Act 1 Hamlet Quotes

O, woe is me, To have seen what I have seen, see what I see!

Murder most foul, as in the best it is. But this most foul, strange and unnatural.

Spoilers follow I started reading the third act of Hamlet, and I got about two pages in when I realized there's no point. I am never going back to school. I am never going to the university. I am never going to watch wolves stalk through the northern forests or elephants graze on the savanna. I am never going to have sex or get married or raise a family. I'm never going to have a first apartment, a first house, a first car. I'm never

If someone had killed Hamlet in the first act, a lot more people would’ve been alive at the end.

There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy. —William Shakespeare, Hamlet, act 1, scene 5

It’s a pity that the rich have more freedom to hang or drown themselves than the rest of us Christians.

С кротък лик и действия набожни ний често захаросваме отвънка самия Сатана.

Честността ви би трябвало да се пази от много разговори с хубостта ви.

Whoreson dog,” “whoreson peasant,” “slave,” “you cur,” “rogue,” “rascal,” “dunghill,” “crack-hemp,” and “notorious villain” — these are a few of the epithets with which the plays abound. The Duke of York accosts Thomas Horner, an armorer, as “base dunghill villain and mechanical” (Henry VI., Part 2, Act 2, Sc. 3); Gloucester speaks of the warders of the Tower as “dunghill grooms” (Ib., Part 1, Act 1, Sc. 3), and Hamlet of the grave-digger as an “ass” and “rude knave.” Valentine tells his servant, Speed, that he is born to be hanged (Two Gentlemen of Verona, Act 1, Sc. 1), and Gonzalo pays a like compliment to the boatswain who is doing his best to save the ship in the “Tempest” (Act 1, Sc. 1). This boatswain is not sufficiently impressed by the grandeur of his noble cargo, and for his pains is called a “brawling, blasphemous, uncharitable dog,” a “cur,” a “whoreson, insolent noise-maker,” and a “wide-chapped rascal.

Shakespeare had Polonius truly say, "The apparel oft proclaims the man." (Hamlet, act 1, sc. 3). We are affected by our own outward appearances; we tend to fill roles. If we are in our Sunday best, we have little inclination for roughhousing; if we dress for work, we are drawn to work; if we dress immodestly, we are tempted to act immodestly; if we dress like the opposite sex, we tend to lose our sexual identity or some of the characteristics that distinguish the eternal mission of our sex. Now I hope not to be misunderstood: I am not saying that we should judge one another by appearance, for that would be folly and worse; I am saying that there is a relationship between how we dress and groom ourselves and how we are inclined to feel and act. By seriously urging full conformity with the standards, we must not drive a wedge between brothers and sisters, for there are some who have not heard or do not understand. They are not to be rejected or condemned as evil, but rather loved the more, that we may patiently bring them to understand the danger to themselves and the disservice to the ideals to which they owe loyalty, if they depart from their commitments. We hope that the disregard we sometimes see is mere thoughtlessness and not deliberate. [Ensign, Mar. 1980, 2, 4]

He turned to his twin sister, Branwen. She obviously had not even noticed the old man, or the girl that had accompanied him. Branwen was poring over a decrepit book on the history of their current burgh. Tomorrow there would be another book, as they would be heading toward another burgh. For the life of him, Anders could find nothing interesting about any of the little hamlets they'd passed through, but his sister acted as if each new place held great historical significance. She had loved books as a child, and now she would see the places she had read about for the very first time.

Hamlet: Horatio! the funeral baked meats Did coldly furnish forth the marriage tables. هاملت: هوراشيو! فإن اللحوم التي شُويت لأجل المناحة قُدَّمت باردة على موائد العرس

This above all: to thine own self be true, And it must follow, as the night the day, Thou canst not then be false to any man.”          Shakespeare, Hamlet, act 1, scene iii

When we are called upon to do things that we find hateful and stupid, we are simultaneously forced to act contrary to the structure of values motivating us to move forward stalwartly and protecting us from dissolution into confusion and terror. “To thine own self be true,”1 as Polonius has it, in Shakespeare’s Hamlet. That “self”—that integrated psyche—is in truth the ark that shelters us when the storms gather and the water rises. To act in violation of its precepts—its fundamental beliefs—is to run our own ship onto the shoals of destruction. To act in violation of the precepts of that fundamental self is to cheat in the game we play with ourselves, to suffer the emptiness of betrayal, and to perceive abstractly and then experience in embodied form the loss that is inevitably to come.

There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy.” –Shakespeare, Hamlet, act 1, scene 5