“
If there is any truth in the world, it lies when I'm with you, and if I find the courage to speak my truth to you one day, remind me to light a candle in thanksgiving at every altar in Rome.
”
”
André Aciman (Call Me by Your Name)
“
The problem is, many of the people in need of saving are in churches, and at least part of what they need saving from is the idea that God sees the world the same way they do.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
Wisdom is not gained by knowing what is right. Wisdom is gained by practicing what is right, and noticing what happens when that practice succeeds and when it fails.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
Every human interaction offers you the chance to make things better or to make things worse.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
Perhaps this sort of marriage, at the top echelons of Washington and international society, was made from different rules. Fidelity, honesty – perhaps these were quaint ideas better suited to less ambitious people. When one had the heights of the free world practically in one’s grasp, maybe the bargain at the altar became more pragmatic.
”
”
Anne Michaud (Why They Stay: Sex Scandals, Deals, and Hidden Agendas of Nine Political Wives)
“
Whoever you are, you are human. Wherever you are, you live in the world, which is just waiting for you to notice the holiness in it.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
To make bread or love, to dig in the earth, to feed an animal or cook for a stranger—these activities require no extensive commentary, no lucid theology. All they require is someone willing to bend, reach, chop, stir. Most of these tasks are so full of pleasure that there is no need to complicate things by calling them holy. And yet these are the same activities that change lives, sometimes all at once and sometimes more slowly, the way dripping water changes stone. In a world where faith is often construed as a way of thinking, bodily practices remind the willing that faith is a way of life.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
According to the Talmud, every blade of grass has its own angel bending over it, whispering, “Grow, grow.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
In an ideal world, marriage vows would be entirely rewritten. At the altar, a couple would speak thus: "We accept not to panic when, some years from now, what we are doing today will seem like the worst decision of our lives. Yet we promise not to look around, either, fro we accept that there cannot be better options out there. Everyone is always impossible. We are a demented species.
”
”
Alain de Botton (The Course of Love)
“
The Divine was expansive, but religion was reductive. Religion attempted to reduce the Divine to a knowable quantity with which mortals might efficiently deal, to pigeonhole it once and for all so that we never had to reevaluate it. With hammers of cant and spikes of dogma, we crucified and crucified again, trying to nail to our stationary altars the migratory light of the world.
”
”
Tom Robbins (Skinny Legs and All)
“
No one longs for what he or she already has, and yet the accumulated insight of those wise about the spiritual life suggests that the reason so many of us cannot see the red X that marks the spot is because we are standing on it. The treasure we seek requires no lengthy expedition, no expensive equipment, no superior aptitude or special company. All we lack is the willingness to imagine that we already have everything we need. The only thing missing is our consent to be where we are.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
Rosie,
I'm returning to Boston tomorrow but before I go I wanted to write this letter to you. All the thoughts and feelings that have been bubbling up inside me are finally overflowing from this pen and I'm leaving this letter for you so that you don't feel that I'm putting you under any great pressure. I understand that you will need to take your time trying to decide on what I am about to say.
I no what's going on, Rosie. You're my best friend and I can see the sadness in your eyes. I no that Greg isn't away working for the weekend. You never could lie to me; you were always terrible at it. Your eyes betray you time and time again. Don't pretend that everything is perfect because I see it isn't. I see that Greg is a selfish man who has absolutely no idea just how lucky he is and it makes me sick.
He is the luckiest man in the world to have you, Rosie, but he doesn't deserve you and you deserve far better. You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you're doing, where you are, who you're with and if you're OK. You need someone who can help you reach your dreams and who can protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who can make you happy, really happy, dancing-on-air happy. Someone who should have taken the chance to be with you years ago instead of becoming scared and being too afraid to try.
I am not scared any more, Rosie. I am not afraid to try. I no what the feeling was at your wedding - it was jealousy. My heart broke when I saw the woman I love turning away from me to walk down the aisle with another man, a man she planned to spend the rest of her life with. It was like a prison sentence for me - years stretching ahead without me being able to tell you how I feel or hold you how I wanted to.
Twice we've stood beside each other at the altar, Rosie. Twice. And twice we got it wrong. I needed you to be there for my wedding day but I was too stupid to see that I needed you to be the reason for my wedding day.
I should never have let your lips leave mine all those years ago in Boston. I should never have pulled away. I should never have panicked. I should never have wasted all those years without you. Give me a chance to make them up to you. I love you, Rosie, and I want to be with you and Katie and Josh. Always.
Please think about it. Don't waste your time on Greg. This is our opportunity. Let's stop being afraid and take the chance. I promise I'll make you happy.
All my love,
Alex
”
”
Cecelia Ahern (Love, Rosie)
“
I'm the idiot box. I'm the TV. I'm the all-seeing eye and the world of the cathode ray. I'm the boob tube. I'm the little shrine the family gathers to adore.'
'You're the television? Or someone in the television?'
'The TV's the altar. I'm what people are sacrificing to.'
'What do they sacrifice?' asked Shadow.
'Their time, mostly,' said Lucy. 'Sometimes each other.' She raised two fingers, blew imaginary gunsmoke from the tips. Then she winked, a big old I Love Lucy wink.
'You're a God?' said Shadow.
Lucy smirked, and took a ladylike puff of her cigarette. 'You could say that,' she said.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
People encounter God under shady oak trees, on riverbanks, at the tops of mountains, and in long stretches of barren wilderness. God shows up in whirlwinds, starry skies, burning bushes, and perfect strangers. When people want to know more about God, the son of God tells them to pay attention to the lilies of the field and the birds of the air, to women kneading bread and workers lining up for their pay. Whoever wrote this stuff believed that people could learn as much about the ways of God from paying attention to the world as they could from paying attention to scripture. What is true is what happens, even if what happens is not always right. People can learn as much about the ways of God from business deals gone bad or sparrows falling to the ground as they can from reciting the books of the Bible in order. They can learn as much from a love affair or a wildflower as they can from knowing the Ten Commandments by heart.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
I falter where I firmly trod,
And falling with my weight of cares
Upon the great world's altar-stairs
That slope thro' darkness up to God,
I stretch lame hands of faith, and grope,
And gather dust and chaff, and call
To what I feel is Lord of all,
And faintly trust the larger hope.
”
”
Alfred Tennyson (In Memoriam)
“
The eye turned to the fire gave back no light and he closed it with his thumb and sat by her and put his hand upon her bloodied forehead and closed his own eyes that he could see her running in the mountains, running in the starlight where the grass was wet and the sun's coming as yet had not undone the rich matrix of creatures passed in the night before her. Deer and hare and dove and groundvole all richly empaneled on the air for her delight, all nations of the possible world ordained by God of which she was one among and not separate from. Where she ran the cries of the coyotes clapped shut as if a door had closed upon them and all was fear and marvel. He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held, what already ran among the mountains at once terrible and of great beauty, like flowers that feed on flesh. What blood and bone are made of but can themselves not make on any altar nor by any wound of war. What we may well believe has power to cut and shape and hollow out the dark form of the world surely if wind can, if rain can. But which cannot be held never be held and is no flower but is swift and a huntress and the wind itself is in terror of it and the world cannot lose it.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Earth is so thick with divine possibility that it is a wonder we can walk anywhere without cracking our shins on altars.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
What is saving my life now is the conviction that there is no spiritual treasure to be found apart from the bodily experiences of human life on earth. My life depends on engaging the most ordinary physical activities with the most exquisite attention I can give them. My life depends on ignoring all touted distinctions between the secular and the sacred, the physical and the spiritual, the body and the soul. What is saving my life now is becoming more fully human, trusting that there is no way to God apart from real life in the real world.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
It's possible, and I stress possible, that such a moment may never come: you may not fall in love, you may not be able to or you may not wish to give your whole life to anyone, and, like me, you may turn forty-five one day and realize that you're no longer young and you have never found a choir of cupids with lyres or a bed of white roses leading to the altar. The only revenge left for you then will be to steal from life the pleasure of firm and passionate flesh - a pleasure that evaporates faster than good intentions and is the nearest thing to heaven you will find in this stinking world where everything decays, beginning with beauty and ending with memory.
”
”
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
“
And from far away, Aelin heard another woman’s voice. Make sure that they’re punished someday. Every last one of them. They will be, she’d sworn to Kaltain. They had lied. Had betrayed Elena and Erilea, as they had believed themselves betrayed. Their green sun-drenched world rippled away ahead. Groaning, Aelin climbed to her feet. She was no lamb to slaughter. No sacrifice on an altar of the greater good. And she was not done yet.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
this book is published, hundreds of thousands of American lives will have been sacrificed on the altar of Donald’s hubris and willful ignorance. If he is afforded a second term, it would be the end of American democracy.
”
”
Mary L. Trump (Too Much and Never Enough: How My Family Created the World's Most Dangerous Man)
“
but I know that I have an easier time loving humankind than I do loving particular human beings.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
The great wisdom traditions of the world all recognize that the main impediment to living a life of meaning is being self-absorbed.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
Holding the space doesn’t mean swaddling the family immobile in their grief. It also means giving them meaningful tasks. Using chopsticks to methodically clutch bone after bone and place them in an urn, building an altar to invite a spirit to visit once a year, even taking a body from the grave to clean and redress it: these activities give the mourner a sense of purpose. A sense of purpose helps the mourner grieve. Grieving helps the mourner begin to heal.
”
”
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
“
The world's Redeemer was treated as we deserve to be treated, in order that we might be treated as he deserved to be treated. He came to our world and took our sins upon his own divine soul that we might receive his imputed righteousness. He was condemned for our sins, in which he had no share, that we might be justified by his righteousness, in which we had no share. The world's Redeemer gave himself for us. Who was he? The Majesty of heaven, pouring out his blood upon the altar of justice for the sins of guilty man. We should know our relationship to Christ and his relationship to us.
The Review and Harold 3-21-91 PR-06
”
”
Ellen Gould White
“
Human beings have a hard time regarding anything beautiful without wanting to devour it.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
In our best times everything turns into religion, all the world seems a church and the mountains altars.
”
”
John Muir (My First Summer in the Sierra)
“
Human beings may separate things into as many piles as we wish—separating spirit from flesh, sacred from secular, church from world. But we should not be surprised when God does not recognize the distinctions we make between the two.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
This is good, and all good things cast shadows.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
All I am saying is that anyone can do this. Anyone can ask and anyone can bless, whether anyone has authorized you to do it or not. All I am saying is that the world needs you to do this, because there is a real shortage of people willing to kneel wherever they are and recognize the holiness holding its sometimes bony, often tender, always life-giving hand above their heads. That we are able to bless one another at all is evidence that we have been blessed, whether we can remember when or not. That we are willing to bless one another is miracle enough to stagger the very stars.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
I am not in charge of this House, and never will be. I have no say about who is in and who is out. I do not get to make the rules. Like Job, I was nowhere when God laid the foundations of the earth. I cannot bind the chains of the Pleiades or loose the cords of Orion. I do not even know when the mountain goats give birth, much less the ordinances of the heavens. I am a guest here, charged with serving other guests—even those who present themselves as my enemies. I am allowed to resist them, but as long as I trust in one God who made us all, I cannot act as if they are no kin to me. There is only one House. Human beings will either learn to live in it together or we will not survive to hear its sigh of relief when our numbered days are done.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
You do not yield.
Aelin slammed her hand into the lid. Cairn paused. Aelin pounded her fist into the iron again. Again. You do not yield. Again. You do not yield. Again. Again. Until she was alive with it, until her blood was raining onto her face, washing away the tears, until every pound of her fist into the iron was a battle cry. You do not yield.
It rose in her, burning and roaring, and she gave herself wholly to it.
Over and over, she pounded against the lid. Over and over, that song of fire and darkness flared through her, out of her, into the world. You do not yield
And when she awoke chained on the altar, she beheld what she had done to the iron coffin. The top of the lid had been warped. A great hump now protruded, the metal stretched thin. As if it had come so very close to breaking entirely.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Who had persuaded me that God preferred four walls and a roof to wide-open spaces? When had I made the subtle switch myself, becoming convinced that church bodies and buildings were the safest and most reliable places to encounter the living God?
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
Oh cold, cold, rigid, dreadful Death, set up thine altar here, and dress it with such terrors as thou hast at thy command: for this is thy dominion! But of the loved, revered, and honoured head, thou canst not turn one hair to thy dread purposes, or make one feature odious. It is not that the hand is heavy and will fall down when released; it is not that the heart and pulse are still; but that the hand was open, generous, and true; the heart brave, warm, and tender; and the pulse a man's. Strike, Shadow, strike! And see his good deeds springing from the wound, to sow the world with life immortal.
”
”
Charles Dickens (A Christmas Carol)
“
I will love you if I please. I will make you my altar, I’ll put you above everything else in this world, I’ll revel in every morsel you are made of.
”
”
Chloe Gong (Foul Heart Huntsman (Foul Lady Fortune, #2))
“
You shall love the stranger, for you were strangers in the land of Egypt.” Those most likely to befriend strangers, in other words, are those who have been strangers themselves. The best way to grow empathy for those who are lost is to know what it means to be lost yourself.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
If there is any truth in the world, it lies when I am with you, and if I find the courage to speak my truth to you one day, remind me to light a candle in thanksgiving at every altar in Rome.
”
”
André Aciman
“
The hardest spiritual work in the world is to love the neighbor as the self - to encounter another human being not as someone you can use, change, fix, help, save, enroll, convince or control, but simply as someone who can spring you from the prison of yourself, if you will allow it.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles.
This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear.
But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God.
...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.
”
”
Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)
“
Honestly, Edythe, Mama says, like she’s going to give her the most important advice in the world, If you continue acting this way, you will be unpopular for the rest of your life. I wish I could go someplace far away
”
”
Rebecca Wells (Little Altars Everywhere)
“
I no longer call such tasks "housework". I call them the "domestic arts," paying attention to all the ways they return me to my senses.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
We have just enough religion to make us hate one another,” Jonathan Swift once observed, “but not enough to make us love one another.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
I am. I think. I will.
My hands. . . My spirit . . . My sky . . . This earth of mine . . . .
What more must I say besides? These are the words. This is the answer.
I stand here on the summit of the mountain I lift my head and I spread m arms. This, my body and spirit, this is the end of the quest. I wished to know the meaning of things. I am the meaning. I wished to find a warrant for being. I need no warrant for being, and no word of sanction upon my being. I am the warrant and the sanction.
It is my eyes which see, and the sight of my eyes grants beauty to the earth. It is my ears which hear, and the hearing of my ears gives its song to the world. It is my mind which thinks, and the judgment of my mind is the only searchlight that can find the truth. It is my will which chooses, and the choice of my will is the only edict I must respect.
. . .
Whatever road I take, the guiding star is within me; the guiding star and the loadstone which point the way. They point in but one direction. They point to me.
I know not if this earth on which I stand is the core of the universe or if it is but a speck of dust lost in eternity. I know not and I care not. For I know what happiness is possible to me on earth. And my happiness needs no higher aim to vindicate it. My happiness is not a means to any end. It is the end. It is its own goal. It is its own purpose.
Neither am I the means to any end others may wish to accomplish. I am not a tool for their use. I am not a servant of their needs. I am not a bandage on their wounds. I am not a a sacrifice on their altars.
I am a man . . .
”
”
Ayn Rand
“
We do not admire, we hardly excuse, the fanatic who wrecks this world for love of the other. But what are we to say of the fanatic who wrecks this world out of hatred of the other? He sacrifices the very existence of humanity to the non-existence of God. He offers his victims not to the altar, but merely to assert the idleness of the altar and the emptiness of the throne. He is ready to ruin even that primary ethic by which all things live, for his strange and eternal vengeance upon some one who never lived at all.
”
”
G.K. Chesterton (Orthodoxy)
“
There is no need to ”believe” in Jupiter or Wotan—something that is no more ridiculous then believing in Yahweh however—to be pagan. Contemporary paganism does not consist of erecting altars to Apollo or reviving the worship of Odin. Instead it implies looking behind religion and, according to a now classic itinerary, seeking for the “mental equipment” that produced it, the inner world it reflects, and how the world it depicts as apprehended. In short, it consists of viewing the gods as “centers of value” and the beliefs they generate as value systems: gods and beliefs may pass away, but the values remain.
”
”
Alain de Benoist (On Being a Pagan)
“
That’s not what I mean. You don’t need to be there to fix everything for her. Just be there for her. And love her. Even when she doesn’t seem to need a reminder of how you feel, she does. Don’t forget to tell her. Show her. Not only when her world comes crashing down, but when it really matters most. Every day.
”
”
Olivia Cunning (Sinners at the Altar (Sinners on Tour, #6))
“
A careful reading of the Old and New Testaments shows that idolatry is nothing like the crude picture that springs to mind of a sculpture in some distant country. The idea is highly sophisticated, drawing together the complexities of motivation in individual psychology, the social environment, and also the unseen world. Idols are not just on pagan altars, but in well-educated human hearts and minds
”
”
Richard Keyes
“
Tragically, many people have this faithless, wishy-washy mindset, which causes them to lose the battle in their minds before they ever fight it in the world.
”
”
Craig Groeschel (Altar Ego: Becoming Who God Says You Are)
“
I lay my soul at the altar of her body, and she reshapes me into a man who will burn the world down for her. A man who loves her. Only her.
”
”
Michelle Heard (Owned by a Sinner (Sinners, #2))
“
Whatever I decided to do for a living, it was not what I did but how I did it that mattered.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
This ring tells the world you're mine and no one else's," Sed said, then he slipped the ring onto Jessica's finger.
"This ring tells horny bitches that you're off-limits," she countered.
”
”
Olivia Cunning (Sinners at the Altar (Sinners on Tour, #6))
“
But simple as the Sign of the Cross is, it carries a brave weight: it names the Trinity, celebrates the Creator, and brings home all the power of faith to the brush of fingers on skin and bone and belly. So do we, sometimes well and sometimes ill, labor to bring home our belief in God's love to the stuff of our daily lives, the skin and bone of this world — and the Sign of the Cross helps us to remember that we have a Companion on the road.
