Amusement Travel Quotes

We've searched our database for all the quotes and captions related to Amusement Travel. Here they are! All 100 of them:

You’re here.” “I am.” Jason boldly took in the way she looked. “I take it you don’t often wear that dress in court.” “Probably not a good idea.” He grinned. “Yes, I can imagine it would be somewhat awkward standing before a judge who has a huge hard-on.” “Is that the effect this dress has?” Taylor’s eyes traveled downward, to the zipper of Jason’s pants, and he was momentarily caught off guard by her bluntness. Her eyes sparkled, amused. “You’re blushing, Jason. That’s cute.
Julie James (Just the Sexiest Man Alive)
Pleasant is a rainy winter's day, within doors! The best study for such a day, or the best amusement,—call it which you will,—is a book of travels, describing scenes the most unlike that sombre one
Nathaniel Hawthorne (Twice-Told Tales)
I've traveled all over the world for the Institute, but I never dreamed I'd meet someone like you." "Strong?" A chuckle escaped her. "Yes." "Handsome?" "Of course." "Sharp of wit and skilled with a sword?" "Absolutely." An other chuckle. "But I mean a man… friend… guy. Oh, I don't know what to call you!" He savored her amusement—and her earnest words. "Just call me yours. That is all I want to be." (Ashlyn and Maddox)
Gena Showalter (The Darkest Night (Lords of the Underworld, #1))
God afternoon," I said cheerfully, with an especially saccharine smile for the High Lord. He blinked at me, and both of the faerie men murmured their greetings as I took a seat across from Lucien, not my usual place facing Tamlin. I drank deeply from my goblet of water before piling food on my plate. I savored the tense silence as I consumed the meal before me. "You look . . . refreshed," Lucien observed with a glance at Tamlin. I shrugged. "Sleep well?" "Like a babe." I smiled as him and took another bite of food, and felt Lucien's eyes travel inexorably to my neck. "What is that bruise?" Lucien demanded. I pointed my fork to Tamlin. "Ask him, he did it." Lucien looked from Tamlin to me and then back again. "Why does Feyre have a bruise on her neck from you?" he asked with no small amount of amusement. "I bit her," Tamlin said, not pausing as he cut his steak. "We ran into each other in the hall after the Rite.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Well, sir, do you mean to remain there, commending my father’s taste in wine, or do you mean to accompany me to Ashtead?” “Set off for Ashtead at this hour, when I have been traveling for two days?” said Sir Horace. “Now, do, my boy, have a little common sense! Why should I?” “I imagine that your parental feeling, sir, must provide you with the answer! If it does not, so be it! I am leaving immediately!” “What do you mean to do when you reach Lacy Manor?” asked Sir Horace, regarding him in some amusement. “Wring Sophy’s neck!” said Mr. Rivenhall savagely. “Well, you don’t need my help for that, my dear boy!” said Sir Horace, settling himself more comfortably in his chair.
Georgette Heyer (The Grand Sophy)
I don't care," Kami informed him. "All you are to me are sex objects that I choose to imagine bashing together at random. Oh, there you go again, look at that, nothing but Lynburn skin as far as the mind's eye can see. Masculine groans fill the air, husky and-" "Stop it," Ash said in a faint voice. "That isn't fair." Behind them, Jared was laughing. Kami glanced back at him and caught his eye: for once, it made her smile, as if amusement could still travel back and forth like a spark between them. "Ash is right, this is totally unfair," Jared told her. "If you insist on this-" "Oh, I do," Kami assured him. "Then I insist on hooking up with Rusty instead of Ash. It's the least you can do." "Ugh," Ash protested. "You guys, stop." "She's making a point," Jared said blandly. "I recognize her right to do that. But considering the alternative, I want Rusty." Ash gave this some thought. "Okay, I'll have Rusty too." The sound of the door opening behind them made them all look up the stairs to where Rusty stood, with one eyebrow raised. "Don't fight, boys," he remarked mildly. "There's plenty of Rusty to go around.
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
If it is true that one gets used to suffering, how is it that as the years go one always suffers more? No, they are not mad, those people who amuse themselves, enjoy life, travel, make love, fight—they are not mad. We should like to do the same ourselves.
Cesare Pavese
These questions of taste, of feeling, of inheritance, need no settlement. Everyone carries his own inch-rule of taste, and amuses himself by applying it, triumphantly, wherever he travels.
Henry Adams
and let's face it, the French Army couldn't beat a girls hockey team
Bill Bryson (Neither Here nor There: Travels in Europe)
Is she your Daughter of Man?' He nods toward me. 'She is a Daughter of Man. And she is traveling with me. But she's not my Daughter of Man.' 'Oh. So she's available?' ask Howler. Raffe gives him an icy look. 'We're all single now, you know,' says Hawk. 'They can't punish us twice for the same crime' says Cyclone. 'And now that we know you're out of the race Commander, that makes me the next best-looking in line,' says Howler. 'Enough.' Raffe doesn't look amused.'You're not her type.' The Watchers smile knowingly. 'How do you know?' I ask. Raffe turns to me. 'Because angels aren't your type. You hate them, remember?
Susan Ee (End of Days (Penryn & the End of Days, #3))
It was a laugh that came from the tip of his toes, gaining force and soul as it traveled through his body and out into the world in mirthful bursts. There wasn't anything fake about it; it was an amusement park of a laugh, and when it appeared, you wanted to jump on board.
David Levithan (Marly's Ghost)
Your favorite occupation? Travel in contested territory. Hard-working writing and reading when safely home, in the knowledge that an amusing friend is later coming to dinner.
Christopher Hitchens (Hitch 22: A Memoir)
I quickly realized that friendships without tomorrows, and the little anguishes of parting, were part of the pleasures of traveling. I resolutely avoided bores, saw only those who amused me. We spent afternoons taking long walks, nights drinking and talking, and then we would leave each other, never to meet again, and there were no regrets. How simple life was. No regrets, no obligations, my acts and gestures counted for nothing, no one asked my advice, and I knew no other rule but my whims.
Simone de Beauvoir (The Mandarins)
Stranger, think long before you enter, For these corridors amuse not passing travellers. But if you enter, keep your voice to yourself. Nor should you tinkle and toll your tongue. These columns rose not, for the such as you. But for those urgent pilgrim feet that wander On lonely ways, seeking the roots of rootless trees. The earth has many flowery roads; choose one That pleases your whim, and gods be with you. But now leave! - leave me to my dark green solitude Which like the deep dream world of the sea Has its moving shapes; corals; ancient coins; Carved urns and ruins of ancient ships and gods; And mermaids, with flowing golden hair That charm a patch of silent darkness Into singing sunlight.
G.A. Kulkarni
But all that's hugely unlikely -- with the exception of mosquito bites and sunburn. And yet even experienced travelers are still afraid. "What everyone forgets -- even me -- is the people who actually live here. In places like Central America, I mean. Southeast Asia. India. Africa. Millions, even billions, of people, who live out their whole lives in these places -- the places so many people like us fear. Think about it: they ride chicken buses to work every day. Their clothes are always damp. Their whole lives, they never escape the dust and the heat. But they deal with all these discomforts. They have to. "So why can't travelers? If we've got the means to get here, we owe it to the country we're visiting not to treat it like an amusement park, sanitized for our comfort. It's insulting to the people who live here. People just trying to have the best lives they can, with the hands they've been dealt.
Kirsten Hubbard (Wanderlove)
Books don't repeat the same words over and over. The Gulliver's Travels whose whimsey amused you at twelve is not the Gulliver's Travels whose acid engaged you at thirty.
James K. Morrow (The Last Witchfinder)
One thing which even the most seasoned and discerning masters of the art of choice do not and cannot choose, is the society to be born into - and so we are all in travel, whether we like it or not. We have not been asked about our feelings anyway. Thrown into a vast open sea with no navigation charts and all the marker buoys sunk and barely visible, we have only two choices left: we may rejoice in the breath-taking vistas of new discoveries - or we may tremble out of fear of drowning. One option not really realistic is to claim sanctuary in a safe harbour; one could bet that what seems to be a tranquil haven today will be soon modernized, and a theme park, amusement promenade or crowded marina will replace the sedate boat sheds. The third option not thus being available, which of the two other options will be chosen or become the lot of the sailor depends in no small measure on the ship's quality and the navigation skills of the sailors. Not all ships are seaworthy, however. And so the larger the expanse of free sailing, the more the sailor's fate tends to be polarized and the deeper the chasm between the poles. A pleasurable adventure for the well-equipped yacht may prove a dangerous trap for a tattered dinghy. In the last account, the difference between the two is that between life and death.
Zygmunt Bauman (Globalization: The Human Consequences)
It was a strange trek — the sullen leading the apathetic, followed by the confused, all tailed by the inveterately amused.
David Brin (Brightness Reef (Uplift Storm Trilogy, #1))
I stop listening when academics start mixing their Greek and Latin roots. That never leads anywhere productive.
Theodora Goss (European Travel for the Monstrous Gentlewoman (The Extraordinary Adventures of the Athena Club, #2))
I have no churlish objection to the circumnavigation of the globe, for the purposes of art, of study, and benevolence, so that the man is first domesticated, or does not go abroad with the hope of finding somewhat greater than he knows. He who travels to be amused, or to get somewhat which he does not carry, travels away from himself, and grows old even in youth among old things
Ralph Waldo Emerson (Self-Reliance: An Excerpt from Collected Essays, First Series)
I should perhaps like others have astonished you with strange improbable tales; but I rather chose to relate plain matter of fact in the simplest manner and style; because my principal design was to inform you, and not to amuse you.
Jonathan Swift (Gulliver’s Travels)
had forgotten about the power of shadow-traveling—the way children of the Underworld could step into one shadow and appear from another, sometimes hundreds of miles away. Hades used to love sneaking up on me that way and yelling, “HI!” just as I shot an arrow of death. He found it amusing if I missed my target and accidentally wiped out the wrong city.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
They are watching for magic, so avoid traveling by Portal whenever possible,” Tessa said. “You’re using a Portal right now,” said Magnus, amused. “Always ‘do as I say and not as I do,’ I see. Will you be safe?” Tessa was more than a century old, but she was so much younger than Magnus, and he had known her almost her whole life. He had never stopped feeling protective of her.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
This could have occurred nowhere but in England, where men and sea interpenetrate, so to speak—the sea entering into the life of most men, and the men knowing something or everything about the sea, in the way of amusement, of travel, or of bread-winning.
Joseph Conrad (Youth, a Narrative)
Every one carries his own inch-rule of taste, and amuses himself by applying it, triumphantly, wherever he travels.
Henry Adams (The Education of Henry Adams)
Imagination is not, as some poets have thought, simply synonymous with good. It may be either good or evil. As long as art remained primarily mimetic, the evil which imagination could do was limited by nature. Again, as long as it was treated as an amusement, the evil which it could do was limited in scope. But in an age when the connection between imagination and figuration is beginning to be dimly realized, when the fact of the directionally creator relation is beginning to break through into consciousness, both the good and the evil latent in the working of imagination begin to appear unlimited. We have seen in the Romantic movement an instance of the way in which the making of images may react upon the collective representations. It is a fairly rudimentary instance, but even so it has already gone beyond the dreams and responses of a leisured few. The economic and social structure of Switzerland is noticeably affected by its tourist industry, and that is due only in part to increased facilities of travel. It is due not less to the condition that (whatever may be said about their ‘particles’) the mountains which twentieth-century man sees are not the mountains which eighteenth-century man saw. It may be objected that this is a very small matter, and that it will be a long time before the imagination of man substantially alters those appearances of nature with which his figuration supplies him. But then I am taking the long view. Even so, we need not be too confident. Even if the pace of change remained the same, one who is really sensitive to (for example) the difference between the medieval collective representations and our own will be aware that, without traveling any greater distance than we have come since the fourteenth century, we could very well move forward into a chaotically empty or fantastically hideous world. But the pace of change has not remained the same. It has accelerated and is accelerating. We should remember this, when appraising the aberrations of the formally representational arts. Of course, in so far as these are due to affectation, they are of no importance. But in so far as they are genuine, they are genuine because the artist has in some way or other experienced the world he represents. And in so far as they are appreciated, they are appreciated by those who are themselves willing to make a move towards seeing the world in that way, and, ultimately therefore, seeing that kind of world. We should remember this, when we see pictures of a dog with six legs emerging from a vegetable marrow or a woman with a motorbicycle substituted for her left breast.
