Angel Costume Quotes

We've searched our database for all the quotes and captions related to Angel Costume. Here they are! All 42 of them:

Nice costume," he said. "Ditto. I can tell you put alot of though into yours." Amusement curled his mouth. "If you don't like it, I can take it off." I tapped my chin thoughtfully. "That just might be the best proposal I've had all night." "My offers are always the best, Angel.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
Man, this angel crap… it’s so fucking hard to influence anything. I’ve never had a problem with free will before, but for shit’s sake, I wish I could just I Dream of Jeannie you to where you need to be.” As Tohr winced, the angel muttered, “It’s okay, though. We’ll get you there somehow—” “Actually, I’m cringing at the vision of you in a pink harem costume.” “Hey, I have a great ass, I’ll have you know.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
She was pretty sure that if she had been, though, none of the hypotheticals would have resembled this in the slightest: surrounded by vampires, possibly pregnant, with a fallen angel in an Elvis costume mangling the ceremony from the Book of Common Prayer.
J.R. Ward (The King (Black Dagger Brotherhood, #12))
Of all the spirits I have seen, only Elvis and Mr. Sinatra are able to manifest in the garments of their choice. Others haunt me always in whatever they were wearing when they died. This is one reason I will never attend a costume party dressed as the traditional symbol of the New Year, in nothing buy a diaper and a top hat. Welcomed into either Hell or Heaven, I do not want to cross the threshold to the sound of demonic or angelic laughter. ~Odd Thomas
Dean Koontz (Odd Hours (Odd Thomas, #4))
You know what happens when an angel and a devil create a bodily union? The apocalypse.” Jesus this is why he gave us a couple costume. “Do the right thing and don’t end the world tonight.
Krista Ritchie (Wherever You Are (Bad Reputation Duet, #2))
All these angels start coming out of the boxes and everywhere, guys carrying crucifixes and stuff all over the place, and the whole bunch of them - thousands of them - singing “Come All Ye Faithful” like mad. Big deal. It’s supposed to be religious as hell, I know, and very pretty and all, but I can’t see anything religious or pretty, for God’s sake, about a bunch of actors carrying crucifixes all over the stage. When they all finished and started going out the boxes again, you could tell they could hardly wait to get a cigarette of something. I saw it with old Sally Hayes the year before, and she kept saying how beautiful it was, the costumes and all. I said old jesus probably would’ve puked if he could see it.
J.D. Salinger (The Catcher in the Rye)
Goddamn Lassiter. Dinner invite. Sal’s. WTF. The last thing he wanted to do was sit across from that angel and listen to a Reservoir Dogs opener about dick symbolism in Deadpool. The problem? His brother, iAm, did make the best Bolognese anywhere, and besides, if Trez didn’t show? Lassiter was just the flavor of asshole to turn up here in a clown costume and honk his nose until Trez lost his mind.
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
Back on the beach, everyone was tearing off their costumes piece by piece. It was like some kind of crazy dream, the sight of all those people emerging from their disguises, shedding the fake muscles and plastic armor, the fairy wings and angel wings, and devils horns, all of it piled up like a mass grave for make-believe.
Tommy Wallach (Thanks for the Trouble)
Audience of angels descend in the ambiance reciting praises in your glory, when you wear your dance shoes, when you arrive at the stage and with every step you take beneath your feet heaven moves. That is the power of dance.
Shah Asad Rizvi
In the morn when they woke, it was Halloween Day. There was bobbing for apples and rides in the hay. There were costume parties, and games to be played. Cupcakes and candy and, of course, a parade! After dinner was served, and the kids were done eating, it was finally time to go trick-or-treating! Moms re-painted faces, and straightened clown hats, put wings back on fairies, angels, and bats. Jack-o-lanterns were set out on porches with care. Their grins seemed to say, “Knock if you dare.
