Ancestors Roots Quotes

If you're betrayed, release disappointment at once. By that way, the bitterness has no time to take root.

Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

I have an idea that some men are born out of their due place. Accident has cast them amid certain surroundings, but they have always a nostalgia for a home they know not. They are strangers in their birthplace, and the leafy lanes they have known from childhood or the populous streets in which they have played, remain but a place of passage. They may spend their whole lives aliens among their kindred and remain aloof among the only scenes they have ever known. Perhaps it is this sense of strangeness that sends men far and wide in the search for something permanent, to which they may attach themselves. Perhaps some deep-rooted atavism urges the wanderer back to lands which his ancestors left in the dim beginnings of history.

I carry my roots with me all the time rolled up, I use them as my pilllow.

You may write me down in history With your bitter, twisted lies, You may tread me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

All the world and more has rushed eternity’s length to reach this beat of your heart, screaming down the years. And if you let it, the universe, without drawing breath, will press itself through this fractured second and race to the next, on into a new eternity. Everything that is, the echoes of everything that ever was, the roots of all that will ever be, must pass through this moment that you own. Your only task is to give it pause—to make it notice.

It is in the roots, not the branches, that a tree’s greatest strength lies.

I always encourage them to practice in a way that will help them go back to their own tradition and get re-rooted. If they succeed at at becoming reintegrated, they will be an important instrument in transforming and renewing their tradition. ... When we respect our blood ancestors and our spiritual ancestors, we feel rooted. If we find ways to cherish and develop our spiritual heritage, we will avoid the kind of alienation that is destroying society, and we will become whole again. ... Learning to touch deeply the jewels of our own tradition will allow us to understand and appreciate the values of other traditions, and this will benefit everyone.

And once upon a time I wondered: Is writing epic fantasy not somehow a betrayal? Did I not somehow do a disservice to my own reality by paying so much attention to the power fantasies of disenchanted white men? But. Epic fantasy is not merely what Tolkien made it. This genre is rooted in the epic — and the truth is that there are plenty of epics out there which feature people like me. Sundiata’s badass mother. Dihya, warrior queen of the Amazighs. The Rain Queens. The Mino Warriors. Hatshepsut’s reign. Everything Harriet Tubman ever did. And more, so much more, just within the African components of my heritage. I haven’t even begun to explore the non-African stuff. So given all these myths, all these examinations of the possible… how can I not imagine more? How can I not envision an epic set somewhere other than medieval England, about someone other than an awkward white boy? How can I not use every building-block of my history and heritage and imagination when I make shit up? And how dare I disrespect that history, profane all my ancestors’ suffering and struggles, by giving up the freedom to imagine that they’ve won for me.

Your ancestors are rooting for you.

My family tree has many branches, both living and dead... but all equally important. I cherish the memories that make its roots run deep.

People who brag of their ancestors are like root vegetables. All their importance is underground.

To forget one’s ancestors is to be a brook without a source, a tree without roots.

Secret is the mother of all lies.

But loyalty isn't rooted in friendship. It's much stronger than that. It comes from being born and raised under the same sky, from walking the same path as our ancestors, and from sharing the warrior code. With this life I commit you to upholding the warrior code, whatever challenges you might face. This is the wisdom of our ancestors, all our traditions distilled. Trust the code to lead you along the right path.

If you know where you are from, it is harder for people to stop you where you are going.

Our cultural roots are the most ancient in the world. The spiritual concepts of our Ancestors gave birth to religious thought African people believe in the oneness of the African family through sacred time, which unites the past, the present and the future. Our Ancestors live with us.

If corruption had already taken root, then good seeds must be preserved.

There is a strange emptiness to life without myths. I am African American — by which I mean, a descendant of slaves, rather than a descendant of immigrants who came here willingly and with lives more or less intact. My ancestors were the unwilling, unintact ones: children torn from parents, parents torn from elders, people torn from roots, stories torn from language. Past a certain point, my family’s history just… stops. As if there was nothing there. I could do what others have done, and attempt to reconstruct this lost past. I could research genealogy and genetics, search for the traces of myself in moldering old sale documents and scanned images on microfiche. I could also do what members of other cultures lacking myths have done: steal. A little BS about Atlantis here, some appropriation of other cultures’ intellectual property there, and bam! Instant historically-justified superiority. Worked great for the Nazis, new and old. Even today, white people in my neck of the woods call themselves “Caucasian”, most of them little realizing that the term and its history are as constructed as anything sold in the fantasy section of a bookstore. These are proven strategies, but I have no interest in them. They’ll tell me where I came from, but not what I really want to know: where I’m going. To figure that out, I make shit up.

You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

Turn that worthless lawn into a beautiful garden of food whose seeds are stories sown, whose foods are living origins. Grow a garden on the flat roof of your apartment building, raise bees on the roof of your garage, grow onions in the iris bed, plant fruit and nut trees that bear, don't plant 'ornamentals', and for God's sake don't complain about the ripe fruit staining your carpet and your driveway; rip out the carpet, trade food to someone who raises sheep for wool, learn to weave carpets that can be washed, tear out your driveway, plant the nine kinds of sacred berries of your ancestors, raise chickens and feed them from your garden, use your fruit in the grandest of ways, grow grapevines, make dolmas, wine, invite your fascist neighbors over to feast, get to know their ancestral grief that made them prefer a narrow mind, start gardening together, turn both your griefs into food; instead of converting them, convert their garage into a wine, root, honey, and cheese cellar--who knows, peace might break out, but if not you still have all that beautiful food to feed the rest and the sense of humor the Holy gave you to know you're not worthless because you can feed both the people and the Holy with your two little able fists.

Forge your path. Crack your ancestors wide open. By any means necessary, unearth your roots.

When we respect our blood ancestors and our spiritual ancestors, we feel rooted.

The roots of tyranny and freedom trace back to long before recorded history, and are etched in our genes.

My teachers revealed to me how traditional Islamic scholarship rests upon unbroken chains of transmission called Isnad (Literally, “to lean back on for support”—an unbroken transmission of religious authority similar to the Rabbinic concept of Semikhah) that link each student back in time through the generations to Muhammad himself. To bring my own Isnad to life, my teachers would occasionally gift me books written by ancestors in my chain, like Imam Ad-Dani who lived in eleventh-century Spain.

african american women are easy. inferior. africans are dirty. jungle people. african americans are lazy. indolent. african people are too black. ugly. african americans think they are better than us. africans think they are better us. –– listen to the sound of us | we are breaking our mothers heart | the ancestors weep at how much we look like the hate that came to eat us

