Animation Video Quotes

There’s a whole psychological reason for those cartoons about good against evil. We have "Superman" and all those other hero people, so that we can go out into life and try to be something. I’ve got most of Disney’s animated movies on video-tapes, and when we watch them. Oh, I could just eat it, eat it. […] Jimmy Cricket, Pinocchio, Mickey Mouse – these are world-known characters. Some of the greatest political figures have come to the United States to meet them.

If life were like a video game, she would have used her power move to whip Jen in the air and knock her against the wall with two strikes of a lacrosse stick. Of course, if life really were like a video game, Val would probably have to do that in a bikini and with giant breasts, each one made of separately animated polygons.

Come on, people. Doesn't anybody remember how to take a big old knife, whack open a pumpkin, scrape out the seeds, and bake it? We can carve a face onto it, but can't draw and quarter it? Are we not a nation known worldwide for our cultural zest for blowing up flesh, on movie and video screens and/or armed conflict? Are we in actual fact too squeamish to stab a large knife into a pumpkin? Wait till our enemies find out.

As the video game designer and writer James Wallis puts it, “Human beings like stories. Our brains have a natural affinity not only for enjoying narratives and learning from them but also for creating them. In the same way that your mind sees an abstract pattern and resolves it into a face, your imagination sees a pattern of events and resolves it into a story.

Don't despair for story's future or turn curmudgeonly over the rise of video games or reality TV. The way we experience story will evolve, but as storytelling animals, we will no more give it up than start walking on all fours.

Their cute little faces are exactly about survival. Baby animals all have large eyes and big foreheads because adult mammals are hardwired to consider it cute and feed them. It’s pure, vicious survival. Survival of the fittest. Practically mercenary.” “Oh my god, are you ruining baby goat videos for me?

There was a famous incident during an Orlando Pirates soccer match a few years ago. A cat got into the stadium and ran through the crowd and out onto the pitch in the middle of the game. A security guard, seeing the cat, did what any sensible black person would do. He said to himself, “That cat is a witch.” He caught the cat and—live on TV—he kicked it and stomped it and beat it to death with a sjambok, a hard leather whip. It was front-page news all over the country. White people lost their shit. Oh my word, it was insane. The security guard was arrested and put on trial and found guilty of animal abuse. He had to pay some enormous fine to avoid spending several months in jail. What was ironic to me was that white people had spent years seeing video of black people being beaten to death by other white people, but this one video of a black man kicking a cat, that’s what sent them over the edge. Black people were just confused. They didn’t see any problem with what the man did. They were like, “Obviously that cat was a witch. How else would a cat know how to get out onto a soccer pitch? Somebody sent it to jinx one of the teams. That man had to kill the cat. He was protecting the players.

The men who are dropped in a jungle or a desert and expected video games and got mundanity and depravity and friends dying like animals.

Parents who daily read Robert Lewis Stevenson to their children and surrounds them with blocks, plastic animals, and some cardboard boxes or kitchen pots and pans are going to produce a qualitatively different child from those who spend that time on TV or videos, even if their choices ARE only Winnie the Pooh and Mr. Rogers.

–Don’t you think the vast majority of the chaos in the world is caused by a relatively small group of disappointed men? – – –I don’t know. Could be. –The men who haven’t gotten the work they expected to get. The men who don’t get the promotion they expected. The men who are dropped in a jungle or a desert and expected video games and got mundanity and depravity and friends dying like animals. These men can’t be left to mix with the rest of society. Something bad always happens.

For some young artists, it can take a bit of time to discover which tools (which medium, or genre, or career pathway) will truly suit them best. For me, although many different art forms attract me, the tools that I find most natural and comfortable are language and oil paint; I've also learned that as someone with a limited number of spoons it's best to keep my toolbox clean and simple. My husband, by contrast, thrives with a toolbox absolutely crowded to bursting, working with language, voice, musical instruments, puppets, masks animated on a theater stage, computer and video imagery, and half a dozen other things besides, no one of these tools more important than the others, and all somehow working together. For other artists, the tools at hand might be needles and thread; or a jeweller's torch; or a rack of cooking spices; or the time to shape a young child's day.... To me, it's all art, inside the studio and out. At least it is if we approach our lives that way.

Other Afghans from American, or from Europe," Amra says, "they come and take picture of her. They take video. They make promises. Then they go home and show their families. LIke she is zoo animal. I allow it because I think maybe they will help. But they forget. I never hear from them.

You watch cute dog videos today. Tomorrow you discover videos of injured animals. Then you discover videos on animal cruelty. Then you get angry. Then you start seeing cruelty everywhere. News and incidents of cruelty reach you before anyone else. You start going deeper and deeper into an endless spiral.

Kendrick fumed. "Between video games and anime, any teenager can learn the sacred arts; it isn't right." "What video game? If it teaches magic, I'm so in." Meryn declared. "It's an RPG; I can show you later," Anne promised. Aiden, looking a bit pale, turned to Kendrick. "It's just a game right? They can't really learn magic, can they?

Black Mamba  

A small boy sat inches away from the television set, a video of the Disney Hercules playing, an animated satyr stomping and shouting his way across the screen.

I became a vegan the day I watched a video of a calf being born on a factory farm. The baby was dragged away from his mother before he hit the ground. The helpless calf strained its head backwards to find his mother. The mother bolted after her son and exploded into a rage when the rancher slammed the gate on her. She wailed the saddest noise I’d ever heard an animal make, and then thrashed and dug into the ground, burying her face in the muddy placenta. I had no idea what was happening respecting brain chemistry, animal instinct, or whatever. I just knew that this was deeply wrong. I just knew that such suffering could never be worth the taste of milk and veal. I empathized with the cow and the calf and, in so doing, my life changed.

Today, everybody expects to be entertained, and they expect to be entertained all the time. Business meetings must be snappy, with bullet lists and animated graphics, so executives aren’t bored. Malls and stores must be engaging, so they amuse as well as sell us. Politicians must have pleasing video personalities and tell us only what we want to hear. Schools must be careful not to bore young minds that expect the speed and complexity of television. Students must be amused—everyone must be amused, or they will switch: switch brands, switch channels, switch parties, switch loyalties.

How many times had Paladin looked into this human face, its features animated by neurological impulse alone? He did not know. Even if he were to sort through his video memories and count them up one by one, he still didn't think he would have the right answer. But after today's mission, human faces would always look different to him. They would remind him of what it felt like to suffer, and to be relieved of suffering.

Here’s an assignment for my fellow Christians: Go to YouTube, search for any video of ‘slaughterhouse animal cruelty’, watch it, the whole thing, and ask yourself if that’s what God meant when He gave us dominion over animals.” -Shenita Etwaroo

Carly heard the click of Shadowfax’s hooves as she came over to them. She snorted in Carly’s face and bumped her nose against her shoulder. As Carly petted her, Shadowfax hooked a foreleg over Carly’s hip as though to draw her closer for a hug and laid her head over Carly’s shoulder with a soft rumble. “Good horse. Thank you for biting that awful man.” “I’ve never seen anything like this,” Justin, said with wonder in his voice. “I swear to God, you’re like a video game Druid, sending animals to do your bidding.

cadavers, was CPR training, my second time doing it. The first time, back in college, had been farcical, unserious, everyone laughing: the terribly acted videos and limbless plastic mannequins couldn’t have been more artificial. But now the lurking possibility that we would have to employ these skills someday animated everything.

I once watched a video of a deer being rescued from drowning only to find herself surrounded by humans, and then she ran immediately back into the water. It's what panic looks like. An animal feeling of blind propulsion that aims at survival but doesn't quite get it right. We are so preoccupied with disaster that we step right into it.

How pathetic it is that such products now appeal to a huge market of people who do not understand that the way to introduce children to music is by playing good music, uninterrupted by video clowns, at home; the way to introduce poetry is by reciting or reading it at bedtime; and the way to instill an appreciation of beauty is not to bombard a toddler with screen images of Monet’s Giverny but to introduce her to the real sights and scents of a garden. It is a fine thing for tired parents to gain a quiet hour for themselves by mesmerizing small children with videos—who would be stuffy enough to suggest that the occasional hour in front of animals dancing to Tchaikovsky can do a baby any real harm?—but let us not delude ourselves that education is what is going on.

Continuity could generate video images of Angie, animate them with templates compiled from her stims. Viewing them induced a mild but not unpleasant vertigo, one of the rare times she was able to directly grasp the fact of her fame. 'Public statement on your decision to go to Jamaica, praise for the methods of the clinic, the dangers of drugs, renewed enthusiasm for your work, gratitude to your audience, stock footage of the Malibu place...

