Amusing Shakespeare Quotes

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Tea's proper use is to amuse the idle, and relax the studious, and dilute the full meals of those who cannot use exercise, and will not use abstinence." (Essay on Tea, 1757.)
Samuel Johnson (Works of Samuel Johnson. Rasselas, Prince of Abyssinia, A Grammar of the English Tongue, Preface to Shakespeare, Lives of the English Poets & more [improved 11/20/2010] (Mobi Collected Works))
I will have poetry in my life. And adventure. And love. Love above all. No... not the artful postures of love, not playful and poetical games of love for the amusement of an evening, but love that... overthrows life. Unbiddable, ungovernable - like a riot in the heart, and nothing to be done, come ruin or rapture.
Marc Norman (Shakespeare in Love: A Screenplay)
You've never heard of the Trickster King?" Puck asked, shocked. The girls shook their heads. "The Prince of Fairies? Robin Goodfellow? The Imp?" "Do you work for Santa?" Daphne asked. "I'm a fairy, not an elf!" Puck roared. "You really don't know who I am! Doesn't anyone read the classics anymore? Dozens of writers have warned about me. I'm in the most famous of all of William Shakespeare's plays." "I don't remember any Puck in Romeo and Juliet," Sabrina muttered, feeling a little amused at how the boy was reacting to his non-celebrity. "Besides Romeo and Juliet!" Puck shouted. "I'm the star of a Midsummer Night's Dream!" "Congratulation," Sabrina said flatly. "Never read it.
Michael Buckley (The Fairy-Tale Detectives (The Sisters Grimm, #1))
Go, prick thy face and over-red thy fear, Thou lily-livered boy.
William Shakespeare (Macbeth)
We look back on history, and what do we see? Empires rising and falling; revolutions and counter-revolutions succeeding one another; wealth accumulating and wealth dispersed; one nation dominant and then another. As Shakespeare’s King Lear puts it, “the rise and fall of great ones that ebb and flow with the moon.” In one lifetime I’ve seen my fellow countrymen ruling over a quarter of the world, and the great majority of them convinced – in the words of what is still a favorite song – that God has made them mighty and will make them mightier yet. I’ve heard a crazed Austrian announce the establishment of a German Reich that was to last for a thousand years; an Italian clown report that the calendar will begin again with his assumption of power; a murderous Georgian brigand in the Kremlin acclaimed by the intellectual elite as wiser than Solomon, more enlightened than Ashoka, more humane than Marcus Aurelius. I’ve seen America wealthier than all the rest of the world put together; and with the superiority of weaponry that would have enabled Americans, had they so wished, to outdo an Alexander or a Julius Caesar in the range and scale of conquest. All in one little lifetime – gone with the wind: England now part of an island off the coast of Europe, threatened with further dismemberment; Hitler and Mussolini seen as buffoons; Stalin a sinister name in the regime he helped to found and dominated totally for three decades; Americans haunted by fears of running out of the precious fluid that keeps their motorways roaring and the smog settling, by memories of a disastrous military campaign in Vietnam, and the windmills of Watergate. Can this really be what life is about – this worldwide soap opera going on from century to century, from era to era, as old discarded sets and props litter the earth? Surely not. Was it to provide a location for so repetitive and ribald a production as this that the universe was created and man, or homo sapiens as he likes to call himself – heaven knows why – came into existence? I can’t believe it. If this were all, then the cynics, the hedonists, and the suicides are right: the most we can hope for from life is amusement, gratification of our senses, and death. But it is not all.
Malcolm Muggeridge
We don’t know if he ever left England. We don’t know who his principal companions were or how he amused himself. His sexuality is an irreconcilable mystery. On only a handful of days in his life can we say with absolute certainty where he was.
Bill Bryson (Shakespeare: The World as Stage)
The ability for anyone in our generation to self-amuse has sadly been bred out of our species.