I had nature in my heart, she said. Like she did, and her mother before her. There was something about us---the Weyward women---that bonded us more tightly with the natural world. We can feel it, she said, the same way we feel rage, sorrow, or joy. The animals, the birds, the plants---they let us in, recognizing us as one of their own. That is why roots and leaves yield so easily under our fingers, to form tonics that bring comfort and healing. That is why animals welcome our embrace. Why the crows---the ones who carry the sign---watch over us and do our bidding, why their touch brings our abilities into sharpest relief. Our ancestors---the women who walked these paths before us, before there were words for who they were---did not lie in the barren soil of the churchyard, encased in rotting wood. Instead, the Weyward bones rested in the woods, in the fells, where our flesh fed plants and flowers, where trees wrapped their roots around our skeletons. We did not need stonemasons to carve our names into rock as proof we had existed. All we needed was to be returned to the wild. This wildness inside gives us our name. It was men who marked us so, in the time when language was but a shoot curling from the earth. Weyward, they called us, when we would not submit, would not bend to their will. But we learned to wear the name with pride.

if you were to identify a single person who embodies us Indians the best, who do you think it should be? Ideally, it should be a tribal woman because she is most likely to be carrying the deepest-rooted and widest-spread mtDNA lineage in India today, M2. In a genetic sense, she would represent all of our history, with very little left out. She shares the most with the largest number of Indians, no matter where in the social ladder they stand, what language they speak and which region they inhabit because we are all migrants, and we are all mixed.

It is surprising to me that one of the great crimes of history has gone unnoticed; the abduction of god by religions. This slight-of-hand has been the cause of countless blood-shed and has been found at the root of innumerable acts of evil. The argument continues today, as to which religion the true god belongs, when what would be most healing and empowering is to free god from the shackles of religious limitation and judgment. It is by emancipating god from the ignorance of our ancestors that we become empowered to explore and express our own relationship with what god may or may not be.

Animism is the way humanity has been deeply connected to the land and its seasonal cycles for millennia, in rapport and conversation with the animals, plants, elements, Ancestors and earth spirits. The opposite of animism is the “cult of the individual” so celebrated in modern society, and the loss of the animist worldview is at the root of our spiritual disconnect and looming ecological crisis. Human beings are just one strand woven into the complex systems of Earth Community, and the animistic perspective is fundamental to the paradigm shift, and the recovery of our own ancestral wisdom.

Was it the wicked leaders who led innocent populations to slaughter, or was it wicked populations who chose leaders after their own hears? On the face of it, it seemed unlikely that one Leader could force a million Englishmen against their will. If, for instance, Mordred had been anxious to make the English wear petticoats, or stand on their heads, they would surely not have joined his party -- however clever or persuasive or deceitful or even terrible his inducements? A leader was surely forced to offer something which appealed to those he led? He might give the impetus to the falling building, but surely it had to be toppling on its own account before it fell? If this were true, then wars were not calamities into which amiable innocents were led by evil men.They were national movements, deeper, more subtle in origin. And, indeed, it did not feel to him as if he or Mordred had led their country to its misery. If it was so easy to lead one's country in various directions, as if she was a pig on a string, why had he failed to lead her into chivalry, into justice, and into peace? He had been trying. Then again -- this was the second circle -- it was like the Inferno -- if neither he nor Mordred had really set the misery in motion, who had been the cause? How did the fact of war begin in general? For any one war seemed so rooted in its antecedents. Mordred went back to Morgause, Morgause to Uther Pendragon, Uther to his ancestors. It seemed as if Cain had slain Abel, seizing his country, after which the men of Abel had sought to win their patrimony again for ever. Man had gone on, through age after age, avenging wrong with wrong, slaughter with slaughter. Nobody was the better for it, since both sides always suffered, yet everybody was inextricable. The present war might be attributed to Mordred or to himself. But also it was due to a million Thrashers, to Lancelot, Guenever, Gawaine, everybody. Those who lived by the sword were forced to die by it. It was as if everything would lead to sorrow, so long as man refused to forget the past. The wrongs of Uther and of Cain were wrongs which could have been righted only by the blessing of forgetting them.

The year before, I’d been so anxious to do research in the Old South Collections. The archives had fascinated me. Made me happy for the first time in my socially awkward life. But there was a catch when you did research on slavery: you couldn’t only focus on the parts you wanted. You had to wade through everything, in order to get to the documents you needed. You had to look at the slave auctions and whippings. The casual cruelty that indicated the white men who’d owned Black folks didn’t consider them human beings. When I began doing research in the Pinchard family papers, I wasn’t reading about strangers anymore. These were my own ancestors, Black and white. Samuel Pinchard was the great-grandfather of Uncle Root and Dear Pearl.

Lastly, cultural appropriation rewrites history with whiteness at the center. So for example, though yoga has its roots in India as a spiritual practice, it is now seen as a predominantly white-centered practice that is focused largely on physical health.

You may write me down in history With your bitter, twisted lies, You may tread me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

Still I Rise - 1928-2014 You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise. Does my sassiness upset you? Why are you beset with gloom? ’Cause I walk like I’ve got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I’ll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don’t you take it awful hard ’Cause I laugh like I’ve got gold mines Diggin’ in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I’ve got diamonds At the meeting of my thighs? Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I’m a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

Even time breaks down within this calculus of interbeing. We stand in a spiral—rather than a strictly linear—continuity with our ancestors and the ancient cosmos. We still see the light of the stars that died long ago and that now form our living bodies; so, too, do our actions reach into the future of all life and death. It matters what we bring forth with the matter of our bodies. We create, as cosmos-formed creatures, within creation.

We trust ourselves, far more than our ancestors did… The root of our predicament lies in the simple fact that, though we remain a flawed and unstable species, plagued now as in the past by a thousand weaknesses, we have insisted on both unlimited freedom and unlimited power. It would now seem clear that, if we want to stop the devastation of the earth, the growing threats to our food, water, air, and fellow creatures, we must find some way to limit both.

For a while I thought I could un-Jew myself. Then I realized that being Jewish is not in the ritual or the action. It is in one's history. I am proud of being Jewish, because I think that's where my indomitable spirit comes from, passed down from ancestors who burned in fired of persecution because of their blood, their faith.

A bush with strong roots stands better than a tree with weak ones.

In genealogy you might say that interest lies in the eye of the gene holder. The actual descendants are far more intrigued with it all than the listeners, who quickly sink into a narcoleptic coma after the second or third great-great-somebody kills a bear or beheads Charles I, invents the safety pin or strip-mines Poland, catalogues slime molds, dances flamenco, or falls in love with a sheep. Genealogy is a forced march through stories. Yet everyone loves stories, and that is one reason we seek knowledge of our own blood kin. Through our ancestors we can witness their times. Or, we think, there might be something in their lives, an artist’s or a farmer’s skill, an affection for a certain landscape, that will match or explain something in our own. If we know who they were, perhaps we will know who we are. And few cultures have been as identity-obsessed as ours. So keen is this fascination with ancestry, genealogy has become an industry. Family reunions choke the social calendar. Europe crawls with ancestor-seeking Americans. Your mother or your spouse or your neighbors are too busy to talk to you because they are on the Internet running “heritage quests.” We have climbed so far back into our family trees, we stand inches away from the roots where the primates dominate.

