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra. “Who is The Mandarin? His name? Who is The Mandarin?” He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him. By the time they freed him, he was a different man.  

Between 1970 and 1971, the feminist movement made significant strides. In 1970, the Equal Rights Amendment was forced out of the House Judiciary Committee, where it had been stuck since 1948; the following year, it passed in the House of Representatives. In response to a sit-in led by Susan Brownmiller, Ladies' Home Journal published a feminist supplement on issues of concern to women. Time featured Sexual Politics author Kate Millett on its cover, and Ms., a feminist monthly, debuted as an insert in New York magazine. Even twelve members of a group with which Barbie had much in common—Transworld Airlines stewardesses—rose up, filing a multimillion-dollar sex discrimination suit against the airline. Surprisingly, Barbie didn't ignore these events as she had the Vietnam War; she responded. Her 1970 "Living" incarnation had jointed ankles, permitting her feet to flatten out. If one views the doll as a stylized fertility icon, Barbie's arched feet are a source of strength; but if one views her as a literal representation of a modern woman—an equally valid interpretation— her arched feet are a hindrance. Historically, men have hobbled women to prevent them from running away. Women of Old China had their feet bound in childhood; Arab women wore sandals on stilts; Palestinian women were secured at the ankles with chains to which bells were attached; Japanese women were wound up in heavy kimonos; and Western women were hampered by long, restrictive skirts and precarious heels. Given this precedent, Barbie's flattened feet were revolutionary. Mattel did not, however, promote them that way. Her feet were just one more "poseable" element of her "poseable" body. It was almost poignant. Barbie was at last able to march with her sisters; but her sisters misunderstood her and pushed her away.

With great care, Amy opened the cellar door. With ladylike demeanor, she descended the stairs. And as her reward, she had the satisfaction of catching His Mighty Lordship sitting on the cot, his knee crooked sideways and his ankle pulled toward him, cursing at the manacle. “I got it out of your own castle,” she said. Northcliff jumped like a lad caught at a mischief. “My . . . castle?” At once he realized what she meant. “Here on the island, you mean. The old ancestral pile.” “Yes.” She strolled farther into the room. “I went down into the dungeons, crawled around in among the spider webs and the skeleton of your family’s enemies—” “Oh, come on.” He straightened his leg. “There aren’t any skeletons.” “No,” she admitted. “We had them removed years ago.” For one instant, she was shocked. So his family had been ruthless murderers! Then she realized he was smirking. The big, pompous jackass was making a jest of her labors. “If I could have found manacles that were in good shape I’d have locked both your legs to the wall.” “Why stop there? Why not my hands, too?” He moved his leg to make the chain clink loudly. “Think of your satisfaction at the image of my starving, naked body chained to the cold stone—” “Starving?” She cast a knowledgeable eye at the empty breakfast tray, then allowed her lips to curve into a sarcastic smile. “You’d love a look at my naked body, though, wouldn’t you?” He fixed his gaze on her, and for one second she thought she saw a lick of golden flame in his light brown eyes. “Isn’t that what this is all about?” “I beg your pardon.” She took a few steps closer to him—although she remained well out of range of his long arms. What are you talking about?” “I spurned you, didn’t I?” What? What What was he going on about? “You’re a girl from my past, an insignificant debutante I ignored at some cotillion or another. I didn’t dance with you.” He stretched out on the cot, the epitome of idle relaxation. “Or I did, but I didn’t talk to you. Or I forgot to offer you a lemonade, or—” “I don’t believe you.” She tottered to the rocking chair and sank down. “Are you saying you think this whole kidnapping was done because you, the almighty marquees of Northcliff, treated me like a wallflower?” “It seems unlikely I treated you as a wallflower. I have better taste than that.” He cast a critical glance up and down her workaday gown, then focused on her face. “You’re not in the common way, you must know that. With the proper gown and your hair swirled up in that style you women favor—” He twirled his fingers about his head—“you would be handsome. Perhaps even lovely.” She gripped the arms of the chair. Even his compliments sounded like insults! “We’ve never before met, my lord.” As if she had not spoken, he continued, “but I don’t remember you, so I must have ignored you and hurt your feelings—” “Damn!” Exploding out of the chair, she paced behind it, gripping the back hard enough to break the wood. His arrogance was amazing. Invulnerable! “Haven’t you heard a single word I’ve said to you? Are you so conceited you can’t conceive of a woman who isn’t interested in you as a suitor?” “It’s not conceit when it’s the truth.” He sounded quite convinced.