Wesley was playing Soulcalibur IV. And because I’m a glutton for punishment, I’d challenged him. My God, I had to find something I could beat him at! And you know, something about beating the shit out of an animated character really made me feel better. Before I knew it, I wasn’t even worried about Mom or Dad. Things would be okay. They had to be. I just had to be patient and let things happen. And in the meantime, I had to kick Wesley’s ass… or try, at least.

An empath has a great tendency to pick up others’ emotions and project them back without recognizing its source in the first place. For a learning empath, it is vital to talk things out in order to release emotions. Empaths ultimately develop a stronger, higher level of understanding, enabling themselves to find peace in any situation. The consequence to this is that they tend to bottle up their emotions and build sky-high barriers so as to not let other people know their deepest, innermost thoughts and feelings. This suppression of emotional expression can be one of the direct results of an expressionless upbringing, a traumatic experience, or perceiving the notion that “Children are only meant to be seen, not heard” early in their lives. Most empaths are sensitive to news, TV, movies, broadcasts and videos. Violence and dramas portraying shocking scenes of emotional or physical pain inflicted on children, women, animals and adults can easily bring empaths to tears, although they try to hold back the tears at times.

Imagine you live on a planet where the dominant species is far more intellectually sophisticated than human beings but often keeps humans as companion animals. They are called the Gorns. They communicate with each other via a complex combination of telepathy, eye movements & high-pitched squeaks, all completely unintelligible & unlearnable by humans, whose brains are prepared for verbal language acquisition only. Humans sometimes learn the meaning of individual sounds by repeated association with things of relevance to them. The Gorns & humans bond strongly but there are many Gorn rules that humans must try to assimilate with limited information & usually high stakes. You are one of the lucky humans who lives with the Gorns in their dwelling. Many other humans are chained to small cabanas in the yard or kept in outdoor pens of varying size. They are so socially starved they cannot control their emotions when a Gorn goes near them. The Gorns agree that they could never be House-Humans. The dwelling you share with your Gorn family is filled with water-filled porcelain bowls.Every time you try to urinate in one,nearby Gorn attack you. You learn to only use the toilet when there are no Gorns present. Sometimes they come home & stuff your head down the toilet for no apparent reason. You hate this & start sucking up to the Gorns when they come home to try & stave this off but they view this as evidence of your guilt. You are also punished for watching videos, reading books, talking to other human beings, eating pizza or cheesecake, & writing letters. These are all considered behavior problems by the Gorns. To avoid going crazy, once again you wait until they are not around to try doing anything you wish to do. While they are around, you sit quietly, staring straight ahead. Because they witness this good behavior you are so obviously capable of, they attribute to “spite” the video watching & other transgressions that occur when you are alone. Obviously you resent being left alone, they figure. You are walked several times a day and left crossword puzzle books to do. You have never used them because you hate crosswords; the Gorns think you’re ignoring them out of revenge. Worst of all, you like them. They are, after all, often nice to you. But when you smile at them, they punish you, likewise for shaking hands. If you apologize they punish you again. You have not seen another human since you were a small child. When you see one you are curious, excited & afraid. You really don’t know how to act. So, the Gorn you live with keeps you away from other humans. Your social skills never develop. Finally, you are brought to “training” school. A large part of the training consists of having your air briefly cut off by a metal chain around your neck. They are sure you understand every squeak & telepathic communication they make because sometimes you get it right. You are guessing & hate the training. You feel pretty stressed out a lot of the time. One day, you see a Gorn approaching with the training collar in hand. You have PMS, a sore neck & you just don’t feel up to the baffling coercion about to ensue. You tell them in your sternest voice to please leave you alone & go away. The Gorns are shocked by this unprovoked aggressive behavior. They thought you had a good temperament. They put you in one of their vehicles & take you for a drive. You watch the attractive planetary landscape going by & wonder where you are going. You are led into a building filled with the smell of human sweat & excrement. Humans are everywhere in small cages. Some are nervous, some depressed, most watch the goings on on from their prisons. Your Gorns, with whom you have lived your entire life, hand you over to strangers who drag you to a small room. You are terrified & yell for your Gorn family to help you. They turn & walk away.You are held down & given a lethal injection. It is, after all, the humane way to do it.

It’s funny, really, all the ways we tell ourselves every day that things are going to be okay. That things are going to get better, or that things can’t possibly get any worse. We all have these elaborate mechanisms to take care of our disappointments, our sadness, our pain. We build these walls around ourselves, placing bricks between us and everyone else, telling ourselves that we’re just protecting ourselves, just staying safe. Sometimes the bricks are easy to see, hard things that you bump up against when you try to touch someone. Sometimes they’re subtle. A slight turn of the head, a fast good-bye, a faraway look in the eyes. Sometimes I wonder why Disney never took to Rapunzel, why they never tried to take that story and put it on lunch boxes and in video stores and on pink sweatshirts. Maybe it’s that some fairy tales don’t need to be computer animated. Maybe Randy New-man doesn’t need to sing their songs. Maybe some fairy tales don’t even really need to be told, because they live inside of us, scaring us with their witches and their evil spells, making us wonder if maybe this time the prince won’t come in time, the princess won’t wake up, and maybe for once there won’t be any happily ever after. Maybe some fairy tales are just too scary to even think about.

Dr. Stanley Curtis, an animal scientist friendly to the industry, empirically evaluated the cognitive abilities of pigs by training them to play a video game with a joystick modified for snouts. They not only learned the games, but did so as fast as chimpanzees, demonstrating a surprising capacity for abstract representation. And the legend of pigs undoing latches continues. Dr. Ken Kephart, a colleague of Curtis’s, not only confirms the ability of pigs to do this, but adds that pigs often work in pairs, are usually repeat offenders, and in some cases undo the latches of fellow pigs. If pig intelligence has been part of America’s barnyard folklore, that same lore has imagined fish and chickens as especially stupid. Are they?

Roxy was bi, and in my opinion she was—and still is—a total badass. Of all my childhood friends, this girl’s my bestie. Even when we were young, I knew deep down that Roxy was going to conquer the world. Her brilliance, coupled with her unwavering commitment to feminism and human rights, made her truly exceptional. And she cared, really cared, about animals and the pressing issues in our world. She wasn’t just one of these people that wore shirts and posted awareness videos online. She dedicated her weekends to protests and taking action. And I loved that she was hooking up with Amren, or whoever this girl was, if she made Roxy happy. I loved her. I loved all of her. Hopefully Amren would see how awesome Roxy was and make her feel special.

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A large brand will typically spend between 10 and 20 percent of their media buy on creative,” DeJulio explains. “So if they have a $500 million media budget, there’s somewhere between $50 to $100 million going toward creating content. For that money they’ll get seven to ten pieces of content, but not right away. If you’re going to spend $1 million on one piece of content, it’s going to take a long time—six months, nine months, a year—to fully develop. With this budget and timeline, brands have no margin to take chances creatively.” By contrast, the Tongal process: If a brand wants to crowdsource a commercial, the first step is to put up a purse—anywhere from $50,000 to $200,000. Then, Tongal breaks the project into three phases: ideation, production, and distribution, allowing creatives with different specialties (writing, directing, animating, acting, social media promotion, and so on) to focus on what they do best. In the first competition—the ideation phase—a client creates a brief describing its objective. Tongal members read the brief and submit their best ideas in 500 characters (about three tweets). Customers then pick a small number of ideas they like and pay a small portion of the purse to these winners. Next up is production, where directors select one of the winning concepts and submit their take. Another round of winners are selected and these folks are given the time and money to crank out their vision. But this phase is not just limited to these few winning directors. Tongal also allows anyone to submit a wild card video. Finally, sponsors select their favorite video (or videos), the winning directors get paid, and the winning videos get released to the world. Compared to the seven to ten pieces of content the traditional process produces, Tongal competitions generate an average of 422 concepts in the idea phase, followed by an average of 20 to 100 finished video pieces in the video production phase. That is a huge return for the invested dollars and time.