Owen Barfield
Mr. Blank's old friend is acting up again, and because our hero is no longer wearing the cotton trousers and underpants and is quite naked under the pajama bottoms, there is no barrier to prevent Mr. Bigshot from bounding out through the slit and poking his head into the light of day.
Paul Auster (Travels in the Scriptorium)
There, Clover found the "gardens and great trees and old cottages...so beautiful" that seeing them exhausted her. It was as if, she joked with her husband, "this English world is a huge stage-play got up only to amuse Americans. It is obviously unreal, eccentric, and taken out of novels.
Natalie Dykstra (Clover Adams: A Gilded and Heartbreaking Life)
He stared to sea. "I gave up all ideas of practicing medicine. In spite of what I have just said about the wave and the water, in those years in France I am afraid I lived a selfish life. That is, I offered myself every pleasure. I traveled a great deal. I lost some money dabbling in the theatre, but I made much more dabbling on the Bourse. I gained a great many amusing friends, some of whom are now quite famous. But I was never very happy. I suppose I was fortunate. It took me only five years to discover what some rich people never discover — that we all have a certain capacity for happiness and unhappiness. And that the economic hazards of life do not seriously affect it.
John Fowles (The Magus)
He slouches,' DeeDee contributes. 'True--he needs to work on his posture,' Thelma says. 'You guys,' I say. 'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?' 'You guys. We are not getting married!' 'I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?' 'The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?' I swat her. "I'm not having Mitchell's children!' 'I'm sorry--what?' Thelma says. Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl! But I don't care. If they're going to embarrass me, then I'll embarrass them right back. 'I said'--I raise my voice--'I am not having Mitchell Truman's children!' Jolene turns beet red, and she and DeeDee dissolve into mad giggles. 'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous. 'Okaaay, I think maybe I won't turn around,' I announce. A person of the male persuasion clears his throat. 'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me. 'If you change your mind, we might be able to work something out,' the person of the male persuasion says. 'About the children?' DeeDee asks. 'Or the turning around?' 'DeeDee!' Jolene says. 'Both,' says the male-persuasion person. I shrink in my chair, but I raise my hand over my head and wave. 'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.' Warm fingers clasp my own. 'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.' 'Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!' I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants. Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter. He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line. Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder. 'Did you see!' Thelma gasps. 'Did you see how proud he was?' 'You improve his posture!' Jolene says. 'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.' 'I can't believe you waved at him,' DeeDee says. 'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.' 'It was a surrender flag. I was surrendering myself to abject humiliation.' 'Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him.
Lauren Myracle (Bliss (Crestview Academy, #1))
In this mortal frame of mine which is made of a hundred bones and nine orifices there is something, and this something is called a wind-swept spirit for lack of a better name, for it is much like a thin drapery that is torn and swept away at the slightest stir of the wind. This something in me took to writing poetry years ago, merely to amuse itself at first, but finally making it its lifelong business. It must be admitted, however, that there were times when it sank into such dejection that it was almost ready to drop its pursuit, or again times when it was so puffed up with pride that it exulted in vain victories over the others. Indeed, ever since it began to write poetry, it has never found peace with itself, always wavering between doubts of one kind and another. At one time it wanted to gain security by entering the service of a court, and at another it wished to measure the depth of its ignorance by trying to be a scholar, but it was prevented from either because of its unquenchable love of poetry. The fact is, it knows no other art than the art of writing poetry, and therefore, it hangs on to it more or less blindly.
Matsuo Bashō (The Narrow Road to the Deep North and Other Travel Sketches (Yuasa))
Space, let me repeat, is enormous. The average distance between stars out there is 20 million million miles. Even at speeds approaching those of light, these are fantastically challenging distances for any traveling individual. Of course, it is possible that alien beings travel billions of miles to amuse themselves by planting crop circles in Wiltshire or frightening the daylights out of some poor guy in a pickup truck on a lonely road in Arizona (they must have teenagers, after all), but it does seem unlikely.
Bill Bryson (A Short History of Nearly Everything)
As you know, I have wealth of my own and do not desire anyone else's; I am free and do not care to submit to another; I do not love or despise anyone. I do not deceive this one or solicit that one; I do not mock one or amuse myself with another. The honest conversation of the shepherdesses from these hamlets, and tending to my goats, are my entertainment. The limits of my desires are these mountains, and if they go beyond here, it is to contemplate the beauty of heaven and the steps whereby the soul travels to its first home.
Miguel de Cervantes Saavedra (Don Quixote)
Hmm.” Ellie blatantly brushed her off, rolling her eyes and then skewering them into Braden. “Are you coming to dinner this afternoon?” I watched the muscle in his jaw flex. He definitely wasn’t amused by his sister’s attitude. “Of course.” His eyes travelled back to me. “I’ll see you both there.” “Joss can’t make it. She has stuff to do.” He frowned at me. “It’s just a few hours. Surely you can squeeze us in?” In response, Vicky pressed closer to Braden. “I’d love to have dinner, Braden.” Braden gave her a somewhat patronizing pat on the hand. “Sorry, sweetheart, it’s just family.” Three things happened at once. Ellie choked on her laughter, Vicky reared back like he’d slapped her, and I felt a panic attack coming on.
Samantha Young (On Dublin Street (On Dublin Street, #1))
I wonder,” I said. “Perhaps you can meet with an accident on the road. Harwin and I can bring back the sad news that you died while we were traveling.” Gisele looked amused—and a little intrigued. “But wouldn’t you be expected to return with my corpse in tow?” “Not if you—fell off a cliff and drowned, and the water carried you away,” I said, improvising quickly. “Not if you were mauled by wolves andeaten .” “Oh, yes, do have me devoured by wild creatures.
Sharon Shinn (Never After (Otherworld/Sisters of the Moon, #6.5))
Bast’s ears pricked at this news. Oh yes, this is good, she gloated inwardly. Felicity could be a useful tool if she was close to the Vanguard’s commanding officer. A plan began to form in her mind, an opportunity for some amusement and a chance to take down her target. Too good to miss. She laughed. “Lucky you. I don’t suppose he has any spare seats for us poor sales reps out here scrabbling to earn a living.” Felicity smiled. “I’d ask, but I suspect the answer would be only if I stayed here to free up a seat—and I’m not that self-sacrificial.” She laughed. “See you on the Dock, Yelendi. Mr Cardington, maybe I’ll be able to catch up with you soon. It’s been nice chatting with you both.
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
Have you ever heard of the madman who on a bright morning lighted a lantern and ran to the market-place calling out unceasingly: "I seek God! I seek God!"—As there were many people standing about who did not believe in God, he caused a great deal of amusement. Why! is he lost? said one. Has he strayed away like a child? said another. Or does he keep himself hidden? Is he afraid of us? Has he taken a sea-voyage? Has he emigrated?—the people cried out laughingly, all in a hubbub. The insane man jumped into their midst and transfixed them with his glances. "Where is God gone?" he called out. "I mean to tell you! We have killed him,—you and I! We are all his murderers! But how have we done it? How were we able to drink up the sea? Who gave us the sponge to wipe away the whole horizon? What did we do when we loosened this earth from its sun? Whither does it now move? Whither do we move? Away from all suns? Do we not dash on unceasingly? Back-wards, sideways, forewards, in all directions? Is there still an above and below? Do we not stray, as through infinite nothingness? Does not empty space breathe upon us? Has it not become colder? Does not night come on continually, darker and darker? Shall we not have to light lanterns in the morning? Do we not hear the noise of the grave-diggers who are burying God? Do we not smell the divine putrefaction?—for even Gods putrefy! God is dead! God remains dead! And we have killed him! How shall we console ourselves, the most murderous of all murderers? The holiest and the mightiest that the world has hitherto possessed, has bled to death under our knife,—who will wipe the blood from us? With what water could we cleanse ourselves? What lustrums, what sacred games shall we have to devise? Is not the magnitude of this deed too great for us? Shall we not ourselves have to become Gods, merely to seem worthy of it? There never was a greater event,—and on account of it, all who are born after us belong to a higher history than any history hitherto!"—Here the madman was silent and looked again at his hearers; they also were silent and looked at him in surprise. At last he threw his lantern on the ground, so that it broke in pieces and was extinguished. "I come too early," he then said, "I am not yet at the right time. This prodigious event is still on its way, and is travelling,—it has not yet reached men's ears. Lightning and thunder need time, the light of the stars needs time, deeds need time, even after they are done, to be seen and heard. This deed is as yet further from them than the furthest star,—and yet they have done it!"—It is further stated that the madman made his way into different churches on the same day, and there intoned his Requiem æternam deo. When led out and called to account, he always gave the reply: "What are these churches now, if they are not the tombs and monuments of God?
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
A great journey, full of laughter, a few tears and lots of heart. It’s romantic and adventurous, amusing and understanding, a story to enjoy – Claire Ashton, Book Blogger.co
David C. Moore
You are going to say that I am amusing myself and that because I do not know what to do with my two travellers any more, I am throwing myself into allegory, which is the usual recourse of sterile minds.
Denis Diderot (Jacques the Fatalist: And His Master)
I travel because I like to move from place to place, I enjoy the sense of freedom it gives me, it pleases me to be rid of ties, responsibilities, duties, I like the unknown; I meet odd people who amuse me for a moment...I am often tired of myself and have a notion that by travel I can add to my personality and so change myself a little. I do not bring back from a journey quite the same self that I took.
W. Somerset Maugham
Dogs in My Nose -- When I woke up that morning, it didn't take me long to realize there were dogs in my nose. I could hear their muffled barks; I could feel their playful vibrations. It's not dangerous to have dogs in your nose, in fact, it's quite all right to leave them in there for an hour or so. But in this case, because they got in there without permission, I decided to expel them immediately, coaxing them out with a piece of hamburger. The dogs popped out and landed on the floor. They shook their little floppy ears and bounded off, and I was amused at the prospect of some other weary traveler awakening to find he had dogs in his nose.
Steve Martin
You look delectable no matter what you wear...or don't wear." The suggestive words made her cheeks burn, and she jerked her gaze up to meet his. Amusement and a wickedly seductive flame flashed in his green eyes as he stared down at her.
Monica Burns (Forever Mine)
When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...' My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning. A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
Finally, after a glance at Notre Dame and a brisk trot through the Louvre, we sat down at a cafe on the Place de l'Opera and watched the people. They were amazing -- never had we seen such costumes, such make-up, such wigs; and, strangest of all, the wearers didn't seem in the least conscious of how funny they looked. Many of them even stared at us and smiled, as though we had been the oddities, and not they. Mr. Holmes no doubt found it amusing to see the pageant of prostitution, poverty and fashion reflected in our callow faces and wide-open eyes.
Christopher Isherwood (Lions and Shadows: An Education in the Twenties)
We got out of our car in Agra to be faced with 150 people and instantly knew that we were their target. We were white (we still are) and wealthy (in comparison). And these people are masters at the art of distraction. You’ll spot the one approaching from the left, but not the imminent threat from the right. And if you say no they have ways of making you say yes. We were greeted with, “Give me money” by street urchins, “Give me 20 rupees,” by a man in a ‘locker room’ looking after our camera equipment, and graceful, exquisite and amused smiles by some of the most magnificently beautiful women in the world. Ladies with coconut oil in their hair, eyes the colour of artisan’s gold, and spirituality in their hearts. And everywhere we went we were greeted with the Añjali Mudrā gesture and the word Namaste, indicating 'I bow to the divine in you.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
As delightful as Dr. Gibson is, she doesn't have the makings of a farmwife." Ethan's brows lifted. "Are you thinking about taking a wife?" West shrugged. "The nights can be long and quiet in the country," he admitted. "If I found a woman who was an interesting companion and attractive enough to bed... yes, I'd consider marrying her." He paused. "Better yet if she were educated. A sense of humor would be icing on the cake. Red hair isn't a requirement, but I do have a fatal weakness for it." West's mouth twisted with a self-mocking grin. "Of course, she'd have to be willing to overlook the fact that I was an undisciplined and obnoxious swill-tub until about three years ago." A nearly imperceptible look of bitterness flashed across his face before he masked it. "Who is she?" Ethan asked softly. "No one. An imaginary woman." Averting his gaze, West used the toe of his boot to flick a loose pebble to the side of the drive. "Who happens to despise me," he muttered. Ethan regarded him with sympathetic amusement. "You might be able to change her opinion." "Only if I could travel back in time and beat my former self to a pulp.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
Amusement made her blue eyes sparkle as she smiled up at him. Her hand moved slightly until one beautiful breast was exposed to him. The air left his lungs then returned in a rush. "You, sweet witch, are playing with fire," he whispered hoarsely. "Perhaps I should help you put it out.