Still I rise" You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise. Does my sassiness upset you? Why are you beset with gloom? ‘Cause I walk like I’ve got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I’ll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don’t you take it awful hard ‘Cause I laugh like I’ve got gold mines Diggin’ in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I’ve got diamonds At the meeting of my thighs? Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I’m a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

In her memoir of living among the Bushmen, The Old Way: A Story of the First People, my friend Liz lovingly invokes an image first coined by evolutionary biologist Richard Dawkins: “You are standing beside your mother, holding her hand. She is holding her mother’s hand, who is holding her mother’s hand. . . . ” Eventually the line stretches three hundred miles long and goes back five million years, and the clasping hand of the ancestor looks like that of a chimpanzee. I loved picturing one of Octavia’s arms stretching out to meet one of her mother’s arms, and one of her mother’s mother’s arms, and her mother’s mother’s mother’s. . . . Suckered, elastic arms, reaching back through time: an octopus chorus line stretching not just hundreds, but many thousands of miles long. Back past the Cenozoic, the time when our ancestors descended from the trees; back past the Mesozoic, when dinosaurs ruled the land; back past the Permian and the rise of the ancestors of the mammals; back, past the Carboniferous’s coal-forming swamp forests; back past the Devonian, when amphibians emerged from the water; back past the Silurian, when plants first took root on land—all the way to the Ordovician, to a time before the advent of wings or knees or lungs, before the fishes had bony jaws, before blood pumped from a multichambered heart. More than 500 million years ago, the tides would have been stronger, the days shorter, the year longer, and the air too high in carbon dioxide for mammals or birds to breathe. All the earth’s continents huddled in the Southern Hemisphere. And yet still, the arm of Octavia’s ancestor, sensitive, suckered, and supple, would have been recognizable as one of an octopus.

If you- If you dare to turn your fire on Inys,' Glorian bit out,then I will do as my ancestor did to the Nameless One. She forced herself to lift her chin in defiance. I will drive you back with sword and spear, with bow and lance!Shaking, she heaved for air.I am the voice, the body of Inys. My stomach is its strength - my heart, its shield - and if you think I will submit to you because I am small and young, you are wrong.

Roseveare had told him to wait a few days. The days had passed, and Ellwood knew what to do. There was a part of him that felt as if it had always been inevitable that he would be forced to wander the Continent, homelessly drifting, like his ancestors through the desert. It was inevitable, because of how badly he longed to be rooted to England. Because of how happy he was at Preshute, the world unfurling, magical and beckoning, before him. Of course he could not have it.

Rick talked about hope as a life-sustaining force that is rooted in our relationship with the future. He wrote, “Just as our ancestors did, today we think about getting from where we are now, let’s call it Point A, to where we want to be, say Point B.

The human story is one of continual branching movement, out of Africa to every corner of the globe. When people talk of blood and soil, as if their ancestors sprung fully formed from the earth of a particular place, it involves a kind of forgetting. (Hari Kunzru)

Perhaps it is this sense of strangeness that sends men far and wide in the search for something permanent, to which they may attach themselves. Perhaps some deep-rooted atavism urges the wanderer back to lands which his ancestors left in the dim beginnings of history. Sometimes a man hits upon a place to which he mysteriously feels he belongs. Here is the home he sought, and he will settle amid scenes that he has never seen before, among men he has never known, as though they were familiar to him from his birth. Here at last he finds rest.

May 27, 1941 Sunday we encountered specimens of the rarely appearing yellow lady's slipper. This orchis is fragilely beautiful. One tends to think of it almost as a phenomenon, without any roots or place in the natural world. And yet it, too, has had its tough old ancestors which have eluded fires and drought and freezes to pass on in this lovely form the boon of existence. If a plant so delicately lovely can at the same time be so toughly persistent and resistant to all natural enemies, can we doubt that hopes for a better an more rational world may not also withstand all assaults, be bequeathed from generation to generation, and come ultimately to flower? President Roosevelt says he has not lost faith in democracy; nor have I lost faith in the transcendent potentialities of LIFE itself. One has but to look about him to become almost wildly imbued with something of the massive, surging vitality of the earth.

You’re right. One has to be mad. [...] Do you remember about the prehistoric reptile, the an- cestor of man, the first to emerge from the mud in early Paleozoic times, a milliard years ago, who set out to live in the air and to breathe, even though he had no lungs? [...] Well, he was mad too. Absolutely bats. That’s why he tried. He’s the ancestor of us all, and we shouldn’t forget it. But for him we wouldn’t be here. He was as crazy as they come. We too have got to try. That's what progress is. By trying like him, perhaps we’ll wind up with the necessary organs, the organ of dignity, of decency, or of fraternity.

Taking Root I am no stranger to roots. In third grade, I punctured a sweet potato’s middle with toothpicks, suspended it halfway in a cup of water until sprout-like whiskers swam along its bottom. On day nine leaves crowned it. I scooped out soil with my hands and buried it up to its neck. I’ve laid down my own in places where corn and tomatoes grow in vacant lots, where cilantro and basil thrive on window sills and in cities balanced on ancestor’s bones. Roots are hardy travelers, adaptable: they float on water, cohere to wood, burrow deep beneath foundations, challenge floorboards. from Second Skin

[T]he power of enclosing land and owning property was brought into the creation by your ancestors by the sword; which first did murder their fellow creatures, men, and after plunder or steal away their land, and left this land successively to you, their children. And therefore, though you did not kill or thieve, yet you hold that cursed thing in your hand by the power of the sword; and so you justify the wicked deeds of your fathers, and that sin of your father shall be visited upon the head of you and your children to the third and fourth generation, and longer too, till your bloody and thieving power be rooted out of the land.

This is sacred space. Libation . . . instead of pouring water on the ground, I pour words on the page. I begin with this libation in honor of all of those unknown and known spirits who surround us. I acknowledge the origins of this land where I am seated while writing this introduction. This land was inhabited by Indigenous people, the very first people to inhabit this land, who lived here for thousands of years before the Europeans arrived and were unfortunately unable to cohabitate without dominating, enslaving, raping, terrorizing, stealing from, relocating, and murder- ing the millions of members of Indigenous nations throughout Turtle Island, which is now known as North America. I write libation to those millions of Indigenous women, men, and children; and those millions of kidnapped and enslaved African women, men, and children whose genocide, confiscated land, centuries of free labor, forced migration, traumatic memories of rape, and sweat, tears, and blood make up the very fiber and foundation of all of the Americas and the Caribbean.

Hers the stillness of the forest, rooted restlessness, oak-slow, pine-quick, a seething patience. Hers the stillness of ice walls that face the sea, clear and deep, blue secrets held cold against the truth of the world, a patience of aeons stacked against a sudden fall. Hers the stillness of a sorrow-born babe unmoving in its crib. And of the mother, frozen in her discovery, fleeting and forever.

