Amusing Christmas Quotes

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Again I take a taxi to Clichy address, but feel that I do not want to go on loving Henry more actively than he loves me (having realized that nobody will ever love me in that overabundant, overexpressive, overthoughtful, overhuman way I love people), and so I will wait for him. So I ask taxi driver to drop me at the Galeries Lafayette, where I begin to look for a new hat and to shop for Christmas. Pride? I don't know. A kind of wise retreat. I need people too much. So I bury my gigantic defect, my overflow of love, under trivialities, like a child. I amuse myself with a new hat.
Anaïs Nin (Incest: From A Journal of Love - The Unexpurgated Diary of Anaïs Nin (1932-1934))
Seeing her indecision, Bowman said casually, “The others will be coming in here momentarily. And I should probably mention that I have an excellent view up your skirts.” Drawing in a sharp breath, Hannah tried to gather her dress more closely around her, and her balance wobbled. Bowman cursed, his amusement vanishing. “Hannah, stop. I’m not looking. Be still, damn it. I’m coming up there to get you.
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
You're pretty low maintenance, as women go." "I am, am I?" She sounded amused. "Yeah. Like a cactus.
Roxanne Snopek (Saving the Sheriff (Three River Ranch, #3.5))
Oh my God, you're huge." She struggled to get her hands to the ends of the long sleeves. The garment hung to her knees. She glanced up to see his lips pressed together, like he was choking on a laugh. The corners of his eyes wee crinkled and amusement flickered in his heated gaze.
Krystal Shannan (A Very Russian Christmas)
The professor was looking at Theodosia; he knew with resigned amusement that he was about to become the owner of the little dog. She wasn’t going to ask, but the expression on her face was eloquent.
Betty Neels (A Christmas Romance)
She pulled her arm free from his grasp and stood back, her arms crossed. "So, what then? You're holding me hostage? Are you even really a sheriff?" "I am," he said, highly amused at her attempt at bravado. "You wanna see my badge?
Roxanne Snopek (Saving the Sheriff (Three River Ranch, #3.5))
His eyes were sharp but kind, and it seemed to amuse him to see children misbehave when he knew that deep down they didn't really want to misbehave, but were just feeling lonely or misunderstood or wanted to go outside and play instead of sitting in a hot classroom. (26)
Phyllis Theroux (Giovanni's Light: The Story of a Town Where Time Stopped for Christmas)
I don't give a flying flip who you are or that you're a foot and a half taller than me and probably outweigh me by more than eighty pounds. Get out of my way so I can see for myself that Barry's okay.” I almost laugh at the normally shy Ricky's demanding voice but I'm thinking he wouldn't appreciate it. “Now, Mr. Chief Reindeer.” “Oh, hell.” It's not so amusing when the elf is threatening the second most powerful being in the North Pole.
Candi Kay (Barry the Lonely Reindeer & His Bashful Elf (Willy the Kinky Elf & His Bad-Ass Reindeer, #4))
GOD. Sometimes I think there might be a god out there, and that every once in a while he tunes in to see what we're up to, and have a good laugh at how we like to dress him up in various costume. Robes, thorny crowns, yarmulkes and curls, saris and butt-hugging yoga pants. Male, female, a genderless reincarnation factory; a Mother Earth or a withholding Father Christmas. I would think it would amuse the hell out of him. That we're all idolaters, worshiping figments of our own creation who bear no resemblance to him. Maybe he's sitting in some alternate dimension somewhere, saying, 'Shit, I didn't even create the world! I was just cooking my dinner, not paying attention to the heat, and suddenly here was this big band and a few hours later, a bunch of dinosaurs...
Suzanne Morrison (Yoga Bitch: One Woman's Quest to Conquer Skepticism, Cynicism, and Cigarettes on the Path to Enlightenment)
My audience listened, mouths agape, as I reeled my story before them. Their imaginations had been good, but mine was better. They had been amusing themselves, but I was motivated by the desire to escape.
Maya Angelou (Singin' and Swingin' and Gettin' Merry Like Christmas (Maya Angelou's Autobiography, #3))
You're not mad at me?" she asked. He leaned to the side and placed a lingering kiss on her neck. "If I pretended I was, would you make it up to me?" Another kiss landed on the sensitive skin of her collarbone, testing the edges of the coveralls. "Um," Jenna stammered. "No." "No?" He leveled his eyes with hers. They sparkled with amusement. She tried to think, but her body had apparently decided her brain was a nonessential system and shut it down. "Yes?
Aria Kane (A Titan for Christmas)
It was Christmas night in the Castle of the Forest Sauvage, and all around length. It hung on the boughs of the forest trees in rounded lumps, even better than apple-blossom, and occasionally slid off the roofs of the village when it saw the chance of falling on some amusing character and giving pleasure to all. The boys made snowballs with it, but never put stones in them to hurt each other, and the dogs, when they were taken out to scombre, bit it and rolled in it, and looked surprised but delighted when they vanished into the bigger drifts. There was skating on the moat, which roared with the gliding bones which they used for skates, while hot chestnuts and spiced mead were served on the bank to all and sundry. The owls hooted. The cooks put out plenty of crumbs for the small birds. The villagers brought out their red mufflers. Sir Ector’s face shone redder even than these. And reddest of all shone the cottage fires down the main street of an evening,
T.H. White (The Once and Future King (The Once and Future King, #1-4))
Oh my god, no wonder she went so pale. She’s going to string you up for this, baby.” Sloane laughs.  Baby.  I’ve wanted to hit loved-up assholes for using that endearment before. But when Sloane says it… I don’t really know what to think. I catch Michael’s amused smile, itching at the corners of his mouth, and I don’t feel like busting his balls. I just raise my eyebrows at him, a look of shock and amusement of my own. The fucker grins, then, like it’s Christmas day and Mom and Dad aren’t fighting.
Callie Hart (Collateral (Blood & Roses, #6))
Carpe Diem By Edna Stewart Shakespeare, Robert Frost, Walt Whitman did it, why can't I? The words of Horace, his laconic phrase. Does it amuse me or frighten me? Does it rub salt in an old wound? Horace, Shakespeare, Robert Frost and Walt Whitman my loves, we've all had a taste of the devils carpe of forbidden food. My belly is full of mourning over life mishaps of should have's, missed pleasure, and why was I ever born? The leaf falls from the trees from which it was born in and cascade down like a feather that tumbles and toil in the wind. One gush! It blows away. It’s trampled, raked, burned and finally turns to ashes which fades away like the leaves of grass. Did Horace get it right? Trust in nothing? The shortness of Life is seventy years, Robert Frost and Whitman bared more, but Shakespeare did not. Butterflies of Curiosities allures me more. Man is mortal, the fruit is ripe. Seize more my darling! Enjoy the day.
Edna Stewart (The Call of the Christmas Pecan Tree)
Of all the gifts that Barty opened on Christmas morning, the hardback copy of Robert Heinlein’s The Star Beast was his favorite. Instantly enchanted by the promise of an amusing alien creature, space travel, an exotic future, and lots of adventure, he seized every opportunity throughout the busy day to crack open those pages and to step out of Bright Beach into stranger places.