Natasha Wing (The Night Before Halloween)
...As a child he had gone out for Halloween as a mummy, a vampire, a blue-and-green-swolen drowned boy, all kinds of sufferings and mutilations and perversions represented by his costumes; and looking around him he saw witches and Frankenstein monsters and scarred warty masks of all the kids running around asking for candy in the dark; and he wondered: Why must we hurt ourselves and drive stakes through our hearts and drown ourselves in order to get candy? Why couldn't we just go out and ask for it?
William T. Vollmann (You Bright and Risen Angels (Contemporary American Fiction))
The unicorns, led by costumed grooms, were behaving well about their horns, and the painted rhapsodies all round the cart were more than flattering while the pseudo-king, sceptred in ermine, was positively handsome, as well as resembling the real one quite a lot. The small boy acting as the Dauphin, was obviously his son. It was easy to guess that the angel and the other three children, demure on tasselled cushions, were also related. Reminded by the red heads before her, the Queen Dowager spoke absently to Margaret Erskine. ‘I must tell your mother to destroy that marmoset. Mary teases it, and it bites.
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
During the Mardi Gras carnival in New Orleans, drunk and drugged and sleepless for sex-driven nights and days, I saw leering clowns on gaudy floats tossing cheap necklaces to grasping hands that clutched and grabbed and tore them, spilling beads; and revelers crawled on littered streets, wrestling for them, bleeding for them on sidewalks; and beads fell on spattered blood like dirty tears—and I saw costumed revelers turn into angels, angels into demons, demons into clowning angels; and in a flashing moment the night split open into a deeper, darker chasm out of which soared demonic clowning angels laughing.
John Rechy (After the Blue Hour)
I consider these things idly. Each one of them seems the same size as all the others. Not one seems preferable. Fatigue is here, in my body, in my legs and eyes. That is what gets you in the end. Faith is only a word, embroidered.   I look out at the dusk and think about its being winter. The snow falling, gently, effortlessly, covering everything in soft crystal, the mist of moonlight before a rain, blurring the outlines, obliterating color. Freezing to death is painless, they say, after the first chill. You lie back in the snow like an angel made by children and go to sleep. Behind me I feel her presence, my ancestress, my double, turning in midair under the chandelier, in her costume of stars and feathers, a bird stopped in flight, a woman made into an angel, waiting to be found. By me this time. How could I have believed I was alone in here? There were always two of us. Get it over, she says. I'm tired of this melodrama, I'm tired of keeping silent. There's no one you can protect, your life has value to no one. I want it finished.   As I'm standing up I hear the black van. I hear it before I see it; blended with the twilight, it appears out of its own sound like a solidification, a clotting of the night. It turns into the driveway, stops. I can just make out the white eye, the two wings. The paint must be phosphorescent. Two men detach themselves from the shape of it, come up the front steps, ring the bell. I hear the bell toll, ding-dong, like the ghost of a cosmetics woman, down in the hall. Worse is coming, then. I've
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
Well?” he prompted. “What are you doing here, especially without a Tony Manero polyester special on?” Lassiter, the Fallen Angel, smiled in a way that didn’t include his strangely colored, pupil-less eyes; the expression only affected the lower part of his face. “Oh, you know, leisure suits are so last week for me.” “Moving on to eighties New Age? I don’t have any neon to lend you.” “Nah, I have another new costume to wear.” “Good for you. Scary for the rest of us. Just tell me you aren’t going to pull a Borat on the beach.
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
a costume we’d worn last Halloween to great acclaim: I would be an angelic Little White Lie, and she—winking at being the better-behaved twin in real life—would be a Dirty Little Secret. This involved snug-fitting white (for me) and black (for her) V-neck T-shirts—Lacey is all about Just Enough Cleavage, although she has more of it than I do, and so the V on mine fell almost low enough to be indecent—and silver Sharpies tied to our belt loops, so that people could jot down on our bodies their various anonymous fibs and close-held truths.