All that ancestor stuff … I mean, I’ve got English ancestors too, haven’t I? It’s no good saying like my ancestors were African, so I’ve got to go back to my roots …. It was my English ancestors who sold my African ancestors into slavery. Where does that leave me? Am I innocent or guilty or what? ‘’ ‘You can’t go back’’ Stuart said. ‘’You can only go forward. You can’t forget either. You have to use everything you know.

I have always found it difficult not to be moved by Jerusalem, even when I hated it—and God knows I have hated it for the sheer human cost of it. But the sight of it, from afar or inside the labyrinth of its walls, softens me. Every inch of it holds the confidence of ancient civilizations, their deaths and their birthmarks pressed deep into the city's viscera and onto the rubble of its edges. The deified and the condemned have set their footprints in its sand. It has been conqured, razed and, rebuilt so many times that its stones seem to possess life, bestowed by the audit trail of prayer and blood. Yet somehow, it exhales humility. It sparks an inherent sense of familiary in me—that doubtless, irrefutable Palestinian certainty that I belong to this land. It possesses me, no matter who conquers it, because its soil is the keeper of my roots, of the bones of my ancestors. Because it knows the private lust that flamed the beds of all my foremothers. Because I am the natural seed of its passionate, tempestuous past. I am a daughter of the land, and Jerusalem reassures me of this inalienable right, far more than the yellowed property deeds, the Ottoman land registries, the iron keys to our stolen homes, or UN resolutions and decrees of superpowers could ever do.

The relative complexity of modern society offers the further benefit of convincing the youth that their parents are idiots, that all of their ancestors were uncivilized morons, and that their heritage is rooted inextricably in primitive and immoral thinking. This encourages the youth to reject their parents, their ancestors, their traditions, and wisdom in favor of the arbitrary demands and assertions of the establishment.

Still I Rise You may write me down in history With your bitter, twisted lies, You may tread me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

I am a maid, My lord, that ne'er before invited eyes, But have been gazed on like a comet: she speaks, My lord, that, may be, hath endured a grief Might equal yours, if both were justly weigh'd. Though wayward fortune did malign my state, My derivation was from ancestors Who stood equivalent with mighty kings: But time hath rooted out my parentage, And to the world and awkward casualties Bound me in servitude. ~Marina, "Pericles

There is no chef without a homeland. To be a chef today is to center yourself in the traditions of your roots and use them to define your art and speak to any human being about who you are; your plate is your flag. Many of our most pungent memories are carried through food, just as connections to our ancestors are reaffirmed by cooking the dishes handed down to us. For some chefs, this bond is as easy as pointing to a Tuscan village or a Korean neighborhood, while others adopt the foods of culinary kinfolk outside their own background and use them to express their personal identity. Many take for granted their fast and easy connections to a food narrative that grounds them in a tradition, gives them a broad palette to explore, and affords them a genuine taste of eudaemonia, all of which is the holistic feeling of flourishing in life; and of course it is often blissfully apolitical.

How would a restored Islamic world order relate to the modern international system, built around states? A true Muslim’s loyalty, al-Banna argued, was to multiple, overlapping spheres, at the apex of which stood a unified Islamic system whose purview would eventually embrace the entire world. His homeland was first a “particular country”; “then it extends to the other Islamic countries, for all of them are a fatherland and an abode for the Muslim”; then it proceeds to an “Islamic Empire” on the model of that erected by the pious ancestors, for “the Muslim will be asked before God” what he had done “to restore it.” The final circle was global: “Then the fatherland of the Muslim expands to encompass the entire world. Do you not hear the words of God (Blessed and Almighty is He!): ‘Fight them until there is no more persecution, and worship is devoted to God’?” Where possible, this fight would be gradualist and peaceful. Toward non-Muslims, so long as they did not oppose the movement and paid it adequate respect, the early Muslim Brotherhood counseled “protection,” “moderation and deep-rooted equity.” Foreigners were to be treated with “peacefulness and sympathy, so long as they behave with rectitude and sincerity.” Therefore, it was “pure fantasy” to suggest that the implementation of “Islamic institutions in our modern life would create estrangement between us and the Western nations.

The root of all evil, the liberal insists, was precisely this interference with the freedom of employment, trade and currencies practiced by the various schools of social, national, and monopolistic protectionism since the third quarter of the nineteenth century; but for the unholy alliance of trade unions and labor parties with monopolistic manufacturers and agrarian interests, which in their shortsighted greed joined forces to frustrate economic liberty, the world would be enjoying today the fruits of an almost automatic system of creating material welfare. Liberal leaders never weary of repeating that the tragedy of the nineteenth century sprang from the incapacity of man to remain faithful to the inspiration of the early liberals; that the generous initiative of our ancestors was frustrated by the passions of nationalism and class war, vested interests, and monopolists, and above all, by the blindness of the working people to the ultimate beneficence of unrestricted economic freedom to all human interests, including their own. A great intellectual and moral advance was thus, it is claimed; frustrated by the intellectual and moral weaknesses of the mass of the people; what the spirit of Enlightenment had achieved was put to nought by the forces of selfishness. In a nutshell this is the economic liberal’s defense. Unless it is refuted, he will continue to hold the floor in the contest of arguments.

Blessed be that which gives your children wings and roots’ says an Arabic proverb. He needed his roots. There is a place in the world where we are born, where we learn our mother tongue and discover how our ancestors overcame the problems they had to face. He needed wings too. They reveal to us the endless horizons of the imagination, they carry us to our dreams and to distant places. It is our wings that allow us to know the roots of our fellow men and learn from them.

There are quite a few feelings like this—feelings that, back when they entered our lineage, served our ancestors’ interests but that don’t always serve our interests now. Take road rage. The desire to punish people who treat you unfairly or show you disrespect is deeply human. And admit it: though there’s something unpleasant about being made angry, there’s something pleasing about the feeling of anger itself—the feeling that you’re rightfully enraged. The Buddha said anger has a “poisoned root and honeyed tip.

Tyson emails back: “I’m going to tell you the same thing that I told Henry Louis Gates” (Gates had asked Tyson to appear on his show Finding Your Roots): My philosophy of root-finding may be unorthodox. I just don’t care. And that’s not a passive, but active absence of caring. In the tree of life, any two people in the world share a common ancestor—depending only on how far back you look. So the line we draw to establish family and heritage is entirely arbitrary. When I wonder what I am capable of achieving, I don’t look to family lineage, I look to all human beings. That’s the genetic relationship that matters to me. The genius of Isaac Newton, the courage of Gandhi and MLK, the bravery of Joan of Arc, the athletic feats of Michael Jordan, the oratorical skills of Sir Winston Churchill, the compassion of Mother Teresa. I look to the entire human race for inspiration for what I can be—because I am human. Couldn’t care less if I were a descendant of kings or paupers, saints or sinners, the valorous or cowardly. My life is what I make of it.