”
”
Brian Doyle (Credo: Essays on Grace, Altar Boys, Bees, Kneeling, Saints, the Mass, Priests, Strong Women, Epiphanies, a Wake, and the Haun)
“
When confronted with a problem involving the use of the reasoning faculties, individuals of strong intellect keep their poise, and seek to reach a solution by obtaining facts bearing upon the question. Those of immature mentality, on the other hand, when similarly confronted, are overwhelmed. While the former may be qualified to solve the riddle of their own destiny, the latter must be led like a flock of sheep and taught in simple language. They depend almost entirely upon the ministrations of the shepherd. The Apostle Paul said that these little ones must be fed with milk, but that meat is the food of strong men. Thoughtlessness is almost synonymous with childishness, while thoughtfulness is symbolic of maturity. There are, however, but few mature minds in the world; and thus it was that the philosophic-religious doctrines of the pagans were divided to meet the needs of these two fundamental groups of human intellect--one philosophic, the other incapable of appreciating the deeper mysteries of life. To the discerning few were revealed the esoteric, or spiritual, teachings, while the unqualified many received only the literal, or exoteric, interpretations. In order to make simple the great truths of Nature and the abstract principles of natural law, the vital forces of the universe were personified, becoming the gods and goddesses of the ancient mythologies. While the ignorant multitudes brought their offerings to the altars of Priapus and Pan (deities representing the procreative energies), the wise recognized in these marble statues only symbolic concretions of great abstract truths. In all cities of the ancient
”
”
Manly P. Hall (The Secret Teachings of All Ages)
“
My father asked me once why I was so lazy, why I did not want the world. He asked me what I wanted, and though I did not answer then, because I did not know, and followed old conventions even to the altar, I know it now. It is long past time to answer the question—and I see you, old Arthur, old love, looking up to that silhouette on your porch—what do I want? After choosing the path people wanted, the man who would do, the easy way out of things—your eyes wide in surprise as you see me—after holding it all in my hands and refusing it, what do I want from life?
And I say: "Less!
”
”
Andrew Sean Greer (Less (Arthur Less, #1))
“
He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held, what already ran among the mountains at once terrible and of a great beauty, like flowers that feed on flesh. What blood and bone are made of but can themselves not make on any altar nor by any wound of war. What we may well believe has power to cut and shape and hollow out the dark form of the world surely if wind can, if rain can. But which cannot be held never be held and is no flower but is swift and a huntress and the wind itself is in terror of it and the world cannot lose it.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
When I speak of God, I mean that god who prevented man from putting forth his hand and taking also of the fruit of the tree of life that he might live forever; of that god who multiplied the agonies of woman, increased the weary toil of man, and in his anger drowned a world—of that god whose altars reeked with human blood, who butchered babes, violated maidens, enslaved men and filled the earth with cruelty and crime; of that god who made heaven for the few, hell for the many, and who will gloat forever and ever upon the writhings of the lost and damned.
”
”
Robert G. Ingersoll (Some Mistakes of Moses)
“
All eyes flew to the entrance.
A great gray stallion reared up in the doorway, its breath frosting the air with puffs of steam. It was a scene from every fairy-tale romance she'd ever read: the handsome prince bursting into the castle astride a magnificent stallion, ablaze with desire and honor as he'd declared his undying love before all and sundry. Her heart swelled with joy.
Then her brow puckered as she scrutinized her "prince." Well, it was almost like a fairy tale. Except this prince was dressed in nothing but a drenched and muddy tartan with blood on his face and hands and war braids plaited at his temples. Although determination glittered in his gaze, a declaration of undying love didn't appear to be his first priority.
"Jillian!" he roared.
Her knees buckled. His voice brought her violently to life. Everything in the room receded and there was only Grimm, blue eyes blazing, his massive frame filling the doorway. He was majestic, towering, and ruthless. Here was her fierce warrior ready to battle the world to gain her love.
He urged Occam into the crowd, making his way toward the altar.
"Grimm," she whispered.
”
”
Karen Marie Moning (To Tame a Highland Warrior (Highlander, #2))
“
Thus is worked out, from maggots up to man, the universal law of the violent destruction of living beings. The whole earth, continually steeped in blood, is nothing but an immense altar on which every living thing must be sacrificed without end, without restraint, without respite until the consummation of the world,the extinction of evil,the death of death.
”
”
Joseph de Maistre
“
The miracle is not to walk on water but on the earth. —Thich Nhat Hanh
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
Seek not to follow in the footsteps of the men of old; rather, seek what they sought.1 —Gautama Buddha
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
God shows up in whirlwinds, starry skies, burning bushes, and perfect strangers.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
I paid you five thousand instead and promised the balance only if you made the match. As it turns out, this is your lucky day because I've decided to write you the full check, whether the match comes from you or from Portia. As long as I have a wife and you've been part of the process, you'll get your money." He toasted her with his beer mug. "Congratulations."
She put down her fork. "Why would you do that?"
"Because it's efficient."
"Not as efficient as having Powers handle her own introductions. You're paying her a fortune to do exactly that."
"I'd rather have you."
Her pulse kicked. "Why?"
He gave her the melty smile he must have been practicing since the cradle, one that made her feel as though she was the only woman in the world. "Because you're easier to bully. Do we have a deal or not?"
"You don't want a matchmaker. You want a lackey."
"Semantics. My hours are erratic, and my schedule changes without warning. It'll be your job to cope with all that. You'll soothe ruffled feathers when I need to cancel at the last minute. You'll keep my dates company when I'm going to be late, entertain them if I have to take a call. If things are going well, you'll disappear. If not, you'll make the woman disappear. I told you before. I work hard at my job. I don't want to have to work hard at this, too."
"Basically, you expect me to find your bride, court her, and hand her over at the altar. Or do I have to come on the honeymoon, too?"
"Definitely not." He gave her a lazy smile. "I can take care of that all by myself.
”
”
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
“
When I think of how much this world has suffered; when I think of how long our fathers were slaves, of how they cringed and crawled at the foot of the throne, and in the dust of the altar, of how they abased themselves, of how abjectly they stood in the presence of superstition robed and crowned, I am amazed.
”
”
Robert G. Ingersoll (The Liberty of Man, Woman and Child)
“
Anything can become a spiritual practice once you are willing to approach it that way—once you let it bring you to your knees and show you what is real, including who you really are, who other people are, and how near God can be when you have lost your way.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
You make me like who I am, who I become when you’re with me, Oliver. If there is any truth in the world, it lies when I’m with you, and if I find the courage to speak my truth to you one day, remind me to light a candle in thanksgiving at every altar in Rome.
”
”
André Aciman (Call Me by Your Name (Call Me by Your Name, #1))
“
The question haunts me still, and will, I suppose, until I join my parents in our final reunion. If the doctor had known what horrors awaited us not only at the cemetery that night, but in the days to come, would he still have insisted upon my company? Would he still have demanded that a mere child dive so deep into the well of human suffering and sacrifice—a literal sea of blood? And if the answer to that question is yes, then there are more terrifying monstrosities in the world than Anthropophagi. Monstrosities who, with a smile and a comforting pat on the head, are willing to sacrifice a child upon the altar of their own overweening ambition and pride.
”
”
Rick Yancey (The Monstrumologist (The Monstrumologist, #1))
“
No, Celia, tell the truth.” His grip tightened on her. One hand rose, sinking into her loose hair. “You spoke correctly the first time. You’re afraid. I tell you over and over again that I want you, but you generate excuses for me. I tell you that I refuse to worship my father’s image of respectability, but you make it a matter of safety. I will love you if I please. I will make you my altar, I’ll put you above everything else in this world, I’ll revel in every morsel you are made of. It’s simple—just tell me you don’t feel the same, and I’ll let you go. But I won’t accept anything else. I won’t accept your refusal on the make-believe grounds of our work.
”
”
Chloe Gong (Foul Heart Huntsman (Foul Lady Fortune, #2))
“
Isabel took a drive alone that afternoon; she wished to be far away, under the sky, where she could descend from her carriage and tread upon the daisies. She had long before this taken old Rome into her confidence, for in a world of ruins the ruin of her happiness seemed a less unnatural catastrophe. She rested her weariness upon things that had crumbled for centuries and yet still were upright; she dropped her secret sadness into the silence of lonely places, where its very modern quality detached itself and grew objective, so that as she sat in a sun-warmed angle on a winter's day, or stood in a mouldy church to which no one came, she could almost smile at it and think of its smallness. Small it was, in the large Roman record, and her haunting sense of the continuity of the human lot easily carried her from the less to the greater. She had become deeply, tenderly acquainted with Rome; it interfused and moderated her passion. But she had grown to think of it chiefly as the place where people had suffered. This was what came to her in the starved churches, where the marble columns, transferred from pagan ruins, seemed to offer her a companionship in endurance and the musty incense to be a compound of long-unanswered prayers. There was no gentler nor less consistent heretic than Isabel; the firmest of worshippers, gazing at dark altar-pictures or clustered candles, could not have felt more intimately the suggestiveness of these objects nor have been more liable at such moments to a spiritual visitation.
”
”
Henry James (The Portrait of a Lady)
“
Do you have a body? Don’t sit on the porch! Go out and walk in the rain! If you are in love, then why are you asleep? Wake up, wake up! You have slept millions and millions of years. Why not wake up this morning?
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
To see takes time, like having a friend takes time. It is as simple as turning off the television to learn the song of a single bird. Why should anyone do such things? I cannot imagine—unless one is weary of crossing days off the calendar with no sense of what makes the last day different from the next. Unless one is weary of acting in what feels more like a television commercial than a life. The practice of paying attention offers no quick fix for such weariness, with guaranteed results printed on the side. Instead, it is one way into a different way of life, full of treasure for those who are willing to pay attention to exactly where they are.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
For some reason, the sight of snow descending on fire always makes me think of the ancient world – legionaries in sheepskin warming themselves at a brazier: mountain altars where offerings glow between wintry pillars; centaurs with torches cantering beside a frozen sea – scattered, unco-ordinated shapes from a fabulous past, infinitely removed from life; and yet bringing with them memories of things real and imagined. These classical projections, and something in the physical attitudes of the men themselves as they turned from the fire, suddenly suggested Poussin’s scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outwards like the Seasons, moving hand in hand in intricate measure: stepping slowly, methodically, sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seeminly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.
”
”
Anthony Powell (A Question of Upbringing (A Dance to the Music of Time, #1))
“
...there are more terrifying monstrosities in the world than Anthropophagi. Monstrosities who, with a smile and a comforting pat on the head, are willing to sacrifice a child upon the altar of their own overweening ambition and pride.
”
”
Rick Yancey (The Monstrumologist (The Monstrumologist, #1))
“
Was he my home, then, my homecoming? You are my homecoming. When I’m with you and we’re well together, there is nothing more I want. You make
me like who I am, who I become when you’re with me, Oliver. If there is any truth in the world, it lies when I’m with you, and if I find the courage to speak my truth to you one day, remind me to light a candle in thanksgiving at every altar in Rome.
”
”
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
“
Degeneracy, lust, and passion, hates and fears, crept into the souls of Greece and Rome, and Black Magic overshadowed Egypt; the light upon the altar grew weaker and weaker. The priests lost the Word, the name of the Flame. Little by little the Flame flickered out, and as the last spark grew cold, a mighty nation died, buried beneath the dead ashes of its own spiritual fire. But the Flame did not die. Like spirit of which it is the essence, it cannot die, because it is life, and life cannot cease to be. In some wilderness of land or sea it rested once again, and there rose a mighty nation around that flame. So history goes on through the ages. As long as a people are true to the Flame, it remains, but when they cease to nourish it with their lives, it goes on to other lands and other worlds.
”
”
Manly P. Hall (The Initiates of the Flame (Fully Illustrated))
“
I will love you if I please. I will make you my altar, I’ll put you above everything else in this world, I’ll revel in every morsel you are made of. It’s simple—just tell me you don’t feel the same, and I’ll let you go. But I won’t accept anything else. I won’t accept your refusal on the make-believe grounds of our work.
”
”
Chloe Gong (Foul Heart Huntsman (Foul Lady Fortune, #2))
“
The whole earth, perpetually steeped in blood, is nothing but an immense altar on which every living thing must be sacrificed without end, without restraint, without respite until the consummation of the world, the extinction of evil, the death of death.
”
”
Joseph de Maistre (Considerations on France)
“
I once ventured to say to an old clergyman who was voicing this sort of patriotism, "But, sir, aren't we told that every people thinks its own men the bravest and its own women the fairest in the world?" He replied with total gravity—he could not have been graver if he had been saying the Creed at the altar—"Yes, but in England it's true.
”
”
C.S. Lewis (The Four Loves (Harvest Book))
“
The accountants who spent ten hours a day copying out numbers were, to my mind, victims sacrificed on the altar of a divinity wholly bereft of either greatness or mystery. These humble creatures were devoting their entire lives to a reality beyond their grasp. In days gone by they might have at least believed there was some purpose to their servitude. Now they no longer had any illusions. They were giving up their lives for nothing, and they knew it.
Everyone knows that Japan has the highest suicide rate of any country in the world. What surprised me was that suicides were not more common.
”
”
Amélie Nothomb (Stupeur et tremblements)
“
Human beings may separate things into as many piles as we wish—separating spirit from flesh, sacred from secular, church from world. But we should not be surprised when God does not recognize the distinctions we make between the two. Earth is so thick with divine possibility that it is a wonder we can walk anywhere without cracking our shins on altars.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
Plato once said that pain restores order to the soul. Rumi said that it lops off the branches of indifference. “The throbbing vein / will take you further / than any thinking.”14 Whatever else it does, pain offers an experience of being human that is as elemental as birth, orgasm, love, and death. Because it is so real, pain is an available antidote to unreality—not the medicine you would have chosen, perhaps, but an effective one all the same. The next time you are in real pain, see how you feel about television shows, new appliances, a clean house, or your resumé. Chances are that none of these will do anything for you. All that will do anything for you is some cool water, held out by someone who has stopped everything else in order to look after you. An extra blanket might also help, a dry pillow, the simple knowledge that there is someone in the house who might hear you if you cried.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
Yea! for our roses fade, the world is wild;
But there, beside the altar, there, is rest.
-from "Nuns of the Perpetual Adoration
”
”
Ernest Dowson (The Poems and Prose of Ernest Dowson)
“
Our lives are inextricably bound up with the lives of other people. So much depends on things we can never control.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
Pain is one of the fastest routes to a no-frills encounter with the Holy, and yet the majority of us do everything in our power to avoid it.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
Upon the altar of the heart,
cleansed of conflict,
the world rests radiant
in naked splendor.
”
”
Don Hynes (Stranger to the Beautiful)
“
Only Chromeheads believe the Neon God is a true god.’
‘And yet we treat Him like one, all of us. We worship His Broadcast and we pray for His Justice and sacrifice on His altar each day. When our own eyes deceive us, we make His Jurors into Apostles of Truesight, or rely on worldview-enhancers like that drug Rhapsody or the VVV Visors. Day after day, we find our every thought and action judged by kynikois we can’t see, by arbitrary rules we don’t know, in a reality we rejected. We lead empty lives and so we empty the world of all meaning.
”
”
Louise Blackwick (5 Stars)
“
As he took possession of it, he was overcome by a sense of something like sacred awe. He carefully spread his horse blanket on the ground as if dressing an altar and lay down on it. He felt blessedly wonderful. He was lying a hundred and fifty feet below the earth, inside the loneliest mountain in France - as if in his own grave. Never in his life had he felt so secure, certainly not in his mother's belly. The world could go up on flames out there, but he would not even notice it here. He even began to cry softly. He did not know who to thank for such good fortune.
”
”
Patrick Süskind (Perfume: The Story of a Murderer)
“
Once upon a time, I was a girl afraid to be burned by the world, now I’m a queen who rules the fire. I will win this war for you, Lance, and I swear to the stars I will meet you at the altar.
”
”
Caroline Peckham (Restless Stars (Zodiac Academy, #9))
“
The suppression of ecstasy and condemnation of pleasure by patriarchal religion have left us in a deep, festering morass. The pleasures people seek in modern times are superficial, venal, and corrupt. This is deeply unfortunate, for it justifies the patriarchal condemnation of pleasure that rotted out our hedonistic capacities in the first place! Narcissism is rampant, having reached a truly global scale. It now appears to have entered the terminal phase known as “cocooning,” the ultimate state of isolation. Dissociation from the natural world verges on complete disembodiment, represented in Archontic ploys such as “transhumanism,” cloning, virtual reality, and the uploading of human consciousness into cyberspace. The computer looks due to replace the cross as the primary image of salvation. It is already the altar where millions worship daily. If the technocrats prevail, artificial intelligence and artificial life will soon overrule the natural order of the planet.
”
”
John Lamb Lash
“
All men, at one time or another, have fallen in love with the veiled Isis whom they call Truth. With most, this has been a passing passion: they have early seen its hopelessness and turned to more practical things. But others remain all their lives the devout lovers of reality: though the manner of their love, the vision which they make to themselves of the beloved object varies enormously. Some see Truth as Dante saw Beatrice: an adorable yet intangible figure, found in this world yet revealing the next. To others she seems rather an evil but an irresistible enchantress: enticing, demanding payment and betraying her lover at the last. Some have seen her in a test tube, and some in a poet’s dream: some before the altar, others in the slime. The extreme pragmatists have even sought her in the kitchen; declaring that she may best be recognized by her utility. Last stage of all, the philosophic sceptic has comforted an unsuccessful courtship by assuring himself that his mistress is not really there.
”
”
Evelyn Underhill (Mysticism: A Study in the Nature and Development of Spiritual Consciousness)
“
The Greek, the Roman, and the Barbarian, as they met before their respective altars, easily persuaded themselves, that under various names, and with various ceremonies, they adored the same deities. The elegant mythology of Homer gave a beautiful, and almost a regular form, to the polytheism of the ancient world.
”
”
Edward Gibbon (The Decline and Fall of the Roman Empire)
“
It is this final goal - freedom - toward which all the world's history has been working. It is this goal to which all the sacrifices have been brought upon the broad altar of the earth in the long flow of time.