Dean Koontz (From the Corner of His Eye)
To give a truthful account of London society at that or indeed at any other time, is beyond the powers of the biographer or the historian. Only those who have little need of the truth, and no respect for it — the poets and the novelists — can be trusted to do it, for this is one of the cases where the truth does not exist. Nothing exists. The whole thing is a miasma — a mirage. To make our meaning plain — Orlando could come home from one of these routs at three or four in the morning with cheeks like a Christmas tree and eyes like stars. She would untie a lace, pace the room a score of times, untie another lace, stop, and pace the room again. Often the sun would be blazing over Southwark chimneys before she could persuade herself to get into bed, and there she would lie, pitching and tossing, laughing and sighing for an hour or longer before she slept at last. And what was all this stir about? Society. And what had society said or done to throw a reasonable lady into such an excitement? In plain language, nothing. Rack her memory as she would, next day Orlando could never remember a single word to magnify into the name something. Lord O. had been gallant. Lord A. polite. The Marquis of C. charming. Mr M. amusing. But when she tried to recollect in what their gallantry, politeness, charm, or wit had consisted, she was bound to suppose her memory at fault, for she could not name a thing. It was the same always. Nothing remained over the next day, yet the excitement of the moment was intense. Thus we are forced to conclude that society is one of those brews such as skilled housekeepers serve hot about Christmas time, whose flavour depends upon the proper mixing and stirring of a dozen different ingredients. Take one out, and it is in itself insipid. Take away Lord O., Lord A., Lord C., or Mr M. and separately each is nothing. Stir them all together and they combine to give off the most intoxicating of flavours, the most seductive of scents. Yet this intoxication, this seductiveness, entirely evade our analysis. At one and the same time, therefore, society is everything and society is nothing. Society is the most powerful concoction in the world and society has no existence whatsoever. Such monsters the poets and the novelists alone can deal with; with such something-nothings their works are stuffed out to prodigious size; and to them with the best will in the world we are content to leave it.
Virginia Woolf (Orlando)
A reflection on Robert Lowell Robert Lowell knew I was not one of his devotees. I attended his famous “office hours” salon only a few times. Life Studies was not a book of central importance for me, though I respected it. I admired his writing, but not the way many of my Boston friends did. Among poets in his generation, poems by Elizabeth Bishop, Alan Dugan, and Allen Ginsberg meant more to me than Lowell’s. I think he probably sensed some of that. To his credit, Lowell nevertheless was generous to me (as he was to many other young poets) just the same. In that generosity, and a kind of open, omnivorous curiosity, he was different from my dear teacher at Stanford, Yvor Winters. Like Lowell, Winters attracted followers—but Lowell seemed almost dismayed or a little bewildered by imitators; Winters seemed to want disciples: “Wintersians,” they were called. A few years before I met Lowell, when I was still in California, I read his review of Winters’s Selected Poems. Lowell wrote that, for him, Winters’s poetry passed A. E. Housman’s test: he felt that if he recited it while he was shaving, he would cut himself. One thing Lowell and Winters shared, that I still revere in both of them, was a fiery devotion to the vocal essence of poetry: the work and interplay of sentences and lines, rhythm and pitch. The poetry in the sounds of the poetry, in a reader’s voice: neither page nor stage. Winters criticizing the violence of Lowell’s enjambments, or Lowell admiring a poem in pentameter for its “drill-sergeant quality”: they shared that way of thinking, not matters of opinion but the matter itself, passionately engaged in the art and its vocal—call it “technical”—materials. Lowell loved to talk about poetry and poems. His appetite for that kind of conversation seemed inexhaustible. It tended to be about historical poetry, mixed in with his contemporaries. When he asked you, what was Pope’s best work, it was as though he was talking about a living colleague . . . which in a way he was. He could be amusing about that same sort of thing. He described Julius Caesar’s entourage waiting in the street outside Cicero’s house while Caesar chatted up Cicero about writers. “They talked about poetry,” said Lowell in his peculiar drawl. “Caesar asked Cicero what he thought of Jim Dickey.” His considerable comic gift had to do with a humor of self and incongruity, rather than wit. More surreal than donnish. He had a memorable conversation with my daughter Caroline when she was six years old. A tall, bespectacled man with a fringe of long gray hair came into her living room, with a certain air. “You look like somebody famous,” she said to him, “but I can’t remember who.” “Do I?” “Yes . . . now I remember!— Benjamin Franklin.” “He was a terrible man, just awful.” “Or no, I don’t mean Benjamin Franklin. I mean you look like a Christmas ornament my friend Heather made out of Play-Doh, that looked like Benjamin Franklin.” That left Robert Lowell with nothing to do but repeat himself: “Well, he was a terrible man.” That silly conversation suggests the kind of social static or weirdness the man generated. It also happens to exemplify his peculiar largeness of mind . . . even, in a way, his engagement with the past. When he died, I realized that a large vacuum had appeared at the center of the world I knew.
Robert Pinsky
Daniel." He looked up. "El-la.I was wondering if you'd catch me." He offered me a cigarette. I gave him a shame-on-you look;he grinned. "This is your band?" I asked. Visible piercings aside, no one looked like that went by the name Ax. "Nope,but I go to school with the lead's sister. Regular guy got food poisoning at a Christmas party last night.I've played with them before." "Weddings?" It wasn't quite how I'd pictured him performing. "Usually clubs, but the last one was a bar mitzvah. Musicians have to eat, too," he added, a little sharply. "Sorry." I wanted to wave the smoke away, but figured that might be adding insult to inury. "I thought you played the guitar." "Guitar, piano, a little violin, but badly, and I'll have to garrote you ith one of the strings if you tell anyone." That's the thing about Daniel. Obviously-the violin being a case in point-I don't know him very well,but he seems to hold a grudge for even less time than Frankie. "Secret's safe with me." He shrugged, telling me he didn't really care. Then, "Nice dress." "Just when I start liking you a litte.." He made his vampire-boy face. I could see why it usually worked. "You like me,Ella. Wanna do something when this is over?" "Tempting," I said. "No, I mean that. But no,thanks. I'm not at my best these days." "You're good," he said quietly, blowing out a stream of smoke. "You'll be fine." "Yeah." I shivered. It was bitter outside. "I should go in." "You should." The cold didn't seem to be bothering him at all, and he wasn't even wearing a jacket over his white dress shirt. I turned to go. "Oh, I think I figured it out, by the way." "Figured out what?" "The question.The one everyone should ask before getting involved with someone. Not 'Will he-slash-she make me happy?' but 'Does it bring out the best in me,being with him?'" "Him-slash-her," Daniel corrected, clearly amused. Then, "Nope. No way. Wasn't me who posed the question to you, Marino.I would never be so Emo." "Of course not.But it was one smart boy." I waved. "Hug Frankie for me." "Will do. Hey.Any requests for the band?" "'Don't Stop Believin'," I shot back. He rolled his eyes. "I'm curious, in that last song-are the words really 'I cut my chest wide open'?" "Yup.Followed by, "They come and watch us bleed.Is it art like I was hoping now?" Avett Brothers. Too gruesome for you?" "You have no idea," I told him. How much I get it.