The territory through which we passed had been overbuilt in the days over the Secular Ancients, but only a few traces of that exuberant time remained, and a whole forest had grown up since then, maple and birch and pine, its woody roots no doubt entwined with artifacts from the Efflorescence of Oil and with the bones of the artifacts' owners. What is the modern world, Julian once asked, but a vast Cemetery, reclaimed by nature? Every step we took reverberated in the skulls of our ancestors, and I felt as if there were centuries rather than soil beneath my feet.

A momentous decision taken consciously around A.D. 1600, and recorded in oral traditions but also attested archaeologically, was the killing of every pig on the island, to be replaced as protein sources by an increase in consumption of fish, shellfish, and turtles. According to Tikopians’ accounts, their ancestors had made that decision because pigs raided and rooted up gardens, competed with humans for food, were an inefficient means to feed humans (it takes about 10 pounds of vegetables edible to humans to produce just one pound of pork), and had become a luxury food for the chiefs.

Still I Rise You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

Because the maximum safe level of protein intake for humans is around 50 percent of total calories, the rest must come from fat, such as blubber, or carbohydrates, such as in fruits and roots. Fat is an excellent source of calories in high-latitude sites like the Arctic or Tierra del Fuego, where sea mammals have evolved thick layers of blubber to protect themselves from the cold. However, fat levels are much lower in the meat of tropical mammals, averaging around 4 percent, and high-fat tissues like marrow and brain are always in limited supply. The critical extra calories for our equatorial ancestors therefore must have come from plants, which are vital for all tropical hunter-gatherers.

Reflecting back on the journey to the “Great Outdoors” places me in a different tonal mood, filled up with hope and passion, not resentful, suppressed relics of anger unresolved Did you listen to the winds? What did you hear? Did you listen to the trees? What knowledge did they bring you? Did you listen to the birds? What songs did they sing to you? Did you listen to the Universe(s)? What messages did they bring you? Did you listen to the ancestors? What hope did they send you? Did you really listen? Close your eyes and open up your full heart and listen again Not for me Do it 4 UrSelf Do it 4 tha Future Look beyond UrSelf Open up UrSelf Love ThySelf Quiet the chatter of your mind, close the racing tracks and be still and quiet so that U can hear what they’re trying to say to U. Be appreciative for what U have been bestowed and blessed to be stewards of, please do not take this to mean: Destroy, dominate, and control. Let it mean be cognizant of the complexity, respect true biodiversity, respect and honor all Life, allow for balance, and recognize evolutionary adaptability in all of Creation. The winds are blowing good tidings and blessings in this here direction as this one poem comes to a close while striving for the rootedness of an ancient Sequoia so high up in the sky and deeply rooted in our common Mother. Listen to my woes of loneliness and see that will Life all around, NO one is truly lonely or alone.

Though magic does often bring us the things we desire, satisfying our cravings is not magic’s primary purpose. Magic connects people to their roots, to their spiritual ancestors and allies, to the hundreds of thousands of beings who have gone before them experiencing similar struggles. A creative act, magic brings richness to your life. When you’re cold and alone, your chants might be all you have to keep you alive. Even when it feels like all of civilization has conspired in its effort to take it from you, magic gives you hope, magic gives you pleasure, and most importantly, magic helps you remember you have power, even if you can’t see a way to use it yet. The fact that magic connects people to their power is the main reason most systems of oppression attempt to ban it.

The underground teaches us to respect mystery. We live in a world obsessed with illumination, where we blaze our floodlights over every secret, strive to reveal every furrow, to root out every last trace of darkness, as though it were a kind of vermin. In our connection to subterranean space, we ease our suspicion of the unknown, and recognize that not everything should be revealed, not all the time. The underground helps us accept that there will always be lacunae, always blind spots. It reminds us that we are disorderly, irrational creatures, susceptible to magical thinking and flights of dreaming and bouts of lostness, and that these are our greatest gifts. The underground reminds us of what our ancestors always knew, that there is forever power and beauty in the unspoken and unseen.

What a tragedy it is when one trusts the jealousy of his friends. What a tragedy it is when one trusts the values of a society built to trap souls within its system. What a tragedy it is, when one is afraid to oppose the protective love of his own family, rooted in the fears of the ancestors. What a tragedy it is when one is afraid to contradict his own thoughts, rooted in his own traumatic experiences. What a tragedy it is, when men and women of religion, are afraid to think. What a tragedy it is, when men and women of science, are afraid to feel. What a tragedy it is when we call that life and glorify spiritual death as if it was a trophy. For the one who lives must battle such things inside his own nature, and will never be able to share victories with those who are too frightened to awaken.

Consider the roots of a simple and mundane action, for instance, buying bread for your breakfast. A farmer has grown the grain in a field carved from wilderness by his ancestors; in the ancient city a miller has ground the flour and a baker prepared the loaf; the vendor has transported it to your house in a cart built by a cartwright and his apprentices. Even the donkey that draws the cart, what stories could she not tell if you could decipher her braying? And then you yourself hand over a coin of copper dug from the very heart of the earth, you who have risen from a bed of dreams and darkness to stand in the light of the vast and terrifying sun. Are there not a thousand strands woven together into this tapestry of a morning meal? How then can you expect that the omens of great events should be easy to unravel? The Pseudo-Iamblichus Scroll

Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide Shubha Let me enter in to the immemorial incontinence of your labia majora In to the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum -flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize S

I feel like I’m on holy ground here, do you?' she called to the crowd through her mic. 'Special spot, special spot,' somebody called back. They were not wrong: what happened here in a mountainous backwater of a colonial outpost had gathered enough momentum to shift the course of history. Shepherd told the story of the anonymous woman who was said to have started the first trash house fire on the night of December 27, 1831. 'Yes, it led to her death,' she said, 'but it gave birth to abolition within the British Empire. I’m going to rename her tonight. Guess what I’m going to name her? ‘Fire.’ Tonight we christen ‘Fire.’ This time we want to have the flames of passion in our hearts. As I look across the hills, I can almost see the fires lit in 1831. I believe the hills were joyful that night as they witnessed our ancestors stand against oppression and torture.' Her voice rose: 'Ancestors, we see you! We hear you every time we sing or dance. Everything we do, the roots are in what our ancestors did to survive.

Everything in this world that you think you own is not really yours, Zeidy says. It can be taken from you at any moment. Small comfort, to think that my few possessions can be stolen in the night. A parent, a sibling, a house, a dress—all of those things are possessions; in the long run, they don’t matter. Zeidy says he knows this because he knows what it is like to lose everything. He says that the only thing of value one can achieve in this life is menuchas hanefesh, the deep, inner serenity that prevails even in the face of persecution. Our ancestors were so strong, they could maintain complete calm even under the gravest of circumstances; grievous bodily torture and unspeakable anguish did nothing to sway them from their tranquil position. When you have faith, Zeidy says, you can grasp how meaningless life is, in terms of the bigger picture. From the perspective of heaven, our suffering is minuscule, but if your soul is so weighed down that you cannot see beyond what’s in front of you, then you can never be happy.