”
”
Georg Wilhelm Friedrich Hegel (Introduction to the Philosophy of History with Selections from The Philosophy of Right)
“
The god of virginity is popular in the Arab world. It doesn’t matter if you’re a person of faith or an atheist, Muslim or Christian—everybody worships the god of virginity. Everything possible is done to keep the hymen—that most fragile foundation upon which the god of virginity sits—intact. At the altar of the god of virginity, we sacrifice not only our girls’ bodily integrity and right to pleasure but also their right to justice in the face of sexual violation. Sometimes we even sacrifice their lives: in the name of “honor,” some families murder their daughters to keep the god of virginity appeased. When that happens, it leaves one vulnerable to the wonderful temptation of imagining a world where girls and women are more than hymens.
”
”
Mona Eltahawy (Headscarves and Hymens: Why the Middle East Needs a Sexual Revolution)
“
What kind of world have we built when it is more acceptable to ask for sex than a cuddle session? … Have we so stripped our sexuality of inherent value that it becomes the sacrificial lamb on the altar of connection, because everything else is too precious to risk? I'm the first one to say that my body is an amusement park, and I like to have fun with it – and let other people ride it – but there is still a divinity in it. It is no less precious than our fears, our smiles, our hopes, our tears. And this goes not just for women, but for all people. I've known men and dominants who felt they could be vulnerable only during sex, and so they would ask for that instead of talking about what was bothering them, or even simply as a distraction from their own thoughts and troubles.
”
”
Kacie Cunningham (Conquer Me: Girl-To-Girl Wisdom About Fulfilling Your Submissive Desires)
“
He was rowed down from the north in a leather skiff manned by a crew of trolls. His fur cape was caked with candle wax, his brow stained blue by wine - though the latter was seldom noticed due to the fox mask he wore at-all times. A quill in his teeth, a solitary teardrop a-squirm in his palm, he was the young poet prince of Montreal, handsome, immaculate, searching for sturdier doors to nail his poignant verses on.
In Manhattan, grit drifted into his ink bottle. In Vienna, his spice box exploded. On the Greek island of Hydra, Orpheus came to him at dawn astride a transparent donkey and restrung his cheap guitar. From that moment on, he shamelessly and willingly exposed himself to the contagion of music. To the secretly religious curiosity of the traveler was added the openly foolhardy dignity of the troubadour. By the time he returned to America, songs were working in him like bees in an attic. Connoisseurs developed cravings for his nocturnal honey, despite the fact that hearts were occasionally stung.
Now, thirty years later, as society staggers towards the millennium - nailing and screeching at the while, like an orangutan with a steak knife in its side - Leonard Cohen, his vision, his gift, his perseverance, are finally getting their due. It may be because he speaks to this wounded zeitgeist with particular eloquence and accuracy, it may be merely cultural time-lag, another example of the slow-to-catch-on many opening their ears belatedly to what the few have been hearing all along. In any case, the sparkle curtain has shredded, the boogie-woogie gate has rocked loose from its hinges, and here sits L. Cohen at an altar in the garden, solemnly enjoying new-found popularity and expanded respect.
From the beginning, his musical peers have recognized Cohen´s ability to establish succinct analogies among life´s realities, his talent for creating intimate relationships between the interior world of longing and language and the exterior world of trains and violins. Even those performers who have neither "covered" his compositions nor been overtly influenced by them have professed to admire their artfulness: the darkly delicious melodies - aural bouquets of gardenia and thistle - that bring to mind an electrified, de-Germanized Kurt Weill; the playfully (and therefore dangerously) mournful lyrics that can peel the apple of love and the peach of lust with a knife that cuts all the way to the mystery, a layer Cole Porter just could`t expose. It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song.
”
”
Tom Robbins
“
No one’s spiritual practice is exactly like anyone else’s. Life meets each of us where we need to be met, leading us to the doors with our names on them. Yet because we are human, we almost never go where no one has gone before.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
He opened his damp eyes again to stare at the cross on the altar. He might not believe, but the cross meant something to him, nonetheless. It stood for Ted and Joan, for order and stability, but also for the unknowable and unresolvable, for the human craving for meaning in chaos, and for the hope of something beyond the world of pain and endless striving. Some mysteries were eternal and unresolvable by man, and there was relief in accepting that, in admitting it. Death, love, the endless complexity of human beings: only a fool would claim to fully understand any of them.
”
”
Robert Galbraith (The Running Grave (Cormoran Strike, #7))
“
We have already compared the benefits of theology and science. When the theologian governed the world, it was covered with huts and hovels for the many, palaces and cathedrals for the few. To nearly all the children of men, reading and writing were unknown arts. The poor were clad in rags and skins -- they devoured crusts, and gnawed bones. The day of Science dawned, and the luxuries of a century ago are the necessities of to-day. Men in the middle ranks of life have more of the conveniences and elegancies than the princes and kings of the theological times. But above and over all this, is the development of mind. There is more of value in the brain of an average man of to-day -- of a master-mechanic, of a chemist, of a naturalist, of an inventor, than there was in the brain of the world four hundred years ago.
These blessings did not fall from the skies. These benefits did not drop from the outstretched hands of priests. They were not found in cathedrals or behind altars -- neither were they searched for with holy candles. They were not discovered by the closed eyes of prayer, nor did they come in answer to superstitious supplication. They are the children of freedom, the gifts of reason, observation and experience -- and for them all, man is indebted to man.
”
”
Robert G. Ingersoll
“
The skeleton key unlocks the mind and swings open the door of imagination. A far better place than here A much safer place than there The quintessential somewhere The mystical nowhere The enigmatic anywhere My gift to you - the key to everywhere.
The mortal will find itself lost while the soul always knows the way it is grateful for the darkness and celebrates the day
I can give you peace my peace I give you... but I cannot be your savior or your god - I cannot be the light along your path - I can only give you the lamp and point the way.
The blind will see... the deaf will hear... but those who choose reason will never understand.
Woe to the ones who think they know the answers they will cease to ask the questions that may be their own salvation.
We possess the knowledge of the Universe from conception. Once born we are taught to forget.
If we cannot look out at our world and see our children's vision then we are truly blind we are unable to lead them to paradise.
"Even people who are in the dark search for their shadows. Shadows exist only if there is light. We will never find total darkness - not even in death... ...and we always cast a shadow no matter how overcast our skies become. You are never alone."
Do not listen to the voice that shouts to you from behind desks behind podiums behind altars. Do not pay attention to the orators and the opportunists. Do not be distracted by the promises made behind masks. Listen to the quiet. Listen to the whispers as they gently guide you through the assaults of man's absurdities. Listen to the gentle breathing of your mother and lay your head to rest in her peace and in her warm embrace and understand that truth and power lie within you. Breathe silence.
The free bird will always return to the cage sooner or later to seek food and water and the loving hand of it's caretaker.
”
”
M. Teresa Clayton
“
I dream of the humane dawn when we shan't be able to fill our bellies in comfort, while other folks go hungry - or sleep in warm beds, when others shiver in the cold - when we shan't be able to kneel or thank god for blessings before our shining altars, while our fellow beings anywhere in the world are kneeling either physical or spiritual subjection.
”
”
Abhijit Naskar (Conscience over Nonsense)
“
Our aim was not to create profit, but jobs,' Sanchez Gordillo explained to me. This philosophy runs directly counter to the late-capitalist emphasis on 'efficiency' - a word which as been elevated to almost holy status in the neoliberal lexicon, but in reality has become a shameful euphemism for the sacrifice of human dignity at the altar of share prices.
”
”
Dan Hancox (The Village Against The World)
“
... WHEN ONE LOOKS INTO THE DARKNESS THERE IS ALWAYS SOMETHING THERE...
Far-off, most secret, and inviolate Rose,
Enfold me in my hour of hours; where those
Who sought thee in the Holy Sepulchre,
Or in the wine-vat, dwell beyond the stir
And tumult of defeated dreams; and deep
Among pale eyelids, heavy with the sleep
Men have named beauty. Thy great leaves enfold
The ancient beards, the helms of ruby and gold
Of the crowned Magi; and the king whose eyes
Saw the pierced Hands and Rood of elder rise
In Druid vapour and make the torches dim;
Till vain frenzy awoke and he died; and him
Who met Fand walking among flaming dew
By a grey shore where the wind never blew,
And lost the world and Emer for a kiss;
And him who drove the gods out of their liss,
And till a hundred morns had flowered red
Feasted, and wept the barrows of his dead;
And the proud dreaming king who flung the crown
And sorrow away, and calling bard and clown
Dwelt among wine-stained wanderers in deep woods:
And him who sold tillage, and house, and goods,
And sought through lands and islands numberless years,
Until he found, with laughter and with tears,
A woman of so shining loveliness
That men threshed corn at midnight by a tress,
A little stolen tress. I, too, await
The hour of thy great wind of love and hate.
When shall the stars be blown about the sky,
Like the sparks blown out of a smithy, and die?
Surely thine hour has come, thy great wind blows,
Far-off, most secret, and inviolate Rose?
Out of sight is out of mind:
Long have man and woman-kind,
Heavy of will and light of mood,
Taken away our wheaten food,
Taken away our Altar stone;
Hail and rain and thunder alone,
And red hearts we turn to grey,
Are true till time gutter away.
... the common people are always ready to blame the beautiful.
”
”
W.B. Yeats (The Secret Rose and Rosa Alchemica)
“
To lie flat on the ground with the breath knocked out of you is to find a solid resting place. This is as low as you can go. You told yourself you would die if it ever came to this, but here you are. You cannot help yourself and yet you live.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
I am here because of a certain man. I came to retrace his steps. Perhaps to see if there were not some alternate course. What was here to be found was not a thing. Things separate from their stories have no meaning. They are only shapes. Of a certain size and color. A certain weight. When their meaning has become lost to us they no longer have even a name. The story on the other hand can never be lost from its place in the world for it is that place. And that is what was to be found here. The corrido. That tale. And like all corridos it ultimately told one story only, for there is only one to tell.
The cats shifted and stirred, the fire creaked in the stove. Outside in the abandoned village the profoundest silence.
What is the story? the boy said.
In the town of Caborca on the Altar River there was a man who lived there who was an old man. He was born in Caborca and in Caborca he died. Yet he lived once in this town, in Huisiachepic.
What does Caborca know of Huisiachepic, Huisiachepic of Caborca? They are different worlds, you must agree. Yet even so there is but one world and everything that is imaginable is necessary to it. For this world also which seems to us a thing of stone and flower and blood is not a thing at all but a tale. And all in it is a tale and each tale the sum of all lesser tales and yet they are the selfsame tale and contain as well all else within them. So everything is necessary. Every least thing. This is a hard lesson. Nothing can be dispensed with. Nothing despised. Because the seems are hid from us, you see. The joinery. The way in which the world is made. We have no way to tell what might stand and what might fall. And those seams that are hid from us are of course in the tale itself and the tale had no abode or place of being except in the telling only and there it lives and makes its home and therefore we can never be done with the telling. Of the telling there is no end. And whether in Caborca or Huisiachepic or in whatever other place by whatever other name or by no name at all I say again all tales are one. Rightly heard all tales are one.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
The day arrived,when myriad teary rivers flow and the muted wind faintly died in his tears—an altar for the beloved one's departure,for sister-hood is no more,for her to adore!while pangs the beating world in a lamenting voice;their remembering loss of the 'one' they embrace most and when the crepuscule came like a phantom,the mournful,gathered birds swiftly flew in gloom.
”
”
Nithin Purple (Venus and Crepuscule)
“
Since once again, Lord - though this time not in the forests of the Aisne but in the steppes of Asia - I have neither bread, nor wine, nor altar, I will raise myself beyond these symbols, up to the pure majesty of the Real itself; I, your priest, will make the whole earth my altar and on it will offer you all the labours and sufferings of the world.
Over there, on the horizon, the sun has just touched with light the outermost fringe of the eastern sky. Once again, beneath this moving sheet of fire, the living surface of the earth wakes and trembles, and once again begins its fearful travail. I will place on my paten, O God, the harvest to be won by this renewal of labour. Into my chalice I shall pour all the sap which is to be pressed out this day from the earth’s fruits.
My paten and my chalice are the depths of a soul laid widely open to all the forces which in a moment will rise up from every corner of the earth and converge upon the Spirit. Grant me the remembrance and the mystic presence of all those whom the light is now awakening to the new day . . .
Over every living thing which is to spring up, to grow, to flower, to ripen during this day say again the words: ‘This is my Body’. And over every death-force which waits in readiness to corrode, to wither, to cut down, speak again your commanding words which express the supreme mystery of faith: ‘This is my Blood’.
”
”
Pierre Teilhard de Chardin (The Divine Milieu)
“
I thought I knew what it meant to be selfish, but then I met you. I want to own you in every way that matters. Your time. Your smiles. Your heart.” His devious smile sends a shiver down my spine. There’s no other word to describe the way he worships me. I feel like I’m laid on an altar, with Rowan showering me with his devotion. He uses his tongue as a weapon, turning me into nothing but putty beneath his hands. My world shifts to black as I shut my eyes and get lost in the feel of his tongue fucking me into oblivion.
”
”
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
“
Okay,” she said. “Good question. I’m the idiot box. I’m the TV. I’m the all-seeing eye and the world of the cathode ray. I’m the boob tube. I’m the little shrine the family gathers to adore.” “You’re the television? Or someone in the television?” “The TV’s the altar. I’m what people are sacrificing to.” “What do they sacrifice?” asked Shadow. “Their time, mostly,” said Lucy. “Sometimes each other.
”
”
Neil Gaiman (American Gods)
“
Get up,” Chaol snarled in her ear. “Now.” She sat up with a jolt, the world bright and foggy. Several lesser nobles in her pew laughed silently. She gave Chaol an apologetic look and turned her gaze to the altar. The High Priestess had finished her sermon, and the songs of Yulemas were over. She only had to sit through the procession of the gods, and then she would be free. “How long was I asleep?” she whispered. He didn’t respond. “How long was I asleep?” she asked again, and noticed a hint of red in his cheeks. “You were asleep, too?” “Until you began drooling on my shoulder.” “Such a self-righteous young man,” she cooed, and he poked her leg. “Pay attention.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
Woman, even more than man, is a fetich worshipper, and though her idols may change, she is ever on her knees, ever holding up her hands, ever blind to the fact that her god has feet of clay. Thus woman has been the greatest supporter of all deities from time immemorial. Thus, too, she has had to pay the price that only gods can exact,—her freedom, her heart’s blood, her very life. Nietzsche’s memorable maxim, “When you go to woman, take the whip along,” is considered very brutal, yet Nietzsche expressed in one sentence the attitude of woman towards her gods. Religion, especially the Christian religion, has condemned woman to the life of an inferior, a slave. It has thwarted her nature and fettered her soul, yet the Christian religion has no greater supporter, none more devout, than woman. Indeed, it is safe to say that religion would have long ceased to be a factor in the lives of the people, if it were not for the support it receives from woman. The most ardent churchworkers, the most tireless missionaries the world over, are women, always sacrificing on the altar of the gods that have chained her spirit and enslaved her body.
”
”
Emma Goldman (Anarchism and Other Essays)
“
Union :
Not me alone--
I know now--
But all the whole oppressed
Poor world,
White and black,
Must put their hands with mine
To shake the pillars of those temples
Wherein the false gods dwell
And worn-out altars stand
Too well defended,
And the rule of greed's upheld-
That must be ended.
”
”
Langston Hughes (The Collected Poems of Langston Hughes (Vintage Classics))
“
ABDOMEN, n. [1.] The temple of the god Stomach, in whose worship, with sacrificial rights, all true men engage. From women this ancient faith commands but a stammering assent. They sometimes minister at the altar in a half-hearted and ineffective way, but true reverence for the one deity that men really adore they know not. If woman had a free hand in the world's marketing the race would become graminivorous. [2.] A shrine enclosing the object.
”
”
Ambrose Bierce
“
Here is what I have come to believe: in the end, religion has done more harm than good. For one thing, there’s war, ethnic cleansing, genital mutilation, abused altar boys, the systematic oppression of women—the foundational text of Christianity locates women as the source of all evil, do not forget this when interacting with the faithful—as well as anyone who doesn’t fit into its narrow moral straitjacket. Hierarchy breeds corruption. Patriarchy cultivates debasement. Believing in something—anything—so blindly is corrosive. You follow a recipe instead of inventing your own world. There are certain corners you can’t see into. My mother used to say that raising your son or daughter to believe in God is child abuse. I have repeated this often, to shocked looks, even from my secular friends. I’m sorry: I believe it. Religious belief may be a pleasant distortion, a comfort, for a while, but too much, unexamined, for too long and it eats away at your body, turns you stupid, kills you. Serena was right: the effect is not dissimilar to alcohol.
”
”
Emily Temple (The Lightness)
“
The magnitude of these shattering changes can perhaps be grasped by imagining that the invasion had been in the reverse direction and that the Aztecs or Incas had arrived suddenly in Europe, imposed their culture and calendar, outlawed Christianity, set up sacrificial altars for thousands of victims in Madrid and Amsterdam, unwittingly spread disease on a scale that virtually matched the Black Death, melted down the golden images of Christ and the saints, threw stones at the stained-glass windows and converted the cathedral aisles into arms or food warehouses, toppled unfamiliar Greek statues and Roman columns, and carried home to the Mexican and Peruvian highlands their loot in precious metals along with slaves, indentured servants and other human trophies.
”
”
Geoffrey Blainey (A Short History of the World)
“
I remember: it happened yesterday, or eternities ago. A young Jewish boy discovered the Kingdom of Night. I remember his bewilderment, I remember his anguish. It all happened so fast. The ghetto. The deportation. The sealed cattle car. The fiery altar upon which the history of our people and the future of mankind were meant to be sacrificed. I remember he asked his father, “Can this be true? This is the twentieth century, not the Middle Ages. Who would allow such crimes to be committed? How could the world remain silent?” And now the boy is turning to me. “Tell me,” he asks, “what have you done with my future, what have you done with your life?” And I tell him that I have tried. That I have tried to keep memory alive, that I have tried to fight those who would forget. Because if we forget, we are guilty, we are accomplices. And then I explain to him how naïve we were, that the world did know and remained silent. And that is why I swore never to be silent whenever and wherever human beings endure suffering and humiliation. We must take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented. Sometimes we must interfere. When human lives are endangered, when human dignity is in jeopardy, national borders and sensitivities become irrelevant. Wherever men and women are persecuted because of their race, religion, or political views, that place must—at that moment—become the center of the universe.
”
”
Elie Wiesel
“
I think of how the mystics read
by the light of their own bodies.