Monica Burns (Forever Mine)
Of course, it is possible that alien beings travel billions of miles to amuse themselves by planting crop circles in Wiltshire or frightening the daylights out of some poor guy in a pickup truck on a lonely road in Arizona (they must have teenagers, after all), but it does seem unlikely.
Bill Bryson (A Short History of Nearly Everything)
Fuck them,” I replied, huffing with amusement when Danny smacked my shoulder blade from behind me on the stairs. “They’ll hear you,” he hissed. “They don’t understand English,” I told him, but that was a good point, so I said a similarly vile insult in the usho’s language, loud enough for it to travel back to the bar.
Lily Mayne (Wyn (Monstrous, #3.5))
I am always amused by those couples- lovers and spouses- who perform and ask others to perform musical chairs whenever they, by random seat selection, are separated from each other. 'Can you switch seats with me?' A woman asked me. 'So I can sit with my husband?' She wanted me, a big man, who always books early, and will gratefully pay extra for the exit row, to trade my aisle seat for her middle seat. By asking me to change my location for hers, the woman is actually saying to me: 'Dear stranger, dear Sir, my comfort is more important than yours. Dear solitary traveler, my love and fear- as contained within my marriage- are larger than yours.' O, the insult! O, the condescension! And this is not an isolated incident. I've been asked to trade seats twenty or thirty times over the years. How dare you! How dare you ask me to change my life for you! How imperial! How colonial! But, ah, here is the strange truth: whenever I'm asked to trade seats for somebody else's love, I do, I always do.
Sherman Alexie (War Dances)
I shall amuse you with a tale, then,” said Will. “The tale of my hellride with Balios from London to Cadair Idris, in Wales. Your mother, James, was missing—kidnapped by the miscreant Mortmain. I leaped into Balios’s saddle. ‘If ever you loved me, Balios,’ I cried, ‘let your feet now be swift, and carry me to my dear Tessa before harm befalls her.’ It was a stormy night, though the storm that raged inside my breast was fiercer still—” “I can’t believe you haven’t heard this story before, James,” said Magnus, mildly. The two of them were sharing one side of the carriage, as it had become quickly apparent on the first day of their journey that Will needed the entire other side for dramatic gesturing. It was very strange to have heard tales of Magnus all James’s life, and now to be traveling in close quarters with him. What he’d learned in their days of travel was that despite his elaborate costumes and theatrical airs, which had alarmed several innkeepers, Magnus was surprisingly calm and practical. “I haven’t,” said James. “Not since last Thursday.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
What I do know is that I have never found clowns remotely funny. I am not alone in this, I think. More people find clowns disturbing or distressing rather than raucously amusing. Is it that the nature of human existence has changed so radically in the last century or so that what was funny to our grandparents and great-grandparents is now tragic or terrifying?
Clive Barker (The Adventures of Mr. Maximillian Bacchus and His Travelling Circus)
YOU SHOULD ASK TAYLOR to teach you how to shoot,” I say as we travel down in the elevator. Christian gazes down at me, amused. “Should I now?” he says dryly. “Yes.” “Anastasia, I despise guns. My mom has patched up too many victims of gun crime, and my dad is vehemently antigun. I grew up with their ethos. I support at least two gun control initiatives here in Washington.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Tell me about this seamless intercourse.” His eyes traveled slowly downward, then, in the same leisured pace, up to mine again. I opened my mouth to respond but then quickly snapped it shut. I suddenly felt hot. His secretive and amused appearing surveillance of my features, the openness with which he stared was beginning to make me think he was just as strange as I was.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Of all the gifts that Barty opened on Christmas morning, the hardback copy of Robert Heinlein’s The Star Beast was his favorite. Instantly enchanted by the promise of an amusing alien creature, space travel, an exotic future, and lots of adventure, he seized every opportunity throughout the busy day to crack open those pages and to step out of Bright Beach into stranger places.
Dean Koontz (From the Corner of His Eye)
In this mortal frame of mine, which is made of a hundred bones and nine orifices, there is something, and this something is called a wind-swept spirit, for lack of a better name, for it is much like a thin drapery that is torn and swept away at the slightest stir of the wind. This something in me took to writing poetry years ago, merely to amuse itself at first, but finally making it its lifelong business. It must be admitted, however, that there were times when it sank into such dejection that it was almost ready to drop its pursuit, or again times when it was so puffed up with pride that it exulted in vain victories over others. Indeed, ever since it began to write poetry, it has never found peace with itself, always wavering between doubts of one kind and another. At one time it wanted to gain security by entering the service of a court, and at another it wished to measure the depth of its ignorance by trying to be a scholar, but it was prevented from either because of its unquenchable love of poetry. The fact is, it knows no other art than the art of writing poetry, and therefore, it hangs on to it more or less blindly. Matsuo Bashō, Journal of a Travel-Worn Satchel (tr. Nobuyuki Yuasa)
Jane Hirshfield (The Heart of Haiku)
Many of our friends who grew up here now live in Brooklyn, where they are at work on “book-length narratives.” Another contingent has moved to the Bay Area and made a fortune there. Every year or so, these west-coasters travel back to Michigan and call us up for dinner or drinks, occasions they use to educate us on the inner workings of the tech industry. They refer to the companies they work for in the first person plural, a habit I have yet to acculturate to. Occasionally they lapse into the utopian, speaking of robotics ordinances and brain-computer interfaces and the mystical, labyrinthine channels of capital, conveying it all with the fervency of pioneers on a civilizing mission. Being lectured quickly becomes dull, and so my husband and I, to amuse ourselves, will sometimes play the rube. “So what, exactly, is a venture capitalist?” we’ll say. Or: “Gosh, it sounds like science fiction.” I suppose we could tell them the truth—that nothing they’re proclaiming is news; that the boom and bustle of the coastal cities, like the smoke from those California wildfires, liberally wafts over the rest of the country. But that seems a bit rude. We are, after all, Midwesterners. Here, work is work and money is money, and nobody speaks of these things as though they were spiritual movements or expressions of one’s identity.
Meghan O'Gieblyn (Interior States: Essays)
Flush was a fellow traveller of course, and enjoyed it in the most obviously amusing manner. Never was there so good a dog in a carriage before his time! Think of Flush, too! He has a supreme contempt for trees and hills or anything of that kind, and, in the intervals of natural scenery, he drew in his head from the window and didn’t consider it worth looking at; but when the population thickened, and when a village or a town was to be passed through,
Elizabeth Barrett Browning (Complete Works of Elizabeth Barrett Browning)
When do you wish to go?” “Early to-morrow morning, sir.” “Well, you must have some money; you can’t travel without money, and I daresay you have not much: I have given you no salary yet. How much have you in the world, Jane?” he asked, smiling. I drew out my purse; a meagre thing it was. “Five shillings, sir.” He took the purse, poured the hoard into his palm, and chuckled over it as if its scantiness amused him. Soon he produced his pocket-book: “Here,” said he, offering me a note; it was fifty pounds, and he owed me but fifteen. I told him I had no change. “I don’t want change; you know that. Take your wages.” I declined accepting more than was my due. He scowled at first; then, as if recollecting something, he said— “Right, right! Better not give you all now: you would, perhaps, stay away three months if you had fifty pounds. There are ten; is it not plenty?” “Yes, sir, but now you owe me five.” “Come back for it, then; I am your banker for forty pounds.” “Mr. Rochester, I may as well mention another matter of business to you while I have the opportunity.” “Matter of business? I am curious to hear it.” “You have as good as informed me, sir, that you are going shortly to be married?” “Yes; what then?” “In that case, sir, Adèle ought to go to school: I am sure you will perceive the necessity of it.” “To get her out of my bride’s way, who might otherwise walk over her rather too emphatically? There’s sense in the suggestion; not a doubt of it. Adèle, as you say, must go to school; and you, of course, must march straight to—the devil?” “I hope not, sir; but I must seek another situation somewhere.” “In course!” he exclaimed, with a twang of voice and a distortion of features equally fantastic and ludicrous. He looked at me some minutes. “And old Madam Reed, or the Misses, her daughters, will be solicited by you to seek a place, I suppose?” “No, sir; I am not on such terms with my relatives as would justify me in asking favours of them—but I shall advertise.
Charlotte Brontë (Jane Eyre)
Surely," Siddhartha laughed, "surely I have travelled for my amusement. For what else? I have gotten to know people and places, I have received kindness and trust, I have found friendship. Look, my dear, if I had been Kamaswami, I would have travelled back, being annoyed and in a hurry, as soon as I had seen that my purchase had been rendered impossible, and time and money would indeed have been lost. But like this, I've had a few good days, I've learned, had joy, I've neither harmed myself nor others by annoyance and hastiness. And if I'll ever return there again, perhaps to buy an upcoming harvest, or for whatever purpose it might be, friendly people will receive me in a friendly and happy manner, and I will praise myself for not showing any hurry and displeasure at that time. So, leave it as it is, my friend, and don't harm yourself by scolding! If the day will come, when you will see: this Siddhartha is harming me, then speak a word and Siddhartha will go on his own path. But until then, let's be satisfied with one another.
Hermann Hesse (Siddhartha)
Space, let me repeat, is enormous. The average distance between stars out there is 20 million million miles. Even at speeds approaching those of light, these are fantastically challenging distances for any traveling individual. Of course, it is possible that alien beings travel billions of miles to amuse themselves by planting crop circles in Wiltshire or frightening the daylights out of some poor guy in a pickup truck on a lonely road in Arizona (they must have teenagers, after all), but it does seem unlikely. Still,
Bill Bryson (A Short History of Nearly Everything)
One hundred and seventy years later, readers had to contend with Socrates's pronouncement that books are useless artifacts. Literary works cannot explain what they say, the great philosopher argued — they can only repeat the same words over and over. To me this sounds less like the definition of a book than a Heideggerian, but in any event Socrates clearly missed the point. Books don't repeat the same words over and over again. The Gulliver's Travels whose whimsy amused you at twelve is not the Gulliver's Travels whose acid engaged you at thirty.
James K. Morrow (The Last Witchfinder)
But the greatest human problems are not social problems, but decisions that the individual has to make alone. The most important feelings of which man is capable emphasise his separateness from other people, not his kinship with them. The feelings of a mountaineer towards a mountain emphasise his kinship with the mountain rather than with the rest of mankind. The same goes for the leap of the heart experienced by a sailor when he smells the sea, or for the astronomer’s feeling about the stars, or for the archaeologist’s love of the past. My feeling of love for my fellowmen makes me aware of my humanness; but my feeling about a mountain gives me an oddly nonhuman sensation. It would be incorrect, perhaps, to call it ‘superhuman’; but it nevertheless gives me a sense of transcending my everyday humanity. Maslow’s importance is that he has placed these experiences of ‘transcendence’ at the centre of his psychology. He sees them as the compass by which man gains a sense of the magnetic north of his existence. They bring a glimpse of ‘the source of power, meaning and purpose’ inside himself. This can be seen with great clarity in the matter of the cure of alcoholics. Alcoholism arises from what I have called ‘generalised hypertension’, a feeling of strain or anxiety about practically everything. It might be described as a ‘passively negative’ attitude towards existence. The negativity prevents proper relaxation; there is a perpetual excess of adrenalin in the bloodstream. Alcohol may produce the necessary relaxation, switch off the anxiety, allow one to feel like a real human being instead of a bundle of over-tense nerves. Recurrence of the hypertension makes the alcoholic remedy a habit, but the disadvantages soon begin to outweigh the advantage: hangovers, headaches, fatigue, guilt, general inefficiency. And, above all, passivity. The alcoholics are given mescalin or LSD, and then peak experiences are induced by means of music or poetry or colours blending on a screen. They are suddenly gripped and shaken by a sense of meaning, of just how incredibly interesting life can be for the undefeated. They also become aware of the vicious circle involved in alcoholism: misery and passivity leading to a general running-down of the vital powers, and to the lower levels of perception that are the outcome of fatigue. ‘The spirit world shuts not its gates, Your heart is dead, your senses sleep,’ says the Earth Spirit to Faust. And the senses sleep when there is not enough energy to run them efficiently. On the other hand, when the level of will and determination is high, the senses wake up. (Maslow was not particularly literary, or he might have been amused to think that Faust is suffering from exactly the same problem as the girl in the chewing gum factory (described earlier), and that he had, incidentally, solved a problem that had troubled European culture for nearly two centuries). Peak experiences are a by-product of this higher energy-drive. The alcoholic drinks because he is seeking peak experiences; (the same, of course, goes for all addicts, whether of drugs or tobacco.) In fact, he is moving away from them, like a lost traveller walking away from the inn in which he hopes to spend the night. The moment he sees with clarity what he needs to do to regain the peak experience, he does an about-face and ceases to be an alcoholic.