Melissa Jensen (The Fine Art of Truth or Dare)
Merry Christmas,Ja-" To which he immediately cut her off with a very testy, "Bloody hell it is." Though he did halt his progress to offer her a brief smile, adding, "Good to see you,Molly," then in the very same breath, "Where's that worthless brother of mine?" She was surprised enough to ask, "Ah,which brother would that be?" when she knew very well he would never refer to Edward or Jason, whom the two younger brothers termed the elders, in that way.But then,Jason shared everything with her about his family, so she knew them as well as he did. So his derogatory answer didn't really add to her surprise. "The infant." She winced at his tone,though, as well as his expression, which had reverted to deadly menace at mention of the "infant." Big,blond, and handsome, James Malory was,just like his elder brothers, and rarely did anyone actually see him looking angry. When James was annoyed with someone, he usually very calmly ripped the person to shreds with his devilish wit, and by his inscrutable expression, the victim had absolutely no warning such pointed barbs would be headed his or her way. The infant, or rather, Anthony, had heard James's voice and, unfortunately, stuck his head around the parlor door to determine James's mood, which wasn't hard to misinterpret with the baleful glare that came his way. Which was probably why the parlor door immediately slammed shut. "Oh,dear," Molly said as James stormed off. Through the years she'd become accustomed to the Malorys' behavior, but a times it still alarmed her. What ensued was a tug of war in the reverse, so to speak, with James shoving his considerable weight against the parlor door, and Anthony on the other side doing his best to keep it from opening. Anthony managed for a bit. He wasn't as hefty as his brother, but he was taller and well muscled. But he must have known he couldn't hold out indefinitely, especially when James started to slam his shoulder against the door,which got it nearly half open before Anthony could manage to slam it shut again. But what Anthony did to solve his dilemma produced Molly's second "Oh,dear." When James threw his weight against the door for the third time, it opened ahead of him and he unfortunately couldn't halt his progress into the room. A rather loud crash followed. A few moments later James was up again suting pine needles off his shoulders. Reggie and Molly,alarmed by the noise, soon followed the men into the room. Anthony had picked up his daughter Jamie who had been looking at the tree with her nursemaid and was now holding her like a shield in front of him while the tree lay ingloriously on its side. Anthony knew his brother wouldn't risk harming one of the children for any reason, and the ploy worked. "Infants hiding behind infants, how apropos," James sneered. "Is,aint it?" Anthony grinned and kissed the top of his daughter's head. "Least it works." James was not amused, and ordered, barked, actually. "Put my niece down." "Wouldn't think of it, old man-least not until I find out why you want to murder me." Anthony's wife, Roslynn, bent over one of the twins, didn't turn about to say, "Excuse me? There will be no murdering in front of the children.
Johanna Lindsey (The Holiday Present)
Do not allow your children to celebrate the days on which unbelief and superstition are being catered to. They are admittedly inclined to want this because they see that the children of Roman Catholic parents observe those days. Do not let them attend carnivals, observe Shrove Tuesday (Mardi Gras), see Santa Claus, or observe Twelfth Night, because they are all remnants of an idolatrous papacy. You must not keep your children out of school or from work on those days nor let them play outside or join in the amusement. The Lord has said, “After the doings of the land of Egypt, where you lived, shall ye not do: and after the doings of the land of Canaan, where I bring you, you shall not do: neither shall you walk in their ordinances” (Lev. 18:3). The Lord will punish the Reformed on account of the days of Baal (Hosea 2:12-13), and he also observes what the children do on the occasion of such idolatry (Jer. 17:18). Therefore, do not let your children receive presents on Santa Claus day, nor let them draw tickets in a raffle and such things. Pick other days on which to give them the things that amuse them, and because the days of Christmas, Easter, and Pentecost have the same character, Reformed people must keep their children away from these so-called holy days and feast days.
Jacobus Koelman
Forgetting herself entirely, Pandora let her head loll back against Gabriel's shoulder. "What kind of glue does Ivo use?" she asked languidly. "Glue?" he echoed after a moment, his mouth close to her temple, grazing softly. "For his kites." "Ah." He paused while a wave retreated. "Joiner's glue, I believe." "That's not strong enough," Pandora said, relaxed and pensive. "He should use chrome glue." "Where would he find that?" One of his hands caressed her side gently. "A druggist can make it. One part acid chromate of lime to five parts gelatin." Amusement filtered through his voice. "Does your mind ever slow down, sweetheart?" "Not even for sleeping," she said. Gabriel steadied her against another wave. "How do you know so much about glue?" The agreeable trance began to fade as Pandora considered how to answer him. After her long hesitation, Gabriel tilted his head and gave her a questioning sideways glance. "The subject of glue is complicated, I gather." I'm going to have to tell him at some point, Pandora thought. It might as well be now. After taking a deep breath, she blurted out, "I design and construct board games. I've researched every possible kind of glue required for manufacturing them. Not just for the construction of the boxes, but the best kind to adhere lithographs to the boards and lids. I've registered a patent for the first game, and soon I intend to apply for two more." Gabriel absorbed the information in remarkably short order. "Have you considered selling the patents to a publisher?" "No, I want to make the games at my own factory. I have a production schedule. The first one will be out by Christmas. My brother-in-law, Mr. Winterborne, helped me to write a business plan. The market in board games is quite new, and he thinks my company will be successful." "I'm sure it will be. But a young woman in your position has no need of a livelihood." "I do if I want to be self-supporting." "Surely the safety of marriage is preferable to the burdens of being a business proprietor." Pandora turned to face him fully. "Not if 'safety' means being owned. As things stand now, I have the freedom to work and keep my earnings. But if I marry you, everything I have, including my company, would immediately become yours. You would have complete authority over me. Every shilling I made would go directly to you- it wouldn't even pass through my hands. I'd never be able to sign a contract, or hire employees, or buy property. In the eyes of the law, a husband and wife are one person, and that person is the husband. I can't bear the thought of it. It's why I never want to marry.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
You say hope leads to disaster, but I say from disaster comes hope. You were married and I thought I'd never learn your name. Now I know you love sea turtles and snorkeling, you're fiercely devoted to your friends, and you take your coffee with a lot of cream but will add sugar when the mood strikes. Before you, I didn't think life could get better; a great family, the best home, and so much time to enjoy my life. What more could I want? You've upended my world and become woven into every part of it. I can't carve a nisse without thinking about what might amuse you. Every time I make a kringle, I wonder if you'll like it. I never want to look at the stars again without you to guide my gaze.
Amy E. Reichert (Once Upon a December)
When Camilla and her husband joined Prince Charles on a holiday in Turkey shortly before his polo accident, she didn’t complain just as she bore, through gritted teeth, Camilla’s regular invitations to Balmoral and Sandringham. When Charles flew to Italy last year on a sketching holiday, Diana’s friends noted that Camilla was staying at another villa a short drive away. On her return Mrs Parker-Bowles made it quite clear that any suggestion of impropriety was absurd. Her protestations of innocence brought a tight smile from the Princess. That changed to scarcely controlled anger during their summer holiday on board a Greek tycoon’s yacht. She quietly simmered as she heard her husband holding forth to dinner-party guests about the virtues of mistresses. Her mood was scarcely helped when, later that evening, she heard him chatting on the telephone to Camilla. They meet socially on occasion but, there is no love lost between these two women locked into an eternal triangle of rivalry. Diana calls her rival “the rotweiller” while Camilla refers to the Princess as that “ridiculous creature”. At social engagements they are at pains to avoid each other. Diana has developed a technique in public of locating Camilla as quickly as possible and then, depending on her mood, she watches Charles when he looks in her direction or simply evades her gaze. “It is a morbid game,” says a friend. Days before the Salisbury Cathedral spire appeal concert Diana knew that Camilla was going. She vented her frustration in conversations with friends so that on the day of the event the Princess was able to watch the eye contact between her husband and Camilla with quiet amusement. Last December all those years of pent-up emotion came flooding out at a memorial service for Leonora Knatchbull, the six-year-old daughter of Lord and Lady Romsey, who tragically died of cancer. As Diana left the service, held at St James’s Palace, she was photographed in tears. She was weeping in sorrow but also in anger. Diana was upset that Camilla Parker Bowles who had only known the Romseys for a short time was also present at such an intimate family service. It was a point she made vigorously to her husband as they travelled back to Kensington Palace in their chauffeur-driven limousine. When they arrived at Kensington Palace the Princess felt so distressed that she ignored the staff Christmas party, which was then in full swing, and went to her sitting-room to recover her composure. Diplomatically, Peter Westmacott, the Wales’s deputy private secretary, sent her avuncular detective Ken Wharfe to help calm her.