What a world of darkness that must have been
to read by the flaming hearts
that turn into heaps of ash on the altar,
how everything in the end is made
equal by the wind.
— Timothy Liu, from “Vox Angelica,” The New Young American Poets (Southern Illinois University, 2000
”
”
Timothy Liu
“
derelict. my voice cracked and yolk poured out. wind chimes rigid, no breeze, no song. my wings found hidden in your suitcase. pleas for help mistaken for a swan song. i'm stuffing pages from my journal down my throat as kindling. hoping the smoke will get the taste of you out of my mouth. he looks at me from across the room and all i want is to push him against the wall. ravage. ravage. carnage has never been more vogue. is it still art if it doesn't bring you to your knees? lover, let me prey at your altar. let me bare my fangs in praise. don't i look so pretty in a funeral shroud? i keep time with the click of my creaking bones. dance with me under the milky translucence of a world suffocating. how did you find me? i buried myself beneath the cicadas. is a girl trapped in glass still a prize?
let me get under your skin. i want to know what your fears taste like. i want to consume.
”
”
Taylor Rhodes (calloused: a field journal)
“
It is far more important to love your wife than to love God, and I will tell you why. You cannot help him, but you can help her. You can fill her life with the perfume of perpetual joy. It is far more important that you love your children than that you love Jesus Christ. And why? If he is God you cannot help him, but you can plant a little flower of happiness in every footstep of the child, from the cradle until you die in that child's arms. Let me tell you to-day it is far more important to build a home than to erect a church. The holiest temple beneath the stars is a home that love has built. And the holiest altar in all the wide world is the fireside around which gather father and mother and the sweet babes.
”
”
Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol. 1 (of 12) Dresden Edition—Lectures)
“
When it was done at last, Francis’s church did not stand as a shelter from the world; it stood as a reminder that the whole world was God’s House.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
Channel Firing
That night your great guns, unawares,
Shook all our coffins as we lay,
And broke the chancel window-squares,
We thought it was the Judgment-day
And sat upright. While drearisome
Arose the howl of wakened hounds:
The mouse let fall the altar-crumb,
The worms drew back into the mounds,
The glebe cow drooled. Till God called, “No;
It’s gunnery practice out at sea
Just as before you went below;
The world is as it used to be:
“All nations striving strong to make
Red war yet redder. Mad as hatters
They do no more for Christés sake
Than you who are helpless in such matters.
“That this is not the judgment-hour
For some of them’s a blessed thing,
For if it were they’d have to scour
Hell’s floor for so much threatening . . .
“Ha, ha. It will be warmer when
I blow the trumpet (if indeed
I ever do; for you are men,
And rest eternal sorely need).”
So down we lay again. “I wonder,
Will the world ever saner be,”
Said one, “than when He sent us under
In our indifferent century!”
And many a skeleton shook his head.
“Instead of preaching forty year,”
My neighbour Parson Thirdly said,
“I wish I had stuck to pipes and beer.”
Again the guns disturbed the hour,
Roaring their readiness to avenge,
As far inland as Stourton Tower,
And Camelot, and starlit Stonehenge.
”
”
Thomas Hardy (Satires of Circumstances: Lyrics and Reveries with Miscellaneous Pieces)
“
England has her Stratford, Scotland has her Alloway, and America, too, has her Dresden. For there, on August 11, 1833, was born the greatest and noblest of the Western World; an immense personality, -- unique, lovable, sublime; the peerless orator of all time, and as true a poet as Nature ever held in tender clasp upon her loving breast, and, in words coined for the chosen few, told of the joys and sorrows, hopes, dreams, and fears of universal life; a patriot whose golden words and deathless deeds were worthy of the Great Republic; a philanthropist, real and genuine; a philosopher whose central theme was human love, -- who placed 'the holy hearth of home' higher than the altar of any god; an iconoclast, a builder -- a reformer, perfectly poised, absolutely honest, and as fearless as truth itself -- the most aggressive and formidable foe of superstition -- the most valiant champion of reason -- Robert G. Ingersoll.
”
”
Herman E. Kittredge (Ingersoll: A Biographical Appreciation (1911))
“
Deliverance is not for me in renunciation. I feel the embrace of freedom in a thousand bonds of delight.
Thou ever pourest for me the fresh draught of thy wine of various colours and fragrance, filling this earthen vessel to the brim.
My world will light its hundred different lamps with thy flame and place them before the altar of thy temple.
No, I will never shut the doors of my senses. The delights of sight and hearing and touch will bear thy delight.
Yes, all my illusions will burn into illumination of joy, and all my desires ripen into fruits of love.
”
”
Rabindranath Tagore (Gitanjali)
“
The spiritual practice of wearing skin:
Whether you are sick or well, lovely or irregular, there comes a time when it is vitally important to your spiritual health to drop your clothes, look in the mirror, and say, "Here I am. This is the body-like-no-other that my life has shaped. I live here. This is my soul's address." After you have taken a good look around, you may decide that there is a lot to be thankful for, all things considered. Bodies take real beatings. That they heal from most things is an underrated miracle. That they give brith is beyond reckoning.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
Was he my home, then, my homecoming? You are my homecoming. When I’m with you and we’re well together, there is nothing more I want. You make me like who I am, who I become when you’re with me. If there is any truth in the world, it lies when I’m with you, and if I find the courage to speak my truth to you one day, remind me to light a candle in thanksgiving at every altar in Rome.
”
”
André Aciman
“
The paradox—and a fearful paradox it is—is that the American Negro can have no future anywhere, on any continent, as long as he is unwilling to accept his past. To accept one’s past—one’s history—is not the same thing as drowning in it; it is learning how to use it. An invented past can never be used; it cracks and crumbles under the pressures of life like clay in a season of drought. How can the American Negro’s past be used? The unprecedented price demanded—and at this embattled hour of the world’s history—is the transcendence of the realities of color, of nations, and of altars.
”
”
James Baldwin (The Fire Next Time)
“
Nan had always known, even as a child, that God did not answer prayers for worldly things like candy or new shoes. God answered prayers that helped her help others. God did not change the circumstances of your life; God changed you. She had seen it happen too many times to doubt it. She had seen so many people walk nervously down the aisle of her father’s church to accept God at the altar, then had seen them find friends, drink less, hug their children more. She had seen the transformative power of the church, and she knew there was a God, even if no one could be sure in what form God
”
”
Cara Wall (The Dearly Beloved)
“
I’m not building a castle or a monument; I’m building a soul and a family. I’ll tell stories all my life, writing on napkins and on the backs of receipts, or in books if they let me, but this is the promise I make to my God: I will never again be so careless, so cavalier with the body and soul you’ve given me. They are the only things in all the world that have been entrusted entirely to me, and I stewarded them poorly, worshiping for a time at the altars of productivity, capability, busyness, distraction. This body and soul will become again what God intended them to be: living sacrifices, offered only to him. I will spend my life on meaning, on connection, on love, on freedom. I will not waste one more day trapped in comparison, competition, proving, and earning. That’s the currency of a culture that has nothing to offer me. It
”
”
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
“
To My Priestess Sisters
To my priestess sisters: the keepers of mysteries, the medicine women, the story keepers and story tellers, the holy magicians, the wild warriors, the original ones, the ones who carry the ancients within the marrow of your bones, the ones forged in the fires, the ones who have bathed in thier own blood, the heroines who wear thier scars as stars, the ones who give birth to their visions and dreams, the ones who weep and howl upon the holy altars, the avatars, the mothers, maidens and crones, the mystics, the oracles, the artists, the musicians, the virgins, the sensual and sexual, the women of our world-
I honor you. I stand for you and with you. I celebrate both your autonomy and our sisterhood of One. We are many. We are fierce. We are tender. We are the change agents and we are radically holding and clearing space for the bursting forth of the holy seeds of the collective conscience and consciousness. We are manifestors and flames of purification and transformation. We are living our lives in authenticity, vulnerability, transparency and unapologetically. We are committed to integrity, impeccability, accountability, responsibility and passionate love.
We are here on purpose, with purpose and give no energy to conformity, acceptance or approval. We are the daughters of the earth and the courageous of the cosmos.
Priestess, keep living your life passionately, raising the cosmic vibrations and lowering your standards for no one. You are brazenly blessed and a force of nature. Nurture yourself and one another.
You are a crystalline bridge between realms and uniting heaven and earth. You are a priestess and you are divinely
anointed, appointed and unstoppable.
”
”
Mishi McCoy
“
The material world constrain us, often with gret beneficence, to see each person and thing in its time and place, its historical context. But mental life doesn't so constrain us. It is porous, open to air and light, swings forward while swaying back, scatters its stripes in all directions, and delights to find itself beached beside something invented only that morning or instead standing beside an altar from three millennia ago.
”
”
Elaine Scarry (On Beauty and Being Just)
“
...but there were four things I taught Walter to consider: 1) That it was Cain who built the first City, 2) That there is a true Science in the World called Scientia Umbrarum which, as to the publick teaching of it, has been suppressed but which the proper Artificer must comprehend, 3) That Architecture aims at Eternity and must contain the Eternal Powers: not only our Altars and Sacrifices, but the Forms of our Temples, must be mysticall, 4) That the miseries (If the present Life, and the Barbarities of Mankind, the fatall disadvantages we are all under and the Hazard we run of being eternally Undone, lead the True Architect not to Harmony or to Rationall Beauty but to quite another Game. Why, do we not believe the very Infants to be the Heirs of Hell and Children of the Devil as soon as they are disclos'd to the World? I declare that I build my Churches firmly on this Dunghil Earth and with a full Conception of Degenerated Nature. I have only room to add: there is a mad-drunken Catch, Hey ho! The Devil is dead! If that be true, I have been in the wrong Suit all my Life.
”
”
Peter Ackroyd (Hawksmoor)
“
A cult is a group of people who share an obsessive devotion to a person or idea. The cults described in this book use violent tactics to recruit, indoctrinate, and keep members. Ritual abuse is defined as the emotionally, physically, and sexually abusive acts performed by violent cults. Most violent cults do not openly express their beliefs and practices, and they tend to live separately in noncommunal environments to avoid detection.
Some victims of ritual abuse are children abused outside the home by nonfamily members, in public settings such as day care. Other victims are children and teenagers who are forced by their parents to witness and participate in violent rituals. Adult ritual abuse victims often include these grown children who were forced from childhood to be a member of the group. Other adult and teenage victims are people who unknowingly joined social groups or organizations that slowly manipulated and blackmailed them into becoming permanent members of the group. All cases of ritual abuse, no matter what the age of the victim, involve intense physical and emotional trauma.
Violent cults may sacrifice humans and animals as part of religious rituals.
They use torture to silence victims and other unwilling participants. Ritual abuse victims say they are degraded and humiliated and are often forced to torture, kill, and sexually violate other helpless victims. The purpose of the ritual abuse is usually indoctrination. The cults intend to destroy these victims' free will by undermining their sense of safety in the world and by forcing them to hurt others.
In the last ten years, a number of people have been convicted on sexual abuse charges in cases where the abused children had reported elements of ritual child abuse. These children described being raped by groups of adults who wore costumes or masks and said they were forced to witness religious-type rituals in which animals and humans were tortured or killed. In one case, the defense introduced in court photographs of the children being abused by the defendants[.1] In another case, the police found tunnels etched with crosses and pentacles along with stone altars and candles in a cemetery where abuse had been reported. The defendants in this case pleaded guilty to charges of incest, cruelty, and indecent assault.[2] Ritual abuse allegations have been made in England, the United States, and Canada.[3]
Many myths abound concerning the parents and children who report ritual abuse. Some people suggest that the tales of ritual abuse are "mass hysteria." They say the parents of these children who report ritual abuse are often overly zealous Christians on a "witch-hunt" to persecute satanists.
These skeptics say the parents are fearful of satanism, and they use their knowledge of the Black Mass (a historically well-known, sexualized ritual in which animals and humans are sacrificed) to brainwash their children into saying they were abused by satanists.[4] In 1992 I conducted a study to separate fact from fiction in regard to the disclosures of children who report ritual abuse.[5] The study was conducted through Believe the Children, a national organization that provides support and educational sources for ritual abuse survivors and their families.
”
”
Margaret Smith (Ritual Abuse: What It Is, Why It Happens, and How to Help)
“
Every night I spend with you, I love you more,” he continued. “I’m filled with broken and jagged edges, but your softness and warmth fit perfectly between those sharp pieces. You make me whole. You’re what my life was missing, and the longer I stay at your side, the more I love you. Varas may be the god I’ve pledged to, but you’re who I want to swear my future to. You’re the altar I pray at, the deity I worship, and I would sacrifice my life for you, but you don’t belong to me. You never have, and you never will. You’ve belonged to Hreinasta since birth, and I can’t watch the person I treasure most in this world lose herself to a selfish goddess.
”
”
Nicole Scarano (The Scattered Bones)
“
We were the church. As the New Testament instructed. When it was time for Sunday morning meeting, we convened in private homes. To raise a structure and call it a church was the worldly way. A church made of hands was soon cluttered with altars and crucifixes, and was thereupon idolatrous. These false churches, they were not walking in Truth. They were whistling off to Hades. This was a shame, because I knew some real nice Lutherans.
”
”
Michael Perry (Coop: A Family, a Farm, and the Pursuit of One Good Egg)
“
The wind smelled like the moon. I went up there so many times in the weeks that followed that I no longer remember which night it was that God finally answered my prayer. I do not think it was right at the beginning, when I was still saying my prayers in words. I think it came later, when I had graduated to inchoate sounds. Up on that fire escape, I learned to pray the way a wolf howls. I learned to pray the way that Ella Fitzgerald sang scat.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
I came to view the world as a word puzzle and, with no special aptitude I can name, fixed on the whys and wherefores of language from my earliest days. Song lyrics. Signs. The stories read in first and second grades. My parents almost always read to us at bedtime. Poems by Whittier. Scenes from Oliver Twist. Kidnapped. Treasure Island. The names alone intrigued me. Dr. Livesey, Squire Trelawney. The name Balfour sounded the knell of the romantic. Robinson Crusoe. I loved to hear read the exploits of Natty Bumppo. Authors had an aura of the godlike to me. The Latin prayers fascinated me as an altar boy. I can still recall carved names on buildings I saw from the MTA train when I was a youngster. Who can explain why? Words were magic to me. I once inadvisably glued my finger and thumb together at the Magoun Library in fourth grade trying to amuse a pretty little girl on whom I had a crush, and when the librarian came over angrily to inquire what the problem was and I pointed with a shrug and replied, “Mucilage”—a word that always made me laugh—she very coldly stated, “You are more to be pitied than censured.
”
”
Alexander Theroux
“
We invited each other into our spaces when parents would allow – girls only in these altars of beauty. We were christened into girlhood, not by holy water or the consumption of Christ’s body and blood, but with these rituals – painting each other’s faces, playing with each other’s hair, making each other over, doing our worst because we were allowed and laughing until we lost all control of our limbs, collapsing in a heavy pile of happy tears. There was an intimacy that was so pure, as deep as if we were real sisters. Our lips frosted with sugar, giggling under duvets, talking about kisses and crushes and trying our hardest not to fall asleep – fighting to keep the night alive.
”
”
Ellen Atlanta (Pixel Flesh: How Toxic Beauty Culture Harms Women)
“
It made no sense that Abraham could head for the mountain in Moriah still believing in God's goodness. It made no sense that even as he walked his son to the sacrificial altar, he still believed God's promise that Isaac would give him many descendants. It made no sense that he was willing to do the one thing in the world he could not do, just because God told him to. God told him to obey and to believe that he as a loving god and could be trusted. So Abraham did obey.
”
”
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
“
Prayer, according to Brother David, is waking up to the presence of God no matter where I am or what I am doing. When I am fully alert to whatever or whoever is right in front of me; when I am electrically aware of the tremendous gift of being alive; when I am able to give myself wholly to the moment I am in, then I am in prayer. Prayer is happening, and it is not necessarily something that I am doing. God is happening, and I am lucky enough to know that I am in The Midst.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
Caravaggio’s art is made from darkness and light. His pictures present spotlit moments of extreme and often agonized human experience. A man is decapitated in his bedchamber, blood spurting from a deep gash in his neck. A man is assassinated on the high altar of a church. A woman is shot in the stomach with a bow and arrow at point-blank range. Caravaggio’s images freeze time but also seem to hover on the brink of their own disappearance. Faces are brightly illuminated. Details emerge from darkness with such uncanny clarity that they might be hallucinations. Yet always the shadows encroach, the pools of blackness that threaten to obliterate all. Looking at his pictures is like looking at the world by flashes of lightning.
”
”
Andrew Graham-Dixon (Caravaggio: A Life Sacred and Profane)
“
The imported discovery, that human nature is too good to be made better by discipline, that children are enticed from the right way by religious instruction, and driven from it by the rod, and kept in thraldom by the conspiracy of priests and legislators, has united not a few in the noble experiment of emancipating the world by the help of an irreligious, ungoverned progeny. The indolent have rejoiced in the discovery that our fathers were fools and bigots, and have cheerfully let loose their children to help on the glorious work; while thousands of families, having heard from their teachers, or believing, in spite of them, that morality will suffice both for earth and heaven, and not doubting that morality will flourish without religion, have either not reared the family altar, or have put out the sacred fire, and laid aside together the rod and the Bible, as superfluous auxiliaries in the education of children. From the school, too, with pious regard for its sacred honors, the Bible, by some, has been withdrawn, lest, by a too familiar knowledge of its contents, children should learn to despise it; as if ignorance were the mother of devotion, and the efficacy of laws depended upon their not being understood.
”
”
Lyman Beecher
“
Churches serve for anything as far as she is concerned," said he to himself. "They console her for having married a Jew, enable her to assume an attitude of protestation in the world of politics and a respectable one in that of fashion, and serve as a shelter to her gallant rendezvous. So much for the habit of making use of religion as an umbrella. If it is fine it is a walking stick; if sunshiny, a parasol; if it rains, a shelter; and if one does not go out, why, one leaves it in the hall. And there are hundreds like that who care for God about as much as a cherry stone, but who will not hear him spoken against. If it were suggested to them to go to a hotel, they would think it infamous, but it seems to them quite simple to make love at the foot of the altar.