My Father mapped out the perfect blueprint for how to treat a woman. He caters hand and foot to my Mother. Even showers that love onto my sister. He never had to tell me how to treat my woman because his actions spoke louder. Did I cling to my woman? Absolutely. Being up under soft melanin skin pleased me. You want to read a book? Cool, what story we reading? Wanna go shopping? Take my card if you promise to model everything for me. Those females at work bothering you? Let’s get animated in the mirror and act like we about to tag team. Your period on? Baby, want me to rub your belly? You need me to get those diaper looking pads with the wings? How about some lemon ginger tea? What are your dreams? You want to sell weave? Let’s catch a flight to China or India and figure out how we can become wholesalers. You wanna make cute Snapchat filter videos? What filter do you want? Are they not liking your pics? Fine. I’ll blast you all over my page. Your Mother threatening to kick you out. Where you wanna move? Better yet, move in with me. Just focus on school and building your brand. I got everything else. You got finals coming up. Pick a tutor. Heck, can I pay for the answers to the quiz? You think those stretch marks make you unattractive? Come here and let me show you how much I appreciate your stripes of glitter. Do you want to go to Dr. Miami? Absolutely not. We going to the gym. Gym grown not silicone. We are working out together. Go ahead and hashtag us as #baegoals #coupleswhoworkouttogetherstaytogether. You want to switch the hair and get a tapered cut? Let me call my barber and see when we can go. Stressing and worrying? You keep hearing whispers while you’re sleeping? Nah bae, that’s not a ghost. That’s me praying for you.

I DON'T WANT to talk about me, of course, but it seems as though far too much attention has been lavished on you lately-that your greed and vanities and quest for self-fulfillment have been catered to far too much. You just want and want and want. You believe in yourself excessively. You don't believe in Nature anymore. It's too isolated from you. You've abstracted it. It's so messy and damaged and sad. Your eyes glaze as you travel life's highway past all the crushed animals and the Big Gulp cups. You don't even take pleasure in looking at nature photographs these days. Oh, they can be just as pretty as always, but don't they make you feel increasingly ... anxious? Filled with more trepidation than peace? So what's the point? You see the picture of the baby condor or the panda munching on a bamboo shoot, and your heart just sinks, doesn't it? A picture of a poor old sea turtle with barnacles on her back, all ancient and exhausted, depositing her five gallons of doomed eggs in the sand hardly fills you with joy, because you realize, quite rightly, that just outside the frame falls the shadow of the condo. What's cropped from the shot of ocean waves crashing on a pristine shore is the plastics plant, and just beyond the dunes lies a parking lot. Hidden from immediate view in the butterfly-bright meadow, in the dusky thicket, in the oak and holly wood, are the surveyors' stakes, for someone wants to build a mall exactly there-some gas stations and supermarkets, some pizza and video shops, a health club, maybe a bulimia treatment center. Those lovely pictures of leopards and herons and wild rivers-well, you just know they're going to be accompanied by a text that will serve only to bring you down. You don't want to think about it! It's all so uncool. And you don't want to feel guilty either. Guilt is uncool. Regret maybe you'll consider. Maybe. Regret is a possibility, but don't push me, you say. Nature photographs have become something of a problem, along with almost everything else. Even though they leave the bad stuff out-maybe because you know they're leaving all the bad stuff out-such pictures are making you increasingly aware that you're a little too late for Nature. Do you feel that? Twenty years too late? Maybe only ten? Not way too late, just a little too late? Well, it appears that you are. And since you are, you've decided you're just not going to attend this particular party.

On trial were two men, one in a plaid shirt, and the other with a long, ZZ Top-style beard. They looked intimated by the crowd that had turned out, even though Plaid Shirt stood six foot four. He was the main perpetrator, charged with animal cruelty. He had brought his young son along during the bear killing for which he was on trial. The main reason the state managed to bring charges is that the hunters had made a videotape of their gruesome acts. The state trooper who confiscated the video couldn’t even testify at the time of the trial, he was so emotionally overcome. Then they showed the video in court, and I understood why. ZZ Top and Plaid Shirt cornered the bear cub. In order to preserve the integrity of the pelt, they attempted to kill the cub by stabbing it in the eyes. It was absolutely gut-wrenching to watch. The bear struggled for its life, but Plaid Shirt kept thrusting his knife, moving back as the animal twisted frantically away, then moving forward to stab again. The bear cub screamed, and it sounded eerily as though the bear was actually crying “Mama,” over and over. Plaid Shirt and ZZ Top sat unfazed in court. The bear screamed, “Mama, mama, mama.” From my place in the gallery, I watched as a towering man in a police uniform burst into tears and walked out of the courtroom. At the end of the video, Plaid Shirt brought his nine-year-old son over to stand triumphantly next to the dead bear cub. “Clearly, you deserve jail,” the judge told Plaid Shirt as he stood for sentencing. “Unfortunately, the jails are filled with people even more heinous than you: rapists, murderers, and armed robbers. So I am going to sentence you to three thousand hours of community service.” I approached the judge after the trial, furious that this man might end up collecting a bit of rubbish along the highway as his penance. “I want him,” I said, referring to Plaid Shirt. I said that I ran a wildlife rehabilitation facility and could use a volunteer. The first day Plaid Shirt showed up, he actually looked scared of me. He cleaned cages, fed animals, and worked hard. He liked the bobcat I was taking care of, “Bobby.” He said it was the biggest one he had ever seen. It would make a prize trophy. I asked him every question I could think of: where he hunted, how he hunted, why he hunted. Whether he had any kind of shirt other than plaid. I felt as though I was in the presence of true evil. For months he helped. He had some skills, like carpentry, and he could lift heavy things. He fulfilled his community service. In the end, I couldn’t tell if I had made any difference or not. I was only slightly encouraged by his parting words. “You know,” Plaid Shirt said, “I never knew cougars purred.

As the subject watches the movies, the MRI machine creates a 3-D image of the blood flow within the brain. The MRI image looks like a vast collection of thirty thousand dots, or voxels. Each voxel represents a pinpoint of neural energy, and the color of the dot corresponds to the intensity of the signal and blood flow. Red dots represent points of large neural activity, while blue dots represent points of less activity. (The final image looks very much like thousands of Christmas lights in the shape of the brain. Immediately you can see that the brain is concentrating most of its mental energy in the visual cortex, which is located at the back of the brain, while watching these videos.) Gallant’s MRI machine is so powerful it can identify two to three hundred distinct regions of the brain and, on average, can take snapshots that have one hundred dots per region of the brain. (One goal for future generations of MRI technology is to provide an even sharper resolution by increasing the number of dots per region of the brain.) At first, this 3-D collection of colored dots looks like gibberish. But after years of research, Dr. Gallant and his colleagues have developed a mathematical formula that begins to find relationships between certain features of a picture (edges, textures, intensity, etc.) and the MRI voxels. For example, if you look at a boundary, you’ll notice it’s a region separating lighter and darker areas, and hence the edge generates a certain pattern of voxels. By having subject after subject view such a large library of movie clips, this mathematical formula is refined, allowing the computer to analyze how all sorts of images are converted into MRI voxels. Eventually the scientists were able to ascertain a direct correlation between certain MRI patterns of voxels and features within each picture. At this point, the subject is then shown another movie trailer. The computer analyzes the voxels generated during this viewing and re-creates a rough approximation of the original image. (The computer selects images from one hundred movie clips that most closely resemble the one that the subject just saw and then merges images to create a close approximation.) In this way, the computer is able to create a fuzzy video of the visual imagery going through your mind. Dr. Gallant’s mathematical formula is so versatile that it can take a collection of MRI voxels and convert it into a picture, or it can do the reverse, taking a picture and then converting it to MRI voxels. I had a chance to view the video created by Dr. Gallant’s group, and it was very impressive. Watching it was like viewing a movie with faces, animals, street scenes, and buildings through dark glasses. Although you could not see the details within each face or animal, you could clearly identify the kind of object you were seeing. Not only can this program decode what you are looking at, it can also decode imaginary images circulating in your head.