The PEOPLE, SCHOOL, EVERYONE, and EVERYTHING is so FAKE AND GAY.' 'I shrieked, at the top of my voice fingers outspread and frozen in fear, unlike ever before in my young life; being the gentle, sweet, and shy girl that I am.' 'Besides always too timid to have a voice, to stand up for me, and forced not to, by masters.' Amidst my thoughts racing ridiculously, 'I feel that it is all just another way for the 'SOCIETY' to make me feel inferior, they think, they are so 'SUPERIOR' to me, and who I am to them.' 'Nonetheless, every day of my life, I have felt like I have been drowning in a pool, with weights attached to my ankles.' 'Like, of course, there is no way for me to escape the chains that are holding me down.' 'The one and only person, that holds the key to my freedom: WILL NEVER LET ME GO! It's like there is within me, and has been deep inside me!' 'I now live in this small dull town for too damn long. It is an UNSYMPATHETIC, obscure, lonely, totally depressed, and depressing place, for any teenage girl to be, most definitely if you're a girl like me.' 'All these streets surrounding me are covered with filth, and born in the hills of middle western Pennsylvania mentalities of slow-talking and deep heritages, and beliefs, that don't operate me as a soul lost and lingering within the streets and halls.' 'My old town was ultimately left behind when the municipality neighboring made the alterations to the main roads; just to save five minutes of commuting, through this countryside village. Now my town sits on one side of that highway.' 'Just like a dead carcass to the rest of the world, which rushes by. What is sullen about this is that it is a historic town, with some immeasurable old monuments, and landmarks.' 'However, the others I see downright neglect what is here, just like me, it seems. Other than me, no one cares. Yet I care about all the little things.' 'I am so attached to all these trivial things as if they are a part of me. It disheartens me to see anything go away from me.' 'It's a community where the litter blows and bisects the road, like the tumble-wheats of the yore of times past.' 'Furthermore, if you do not look where you are going, you will fall in our trip, in one of the many potholes or heaved up bumps in the pavement, or have an evacuated structure masonry descending on your head.' 'Merely one foolproof way of simplifying the appearance of this ghost town.' 'There are still some reminders of the glory days when you glance around.' 'Like the town clock, that is evaporated black that has chipped enamel; it seems that it is always missing a few light bulbs.' 'The timepiece only has time pointing hands on the one side, and it nevermore shows the right time of day.' 'The same can be assumed for the neon signs on the mom-and-pop shops, which flicker at night as if they're in agonizing PAIN.' 'Why? To me is a question that is asked frequently.' 'It is all over negligence!' 'I get the sense and feeling most of the time, as they must prepare when looking around here at night.' 'The streetlamps do not all work, as they should. The glass in them is cracked.' 'The parking meters are always jammed, or just completely broken off their posts altogether.' 'The same can be said, for the town sign that titles this area. It is not even here anymore, as it should be now moved to the town square or shortage of a park.

wrong: I was thrilled and grateful to be safely away from that maniac. Do you have any idea what it’s like to wake up and realize that no one is going to rape you that day? How wonderful it is to see the sunlight pouring through your window? How great it is to just walk around without a heavy chain on your wrist or ankle? It feels amazing. And once you have that feeling, you want your full independence. In other words, you want your whole life back.