”
”
Guy de Maupassant (Bel-Ami)
“
Security ... what does this word mean in relation to life as we know it today? For the most part, it means safety and freedom from worry. It is said to be the end that all men strive for; but is security a utopian goal or is it another word for rut?
Let us visualize the secure man; and by this term, I mean a man who has settled for financial and personal security for his goal in life. In general, he is a man who has pushed ambition and initiative aside and settled down, so to speak, in a boring, but safe and comfortable rut for the rest of his life. His future is but an extension of his present, and he accepts it as such with a complacent shrug of his shoulders. His ideas and ideals are those of society in general and he is accepted as a respectable, but average and prosaic man. But is he a man? has he any self-respect or pride in himself? How could he, when he has risked nothing and gained nothing? What does he think when he sees his youthful dreams of adventure, accomplishment, travel and romance buried under the cloak of conformity? How does he feel when he realizes that he has barely tasted the meal of life; when he sees the prison he has made for himself in pursuit of the almighty dollar? If he thinks this is all well and good, fine, but think of the tragedy of a man who has sacrificed his freedom on the altar of security, and wishes he could turn back the hands of time. A man is to be pitied who lacked the courage to accept the challenge of freedom and depart from the cushion of security and see life as it is instead of living it second-hand. Life has by-passed this man and he has watched from a secure place, afraid to seek anything better What has he done except to sit and wait for the tomorrow which never comes?
Turn back the pages of history and see the men who have shaped the destiny of the world. Security was never theirs, but they lived rather than existed. Where would the world be if all men had sought security and not taken risks or gambled with their lives on the chance that, if they won, life would be different and richer? It is from the bystanders (who are in the vast majority) that we receive the propaganda that life is not worth living, that life is drudgery, that the ambitions of youth must he laid aside for a life which is but a painful wait for death. These are the ones who squeeze what excitement they can from life out of the imaginations and experiences of others through books and movies. These are the insignificant and forgotten men who preach conformity because it is all they know. These are the men who dream at night of what could have been, but who wake at dawn to take their places at the now-familiar rut and to merely exist through another day. For them, the romance of life is long dead and they are forced to go through the years on a treadmill, cursing their existence, yet afraid to die because of the unknown which faces them after death. They lacked the only true courage: the kind which enables men to face the unknown regardless of the consequences.
As an afterthought, it seems hardly proper to write of life without once mentioning happiness; so we shall let the reader answer this question for himself: who is the happier man, he who has braved the storm of life and lived or he who has stayed securely on shore and merely existed?
”
”
Hunter S. Thompson
“
It was the Rothschilds who funded the early ‘Jewish’ settlers in Palestine; it was the Rothschilds who helped to create and fund Hitler and the Nazis in the Second World War which included the sickening treatment of Jews, gypsies, communists, and others; it was the Rothschilds who used the understandable post-war sympathy for the ‘Jews’ they had mercilessly exploited to press through their demands for a take-over of Arab Palestine; it was the Rothschilds who funded the ‘Jewish’ terrorist groups in Palestine which bombed, murdered, and terrorised Israel into existence; and it was the Rothschilds who funded and manipulated these terrorists into the key positions in Israel, among them the Prime Ministers, Ben-Gurion, Shamir, Begin, and Rabin. These men would spend the rest of their lives condemning the terrorism of others with an hypocrisy which beggars belief; it was Lord Victor Rothschild, the controller of British Intelligence, who provided the know-how for Israel’s nuclear weapons; it was the Rothschilds who owned and controlled Israel from the start and have continued ever since to dictate its policy; it was the Rothschilds and the rest of the Brotherhood network which has hidden and suppressed the fact, confirmed by Jewish historians, that the overwhelming majority of ‘Jewish’ people in Israel originate genetically from the Caucasus Mountains, not from the lands they now occupy. The Jewish people have been sacrificed on the Rothschild altar of greed and lust for power, but even the Rothschilds take their orders from a higher authority which, I believe, is probably based in Asia, and the Far East dictates to the operational headquarters in London.
”
”
David Icke (The Biggest Secret: The book that will change the World)
“
To become fully human means learning to turn my gratitude for being alive into some concrete common good. It means growing gentler toward human weakness. It means practicing forgiveness of my and everyone else's hourly failures to live up to divine standards. It meas learning to forget myself on a regular basis in order to attend to the other selves in my vicinity. It means living so that "I'm only human" does not become an excuse for anything. It means receiving the human condition as blessing and not curse, in all its achingly frail and redemptive reality.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
A certain man fell ill, and, being in a very bad way, he made a vow that he would sacrifice a hundred oxen to the gods if they would grant him a return to health. Wishing to see how he would keep his vow, they caused him to recover in a short time. Now, he hadn’t an ox in the world, so he made a hundred little oxen out of tallow and offered them up on an altar, at the same time saying, “Ye gods, I call you to witness that I have discharged my vow.” The gods determined to be even with him, so they sent him a dream, in which he was bidden to go to the seashore and fetch a hundred crowns which he was to find there. Hastening in great excitement to the shore, he fell in with a band of robbers, who seized him and carried him off to sell as a slave: and when they sold him a hundred crowns was the sum he fetched. Do not promise more than you can perform.
”
”
Aesop (Aesop's Fables)
“
If you never knew
the worlds in my mind
your sense of loss
would be small pity
and we’ll forget this on the trail.
Take what you’re given
and turn away the screwed face.
I do not deserve it,
no matter how narrow the strand
of your private shore.
If you will do your best
I’ll meet your eye.
It’s the clutch of arrows in hand
that I do not trust
bent to the smile hitching my way.
We aren’t meeting in sorrow
or some other suture
bridging scars.
We haven’t danced the same
thin ice
and my sympathy for your troubles
I give freely without thought
of reciprocity or scales on balance.
It’s the decent thing, that’s all.
Even if that thing
is a stranger to so many.
But there will be secrets
you never knew
and I would not choose any other way.
All my arrows are buried and
the sandy reach is broad
and all that’s private
cools pinned on the altar.
Even the drips are gone,
that child of wants
with a mind full of worlds
and his reddened tears.
The days I feel mortal I so hate.
The days in my worlds,
are where I live for ever,
and should dawn ever arrive
I will to its light awaken
as one reborn.
Poet’s Night iii.iv
The Malazan Book of the Fallen
Fisher kel Tath
”
”
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
“
It may indeed be fantasy when I
Essay to draw from all created things
Deep, heartfelt, inward joy that closely clings;
And trace in leaves and flowers that round me lie
Lessons of love and earnest piety.
So let it be; and if the wide world rings
In mock of this belief, it brings
Nor fear, nor grief, nor vain perplexity.
So will I build my altar in the fields,
And the blue sky my fretted dome shall be,
And the sweet fragrance that the wild flower yields
Shall be the incense I will yield to Thee,
Thee only God! and thou shalt not despise
Even me, the priest of this poor sacrifice.
”
”
Samuel Taylor Coleridge
“
He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held, what already ran among the moun- tains at once terrible and of a great beauty, like flowers that feed on flesh. What blood and bone are made of but can themselves not make on any altar nor by any wound of war. What we may well believe has power to cut and shape and hollow out the dark form of the world surely if wind can, if rain can. But which can- not be held never be held and is no flower but is swift and a huntress and the wind itself is in terror of it and the world cannot lose it.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Oh cold, cold, rigid, dreadful Death, set up thine altar here, and dress it with such terrors as thou hast at thy command: for this is thy dominion! But of the loved, revered, and honoured head, thou canst not turn one hair to thy dread purposes, or make one feature odious. It is not that the hand is heavy and will fall down when released; it is not that the heart and pulse are still; but that the hand was open, generous, and true; the heart brave, warm, and tender; and the pulse a man’s. Strike, Shadow, strike! And see his good deeds springing from the wound, to sow the world with life immortal!
”
”
Charles Dickens (A Christmas Carol)
“
MCA: Middle Class Activist (The Sonnet)
I don't know the meaning of socialism,
But progress without society is insanity.
I don't know the meaning of capitalism,
But catering to luxury produces disparity.
I don't know the meaning of woke,
But no life is complete without community.
I don't know the meaning of philosophy,
But intellect is useless without amity.
I don't own many fancy gadgets,
Affording essentials I stand without greed.
I'll probably never set foot on MARS,
On earth I'll be serving the abandoned in need.
High and mighty tech won't make this world better,
Till we place humanity at our highest altar.
”
”
Abhijit Naskar (Solo Standing on Guard: Life Before Law)
“
When in the seventh century King Redwald of East Anglia provided one altar in his church to sacrifice to Christ, and another small one to offer victims to devils,1 he was not behaving childishly, or cunningly hoping to get the best of both worlds, but merely acting according to normal heathen custom, since acceptance of one god did not mean that one wholly rejected one’s neighbour’s deity. This indeed must have been one of the most difficult lessons for the new converts to Christianity to learn, and while they gained in single-mindedness, it is to be feared that they lost much of their old spirit of tolerance. The
”
”
H.R. Ellis Davidson (Gods and Myths of Northern Europe)
“
There is still something to me almost incredible in the idea of a young Galilean peasant imagining that he could bear on his own shoulders the burden of the entire world; all that had already been done and suffered, and all that was yet to be done and suffered: the sins of Nero, of Caesar Borgia, of Alexander VI., and of him who was Emperor of Rome and Priest of the Sun: the sufferings of those whose names are legion and whose dwelling is among the tombs: oppressed nationalities, factory children, thieves, people in prison, outcasts, those who are dumb under oppression and whose silence is heard only of God; and not merely imagining this but actually achieving it, so that at the present moment all who come in contact with his personality, even though they may neither bow to his altar nor kneel before his priest, in some way find that the ugliness of their sin is taken away and the beauty of their sorrow revealed to them.
”
”
Oscar Wilde (De Profundis)
“
We have already compared the benefits of theology and science. When the theologian governed the world, it was covered with huts and hovels for the many, palaces and cathedrals for the few. To nearly all the children of men, reading and writing were unknown arts. The poor were clad in rags and skins—they devoured crusts, and gnawed bones. The day of Science dawned, and the luxuries of a century ago are the necessities of to-day. Men in the middle ranks of life have more of the conveniences and elegancies than the princes and kings of the theological times. But above and over all this, is the development of mind. There is more of value in the brain of an average man of to-day—of a master-mechanic, of a chemist, of a naturalist, of an inventor, than there was in the brain of the world four hundred years ago. These blessings did not fall from the skies. These benefits did not drop from the outstretched hands of priests. They were not found in cathedrals or behind altars—neither were they searched for with holy candles. They were not discovered by the closed eyes of prayer, nor did they come in answer to superstitious supplication. They are the children of freedom, the gifts of reason, observation and experience—and for them all, man is indebted to man. —Robert Green Ingersoll
”
”
Jerry A. Coyne (Faith Versus Fact: Why Science and Religion Are Incompatible)
“
Since some people consider being human a liability, and “fully” would only make things worse, I should perhaps explain what I mean. To become fully human means learning to turn my gratitude for being alive into some concrete common good. It means growing gentler toward human weakness. It means practicing forgiveness of my and everyone else’s hourly failures to live up to divine standards. It means learning to forget myself on a regular basis in order to attend to the other selves in my vicinity. It means living so that “I’m only human” does not become an excuse for anything. It means receiving the human condition as blessing and not curse, in all its achingly frail and redemptive reality. “The glory of God is a human being fully alive,” wrote Irenaeus of Lyons some two thousand years ago. One of the reasons I remain a Christian-in-progress is the peculiar Christian insistence that God is revealed in humankind—not just in human form but also in human being.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
Most of us spend so much time thinking about where we have been or where we are supposed to be going that we have a hard time recognizing where we actually are. When someone asks us where we want to be in our lives, the last thing that occurs to us is to look down at our feet and say, "Here, I guess, since this is where I am.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
One of its most distinctive features was the ninety-six meters high and twelve thousand tons heavy sandstone dome that stood the test of time and wars until it came down during the bombing of Saxony by Anglo-American allied forces during the Second World War. Only the altar, a relief description of Jesus’ agony in the Garden of Gethsemane, and the chancel behind it survived. The church then lay dormant for more than forty-five years before it was restored to its former glory as Communist rule enveloped Germany. One of the reasons for the delay was the tensions that ensued before the demolition of the Berlin Wall that divided East and West Germany.
”
”
K.T. Tomb (The Ivory Bow (A Chyna Stone Adventure #6))
“
Jesus Christ also made wine, not a medicine, but a sacrament. But Omar makes it, not a sacrament, but a medicine. He feasts because life is not joyful; he revels because he is not glad. "Drink," he says, "for you know not whence you come nor why. Drink, for you know not when you go nor where. Drink, because the stars are cruel and the world as idle as a humming-top. Drink, because there is nothing worth trusting, nothing worth fighting for. Drink, because all things are lapsed in a base equality and an evil peace." So he stands offering us the cup in his hand. And at the high altar of Christianity stands another figure, in whose hand also is the cup of the vine. "Drink" he says "for the whole world is as red as this wine, with the crimson of the love and wrath of God. Drink, for the trumpets are blowing for battle and this is the stirrup-cup. Drink, for this my blood of the new testament that is shed for you. Drink, for I know of whence you come and why. Drink, for I know of when you go and where.
”
”
G.K. Chesterton (Heretics)
“
On Christmas Eve, my mother and I and Teddy and Anita went to Mass together. The shadowy church was lit only by an overhead light trained on the altar and by the flames of hundreds of flickering candles in glass cups set all around the nave. If you squinted, the columns and vaults seemed to melt away, all the grandness of the architecture receded, and the space became intimate, almost as if you were cast back many centuries to a humble place where a miracle had occurred, where the radiance issued not from candles but from the air itself, back to a less hectic era before the invention of clocks, to a night of peace from which a renewed world would then begin to date itself.
”
”
Dean Koontz (The City)
“
Illusions, illusions, he interrupted. You are a tomb, not a church. Faith is dead. No one believes anymore, no one bows his head. You are so cold. There is no life in you. You are all marble and dead metal. You have transformed everything into dead matter. You have denied life. You have preached mortification and asceticism. You have terrified the world with the gaunt faces of martyrs, instead of delighting it with a smile and cheerful faith. How chilling are your crucifixes, chalices, and reliquaries! The roses of your altar drip blood from their leaves. Your altar cloths have the pallor of a corpse’s vesture. Your chapels resemble jail cells. And what darkness in your depths!
”
”
Jiří Karásek ze Lvovic (A Gothic Soul)
“
There were spaceships again in that century, and the ships were manned by fuzzy impossibilities that walked on two legs and sprouted tufts of hair in unlikely anatomical regions. They were a garrulous kind. They belonged to a race quite capable of admiring its own image in a mirror, and equally capable of cutting its own throat before the altar of some god, such as the deity of Daily Shaving. It was a species which often considered itself to be, basically, a race of divinely inspired toolmakers; any intelligent entity from Arcturus would instantly have perceived them to be, basically, a race of impassioned after-dinner speechmakers.
It was inevitable, it was manifest destiny, they felt (and not for the first time) that such a race go forth to conquer stars. To conquer them several times, if need be, and certainly to make speeches about the conquest. But, too, it was inevitable that the race succumb again to the old maladies on new worlds, even as on Earth before, in the litany of life and in the special liturgy of Man...
”
”
Walter M. Miller Jr.
“
The kitchen. La cucina, the true mother country, this warm cave of the good witch deep in the desolate land of loneliness, with pots of sweet potions bubbling over the fire, a cavern of magic herbs, rosemary and thyme and sage and oregano, balm of lotus that brought sanity to lunatics, peace to the troubled, joy to the joyless, this small twenty-by-twenty world, the altar a kitchen range, the magic circle a checkered tablecloth where the children fed, the old children, lured back to their beginnings, the taste of mother's milk still haunting their memories, fragrance in the nostrils, eyes brightening, the wicked world receding as the old mother witch sheltered her brood from the wolves outside.
”
”
John Fante (The Brotherhood of the Grape)
“
You are my homecoming. When I’m with you and we’re well together, there is nothing more I want. You make me like who I am, who I become when you’re with me, Oliver. If there is any truth in the world, it lies when I’m with you, and if I find the courage to speak my truth to you one day, remind me to light a candle in thanksgiving at every altar in Rome.
”
”
André Aciman (Call Me By Your Name)
“
I was flying. My shoulders loosened, my stride opened, my heart banged the base of my throat. I crossed Carnegie and ran up the block waving my arms. I crossed Lexington and ran up the block waving my arms.
A linen-suited woman in her fifties did meet my exultant eye. She looked exultant herself, seeing me from far up the block. Her face was thin and tanned. We converged. Her warm, intelligent glance said she knew what I was doing- not because she herself had been a child but because she herself took a few loose aerial turns around her apartment every night for the hell of it, and by day played along with the rest of the world and took the streetcar. So Teresa of Avila checked her unseemly joy and hung on to the altar rail to hold herself down. The woman's smiling, deep glance seemed to read my own awareness from my face, so we passed on the sidewalk- a beautifully upright woman walking in her tan linen suit, a kid running and flapping her arms- we passed on the sidewalk with a look of accomplices who share a humor just beyond irony. What's a heart for?
”
”
Annie Dillard (An American Childhood)
“
The tired intellectual sums up the deformities and the vices of a world adrift. He does not act, he suffers; if he favors the notion of tolerance, he does not find in it the stimulant he needs. Tyranny furnishes that, as do the doctrines of which it is the outcome. If he is the first of its victims, he will not complain: only the strength that grinds him into the dust seduces him. To want to be free is to want to be oneself; but he is tired of being himself, of blazing a trail into uncertainty, of stumbling through truths. “Bind me with the chains of Illusion,” he sighs, even as he says farewell to the peregrinations of Knowledge. Thus he will fling himself, eyes closed, into any mythology which will assure him the protection and the peace of the yoke. Declining the honor of assuming his own anxieties, he will engage in enterprises from which he anticipates sensations he could not derive from himself, so that the excesses of his lassitude will confirm the tyrannies. Churches, ideologies, police—seek out their origin in the horror he feels for his own lucidity, rather than in the stupidity of the masses. This weakling transforms himself, in the name of a know-nothing utopia, into a gravedigger of the intellect; convinced of doing something useful, he prostitutes Pascal’s old “abêtissezvous,” the Solitary’s tragic device.