Colin Wilson (New Pathways in Psychology: Maslow & the Post-Freudian Revolution)
Mama,” the child exclaimed, breathless and agitated. Phoebe looked down at him in concern. “Justin, what is it?” “Galoshes brought me a dead mouse. She dropped it on the floor right in front of me!” “Oh, dear.” Tenderly Phoebe smoothed his dark, ruffled hair. “I’m afraid that’s what cats do. She thought it was a fine gift.” “Nanny won’t touch it, and the housemaid screamed, and I had a fight with Ivo.” Although Phoebe’s younger brother Ivo was technically Justin’s uncle, the boys were close enough in age to play together and quarrel. “About the mouse?” Phoebe asked sympathetically. “No, before the mouse. Ivo said there’s going to be a honeymoon and I can’t go because it’s for grownups.” The boy tilted his head back to look up at her, his lower lip quivering. “You wouldn’t go to the honeymoon without me, would you, Mama?” “Darling, we’ve made no plans to travel yet. There’s too much to be done here, and we all need time to settle in. Perhaps in the spring—” “Dad wouldn’t want to leave me behind. I know he wouldn’t!” In the electrified silence that followed, Tom shot a glance at West, who looked blank and startled. Slowly Phoebe lowered to the ground until her face was level with her son’s. “Do you mean Uncle West?” she asked gently. “Is that what you’re calling him now?” Justin nodded. “I don’t want him to be my uncle—I already have too many of those. And if I don’t have a dad, I’ll never learn how to tie my shoes.” Phoebe began to smile. “Why not call him Papa?” she suggested. “If I did, you’d never know which one I was talking about,” Justin said reasonably, “the one in heaven or the one down here.” Phoebe let out a breath of amusement. “You’re right, my clever boy.” Justin looked up at the tall man beside him with a flicker of uncertainty. “I can call you Dad … can’t I? Do you like that name?” A change came over West’s face, his color deepening, small muscles contorting with some powerful emotion. He snatched Justin up, one of his large hands clasping the small head as he kissed his cheek. “I love that name,” West said unsteadily. “I love it.” The boy’s arms went around his neck. “Can we go to Africa for our honeymoon, Dad?” he heard Justin ask. “Yes,” came West’s muffled voice. “Can I have a pet crocodile, Dad?” “Yes.” Phoebe produced a handkerchief from seemingly out of nowhere and tucked it discreetly into one of West’s hands.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Baby's World I wish I could take a quiet corner in the heart of my baby's very own world. I know it has stars that talk to him, and a sky that stoops down to his face to amuse him with its silly clouds and rainbows. Those who make believe to be dumb, and look as if they never could move, come creeping to his window with their stories and with trays crowded with bright toys. I wish I could travel by the road that crosses baby's mind, and out beyond all bounds; Where messengers run errands for no cause between the kingdoms of kings of no history; Where Reason makes kites of her laws and flies them, the Truth sets Fact free from its fetters.
Rabindranath Tagore
My aversion to over-packing and its uptight cousin, over-planning, stems from the belief that neither tendency is a fake problem. These are not amusing tics. They are not superfluous reflections on the personality of the packer, but profound ones. They suggest a dubiousness of other lifestyles (racist), a conviction that the world won’t have what you need (princess), and a lack of faith that you’ll continue being human when it doesn’t (misanthrope). Plus, you’ll probably have to check your bags. And how hard is it, really? It’s just the one planet. I think by now we can all agree that the foundation of world travel goes something like “bring a cardigan.
Sloane Crosley (Up the Down Volcano)
How far away?” Her blue-and-gold eyes flickered. “I’d travel until I found a place where they’d never heard of Adarlan. If such a place exists.” And she would never come back. And because she was young, and so damn clever and amusing and wonderful, wherever she made her home, there would be some man who would fall in love with her and who would make her his wife, and that was the worst truth of all. It had snuck up on him, this pain and terror and rage at the thought of anyone else with her. Every look, every word from her … He didn’t even know when it had started. “We’ll find that place, then,” he said quietly. “What?” Her brows narrowed. “I’ll go with you.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Is there a bird among them, dear boy?” Charity asked innocently, peering not at the things on the desk, but at his face, noting the muscle beginning to twitch at Ian’s tense jaw. “No.” “Then they must be in the schoolroom! Of course,” she said cheerfully, “that’s it. How like me, Hortense would say, to have made such a silly mistake.” Ian dragged his eyes from the proof that his grandfather had been keeping track of him almost from the day of his birth-certainly from the day when he was able to leave the cottage on his own two legs-to her face and said mockingly, “Hortense isn’t very perceptive. I would say you are as wily as a fox.” She gave him a little knowing smile and pressed her finger to her lips. “Don’t tell her, will you? She does so enjoy thinking she is the clever one.” “How did he manage to have these drawn?” Ian asked, stopping her as she turned away. “A woman in the village near your home drew many of them. Later he hired an artist when he knew you were going to be somewhere at a specific time. I’ll just leave you here where it’s nice and quiet.” She was leaving him, Ian knew, to look through the items on the desk. For a long moment he hesitated, and then he slowly sat down in the chair, looking over the confidential reports on himself. They were all written by one Mr. Edgard Norwich, and as Ian began scanning the thick stack of pages, his anger at his grandfather for this outrageous invasion of his privacy slowly became amusement. For one thing, nearly every letter from the investigator began with phrases that made it clear the duke had chastised him for not reporting in enough detail. The top letter began, I apologize, Your Grace, for my unintentional laxness in failing to mention that indeed Mr. Thornton enjoys an occasional cheroot… The next one opened with, I did not realize, Your Grace, that you would wish to know how fast his horse ran in the race-in addition to knowing that he won. From the creases and holds in the hundreds of reports it was obvious to Ian that they’d been handled and read repeatedly, and it was equally obvious from some of the investigator’s casual comments that his grandfather had apparently expressed his personal pride to him: You will be pleased to know, Your Grace, that young Ian is a fine whip, just as you expected… I quite agree with you, as do many others, that Mr. Thornton is undoubtedly a genius… I assure you, Your Grace, that your concern over that duel is unfounded. It was a flesh wound in the arm, nothing more. Ian flipped through them at random, unaware that the barricade he’d erected against his grandfather was beginning to crack very slightly. “Your Grace,” the investigator had written in a rare fit of exasperation when Ian was eleven, “the suggestion that I should be able to find a physician who might secretly look at young Ian’s sore throat is beyond all bounds of reason. Even if I could find one who was willing to pretend to be a lost traveler, I really cannot see how he could contrive to have a peek at the boy’s throat without causing suspicion!” The minutes became an hour, and Ian’s disbelief increased as he scanned the entire history of his life, from his achievements to his peccadilloes. His gambling gains and losses appeared regularly; each ship he added to his fleet had been described, and sketches forwarded separately; his financial progress had been reported in minute and glowing detail.
Judith McNaught (Almost Heaven (Sequels, #3))
There was a short railway official travelling up to the terminus, three fairly short market-gardeners picked up two stations afterwards, one very short widow lady going up from a small Essex town, and a very short Roman Catholic priest going up from a small Essex village. When it came to the last case, Valentin gave it up and almost laughed. The little priest was so much the essence of those Eastern flats; he had a face as round and dull as a Norfolk dumpling; he had eyes as empty as the North Sea; he had several brown-paper parcels, which he was quite incapable of collecting. The Eucharistic Congress had doubtless sucked out of their local stagnation many such creatures, blind and helpless, like moles disinterred. Valentin was a skeptic in the severe style of France, and could have no love for priests. But he could have pity for them, and this one might have provoked pity in anybody. He had a large, shabby umbrella, which constantly fell on the floor. He did not seem to know which was the right end of his return ticket. He explained with a moon-calf simplicity to everybody in the carriage that he had to be careful, because he had something made of real silver "with blue stones" in one of his brown-paper parcels. His quaint blending of Essex flatness with saintly simplicity continuously amused the Frenchman till the priest arrived (somehow) at Tottenham with all his parcels, and came back for his umbrella.
G.K. Chesterton (The Innocence of Father Brown (Father Brown, #1))
Wow, Angela and Holly,” Ash said, sounding awed. “Hot.” “Excuse me, what is wrong with you?” Kami demanded. “Other people’s sexuality is not your spectator sport.” Ash paused. “Of course,” he said. “But—” “No!” Kami exclaimed. “No buts. That’s my best friend you’re talking about. Your first reaction should not be ‘Hot.’ ” “It’s not an insult,” Ash protested. “Oh, okay,” Kami said. “In that case, you’re going to give me a minute. I’m picturing you and Jared. Naked. Entwined.” There was a pause. Then Jared said, “He is probably my half brother, you know.” “I don’t care,” Kami informed him. “All you are to me are sex objects that I choose to imagine bashing together at random. Oh, there you go again, look at that, nothing but Lynburn skin as far as the mind’s eye can see. Masculine groans fill the air, husky and—” “Stop it,” Ash said in a faint voice. “That isn’t fair.” Behind them, Jared was laughing. Kami glanced back at him and caught his eye: for once, it made her smile, as if amusement could still travel back and forth like a spark between them. “Ash is right, this is totally unfair,” Jared told her. “If you insist on this—” “Oh, I do,” Kami assured him. “Then I insist on hooking up with Rusty instead of Ash. It’s the least you can do.” “Ugh,” Ash protested. “You guys, stop.” “She’s making a point,” Jared said blandly. “I recognize her right to do that. But considering the alternative, I want Rusty.” Ash gave this some thought. “Okay, I’ll have Rusty too.” The sound of the door opening behind them made them all look up the stairs to where Rusty stood, with one eyebrow raised. “Don’t fight, boys,” he remarked mildly. “There’s plenty of Rusty to go around.
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
Foolish to write all this! As if any human being could know thoroughly what he was to me. It must seem so extravagant, and perhaps affected, even to you, who are large-hearted and make allowances. After these years! And, after all, I might have just said the other truth, that we are at the end of our purse, and can’t travel any more, not even to Taunton, where poor Henrietta, who is hindered from coming to me by a like pecuniary straitness, begs so hard that we should go. Also, we are bound to London by business engagements; a book in the press (Robert’s two volumes), and proofs coming in at all hours. We have been asked to two or three places at an hour’s distance from London, and can’t stir; to Knebworth, for instance, where Sir Edward Lytton wants us to go. It would be amusing in some ways; but we are tired. Also Robert’s sister is staying with us.
Elizabeth Barrett Browning (Complete Works of Elizabeth Barrett Browning)
When Camilla and her husband joined Prince Charles on a holiday in Turkey shortly before his polo accident, she didn’t complain just as she bore, through gritted teeth, Camilla’s regular invitations to Balmoral and Sandringham. When Charles flew to Italy last year on a sketching holiday, Diana’s friends noted that Camilla was staying at another villa a short drive away. On her return Mrs Parker-Bowles made it quite clear that any suggestion of impropriety was absurd. Her protestations of innocence brought a tight smile from the Princess. That changed to scarcely controlled anger during their summer holiday on board a Greek tycoon’s yacht. She quietly simmered as she heard her husband holding forth to dinner-party guests about the virtues of mistresses. Her mood was scarcely helped when, later that evening, she heard him chatting on the telephone to Camilla. They meet socially on occasion but, there is no love lost between these two women locked into an eternal triangle of rivalry. Diana calls her rival “the rotweiller” while Camilla refers to the Princess as that “ridiculous creature”. At social engagements they are at pains to avoid each other. Diana has developed a technique in public of locating Camilla as quickly as possible and then, depending on her mood, she watches Charles when he looks in her direction or simply evades her gaze. “It is a morbid game,” says a friend. Days before the Salisbury Cathedral spire appeal concert Diana knew that Camilla was going. She vented her frustration in conversations with friends so that on the day of the event the Princess was able to watch the eye contact between her husband and Camilla with quiet amusement. Last December all those years of pent-up emotion came flooding out at a memorial service for Leonora Knatchbull, the six-year-old daughter of Lord and Lady Romsey, who tragically died of cancer. As Diana left the service, held at St James’s Palace, she was photographed in tears. She was weeping in sorrow but also in anger. Diana was upset that Camilla Parker Bowles who had only known the Romseys for a short time was also present at such an intimate family service. It was a point she made vigorously to her husband as they travelled back to Kensington Palace in their chauffeur-driven limousine. When they arrived at Kensington Palace the Princess felt so distressed that she ignored the staff Christmas party, which was then in full swing, and went to her sitting-room to recover her composure. Diplomatically, Peter Westmacott, the Wales’s deputy private secretary, sent her avuncular detective Ken Wharfe to help calm her.