Ruby's eyes shot open when she woke, for she felt a constraint around her wrists and ankles. Feeling with her fingers, she touched cold metal. Her small movement gave the chains a slight jingle. A sinking feeling washed over her at the realization that she was chained.

Some of the apparitions that emerged from the shadows of doorways and alleys were incomplete, manifesting in full only as they reached the light of the kiosk. An empty dress floated through the night air as if it had become detached from a clothesline by some persistent breeze. As it drifted slowly toward the subway, translucent hands and ankles became visible. A bicycle rolled across the courtyard, chain squeaking softly, a pair of black slacks taking form as it entered the glow of the kiosk lamps.

This Girl I Knew Glasses, bad bangs, patched blue jeans, creek-stained tennis shoes caked in mud, a father who sells vacuum cleaners, a mother skinny as a nun, a little brother with straw-colored hair and a scowling, confused look in the pews at church: this girl I knew. House at the edge of town, crumbling white stucco. Dog on a chain. Weeds. Wildcat Creek trickling brown and frothy over rocks out back, past an abandoned train trestle and the wreck of an old school bus left to rot. This girl I knew, in whatever room is hers, in that house with its dust-fogged attic windows, its after-dinner hours like onions soft in a pan. Her father sometimes comes for her, runs a hand through her hair. Her mother washes every last stick of silverware, every dish. The night sky presses down on their roof, a long black yawn spiked with stars, bleating crickets. The dog barks once, twice. Outside town, a motorcycle revs its engine: someone bearing down. Then nothing. Sleep. This girl I knew dreams whatever this girl I knew dreams. In the morning it’s back to school, desks, workbooks, an awkwardly held pencil in the cramped claw of a hand. The cigarette and rosewater scent of Ms. Thompson at the blackboard. The flat of Ms. Thompson’s chest, sunburned and freckled, where her sweater makes a V. You should be nice to her, my mother says about this girl I knew. I don’t want to be nice to her, I say to my mother. At recess this girl I knew walks around the playground, alone, talking to herself: elaborate conversations, hand gestures, hysterical laughing. On a dare from the other girls this girl I knew picks a dandelion, pops its head with her thumbnail, sucks the milky stem. I don’t want to be nice to her. Scabbed where she’s scratched them, mosquito bites on her ankles break and bleed. Fuzzy as a peach, the brown splotch of a birthmark on her arm. The way her glasses keep slipping down her nose. The way she pushes them up.

She Looked down to see her ankle bound once more by the iron chain. "I left that chain behind in the courtyard. Who put it back on me?" "You did. When you thought again about how many people hurt you and how much you wanted to hurt them back. You bound yourself to them once more even now in your death. It's just as I told you when we were in the palace together. When you condemn your enemies, you also condemn yourself. The only way out for you is forgiveness. If you don't forgive your enemies now, they will drag you off the Chinawad Bridge into the depths of hell. And they will keep you there until you choose to let them go.

Unless you have chains around your ankles, I want to see your elbows pumping down the hallway now!’ Isn’t it nicer, however, to be asked to “drop by”?

Young took it for granted that it was very wrong to break loose from reason's chain and that indulgence in pleasure invites the "pall" of death. Blake believed just the opposite. In his picture "sense" is naked and lovely, arms joyously raised and long tresses tossing freely. A small fetter on her right ankle -- hardly more than an ankle bracelet -- is the sole trace of Young's chain, and she is walking easily toward the viewer over gently rolling sunlit hills, not running "savage." What she doesn't know is that a gigantic figure, hands clenched with effort, is about to drop his enormous black cloak over her, smothering her in darkness. Most viewers would have assumed that this looming threat was a personification of death, but more likely Blake thought of it as reason, from whom sense has all too briefly escaped.

When we were about to move in together, I got a rush of commitment fear. We were packing up her belongings in her then apartment. I had been a bachelor all of my life, going from one adventure to the next. So my ego realized my life was over and was never ever going to be the same again. (Silly ego. My life is much better now.) My girlfriend, the high-value woman she is, noticed my fear and said, “Don’t worry. I’m not putting a ball and chains on your ankles; you can throw me out whenever you want.” My fear dissipated faster than snow would melt in the Las Vegas desert.