One can take the ape out of the jungle, but not the jungle out of the ape. This also applies to us, bipedal apes. Ever since our ancestors swung from tree to tree, life in small groups has been an obsession of ours. We can’t get enough of politicians thumping their chests on television, soap opera stars who swing from tryst to tryst, and reality shows about who’s in and who’s out. It would be easy to make fun of all this primate behavior if not for the fact that our fellow simians take the pursuit of power and sex just as seriously as we do. We share more with them than power and sex, though. Fellow-feeling and empathy are equally important, but they’re rarely mentioned as part of our biological heritage. We would much rather blame nature for what we don’t like in ourselves than credit it for what we do like. As Katharine Hepburn famously put it in The African Queen, ”Nature, Mr. Allnut, is what we are put in this world to rise above.” This opinion is still very much with us. Of the millions of pages written over the centuries about human nature, none are as bleak as those of the last three decades, and none as wrong. We hear that we have selfish genes, that human goodness is a sham, and that we act morally only to impress others. But if all that people care about is their own good, why does a day-old baby cry when it hears another baby cry? This is how empathy starts. Not very sophisticated perhaps, but we can be sure that a newborn doesn’t try to impress. We are born with impulses that draw us to others and that later in life make us care about them. The possibility that empathy is part of our primate heritage ought to make us happy, but we’re not in the habit of embracing our nature. When people commit genocide, we call them ”animals”. But when they give to the poor, we praise them for being ”humane”. We like to claim the latter behavior for ourselves. It wasn’t until an ape saved a member of our own species that there was a public awakening to the possibility of nonhuman humaneness. This happened on August 16, 1996, when an eight-year-old female gorilla named Binti Jua helped a three-year-old boy who had fallen eighteen feet into the primate exhibit at Chicago’s Brookfield Zoo. Reacting immediately, Binti scooped up the boy and carried him to safety. She sat down on a log in a stream, cradling the boy in her lap, giving him a few gentle back pats before taking him to the waiting zoo staff. This simple act of sympathy, captured on video and shown around the world, touched many hearts, and Binti was hailed as a heroine. It was the first time in U.S. history that an ape figured in the speeches of leading politicians, who held her up as a model of compassion. That Binti’s behavior caused such surprise among humans says a lot about the way animals are depicted in the media. She really did nothing unusual, or at least nothing an ape wouldn’t do for any juvenile of her own species. While recent nature documentaries focus on ferocious beasts (or the macho men who wrestle them to the ground), I think it’s vital to convey the true breadth and depth of our connection with nature. This book explores the fascinating and frightening parallels between primate behavior and our own, with equal regard for the good, the bad, and the ugly.

I thought I saw you scurrying in here hubby-kins!” A girl in a vivid orange dress stepped into the room and I had to look up at her towering height and shoulders which nearly matched the breadth of the Heirs'. Her teeth protruded a little from her lower jaw and her eyes seemed to wander, never landing on one spot. Her hair was a massive brown frizz with a pink bow clipped into the top of it, perfectly matching the violently bright shade of her eyeshadow. She marched between Tory and I like we were made of paper, forcing us aside with her elbows as she charted a direct path for Darius. “Mildred,” he said tersely, his eyes darkening as his bride-to-be reached out to him. Caleb, Seth and Max sniggered as Mildred leaned in for a kiss and Darius only managed to stop her at the last second by planting his palm on her forehead with a loud clap. “Not before the wedding,” he said firmly and I looked at Tory who was falling into a fit of silent laughter, clutching her side. I tried to smother the giggle that fought its way out of my chest but it floated free and Mildred rounded on us like a hungry animal. “These must be the Vega Twins,” she said coldly. “Well don't waste your time sniffing around my snookums. Daddy says he's saving himself for our wedding night.” Max roared with laughter and Mildred turned on him like a loaded weapon, jabbing him right in the chest. Max's smile fell away as she glared at him like he was her next meal. “What are you laughing at you overgrown starfish?” she demanded, her eyes flashing red and her pupils turning to slits. “I've eaten bigger bites than you before, so don't tempt me because I adore seafood.” Max reached out, laying a hand on her bare arm, shifting it slightly as his fingers brushed a hairy mole. “Calm down Milly, we're just having a bit of fun. We want to get to know Darius's betrothed. Why don't you have a shot?” He nodded to Caleb who promptly picked one up and held it one out for Mildred to take. “Daddy says drinking will grow hairs on my chest,” she said, refusing it. “Too late for that,” Seth said under his breath and the others started laughing. A knot of sympathy tugged at my gut, but Mildred didn't seem to care about their mocking. She stepped toward Seth with a wicked grin and his smile fell away. “Oh and what's wrong with that exactly, Seth Capella? You like your girls hairy, don't you?” Seth gawped at her in answer. “What the hell does that mean?” “You like mutt muff,” she answered, jutting out her chin and I noticed a few wiry hairs protruding from it. Seth growled, scratching his stomach as he stepped forward. “I don't screw girls in their Order form, idiot.” “Maybe not, but you do, don't you Caleb Altair?” She rounded on him and now I was really starting to warm to Mildred as she cut them all down to size. I settled in for the show, folding my arms and smiling as I waited for her to go on. “My sister's boyfriend’s cousin said you like Pegasus butts. He even sent a video to Aurora Academy of you humping a Pegasex blow up doll and it went viral within a day.” Caleb's mouth fell open and his face paled in horror. “I didn't hump it!” “I didn't watch the video, but everyone told me what was in it. Why would I want to see you screwing a plastic horse?” She shrugged then turned to Tory and I with absolutely no kindness in her eyes. Oh crap.(Darcy)

Moa mock hunt reconstructed by Augustus Hamilton Giant Haast's eagle attacking New Zealand moa by John Megahan Auroch bull restoration by DFoidl Dodo at Oxford University Museum of Natural History by BazzaDaRambler Elephant bird - author unknown Bluebuck by le Vaillant 1781 Great Auk reconstruction at Kelvingrove, Glasgow by Mike Pennington Quagga photograph - Regent's Park ZOO, London by F. York Stephens Island wren by John Gerrard Keulemans Honshu wolf from The Chrysanthemum Magazine February 1881

Royal Ontario Museum, Toronto. by Keith Schengili-Roberts Stuffed heath hen specimen at Boston Museum of Scienceby C. Horwitz Barbary lion from Algeria. Photographed by Sir Alfred Edward Pease. Thylacine in Washington D.C. National Zoo, c. 1904 author E.J. Keller, Baker Wake Island rail by W. S. Grooch Tecopa pupfish by Phil Pister Department of Fish and Game, State of California Caspian Tiger at Berlin Zoo, 1899 by unknown author (retouched) Golden toad of Costa Rica by Charles H. Smith U.S. Fish and Wildlife Service Imperial woodpecker reconstruction at Museum Wiesbaden by Fritz Geller-Grimm

it has now been demonstrated that pigeons can generate internal representations of moving visual stimuli, and can use these representations to solve problems when the visual stimuli are temporarily out of sight. This was achieved by using a video image of a rotating, constant-velocity clock hand as the cue, and requiring test animals to respond to the internally imaged speed of the clock hand during periods when the video display was briefly turned off. Pigeons that were able to accurately keep the temporal progression of such an image in mind could obtain food by responding appropriately in a timely manner. Pigeons acquired such tasks remarkably well, and a host of control manipulations indicated that the pigeons were in fact responding to sustained internal representations of the visual displays within their brains.

When you feel overwhelmed or unfocused, what do you do? In my photos on my phone, I made an album called “calm.” I have photos and videos of my animals, funny pictures, memes, inspiring quotes, articles about neurology, gratitude lists, all sorts of things that make me smile and reconnect to my source. It’s like my own personal digital Zen museum.

The 1991-92 trial of Hulon Mitchell, leader of the black, Miami-based Yahweh sect, brought to light what may be some of the most shocking antiwhite murders ever committed in the United States—but they remained mainly local news. Mr. Mitchell’s cult was based on a theory of the white man as devil, which he spread in various ways. One was to show cult members—men, women, and children alike—the vilest possible pornographic videos of white women having sex with animals or black men. He would call the woman “Miss Ann” and claim that her degradation proved she was a she-devil. He also gave a regular course in hatred of whites, which came to be known as the Killing Class. “How many of you would bring back a white head?” he would ask, and everyone would raise his hand. He would then shout, “One day, Yahweh is going to kill the white devil off the planet. We’re going to catch him and we’re going to kill him wherever we find him. All over America, white heads are going to roll!”311 A number of Yahweh sect members were ordered by Mr. Mitchell to seek out and kill white devils—and they did as they were told. Robert Rozier, a former Yahweh sect member and onetime professional football player, testified in January 1992 that he killed three “white devils” on instructions from Mr. Mitchell. It made no difference whom he killed as long as his victims were white. The first two “white devils” were Mr. Rozier’s roommates. However, Mr. Mitchell would not acknowledge these killings because Mr. Rozier failed to bring back the heads as proof. When it was pointed out that it was awkward to be seen walking about Miami with a human head, Mr. Mitchell relaxed the requirements and said he would be satisfied with an ear. Mr. Rozier took to riding the subways with a twelve-inch sword, looking for “white devils” to kill. When he finally got his man, he brought back an ear as a trophy. All told, members of the sect appear to have killed at least seven different “white devils,” beginning in 1986, and ears or fingers were usually brought in as proof of a mission accomplished. Sect members also killed several blacks, but they were apostates and other sworn enemies. The sect killed white people out of pure racial hatred.