Heather Cocks (The Royal We (Royal We, #1))
Cade released her slowly, running his hand over her hip, and patting her on the butt. Her cheeks heated. She owed him an apology. She cleared her throat, and with difficulty managed, "I can be pushy---" "You think?" He cut her no slack. "I came on too strong. I'm sorry." "I'm not." "You're not?" "We kissed." "A good enough kiss for you to wear a costume?" "You could kiss my entire body, and I'd still pass." His entire body. She'd never considered naked a costume, but it might work for him. She looked him up and down. Licked her lips. Her blush deepened at the thought. She heard Cade swallow. His gaze was hot and dark; his voice deep and husky. "I've never taken a woman in a storeroom before, but there's always a first time.
Kate Angell (The Cottage on Pumpkin and Vine)
Music began playing and a woman walked into the room and stood beside a small band. She was dressed in a red Irish costume that hung to her ankles and it was laced at the bodice with a black cord. After giving a nod to the band, she sang a few Irish songs. But one song seemed to stand out to Rick and he stopped eating and listened. Sure a little bit of Heaven fell from out the sky one day and it nestled on the ocean in a spot so far away. When the angels found it, sure it looked so sweet and fair, they said, "Suppose we leave it for it looks so peaceful there." So they sprinkled it with stardust just to make the shamrocks grow. 'Tis the only place you'll find them no matter where you go. Then they dotted it with silver to make its lakes so grand and when they had it finished, sure they called it Ireland.
Linda Weaver Clarke (The Shamrock Case (Amelia Moore Detective Series #2))
LAST FALL UNIVERSITY OF MERIT The music was loud enough to shake the pictures on the walls. An angel and a wizard made out on the stairs. Two naughty cats tugged a vampire between them, a guy with yellow contacts howled, and someone spilled a Solo cup of cheap beer near Eli’s feet. He snagged the horns from a devil by the front door, and set them on top of his head. He’d seen the girl walk in, flanked by a Barbie and a Catholic schoolgirl flaunting numerous uniform infractions, but she was in jeans and a polo, blond hair loose, falling over her shoulders. He’d lost sight of her for only a moment, and now her friends were there, weaving through the crowd with interlocking fingers held over their heads, but she was gone. She should have stood out, the lack of costume conspicuous at a Halloween party, but she was nowhere to be found.
V.E. Schwab (Vicious (Villains, #1))
Presidia, you fool,” Dee shouted at the nun, dragging the arrow backward with her high heel. Luce leaned down to pick it up and slipped it inside the satchel. “You know that won’t hurt me! Now you’ve annoyed my friends.” She gestured broadly at the angels darting forward to disarm the costumed Elders. “Stand down, defector!” Presidia replied. “We require the girl! Surrender her and we will-“ But Presidia never finished. Arriane was at the Elder’s back in a flash, brushing the veil from her head, taking her white hair in her fists. “Because I respect my Elders,” Arriane hissed through her clenched teeth, “I feel I must prevent them from embarrassing themselves.” Then she lifted off the ground, still holding Presidia by the air. The Elder kicked the air as if pedaling an invisible bicycle. Arriane pivoted and slammed the old woman’s body into the cornice of the church’s façade with such force it left an indention when she collapsed in a twisted heap, hands and legs sticking out at grisly angles.
Lauren Kate (Rapture (Fallen, #4))
We look amazing," I repeated, as if I could make up for our brother's rudeness. And we did look amazing. Käthe and I were dressed as an angel and a demon, but to my surprise, my sister had chosen to be the devil. She looked majestic in her gown of black velvet, her golden curls draped with black silk and lace, cleverly twisted together and pinned to resemble horns growing from her head. She had rouged her lips a bright red, and her blue eyes looked imperious from behind her black mask. For a moment, the image of moldering gowns on dress forms rose up in my mind, a polished bronze mirror reflecting an endless line of faded Goblin Queens. I swallowed. The dress my sister had made for me was nearly innocent in its simplicity. Yards and yards of fine white muslin had made a floating, ethereal gown, while Käthe had somehow fashioned a brocade cape into the shape of folded angel wings, which grew from my shoulder blades and cascaded to the floor. She had braided gold into a crown about my head for a halo, and I carried a lyre to complete the picture.