A routed iconoclast, disillusioned with paradox and provocation, in search of impersonality and routine, half prostrated, ripe for the stereotype, the tired intellectual abdicates his singularity and rejoins the rabble. Nothing more to overturn, if not himself: the last idol to smash … His own debris lures him on. While he contemplates it, he shapes the idol of new gods or restores the old ones by baptizing them with new names. Unable to sustain the dignity of being fastidious, less and less inclined to winnow truths, he is content with those he is offered. By-product of his ego, he proceeds—a wrecker gone to seed—to crawl before the altars, or before what takes their place. In the temple or on the tribunal, his place is where there is singing, or shouting—no longer a chance to hear one’s own voice. A parody of belief? It matters little to him, since all he aspires to is to desist from himself. All his philosophy has concluded in a refrain, all his pride foundered on a Hosanna!
Let us be fair: as things stand now, what else could he do? Europe’s charm, her originality resided in the acuity of her critical spirit, in her militant, aggressive skepticism; this skepticism has had its day. Hence the intellectual, frustrated in his doubts, seeks out the compensations of dogma. Having reached the confines of analysis, struck down by the void he discovers there, he turns on his heel and attempts to seize the first certainty to come along; but he lacks the naiveté to hold onto it; henceforth, a fanatic without convictions, he is no more than an ideologist, a hybrid thinker, such as we find in all transitional periods. Participating in two different styles, he is, by the form of his intelligence, a tributary of the one of the one which is vanishing, and by the ideas he defends, of the one which is appearing. To understand him better, let us imagine an Augustine half-converted, drifting and tacking, and borrowing from Christianity only its hatred of the ancient world. Are we not in a period symmetrical with the one which saw the birth of The City of God? It is difficult to conceive of a book more timely. Today as then, men’s minds need a simple truth, an answer which delivers them from their questions, a gospel, a tomb.
”
”
Emil M. Cioran (The Temptation to Exist)
“
The conditions of life have always been incomprehensible to me. In fact, the moment I became aware of the world I began hunting for a portal out of it. It's taken me many years to admit this fact to myself. It seems I'm simply not hardwired to process the din and dynamism of humankind. And so I withdrew my membership. I stepped out of line and let the hunt rush past me, contenting myself with nestling down among the bones your tribe left in its wake. I made myself vety small in the world and welcomed those faint and far-off impulses to come stealing in as they pleased.
I forfeited the tangible for the spider-graze of some phantom realm.
And yet it was I who fount the Real.
-The Eldritch Faith-
At Fear's Altar.
”
”
Richard Gavin.
“
God is alive; Magic is afoot
God is alive; Magic is afoot
God is afoot; Magic is alive
Alive is afoot.....
Magic never died.
God never sickened;
Many poor men lied
Many sick men lied
Magic never weakened
Magic never hid
Magic always ruled
God is afoot
God never died.
God was ruler
Though his funeral lengthened
Though his mourners thickened
Magic never fled
Though his shrouds were hoisted
The naked God did live
Though his words were twisted
The naked Magic thrived
Though his death was published
Round and round the world
The heart did not believe
Many hurt men wondered
Many struck men bled
Magic never faltered
Magic always led.
Many stones were rolled
But God would not lie down
Many wild men lied
Many fat men listened
Though they offered stones
Magic still was fed
Though they locked their coffers
God was always served.
Magic is afoot. God rules.
Alive is afoot. Alive is in command.
Many weak men hungered
Many strong men thrived
Though they boasted solitude
God was at their side
Nor the dreamer in his cell
Nor the captain on the hill
Magic is alive
Though his death was pardoned
Round and round the world
The heart did not believe.
Though laws were carved in marble
They could not shelter men
Though altars built in parliaments
They could not order men
Police arrested Magic
And Magic went with them,
For Magic loves the hungry.
But Magic would not tarry
It moves from arm to arm
It would not stay with them
Magic is afoot
It cannot come to harm
It rests in an empty palm
It spawns in an empty mind
But Magic is no instrument
Magic is the end.
Many men drove Magic
But Magic stayed behind
Many strong men lied
They only passed through Magic
And out the other side
Many weak men lied
They came to God in secret
And though they left him nourished
They would not say who healed
Though mountains danced before them
They said that God was dead
Though his shrouds were hoisted
The naked God did live
This I mean to whisper to my mind
This I mean to laugh with in my mind
This I mean my mind to serve 'til
Service is but Magic
Moving through the world
And mind itself is Magic
Coursing through the flesh
And flesh itself is Magic
Dancing on a clock
And time itself the magic length of God.
”
”
Leonard Cohen
“
WHEN YOU LIVE IN GOD, your day begins when you open your eyes, though you have done nothing yourself to open them, and you take your first breath, though there is no reason why this life-giving breeze should be given to you and not to some other. In the dark or in the light, with a stone slab under your back or a feather topper, your day begins when you let God hold you because you do not have the slightest idea how to hold yourself—when you let God raise you up, when you consent to rest to show you get the point, since that is the last thing you would do if you were running the show yourself. When you live in God, your day begins when you lose yourself long enough for God to find you, and when God finds you, to lose yourself again in praise.
”
”
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
“
Let them talk more munitions and airplanes and battleships and tanks and gases why of course we’ve got to have them we can’t get along without them how in the world could we protect the peace if we didn’t have them? Let them form blocs and alliances and mutual assistance pacts and guarantees of neutrality. Let them draft notes and ultimatums and protests and accusations.
But before they vote on them before they give the order for all the little guys to start killing each other let the main guy rap his gavel on my case and point down at me and say here gentlemen is the only issue before this house and that is are you for this thing here or are you against it. And if they are against it why goddam them let them stand up like men and vote. And if they are for it let them be hanged and drawn and quartered and paraded through the streets in small chopped up little bits and thrown out into the fields where no clean animal will touch them and let their chunks rot there and may no green thing ever grow where they rot.
Take me into your churches your great towering cathedrals that have to be rebuilt every fifty years because they are destroyed by war. Carry me in my glass box down the aisles where kings and priests and brides and children at their confirmation have gone so many times before to kiss a splinter of wood from a true cross on which was nailed the body of a man who was lucky enough to die. Set me high on your altars and call on god to look down upon his murderous little children his dearly beloved little children. Wave over me the incense I can’t smell. Swill down the sacramental wine I can’t taste. Drone out the prayers I can’t hear. Go through the old holy gestures for which I have no legs and no arms. Chorus out the hallelujas I can’t sing. Bring them out loud and strong for me your hallelujas all of them for me because I know the truth and you don’t you fools. You fools you fools you fools…
”
”
Dalton Trumbo (Johnny Got His Gun)
“
There are so many people in this world who can live day to day, sourly dismissing love as just a man made illusion with the sole purpose of embedding hopeless festering ideas of a richer, fuller, happier existence into our psyche, in the hopes that it will make our seemingly wasteful, unneeded, and depressing lives just a little more tolerable.
When we invite intimacy into our life, we take a wager strong enough to lift our spirits and make us feel as if nothing in this world can overcome us, and that no challenge is insurmountable. But Love can indeed be a dangerous game to play. There's nothing in the world that can be easier than to give up on the idea after a heartbreak. Anybody can do it.
But it doesn't always take being in a strong, everlasting bond with our soul mate to bring out the best in us. There's just something about the pursuit of love that for some reason beckons us to keep getting back on the horse. The hunt is what keeps our dreams alive and strong until that day comes when we stand across the altar from our brides and grooms, about to lean in to that one kiss that takes us into our eternal, everlasting life of bliss and happiness.
”
”
Max Jacob
“
Ever since black people came to this country we have needed a Moses. There has always been so much water that needs parting. It seems like all black children, from the time we are born, come into the world in the midst of a rushing current that threatens to swallow us whole if we don't heed the many, many warnings we are told to heed. We come into the world as alchemists of the water, bending it, willing it to bear us safe passage and cleanse us along the way, to teach us to move with joy and purpose and to never, ever stop flowing forward into something grand waiting at the other end of the delta. We're a people forever in exodus.
Before Moses there was Abraham, and ever since black people came to this country we have needed an Abraham. We have always been sending each other away -- for our own good, don't you know it -- and calling each other back, finding kinship where a well springs from tears. We are masters of the art of sacrifice; no one is more skilled at laying their greatest beloveds on the altar and feeling certainty even as we feel sorrow. And when we see the ram, we know how to act fast, and prosper, even as the stone knife warms in our hands.
”
”
Eve L. Ewing (Electric Arches)
“
I remembered the scene in the Bible when Jacob asks Rachel for water and on hearing her speak the words that were prophesied for him, throws up his hands to heaven and kisses the ground by the well. Me Jewish, Celan Jewish, Oliver Jewish—we were in a half ghetto, half oasis, in an otherwise cruel and unflinching world where fuddling around strangers suddenly stops, where we misread no one and no one misjudges us, where one person simply knows the other and knows him so thoroughly that to be taken away from such intimacy is galut,Hebrew word for exile and dispersal. Was he my home, then, my homecoming? You are my homecoming. When I’m with you and we’re well together, there is nothing more I want. You make me like who I am, who I become when you’re with me, Oliver.
If there is any truth in the world, it lies when I’m with you, and if I find the courage to speak my truth to you one day, remind me to light a candle in thanksgiving at every altar in Rome.
It never occurred to me that if one word word from him could make me so happy, another could just as easily crush me, that if I didn’t want to be unhappy, I should learn to beware of such small joys as well.
”
”
André Aciman (Call Me by Your Name: A Novel)
“
Everything is argued over in this world. Apart from only one thing that is not argued over. Nobody argues about democracy. Democracy is there as if it was some sort of saint in the altar from whom miracles are no longer expected. But it’s there as a reference. A reference. Democracy. And no-one attends to the matter that the democracy in which we live is a democracy taken captive, conditioned, amputated. Because the power..the power of the citizen, the power of each one of us, is limited, in the political sphere, I repeat, in the political sphere, to remove a government that we do not like and replace it with another one that perhaps we might like in the future. Nothing else. But the big decisions are taken in a different sphere, and we all know which one that is. The big international financial organisations, the IMFs, the World Trade Organisations, the World Banks, the OECDs. All..not one of these entities is democratic. And so, how can we keep talking about democracy, if those who effectively govern the world are not chosen democratically by the people? Who chooses the representatives of each country in those organisations? Your respective peoples? No. Where then is the democracy?
”
”
José Saramago
“
He squatted over the wolf and touched her fur. He touched the cold and perfect teeth. The eye turned to the fire gave back no light and he closed it with his thumb and sat by her and put his hand upon her bloodied forehead and closed his own eyes that he could see her running in the mountains, running in the starlight where the grass was wet and the sun’s coming as yet had not undone the rich matrix of creatures passed in the night before her. Deer and hare and dove and groundvole all richly empaneled on the air for her delight, all nations of the possible world ordained by God of which she was one among and not separate from. Where she ran the cries of the coyotes clapped shut as if a door had closed upon them and all was fear and marvel. He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held, what already ran among the mountains at once terrible and of a great beauty, like flowers that feed on flesh. What blood and bone are made of but can themselves not make on any altar nor by any wound of war. What we may well believe has power to cut and shape and hollow out the dark form of the world surely if wind can, if rain can. But which cannot be held never be held and is no flower but is swift and a huntress and the wind itself is in terror of it and the world cannot lose it. II
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Melancholy isn’t, of course, a disorder that needs to be cured. It’s a species of intelligent grief which arises when we come face to face with the certainty that disappointment is written into the script from the start.
We have not been singled out. Marrying anyone, even the most suitable of beings, comes down to a case of identifying which variety of suffering we would most like to sacrifice ourselves for.
In an ideal world, marriage vows would be entirely rewritten. At the altar, a couple would speak thus: “We accept not to panic when, some years from now, what we are doing today will seem like the worst decision of our lives. Yet we promise not to look around, either, for we accept that there cannot be better options out there. Everyone is always impossible. We are a demented species.”
After the solemn repetition of the last sentence by the congregation, the couple would continue: “We will endeavor to be faithful. At the same time, we are certain that never being allowed to sleep with anyone else is one of the tragedies of existence. We apologize that our jealousies have made this peculiar but sound and non-negotiable restriction very necessary. We promise to make each other the sole repository of our regrets rather than distribute them through a life of sexual Don Juanism. We have surveyed the different options for unhappiness, and it is to each other we have chosen to bind ourselves.”
Spouses who had been cheated upon would no longer be at liberty furiously to complain that they had expected their partner to be content with them alone. Instead they could more poignantly and justly cry, “I was relying on you to be loyal to the specific variety of compromise and unhappiness which our hard-won marriage represents.”
Thereafter, an affair would be a betrayal not of intimate joy but of a reciprocal pledge to endure the disappointments of marriage with bravery and stoic reserve.
”
”
Alain de Botton (The Course of Love)
“
… the countryside and the village are symbols of stability and security, of order. Yet they are also, as I have noted, liminal spaces, at a very narrow remove from the atavistic Wild. Arcadia is not the realm even of Giorgione and of Claude, with its cracked pillars and thunderbolts, its lurking banditti; still less is it Poussin’s sun-dappled and regularised realm of order, where, although the lamb may be destined for the altar and the spit, all things proceed with charm and gravity and studied gesture; least of all is it the degenerate and prettified Arcady of Fragonard and Watteau, filled with simpering courtier-Corydons, pallid Olympians, and fat-arsed putti. (It is only family piety that prevents me from taking a poker to an inherited coffee service in gilt porcelain with bastardised, deutero-Fragonard scenes painted on the sides of every damned thing. Cue Wallace Greenslade: ‘… “Round the Horne”, with Marie Antoinette as the dairymaid and Kenneth Williams as the manager of the camp-site….’) No: Arcadia is the very margin of the liminal space between the safe tilth and the threatening Wild, in which Pan lurks, shaggy and goatish, and Death proclaims, from ambush, et in Arcadia ego. Arcadia is not the Wide World nor the Riverbank, but the Wild Wood. And in that wood are worse than stoats and weasels, and the true Pan is no Francis of Assisi figure, sheltering infant otters. The Wild that borders and penetrates Arcady is red in tooth and claw.
”
”
G.M.W. Wemyss
“
There are so many priests who enter triumphantly and walk up toward the altar, greeting people left and right, so as to appear sympathetic. Just look at the sad spectacle of some Eucharistic celebrations. ... Why so much frivolousness and worldliness at the moment of the Holy Sacrifice? Why so much profanation and superficiality, given the extraordinary priestly grace that renders us able to make the Body and Blood of Christ substantially present by the invocation of the Spirit? Why do some think that they are obliged to improvise or invent Eucharistic Prayers that conceal the sacred prayers in a wash of petty, human fervor? Are Christ's words insufficient, making it necessary to multiply merely human words? In such a unique and essential sacrifice, is there any need for such a display of imagination and subjective creativity? "In praying do not heap up empty phrases as the Gentiles do; for they think that they will be heard for their many words", Jesus warns us (Mt 6:7).
”
”
Robert Sarah (The Power of Silence: Against the Dictatorship of Noise)
“
In an ideal world, marriage vows would be entirely rewritten. At the altar, a couple would speak thus: “We accept not to panic when, some years from now, what we are doing today will seem like the worst decision of our lives. Yet we promise not to look around, either, for we accept that there cannot be better options out there. Everyone is always impossible. We are a demented species.” After the solemn repetition of the last sentence by the congregation, the couple would continue: “We will endeavor to be faithful. At the same time, we are certain that never being allowed to sleep with anyone else is one of the tragedies of existence. We apologize that our jealousies have made this peculiar but sound and non-negotiable restriction very necessary. We promise to make each other the sole repository of our regrets rather than distribute them through a life of sexual Don Juanism. We have surveyed the different options for unhappiness, and it is to each other we have chosen to bind ourselves.
”
”
Alain de Botton (The Course of Love)
“
Quote from Father Tim during a sermon given after the former priest was found after a suicide attempt.
" 'Father Talbot has charged me to tell you that he is deeply repentant for not serving you as God appointed him to do, and as you hoped and needed him to do.
'He wished very much to bring you this message himself, but he could not. He bids you goodbye with a love he confesses he never felt toward you...until this day. He asks--and I quote him--that you might find it in your hearts to forgive him his manifold sins against God and this parish.'
He felt the tears on his face before he knew he was weeping, and realized instinctively that he would have no control over the display. He could not effectively carry on, no even turn his face away or flee the pulpit. He was in the grip of a wild grief that paralyzed everything but itself.
He wept face forward, then, into the gale of those aghast at what was happening, wept for the wounds of any clergy gone out into a darkness of self-loathing and beguilement; for the loss and sorrow of those who could not believe, or who had once believed but lost all sense of shield and buckler and any notion of God's radical tenderness, for the ceaseless besettings of the flesh, for the worthless idols of his own and of others; for those sidetracked, stumped, frozen, flung away, for those both false and true, the just and the unjust, the quick and the dead.
He wept for himself, for the pain of the long years and the exquisite satisfactions of the faith, for the holiness of the mundane, for the thrashing exhaustions and the endless dyings and resurrectings that malign the soul incarnate.
It had come to this, a thing he had subtly feared for more than forty years--that he would weep before the many--and he saw that his wife would not try to talk him down from this precipice, she would trust him to come down himself without falling or leaping.
And people wept with him, most of them. Some turned away, and a few got up and left in a hurry, fearful of the swift and astounding movement of the Holy Spirit among them, and he, too, was afraid--of crying aloud in a kind of ancient howl and humiliating himself still further. But the cry burned out somewhere inside and he swallowed down what remained and the organ began to play, softly, piously. He wished it to be loud and gregarious, at the top of its lungs--Bach or Beethoven, and not the saccharine pipe that summoned the vagabond sins of thought, word, and deed to the altar, though come to think of it, the rail was the very place to be right now, at once, as he, they, all were desperate for the salve of the cup, the Bread of Heaven.
And then it was over. He reached into the pocket of his alb and wondered again how so many manage to make in this world without carrying a handkerchief. And he drew it out and wiped his eyes and blew his nose as he might at home, and said, 'Amen.'
And the people said, 'Amen.