That which is unnamed was first,” it said. “But I am named, flesh queen. Remember.” Its pupils thinned. “The cold one on the ship. She was your kin.” Glorian looked at the other skull. “She fell to my flame. So will this land. We will finish the scouring, for we are the teeth that harrow and turn. The mountain is the forge and smith, and we, its iron offspring—come to avenge the first, the forebear, he who sleeps beneath.” Every warrior should know fear, Glorian Brightcry. Without it, courage is an empty boast. “You confess,” Glorian said, “that you slew the blood of the Saint.” Her voice kept breaking. “Do you then declare war on Inys?” Fyredel—the wyrm—let out a rattle. A score of complex scales and muscles shifted in its face. “When your days grow long and hot,” he said, “when the sun in the North never sets, we shall come.” On both sides of the Strondway, those who had not fled were rooted to the spot, fixated on Glorian. She realized what they must be thinking. If she died childless, the eternal vine was at its end. What she did next could define how they saw the House of Berethnet for centuries to come. Start forging your armour, Glorian. You will need it. She looked down once more at her parents’ remains, the bones the wyrms had dumped here like a spoil of war. In her memory, her father laughed and drew her close. He would never laugh again. Never smile. Her mother would never tell her she loved her, or how to calm her dreams. And where there had been fear, there was anger. “If you—If you dare to turn your fire on Inys,” Glorian bit out, “then I will do as my ancestor did to the Nameless One.” She forced herself to lift her chin in defiance. “I will drive you back with sword and spear, with bow and lance!” Shaking, she heaved for air. “I am the voice, the body of Inys. My stomach is its strength—my heart, its shield— and if you think I will submit to you because I am small and young, you are wrong.” Sweat was running down her back. She had never been so afraid in her life. “I am not afraid,” she said. At this, the wyrm unfurled its wings to their full breadth. From tip to hooked tip, they were as wide as two longships facing each other. People scrambled out of their shadow. “So be it, Shieldheart.” It steeped the word in mockery. “Treasure your darkness, for the fire comes. Until then, a taste of our flame, to light your city through the winter. Heed my words.

You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? ’Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don't you take it awful hard ’Cause I laugh like I've got gold mines Diggin’ in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

I have always found it difficult not to be moved by Jerusalem, even when I hated it—and God knows I have hated it for the sheer human cost of it. But the sight of it, from afar or inside the labyrinth of its walls, softens me. Every inch of it holds the confidence of ancient civilizations, their deaths and their birthmarks pressed deep into the city's viscera and onto the rubble of its edges. The deified and the condemned have set their footprints in its sand. It has been conquered, razed and, rebuilt so many times that its stones seem to possess life, bestowed by the audit trail of prayer and blood. Yet somehow, it exhales humility. It sparks an inherent sense of familiarity in me—that doubtless, irrefutable Palestinian certainty that I belong to this land. It possesses me, no matter who conquers it, because its soil is the keeper of my roots, of the bones of my ancestors. Because it knows the private lust that flamed the beds of all my foremothers. Because I am the natural seed of its passionate, tempestuous past. I am a daughter of the land, and Jerusalem reassures me of this inalienable right, far more than the yellowed property deeds, the Ottoman land registries, the iron keys to our stolen homes, or UN resolutions and decrees of superpowers could ever do.

You may write me down in history With your bitter, twisted lies, You may tread me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

*Africans, Embrace One Another* -------------------------- My fellow African, when you look at another African, what do you see? Do you not see the reflection of yourself? Do you not see someone who was once a victim of the dark past? Someone who has now emerged as a survivor at last; just as your forefathers did before the shadows enslaved your kins! Do you not see the same colour of your skin? Do you not see the same texture of your hair? Yes, you see yourself, it's clear. Now, since you're looking at your reflection, don't you wish to cover yourself with affection? Beloved Africans, you were once the victims of confusion in the past. But you shouldn't remain in that disillusioned class. Today you're free and enriched with resources to maintain yourselves. Let the victim mentality go as a start. Like the three wise men, embrace your survivor status. Be wise and be resourceful. Africans, you have the permission to celebrate your roots, your heritage, and the teachings of your books. Go on and heal your bodies with your traditional herbs. And teach your children the secrets of your ancestors. Tell your children that your ancestors were self-sufficient. Efficient, your ancestors lived well — with little to nothing. Yet, they were the happiest. The merriest. Embrace the secrets of your traditions, just like the seas. You're safe and free.

We ought to recognize the darkness of the culture of death when it shows up in our own voices. I am startled when I hear those who claim the name of Christ, and who loudly profess to be pro-life, speaking of immigrants with disdain as “those people” who are “draining our health care and welfare resources.” Can we not see the same dehumanizing strategies at work in the abortion-rights activism that speaks of the “product of conception” and the angry nativism that calls the child of an immigrant mother an “anchor baby”? At root, this is a failure to see who we are. We are united to a Christ who was himself a sojourner, fleeing political oppression (Matt. 2:13–23), and our ancestors in Israel were themselves a migrant people (Exod. 1:1–14; 1 Chron. 16:19; Acts. 7:6). Moreover, our God sees the plight of the fatherless and the blood of the innocent, but he also tells us that because he loves the sojourner and cares for him so should we, “for you were sojourners in the land of Egypt” (Deut. 10:18–19). We might disagree on the basis of prudence about what specific policies should be in place to balance border security with compassion for the immigrants among us, but a pro-life people have no option to respond with loathing or disgust at persons made in the image of God. We might or might not be natural-born Americans, but we are, all of us, immigrants to the kingdom of God (Eph. 2:12–14). Whatever our disagreements on immigration as policy, we must not disagree on whether immigrants are persons. No matter how important the United States of America is, there will come a day when the United States will no longer exist. But the sons and daughters of God will be revealed. Some of them are undocumented farm-workers and elementary-school janitors now. They will be kings and queens then. They are our brothers and sisters forever. We need to stand up against bigotry and harassment and exploitation, even when such could be politically profitable to those who stand with us on other issues. The image of God cannot be bartered away, at the abortion clinic counter or anywhere else.