Andrew Morton (Diana: Her True Story in Her Own Words)
He really did have far too many things to do, and as soon as this foolishness - whatever it was - was out of the way, perhaps he could get back to them and- He froze, hazel eyes flaring wide as they locked on the tall, slim figure in a blue-on-blue uniform identical to his own, and his mental grousing slithered to an incoherent halt. He could not possibly be seeing what he thought he was, a small, still voice told him logically. Only one woman had ever been authorized to wear the uniform of a Grayson admiral. Just as only one woman in the Grayson navy had ever carried a six-legged, cream-and-gray treecat everywhere she went. Which meant his eyes must be lying to him, because that woman was dead. Had been dead for over two T-years. And yet- "I told you I wouldn't apologize," Benjamin IX told his senior military officer, and this time there was no amusement at all in his soft voice. Matthews looked at him, his eyes stunned, and Benjamin smiled gently. "It may be a little late," he said, "but better late than never. Merry Christmas, Wesley.
David Weber (Ashes of Victory (Honor Harrington, #9))
I'm offering to sacrifice myself into marriage! Of course,I was surprised by the idea,but to save my sisters and keep them in their homes,I have decided to agree.I will marry you," she finished, placing a possessive hand on Tyr's forearm. Tyr's already wide grin grew even bigger. "I appreciate the offer, and while you are indeed a pretty little girl, marriage and I are never to be." "But the king...I thought you had to..." Lily sputtered. "Now,my friend here, Lord Anscombe, I believe he is eager to have a bride," Tyr said, pointing to Ranulf, who wasn't sure if he was amused, insulted, or bored. "Here is your groom. Lord Anscombe of Bassellmere." Lily whipped around.Her eyes were the color of gray mist and had turned saucer size. Her surprise was genuine, but her next move shocked even Ranulf. Straightening,she took a sizable gulp and announced, "As I was saying, my lord. I am ready and willing to marry you." Ranulf stole a glance at Edythe, who was ignoring the unfolding situation. Her focus was on Tyr and had been since he had made his nonmarital declaration.
Michele Sinclair (The Christmas Knight)
Maggie felt an unexpected pang. She had thought beforehand chiefly at her own deliverance from her teasing hair and teasing remarks about it, and something also of the triumph she should have over her mother and her aunts by this very decided course of action; she didn't want her hair to look pretty,–that was out of the question,–she only wanted people to think her a clever little girl, and not to find fault with her. But now, when Tom began to laugh at her, and say she was like an idiot, the affair had quite a new aspect. She looked in the glass, and still Tom laughed and clapped his hands, and Maggie's cheeks began to pale, and her lips to tremble a little. "Oh, Maggie, you'll have to go down to dinner directly," said Tom. "Oh, my!" ...But Maggie, as she stood crying before the glass, felt it impossible that she should go down to dinner and endure the severe eyes and severe words of her aunts, while Tom and Lucy, and Martha, who waited at table, and perhaps her father and her uncles, would laugh at her; for if Tom had laughed at her, of course every one else would; and if she had only let her hair alone, she could have sat with Tom and Lucy, and had the apricot pudding and the custard! What could she do but sob? She sat as helpless and despairing among her black locks as Ajax among the slaughtered sheep. Very trivial, perhaps, this anguish seems to weather-worn mortals who have to think of Christmas bills, dead loves, and broken friendships; but it was not less bitter to Maggie–perhaps it was even more bitter–than what we are fond of calling antithetically the real troubles of mature life. "Ah, my child, you will have real troubles to fret about by and by," is the consolation we have almost all of us had administered to us in our childhood, and have repeated to other children since we have been grown up. We have all of us sobbed so piteously, standing with tiny bare legs above our little socks, when we lost sight of our mother or nurse in some strange place; but we can no longer recall the poignancy of that moment and weep over it, as we do over the remembered sufferings of five or ten years ago. Every one of those keen moments has left its trace, and lives in us still, but such traces have blent themselves irrecoverably with the firmer texture of our youth and manhood; and so it comes that we can look on at the troubles of our children with a smiling disbelief in the reality of their pain. Is there any one who can recover the experience of his childhood, not merely with a memory of what he did and what happened to him, of what he liked and disliked when he was in frock and trousers, but with an intimate penetration, a revived consciousness of what he felt then, when it was so long from one Midsummer to another; what he felt when his school fellows shut him out of their game because he would pitch the ball wrong out of mere wilfulness; or on a rainy day in the holidays, when he didn't know how to amuse himself, and fell from idleness into mischief, from mischief into defiance, and from defiance into sulkiness; or when his mother absolutely refused to let him have a tailed coat that "half," although every other boy of his age had gone into tails already? Surely if we could recall that early bitterness, and the dim guesses, the strangely perspectiveless conception of life, that gave the bitterness its intensity, we should not pooh-pooh the griefs of our children.
George Eliot (The Mill on the Floss)
Having written some pages in favor of Jesus, I receive a solemn communication crediting me with the possession of a “theology” by which I acquire the strange dignity of being wrong forever or forever right. Have I gauged exactly enough the weights of sins? Have I found too much of the Hereafter in the Here? Or the other way around? Have I found too much pleasure, too much beauty and goodness, in this our unreturning world? O Lord, please forgive any smidgen of such distinctions I may have still in my mind. I meant to leave them all behind a long time ago. If I’m a theologian I am one to the extent I have learned to duck when the small, haughty doctrines fly overhead, dropping their loads of whitewash at random on the faces of those who look toward Heaven. Look down, look down, and save your soul by honester dirt, that receives with a lordly indifference this off-fall of the air. Christmas night and Easter morning are this soil’s only laws. The depth and volume of the waters of baptism, the true taxonomy of sins, the field marks of those most surely saved, God’s own only interpretation of the Scripture: these would be causes of eternal amusement, could we forget how we have hated one another, how vilified and hurt and killed one another, bloodying the world, by means of such questions, wrongly asked, never to be rightly answered, but asked and wrongly answered, hour after hour, day after day, year after year—such is my belief—in Hell.
Wendell Berry (This Day: Collected & New Sabbath Poems)
And when I looked away for a second and then looked back, I saw her reflection behind me, in the mirror. I was speechless. Somehow I knew I wasn't allowed to turn around--it was against the rules, whatever the rules of the place were--but we could see each other, our eyes could meet in the mirror, and she was just as glad to see me as I was to her.... She was between me and whatever place she had stepped from, what landscape beyond. And it was all about the moment when our eyes touched in the glass, surprise and amusement, her beautiful blue eyes with the dark rings around the irises, pale blue eyes with a lot of light in them: hello! Fondness, intelligence, sadness, humor. There was a motion and stillness, stillness and modulation, and all the charge and magic of a great painting. Ten seconds, eternity. It was all a circle back to her. You could grasp it in an instant, you could live in it forever: she existed only in the mirror, inside the space of the frame, and though she wasn't alive, not exactly, she wasn't dead either because she wasn't yet born, and yet never not born--as somehow, oddly, neither was I. And I knew that she could tell me anything I wanted to know (life, death, past, future) even though it was already there, in her smile, the answer to all questions, the before-Christmas smile of someone with a secret too wonderful to let slip, just yet: well, you'll just have to wait and see, won't you? But just as she was about to speak--drawing an affectionate exasperated breath I knew very well, the sound of which I can hear even now--I woke up.