S. Jae-Jones (Shadowsong (Wintersong, #2))
Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home. As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier. She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.
Kate Angell (The Cottage on Pumpkin and Vine)
Beth had never been one of those girls who'd imagined her wedding. Acted it out with some barbies. Bought Bride magazine as soon as she hit her twenties. She was pretty sure that if she had been, though, none of the hypotheticals would have resembled this in the slightest: surrounded by vampires, possibly pregnant, with a fallen angel in an Elvis costume mangling the ceremony from the Book of Common Prayer. And yet as she stared up at her soon-to-be husband, she couldn't have pictured anything she would have liked more. Then again, when you were facing the right person? None of the things they talked about on television, no Vera Wang dress, no champagne waterfall, no DJ or place setting or party favor mattered. ~Beth Ch.51
J.R. Ward
You’re the biggest guy to walk down the street. The last male costume for matching couples at Masquerade was an extra-large rooster. Cock-a-doodle-do me?” His
Kate Angell (No Breaking My Heart (Barefoot William, #5))
She sat down, grinned—and made her lip throb again. “I love you.” “Excellent news. You can prove it with lots of sex.” “We had sex a few hours ago.” “No, we made love a few hours ago—angels surely wept. I want sex for this job, as it’s given me a buggering headache trying to straddle your far-famed line. I want mad sex, with costumes—maybe props—and an intriguing story line.” “Milking it, pal.
J.D. Robb
costume we’d worn last Halloween to great acclaim: I would be an angelic Little White Lie, and she—winking at being the better-behaved twin in real life—would be a Dirty Little Secret. This involved snug-fitting white (for me) and black (for her) V-neck T-shirts—Lacey is all about Just Enough Cleavage, although she has more of it than I do, and so the V on mine fell almost low enough to be indecent—and silver Sharpies tied to our belt loops, so that people could jot down on our bodies their various anonymous fibs and close-held truths.
Heather Cocks (The Royal We (Royal We, #1))
Louise, who at twenty-three could easily look like a sixteen-year-old boy, wore trousers, a vest, and a tie. Joan wore a chic dress with a nipped-in waist and wide skirt, her red hair in a wavy, shoulder-length pageboy. The juke box in the bar was a good one, with Ray Charles singing “Hey Now” and new records by B. B. King, whose performances on Beale Street were a Memphis sensation. The most popular song of the night, hands down, was Kitty Wells strumming “It Wasn’t God Who Made Honky Tonk Angels.” Wells was from Nashville, and the burgeoning country music industry in their home state was a subject of fascination for both women. Louise, intrigued by the fashion for cowboy costumes and yodeling, could do a fair imitation of Hank Williams. Louise had a new swagger that Joan hadn’t seen in her before. She was more assertive and suffered fools even less. When a pretty young woman stopped by their table to compliment Joan’s hair and flirtatiously ask, “Why don’t you cut it short?” Louise sent her on her way with a proprietary growl, saying, “Leave her alone. She’s not gay.
Leslie Brody (Sometimes You Have to Lie: The Life and Times of Louise Fitzhugh, Renegade Author of Harriet the Spy)
I tried dressing him as an angel. While I was putting my fairy costume on, he ate his halo. Then I found the perfect costume for my small red puppy. Clifford was the littlest ghost I had ever seen.