Kim Askew
Carpe Diem By Edna Stewart Shakespeare, Robert Frost, Walt Whitman did it, why can't I? The words of Horace, his laconic phrase. Does it amuse me or frighten me? Does it rub salt in an old wound? Horace, Shakespeare, Robert Frost and Walt Whitman my loves, we've all had a taste of the devils carpe of forbidden food. My belly is full of mourning over life mishaps of should have's, missed pleasure, and why was I ever born? The leaf falls from the trees from which it was born in and cascade down like a feather that tumbles and toil in the wind. One gush! It blows away. It’s trampled, raked, burned and finally turns to ashes which fades away like the leaves of grass. Did Horace get it right? Trust in nothing? The shortness of Life is seventy years, Robert Frost and Whitman bared more, but Shakespeare did not. Butterflies of Curiosities allures me more. Man is mortal, the fruit is ripe. Seize more my darling! Enjoy the day.
Edna Stewart (The Call of the Christmas Pecan Tree)
have thus endeavoured to preserve the truth of the elementary principles of human nature, while I have not scrupled to innovate upon their combinations. The Iliad, the tragic poetry of Greece, – Shakespeare in The Tempest and Midsummer Night’s Dream, – and most especially Milton, in Paradise Lost, conform to this rule; and the most humble novelist, who seeks to confer or receive amusement from his labours, may, without presumption, apply to prose fictions a licence, or rather a rule, from the adoption of which so many exquisite combinations of human feeling have resulted in the highest specimens of poetry. The
Mary Wollstonecraft Shelley (Frankenstein)
Southampton was still a minor in 1593, not yet in control of his finances and thus unable to patronize anyone. When he did come into his majority the next year, he had already racked up enough bills to be heavily in debt—not a man with money to spare on literary amusements.
Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)
A woman must be good,” he said reflectively. “Only a plain woman,” said I. “Who has been behaving ill now?” “I was generalizing; or, to be frank, I was thinking of Bella Sturgis.” “So am I. You surely don’t expect her to possess all the virtues, and that face?” “To be sure, the face is enough,” answered he; and sat staring full at me, but thinking, as I knew, of Bella Sturgis. “Does she amuse you?” I asked. “Amuse me?” said Gerald. “I’m sure I can’t say. One doesn’t think about being amused when one is with her.” “She just exists, and that’s enough,” I suggested.
Olivia Shakespear (Beauty's Hour: A Phantasy)
Chefs strived to entertain guests with their culinary feats, creating such whimsical concoctions as the mythical creature the “cockatryce,” a combination of capon legs and the body of a suckling pig. Robert May, the author of The Accomplisht Cook, amused diners by baking deer-shaped baked dough filled with red wine so it appeared to “bleed” when pierced. He also built a table-size battlefield with dough battleships and tiny dough cannons ignited by real gunpowder and even provided the ladies with eggshells filled with scented water to be thrown on the floor to dispel the scent of the gunpowder. Ring, bells, aloud; burn, bonfires, clear and bright, To entertain great England’s lawful king. KING HENRY VI, PART II, 5.1
Francine Segan (Shakespeare's Kitchen: Renaissance Recipes for the Contemporary Cook)
It’s fascinating to ponder the name Jack the Ripper. Who thought of it? I’m quite certain he did. The Ripper’s communications indicate he dubbed himself that and many other variations of it. He called himself all sorts of things, whatever pleased and amused him at the moment. Sickert was accustomed to having stage names. As a child he was acting in his homespun Shakespeare plays, and when he reached his teens he chose the theater as a career.
Patricia Cornwell (Chasing the Ripper)
This injury is twofold: first, the fall of the drama, and the replacement of this important weapon of progress by an empty and immoral amusement; and secondly, the direct depravation of men by presenting to them false models for imitation.
Leo Tolstoy (Tolstoy on Shakespeare A Critical Essay on Shakespeare)
lago to amuse the audience, especially since Othello (like Macbeth) has no sense of humour.
John Gielgud (Acting Shakespeare (Applause Books))
Fortunately for Shakespeare and for posterity, the queen brushed away all attempts to limit public amusements, including on Sundays. For one thing she liked them herself, but equally pertinent, her government enjoyed hearty revenues from licensing bowling alleys, theatrical productions, gaming houses (even though gambling was actually illegal in London), and the sale and manufacture of much that went on in them.
Bill Bryson (Shakespeare: The World as Stage)