Donna Tartt (The Goldfinch)
Ranulf stared blankly into the campfire, trying to ignore Lily. "White horses always look dirty," Lily told the young smitten soldier sitting beside her. "That's why I refuse to ride them.Brown ones may be just as filthy,but at least I cannot see the dirt. Black ones less so,but I have found that in general dark horses suit me better." "You just think you look better on them," Edythe protested before succumbing to several seconds of coughing. Bronwyn studied her redheaded sister for a moment.Tyr put another blanket around Edythe's shoulders and eventually the coughs quieted. Turning her attention to Ranulf,Bronwyn promised him softly, "You'll have to ignore them." Ranulf grimaced and sent a reproving look to his youngest sister-in-law. It,just like the others he had sent Lily throughout the day,changed nothing. "I just find it hard to reconcile the child I hear now with the woman who appeared after your death. With you gone,she had to grow up.Now that you are back..." Bronwyn snuggled up against his side with a sigh. "I admit I encourage it.Life will force Lily to grow up soon enough and I am glad it was not my death that thrust it upon her. In the meantime,you ignore her prattle and I'll just be amused it," she advised before planting a gentle kiss on his arm. Ranulf,with his free hand, raked his fingers through his short hair. How had he gotten into this predicament? But it took only one look at the huddled form next to him to remember exactly how. Bronwyn. He had wanted to make her happy. After thinking her lost to him forever, he would have promised her anything, even the moon.
Michele Sinclair (The Christmas Knight)
And when I looked away for a second and then looked back, I saw her reflection behind me, in the mirror. I was speechless. Somehow I knew I wasn't allowed to turn around--it was against the rules, whatever the rules of the place were--we could see each other, our eyes could meet in the mirror, and she was just as glad to see me as I was to see her. She was herself. An embodied presence. There was psychic reality to her, there was depth and information. She was between me and whatever place she had stepped from, what landscape beyond. And it was all about the moment when our eyes touched in the glass, surprise and amusement, her beautiful blue eyes with the dark rings around the irises, pale blue eyes with a lot of light in them: hello! Fondness, intelligence, sadness, humor. There was motion and stillness, stillness and modulation, and all the charge and magic of a great painting. Ten seconds, eternity. It was all a circle back to her. You could grasp it in an instant, you could live in it forever: she existed only in the mirror, inside the space of the frame, and through she wasn't alive, not exactly, she wasn't dead either because she wasn't yet born, and yet never not born--as somehow, oddly, neither was I. And I knew that she could tell me anything I wanted to know (life, death, past, future) even though it was already there, in her smile, the answer to all questions, the before-Christmas smile of someone with a secret too wonderful to let slip, just yet: well, you'll just have to wait and see, won't you? But just as she was about to speak--drawing an affectionate exasperated breath I knew very well, the sound of which I can hear even now--I woke up.
Donna Tartt (The Goldfinch)
In 1891, Robert Louis Stevenson received a letter from a Vermont girl named Annie Ide. Her birthday fell on Christmas, she said, and she seldom received birthday presents. He replied with a document decreeing that “I, Robert Louis Stevenson, . . .in consideration that Miss Annie H. Ide, . . .was born, out of all reason, upon Christmas Day, and is therefore out of all justice denied the consolation and profit of a proper birthday; and considering that I, the said Robert Louis Stevenson, have attained an age when we never mention it, and that I have now no further use for a birthday of any description. . . . HAVE TRANSFERRED, and DO HEREBY TRANSFER, to the said Annie H. Ide, ALL AND WHOLE my rights and privileges in the thirteenth day of November, formerly my birthday, now, hereby, and henceforth, the birthday of the said Annie H. Ide, to have, hold, exercise, and enjoy the same in the customary manner, by the sporting of fine raiment, eating of rich meats, and receipt of gifts, compliments, and copies of verse, according to the manner of our ancestors.
Greg Ross (Futility Closet: An Idler's Miscellany of Compendious Amusements)
She'd gotten even prettier over the years. And now she was in his house. And he had no idea if this was the best thing to happen to him or the stupidest thing he'd ever done. Kelsey watched Nate go, thinking this might've been the worst decision she'd ever made. Okay, so it wasn't nearly as bad as that time she'd decided to go on the Sky Screamer at the amusement park when she was drunk.
Cindi Madsen (An Officer and a Rebel (Accidentally in Love, #2.5))
on cable. "Could it be? Yes, it is! Broccoli kicks the bucket. A Christmas miracle. God bless us, every one." He's on his knees with his hands folded in prayer, looking up at the ceiling. "Alright wise guy, help your sister out and clean it up." Ryan is not as amused. It gets dark early this time of year. By five o'clock it's pitch black and the lights are on outside while the curtains inside the house are drawn shut. When I was much younger last year, I would try playing out in the backyard after the sun went down and I kept running head first into the wooden fence. If I remember right, it probably took about ten collisions
Patrick Yearly (A Lonely Dog on Christmas)
Credibility is a basic survival tool. When I was very young and just beginning to get what feminism was about and why it was necessary, I had a boyfriend whose uncle was a nuclear physicist. One Christmas, he was telling—as though it were a light and amusing subject—how a neighbor’s wife in his suburban bomb-making community had come running out of her house naked in the middle of the night screaming that her husband was trying to kill her. How, I asked, did you know that he wasn’t trying to kill her? He explained, patiently, that they were respectable middle-class people. Therefore, her-husband-trying-to-kill-her was simply not a credible explanation for her fleeing the house yelling that her husband was trying to kill her.
Rebecca Solnit (Men Explain Things to Me)
Getting comfortable again, I grab one of the magazines that I keep stuffed under my thin mattress. Flipping to the article the guard Paul told me about, I’m just getting to the part about how chandeliers are a necessity in creating an awesome she-shed, when two prison guards come running in. They take one look at my open cell door, the magic smoke still polluting the air, the unconscious male on the ground, and turn gaping looks at me. I give them a bright smile and point down at Scarface. “Hey, Paul. Could you clean that up for me? I think he wet himself.” Paul lowers his gun and pulls off his SWAT-style helmet. “Another one?” he asks, jerking his chin toward my uninvited cell guest. I shrug my shoulders and give him an apologetic smile. He shakes his head and nudges the unconscious jail-breaker with his boot. “Damn. We need to up our security. We aren’t used to so many supernaturals trying to break someone out of here,” he says, scratching the back of his neck as he frowns in thought. “Yeah, it’s very disruptive,” I tell him. He grunts in agreement. “Good thing your ride is here,” Paul mentions casually as my unwelcome cell guest groans loudly from the floor. I squeal and start clapping excitedly, which startles both guards. “Yes, finally!” I shoot up from my cot and thrust both arms out, ready for the required shackles whenever a prisoner is being transported. Paul releases an amused chuckle, and Terrence—the other guard in my cell right now—gives me some judgement-laced side-eye as I giggle and wait like a kid on Christmas morning for the cuffs to click into place. I’m finally going to be sentenced and booked into Nightmare Penitentiary. I can’t fucking wait.
Ivy Asher (Conveniently Convicted (Paranormal Prison))
She began to relish the small things—his occasional subdued laughter. No one could call it an actual laugh, but he did cave into amusement if she shot him a smart-ass comment. He smiled at her from time to time—behind that bushy red-brown beard he had beautiful, healthy teeth. But
Robyn Carr (A Virgin River Christmas (Virgin River #4))
On the day after Christmas, some store or another will always take out and ad saying there are only 364 shopping days to Christmas. No one is amused.