Andrew Morton (Diana: Her True Story in Her Own Words)
In the case of Leo, however, Beatrix assured Christopher that in spite of his sharp tongue, Leo was a caring and loyal brother. "You'll come to like him very well," she said. "But it's no surprise that you feel more comfortable around Cam- you're both foxes." "Foxes?" Christopher had repeated, amused. "Yes. I can always tell what kind of animal a person would be. Foxes are hunters, but they don't rely on brute strength. They're subtle and clever. Fond of outwitting others. And although they sometimes travel far, they always like to come back to a snug, safe home." "I suppose Leo is a lion," Christopher said dryly. "Oh, yes. Dramatic, demonstrative, and he hates being ignored. And sometimes he'll take a swipe at you. But beneath the sharp claws and the growls, he's still a cat." "What animal are you?" "A ferret. We can't help collecting things. When we're awake, we're very busy, but we also like to be still for long periods." She grinned at him. "And ferrets are very affectionate.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
You’re mad.” “No, I’m just plagued with a grandmother who thinks that forcing me and my siblings into marriage will settle her mind about our futures-an idea that I mean to show her is absurd.” “By pretending to be engaged to a perfect stranger?” He shrugged. “I came here looking for a whore to do the job. But they’re expensive, and why should I settle for a whore when you’ll do nicely?” His gaze traveled down her body with thorough insolence. “You’re exactly the sort my grandmother would find unacceptable as a wife for me: an American of low birth, with an impudent manner and a reckless tongue. And you’re just pretty enough to convince her that I might actually contemplate marriage to you.” Shock held her motionless. She didn’t know which was worse-his nonchalant attitude toward hiring a whore to fool his poor grandmother, or the insults he’d lobbed at her with insufferable arrogance. “Now that you’ve offended me in every possible way, do you think I’d agree to this insanity?” Amusement flickered in his black eyes. “Given that your other choice is to take your chances with the gentlemen in the hall…yes, I do. Of course, if you want to watch your cousin hang-“ He headed for the door. “Stop!” He paused with his hand on the handle, one eyebrow arched in question. The curst man had her trapped, and he knew it.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
I couldn’t wipe the smile off my face/ I felt giddy all the way back to the hotel. I giggled. I was happy. Sage leaned back in his seat and studied me, an amused smile on his face. “What?” I asked. He shook his head. “You’re making fun of me,” I said. “I’m not,” Sage assured me. I knew he was telling the truth. His eyes were affectionate. I was his, not just in the past but today and forever, and nothing had ever made me feel more secure. I was about to pull into the hotel when Sage reminded me of the snacks-the whole reason we’d supposedly gone out. I swung a wild U-turn that slammed Sage against his door. “Taking up stunt driving?” he asked. “Can you imagine walking in without the snacks? Rayna would be all over me.” “You don’t think she will be anyway? It’s been a long snack run.” “It hasn’t been that long,” I said. “Has it?” He scrunched his brows. “What are you trying to say?” I giggled again, and we pulled into a gas station market. Sage wrapped his arm around my shoulders and I leaned against his chest as we walked in step into the store; he held my hand as I cruised the tiny aisles; he stood behind me and rubbed my shoulders as we paid. I felt normal. I imagined how things would be after everything was over: after we met the dark lady, after we got the Elixir, after we found my dad. Sage and I could travel the world together: me taking pictures, him painting, always coming back together at the end of the day to share what we’d done and lie in each other’s arms.
Hilary Duff (Elixir (Elixir, #1))
Helen wriggled in protest as his hand stole to the back of her skirts. She was wearing a ready-made traveling dress, which fit nicely after a few minor alterations made by one of Mrs. Allenby’s assistants. It was a simple design of light blue silk and cashmere, with a smart little waist-jacket. There was no bustle, and the skirts had been drawn back snugly to reveal the shape of her body. The skirts descended in a pretty fall of folds and pleats, with a large decorative bow placed high on her posterior. To her vexation, Rhys wouldn’t leave the bow alone. He was positively mesmerized by it. Every time she turned her back to him, she could feel him playing with it. “Rhys, don’t!” “I can’t help it. It calls to me.” “You’ve seen bows on dresses before.” “But not there. And not on you.” Reluctantly Rhys let go of her and pulled out his pocket watch. “The train should have departed by now. We’re five minutes late.” “What are you in a rush for?” she asked. “Bed,” came his succinct reply. Helen smiled. She stood on her toes and pressed a quick kiss to his cheek. “We have a lifetime of nights together.” “Aye, and we’ve already missed too many of them.” Helen turned and bent to pick up her small valise, which had been set on the floor. At the same time, she heard the sound of fabric ripping. Before Helen had straightened and twisted to look at the back of her skirts, she already knew what had happened. The bow hung limply, at least half of its stitches torn. Meeting her indignant glance, Rhys looked as sheepish as a schoolboy caught with a stolen apple. “I didn’t know you were going to bend over.” “What am I going to say to the lady’s maid when she sees this?” He considered that for a moment. “Alas?” he suggested. Helen’s lips quivered with unwilling amusement.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
Elizabeth’s concern that Ian might insult them, either intentionally or otherwise, soon gave way to admiration and then to helpless amusement as he sat for the next half-hour, charming them all with an occasional lazy smile or interjecting a gallant compliment, while they spent the entire time debating whether to sell the chocolates being donated by Gunther’s for $5 or $6 per box. Despite Ian’s outwardly bland demeanor, Elizabeth waited uneasily for him to say he’d buy the damned cartload of chocolates for $10 apiece, if it would get them on to the next problem, which she knew was what he was dying to say. But she needn’t have worried, for he continued to positively exude pleasant interest. Four times, the committee paused to solicit his advice; four times, he smilingly made excellent suggestions; four times, they ignored what he suggested. And four times, he seemed not to mind in the least or even notice. Making a mental note to thank him profusely for his incredible forbearance, Elizabeth kept her attention on her guests and the discussion, until she inadvertently glanced in his direction, and her breath caught. Seated on the opposite side of the gathering from her, he was now leaning back in his chair, his left ankle propped atop his right knee, and despite his apparent absorption in the topic being discussed, his heavy-lidded gaze was roving meaningfully over her breasts. One look at the smile tugging at his lips and Elizabeth realized that he wanted her to know it. Obviously he’d decided that both she and he were wasting their time with the committee, and he was playing an amusing game designed to either divert her or discomfit her entirely, she wasn’t certain which. Elizabeth drew a deep breath, ready to blast a warning look at him, and his gaze lifted slowly from her gently heaving bosom, traveled lazily up her throat, paused at her lips, and then lifted to her narrowed eyes. Her quelling glance earned her nothing but a slight, challenging lift of his brows and a decidedly sensual smile, before his gaze reversed and began a lazy trip downward again. Lady Wiltshire’s voice rose, and she said for the second time, “Lady Thornton, what do you think?” Elizabeth snapped her gaze from her provoking husband to Lady Wiltshire. “I-I agree,” she said without the slightest idea of what she was agreeing with. For the next five minutes, she resisted the tug of Ian’s caressing gaze, firmly refusing to even glance his way, but when the committee reembarked on the chocolate issue again, she stole a look at him. The moment she did, he captured her gaze, holding it, while he, with an outward appearance of a man in thoughtful contemplation of some weighty problem, absently rubbed his forefinger against his mouth, his elbow propped on the arm of his chair. Elizabeth’s body responded to the caress he was offering her as if his lips were actually on hers, and she drew a long, steadying breath as he deliberately let his eyes slide to her breasts again. He knew exactly what his gaze was doing to her, and Elizabeth was thoroughly irate at her inability to ignore its effect. The committee departed on schedule a half-hour later amid reminders that the next meeting would be held at Lady Wiltshire’s house. Before the door closed behind them, Elizabeth rounded on her grinning, impenitent husband in the drawing room. “You wretch!” she exclaimed. “How could you?” she demanded, but in the midst of her indignant protest, Ian shoved his hands into her hair, turned her face up, and smothered her words with a ravenous kiss. “I haven’t forgiven you,” she warned him in bed an hour later, her cheek against his chest. Laughter, rich and deep, rumbled beneath her ear. “No?” “Absolutely not. I’ll repay you if it’s the last thing I do.” “I think you already have,” he said huskily, deliberately misunderstanding her meaning.
Judith McNaught (Almost Heaven (Sequels, #3))
She heard nothing but experienced a sensation that prickled along her spine like a warm touch caressing her skin. Slowly, with the care of prey beneath a predator's survey, she turned her head- and met the gaze of the elegant gentleman lounging at the door. In her travels, she had seen many a striking and charming man, but none had been as handsome as this- and all had been more charming. This man was a statue in stark black and white, hewn from rugged granite and adolescent dreams. His face wasn't really handsome; his nose was thin and crooked, his eyes heavy lidded, his cheekbones broad, stark and hollowed. But he wielded a quality of power, of toughness, that made Eleanor want to huddle into a shivering, cowardly little ball. Then he smiled, and she caught her breath in awe. His mouth... his glorious, sensual mouth. His lips were wide, too wide, and broad, too broad. His teeth were white, clean, strong as a wolf's. He looked like a man seldom amused by life, but he was amused by her, and she realized in a rush of mortification that she remained standing on the stool, reading one of his books and lost to the grave realities of her situation. The reality that stated she was an imposter, sent to mollify this man until the real duchess could arrive. Mollify? Him? Not likely. Nothing would mollify him. Nothing except... well, whatever it was he wanted. And she wasn't fool enough to think she knew what that was. The immediate reality was that she would somehow have to step down onto the floor and of necessity expose her ankles to his gaze. It wasn't as if he wouldn't look. He was looking now, observing her figure with an appreciation all the more impressive for its subtlety. His gaze flicked along her spine, along her backside, and down her legs with such concentration that she formed the impression he knew very well what she looked like clad only in her chemise- and that was an unnerving sensation.
Christina Dodd (One Kiss From You (Switching Places, #2))
he was no mountaineer when he decided to climb the Hindu Kush. A few days scrambling on the rocks in Wales, enchantingly chronicled here, were his sole preparation. It was not mountaineering that attracted him; the Alps abound in opportunities for every exertion of that kind. It was the longing, romantic, reasonless, which lies deep in the hearts of most Englishmen, to shun the celebrated spectacles of the tourist and without any concern with science or politics or commerce, simply to set their feet where few civilized feet have trod. An American critic who read the manuscript of this book condemned it as ‘too English’. It is intensely English, despite the fact that most of its action takes place in wildly foreign places and that it is written in an idiomatic, uncalculated manner the very antithesis of ‘Mandarin’ stylishness. It rejoices the heart of fellow Englishmen, and should at least illuminate those who have any curiosity about the odd character of our Kingdom. It exemplifies the essential traditional (some, not I, will say deplorable) amateurism of the English. For more than two hundred years now Englishmen have been wandering about the world for their amusement, suspect everywhere as government agents, to the great embarrassment of our officials. The Scotch endured great hardships in the cause of commerce; the French in the cause of either power or evangelism. The English only have half (and wholly) killed themselves in order to get away from England. Mr Newby is the latest, but, I pray, not the last, of a whimsical tradition. And in his writing he has all the marks of his not entirely absurd antecedents. The understatement, the self-ridicule, the delight in the foreignness of foreigners, the complete denial of any attempt to enlist the sympathies of his readers in the hardships he has capriciously invited; finally in his formal self-effacement in the presence of the specialist (with the essential reserve of unexpressed self-respect) which concludes, almost too abruptly, this beguiling narrative – in all these qualities Mr Newby has delighted the heart of a man whose travelling days are done and who sees, all too often, his countrymen represented abroad by other, new and (dammit) lower types. Dear reader, if you have any softness left for the idiosyncrasies of our rough island race, fall to and enjoy this characteristic artifact. EVELYN
Eric Newby (A Short Walk in the Hindu Kush)
I suppose it means that I will be free to travel with my maid, or to live in the country while you are in town, or I may live in town while you are in the country if I wish. I mean if I find your company...er...unpleasant." "I see," Daniel said dryly. "And if we are always apart, how exactly are we to gain heirs?" "Oh." Suzette flushed. "Well, I suppose we could arrange for occasional visits for...er...procreative purposes." "Occasional visits for procreative purposes?" he achoed with disbelief, and then muttered dryly, "My, how scintillating that sounds." Suzette frowned, for really it did sound rather cold, nothing like the passionate delirium she had read about in one of Lisa's novels. But then, truthfully,she simply couldn't fathom the ecstasies described in that book. She'd never even been kissed and what if she didn't enjoy his kisses? Just because he didn't have bad breath didn't mean she would enjoy these visits she spoke of so boldly. Coming to a decision, she straightened abruptly, and said, "We must kiss." That caught his attention and he asked with amazement, "What?" "Well, we should see if we would deal well together in...er...that regard," she muttered, blushing hotly. Swallowing, she forced herself to add firmly, "You should kiss me. Then we will know." "My dear young lady," Daniel began seeming half amused and half horrified, "I really do not think-" "Oh,for pity's sake," Suzette interuppted impatiently, and then leaned forward again,this time pressing her lips to his. In her rush to get it over with, she lost her balance a bit and had to catch a hold of his jacket to steady herself as she smooshed her mouth against his. She then waited for the warm and wonderful commotion she'd read about to assault her. Unfortunately, there wasn't any commotion. Really this was no more exciting than pressing her mouth to a cup, Suzette thought with dismay, and released him to sit back again with a most disappointed sigh. "Oh dear, I fear you're no good at this." "Excuse me? I am no good at this?" Daniel asked with amazed disbelief. "My dear girl, if you think that was a kiss-" "Do stop calling me a girl," Suzette snapped a bit impatiently and got to her feet, too agitated now to sit. "You sound like you're old enough to be my father and you aren't quite that old." "Not quite that old? For pity's sake! What a charmer you are," he said with irritation, and then stood up as well and informed her with some dignity, "That was not a proper kiss." "Well if you are such an expert, why do you not show me how to do it right?" she suggested, glowering with frustration at this turn of events.