Animals accumulate living facts relevant to their everyday lives: Bees remember the location of a good dandelion field, dogs remember the path through the woods that leads to their favorite pond, and crows remember which human fed them in a park. But humans accumulate a seemingly endless number of useless (i.e., dead) facts: the distance to the moon (384,400 km), the true identity of Luke Skywalker’s father (Darth Vader), or which Paula Abdul video starred Keanu Reeves (“Rush Rush”). Our heads are full of dead facts—both real and imagined. Most of them will never be of any use to us. But they are the lifeblood of our why specialist nature as they help us to imagine an infinite number of solutions to whatever problems we encounter—for good or ill.

is believed to be the earliest bear species, it was

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Warkentin has been studying this behavior ever since. Fortunately, their research now involves fewer itchy all-nighters and more infrared video cameras. They show me one recent video in which a cat-eyed snake lunges at a tree frog clutch and grabs several eggs in its jaws. As it tries to pull its mouthful free from the jelly, the surrounding embryos wriggle furiously, releasing an enzyme from their faces that quickly disintegrates their eggs. One of them plops into the water. A second later, another joins it. Soon, tadpoles are tumbling down too quickly to count, and the snake, still chewing its first mouthful, is left with a smear of empty jelly. “I never get tired of watching this,” Warkentin tells me.

Alpas Box is an animated video production company that make Short animated explainer videos, motion graphics and white board animations which presents businesses to explain their products or services in a creative and effective form of visuals. We help the brands to reach the desirable level by making separate strangers into loyal buyers for our Clients. Our team of artists always try to take it ahead. Professional voiceover group is one of our great advantages.

2D Game Comic Book Concept Art Service by 3D animation Studio – Austin, Texas CLIENT: THIBAUD PROJECT: CONCEPT ART CATEGORY: CONCEPT ART Concept art is a visual representation that tells a story or conveys a certain look. It is commonly used in film and video games to convey a vision and set the tone for an entire game or movie. 2D/3D Concept Art provides a strong reference point that helps align the creatives working on the project. Generally the Concept Artist must be adept at any style, any genre and any element, be it character design, creature design or setting. GameYan Studio – game art outsourcing studio for feature films and could work as a production house to do entire 3D development for any animated movie. Our professional team of Concept Artist can develop a variety of 3D art content for movie and video games along with low optimized characters for mobile and virtual reality interactive games by 3D Production Animation Studio.

Mario, the most famous character in the world's largest entertainment business, is as colorful as he is because of the challenges of eight-bit technology: to compensate for poor pixilation definition, designer Shigeru Miyamoto gave the character a large nose to emphasize his humanity, a mustache to obviate the need for a mouth and facial expressions, overalls to make it easier to see his arms in relation to his body, and a cap to free him from the problems of animating hair; the most recognizable character in video game history was born of technical constraints.

They also threw in something they called a Death Cam. After the final enemy, known as "the boss" of an episode, got killed, a message would appear on the screen saying, "Let's see that again!" Then a de tailed animation would slowly play, showing the big, bad boss meeting his grisly demise. This Death Cam was id's version of a snuff film. They decided to include a screen at the beginning of the game that would say, 'This game is voluntarily rated PC-13: Profound Carnage.' Though tongue-in-cheek, it was the first voluntary rating of a video game.

Stheno – Fantasy Female 3D Character Dallas - Texas CLIENT: ART PROJECT: LOW POLY CONCEPT CHARACTER CATEGORY: 3D GAME CHARACTERS STHENO IS THE CONCEPT OF THE GORGON SISTERS We develop Low Poly Character With Micro Detail Texture for CGI Open World Game. It's a Fantasy Female 3D Character of GORGON SISTERS. Gameyan is movie and game art outsourcing studio in India provide 2D and 3D model, texture, shading, rig and animation for all games (mobile, PS, Xbox, Desktop) and feature movie film animation, cartoon series, TV commercial. Our professional team of artists can develop a variety of 3D art content for movie and video games along with low optimized characters for mobile and virtual reality interactive games.

The most important advantage of an object-oriented programming language is that the objects—for instance, various objects in a video game—can be specified independently and then combined to create new programs. Writing a new object-oriented program sometimes feels a bit like throwing a bunch of animals into a cage and watching what happens. The behavior of the program emerges, as a result of the interactions of the programmed objects. For this reason, as well as the fact that object-oriented languages are relatively new, you might think twice about one for writing a safety-critical system that flies an airplane.

An official Taliban gazette published a week before the September 11 attacks clarified the following list of items formally banned in the Islamic Emirate: “The pig itself; pork; pig fat; objects made of human hair; natural human hair; dish antennas; sets for cinematography and sound recording projectors; sets for microphotography, in case it is used in the cinema; all instruments which themselves produce music, such as the piano, the harmonium, the flute, the tabla, the tanbour, the sarangi; billiard tables and their accessories; chess boards; carom boards; playing cards; masks; any alcoholic beverage; all audio cassettes, video cassettes, computers and television which include sex and music; centipedes; lobsters (a kind of sea animal); nail polish; firecrackers; fireworks (for children); all kinds of cinematographic films, even though they may be sent abroad; all statues of animate beings in general; all sewing catalogues which have photos of animate beings; published tableaus (photos); Christmas cards; greeting cards bearing images of living things; neckties; bows (the thing which strengthens the necktie); necktie pins.

Animal awareness is the perfect carrier of propaganda - it is the ideal facilitator of animal conditioning, while human awareness is the only civilized answer. Let me show you how animal conditioning through propaganda works. I'll mention a word, and you'll tell me what's the first thing that comes to your mind. And the word is - "terrorism". Here, the first thing a white american nationalist will think of, is "arabs". Ask an indian hindu nationalist the same question, and their first thought would be "pakistan". In the same way, israeli zionists would automatically associate the word terrorism with palestine. Like it or not, that's animal nature. Every moment you are bombarded with materials that have no relation to truth and humanity, as far as the civilized mind could see. Through cinema, through video games, through news - propaganda is everywhere. And no, I am not talking about some grand conspiracy. Apes, who still cannot look past the color of skin and language of tongue, do not have the brains to orchestrate some grand scheme of manipulation - all they can do is, simply peddle the same old rotten narrative of hate and fanaticism repeatedly, and the rest is taken care of by the primitive survival instinct of the ape brain. So, what's the way out? Simple - start using that grand instrument you carry on your shoulders, which you call a brain - driven by an actual civilized craving for uplift and illumination.

Like all animals, our relationship to and with violence has played an essential role in our evolutionary history. Violence is at the heart of who we are as a species. It shaped our past, defines much of our present, and molds our future. It is found within all our mythologies and religions. It is front and center in our news and entertainment. Videos that feature it consistently go viral on social media. It is feared, desired, shamed, celebrated, glamorized, demonized, fetishized, idealized, romanticized, and, so very often, misunderstood.

The final irony came in 1983, when the National Academy of Television Arts and Sciences awarded a technical Emmy jointly to Dick Shoup and Xerox Corporation in recognition of Superpaint’s role as a pioneering technology of video animation. Shoup went to the ceremony in New York, where he sat at the honorees’ table with his invited guest Alvy Ray Smith and a nameless functionary dispatched by headquarters to accept the award on the company’s behalf.

Each of those relationships ended because the love I gave was considered too hard… too suffocating. My father mapped out the perfect blueprint for how to treat a woman. He caters hand and foot to my mother. Even showers that love onto my sister. He never had to tell me how to treat my woman because his actions spoke louder. Did I cling to my woman? Absolutely. Being up under soft melanin skin pleased me. You want to read a book. Cool, what story we reading? Wanna go shopping? Take my card if you promise to model everything for me. Those heffas at work bothering you? Let’s get animated in the mirror and act like we about to tag team. Your period on? Baby, want me to rub your belly? You need me to get those diaper looking pads with the wings? How about some lemon ginger tea? What are your dreams? You want to sell weave? Let’s catch a flight to China or India and figure out how we can become wholesalers. You wanna make cute snapchat filter videos? What filter do you want? Are they not liking your pics? Fine. I’ll blast you all over my page. Your mother threatening to kick you out. Where you wanna move? Better yet, move in with me. Just focus on school and building your brand. I got everything else. You got finals coming up. Pick a tutor. Heck, can I pay for the answers to the quiz? You think those stretch marks make you unattractive? Come here and let me show you how much I appreciate your stripes of glitter. Do you want to go to Dr. Miami? Absolutely not. We going to the gym. Gym grown not silicone. We are working out together. Go ahead and hashtag us as #baegoals #coupleswhoworkouttogetherstaytogether. You want to switch the hair and get a tapered cut? Let me call my barber and see when we can go. Stressing and worrying? You keep hearing whispers while your sleeping? Nah bae, that’s not a ghost. That’s me praying for you. There are no stipulations with me. I gave it all. I had to. It was a part of my DNA. I needed to give the love I had in me unconditionally.