The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley’s Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below upon a doorstep. The misery with them all was clearly, that they sought to interfere, for good, in human matters, and had lost the power forever.

When you think of ghosts wailing and suffering, you don’t think of it as constant and eternal, do you? Bit of wailing around midnight, chain rattling and a cold breeze, grab an ankle on the stairs now and again to really get them shitting themselves, then you’re on about your day, aren’t you?

After all, could anything worse befall me that what I had suffered and was still suffering at home? No doubt, I was only heading for new chains, but they surely wouldn't seem heavier than the ones I had just ripped from my ankles...

Nina’s wrists and ankles were rubbed raw from the handcuffs and ankle cuffs that chained her to the wall. The skin had been whipped from her back; even the slightest touch of her shirt against her spine sent pain shrieking through her body. One of her eyes seemed to be swollen shut from the beating.

My mom had a soft heart after all! Instead of being chained by both wrists, we were only chained by one ankle!

He’s fine. Every time any of us are late you imagine we’re dead. You are no longer allowed to imagine anyone is dead.” “I’m not imagining he’s dead,” I whisper, but I’m totally imagining him bleeding to death on the snowy forest floor. Crows circle above him. A pixie arrow juts out of his beautiful chest. It’s the same thing I imagined about Devyn last week when he forgot to check in. “You are such a liar-liar pants-on-fire.” Is kisses my cheek in her sweet friend way. “But I love you.” “I just worry about people,” I whisper back. “If I’m not the one out there I feel so helpless.” Coach Walsh notices we’re talking. “Girls, pay attention. And no kissing.” Everyone starts snickering. I let go of Issie’s goose-bump covered arm. My face gets hot, which means I’m in insane blush mode. Nick thinks insane blush mode is cute. I bend down and check on my ankle bracelet that Nick gave me. It’s gold and thin-chained. A tiny dolphin dangles off of it. The dolphin reminds me of Charleston because they swim right off the Battery. Next to it dangles a heart, which just reminds me of love—corny but true. I’m so afraid of losing the anklet, but I can’t take it off. I adore it that much.

Slowly, Dex entered the workshop, biting down on his tongue to keep quiet. Sloane stood in the middle of the workshop, arms high above his head, a couple of thick chains hanging from the ceiling binding his wrists, another around his neck to keep him from shifting to his Therian form. If he shifted, he’d end up breaking his neck. His ankles were bound by duct tape, and he was bare-chested, his black T-shirt on the floor. There were cuts and lacerations spread over his torso and arms, along with small burn marks. That son of a bitch had tortured him. Dex couldn’t tell if Sloane was breathing. His head hung low, his black hair falling in disarray. “Sloane?

His skin was furred like that of a horse. Snakes danced and hissed from his head, their thin bodies acting as his hair. Two long fangs protruded over his bottom lip. He had human hands, but his feet were hooves. Muscle was stacked upon muscle on his torso, and his nipples were pierced by two large silver rings. Metal chains circled his neck, wrists and ankles, and those chains kept him tethered to the pillars. “Who are you?” Strider demanded. No need to ask what the thing was. Ugly as shit covered it. He