Gerard Del Re (The Christmas Almanack)
Change happens no matter what.” The butler cleared his throat. “And by the time she tried to kiss you, the change had already occurred. At least for Miss Westforth.” Philbert looked wistful for a moment. Then… “If I may impart some hard-earned wisdom, sir?” Sebastian nodded, but kept his eyes out into the darkness of Lady Winterson’s snowy garden. “There is a kind of love that does not happen all at once. It happens in increments. In inches. It takes a lifetime to grow. And invariably, for the people falling, it is difficult to recognize, because they are so close to each other. They cannot see the changes as they occur.” But then Sebastian had gone away. For three years. And coming home, all the changes that had taken place without him smacked him in the face, leaving him bereft. “Also invariably, one person will discover their true feelings before the other,” the butler continued. “And that person has a choice to make. Either they can alter the rules and start playing a different game… or they can be tortured. Wait for years and years on mere hope.” He paused, as if the words stuck in his throat. “I admire your Miss Westforth for choosing the former. It is the path others have been too cowardly to take.” Those words hung in the air, falling lightly to the ground like the snow. Settling into truth. “I… no,” Sebastian found himself saying. “Susannah may have had a… a crush on me, and I am deeply fond of her. But she’s not in love with me. And… I’m not in love with her,” Sebastian denied, shaking his head. “I can’t be. It’s… it’s Susannah. My little Susie.” Philbert shrugged. “That very well may be. But then perhaps it is worthwhile asking, why does her dancing and laughing with other gentlemen upset you so much?” “Because…” Sebastian tried, defensive. “Because she’s Susannah.” My Susannah . The words flashed through his mind, unbidden. And it was true. She had always been his Susannah. His friend. When he was young, he should have been more keen to rabble around with the young men in the village, or go shooting with his father, or any other more masculine pursuit… but no. He had always wanted to seek out Susie. To go for a ride with her. To spend the day playing cards with her by the fire. And the way she looked at him had made him feel… golden. But it had been more than that. He’d liked to hear her laugh. To know what she found amusing. To be himself with her. But now… now other men were making her laugh. Discovering her smiles. She could become someone else’s Susannah. He may not know if he was in love. But he knew for certain he did not want that to happen. A flash of conviction raced through him. And it wouldn’t, if he had anything to say about the matter. “If
Anna Campbell (A Grosvenor Square Christmas)
My Susannah . The words flashed through his mind, unbidden. And it was true. She had always been his Susannah. His friend. When he was young, he should have been more keen to rabble around with the young men in the village, or go shooting with his father, or any other more masculine pursuit… but no. He had always wanted to seek out Susie. To go for a ride with her. To spend the day playing cards with her by the fire. And the way she looked at him had made him feel… golden. But it had been more than that. He’d liked to hear her laugh. To know what she found amusing. To be himself with her. But now… now other men were making her laugh. Discovering her smiles. She could become someone else’s Susannah. He may not know if he was in love. But he knew for certain he did not want that to happen. A
Anna Campbell (A Grosvenor Square Christmas)
What did you say?” “You heard me.” “I heard what you said.” She was shivering, despite the warmth of his body so near to hers. “But it makes no sense.” His grip on her shoulders softened to a caress. “Campion, you must know I want to marry you.” She frowned. “Why on earth would I know that?” His sigh this time was long-suffering. “I told you I loved you.” “Even in Croxley, there are disreputable young men with wild oats to sow. When a fellow wants to tumble a woman, he tells her that he loves her.” Her tone was dull. “It’s part of the game.” “What a cynic you are, my darling,” he said with a huff of derisive amusement. “And while some men might do that, I don’t.” “Why should I think you any different from every other rake in London?” “Come, Campion, I don’t believe you mean that. You know I’m different. If you didn’t know I’m different, you’d never have given yourself to me.” His voice developed an edge. “Even if you imagined I was trifling with you at first, you must know by now that you have my heart. If you don’t, then for a clever woman, you haven’t been very clever. I’m not a fickle man, nor do I take what we did lightly. I’m utterly in love with you. I’ve hardly kept it a secret.” “I was trying so hard not to lose my head,” she said unsteadily. His proposal echoed through her mind like a thousand clashing cymbals. Had he really asked her to marry him? To the invisible stars, she’d whispered a wish for Lachlan to love her forever. Could they have granted her request? “And in the process, you tortured me with endless uncertainty. You’ve never told me you loved me.” His
Anna Campbell (A Grosvenor Square Christmas)
Don’t get sloppy, Marcie. If I had a freezer, I might shoot him.” “You wouldn’t!” He smiled at her. “I like venison. Don’t you?” She thought about that chili Jack had given her, how it melted in her mouth. But she said, “Not that much!” And she whirled and went into the house, his amused laughter at her back. *
Robyn Carr (A Virgin River Christmas (Virgin River #4))
You would like a large family, Louisa? You want lots of babies of me? They’ll grow up, you know, and turn into shrieking, banister-sliding, pony-grubbing little people, all of whom must have shoes and books and puppies. They’ll eat like a regiment and have no thought for their clothes—which they’ll grow out of before the maids can turn the first hem. They’ll skin their knees, break their collarbones, and lose their dolls. Do you know what a trauma ensues when a six-year-old female loses her doll? I have a spare version of Missus Whatever-Hampton Her Damned Name Is, but Amanda found her and said a spare would never do, because the perishing thing didn’t smell right—you find this amusing?” “I find you endearing.” His brows came down. “I will never understand the female mind.” “I
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
At the unexpected sight of Spence, Colbie startled hard. How was it that he was the one who needed glasses and yet she’d not seen him standing against the window? “No, I don’t kill a lot of people,” she said cautiously because she was wearing only a towelin front of a strange man. “But I’m happy to make an exception.” He laughed, a rough rumble that was more than a little contagious but she controlled herself because, hello, she was once again dripping wet before the man who seemed to make her knees forget to hold her up. “I didn’t mean to scare you,” he said and pushed off the wall to come close. She froze, but he held up his hands like, I come in peace, and crouched at her feet to scoop up the clothes she hadn’t realized she’d dropped. Leggings, a long forgiving tee, and the peach silk bra-and-panty set that hadn’t gotten so much as a blink from the TSA guy. But it got one out of Spence. He also swallowed hard as she snatched them back from him. “Hold on,” he said and caught her arm, pulling it toward him to look at her bleeding elbow. “Sit,” he said and gently pushed her down to a weight bench. He vanished into the bathroom and came back out with a first aid kit. It took him less than two minutes to clean and bandage the scrape. Then, easily balanced at her side on the balls of his feet, he did the same for both her knees, which she hadn’t noticed were also scraped up. “You must’ve hit the brick coping as you fell in the fountain,” he said and let his thumb slide over the skin just above one bandaged knee. She shivered, and not from the cold either. “Not going to kiss it better?” she heard herself ask before biting her tongue for running away with her good sense. She’d raised her younger twin brothers. Scrappy, roughhouse wild animals, the both of them, so there’d been plenty of injuries she’d kissed over the years. But no one had ever kissed hers. Not surprising, since most of her injuries tended to be on the inside, where they didn’t show. Still, she was horrified she’d said anything at all. “I didn’t mean—” She broke off, frozen like a deer in the headlights as Spence slowly lowered his head, brushing his lips over the Band-Aid on her elbow, then her knees. When he lifted his head, he pushed his glasses higher on his nose, those whiskey eyes warm and amused behind his lenses. “Better?” Shockingly better. Since she didn’t quite trust her voice at the moment, she gave a jerky nod and took her clothes back into the bathroom. She shut the door and then leaned against it, letting out a slow, deliberate breath. Holy cow, she was out of her league. He was somehow both cute and hot, and those glasses .