Like other sport hunters, too, Mr. Scruton carries his moral relativism a step further in his constant appeals to experience. To "understand" hunting and the delights of the "substantial minority" of people who enjoy it, we must hunt, submerge ourselves in the raw, choiceless passion of it all. We, too, might then know that sense of "homecoming to our natural state." Of course, this is an argument equally available to enthusiasts of bull-fighting, cockfighting, bear-baiting, hare coursing, crush videos, or, for that matter, pornography in general. Since when do we have to indulge in vice before we may adjudge it as such?

Why didn’t you call?” Eli looks down sheepishly. “Um...my phone died from taking too many pictures and video clips,” he says. “And then we couldn’t get a signal on Tara’s, and without GPS, we got turned around. The maps don’t show anything out here unless you’ve got data. So we tried climbing high in a tree to get like a signal or figure out where we were, but...” He winces. “I fell, and my ankle’s twisted. But it’s not broken,” Tara finishes matter-of-factly. She seems to have a good, clear head on her shoulders. “It just hurts to walk.” “Yeah, so we looked for a place to wait where it wasn’t so wet and animals couldn’t find us,” Eli adds. “We were okay, Dad.

Although one hesitates to put even the most maniacal trophy hunter into quite the same category as a crush-video enthusiast, rationally there is not all that much difference between crushing and filming a small animal for the thrill of it and hunting and filming a large one for the thrill of it. In the pain inflicted and the pleasures gained, there is no great moral distinction to be made between a crush video, now illegal and "With Deadly Intent, Double-Barreled Zambezi Adventure," and all the rest of that sadistic filth we saw in Reno being made and sold by perfectly legal means.

He had spent his life playing video games and doing drugs and had probably fathered five welfare babies, demanding the whole time that I pay for their health care. When a pipe leaks, he calls the landlord (at best) or (more likely) just lets it leak. Let the next tenant find out the floorboards have rotted and that every wall is covered with mold. His little girlfriend would be the type to cry about rights for animals because she thinks meat grows in the grocery store display counter. Smoking pot and spitting on our soldiers when they return home from fighting terrorists because she lives obliviously in a little cocoon built from our sweat and blood and tears. I said to him, “Imagine there’s a meteor coming to destroy the world. But some rich men have pooled their resources and built a big rocket ship to get people off the planet. They don’t have room for everybody, but you want a seat on that ship. Now, your having a seat means somebody else doesn’t get one. Space is limited. Food is limited. What would you tell the man standing at the door? What case would you make for getting a seat on that rocket ship at the expense of another person? What can you offer that would justify the food you would eat, and the water you would drink, and the medicine you would use?

They look like they’re cosplaying—dressing up like a character from a movie, anime, book, video game, etc.—but I like it. I’m getting serious Ouran High School Host Club vibes again. “If Church says he has an idea, it’s a good one.

Oh my god. You’re such a softy. I thought you were some complete unfeeling jackass, but you won’t even kill a fictional animal in a video game. You’re the softest softy to ever soft. How do you do porn when you’re this soft?

The Australian and Nauruan governments have gone to great lengths to limit information on camp conditions and have prevented journalists who make the long journey to the island from seeing where migrants are being housed. But the truth is leaking out nonetheless: grainy video of prisoners chanting “We are not animals”; reports of mass hunger strikes and suicide attempts; horrifying photographs of refugees who had sewn their own mouths shut, using paper clips as needles; an image of a man who had badly mutilated his neck in a failed hanging attempt. There are also images of toddlers playing in the dirt and huddling with their parents under tent flaps for shade (originally the camp had housed only adult males, but now hundreds of women and children have been sent there too).

In a video that went viral on TikTok, a male argus pheasant displayed his dazzling plumage to a female, who seemed to look off to the side. Viewers laughed at her apparent disinterest, not knowing that she was looking right at him with her side-facing visual field.

And because I try to stay off the bad places on the internet, I spend a lot of time watching people argue about sports or clips of whales on BBC Earth, weeping because I get to be on the same planet as both wide receivers who can run twenty-three miles per hour and also seventy-year-old humpback whales. This is some stoner shit, for real, but have you ever just sat and thought about how there is an animal as big as a city bus and we’re alive at the same time as them, and we can look at videos of them doing things? Yes, I am absolutely out of my fucking mind, but also, while you’re on land reading this, there’s a hundred-foot-long, 400,000-pound blue whale in the ocean right now about to eat forty million krill and migrate from Antarctica to the tropics probably! Isn’t that amazing?

Javan Tiger, Bali Tiger and Caspian

Standing there small among the boxes of Kandy Kakes that rose like brownish cartoon cliffs around him, he resembled the videos I'd seen of sea lions floating angelically among the kelp, black bodies filmed from below, their shapes cut out in bright sunlight, bodies mistakable for those of a human being. I felt the memory of a shadowy arm around me, a watcher again, sitting there on the couch with my boyfriend, watching the animals become prey. Somewhere there were giant whales feeding on creatures too small to see, pressing them against fronds of baleen with a tongue the size of a sedan. There were polar bears killing seals, tearing ovoid chunks from out of their smooth, round bellies. In the surrounding vastness of the warehouse, I heard something scratching against the concrete floor and knew there were rats here, scraping a thin film of nutrient from the dry packaged matter that surrounded them. Life was everywhere, inescapable, imperative.

We walk past a clown who is painting kids’ faces, and I suddenly stop, something catching my eye. “I like that unicorn,” I say, pointing to the bright pink stuffed animal hanging from the ceiling of a game booth. Travis looks from the unicorn to me. “Is that a hint?” “I didn’t think I was being subtle,” I say, batting my eyelashes at him. “How much is it?” Travis asks the man in charge of the game, reaching for his wallet. “One dart for three dollars, four for ten. You just pop a balloon with the dart and you get a prize,” he says, perking up at the prospect of a new customer. “Oh, that sounds easy!” I say, clapping my hands together. “How many times do you have to pop a balloon to get the unicorn?” Travis asks. “Five,” the man answers brightly. “I could buy you a unicorn for cheaper than that!” Travis says, turning to me. My face falls. “But that’s not the point,” I argue. Travis looks at my pout before he lifts his eyes up to the ceiling, shaking his head. “Okay, I will take five darts.” I immediately perk up again, and reach out for his arm. “You’ll do great!” I say. Travis takes the first dart from the man and throws it at the wall. It doesn’t even make it all the way and falls pitifully to the floor. “Must have been a bad dart,” I argue. He frowns, picks up the second dart and this time takes a little more aim before throwing it. This time it makes it to the wall but doesn’t manage to stick. “That’s okay, it−” Before I can finish my thought, Travis is handing me his jacket to hold so he has both hands free. He picks up the next dart, his face all business, and plants his feet, ready for action. None of the five darts pop any balloons, and before I can offer him any words of consolation he has slapped down a twenty on the ledge and rolled up his sleeves. “Travis, you don’t have to−” but I can tell he isn’t listening to a word I’m saying. He throws another dart and it actually connects to the side of a balloon, but it only serves to pin the balloon to the wall more. Is that even possible? These are like miracle balloons. “This is obviously rigged!” I argue, picking up one of the darts. I throw it at the wall, my back leg kicking up from the effort and it connects with a bright yellow balloon, popping it instantly. “We have a winner!” The operator yells. I look up at Travis who is just staring at the popped balloon. “That was just beginner’s luck,” I assure Travis, picking up another dart and trying to throw it at the wall a little higher than before, aiming for above the balloons. It quickly curves down in the air and pops a blue balloon. Honestly, I tried out for my high school’s baseball team and got laughed off the diamond. If it wasn’t so inappropriate I would have Travis take a video so I could post it on my Facebook page. That would show Shannon Winters and all her baseball friends. “Another winner!” the operator yells. “Three more, pretty lady, and you’ve got your unicorn.” I shoot my eyes to Travis, but he’s still staring at the wall in disbelief. I have no problem popping the other three balloons and I stand gleefully with my arms outstretched, waiting for my unicorn. “You have three more darts,” the operator points out. “Did you want to try and win your boyfriend something?” I clamp my lips together while Travis stands beside me, completely silent. “We’re going to try something else,” I say, holding my unicorn in one hand and grabbing Travis’s hand with the other. Travis walks away shaking his head. “I played football in university. I was on the provincial lacrosse team.” “I know,” I say, wrapping my arm around his middle as we walk away. “You were so close.” I try and hide the smile from my face. There is hardly anything I’m able to beat Travis at and now I know whenever I challenge him it should definitely include darts