Lynsay Sands (The Heiress (Madison Sisters, #2))
The morning was already setting up to be hectic, and Jon thanked his lucky stars that Jessie was so good at his job and a constant spark-plug of activity. Oh god, you did not just think Jessie was a spark-plug? You really are getting old. Next thing you know you’ll being saying whipper-snappers and break a hip getting out of bed. He shook his head. I guess I had a good run. Jessie quickly re-entered the office. “Alright. Elisabeth has her caffeine fix and said she’ll be down to say goodbye in a few. So let’s get this bad boy going for the week. Travel plans are done for next month and meetings for the week are in you planner so I’m assuming they’ll be no more complaining about flying coach class this time?” Jessie gave a sly wink and kept organizing his desk. “Yes. And for that I thank you for that my color-coding, hyper computer organized planner. We have to make sure the next presentation for Chicago is ready in three weeks; the storyboards for the new campaign ideas have to be finished by Tuesday the 16th so we can get them shipped before I head out there.” “And let’s not forget our important morning ritual.” Jon looked at Jessie with a question about to form before the realization hit him. His expression changed from confused to stern. “No cat videos Jessie. I swear. Enough of the cat videos.” “C’mon. You know you love them and they brighten your dour moods. Look at this one.” Jessie turned his screen and Jon begrudgingly looked at the cute little puppy and kitten with captions over them. “How can you not love this?” Jessie smiled. “The cute little kitty tells the playful puppy not to do it and yet the puppy bonks the little kitty on the head with his little puppy paw. “Boop Boop.” And then the cat swipes at the puppy and it falls off the bed. You know this is internet gold.” Jon smiled. “Can we get back to work?” Jessie nodded and then walked up to Jon - without hesitating, he bonked him lightly on the head. “Boop.” He paused and added, “I think this puppy is onto something.” Jessie grinned ear to ear still. “I pledge, from now on if something makes me as happy as this bonking picture I’m just going to say Boop boop.” Jon stood stone-faced but a second later, could not stop his smile. “I am not amused.” Jon shook the smile away. “Now, if you’re done boop booping me, there is something else I want to talk with you about.” Jessie looked at Jon with a quizzical smile. “Not to blow my own horn but I have a new and brilliant thought my young apprentice.” Jessie opened his mouth to comment on the blowing horn, but Jon held up his hand and cut him off. “Stop it.” Jessie closed his mouth and swallowed the sexual innuendo-laced comment he had forming on the tip of his tongue.
Matthew Alan
Hannah Winter was sixty all of a sudden, as women of sixty are. Just yesterday - or the day before, at most - she had been a bride of twenty in a wine-coloured silk wedding gown, very stiff and rich. And now here she was, all of a sudden, sixty. (...) This is the way it happened! She was rushing along Peacock Alley to meet her daughter Marcia. Anyone who knows Chicago knows that smoke-blackened pile, the Congress Hotel; and anyone who knows the Congress Hotel has walked down that glittering white marble crypt called Peacock Alley. It is neither so glittering nor so white nor, for that matter, so prone to preen itself as it was in the hotel's palmy '90s. But it still serves as a convenient short cut on a day when Chicago's lake wind makes Michigan Boulevard a hazard, and thus Hannah Winter was using it. She was to have met Marcia at the Michigan Boulevard entrance at two, sharp. And here it was 2.07. When Marcia said two, there she was at two, waiting, lips slightly compressed. (...) So then here it was 2.07, and Hannah Winter, rather panicky, was rushing along Peacock Alley, dodging loungers, and bell-boys, and traveling salesmen and visiting provincials and the inevitable red-faced delegates with satin badges. In her hurry and nervous apprehension she looked, as she scuttled down the narrow passage, very much like the Rabbit who was late for the Duchess's dinner. Her rubber-heeled oxfords were pounding down hard on the white marble pavement. Suddenly she saw coming swiftly toward her a woman who seemed strangely familiar - a well-dressed woman, harassed-looking, a tense frown between her eyes, and her eyes staring so that they protruded a little, as one who runs ahead of herself in her haste. Hannah had just time to note, in a flash, that the woman's smart hat was slightly askew and that, though she walked very fast, her trim ankles showed the inflexibility of age, when she saw that the woman was not going to get out of her way. Hannah Winter swerved quickly to avoid a collision. So did the other woman. Next instant Hannah Winter brought up with a crash against her own image in that long and tricky mirror which forms a broad full-length panel set in the marble wall at the north end of Peacock Alley. Passerby and the loungers on near-by red plush seats came running, but she was unhurt except for a forehead bump that remained black-and-blue for two weeks or more. The bump did not bother her, nor did the slightly amused concern of those who had come to her assistance. She stood there, her hat still askew, staring at this woman - this woman with her stiff ankles, her slightly protruding eyes, her nervous frown, her hat a little sideways - this stranger - this murderess who had just slain, ruthlessly and forever, a sallow, high-spirited girl of twenty in a wine-coloured silk wedding gown.
Edna Ferber (Gigolo)
to look at Louisa, stroked her cheek, and was rewarded by a dazzling smile. She had been surprised by how light-skinned the child was. Her features were much more like Eva’s than Bill’s. A small turned-up nose, big hazel eyes, and long dark eyelashes. Her golden-brown hair protruded from under the deep peak of her bonnet in a cascade of ringlets. “Do you think she’d come to me?” Cathy asked. “You can try.” Eva handed her over. “She’s got so heavy, she’s making my arms ache!” She gave a nervous laugh as she took the parcel from Cathy and peered at the postmark. “What’s that, Mam?” David craned his neck and gave a short rasping cough. “Is it sweets?” “No, my love.” Eva and Cathy exchanged glances. “It’s just something Auntie Cathy’s brought from the old house. Are you going to show Mikey your flags?” The boy dug eagerly in his pocket, and before long he and Michael were walking ahead, deep in conversation about the paper flags Eva had bought for them to decorate sand castles. Louisa didn’t cry when Eva handed her over. She seemed fascinated by Cathy’s hair, and as they walked along, Cathy amused her by singing “Old MacDonald.” The beach was only a short walk from the station, and it wasn’t long before the boys were filling their buckets with sand. “I hardly dare open it,” Eva said, fingering the string on the parcel. “I know. I was desperate to open it myself.” Cathy looked at her. “I hope you haven’t built up your hopes, too much, Eva. I’m so worried it might be . . . you know.” Eva nodded quickly. “I thought of that too.” She untied the string, her fingers trembling. The paper fell away to reveal a box with the words “Benson’s Baby Wear” written across it in gold italic script. Eva lifted the lid. Inside was an exquisite pink lace dress with matching bootees and a hat. The label said, “Age 2–3 Years.” Beneath it was a handwritten note:   Dear Eva, This is a little something for our baby girl from her daddy. I don’t know the exact date of her birthday, but I wanted you to know that I haven’t forgotten. I hope things are going well for you and your husband. Please thank him from me for what he’s doing for our daughter: he’s a fine man and I don’t blame you for wanting to start over with him. I’m back in the army now, traveling around. I’m due to be posted overseas soon, but I don’t know where yet. I’ll write and let you know when I get my new address. It would be terrific if I could have a photograph of her in this little dress, if your husband doesn’t mind. Best wishes to you all, Bill   For several seconds they sat staring at the piece of paper. When Eva spoke, her voice was tight with emotion. “Cathy, he thinks I chose to stay with Eddie!” Cathy nodded, her mind reeling. “Eddie showed me the letter he sent. Bill wouldn’t have known you were in Wales, would he? He would have assumed you and Eddie had already been reunited—that he’d written with your consent on behalf of you both.” She was afraid to look at Eva. “What are you going to do?” Eva’s face had gone very pale. “I don’t know.” She glanced at David, who was jabbing a Welsh flag into a sand castle. “He said he was going to be posted overseas. Suppose they send him to Britain?” Cathy bit her lip. “It could be anywhere, couldn’t it? It could be the other side of the world.” She could see what was going through Eva’s mind. “You think if he came here, you and he could be together without . . .” Her eyes went to the boys. Eva gave a quick, almost imperceptible nod, as if she was afraid someone might see her. “What about Eddie?” “I don’t know!” The tone of her voice made David look up. She put on a smile, which disappeared the
Lindsay Ashford (The Color of Secrets)
Keynes was a voracious reader. He had what he called ‘one of the best of all gifts – the eye which can pick up the print effortlessly’. If one was to be a good reader, that is to read as easily as one breathed, practice was needed. ‘I read the newspapers because they’re mostly trash,’ he said in 1936. ‘Newspapers are good practice in learning how to skip; and, if he is not to lose his time, every serious reader must have this art.’ Travelling by train from New York to Washington in 1943, Keynes awed his fellow passengers by the speed with which he devoured newspapers and periodicals as well as discussing modern art, the desolate American landscape and the absence of birds compared with English countryside.54 ‘As a general rule,’ Keynes propounded as an undergraduate, ‘I hate books that end badly; I always want the characters to be happy.’ Thirty years later he deplored contemporary novels as ‘heavy-going’, with ‘such misunderstood, mishandled, misshapen, such muddled handling of human hopes’. Self-indulgent regrets, defeatism, railing against fate, gloom about future prospects: all these were anathema to Keynes in literature as in life. The modern classic he recommended in 1936 was Forster’s A Room with a View, which had been published nearly thirty years earlier. He was, however, grateful for the ‘perfect relaxation’ provided by those ‘unpretending, workmanlike, ingenious, abundant, delightful heaven-sent entertainers’, Agatha Christie, Edgar Wallace and P. G. Wodehouse. ‘There is a great purity in these writers, a remarkable absence of falsity and fudge, so that they live and move, serene, Olympian and aloof, free from any pretended contact with the realities of life.’ Keynes preferred memoirs as ‘more agreeable and amusing, so much more touching, bringing so much more of the pattern of life, than … the daydreams of a nervous wreck, which is the average modern novel’. He loved good theatre, settling into his seat at the first night of a production of Turgenev’s A Month in the Country with a blissful sigh and the words, ‘Ah! this is the loveliest play in all the world.’55 Rather as Keynes was a grabby eater, with table-manners that offended Norton and other Bloomsbury groupers, so he could be impatient to reach the end of books. In the inter-war period publishers used to have a ‘gathering’ of eight or sixteen pages at the back of their volumes to publicize their other books-in-print. He excised these advertisements while reading a book, so that as he turned a page he could always see how far he must go before finishing. A reader, said Keynes, should approach books ‘with all his senses; he should know their touch and their smell. He should learn how to take them in his hands, rustle their pages and reach in a few seconds a first intuitive impression of what they contain. He should … have touched many thousands, at least ten times as many as he reads. He should cast an eye over books as a shepherd over sheep, and judge them with the rapid, searching glance with which a cattle-dealer eyes cattle.’ Keynes in 1927 reproached his fellow countrymen for their low expenditure in bookshops. ‘How many people spend even £10 a year on books? How many spend 1 per cent of their incomes? To buy a book ought to be felt not as an extravagance, but as a good deed, a social duty which blesses him who does it.’ He wished to muster ‘a mighty army … of Bookworms, pledged to spend £10 a year on books, and, in the higher ranks of the Brotherhood, to buy a book a week’. Keynes was a votary of good bookshops, whether their stock was new or second-hand. ‘A bookshop is not like a railway booking-office which one approaches knowing what one wants. One should enter it vaguely, almost in a dream, and allow what is there freely to attract and influence the eye. To walk the rounds of the bookshops, dipping in as curiosity dictates, should be an afternoon’s entertainment.