Norman Bridwell (Clifford's First Halloween)
What the fuck is that?” At the sound of V’s voice, John turned with the rest of them . . . and when he saw what was up at the head of the grand staircase, he blinked once. Twice. Twelve times. Lassiter was standing at the top of the carpeted steps, his blond-and-black hair styled in a pompadour, a heavy Bible under his armpit, piercings catching the light . . . But none of that was the real shocker. The fallen angel was dressed in a sparkling white Elvis costume. Complete with bell-bottoms, balloon sleeves, and lapels big enough to tent up the backyard. Oh, and rainbow wings that revealed themselves as he held his arms out, preacher style. “Time to get the party started,” he said as he jogged down, sequins winking and flashing. “And where the hell’s my pulpit?” V coughed out the smoke he’d just inhaled. “She’s having you do the service?” The angel popped his already mile-high collar. “She said she wanted the holiest thing in the house to do it.” “She got holey, all right,” somebody muttered. “Is that Butch’s Bible?” V asked. The angel flashed the goods. “Yup. And his BoC, he called it? I also got a sermon I did myself.” “Saints preserve us,” came from the opposite side of the crowd. “Wait, wait, wait.” V waved his hand-rolled around. “I’m the son of a deity and she picked you?” “You can call me Pastor—and before Mr. Sox Fan gets his panties in a wad, I want everyone to know I’m legit. I went online, took a minister’s course in under an hour, and I’m ordained, baby.” Rhage raised his hand. “Pastor Ass-hat, I have a question.” “Yes, my son, you are going to hell.” Lassiter made the sign of the cross and then looked around. “So where’s our bride? The groom? I’m ready to marry somebody.” “I didn’t bring enough tobacco for this,” V bitched. Rhage sighed. “There’s Goose in the bar, my brother—oh, wait. We don’t have a bar anymore.” “I think I’ll just run an IV of morphine.” “Can I put it in?” Lassiter asked. “That’s what she said,” somebody shot back
J.R. Ward (The King (Black Dagger Brotherhood, #12))
They're bartering for costumes. Grace has a big heart. She lends costumes to those who can't afford the full rental price. Kids repay her with candy, after they've been trick-or-treating." Bartering? This he had to see. He walked toward them, only to stop by a rack of capes. He squinted between hangers, staying hidden. He recognized the children. Each of them lived with single parents or in a foster home. For all of them, money would be tight. Most couldn't afford a cool costume.
Kate Angell (The Cottage on Pumpkin and Vine)
He clasped her hips. Dug his fingers into her soft flesh. Christ. She clutched his shoulders, her mouth growing more insistent. He wanted to consume her. He slanted his head, increasing their connection. Deepening the angle. Getting lost in her. Chloe. Fuck. He was kissing Chloe. His Chloe. His best friend. And it was incredible. He couldn't get enough. He swept his palms up her body, barely clothed in her tiny costume. He tangled his fingers in her hair, fisting the length to drag her closer. So much closer. She gasped and moaned, sliding her hips forward. When his cock slid between her thighs, he about lost his gad-damn mind. She rocked. He surged. The heat, the slide, the friction.
Kate Angell (The Cottage on Pumpkin and Vine)
Vienna was the city of statues. They were as numerous as the people who walked the streets. They stood on the tip of the highest towers, lay down on stone tombs, sat on horseback, kneeled, prayed, fought animals and wars, danced, drank wine and read books made of stone. They adorned cornices like the figureheads of ships. They stood in the heart of fountains glistening with water as if they had just been born. They sat under trees in the parks summer and winter. Some wore costumes of other periods, and some had no clothes at all. Men, women, children, kings, dwarfs, gargoyles, unicorns, lions, clowns, heroes, wise men, prophets, angels, saints and soldiers preserved for Vienna an illusion of eternity.
Anaïs Nin
A splash of light snuck beneath the a dressing room door. He heard a groan. A shuffle. A bump. A heavy sigh. "Uh, too tight." He walked toward the back, stopping outside the dressing room. The door was cracked a fraction. He rested a shoulder against the wall, and glanced inside. Grace as Catwoman blew his mind. A feline fantasy. The three-way mirror tripled his pleasure. He viewed her from every angle. Hot, sleek, fierce. The lady could fight Batman in her skintight black leather catsuit and come out the winner. After a moment she scrunched her nose, slapped her palms against her thighs. Stuck out her tongue at her reflection in the mirrors. He saw what had her so frustrated. Sympathized with her disappointment. Her costume didn't fit. The front zipper hadn't fully cleared her cleavage, which was deep and visible. She wore no bra. She gave a little hop, and her breasts bounced. Full and plump. He felt a tug at his groin. Superhero lust. He cleared his throat and made his presence known. She caught his image in the corner of the glass, and reached for the fitting room chair, positioning it between them. Like that would keep him from her. He should've looked away, but couldn't. He sensed her embarrassment. Her panic. Flight? She had nowhere to go. He blocked the door. He wasn't leaving until they'd talked. "Archibald's going to love your costume," he initiated. She didn't find him funny. Her gaze narrowed behind the molded cat-eye mask with attached ears. Her fingers clenched in her elbow-length gloves. Inspired by the movie The Dark Knight, she'd added a whip and a gun holster. Her thigh-high stiletto boots were killer, adding five inches to her height. Her image would stick with him forever. She backed against the center mirror, and nervously fingered the open flaps over her breasts. A yank on the zipper broke the tab. The metal teeth parted, and the gap widened, revealing the round inner curves of her breasts. A hint of her nipples. Dusky pink. All the way down to the dent of her navel.