Jill Shalvis (Chasing Christmas Eve (Heartbreaker Bay, #4))
Her face, especially those lovely eyes, filled with amusement. She whispered, “Who knows what evil lurks in the hearts of men?” I laughed and she couldn’t help but join me. There was something restful and pure in her laughter, like a Christmas carol. “My grandfather used to work at a radio station where they broadcast The Shadow,” I explained. “He’d take my dad when he was a kid. Dad even met Bill Johnstone once. Anyway, my dad named me after the hero of the show.” I added, “I’m surprised you know about it.
Bobby Underwood (Joy Island)
Lamont Chandler.” Her face, especially those lovely eyes, filled with amusement. She whispered, “Who knows what evil lurks in the hearts of men?” I laughed and she couldn’t help but join me. There was something restful and pure in her laughter, like a Christmas carol. “My grandfather used to work at a radio station where they broadcast The Shadow,” I explained. “He’d take my dad when he was a kid. Dad even met Bill Johnstone once. Anyway, my dad named me after the hero of the show.” I added, “I’m surprised you know about it.
Bobby Underwood (Joy Island)
In the Christmas season of 1822, Clement Clarke Moore, a prosperous New York scholar and landowner, wrote a series of verses in a lively anapestic rhythm for the amusement of his daughters.13 Legend has it that they were inspired by the portly figure of his fur-clad sleigh driver as he returned home from a shopping trip through the snowy streets. The poem appeared anonymously in the Troy Sentinel a year later under the title “Account of a Visit from St. Nicholas”:
Gerry Bowler (Christmas in the Crosshairs: Two Thousand Years of Denouncing and Defending the World's Most Celebrated Holiday)
In the Victorian times there was much demand for Christmas books, which would make an ideal gift, as well provide amusing entertainment over the holiday period. Without a doubt the most famous of these is Dickens’ A Christmas Carol, published in 1843, but he was by no means the only popular writer of such books. Published in 1847, Thackeray’s first Christmas book, Mrs Perkins’s Ball, is a humorous portrait of a seasonal social gathering, with a broad panorama of guests, from the hilarious sot Mulligan to the prissy middle-class characters he upsets. However, it is Thackeray’s ability as an illustrator that is the most impressive in this novella.
Charles Dickens (Delphi Christmas Collection Volume I (Illustrated) (Delphi Anthologies Book 6))
I know for certain there are a couple of pieces of wood in the barn back at Carnton. Enough for a child’s nativity.” “A child’s nativity? I’m not making a child’s nativity, Captain Winston. I’m building a life-sized booth and manger that will stand in the front yard by the house at Carnton. The children will all take turns playing Mary and Joseph and the shepherds over the course of the auction.” He stared. “You’re making a real nativity?” She nodded. “You are?” He smiled. She didn’t. “My father was a master carpenter, Captain Winston, and he taught me a thing or two about woodworking.” Jake tried to curb his grin but couldn’t. The image of her with a hammer and saw sparked amusement. “But you’re—” He gestured. “A woman?” “Well . . . yes, ma’am. You’re obviously a woman. But you’re also . . .” He stared, not wanting to say it. And definitely making certain he didn’t look down. “With child,” she finally supplied, an eyebrow rising. “Yes, ma’am. With child.” “Which precludes me from being able to build something?” He laughed softly. “Which makes a project that would already be a challenge even more so.” Her eyes narrowed the slightest bit. “For one, it won’t be a challenge. I’ll only need your help toward the end, when it comes to nailing the larger pieces together. And secondly, I’ve already drawn out the plans. I have all the measurements and the list of required supplies.” She pulled a piece of paper from her reticule and handed it to him. He unfolded it, and his smile faded. He looked over at her. “You’re serious.” This time she was the one to laugh, though the action held no humor. “Yes, Captain. I’m serious.
Tamera Alexander (Christmas at Carnton (Carnton #0.5))
I don't mind inappropriate thoughts every now and then. So please, share yours with me." He met her eyes and she blushed, then grinned and stole his breath. If her thoughts were anything like his, he was more than happy to hear them. "It was nothing. I was just wondering if you get many complaints in the bedroom even though I'm sure you don't." Though her eyes held amusement, she broke eye contact and looked away. "How would you know what women think after they leave my bed?" He wondered with his own quiet smile. It was true, he never met a woman, he couldn't please and he knew she would be no different.
H.S. Howe (Jingle My Snowballs)
I could see the road ahead of me. I was poor and I was going to stay poor. But I didn't particularly want money. I didn't know what I wanted. Yes, I did. I wanted someplace to hide out, someplace where one didn't have to do anything. The thought of being something didn't only appall me, it sickened me. The thought of being a lawyer or a councilman or an engineer, anything like that, seemed impossible to me. To get married, to have children, to get trapped in the family structure. To go someplace to work every day and to return. It was impossible. To do things, simple things, to be part of family picnics, Christmas, the 4th of July, Labor, Mother's Day . . . was a man born just to endure those things and then die? I would rather be a dishwasher, return alone to a tiny room and drink myself to sleep. My father had a master plan. He told me, "My son, each man during his lifetime should buy a house. Finally he dies and leaves that house to his son. Then his son gets his own house and dies, leaves both houses to his son. That's two houses. That son gets his own house, that's three houses . . ." The family structure. Victory over adversity through the family. He believed in it. Take the family, mix with God and Country, add the ten-hour day and you had what was needed. I looked at my father, at his hands, his face, his eyebrows, and I knew that this man had nothing to do with me. He was a stranger. My mother was non-existent. I was cursed. Looking at my father I saw nothing but indecent dullness. Worse, he was even more afraid to fail than most others. Centuries of peasant blood and peasant training. The Chinaski bloodline had been thinned by a series of peasant-servants who had surrendered their real lives for fractional and illusionary gains. Not a man in line who said, "I don't want a house, I want a thousand houses, now!" He had sent me to that rich high school hoping that the ruler's attitude would rub off on me as I watched the rich boys screech up in their cream-colored coupes and pick up the girls in bright dresses. Instead I learned that the poor usually stay poor. That the young rich smell the stink of the poor and learn to find it a bit amusing. They had to laugh, otherwise it would be too terrifying. They'd learned that, through the centuries. I would never forgive the girls for getting into those cream-colored coupes with the laughing boys. They couldn't help it, of course, yet you always think, maybe . . . But no, there weren't any maybes. Wealth meant victory and victory was the only reality. What woman chooses to live with a dishwasher?
Charles Bukowski (Ham On Rye)
They’re a real pain,” the Indonesian said, gesturing at the bodiless vampires as they flew away in fright. “Wayward women. They should have known it’s more trouble than it’s worth practising that witchcraft.” “Are they demons like you?” My father asked. The man was amused by my father’s question. “They’re not much different like you and I,” he said with a smile.
Salina Christmas (A Request For Betrayal: The Constant Companion Tales)
Mr. Wallingford, I noticed with amusement and some exasperation, was making the most of the situation. His shocked, mournful gaze as he took up the collection shook loose from the tourists a good deal of folding money. With the smallest bank note at five pounds these days, the take must have been considerable. How upset the dean would be if he realized the way the verger was using the tragedy! It was a little odd, come to think of it, that Mr. Wallingford was presiding. The main service of a Sunday was Mr. Swansworthy’s responsibility as head verger. But he was inclined to dyspepsia; perhaps he’d had too much Christmas. Certainly Wallingford was glorying in his importance. I watched him strut to the altar rail with the collection and was vividly reminded of the money changers in the temple.
Jeanne M. Dams (The Body in the Transept (Dorothy Martin, #1))
What the hell?” Ian asked, holding his hands over the front of his Christmas briefs. Sara had ordered them from the Internet, and he'd worn them to please her. Too bad there hadn't been enough time for the underwear to meet with an unfortunate accident. A lot could be blamed on a washing machine.