Richard Davenport-Hines (Universal Man: The Seven Lives of John Maynard Keynes)
Sung was a land which was famous far and wide, simply because it was so often and so richly insulted. However, there was one visitor, more excitable than most, who developed a positive passion for criticizing the place. Unfortunately, the pursuit of this hobby soon lead him to take leave of the truth. This unkind traveler once claimed that the king of Sung, the notable Skan Askander, was a derelict glutton with a monster for a son and a slug for a daughter. This was unkind to the daughter. While she was no great beauty, she was definitely not a slug. After all, slugs do not have arms and legs - and besides, slugs do not grow to that size. There was a grain of truth in the traveler's statement, in as much as the son was a regrettable young man. However, soon afterwards, the son was accidentally drowned when he made the mistake of falling into a swamp with his hands and feet tied together and a knife sticking out of his back. This tragedy did not encourage the traveler to extend his sympathies to the family. Instead, he invented fresh accusations. This wayfarer, an ignorant tourist if ever there was one, claimed that the king had leprosy. This was false. The king merely had a well-developed case of boils. The man with the evil mouth was guilty of a further malignant slander when he stated that King Skan Askander was a cannibal. This was untrue. While it must be admitted that the king once ate one of his wives, he did not do it intentionally; the whole disgraceful episode was the fault of the chef, who was a drunkard, and who was subsequently severely reprimanded. .The question of the governance, and indeed, the very existence of the 'kingdom of Sung' is one that is worth pursuing in detail, before dealing with the traveler's other allegations. It is true that there was a king, his being Skan Askander, and that some of his ancestors had been absolute rulers of considerable power. It is also true that the king's chief swineherd, who doubled as royal cartographer, drew bold, confident maps proclaiming that borders of the realm. Furthermore, the king could pass laws, sign death warrants, issue currency, declare war or amuse himself by inventing new taxes. And what he could do, he did. "We are a king who knows how to be king," said the king. And certainly, anyone wishing to dispute his right to use of the imperial 'we' would have had to contend with the fact that there was enough of him, in girth, bulk, and substance, to provide the makings of four or five ordinary people, flesh, bones and all. He was an imposing figure, "very imposing", one of his brides is alleged to have said, shortly before the accident in which she suffocated. "We live in a palace," said the king. "Not in a tent like Khmar, the chief milkmaid of Tameran, or in a draughty pile of stones like Comedo of Estar." . . .From Prince Comedo came the following tart rejoinder: "Unlike yours, my floors are not made of milk-white marble. However, unlike yours, my floors are not knee-deep in pigsh*t." . . .Receiving that Note, Skan Askander placed it by his commode, where it would be handy for future royal use. Much later, and to his great surprise, he received a communication from the Lord Emperor Khmar, the undisputed master of most of the continent of Tameran. The fact that Sung had come to the attention of Khmar was, to say the least, ominous. Khmar had this to say: "Your words have been reported. In due course, they will be remembered against you." The king of Sung, terrified, endured the sudden onset of an attack of diarrhea that had nothing to do with the figs he had been eating. His latest bride, seeing his acute distress, made the most of her opportunity, and vigorously counselled him to commit suicide. Knowing Khmar's reputation, he was tempted - but finally, to her great disappointment, declined. Nevertheless, he lived in fear; he had no way of knowing that he was simply the victim of one of Khmar's little jokes.
Hugh Cook (The Wordsmiths and the Warguild)
My appreciation for order and regularity, even if it inconvenienced me, meant I never had much trouble with one of the main traditional objections to Christianity (or any religion that posits a loving God): the problem of evil - the question of how any pain and suffering could be countenanced by an all-powerful, all-good God. Consider the simpler problem of natural evils and accidents (falling masonry, flooding, car crashes, virulent flus, etc.). For God to deliver us from all natural pains, the laws of physics would have to be studded with asterisks specifying all the times that flying, twisted metal would need to flout the conservation of linear momentum to stop just short of breaking our bones. I knew what such a world would look like, for it had already been imagined in the sagas of Norse mythology. In one legend, the godling Baldr prophesies his own death, and all the other gods of the Norse pantheon try to save him. The gods and goddesses of Asgard travel the world, extracting a vow from every natural and created thing, be it bird, plant, stone, or sword, never to do Baldr any harm. Once his safety is secured, the Asgardians amuse themselves at feasts by throwing knives and other weapons at Baldr, in order to watch the objects keep their promises, defy their natures, and leave him unhurt. Blades blunt themselves, stones soften, and poison neutralizes itself, all to avoid inflicting any pain on Baldr. To preclude the problem of evil, it seemed, any god would have to give us the same guarantee afforded Baldr. The world around us would have to warp itself to shield us from the weather, from accidents, from gravity, until the laws of physics were unworthy of the name. There couldn't be scientists or empiricism in this kind of world, since the nature of matter would be too protean for us to gain intellectual purchase on. The problem of evil has always seemed to me to be the price we pay for having an intelligible world, one that we can investigate, understand, and love. If miracles were to be possible, they would have to stay below some threshold level of frequency so that they remained clear exceptions to the general course of causality (as in the case of poor, strange Baldr) instead of undoing the rule entirely.
Leah Libresco (Arriving at Amen)
But how shall an Occidental mind ever understand the Orient? Eight years of study and travel have only made this, too, more evident that not even a lifetime of devoted scholarship would suffice to initiate a Western student into the subtle character and secret lore of the East. Every chap- ter, every paragraph in this book will offend or amuse some patriotic or esoteric soul: the orthodox Jew will need all his ancient patience to forgive the pages on Yahveh; the metaphysical Hindu will mourn this superficial scratching of Indian philosophy; and the Chinese or Japanese sage will smile indulgently at these brief and inadequate selections from the wealth of Far Eastern literature and thought. Some of the errors in the chapter on Judea have been corrected by Professor Harry Wolf son of Harvard;
Will Durant
I don’t know what transgression Rava committed which, in your eyes, makes her deserving of punishment, but this is not how she should be treated during her time of grief.” “Then you had best remove her to Cokyri. I won’t release her here.” The High Priestess was not amused by Narian’s response, and she approached him, her lips compressed into a thin line. Laying a hand against the side of his head, she grasped a handful of his hair. “That is for me to decide,” she said, her voice dangerously soft. Narian pushed her hand away, and she raised a displeased eyebrow. Feeling like an intruder, I racked my brain for a way to leave, for the sake of my own comfort. “Your party was intercepted?” I asked, reminding Nantilam of my presence. “Then you were traveling here for some other reason?” “Yes,” she said, shifting her focus to me, her tone rounding into the rich, controlled cadence of a ruler. “Rava sent word to me about the festival you are hosting.” Now I wished I had not spoken. I looked to Narian for help, but he offered none, perhaps could offer none. Still, the issue needed to be addressed at some point, and she didn’t sound angry. “Yes, I am reinstating, on a smaller scale, Hytanica’s annual Harvest Festival.” “Rava wished me to put a stop to it, but I see no need to do so. I believe, along with you, that it will lift the people’s spirits. But I share Rava’s concerns about rebellion, and have come so that my presence may discourage such foolishness.” “Your presence is most welcome,” I said, relieved that she did not intend to interfere with my plans. “I’m glad you thought to come.” “Thank you, Alera,” she said, bestowing a slight smile on me as though making a point to Narian about his rudeness. She turned on her heel to go, picking up her gloves as she did so. Just before she stepped into the Hearing Hall, she spoke once more to her commander. “Narian, you will release Rava at once and escort her to my rooms.” “I won’t,” he said, a simple, firm refusal. A simple, firm refusal that merited a significant reaction. The High Priestess closed the door again and stood facing it for a long moment, then she turned toward us, her quiet anger heating the room. “You will, Narian.” “You haven’t even asked after Rava’s crimes. I will not release her, and if I see her free within the Bastion, I will personally return her to the dungeon.” “Tell me, then, what she’s done. Justify your defiance if you can.” I foresaw this battle between them growing lengthy, for neither of them was disposed on principle to give ground.
Cayla Kluver (Sacrifice (Legacy, #3))
You look... refreshed,' Lucien observed with a glance at Tamlin. I shrugged. 'Sleep well?' 'Like a babe.' I smiled at him and took another bite of food, and felt Lucien's eyes travel inexorably to my neck. 'What is that bruise?' Lucien demanded. I pointed with my fork at Tamlin. 'Ask him. He did it.' Lucien looked from Tamlin to me and then back again. 'Why does Feyre have a bruise on her neck from you?' he asked with no small amount of amusement. 'I bit her,' Tamlin said, not pausing as he cut his steak. 'We ran into each other in the hall after the Rite.' I straightened in my chair. 'She seems to have a death wise,' he went on, cutting his meat. The claws stayed retracted but pushed against the skin above his knuckles. My throat closed up. Oh, he was mad- furious at my foolishness for leaving my room- but somehow managed to keep his anger on a tight, tight leash. 'So, if Feyre can't be bothered to listen to orders, then I can't be held accountable for the consequences.' 'Accountable?' I sputtered, placing my hands flat on the table. 'You cornered me in the hall like a wolf with a rabbit!' Lucien propped an arm on the table and covered his mouth with his hand, his russet eye bright. 'While I might not have been myself, Lucien and I both told you to stay in your room,' Tamlin said, so calmly that I wanted to rip out my hair. I couldn't help it. Didn't even try to fight the red-hot temper that razed my senses. 'Faerie pig!' I yelled, and Lucien howled, almost tipping back in his chair. At the sight of Tamlin's growing smile, I left. It took me a couple of hours to stop painting little portraits of Tamlin and Lucien with pigs' features. But as I finished the last one- Two faerie pigs wallowing in their own filth, I would call it- I smiled into the clear, bright light of my private painting room. The Tamlin I knew had returned. And it made me... happy.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
You look... refreshed,' Lucien observed with a glance at Tamlin. I shrugged. 'Sleep well?' 'Like a babe.' I smiled at him and took another bite of food, and felt Lucien's eyes travel inexorably to my neck. 'What is that bruise?' Lucien demanded. I pointed with my fork at Tamlin. 'Ask him. He did it.' Lucien looked from Tamlin to me and then back again. 'Why does Feyre have a bruise on her neck from you?' he asked with no small amount of amusement. 'I bit her,' Tamlin said, not pausing as he cut his steak. 'We ran into each other in the hall after the Rite.' I straightened in my chair. 'She seems to have a death wish,' he went on, cutting his meat. The claws stayed retracted but pushed against the skin above his knuckles. My throat closed up. Oh, he was mad- furious at my foolishness for leaving my room- but somehow managed to keep his anger on a tight, tight leash. 'So, if Feyre can't be bothered to listen to orders, then I can't be held accountable for the consequences.' 'Accountable?' I sputtered, placing my hands flat on the table. 'You cornered me in the hall like a wolf with a rabbit!' Lucien propped an arm on the table and covered his mouth with his hand, his russet eye bright. 'While I might not have been myself, Lucien and I both told you to stay in your room,' Tamlin said, so calmly that I wanted to rip out my hair. I couldn't help it. Didn't even try to fight the red-hot temper that razed my senses. 'Faerie pig!' I yelled, and Lucien howled, almost tipping back in his chair. At the sight of Tamlin's growing smile, I left. It took me a couple of hours to stop painting little portraits of Tamlin and Lucien with pigs' features. But as I finished the last one- Two faerie pigs wallowing in their own filth, I would call it- I smiled into the clear, bright light of my private painting room. The Tamlin I knew had returned. And it made me... happy.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Many reasons have been put forward by sociologists, historians, and psychologists to explain the undeviating worship of group living and group thinking in America. James Bryce credited American conformity to uniform political institutions in federal, state, and municipal government. Everywhere schools, libraries, clubs, amusements, and customs were similar. "Travel where you will," he wrote, "you feel that what you have found in one place that you will find in another." Above all, there was the rapid advance in industrial science. In America, an all-powerful technology, with its standardized techniques and methods of mass production, reached its zenith. As technology attracted larger numbers of people to urban centers, and compressed them into smaller areas, community living became a necessity. This, in turn, encouraged people to co-operate, and created relationships that invite similar activities and opinions. Gradually there emerged on the American scene, against all natural development of culture and against all individual traits inherent in every man, two striking attitudes that made American conformity broader, more unyielding, and more dangerous. The first attitude, assumed by the majority, was that the act of becoming average, of being normal, was more important than that of being distinct or superior. The second attitude, also assumed by the majority, was that the state of being well adjusted to the crowd and the community was more important than that of being a unique and original human being.