Kate Angell (The Cottage on Pumpkin and Vine)
I rented out everything but a few T-shirts. You can choose between orange shirts designed with either I Don't Do Costumes, Now Step Aside, You're Standing on My Invisible Dog, or If One Door Closes and Another One Opens, Start Worrying, 'Cause Your House Is Probably Haunted." "That's it?" She pursed her lips. "There is one more..." "I'll wear it." "Only if you're absolutely sure." "I'm sure." Halloweener was the most remembered costume at the party.
Kate Angell (The Café Between Pumpkin and Pie (Moonbright, Maine #3))
Are you sure you don’t want to come with us, Morgan? There’s going to be booze and boys enough for even this little slut to drown in.” Rachel made a face at Heidi. Rachel was usually reserved, but tonight she looked sexy in a flattering little black dress and heels. A three inch tall pointy black hat was clipped into her short brown hair at a jaunty angle, symbolizing that she was actually supposed to be a witch. In reality she would have been better suited in an angel costume.
Celeste Hall (The Bare Witch Project (Kitty Coven #1))
Next to Flora was Agot, who was clearly furious not to be involved in proceedings. She was wearing something strange (it was, in fact, Fintan’s old angel costume) and muttering, ‘STICKY STICKY STICK STICK’ in a tone just loud enough to be irritating and just quiet enough that she was getting away with it.
Jenny Colgan (Christmas on the Island (Mure, #3))
The hoop-style petticoat swung above her knees. She flashed sheer white thigh-high stockings right up to the pretty blue bows. She swatted down her errant skirt. And nearly dropped the shepherd's crook. The triplets hadn't noticed the mishap, but Jake definitely had. She felt his gaze from behind his mirrored aviators. He cocked his head and grinned. A teasing grin, so sexy and unsettling that she nearly tripped over her own feet. He edged close, lowered his voice, and said, "Naughty wind peeked up your skirt." "So did you." "Nice legs, Peep.