When an animal is looking for something that increases its chances of survival and reproduction (e.g. food, partners or social status), the brain produces sensations of alertness and excitement, which drive the animal to make even greater efforts because they are so very agreeable. In a famous experiment scientists connected electrodes to the brains of several rats, enabling the animals to create sensations of excitement simply by pressing a pedal. When the rats were given a choice between tasty food and pressing the pedal, they preferred the pedal (much like kids preferring to play video games rather than come down to dinner). The rats pressed the pedal again and again, until they collapsed from hunger and exhaustion

Dalio, who last year released a 30-minute animated video called How the Economic Machine Works,

The student who elects to risk it all—which is nothing—to establish an online video rental service that delivers $5,000 per month in income from a small niche of Blu-ray aficionados, a two-hour-per-week side project that allows him to work full-time as an animal rights lobbyist.

In 1997, executives at Disney came to us with a request: Could we make Toy Story 2 as a direct-to-video release—that is, not release it in theaters? At the time, Disney’s suggestion made a lot of sense. In its history, the studio had only released one animated sequel in theaters, 1990’s The Rescuers Down Under, and it had been a flop. In the years since, the direct-to-video market had become extremely lucrative, so when Disney proposed Toy Story 2 for video release only—a niche product with a lower artistic bar—we said yes. While we questioned the quality of most sequels made for the video market, we thought that we could do better. Right away, we realized that we’d made a terrible mistake. Everything about the project ran counter to what we believed in. We didn’t know how to aim low. We had nothing against the direct-to-video model, in theory; Disney was doing it and making heaps of money. We just couldn’t figure out how to go about it without sacrificing quality. What’s more, it soon became clear that scaling back our expectations to make a direct-to-video product was having a negative impact on our internal culture, in that it created an A-team (A Bug’s Life) and a B-team (Toy Story 2). The crew assigned to work on Toy Story 2 was not interested in producing B-level work, and more than a few came into my office to say so.

some places, barn owls are considered birds of evil omen, and as such are driven away or killed.

Graphics experts led by computer scientists at Harvard have created an add-on software tool that translates video game characters — or any other three-dimensional animations — into fully articulated action figures, with the help of a 3D printer.

Aunque Iowa es el segundo estado con más criaderos de perros después de Missouri, resultó que fue el primer estado en imponer multas contra los “Ag-​Gag” (videos de maltrato animal). El propósito de estas multas es castigar a los que graban vídeos de maltrato animal en las granjas. Además, según LaHay, de todos los estados en EEUU, Iowa es el único que no supervisa este sector.

The sloth bear is believed to have appeared 5.3 million years ago.

Even today, bears hold the record for being the largest carnivorous land mammals. Their size ranges from 4 feet (1 meter) to 10 feet (3 meters) while their weight ranges from 187 to as much as 1650 pounds (85 to 750 kilograms).   Bears

Like dogs and cats, the eyes of bears are coated with a special layer called the tarpetum lucidum. This layer reflects light back, causing the bears’ eyes to glow in the dark, and also allowing them to see well in the dark.   In

Studies of language acquisition have found that the quickest learning comes from face-to-face tutoring. The slowest learning comes from video- or audiotapes. Plus,

have at least eighteen muscles in each ear. Using these, they can move their ears to pinpoint where a sound is coming from.   Whereas humans can only hear sounds with frequencies of up to 20,000 hertz, dogs can hear sounds from 40,000 to 60,000 hertz.

If some computer scientists and engineers succeed in their dreams, the book itself will be such that bookshelves in bookstores, libraries, and homes could be a thing of the past. At the Media Library at the Massachusetts Institute of Technology, a research team has been working on what it terms 'the last book.' This volume, known as 'Overbook,' would be printed in electronic ink known as e-ink, a concept in which page-like displays consist of microscopic spheres embedded within a matrix of extremely thin wires. The ink particles, which have one hemisphere black and one hemisphere white, can be individually flipped by a current in the wire to form a 'printed' page of any book that has been scanned into the system. According to its developers, the last book could ultimately hold the entire Library of Congress, which is of the order of 20 million volumes. The book one wished to read would be selected by pushing some buttons on the spine of the e-book, and the display on its e-inked pages would be rearranged. In time, the developers of this twenty-first century technology claim, such books could also incorporate video clips to give us illuminated books that were also animated.

The woman’s face was leathery and wind beaten and beautiful. She looked like someone comfortable with her own fortitude. She had earned the crow’s-feet that led like ancient aqueducts from the sides of her eyes and Ray couldn’t help but think of the countless hours he had spent behind desks and in cubicles, staring at computers and watching web videos about animals doing amusing things. He had wasted so much of his life.

This new edition of the book adds coverage of exciting new research—particularly on animation and video—that has appeared since the previous edition was published in 2003. This new edition also expands coverage of graphics using new media such as mobile learning and virtual worlds. You will also find that this new edition is more concise and visually appealing than the previous edition; yet it retains the same basic structure and message.

the internet, the media with the most potential for honest news and understanding of the world, had become one large scam or a place to watch funny videos that showed the same animal behavior for the entertainment of the masses.

Saw-Scaled Viper     Alternative Names: Echis, Carpet viper, Little Indian viper Where in the world? Africa, Middle East, Central Asia and Indian subcontinent Habitat: Desert, fields, towns and cities Common prey: Lizards, frogs, scorpions, centipedes and large insects Size: 40 to 60 cm (15 to 23 inches) Lifespan: 25 to 30 years Conservation status: Not classified   Description: The saw-scaled viper or carpet viper may be a small snake, only able to grow as long as 60 centimeters or a little less than two feet, but it is considered one of the deadliest snakes in the world. In fact, some scientists say that wherever this snake is found, it is responsible for about 80% of human deaths from snake bites.   There are three main reasons why the saw-scaled viper is so deadly. Firstly it is the saw-scaled viper’s aggressive behavior. It has a nasty temper and is easily provoked.   Secondly, it has a very quick strike, which when combined with a very defensive attitude, can be lethal to humans living nearby. The saw-scaled viper strikes so quickly that even the distinctive sawing sound it makes with its scales when agitated is not warning enough.   Thirdly, the saw-scaled viper’s venom is highly toxic to humans, with the venom from the females being two times more toxic than the venom from the male snakes. Its venom destroys red blood cells and the walls of the arteries, so within 24 hours, the victim can die of heart failure. There is an anti-venom available, and as long as this is administered very shortly after the bite, the victim can be saved.   Like other snakes, the saw-scaled viper’s diet consists of small animals like mice and lizards, as well as large insects. It hunts at night, hiding behind rocks and when it sees its prey, it coils and launches itself quickly and with accuracy, often biting its prey at the first attempt. The bite kills the prey within seconds, making it easy for the viper to drag it away or eat it on the spot.   Visit IPFactly.com to see footage of the saw scaled viper in action (Be Aware: your method of reading this kindle book may not support video)

Steve Irwin, the famous “crocodile hunter,” was killed by a stingray in 2006. He accidentally got too near one and, feeling threatened, it turned and lashed at it him with its tail, the barb piercing his heart.

Coming to grips with recent years through a history and practice of animation – one centered on the construction of moving images, rather than the recording of the physical, fleshly, and gusty – shows that recent movies, games, artist’s video works, shows, and everything in between are uniquely thick with the social history of capitalism, especially the persistent legacies and cartography of colonialism. Moreover, they have started to reflect on and shape themselves around that fact, bringing the means of their making and all its echoes into plain view, provided we know how to get a good line of sight through all the lens flare and softly falling particles.