Rose Wynters (Voluptuous Vindication (The Endurers, #4))
Wow,” she said. “That’s sure generous, that you’d do all that for me…” “For us, Marcie. I’ll get a bath after you. And tomorrow I’ll stop at the coin laundry and wash up the dirty clothes. I’ll take any of yours you’d like me to. Just because you haven’t been feeling too good…” She shifted from foot to foot, chewing on her lower lip. “What’s the matter? You don’t want a bath?” “I’d die for a bath,” she said. “It’s just that…I couldn’t help but notice, there doesn’t seem to be a separate room with a door that closes… And I also noticed that doesn’t seem to bother you too much.” The corners of his lips lifted. “I’ll load the truck with tomorrow’s wood while you have your bath,” he finally said. She thought about this for a second. “And I could sit in my car during your bath?” she suggested. “I don’t think so—your car is almost an igloo now. Just a little white mound. Not to mention mountain lions.” “Well, what am I supposed to do?” “Well, you can take a nap, read a little of my book, or close your eyes. Or you could stare—get the thrill of your life.” She put her hands on her hips. “You really wouldn’t care, would you?” “Not really. A bath is a serious business when it’s that much trouble. And it’s pretty quick in winter.” He started to chuckle. “What’s so funny?” she asked, a little irritated. “I was just thinking. It’s cold enough in here, you might not see that much.” Her cheeks went hot, so she pretended not to understand. “But in summer, you can lay in the tub all afternoon?” “In summer, I wash in the creek.” He grinned at her. “Why don’t you comb the snarls out of your hair? You look like a wild banshee.” She stared at him a minute, then said, “Don’t flirt with me. It won’t do you any good.” Then she coughed for him, a long string of deep croaks that reminded them both she had had a good, solid flu. Also, it covered what happened to be amused laughter from him. While
Robyn Carr (A Virgin River Christmas (Virgin River #4))
While Nigel helped her rearrange the contents of the basket, the door to the drawing room opened and Lord Broadmore came charging out. “Amelia, I must insist that you remain with me in the drawing room. You’re making a cake of yourself and I don’t like it one blasted bit.” Nigel’s eyes narrowed in warning as he took a step forward. Amelia shot out a hand to stop him. “I do not appreciate your tone of voice, my lord, nor your ungenerous implication,” she said. “I have my aunt’s approval. I certainly do not need yours.” Broadmore drew himself up to his full, outraged height. For once, Amelia didn’t care if she offended him. She was tired of his rudeness and resented his assumption that they were already engaged. “Amelia,” Broadmore said through clenched teeth, “I will not countenance this sort of behavior from the woman I expect to marry. Everyone will think you prefer Dash’s company to mine, which is bloody ridiculous. Even you can’t be that much of a birdwit.” Amelia sucked in a harsh breath, dumbfounded by the vile insult. She darted a quick glance at Nigel, expecting to find a seething male. Nigel’s blue eyes had gone so cold and flinty it made her shiver, but instead of ripping up at Broadmore he seemed to be waiting for her to respond. His eyebrows arched in polite inquiry as if to say to her, well, what are you going to do about that? It took Amelia a few moments to realize Nigel was deferring to her judgment instead of simply assuming the right to defend her regardless of her feelings. Good for you, dear Mr. Dash. She handed Nigel the sweets basket, then faced Broadmore. “My lord, I have had quite enough of your outrageously rude behavior. Rest assured that I will be escorting Mr. Dash upstairs to see my sister, and you are not to say another word about it.” Then, giving into an impulse that had been building within her for a long time, she jabbed Broadmore sharply in the chest with her index finger. “Please go back into the drawing room and do not dare to pass judgment on my behavior to anyone. In fact, if you say another word about this I will never speak to you again.” Then she whirled around, her anger propelling her like a cannonball up the staircase. Nigel caught up to her outside the nursery. “Well done, Miss Easton.” It sounded like he was choking back laughter. “You routed the enemy with commendable aplomb.” Amelia let her forehead thunk against the thick oak panel of the door. Now that her anger was cooling, her display of temper mortified her. “You must think me completely mad, Mr. Dash. I apologize for acting so disgracefully.” When he leaned in to whisper in her ear, she shivered at the exhalation of his breath on her neck. “Actually, I thought you quite splendid, Miss Easton. I was hard-pressed not to give a resounding cheer.” She tilted her head sideways to look at him. His eyes, tender and amused, smiled back at her. “Shall we?” he asked. Reaching around her, he opened the door. Amelia
Anna Campbell (A Grosvenor Square Christmas)
Skating and dancing are the only two forms of recreative exercise within the reach of the gentler sex, the former being infinitely more healthful than the latter, from the fact that the rapid motion through a clear, bracing atmosphere, incident to skating, quickens the circulation and introduces the pure oxygen of nature into the system, instead of the noxious gases of the ballroom, where the atmosphere is redolent of carbonic acid, frivolous tittle tattle, eau de cologne, insipid small talk, cutaneous exhalations, and simpering stupidity. The contrast, too, between the social surroundings of the skating pond and the ballroom is equally in favor of the outdoor recreation. But there is one circumstance which tends to give skating the precedence over any other amusement, and that is the privilege a gentleman enjoys of imparting instruction in the art to his fair companion. To intervene, just in the critical moment, between her departure from the perpendicular and her assumption of the horizontal is to enjoy a combination of duty and pleasure not often within reach, and no relation is more calculated to produce tender attachments than that of pupil and tutor under such circumstances. In fact, the exercise not only brings roses to the cheeks, and imparts buoyancy to the spirits, but weaves nets to catch Cupid, and makes cages to retain him. From The New York Herald, December 24, 1864.
Philip van Doren Stern (The Civil War Christmas Album)
She heard a low laugh and glanced over her shoulder, meeting Gage's amused glaze. 'You're trouble', he mouthed. 'No,' Madison thought when she went all warm and gooey inside, 'I'm in trouble.
Debbie Mason (The Trouble with Christmas (Christmas, Colorado #1))
She slitted her eyes in time to see Vim’s long, lean male figure completely naked, his back to her. The adult male fundament was… attractive, she realized. Muscle and naughtiness and masculine beauty, in a way. And then he turned to rummage for his dressing gown, and Sophie felt her breath seize. “You’re peeking,” he said, casual amusement lacing his voice. “Shame on you, Sophie Windham.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
I am inclined to think that Miss Garrow was right in saying that the world is changed as touching mistletoe boughs. Kissing, I fear, is less innocent now than it used to be when our grandmothers were alive, and we have become more fastidious in our amusements.
Anthony Trollope (Christmas at Thompson Hall: And Other Christmas Stories)
The beef and pudding are ponderous, and unless there be absolute children in the party there is a difficulty in grafting any special afternoon amusements on the Sunday pursuits of the morning.
Anthony Trollope (Christmas at Thompson Hall: And Other Christmas Stories)
If I’d known it was going to be you back there I’d have eaten pickled onions and cabbage. Lots of them.” Serena’s fury faltered as Ritchie laughed. Warm and soulful. “And don’t laugh. I’m being serious.” “I know. That’s why I’m amused. Also it makes me extra glad that no one leaked the plan to you in advance. I love you, Serena, but at this point in our relationship I don’t know if I’m willing to die for you, especially if it’s death by fart-asphyxiation.
Kellie Hailes (Christmas at the Second Chance Chocolate Shop (Rabbit's Leap, #3))
Of the three women, Hannah liked Annabelle the most. She had a knack for keeping the conversation entertaining, and she was amusing and well versed in many subjects. In fact, Annabelle was an example of what Natalie might become in a few years.
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))