Okay. Do you have something to do today?” Day asked. “No. I want to go back to the hotel and change,” God responded. Day thought if he should ask God about staying with him until he found another place. He didn’t want to freak God out, they’d just said they loved each other, but it didn’t mean they were ready to pick out china. He felt God’s thick fingers under his chin, pulling his face back to face him. “Just ask already?” God snorted a laugh. Day rolled his eyes. Sometimes he forgot how perceptive they both were. Day could pick up most of God’s thoughts, just like the man could pick up his. “Fine.” Day grumbled. “Do you want to stay here with me? I’m not trying to clamp a ball and chain around your ankle or anything, I just thought economically it’d make more sense you know, not having to pay that kind of money for weeks when I’m right here with all this extra room. Then it would be beneficial that you didn’t have to travel to pick me up for work, we could split the housework too because I hate raking the leaves and you don’t seem to mind. Also, I thought—” “Leo, shut the hell up.” God’s eyes were wide as he stared at him. Day registered that he had rambled on, letting his nerves get the best of him while he was basically asking God to move in with him. The man was his partner but he was also so damned guarded. “I could stay here with you, until I find my own place.” God kissed him on the forehead and nudged him off him so he could raise up and swing his long legs over the side.

Grief is personal. It isn't something you can share, like a box if chocolates. It is yours and yours alone. A spiked steel ball chained to your ankle. A coat of nails around your shoulders. A crown of thorns. No one else can feel your pain. They cannot walk in your shoes because your shoes are full of broken glass and every time you try and take a step forward it rips your soles to bloody shreads. Grief is the worst kind of torture and it never ends. You have dibs on that dungeon for the rest of your life.

If an oppressor can shackle a people in chains and eradicate even the slightest remembrance of their former life of freedom and concomitantly assassinate their hope for future freedom, it may be possible to convince the oppressed that the chains around their wrists, ankles, and minds are natural.

find. Henry said she lived right across the hall.” Chapter 14 “So, this is the scene of the crime,” Ida said as they pulled up in front of an old Victorian. From outward appearances, it was hard to imagine that something sinister had happened inside. It was nicely kept, with off-white siding and purple trim. “Looks like a birthday cake,” Ruth said as they walked up the steps toward the purple door. She opened the door to reveal a small entryway. A set of stairs loomed in front of them. Old-fashioned green flowered wallpaper papered the walls. The floor was hardwood, scuffed from years of wear. To the right was a solid oak door with the number Two on it. “According to the case files, Rosa and Henry lived at number two.” Nans gestured toward the door on the other side of the hall which had a number One. “So this one must be Mrs. Pettigrew.” Ruth was standing closest to the door, so she knocked. “Who is it?” A voice drifted out almost before the knock stopped echoing. Clearly, Mrs. Pettigrew kept a close eye on the place and had seen them come in. “It’s the Ladies’ Detective Agency.” Nans’s voice took on an official tone. “We have some questions on a case if you’d be so kind as to answer them.” Of course, Doris Pettigrew would be thrilled to answer questions. If she was truly the busybody that it sounded like she was, she wouldn’t be able to resist the lure of gossip and finding out exactly what case the ladies were referring to. Lexy heard a series of locks clicking and chains sliding, and then the door cracked and a rheumy blue eye appeared. “Do you have any credentials?” “Of course.” Nans shoved a business card at her. It was in a laminate case, so it resembled an official badge of some sort. Doris snatched the card and pulled it inside. It took her a few seconds, but Nans’s card must have passed muster because the door opened and Doris said, “Come in.” Ida went in first. “Oh, this is… unusual.” Lexy peered over Ida’s head. She couldn’t be sure exactly what Ida thought was unusual. There were so many things. It could have been the giant four-foot-tall dolls that stood around the edge of the room. Or it might have been the knitted afghans that covered every surface. Or maybe it was the stuffed animals that were sitting on the couch as if holding a conversation. Then again, it might have been the herd of cats that was sniffing around Ida’s ankles. Doris handed the card back to Nans. “I’m Doris Pettigrew, by the way.” They all introduced themselves, and Doris gestured toward the living room for them to sit. Ida gingerly plucked a large pink elephant off the sofa and put it on the floor then took its place. A black cat immediately jumped into her lap. The rest of the ladies followed her lead, moving dolls aside, disturbing stuffed animals, and pushing cats out of their laps. Lexy sat in the only chair not occupied by a stuffed animal. The smell of mothballs wafted up as the rough wool of the crocheted granny square pillow irritated her arm. Achoo! Helen sneezed and pushed the fluffy tail of a white Persian out of her face.

how deep is the soul? how rooted in the body? does the soul decay, become less? can it gain, become more? will it travel? can my soul find yours through the static terror of each day? will it travel with us as we fade into sickness? will the soul wrap around us? sink us like a chain tied to an ankle, or lift us like wings sprouting from the spirit?