Kate Angell (The Café Between Pumpkin and Pie (Moonbright, Maine #3))
I took a black and white photograph, which I also posted on Instagram. Her New Balance shoes and her feet crossed, hanging as she sat atop the pile of aluminum chairs, against the backdrop of the many legs of the chairs shining in the street lights in contrast to her dark shoes and leggings, were so captivating. There was a lightness in the way she sat there with her crossed legs dangling, as if she was perched on a cloud and it was the most natural thing as she was my angel. I was still unsure if she really existed or if I had only made her up with Pinto cat one night. It was all like a lucid dream. I was so glad for us and for us becoming rich soon too. I was so glad I could provide her with a future in Europe. I was so glad we would be rich and happy and we would be able to make all our dreams come true and travel the world freely together. I can show her Italy and Hungary and Europe. We can pick where do we want to live or make family. I knew all my life, all my work had led to this girl, this moment, and this future. Ours. She started to rap in Spanish in the Rioplatense dialect as I started to record her. „Loco, loco…” - she was so cute, it sounded like she had learned it on the streets of Buenos Aires, skipping school. She was amazing - so young, so true, so natural and pure and cute. I couldn't get enough of her. I wanted to make kids with her. With only her. Nobody else. By the wall of the church and the bar tables, there were a bunch of metal mobile railings with the Ajuntamiento de Barcelona logo in the middle of each of them. I told Martina to squat down to the level of the Ajuntamiento sign, and before I could finish my sentence, she was already doing it. She posed with the mobile railings, making a funny, cool and happy face while squeezing the Ajuntamiento logo between two of her fingers and pointing at it with her other hand, as if we were mocking the authorities of the Ajuntamiento. She was reading my mind. Like she knew magic. She was such a good girl. She was so pretty, smart and sexy. She was smiling, biting her lower lip, excited, turned on, and in love, I thought, looking like a bunny, or like Whitney Houston on the Brazilian live concert video, so I began to call her “Bunny”. I showed her how Whitney was smiling the same way. I was so blind to see the connection. (“The Cocaine Queen”) I was so much in love with her, so under her spell, I just really wanted her to be the One, I guess. I explained to her that the Camorra was one of my costumers and they had a club close by too and they were taking away other people's coffeeshops, menacing their lives and their families'. I explained to her that we were going to do all demolition and remodeling without any permit, without telling a word to anyone. I told her that we would lie to the residents of the building above us about what we were going to do there for months and months. I told her that she must keep it as our secret. She was nodding happily and she seemed happy that I trusted her. I explained everything to her, I told her about Rachel and Tom and I signing the founding document at Amina's office at the beginning of the same year, 2013. She seemed to understand the weight of all I told her and the reasons why I told her about it all, so she would know, so she wouldn't make a mistake saying the wrong thing in the wrong place at the wrong time. I asked her to pay attention to her surroundings in Barcelona from then on, as there were a lot of criminals, and she was a very pretty girl - not only my girlfriend. She seemed to take it as a privilege to be my girlfriend, and she seemed eternally happy, as was I. I told her that she was the only person I fully trusted. I wanted to send the video of Martina rapping on WhatsApp to Adam, but Martina told me I shouldn't because it was late and, at the end, Adam was my boss. “Yeah but he is not really my boss, in Spain, I am the boss.
Tomas Adam Nyapi
Behind me I feel her presence, my ancestress, my double, turning in mid-air under the chandelier, in her costume of stars and feathers, a bird stopped in flight, a woman made into an angel, waiting to be found.
Margaret Atwood
Women and men with bodies covered in feathers and heads crowned with tiny curved horns dangled from the ceiling, twirling and spinning around thick sheets of gold or magenta silk that hung like massive party ribbons. Below them, performers in costumes made of fur, more feathers and paint slathered over skin, prowled and crawled as if they were wild chimeras escaped from another world. Tella saw performers dressed to look like tigers with dragon wings, horses with forked tails, snakes with lion manes, and wolves with ram horns, who growled and nipped and sometimes licked at the hells of guests. There were a few low balconies where shirtless men with wings as large as angels' and fallen stars pushed grinning couples back and forth on giant swings hanging from canopies of thorns and flowers.
Stephanie Garber, Legendary
Behind me I feel her presence, my ancestress, my double turning in midair under the chandelier, in her costume of stars and feathers, a bird stopped in flight, a woman made into an angel, waiting to be found. By me this time. How could I have believed I was alone in here? There were always two of us. Get over it, she says. I’m tired of this melodrama, I’m tired of keeping silent. There’s no one you can protect, your life has value to no one. I want it finished.
Margaret Atwood (The Handmaid's Tale)
Stop daydreaming and listen to the story of how Benjamín lost all his hair. “One spring morning, a circus wagon painted like a carriage from the funeral parlor pulled by two skeletal horses decorated with black plumes passed along our street, heading for the town square. A man wearing a skeleton costume held the reins. Next to him sat a female dwarf dressed as the Angel of the Last Judgment, playing a sad melody on an old trumpet. Attracted by their sinister looks, we ran to see the performance.
Alejandro Jodorowsky (Where the Bird Sings Best)