”
”
Jan Karon
“
I like to judge people and it was clear to me that Colin’s life has been about as exciting as a cluster headache. You can tell this just from his humour tumour which runs through every conversation you have with him. I got the impression that Colin had arrived at his early fifties resenting the fact that he’s spent his entire career worshiping at the altar of Dynasty PLC. But he is now so indoctrinated by the world of corporate banking that he’s forgotten how to express the real him.
This is what a life working for large corporations does to people. The workplace is a place not to be you; it’s a place to be the corporate you. The you that doesn’t really exist. We all see this corporate you and pretend that it’s a normal part of life. But we know that something isn’t quite right. We know that the real you is slowly fading away like old wallpaper. The corporate you is a myth; just like Icarus. And yet we are powerless against it. All of us are powerless against the wrath of the corporate world.
”
”
Rupert Dreyfus (Spark)
“
Men and women of today! if there be among you any pure, fresh flower, let it be laid on the altar of God. If there are among you any who, being young, do not desire to return into the world, let them give up! Let them renounce! This is the one secret of spirituality, renunciation. Dare to do this. Be brave enough to do it. Such great sacrifices are necessary. Can you not see the tide of death and materialism that is rolling over these Western lands? Can you not see the power of lust and unholiness, that is eating into the very vitals of society? Believe me, you will not arrest these things by talk, or by movements of agitation for reform; but by renunciation, by standing up, in the midst of decay and death, as mountains of righteousness. Talk not, but let the power of purity, the power of chastity, the power of renunciation, emanate from every pore of your body. Let it strike those who are struggling day and night for gold, that even in the midst of such a state of things, there can be one to whom wealth counts for nothing. Put away lust and wealth. Sacrifice yourselves.
”
”
Vivekananda (Meditation and Its Methods)
“
When Constantine converted to Christianity, there basically was no Christian architecture. Local Christian communities met in converted houses, and especially in the face of periodic imperial persecution, the religion had developed no specific architectural forms of its own. In the fourth century, therefore, as imperial patronage and ongoing processes of conversion caused large numbers of specialist churches to be built for the first time, the religion took over an old form of public building from the Graeco-Roman world: the basilica. This was a rectangular, shallow-vaulted building, usually equipped with aisles around an elevated central nave and an apse at one end. It had long been used for town council buildings and audience chambers across the Mediterranean world, with the apse being occupied by the presiding figure of power (or indeed the emperor in the case of a palace audience chamber). For Christianity, the apse worked nicely for the sacred space of the altar, and the basilica was a building form essentially designed for meetings, which worked, too, as a space for church services
”
”
Peter Heather (Rome Resurgent: War and Empire in the Age of Justinian (Ancient Warfare and Civilization))
“
How can the bhakta stand apart from his sorrows?
To a devotee this is much easier than for anyone else. He is one who has already offered all of himself. He has laid at the altar of his Lord his entire being. So totally surrendered becomes his worldly and sacred personality, that not only his physical being but his ideas, his ideals, his worldly duties, even his spiritual duties come to be entirely offered at His feet. His joy is only in going on striving for Him. All worries and anxieties thereafter are His. Then on what account should he ever weep?
”
”
Chinmayananda (Narada Bhakti Sutra)
“
Holidays: Imagine if the great holidays and seasons of the Christian year were redesigned to emphasize love. Advent would be the season of preparing our hearts to receive God’s love. Epiphany would train us to keep our eyes open for expressions of compassion in our daily lives. Lent would be an honest self-examination of our maturity in love and a renewal of our commitment to grow in it. Instead of giving up chocolate or coffee for Lent, we would stop criticizing or gossiping about or interrupting others. Maundy Thursday would refocus us on the great and new commandment; Good Friday would present the suffering of crucifixion as the suffering of love; Holy Saturday would allow us to lament and grieve the lack of love in our lives and world; and Easter would celebrate the revolutionary power of death-defying love. Pentecost could be an “altar call” to be filled with the Spirit of love, and “ordinary time” could be “extraordinary time” if it involved challenges to celebrate and express love in new ways—to new people, to ourselves, to the earth, and to God—including time to tell stories about our experiences of doing so.
”
”
Brian D. McLaren (The Great Spiritual Migration: How the World's Largest Religion Is Seeking a Better Way to Be Christian)
“
I charge you with a phrase from the gospel of John, Updike that is: Your only duty is to give the mundane its beautiful due.
You step from this moment with scripture and stole ordained to the ordinary. Ours is an existence in something more than the husk it once was but not yet the bloom it shall be; in other words, you are charged to the in-between, middle-earth, us.
Yes, our lives are sewn on occasion with a texture of joy unmistakable, the foretastes. But many days, if not most hours, reek of repetition, a mundane rising and falling punctuated with what the old hymn writer penned as “seasons of distress and grief.” The relief you are charged to bring to our souls in times like these is beauty – nothing more, nothing less. It is your only duty. Give up all other ambitions for the dross they are.
Give the mundane its beautiful due.
Bear witness to the truth we so often bury, that our lives are shot through with drama, interest, relevance, importance, and poetry. Live among us, story by story, with both precision and surprisingness. Help us to believe in God by startling us with the kicker – God believes in us. Know this, that yours is not so much a high calling as it is a careful attention; you are to be a person of prayer, not big britches.
Once you begin a gesture it's often fatal not to go through with it, so please, for the love of God and us and you, go through with this. The world for you may be even harder from here on in, but most things worth doing are hard. So break and bless and preach and teach and laugh and sing and weep and rage and whisper at the altar of this astonishingly splendid fallen world.
Give the mundane its beautiful due.
Amen and amen.
”
”
John Blase
“
The wretchedness of the masses, and their hopeless condition, had no relation whatever to religion; their murmurs and groans were not against their gods or for want of gods. In the oak-woods of Britain the Druids held their followers; Odin and Freya maintained their godships in Gaul and Germany and among the Hyperboreans; Egypt was satisfied with her crocodiles and Anubis; the Persians were yet devoted to Ormuzd and Ahriman, holding them in equal honor; in hope of the Nirvana, the Hindoos moved on patient as ever in the rayless paths of Brahm; the beautiful Greek mind, in pauses of philosophy, still sang the heroic gods of Homer; while in Rome nothing was so common and cheap as gods. According to whim, the masters of the world, because they were masters, carried their worship and offerings indifferently from altar to altar, delighted in the pandemonium they had erected. Their discontent, if they were discontented, was with the number of gods; for, after borrowing all the divinities of the earth they proceeded to deify their Caesars, and vote them altars and holy service. No, the unhappy condition was not from religion, but misgovernment and usurpations and countless tyrannies.
”
”
Ben-Hur
“
In the world of togas, sandals, the Parthenon, temples, and little white homes perched on hillsides overlooking the sea, discipleship permeated Greek life-from aristocrats to peasants, from philosophers to tradesmen.
In the first century, the apostle Paul stood on Mars Hill and said, "Men of Athens! I see that in every way you are very religious.... I even found an altar with this inscription: TO AN UNKNOWN GOD. Now what you worship as something unknown I am going to proclaim to you" (Acts 17:22-23). Paul's speech demonstrates that the Greek philosophers were confused about God. But they were also astute in passing on their confusion as they lived out discipleship and even created some of its language and technique.
The Greek masters' use of mathetes, or disciple: As explored in chapter 1, mathetes is translated "disciple." We can find the concept of disciple-a person following a master-among the great masters of Greece. Plato, Socrates, and Herodotus all used disciple to mean "learner" or "one who is a diligent student." These and other Greek
philosophers generally understood that the disciple's life involved apprenticeship, a relationship of submission, and a life of demanding
”
”
Bill Hull (The Complete Book of Discipleship: On Being and Making Followers of Christ (The Navigators Reference Library 1))
“
The path to a different America, Baldwin maintained, encompassed an acceptance of the reality of our country’s racist past and present and how that has distorted our overall sense of who we take ourselves to be. But, as he wrote in The Fire Next Time: To accept one’s past—one’s history—is not the same thing as drowning in it; it is learning how to use it. An invented past can never be used; it cracks and crumbles under the pressures of life like clay in a season of drought. How can the American Negro’s past be used? The unprecedented price demanded—and at this embattled hour of the world’s history—is the transcendence of the realities of color, of nations, and of altars.
”
”
Eddie S. Glaude Jr. (Begin Again: James Baldwin's America and Its Urgent Lessons for Our Own)
“
There’s no way to know anything here in advance. This is purely a process of discovery. Too often we come to a moment of creativity and hesitate because our minds speak louder than our hearts. There’s the figure-it-out mind that wants to know everything before doing it. There’s the judgmental mind that compares itself to others. There’s the disbelieving mind that stops us before we begin, because “I could never.” And there’s the fearful “what if” mind that warns us of the perils of making a mistake. Our minds can become such enormous roadblocks that prevent us from expressing ourselves freely. When blocked, we never get to encounter the effortless grace that is capable of flowing through our expression, an expression that is so desperately needed in this world.
”
”
Day Schildkret (Morning Altars: A 7-Step Practice to Nourish Your Spirit through Nature, Art, and Ritual)
“
God created man out of dust from the ground. At a basic level, the Creator picked up some dirt and threw Adam together. The Hebrew word for God forming man is yatsar,[11] which means “to form, as a potter.” A pot usually has but one function. Yet when God made a woman, He “made a woman from the rib he had taken out of the man” (Genesis 2:22). He created her with His own hands. He took His time crafting and molding her into multifaceted brilliance. The Hebrew word used for making woman is banah, meaning to “build, as a house, a temple, a city, an altar.”[12] The complexity implied by the term banah is worth noting. God has given women a diverse makeup that enables them to carry out multiple functions well. Adam may be considered Human Prototype 1.0, while Eve was Human Prototype 2.0. Of high importance, though, is that Eve was fashioned laterally with Adam’s rib. It was not a top-down formation of dominance or a bottom-up formation of subservience. Rather, Eve was an equally esteemed member of the human race. After all, God spoke of the decision for their creation as one decision before we were ever even introduced to the process of their creation. The very first time we read about both Eve and Adam is when we read of the mandate of rulership given to both of them equally. We are introduced to both genders together, simultaneously. This comes in the first chapter of the Bible: Then God said, “Let us make man in our image, in our likeness, and let them rule over the fish of the sea and the birds of the air, over the livestock, over all the earth, and over all the creatures that move along the ground.” So God created man in his own image, in the image of God he created him; male and female he created them. (Genesis 1:26–27) Both men and women have been created equally in the image of God. While within that equality lie distinct and different roles (we will look at that in chapter 10), there is no difference in equality of being, value, or dignity between the genders. Both bear the responsibility of honoring the image in which they have been made. A woman made in the image of God should never settle for being treated as anything less than an image-bearer of the one true King. As Abraham Lincoln said, “Nothing stamped with the Divine image and likeness was sent in the world to be trodden on.”[13] Just as men, women were created to rule.
”
”
Tony Evans (Kingdom Woman: Embracing Your Purpose, Power, and Possibilities)
“
In fact, Hinduism�s pervading influence seems to go much earlier than Christianity. American mathematician, A. Seindenberg, has for example shown that the Sulbasutras, the ancient Vedic science of mathematics, constitute the source of mathematics in the Antic world, from Babylon to Greece : � the arithmetic equations of the Sulbasutras he writes, were used in the observation of the triangle by the Babylonians, as well as in the edification of Egyptian pyramids, in particular the funeral altar in form of pyramid known in the vedic world as smasana-cit (Seindenberg 1978: 329). In astronomy too, the "Indus" (from the valley of the Indus) have left a universal legacy, determining for instance the dates of solstices, as noted by 18th century French astronomer Jean-Sylvain Bailly : � the movement of stars which was calculated by Hindus 4500 years ago, does not differ even by a minute from the tables which we are using today". And he concludes: "the Hindu systems of astronomy are much more ancient than those of the Egyptians - even the Jews derived from the Hindus their knowledge �. There is also no doubt that the Greeks heavily borrowed from the "Indus". Danielou notes that the Greek cult of Dionysos, which later became Bacchus with the Romans, is a branch of Shivaism : � Greeks spoke of India as the sacred territory of Dionysos and even historians of Alexander the Great identified the Indian Shiva with Dionysos and mention the dates and legends of the Puranas �. French philosopher and Le Monde journalist Jean-Paul Droit, recently wrote in his book "The Forgetfulness of India" that � the Greeks loved so much Indian philosophy, that Demetrios Galianos had even translated the Bhagavad Gita �.
”
”
François Gautier (A Western journalist on India: The ferengi's columns)
“
The gods do not speak with everyone,” and so a way has to be devised to approach them: men must segregate themselves in the same way as the gods are segregated from men. Then perhaps the gods will pay attention. An initial separation from other men is achieved through the preliminary actions of the rite.
When setting up the gārhapatya fire, he first sweeps the chosen space with a palāśa branch and says: ‘Away from here! Away! Crawl away from here,’ then: ‘Go away, go and slip away from here,’ he says to those who slither on their bellies. ‘You who are here from ancient and recent times!’ and therefore both those who are here from a remote time as well as those who have settled here today.”
The ritual action is an imitation. Of other men, who lived in the beginning? Or of gods? During the building of the fire altar when certain bricks, known as dviyajus, “which require a double formula,” have to be arranged. At that moment the sacrificer thinks the following words: “I wish to go to the celestial world following the same form, celebrating the same rite that Indra and Agni used to enter the celestial world!” What the sacrificer is imitating is the act of the god himself making himself a god
Ritual serves above all to resolve through action what thought alone cannot resolve. For example: what do we do with the ash produced by the sacrificial fire? The ashes are thrown into water. And these words are spoken: “O divine waters, receive these ashes and place them in a soft and fragrant place!” And then: “May the consorts, married to a good lord, bow down to him.” The “consorts” here are the waters, who have found a “good lord” in Agni. The waters are chosen as a place for ashes, because Agni was born from the womb of the waters.So Agni will not be lost.
”
”
Roberto Calasso (L'ardore)
“
Darkness:
I had a dream, which was not all a dream.
The bright sun was extinguish'd, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;
Morn came and went—and came, and brought no day,
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chill'd into a selfish prayer for light:
And they did live by watchfires—and the thrones,
The palaces of crowned kings—the huts,
The habitations of all things which dwell,
Were burnt for beacons; cities were consum'd,
And men were gather'd round their blazing homes
To look once more into each other's face;
Happy were those who dwelt within the eye
Of the volcanos, and their mountain-torch:
A fearful hope was all the world contain'd;
Forests were set on fire—but hour by hour
They fell and faded—and the crackling trunks
Extinguish'd with a crash—and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them; some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smil'd;
And others hurried to and fro, and fed
Their funeral piles with fuel, and look'd up
With mad disquietude on the dull sky,
The pall of a past world; and then again
With curses cast them down upon the dust,
And gnash'd their teeth and howl'd: the wild birds shriek'd
And, terrified, did flutter on the ground,
And flap their useless wings; the wildest brutes
Came tame and tremulous; and vipers crawl'd
And twin'd themselves among the multitude,
Hissing, but stingless—they were slain for food.
And War, which for a moment was no more,
Did glut himself again: a meal was bought
With blood, and each sate sullenly apart
Gorging himself in gloom: no love was left;
All earth was but one thought—and that was death
Immediate and inglorious; and the pang
Of famine fed upon all entrails—men
Died, and their bones were tombless as their flesh;
The meagre by the meagre were devour'd,
Even dogs assail'd their masters, all save one,
And he was faithful to a corse, and kept
The birds and beasts and famish'd men at bay,
Till hunger clung them, or the dropping dead
Lur'd their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answer'd not with a caress—he died.
The crowd was famish'd by degrees; but two
Of an enormous city did survive,
And they were enemies: they met beside
The dying embers of an altar-place
Where had been heap'd a mass of holy things
For an unholy usage; they rak'd up,
And shivering scrap'd with their cold skeleton hands
The feeble ashes, and their feeble breath
Blew for a little life, and made a flame
Which was a mockery; then they lifted up
Their eyes as it grew lighter, and beheld
Each other's aspects—saw, and shriek'd, and died—
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful was a lump,
Seasonless, herbless, treeless, manless, lifeless—
A lump of death—a chaos of hard clay.
The rivers, lakes and ocean all stood still,
And nothing stirr'd within their silent depths;
Ships sailorless lay rotting on the sea,
And their masts fell down piecemeal: as they dropp'd
They slept on the abyss without a surge—
The waves were dead; the tides were in their grave,
The moon, their mistress, had expir'd before;
The winds were wither'd in the stagnant air,
And the clouds perish'd; Darkness had no need
Of aid from them—She was the Universe.
”
”
Lord Byron
“
I now pronounce you husband and wife.
I hadn’t considered the kiss. Not once. I suppose I’d assumed it would be the way a wedding kiss should be. Restrained. Appropriate. Mild. A nice peck. Save the real kisses for later, when you’re deliciously alone. Country club girls don’t make out in front of others. Like gum chewing, it should always be done in private, where no one else can see.
But Marlboro Man wasn’t a country club boy. He’d missed the memo outlining the rules and regulations of proper ways to kiss in public. I found this out when the kiss began--when he wrapped his loving, protective arms around me and kissed me like he meant it right there in my Episcopal church. Right there in front of my family, and his, in front of Father Johnson and Ms. Altar Guild and our wedding party and the entire congregation, half of whom were meeting me for the first time that night. But Marlboro Man didn’t seem to care. He kissed me exactly the way he’d kissed me the night of our first date--the night my high-heeled boot had gotten wedged in a crack in my parents’ sidewalk and had caused me to stumble. The night he’d caught me with his lips.
We were making out in church--there was no way around it. And I felt every bit as swept away as I had that first night. The kiss lasted hours, days, weeks…probably ten to twelve seconds in real time, which, in a wedding ceremony setting, is a pretty long kiss. And it might have been longer had the passionate moment not been interrupted by the sudden sound of a person clapping his hands.
“Woohoo! All right!” the person shouted. “Yes!”
It was Mike. The congregation broke out in laughter as Marlboro Man and I touched our foreheads together, cementing the moment forever in our memory. We were one; this was tangible to me now. It wasn’t just an empty word, a theological concept, wishful thinking. It was an official, you-and-me-against-the-world designation. We’d both left our separateness behind. From that moment forward, nothing either of us did or said or planned would be in a vacuum apart from the other. No holiday would involve our celebrating separately at our respective family homes. No last-minute trips to Mexico with friends, not that either of us was prone to last-minute trips to Mexico with friends. But still.