The only thing between Lilly and the elephant was a rope, hanging across the front of the two-sided stall. A heavy chain wrapped around the elephant's back ankle, then attached to a thick stake in the ground. Looking up at the powerful beast, the walled-in feeling of being locked in her room returned, and the heavy, horrible ache of missing home. The sensations were so strong they nearly brought her to her knees. It was almost as if she could feel the elephant's misery, like she had with the lion, except this time, there was something else too, something that felt like tenderness. Was it possible that this powerful animal cared about people, even after everything they had done to it, even after they had caged it, tied it in ropes and chains, and forced it to perform? Lilly's eyes grew moist. More than anything, she wanted to go into the stall and comfort the elephant, to stroke its head and explain she understood what it felt like to be held prisoner, and to still love someone who hurt you. But she didn't dare.

When they finished dressing, Jimena wore racy red hot pants, a silky blouse with a star-burst pattern, and crazy ankle boots with thin chains draped around her ankles. "Too cool." Serena admired Jimena's outfit, then she twirled to show off her own shoulder-baring top that exposed her midriff. She had pasted a crystal in her belly button. Kendra's bell-bottoms had been too long, but when she stepped into a pair of gold 70's platform shoes the length became just right. Catty wore a backless halter top and a pair of lacy bell-bottoms. She held up some stencils. "Kendra is going to start selling these at the shop. Anyone want to try one?" She had two dragons in one hand and a lacy snowflake pattern in the other. Jimena and Serena started to examine them, when Vanessa walked into the room. She was wearing a pinstripe shirt unbuttoned over a black leather bra top. Kendra's mini-skirt was too big and the waist fell around Vanessa's hips. Her skin looked golden bronze and she had applied one of the snowflake stencils on her stomach. "Wow," Serena said. "Talk about going for the jugular," Jimena teased. "You like it?" she asked and took off the shirt. "It's too hot to wear.

I’m telling you now. If you don’t move your hands away, if you carry on with what you’re doing, I will snap a ball and chain so tightly around your fucking ankle you’ll wonder if it’s going to cut off the circulation to your foot.

Celaena panted through her bared teeth as she yanked the pickax out of the overseer’s stomach. The man gurgled blood, clutching at his gut as he looked to the slaves in supplication. But one glance from Celaena, one flash of eyes that showed she had gone beyond the edge, kept the slaves at bay. She merely smiled down at the overseer as she swung the ax into his face. His blood sprayed her legs. The slaves still stayed far away when she brought down the ax upon the shackles that bound her ankles to the rest of them. She didn’t offer to free them, and they didn’t ask; they knew how useless it would be. The woman at the end of the chain gang was unconscious. Her back poured blood, split open by the iron-tipped whip of the dead overseer. She would die by tomorrow if her wounds were not treated. Even if they were, she’d probably die from infection. Endovier amused itself like that. Celaena turned from the woman. She had work to do, and four overseers had to pay a debt before she was done. She stalked from the mine shaft, pickax dangling from her hand. The two guards at the end of the tunnel were dead before they realized what was happening. Blood soaked her clothes and her bare arms, and Celaena wiped it from her face as she stormed down to the chamber where she knew the four overseers worked. She had marked their faces the day they’d dragged that young Eyllwe woman behind the building, marked every detail about them as they used her, then slit her throat from ear to ear. Celaena could have taken the swords from the fallen guards, but for these four men, it had to be the ax. She wanted them to know what Endovier felt like. She reached the entrance to their section of the mines. The first two overseers died when she heaved the ax into their necks, slashing back and forth between them. Their slaves screamed, backing against the walls as she raged past them. When she reached the other two overseers, she let them see her, let them try to draw their blades. She knew it wasn’t the weapon in her hands that made them stupid with panic, but rather her eyes—eyes that told them they had been tricked these past few months, that cutting her hair and whipping her hadn’t been enough, that she had been baiting them into forgetting that Adarlan’s Assassin was in their midst.