Irving Wallace (The Square Pegs: Some Americans Who Dared to Be Different)
May the week end But the weekend never end
Hrishikesh Agnihotri
Lionblaze padded through the thorn tunnel into the camp and stood flexing his aching muscles. “That was a great training session,” he meowed to Blossomfall as she emerged behind him. “You certainly caught me with that backward leap and twist.” “Yeah, will you show me how to do it?” Foxleap asked as he followed Blossomfall. The young she-cat’s eyes glowed at her Clanmates’ praise and she gave her chest fur a couple of embarrassed licks. “It’s not that hard,” she murmured. “I’m sorry if I hurt you, Lionblaze.” “I’ll be fine.” Lionblaze gave her a friendly flick over her ear with the tip of his tail. “I should have been a bit quicker.” Cinderheart padded up, her eyes glimmering with amusement as her gaze traveled over Lionblaze’s ruffled pelt. “You look like you’ve been pulled through the thorn barrier backward,” she mewed. “I feel like it, too,” Lionblaze replied. “Blossomfall and Foxleap didn’t give me a chance to catch my breath. They’re turning into great fighters.
Erin Hunter (The Forgotten Warrior (Warriors: Omen of the Stars #5))
the smile she presented me with betrayed no frustration, no sense of victory or defeat, no sign of the miniature drama I’d just witnessed, and, most significantly, no invitation to share in camaraderie. It was as if the entire past had been wiped away and this moment, her smile, and her chipper “How can I help you?” might as well have been the big bang. I pulled the boarding pass from my pocket and asked about the flight. She glanced at it, typed into her terminal, its keys going clackety-clack, and as she read the screen she pursed her lips at what could not have been good news. “The delay is ongoing,” she said, “but they could clear it at any time.” I asked if she knew the cause. “Eyjafjallajökull,” she said with perfect facility. “It is acting up again. They say it won’t be as bad as April, but who can tell?” I was still trying to untangle the first word. “The volcano,” she said. Her eyes betrayed a glimmer of amusement, a perverse delight at the vicissitudes of travel, the things-which-cannot-be-changed, the fates assigned to us by the same gods who abandoned us long ago. It was the spark we see in the eyes of the patrolman shutting down the snowy pass, the local who tells you that you can’t get there from here, the mechanic who informs you that you’re not going anywhere today. She said she would be sure to make an announcement when she heard anything else. With that, our interaction was over. She reset herself for the person waiting behind me.
Antoine Wilson (Mouth to Mouth)
Bennet was delighted—he had not thought he would receive such amusement when traveling in such circumstances, but his daughter and her unacknowledged suitor were proving him incorrect! But Mr. Darcy said nothing further, requiring Bennet to prod him a little more.
Jann Rowland (Mr. Bennet Takes Charge)
-How many stories do you have to tell? - Stories? What do you mean? -How many amusing or exciting anecdotes have you lived that you'd be able to relate during an evening with friends? - I dunno. Maybe five or six. Less than ten, anyway. Why? -It's been eating at me. Claire wanted to do so much... Travel, experience news things. All I wanted was to stay home and watch tv. She told me she was bored and i'm sure she was. My life isn't exactly a thrill a minute. - In others words, what you're saying is, whoever dies with the most anecdotes, wins? Is that it? -Well, no, but if you've got a bagful of stories it means you've led a rich life, and I'm way behind on that count. - okay, but consider Hemingway. He expierenced life to the hilt, he traveled and lived all over the world, but he blew his brains out. How do you account for that? -I dunno. I guess I can't. I was just, y'know, ruminating about life and stuff.
Jason (Why Are You Doing This?)
-How many stories do you have to tell? - Stories? What do you mean? -How many amusing or exciting anecdotes have you lived that you'd be able to relate during an evening with friends? - I dunno. Maybe five or six. Less than ten, anyway. Why? -It's been eating at me. Claire wanted to do so much... Travel, experience news things. All I wanted was to stay home and watch tv. She told me she was bored and i'm sure she was. My life isn't exactly a thrill a minute. - In others words, what you're saying is, whoever dies with the most anecdotes, wins? Is that it? -Well, no, but if you've got a bagful of stories it means you've led a rich life, and I'm way behind on that count. - Okay, but consider Hemingway. He expierenced life to the hilt, he traveled and lived all over the world, but he blew his brains out. How do you account for that? -I dunno. I guess I can't. I was just, y'know, ruminating about life and stuff.
Jason (Why Are You Doing This?)
Rhys smiled a bit, but the amusement died as he said, 'Tamlin was younger than me- born when the War started. But after the War, when he'd matured, we got to know each other at various court functions. He...' Rhys clenched his jaw. 'He seemed decent for a High Lord's son. Better than Beron's brood at the Autumn Court. Tamlin's brothers were equally as bad, though. Worse. And they knew Tamlin would take the title one day. And to a half-breed Illyrian who'd have to prove himself, defend his power, I saw what Tamlin went through... I befriended him. Sought him out whenever I was able to get away from the war camps or court. Maybe it was pity, but... I taught him some Illyrian techniques.' 'Did anyone know?' ... 'Cassian and Azriel knew,' Rhys went on. 'My family knew. And disapproved.' His eyes were chips of ice. 'But Tamlin's father was threatened by it. By me. And because he was weaker than both me and Tamlin, he wanted to prove to the world that he wasn't. My mother and sister were to travel to the Illyrian war-camp to see me. I was supposed to meet them halfway, but I was busy training a new unit and decided to stay.' My stomach turned over and over and over, and I wished I had something to lean against as Rhys said, 'Tamlin's father, brothers, and Tamlin himself set out into the Illyrian wilderness, having heard from Tamlin- from me- where my mother and sister would be, that I had plans to see them. I was supposed to be there. I wasn't. And they slaughtered my mother and sister anyway.' I began shaking my head, eyes burning. I didn't know what I was trying to deny, or erase, or condemn. 'It should have been me,' he said, and I understood- understood what he'd said that day I'd wept before Cassian in the training pit. 'They put their heads in boxes and sent them down the river- to the nearest camp. Tamlin's father kept their wings as trophies. I'm surprised you didn't see them pinned in the study.' I was going to vomit; I was going to fall to my knees and weep. ... Rhys merely continued. 'When I heard, when my father heard... I wasn't wholly truthful to you when I told you Under the Mountain that my father killed Tamlin's father and brothers, I went with him. Helped him. We winnowed to the edge of the Spring Court that night, then went the rest of the way on foot- tot he manor. I slew Tamlin's brothers on sight. I held their minds, and rendered them helpless while I cut them into pieces, then melted their brains inside their skulls. And when I got to the High Lord's bedroom- he was dead. And my father... my father had killed Tamlin's mother as well.' I couldn't stop shaking my head. 'My father had promised not to touch her. That we weren't the kind of males who would do that. But he lied to me, and he did it, anyway. And then he went for Tamlin's room.' I couldn't breathe- couldn't breathe as Rhys said, 'I tried to stop him. He didn't listen. He was going to kill him, too. And I couldn't... After all the death, I was done. I didn't care that Tamlin had been there, had allowed them to kill my mother and sister, that he'd come to kill me because he didn't want to risk standing against them. I was done with death. So I stopped my father before the door. He tried to go through me. Tamlin opened the door, saw us- smelled the blood already leaking into the hallway. And I didn't even get to say a word before Tamlin killed my father in one blow.' 'I felt the power shift to me, even as I saw it shift to him. And we just looked at each other, as we were both suddenly crowned High Lord- and then I ran.' He'd murdered Rhysand's family. The High Lord I'd loved- he'd murdered his friend's family, and when I'd asked how his family died, he'd merely told me a rival court had done it. Rhysand had done it, and- 'He didn't tell you any of that.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Rhys smiled a bit, but the amusement died as he said, 'Tamlin was younger than me- born when the War started. But after the War, when he'd matured, we got to know each other at various court functions. He...' Rhys clenched his jaw. 'He seemed decent for a High Lord's son. Better than Beron's brood at the Autumn Court. Tamlin's brothers were equally as bad, though. Worse. And they knew Tamlin would take the title one day. And to a half-breed Illyrian who'd had to prove himself, defend his power, I saw what Tamlin went through... I befriended him. Sought him out whenever I was able to get away from the war camps or court. Maybe it was pity, but... I taught him some Illyrian techniques.' 'Did anyone know?' ... 'Cassian and Azriel knew,' Rhys went on. 'My family knew. And disapproved.' His eyes were chips of ice. 'But Tamlin's father was threatened by it. By me. And because he was weaker than both me and Tamlin, he wanted to prove to the world that he wasn't. My mother and sister were to travel to the Illyrian war-camp to see me. I was supposed to meet them halfway, but I was busy training a new unit and decided to stay.' My stomach turned over and over and over, and I wished I had something to lean against as Rhys said, 'Tamlin's father, brothers, and Tamlin himself set out into the Illyrian wilderness, having heard from Tamlin- from me- where my mother and sister would be, that I had plans to see them. I was supposed to be there. I wasn't. And they slaughtered my mother and sister anyway.' I began shaking my head, eyes burning. I didn't know what I was trying to deny, or erase, or condemn. 'It should have been me,' he said, and I understood- understood what he'd said that day I'd wept before Cassian in the training pit. 'They put their heads in boxes and sent them down the river- to the nearest camp. Tamlin's father kept their wings as trophies. I'm surprised you didn't see them pinned in the study.' I was going to vomit; I was going to fall to my knees and weep. ... Rhys merely continued. 'When I heard, when my father heard... I wasn't wholly truthful to you when I told you Under the Mountain that my father killed Tamlin's father and brothers, I went with him. Helped him. We winnowed to the edge of the Spring Court that night, then went the rest of the way on foot- to the manor. I slew Tamlin's brothers on sight. I held their minds, and rendered them helpless while I cut them into pieces, then melted their brains inside their skulls. And when I got to the High Lord's bedroom- he was dead. And my father... my father had killed Tamlin's mother as well.' I couldn't stop shaking my head. 'My father had promised not to touch her. That we weren't the kind of males who would do that. But he lied to me, and he did it, anyway. And then he went for Tamlin's room.' I couldn't breathe- couldn't breathe as Rhys said, 'I tried to stop him. He didn't listen. He was going to kill him, too. And I couldn't... After all the death, I was done. I didn't care that Tamlin had been there, had allowed them to kill my mother and sister, that he'd come to kill me because he didn't want to risk standing against them. I was done with death. So I stopped my father before the door. He tried to go through me. Tamlin opened the door, saw us- smelled the blood already leaking into the hallway. And I didn't even get to say a word before Tamlin killed my father in one blow.' 'I felt the power shift to me, even as I saw it shift to him. And we just looked at each other, as we were both suddenly crowned High Lord- and then I ran.' He'd murdered Rhysand's family. The High Lord I'd loved- he'd murdered his friend's family, and when I'd asked how his family died, he'd merely told me a rival court had done it. Rhysand had done it, and- 'He didn't tell you any of that.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
This is, indeed, a terrible indictment of so-called progress. The fictional aspects of Travels with Charley are noticeable on most pages, the chief of these being the use of dialogue—perhaps the most obvious of fictional techniques employed by this master novelist. Steinbeck offers a sequence of human encounters, creating characters and dialogue as a true novelist would. For instance, when he crosses the Canadian border near Niagara Falls, he has a lovely, amusing exchange with the customs officer that could easily sit in the text of a short story. Steinbeck had no tape recorder, so it’s made-up speech, based on real conversation. Nevertheless the dialogue goes on for pages, and there is a beginning, a middle, and an end. Discrete scene gives way to discrete scene in the mode of picaresque fiction invented by Cervantes, and it seems fitting that the driver of a truck called Rocinante should inhabit a similarly shaped narrative
John Steinbeck (Travels With Charley: In Search of America)