The kiss had sealed the deal in so many ways.
I walked proudly out of the church, the new wife of Marlboro Man. When we exited the same doors through which my dad and I had walked thirty minutes earlier, Marlboro Man’s arm wriggled loose from my grasp and instinctively wrapped around my waist, where it belonged. The other arm followed, and before I knew it we were locked in a sweet, solidifying embrace, relishing the instant of solitude before our wedding party--sisters, cousins, brothers, friends--followed closely behind.
We were married. I drew a deep, life-giving breath and exhaled. The sweating had finally stopped. And the robust air-conditioning of the church had almost completely dried my lily-white Vera.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
In the end, it was the little details of the wedding that Daphne remembered. There were tears in her mother's eyes (and then eventually on her face), and Anthony's voice had been oddly hoarse when he stepped forward to give her away. Hyacinth had strewn her rose petals too quickly, and there were none left by the time she reached the altar. Gregory sneezed three times before they even got to their vows.
And she remembered the look of concentration on Simon's face as he repeated his vows. Each syllable was uttered slowly and carefully. His eyes burned with intent, and his voice was low but true. To Daphne, it sounded as if nothing in the world could possibly be as important as the words he spoke as they stood before the archbishop.
Her heart found comfort in this; no man who spoke his vows with such intensity could possibly view marriage as a mere convenience.
Those whom God hath joined together, let no man put asunder.
A shiver raced down Daphne's spine, causing her to sway. In just a moment, she would belong to this man forever.
Simon's head turned slightly, his eyes darting to her face. Are you all right? his eyes asked.
She nodded, a tiny little jog of her chin that only he could see. Something blazed in his eyes—could it be relief?
I now pronounce you—
Gregory sneezed for a fourth time, then a fifth and sixth, completely obliterating the archbishop's “man and wife.” Daphne felt a horrifying bubble of mirth pushing up her throat. She pressed her lips together, determined to maintain an appropriately serious facade. Marriage, after all, was a solemn institution, and not one to be treating as a joke.
She shot a glance at Simon, only to find that he was looking at her with a queer expression. His pale eyes were focused on her mouth, and the corners of his lips began to twitch.
Daphne felt that bubble of mirth rising ever higher.
You may kiss the bride.
Simon grabbed her with almost desperate arms, his mouth crashing down on hers with a force that drew a collective gasp from the small assemblage of guests.
And then both sets of lips—bride and groom—burst into laughter, even as they remained entwined.
Violet Bridgerton later said it was the oddest kiss she'd ever been privileged to view.
Gregory Bridgerton—when he finished sneezing—said it was disgusting.
The archbishop, who was getting on in years, looked perplexed.
But Hyacinth Bridgerton, who at ten should have known the least about kisses of anyone, just blinked thoughtfully, and said, “I think it's nice. If they're laughing now, they'll probably be laughing forever.” She turned to her mother. “Isn't that a good thing?”
Violet took her youngest daughter's hand and squeezed it. “Laughter is always a good thing, Hyacinth. And thank you for reminding us of that.”
And so it was that the rumor was started that the new Duke and Duchess of Hastings were the most blissfully happy and devoted couple to be married in decades. After all, who could remember another wedding with so much laughter?
”
”
Julia Quinn (The Duke and I (Bridgertons, #1))
“
She wasn’t sure when she realized that she wasn’t alone. She’d heard a louder murmur from the crowd outside, but she hadn’t connected it with the door opening. She looked over her shoulder and saw Tate standing against the back wall. He was wearing one of those Armani suits that looked so splendid on his lithe build, and he had his trenchcoat over one arm. He was leaning back, glaring at the ceremony. Something was different about him, but Cecily couldn’t think what. It wasn’t the vivid bruise high up on his cheek where Matt had hit him. But it was something…Then it dawned on her. His hair was cut short, like her own. He glared at her.
Cecily wasn’t going to cower in her seat and let him think she was afraid to face him. Mindful of the solemnity of the occasion, she got up and joined Tate by the door.
“So you actually came. Bruises and all,” she whispered with a faintly mocking smile, eyeing the very prominent green-and-yellow patch on his jaw that Matt Holden had put there.
He looked down at her from turbulent black eyes. He didn’t reply for a minute while he studied her, taking in the differences in her appearance, too. His eyes narrowed on her short hair. She thought his eyelids flinched, but it might have been the light.
His eyes went back to the ceremony. He didn’t say another word. He didn’t really need to. He’d cut his hair. In his culture-the one that part of him still belonged to-cutting the hair was a sign of grief.
She could feel the way it was hurting him to know that the people he loved most in the world had lied to him. She wanted to tell him that the pain would ease day by day, that it was better to know the truth than go through life living a lie. She wanted to tell him that having a foot in two cultures wasn’t the end of the world. But he stood there like a painted stone statue, his jaw so tense that the muscles in it were noticeable. He refused to acknowledge her presence at all.
“Congratulations on your engagement, by the way,” she said without a trace of bitterness in her tone. “I’m very happy for you.”
His eyes met hers evenly. “That isn’t what you told the press,” he said in a cold undertone. “I’m amazed that you’d go to such lengths to get back at me.”
“What lengths?” she asked.
“Planting that story in the tabloids,” he returned. “I could hate you for that.”
The teenage sex slave story, she guessed. She glared back at him. “And I could hate you, for believing I would do something so underhanded,” she returned.
He scowled down at her. The anger he felt was almost tangible. She’d sold him out in every way possible and now she’d embarrassed him publicly, again, first by confessing to the media that she’d been his teenage lover-a load of bull if ever there was one. Then she’d compounded it by adding that he was marrying Audrey at Christmas. He wondered how she could be so vindictive. Audrey was sticking to him like glue and she’d told everyone about the wedding. Not that many people hadn’t read it already in the papers. He felt sick all over. He wouldn’t have Audrey at any price. Not that he was about to confess that to Cecily now, after she’d sold him out.
He started to speak, but he thought better of it, and turned his angry eyes back toward the couple at the altar.
After a minute, Cecily turned and went back to her seat. She didn’t look at him again.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
So at last Ilar Sant came to this wood, which people now call St. Hilary's wood because they have forgotten all about Ilar. And he was weary with his wandering, and the day was very hot; so he stayed by this well and began to drink. And there on that great stone he saw the shining fish, and so he rested, and built an altar and a church of willow boughs, and offered the sacrifice not only for the quick and the dead, but for all the wild beasts of the woods and the streams.
"And when this blessed Ilar rang his holy bell and began to offer, there came not only the Prince and his servants, but all the creatures of the wood. There, under the hazel boughs, you might see the hare, which flies so swiftly from men, come gently and fall down, weeping greatly on account of the Passion of the Son of Mary. And, beside the hare, the weasel and the pole-cat would lament grievously in the manner of penitent sinners; and wolves and lambs together adored the saint's hierurgy; and men have beheld tears streaming from the eyes of venomous serpents when Ilar Agios uttered 'Curiluson' with a loud voice—since the serpent is not ignorant that by its wickedness sorrow came to the whole world. And when, in the time of the holy ministry, it is necessary that frequent Alleluyas should be chanted and vociferated, the saint wondered what should be done, for as yet none in that place was skilled in the art of song. Then was a great miracle, since from all the boughs of the wood, from every bush and from every green tree, there resounded Alleluyas in enchanting and prolonged harmony; never did the Bishop of Rome listen to so sweet a singing in his church as was heard in this wood. For the nightingale and thrush and blackbird and blackcap, and all their companions, are gathered together and sing praises to the Lord, chanting distinct notes and yet concluding in a melody of most ravishing sweetness; such was the mass of the Fisherman. Nor was this all, for one day as the saint prayed beside the well he became aware that a bee circled round and round his head, uttering loud buzzing sounds, but not endeavouring to sting him. To be short; the bee went before Ilar, and led him to a hollow tree not far off, and straightway a swarm of bees issued forth, leaving a vast store of wax behind them. This was their oblation to the Most High, for from their wax Ilar Sant made goodly candles to burn at the Offering; and from that time the bee is holy, because his wax makes light to shine upon the Gifts.
”
”
Arthur Machen (The Secret Glory)
“
It is often said that the separation of the present reality from transcendence, so commonplace today, is pernicious in that it undermines the universe of fixed values. Because life on Earth is the only thing that exists, because it is only in this life that we can seek fulfillment, the only kind of happiness that can be offered to us is purely carnal. Heavens have not revealed anything to us; there are no signs that would indicate the need to devote ourselves to some higher, nonmaterial goals. We furnish our lives ever more comfortably; we build ever more beautiful buildings; we invent ever more ephemeral trends, dances, one-season stars; we enjoy ourselves. Entertainment derived from a nineteenth-century funfair is today becoming an industry underpinned by an ever more perfect technology. We are celebrating a cult of machines—which are replacing us at work, in the kitchen, in the field—as if we were pursuing the idealized ambience of the royal court (with its bustling yet idle courtiers) and wished to extend it across the whole world. In fifty years, or at most a hundred, four to five billion people will become such courtiers.
At the same time, a feeling of emptiness, superficiality, and sham sets in, one that is particularly dominant in civilizations that have left the majority of primitive troubles, such as hunger and poverty, behind them. Surrounded by underwater-lit swimming pools and chrome and plastic surfaces, we are suddenly struck by the thought that the last remaining beggar, having accepted his fate willingly, thus turning it into an ascetic act, was incomparably richer than man is today, with his mind fed TV nonsense and his stomach feasting on delicatessen from exotic lands. The beggar believed in eternal happiness, the arrival of which he awaited during his short-term dwelling in this vale of tears, looking as he did into the vast transcendence ahead of him. Free time is now becoming a space that needs to be filled in, but it is actually a vacuum, because dreams can be divided into those that can be realized immediately—which is when they stop being dreams—and those that cannot be realized by any means. Our own body, with its youth, is the last remaining god on the ever-emptying altars; no one else needs to be obeyed and served.
Unless something changes, our numerous Western intellectuals say, man is going to drown in the hedonism of consumption. If only it was accompanied by some deep pleasure! Yet there is none: submerged into this slavish comfort, man is more and more bored and empty. Through inertia, the obsession with the accumulation of money and shiny objects is still with us, yet even those wonders of civilization turn out to be of no use. Nothing shows him what to do, what to aim for, what to dream about, what hope to have. What is man left with then? The fear of old age and illness and the pills that restore mental balance—which he is losing, inbeing irrevocably separated from transcendence.
”
”
Stanisław Lem (Summa technologiae)
“
Are you ready, children?” Father Mikhail walked through the church. “Did I keep you waiting?” He took his place in front of them at the altar. The jeweler and Sofia stood nearby. Tatiana thought they might have already finished that bottle of vodka. Father Mikhail smiled. “Your birthday today,” he said to Tatiana. “Nice birthday present for you, no?” She pressed into Alexander. “Sometimes I feel that my powers are limited by the absence of God in the lives of men during these trying times,” Father Mikhail began. “But God is still present in my church, and I can see He is present in you. I am very glad you came to me, children. Your union is meant by God for your mutual joy, for the help and comfort you give one another in prosperity and adversity and, when it is God’s will, for the procreation of children. I want to send you righteously on your way through life. Are you ready to commit yourselves to each other?” “We are,” they said. “The bond and the covenant of marriage was established by God in creation. Christ himself adorned this manner of life by his first miracle at a wedding in Cana of Galilee. A marriage is a symbol of the mystery of the union between Christ and His Church. Do you understand that those whom God has joined together, no man can put asunder?” “We do,” they said. “Do you have the rings?” “We do.” Father Mikhail continued. “Most gracious God,” he said, holding the cross above their heads, “look with favor upon this man and this woman living in a world for which Your Son gave His life. Make their life together a sign of Christ’s love to this sinful and broken world. Defend this man and this woman from every enemy. Lead them into peace. Let their love for each other be a seal upon their hearts, a mantle upon their shoulders, and a crown upon their foreheads. Bless them in their work and in their friendship, in their sleeping and in their waking, in their joys and their sorrows, in their life and in their death.” Tears trickled down Tatiana’s face. She hoped Alexander wouldn’t notice. Father Mikhail certainly had. Turning to Tatiana and taking her hands, Alexander smiled, beaming at her unrestrained happiness. Outside, on the steps of the church, he lifted her off the ground and swung her around as they kissed ecstatically. The jeweler and Sofia clapped apathetically, already down the steps and on the street. “Don’t hug her so tight. You’ll squeeze that child right out of her,” said Sofia to Alexander as she turned around and lifted her clunky camera. “Oh, wait. Hold on. Let me take a picture of the newlyweds.” She clicked once. Twice. “Come to me next week. Maybe I’ll have some paper by then to develop them.” She waved. “So you still think the registry office judge should have married us?” Alexander grinned. “He with his ‘of sound mind’ philosophy on marriage?” Tatiana shook her head. “You were so right. This was perfect. How did you know this all along?” “Because you and I were brought together by God,” Alexander replied. “This was our way of thanking Him.” Tatiana chuckled. “Do you know it took us less time to get married than to make love the first time?” “Much less,” Alexander said, swinging her around in the air. “Besides, getting married is the easy part. Just like making love. It was the getting you to make love to me that was hard. It was the getting you to marry me…” “I’m sorry. I was so nervous.” “I know,” he said. He still hadn’t put her down. “I thought the chances were twenty-eighty you were actually going to go through with it.” “Twenty against?” “Twenty for.” “Got to have a little more faith, my husband,” said Tatiana, kissing his lips.
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
The sensational event of the ancient world was the mobilisation of the underworld against the established order. This enterprise of Christianity had no more to do with religion than Marxist socialism has to do with the solution of the social problem. The notions represented by Jewish Christianity were strictly unthinkable to Roman brains. The ancient world had a liking for clarity. Scientific research was encouraged there. The gods, for the Romans, were familiar images. It is some what difficult to know whether they had any exact idea of the Beyond. For them, eternal life was personified in living beings, and it consisted in a perpetual renewal. Those were conceptions fairly close to those which were current amongst the Japanese and Chinese at the time when the Swastika made its appearance amongst them.
It was necessary for the Jew to appear on the scene and introduce that mad conception of a life that continues into an alleged Beyond! It enables one to regard life as a thing that is negligible here below—since it will flourish later, when it no longer exists. Under cover of a religion, the Jew has introduced intolerance in a sphere in which tolerance formerly prevailed. Amongst the Romans, the cult of the sovereign intelligence was associated with the modesty of a humanity that knew its limits, to the point of consecrating altars to the unknown god.
The Jew who fraudulently introduced Christianity into the ancient world—in order to ruin it—re-opened the same breach in modern times, this time taking as his pretext the social question. It's the same sleight-of-hand as before. Just as Saul was changed into St. Paul, Mardochai became Karl Marx.
Peace can result only from a natural order. The condition of this order is that there is a hierarchy amongst nations. The most capable nations must necessarily take the lead. In this order, the subordinate nations get the greater profit, being protected by the more capable nations.
It is Jewry that always destroys this order. It constantly provokes the revolt of the weak against the strong, of bestiality against intelligence, of quantity against quality. It took fourteen centuries for Christianity to reach the peak of savagery and stupidity. We would therefore be wrong to sin by excess of confidence and proclaim our definite victory over Bolshevism. The more we render the Jew incapable of harming us, the more we shall protect ourselves from this danger. The Jew plays in nature the rôle of a catalysing element. A people that is rid of its Jews returns spontaneously to the natural order.
In 1925 I wrote in Mein Kampf (and also in an unpublished work) that world Jewry saw in Japan an opponent beyond its reach. The racial instinct is so developed amongst the Japanese therefore compelled to act from outside. It would be to the considered interests of England and the United States to come to an understanding with Japan, but the Jew will strive to prevent such an understanding. I gave this warning in vain. A question arises. Does the Jew act consciously and by calculation, or is he driven on by his instinct? I cannot answer that question.
The intellectual élite of Europe (whether professors of faculties, high officials, or whatever else) never understood anything of this problem. The élite has been stuffed with false ideas, and on these it lives. It propagates a science that causes the greatest possible damage. Stunted men have the philosophy of stunted men. They love neither strength nor health, and they regard weakness and sickness as supreme values.
Since it's the function that creates the organ, entrust the world for a few centuries to a German professor—and you'll soon have a mankind of cretins, made up of men with big heads set upon meagre bodies.
”
”
Adolf Hitler (Hitler's Table Talk, 1941-1944)
“
The Spark, the animating spirit of the early warrior caste, is distinct from the religion that comes to predominate and maintain the later multiethnic empire, which I will call The Imperial Altar. Civilisational successes—such as conquest, wealth, and education—generate their own loss conditions. The Barbarism of Reflection destroys the foundations of the Imperial Altar and successfully kills any last remnants of The Spark. The castes of the lion archetype (warriors and peasants) have mutual antagonisms with the castes of the fox archetype (priests or intellectuals and merchants). Where the lion archetype predominates either as monarchism (warriors) or as Caesarism (peasants) ‘civilisational successes’ can be held in check for a period. They tend to create strong regimes through ruthlessness but such strength, ironically, leads to the managerial need for administration generated by growth and complexity, which in turn leads to the rise of elites of the fox archetype taking over. When the fox archetype predominates, either as theocracy (priests/intellectuals) or plutarchy (merchants), ‘civilisational success’ may accelerate but, in the process, the very foundations that facilitated such success in the first place (i.e. the strong regime maintained by the lion’s ruthlessness) are eroded, eventually leading to collapse. Quantity has a quality all of its own, which manifests as all that is ‘mass’: democracy, utilitarianism, standardisation, and the destruction of quality and distinction. This is a feature of the late, pre-collapse cycle. Individuals of one civilisational season cannot embody the spirit of another: the Children of Winter, for example, cannot embody the Spring. Civilisation is incommunicable. The ‘world-feeling’ of a people as Spengler says is ‘not transferable’. ‘What one people takes over from another—in “conversion” or in admiring feeling—is a name, dress, and mask for its own feeling, never the feeling of that other.’[1] Ethnicity is a constant reality which promotes ingroup solidarity in the early cycle and becomes a problem for the ruling class to manage in the late cycle.
”
”
Neema Parvini (The Prophets of Doom)