Queen Alicent was fettered at wrist and ankle with golden chains, though her stepdaughter spared her life “for the sake of our father, who loved you once.

Christa hardly recognized her student. Black spandex jeans gave way to boots that rattled with lengths of chain. Leather jacket. Studded belts. A T-shirt that had been deliberately slashed into a borderline state between legality and indecency. Bandannas fluttered from ankles, elbows, wrists. Melinda had added perhaps a good six inches to her height with a teasing comb and liberal application of hairspray. Her blue eyes sparkled at Christa from within dark walls of eyeliner and shadow.

In a time of constant transformation, beatitude is the joy that comes with belief. The beatific bathe in almighty love, wear smug grins and play their harpsand acoustic guitars. Safe in their cocoon from the storm of metamorphosis, the blessed give thanks for their unchangingness and ignore the leg irons biting into their ankles. It's eternal bliss, but nix nix, you can keep that jailhouse cell. The Beats and their Generation were wrong. Beautitude is the prisoner's surrender to his chains. Happiness, now, that's something else again. Happiness is human, not divine, and the pursuit of happiness is what we might call love. This love, earthly love, is a truce between metamorphs, a temporary agreement not to shape-shift while kissing or holding hands. Love is a beach towel spread over shifting sands. Love is intimate democracy, a compact that insists on renewals and you can be voted out overnight, however big your majority. It's fragile, precarious, and it's all we can get without selling our souls to one party or the other. It's what we can have while remaining free.

have a ball and chain strapped around his ankle.

The darkness offered no comfort. It only shrouded the true nature of that place. It hid the mocking and gloating eyes of the unseen. The cold, dank air chilled everything in the room and had long since seeped into the very marrow of the girl’s bones. It gave no relief and only aggravated the already sore skin around her wrists and ankles. The skin that had been rubbed raw by the manacles that bit into them. The manacles that kept her chained to the stone slab on which she was forced to lie. The girl did not know how long she had been there, nor where ‘there’ was. All that she knew was that she had been forsaken, and that there were only two ways she would ever see the outside of that room again, and neither of them were desirable.

Gregori, Mikhail’s down. They shot him. I feel it. All Carpathians feel it. Do not worry. He will not die. He expected this to happen, Raven. Raven could feel Gregori drawing closer. They were very careful to inflict flesh wounds that bleed heavily, not mortal wounds such as they gave Jacques. He is conveying to me the extent of his injuries. The vampire dragged Raven with him to the door. “The others will come, but it will be too late. Do not think he will get out of this,” he hissed in her ear. “Slovensky and the others will die for this deed, and with them all records of what occurred in this place. You will be mine, far away where they cannot find you.” Raven kept her eyes and mind focused on Mikhail, broadcasting to Gregori everything she saw: Slovensky manacling Mikhail’s wrists and ankles, chaining him to a wall, laughing, taunting, kicking at him while Mikhail remained silent, his dark eyes very black, glinting like ice. He made no sound at all while his precious blood ran in streams from his body.

Bethany draws herself up. The effect is that of a queen. She could be wearing rags and chains around her ankles. Actually, the leotard and ballet shoes serve the same purpose. They don’t diminish her. They only emphasize her inherent dignity. It can’t be touched, not even by two assholes fighting over her.

He speaks against my neck. “I kept myself in check because of your age. Because you were my responsibility. My ward. They were chains around my wrists. Manacles on my ankles. They kept you safe.

Love is a chain around my ankle. It’s an anchor bearing me to the bottom of the ocean. It’s this feeling of brokenness