I will not delay the reader with lengthy quotations from the very many Taiwanese flood myths that were collected from amongst the indigenous population, primarily by Japanese scholars, in the nineteenth and early twentieth centuries. Typically they tell a story of a warning from the gods, the sound of thunder in the sky, terrifying earthquakes, the pouring down of a wall of water which engulfs mankind, and the survival of a remnant who had either fled to mountain tops or who floated to safety on some sort of improvised vessel. To provide just one example (from the Ami tribe of central Taiwan), we hear how the four gods of the sea conspired with two gods of the land, Kabitt and Aka, to destroy mankind. The gods of the sea warned Kabitt and Aka: 'In five days when the round moon appears, the sea will make a booming sound: then escape to a mountain where there are stars.' Kabitt and Aka heeded the warning immediately and fled to the mountain and 'when they reached the summit, the sea suddenly began to make the sound and rose higher and higher'. All the lowland settlements were inundated but two children, Sura and Nakao, were not drowned: 'For when the flood overtook them, they embarked in a wooden mortar, which chanced to be lying in the yard of their house, and in that frail vessel they floated safely to the Ragasan mountain.' So here, handed down since time immemorial by Taiwanese headhunters, we have the essence of the story of Noah's Ark, which is also the story of Manu and the story of Zisudra and (with astonishingly minor variations) the story of all the deluge escapees and survivors in all the world. At some point a real investigation should be mounted into why it is that furious tribes of archaeologists, ethnologists and anthropologists continue to describe the similarities amongst these myths of earth-destroying floods as coincidental, rooted in exaggeration, etc., and thus irrelevant as historical testimony. This is contrary to reason when we know that over a period of roughly 10,000 years between 17,000 and 7000 years ago more than 25 million square kilometres of the earth's surface were inundated. The flood epoch was a reality and in my opinion, since our ancestors went through it, it is not surprising that they told stories and bequeathed to us their shared memories of it. As well as continuing to unveil it through sciences like inundation mapping and palaeo-climatology, therefore, I suggest that if we want to learn what the world was really like during the meltdown we should LISTEN TO THE MYTHS.

Stark Electric Jesus Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide

I was witness to events of a less peaceful character. One day when I went out to my wood-pile, or rather my pile of stumps, I observed two large ants, the one red, the other much larger, nearly half an inch long, and black, fiercely contending with one another. Having once got hold they never let go, but struggled and wrestled and rolled on the chips incessantly. Looking farther, I was surprised to find that the chips were covered with such combatants, that it was not a duellum, but a bellum, a war between two races of ants, the red always pitted against the black, and frequently two red ones to one black. The legions of these Myrmidons covered all the hills and vales in my wood-yard, and the ground was already strewn with the dead and dying, both red and black. It was the only battle which I have ever witnessed, the only battle-field I ever trod while the battle was raging; internecine war; the red republicans on the one hand, and the black imperialists on the other. On every side they were engaged in deadly combat, yet without any noise that I could hear, and human soldiers never fought so resolutely. I watched a couple that were fast locked in each other's embraces, in a little sunny valley amid the chips, now at noonday prepared to fight till the sun went down, or life went out. The smaller red champion had fastened himself like a vice to his adversary's front, and through all the tumblings on that field never for an instant ceased to gnaw at one of his feelers near the root, having already caused the other to go by the board; while the stronger black one dashed him from side to side, and, as I saw on looking nearer, had already divested him of several of his members. They fought with more pertinacity than bulldogs. Neither manifested the least disposition to retreat. It was evident that their battle-cry was "Conquer or die." In the meanwhile there came along a single red ant on the hillside of this valley, evidently full of excitement, who either had despatched his foe, or had not yet taken part in the battle; probably the latter, for he had lost none of his limbs; whose mother had charged him to return with his shield or upon it. Or perchance he was some Achilles, who had nourished his wrath apart, and had now come to avenge or rescue his Patroclus. He saw this unequal combat from afar—for the blacks were nearly twice the size of the red—he drew near with rapid pace till he stood on his guard within half an inch of the combatants; then, watching his opportunity, he sprang upon the black warrior, and commenced his operations near the root of his right fore leg, leaving the foe to select among his own members; and so there were three united for life, as if a new kind of attraction had been invented which put all other locks and cements to shame. I should not have wondered by this time to find that they had their respective musical bands stationed on some eminent chip, and playing their national airs the while, to excite the slow and cheer the dying combatants. I was myself excited somewhat even as if they had been men. The more you think of it, the less the difference. And certainly there is not the fight recorded in Concord history, at least, if in the history of America, that will bear a moment's comparison with this, whether for the numbers engaged in it, or for the patriotism and heroism displayed. For numbers and for carnage it was an Austerlitz or Dresden. Concord Fight! Two killed on the patriots' side, and Luther Blanchard wounded! Why here every ant was a Buttrick—"Fire! for God's sake fire!"—and thousands shared the fate of Davis and Hosmer. There was not one hireling there. I have no doubt that it was a principle they fought for, as much as our ancestors, and not to avoid a three-penny tax on their tea; and the results of this battle will be as important and memorable to those whom it concerns as those of the battle of Bunker Hill, at least.

Palestinians in this country, as in others, are clearly conscious of the sufferings of their Palestinian ancestors and relatives who have faced persecutions, discrimination, expulsions, and property and goods confiscation133

America stakes a relatively modest claim to world history when compared to other nations. Perhaps this lack of historical longevity partially accounts for why each generation of Americans tends to define themselves based largely upon the flashbulb remembrances that took place during their lifetime. Despite the relative newness of The United States of America emergence as a great power, post-Vietnam Americans display no deeply entwined interest in their national heritage. The battle cries of the American Revolution, the Civil War, and the battle hymns of World War I and World War II seem like ancient relics in the springtime commencement of the digital age. Today’s consumerism society brazenly casted aside the legacy of its predecessors similar to how one would toss away a functionally obsolete toaster, bulky television set, or land phone when the newest and slimmest best thing comes along. It is a fundamental mistake to forget the embryonic stages of America. When a nation’s citizens respect the accomplishments of its ancestors, the populous feels spiritually rooted. Without a clear vision and a unified approach, America will never become the beacon of universal justice.

As the author Michael Pollan taught us in his book The Omnivore’s Dilemma, our food and the way we eat has changed more in the last fifty years than in the last five thousand. All these changes mean that we’re eating in a way that’s significantly different from our ancestors. High-fructose corn syrup, corn-fed factory-farmed meat, preservatives, genetically modified wheat, and hormone-injected dairy are all examples of foods that have never been consumed in the quantities and combinations that we’re consuming them in now.

If you know where you are from, it will be harder for people to stop you where you are going.