Hazel Dormouse

A New Yorker by birth is David Karp, the child prodigy who at age 21, in 2007, founded Tumblr, whose headquarters are located just one block east of Hunch. The son of a composer and a science teacher, at 14 Karp began working as an intern in an online animation company; at 15, tired of traditional school, he continued to study at home alone, learning, among other things, Japanese; then he became the chief technology officer of the Internet site UrbanBaby and at 17 he went to Tokyo for five months by himself. In 2006, UrbanBaby was bought by CNET, and Karp used his share of proceeds to establish Tumblr, a blogging platform with elements of social networking that allows its users to follow other bloggers. Tumblr allows users to build a collection of content according to their own tastes and interests. Easy to use, with a format of short entries to be enriched with photos and videos, Tumblr has quickly gained many followers among the creative community as well as the public at large. Today it is home to nearly 70 million blogs, including those of Lady Gaga and Barack Obama, with a total audience of 140 million users. At 26, Karp is leading a company with over 100 employees, valued at more than $800 million, with shareholders of the caliber of Virgin Group’s Richard Branson. He defines Tumblr as new media, as opposed to technology, and seeks to attract non-traditional ads, inviting brands to create awareness and desire in their ads, rather than just trying to capture intent. Karp has already received several acquisition offers from other media groups, but he has always refused because he thinks big: he wants to reach billions, not millions of users and one day be in a position to acquire rather than be acquired. Meanwhile, in order to grow he is convinced that New York City, the capital of media and advertising, is the right city.[47]

If you come across a crocodile, you are as good as dead. The crocodile has the most powerful bite in the animal kingdom. I have seen a video of a crocodile chewing through a car like butter. But because its muscles are so strong at clamping down, the muscles that open its mouth are extremely weak. If a two-year old toddler put his or her fingers around a crocodile’s mouth, a crocodile wouldn’t be able to open it. A crocodile can be defeated with an elastic band wrapped around its snout.

Maya the Chihuahua wound up dead in 2014. Maya was a beloved member of Wilbur Cerate’s family on Virginia’s Eastern Shore. One Saturday in October when Cerate came home from work, according to local TV station WAVY, Maya was gone. Cerate checked his security cameras, which had captured video of two women in a PETA van backing into the driveway, snatching Maya off the porch and driving off. Three days later, two women from PETA returned to the home and explained that Maya had been killed. They brought a fruit basket.27, 28 Perhaps it was the tiniest bit of solace for Cerate’s little daughter that her beloved Maya did not die a painful death, other than the terror of being snatched up by strangers and hauled to some foreign facility that, at best, must have seemed like a veterinarian’s office. Many of the other animals who die at the hands of bird-brained animal-rights activists suffer horrible deaths.

Although earlier computers existed in isolation from the world, requiring their visuals and sound to be generated and live only within their memory, the Amiga was of the world, able to interface with it in all its rich analog glory. It was the first PC with a sufficient screen resolution and color palette as well as memory and processing power to practically store and display full-color photographic representations of the real world, whether they be scanned in from photographs, captured from film or video, or snapped live by a digitizer connected to the machine. It could be used to manipulate video, adding titles, special effects, or other postproduction tricks. And it was also among the first to make practical use of recordings of real-world sound. The seeds of the digital-media future, of digital cameras and Photoshop and MP3 players, are here. The Amiga was the first aesthetically satisfying PC. Although the generation of machines that preceded it were made to do many remarkable things, works produced on them always carried an implied asterisk; “Remarkable,” we say, “. . . for existing on such an absurdly limited platform.” Even the Macintosh, a dramatic leap forward in many ways, nevertheless remained sharply limited by its black-and-white display and its lack of fast animation capabilities. Visuals produced on the Amiga, however, were in full color and could often stand on their own terms, not as art produced under huge technological constraints, but simply as art. And in allowing game programmers to move beyond blocky, garish graphics and crude sound, the Amiga redefined the medium of interactive entertainment as being capable of adult sophistication and artistry. The seeds of the aesthetic future, of computers as everyday artistic tools, ever more attractive computer desktops, and audiovisually rich virtual worlds, are here. The Amiga empowered amateur creators by giving them access to tools heretofore available only to the professional. The platform’s most successful and sustained professional niche was as a video-production workstation, where an Amiga, accompanied by some relatively inexpensive software and hardware peripherals, could give the hobbyist amateur or the frugal professional editing and postproduction capabilities equivalent to equipment costing tens or hundreds of thousands. And much of the graphical and musical creation software available for the machine was truly remarkable. The seeds of the participatory-culture future, of YouTube and Flickr and even the blogosphere, are here. The

kill, peradventure, a fox, it follows that if the hounds veer onto a real scent and make a kill, no law has been broken. The huntsman who welcomed your columnist explained that, in practice, this means that before a hunt one of his helpers films himself laying a pretend scent-trail—by dragging a rag theoretically, but not actually, soaked in fox scent, from a quad bike—to provide evidence for a possible defence in court. Then the hunt goes out and hunts as it always has, but illegally. The police—one of whose officers was riding with the hounds that wintry day—understand this, but do not much care. Animal rights activists know it, and it makes them mad, but it is so hard to collect evidence of lawbreaking, in the form of video footage showing a huntsman urging hounds on to a fox, that prosecutions are rare. Only a couple of dozen huntsmen have been convicted for contravening the ban, for which they mostly received small fines.

Founded in 2011, ToyTalk already produces popular animated conversational apps — among them the Winston Show and SpeakaZoo — that encourage young children to engage in complex dialogue with a menagerie of make-believe characters. Now the company’s technology, originally designed for two-dimensional characters on-screen, is poised to power tangible playthings that children hold in their hands. This fall, Mattel plans to introduce Hello Barbie, a Wi-Fi enabled version of the iconic doll, which uses ToyTalk’s system to analyze a child’s speech and produce relevant responses. “She’s a huge character with an enormous back story,” Mr. Jacob says of Barbie. “We hope that when she’s ready, she will have thousands and thousands of things to say and you can speak to her for hours and hours.” [Video: Hello Barbie is World's First Interactive Barbie Doll Watch on YouTube.] It was probably inevitable that the so-called Internet of Things — those Web-connected thermostats and bathroom scales and coffee makers and whatnot — would beget the Internet of Toys. And just like Web-connected consumer gizmos that can amass details about their owners and transmit that data for remote analysis, Internet-connected toys hold out the tantalizing promise of personalized services and the risk of privacy perils.

He also created an animated video called How the Economic Machine Works.

Okay, well, if we were to be created in a video game, as Martin pointed out, and there is a creator who has created us and has full control over us because we are merely holograms or animations, then giving credence to this anti-reality would actually be illogical,” I asserted. “As I mentioned earlier, I had to agree with Rene Descartes and the phrase ‘I think. Therefore, I am.’ We have the ability to think, and if we were holograms in the deterministic anti-reality, then we shouldn’t be able to feel, reason, acquire consciousness, or interpret sensory experience, but we do. Living in a deterministic anti-reality like a video game would make us have no control over how we think, but we do have control over how we think, not the creator, so we are not holograms or animations that are controlled by someone, because we have control over our thoughts.” “But what if the creator controls our thoughts?” Martin asked. “That is more proof that we are not living in a deterministic anti-reality. It really reminds me of how Rene Descartes devised the phrase ‘I think. Therefore, I am.’ He reasoned that if there was a devil who came to cause him to THINK that he exists even when he does not, then for him to be able to think that he exists, he has to henceforth exist. Likewise, if our thoughts were to be controlled by a creator, then that would mean we would exist, because for our thoughts to be controlled, we would have to have the ability to think, but since we think, we would have to have had some kind of control over our thoughts at some point of our lives. Once again, a deterministic anti-reality is where we have no control over ourselves, because we are non-real beings created by someone who lives in reality, but since there is no creator who has full control over our thoughts, then we don’t live in a deterministic anti-reality. The closest thing to our thoughts being ‘controlled’ is a change of opinion, like what might happen after being persuaded, but because we have control over our thoughts while we are thinking, our thoughts are not being controlled; WE are just changing them based on our own freewills.

In Ephesians, there’s a command given specifically to men: ‘Fathers, do not provoke your children to anger, but bring them up in the discipline and instruction of the Lord.’” Adam grew more animated. “In my case, that was exactly the problem. Ever since Dylan became a teenager, I’ve sent him negative messages. He’s only heard me say no or tell him to get home sooner or do his homework or stop playing video games. I made him angry because I never encouraged him.