Being thoroughly a man, one whose nature was rooted in competition, Zachary had experienced jealousy before. But nothing like this. Not this mixture of rage and alarm that shredded his insides. He was no idiot—he had seen the way Holly was looking at Ravenhill in the ballroom, and he had understood it all too well. They were cut from the same cloth, and they shared a past that he'd had no part of. There were bonds between them, memories, and even more, the comfort of knowing exactly what to expect from each other. All of a sudden Zachary hated Ravenhill with an intensity that approached fear. Ravenhill was everything he was not… everything he could never be. If only this were a more primitive time, the period of history when simple brute force overrode all else and a man could have what he wanted merely by staking his claim. That was how most of these damned bluebloods had originated, in fact. They were the watered-down, inbred descendents of warriors who had earned their status through battle and blood. Generations of privilege and ease had tamed them, softened and cultured them. Now these pampered aristocrats could afford to look down their noses at a man who probably resembled their revered ancestors more than they themselves did. That was his problem, Zachary realized. He had been born a few centuries too late. Instead of having to mince and prance his way into a society that was clearly too rarefied for him, he should have been able to dominate… fight… conquer. As Zachary had seen Holly leave the ballroom, her small hand tucked against Ravenhill's arm, it had required all his will to appear collected. He had nearly trembled with the urge to snatch Holly into his arms and carry her away like a barbarian. For a moment, the rational part of his brain had commanded him to let Holly go without a struggle. She had never been his to lose. Let her make the right decisions for herself, the comfortable decisions. Let her find the peace she deserved. The hell I will, he had thought savagely. He had followed the pair, intent as a prowling tiger, letting nothing stand in the way of what he wanted. And now he found Holly sitting here alone in the garden, looking dazed and dreamy, and he wanted to shake her until her hair cascaded loose and her teeth rattled.

Despite Gentile’s disagreement with Marx about historical inevitability, he has at this point clearly broken with modern conservatism and classical liberalism and revealed himself to be a man of the Left. Gentile was, in fact, a lifelong socialist. Like Marx, he viewed socialism as the sine qua non of social justice, the ultimate formula for everyone paying their “fair share.” For Gentile, fascism is nothing more than a modified form of socialism, a socialism arising not merely from material deprivation but also from an aroused national consciousness, a socialism that unites rather than divides communities. Gentile also perceived fascism emerging out of revolutionary struggle, what the media today terms “protest” or “activism.” Unlike Marx, he conceived the struggle not between the working class and the capitalists, but between the selfish individual trying to live for himself and the fully actualized individual who willingly puts himself at the behest of society and the state. Gentile seems to be the unacknowledged ancestor of the street activism of Antifa and other leftist groups. “One of the major virtues of fascism,” he writes, “is that it obliged those who watched from their windows to come down into the street.

Golden children ran wild over a field of dead great-grandmothers and great-grandfathers, and the bones must have wanted to rise up and knock together and rattle with joy. I have never seen a town that gave so much—so much of what counts—to its children. More than anything else I wished I belonged to one of these living, celebrated families, lush as plants, with bones in the ground for roots. I wanted pollen on my cheeks and one of those calcium ancestors to decorate as my own.

Still I Rise BY MAYA ANGELOU You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own backyard. Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

On an idyllic summer day, we walked through the meadows and hillsides, sitting in circles, laughing and filling sacks of cottongrass, salmonberries, crowberries, cranberries, mountain alder, northern golden rod, and rose hip roots. We collected cloudberry tea and Labrador tea, and wild celery. The Elders walked together, laughing, talking of the old days when they would travel to the Messenger Feasts, across the channel to Siberia, or south to trade in Qikiqtaġruk. We’d mix a dessert of fresh berries and lard, whipping and whipping the lard until fluffy.

There are people who fear us because they don't understand what we do. I am not a witch or a fortune-teller or a healer like the others, God knows that, the herbs and the mushrooms give me great powers for reflection because that is the greatest power we have on this earth, reflection is how we heal ourselves and how we can fix any problem or heartbreak, and so with herbs and with the mushroom Children I look inside the sick one, I see the root of their physical sickness or the suffering buried in their soul and that is something the sages of medicine can't do, people are afraid of us because they don't know how we do it, but this is something that comes to us from our ancestors, it is as old as the land itself.

On the sixty-fifth page the rabbis are arguing about King David and his ill-gotten wife Bathsheba, a mysterious biblical tale about which I’ve always been curious. From the fragments mentioned, it appears that Bathsheba was already married when David laid his eyes upon her, but he was so attracted to her that he deliberately sent her husband, Uriah, to the front lines so that he would be killed in war, leaving Bathsheba free to remarry. Afterward, when David had finally taken poor Bathsheba as his lawful wife, he looked into her eyes and saw in the mirror of her pupils the face of his own sin and was repulsed. After that, David refused to see Bathsheba again, and she lived the rest of her life in the king’s harem, ignored and forgotten. I now see why I’m not allowed to read the Talmud. My teachers have always told me, “David had no sins. David was a saint. It is forbidden to cast aspersions on God’s beloved son and anointed leader.” Is this the same illustrious ancestor the Talmud is referring to? Not only did David cavort with his many wives, but he had unmarried female companions as well, I discover. They are called concubines. I whisper aloud this new word, con-cu-bine, and it doesn’t sound illicit, the way it should, it only makes me think of a tall, stately tree. The concubine tree. I picture beautiful women dangling from its branches. Con-cu-bine. Bathsheba wasn’t a concubine because David honored her by taking her as his wife, but the Talmud says she was the only woman David chose who wasn’t a virgin. I think of the beautiful woman on the olive oil bottle, the extra-virgin. The rabbis say that God only intended virgins for David and that his holiness would have been defiled had he stayed with Bathsheba, who had already been married. King David is the yardstick, they say, against whom we are all measured in heaven. Really, how bad can my small stash of English books be, next to concubines? I am not aware at this moment that I have lost my innocence. I will realize it many years later. One day I will look back and understand that just as there was a moment in my life when I realized where my power lay, there was also a specific moment when I stopped believing in authority just for its own sake and started coming to my own conclusions about the world I lived in.

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But here come these people, the Rastas like the one who held her up now, who believe that Ethiopia is the true Holy Land and that Haile Selassie is the living God. Decrying the very foundation of their colonial education, preaching instead that whites are the ones who are inferior and wicked. Embracing her blackness had become unnatural to Patricia, and subsequently to Vera, but she wondered now why it seemed more natural to put lye acid on the roots of her hair than to let it grow the way she was born. She understood why her mother carried on so when she saw Rastas walking the same streets as her, why she sometimes would call the police if she saw one near their house. They were manifestations of a truth she didn’t want to face, and believed that if scorned enough could be permanently banished. Her mother didn’t want to hear that more of her ancestors came from Africa than from England. That she was idolizing and mimicking the masters who raped and beat her foremothers and forefathers. That slavery was not over, and they’d never truly be free unless they rejected everything they’d been taught to value. Even the white Jesus she worshipped so feverishly. That woman would never embrace Haile Selassie, a god who looked like them, when she was taught that blackness was the opposite of everything divine.

Furthermore, the agricultural revolution stunted children’s growth rates. An analysis of juvenile long bones from Neolithic sites shows declines in length and density over the periods when farming took root. Hunter-gatherer skeletons are far more strapping than those of settled laborers, and it’s only since the Industrial Revolution that we’ve regained the stature of our ancestors from ten thousand years ago.

My parents pulled memories from the root and packed them into their suitcase when we immigrated here. Stories told enthusiastically embellished con amor y agradecimiento for growth, healing, conflict, and trauma. Recuerdos I'll retell when I remember how I reached my American dream. El destino final. And how my ancestors know that.