Amusement Park Quotes

We've searched our database for all the quotes and captions related to Amusement Park. Here they are! All 100 of them:

your body is not a temple, it's an amusement park. Enjoy the ride.
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
When I started on Disneyland, my wife used to say, 'But why do you want to build an amusement park? They're so dirty.' I told her that was just the point--mine wouldn't be.
Walt Disney Company
The world is like a ride in an amusement park. And when you choose to go on it you think it's real because that's how powerful our minds are. And the ride goes up and down and round and round. It has thrills and chills and it's very brightly coloured and it's very loud and it's fun, for a while. Some people have been on the ride for a long time and they begin to question: "Is this real, or is this just a ride?" And other people have remembered, and they come back to us, they say, "Hey, don't worry, don't be afraid, ever, because this is just a ride." And we kill those people.
Bill Hicks
Fang: “Let them blow up the world, and global-warm it, and pollute it. You and me and the others will be holed up somewhere, safe. We’ll come back out when they’re all gone, done playing their games of world domination." Max: “That’s a great plan. Of course, by then we won’t be able to go outside because we’ll get fried by the lack of the ozone layer. We’ll be living at the bottom of the food chain because everything with flavor will be full of mercury or radiation or something! And there won’t be any TV or cable because all the people will be dead! So our only entertainment will be Gazzy singing the constipation song! And there won’t be amusement parks and museums and zoos and libraries and cute shoes! We’ll be like cavemen, trying to weave clothes out of plant fibers. We’ll have nothing! Nothing! All because you and the kids want to kick back in a La-Z-Boy during the most important time in history!” Fang: “So maybe we should sign you up for a weaving class. Get a jump start on all those plant fibers.” Max: "I HATE YOU!!!" Fang: "NO YOU DOOOOOON'T!!" Voice: "You two are crazy about each other.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
The world is like a ride in an amusement park, and when you choose to go on it you think it's real because that's how powerful our minds are. The ride goes up and down, around and around, it has thrills and chills, and it's very brightly colored, and it's very loud, and it's fun for a while. Many people have been on the ride a long time, and they begin to wonder, "Hey, is this real, or is this just a ride?" And other people have remembered, and they come back to us and say, "Hey, don't worry; don't be afraid, ever, because this is just a ride." And we … kill those people. "Shut him up! I've got a lot invested in this ride, shut him up! Look at my furrows of worry, look at my big bank account, and my family. This has to be real." It's just a ride. But we always kill the good guys who try and tell us that, you ever notice that? And let the demons run amok … But it doesn't matter, because it's just a ride. And we can change it any time we want. It's only a choice. No effort, no work, no job, no savings of money. Just a simple choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one. Here's what we can do to change the world, right now, to a better ride. Take all that money we spend on weapons and defenses each year and instead spend it feeding and clothing and educating the poor of the world, which it would pay for many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace.
Bill Hicks
Not only did I seduce him, but I tied him up and rode him like he was my own personal amusement park ride.
Elle Kennedy (The Score (Off-Campus, #3))
Like I said before, your body is not a temple, it's an amusement park. Enjoy the ride.
Anthony Bourdain
There is a very loud amusement park right in front of my present lodgings.
Vladimir Nabokov (Pale Fire)
Karrin." She looked up at me. She looked very young somehow. "Remember what I said yesterday," I said. "You're hurt. But you'll get through it. You'll be okay." She closed her eyes tightly. "I'm scared. So scared I'm sick." "You'll get through it." "What if I don't?" I squeezed her fingers. "Then I will personally make fun of you every day for the rest of your life," I said. "I will call you a sissy girl in front of everyone you know, tie frilly aprons on your car, and lurk in the parking lot at CPD and whistle and tell you to shake it, baby. Every. Single. Day." Murphy's breath escaped in something like a hiccup. She opened her eyes, a mix of anger and wary amusement easing into them in place of fear. "You do realize I'm holding a gun, right?
Jim Butcher (Summer Knight (The Dresden Files, #4))
They conducted themselves according to the rules of behavior associated with an amusement park.
F. Scott Fitzgerald (The Great Gatsby)
I don't think anyone aims to be typical, really. Most people even vow to themselves some time in high school or college not to be typical. But still, they just kind of loop back to it somehow. Like the circular rails of a train at an amusement park, the scripts we know offer a brand of security, of predictability, of safety for us. But the problem is, they only take us where we've already been. They loop us back to places where everyone can easily go, not necessarily where we were made to go. Living a different kind of life takes some guts and grit and a new way of seeing things.
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
Far more disturbing than any spook house at an amusement park is a ride through the old hometown if you've been away for years.
Jonathan Carroll (The Marriage of Sticks (Crane's View, #2))
I realize that this is the way the world works. If I could stop the spin, stop the rotation, I would have done so long ago. I would have stopped it the first moment that Catcher's lips met mine under the moon in the amusement park. I would have held us in that eternity forever. But of course everything presses forward, even as we dig our feet against the reality of it all. One even tumbles from the next out of our control and we are dragged along, helpless.
Carrie Ryan (The Dead-Tossed Waves (The Forest of Hands and Teeth, #2))
It was a laugh that came from the tip of his toes, gaining force and soul as it traveled through his body and out into the world in mirthful bursts. There wasn't anything fake about it; it was an amusement park of a laugh, and when it appeared, you wanted to jump on board.
David Levithan (Marly's Ghost)
BDSM is like visiting a kinky Amusement Park. Once you pay the entry fee, you hop on an erotic roller coaster of deviant self-discovery. Although I have the threat of pain before me, I’m not even close to wanting to get off of this ride. It’s such a fucking thrill. Or is that a thrilling fuck? Whatever. Either way, it’s as hot as hell.
Nikki Sex (Kink (Fate #2))
Books are fun, Nicholas, he says, they're like amusement parks for readers. Yeah, well, maybe they would be fun if I got to pick the rides sometimes, you answer
Kwame Alexander (Booked (The Crossover, #2))
When you keep hitting walls of resistance in life, the universe is trying to tell you that you are going the wrong way. It's like driving a bumper car at an amusement park. Each time you slam into another car or the edge of the track, you are forced to change direction.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
To Cam surprise, she was smiling up at him steadily, her eyes midnight. His expression turned quizzical. "What's so amus­ing?" Amelia toyed with a button on his coat. "I was just thinking . . . tonight those two old hens will probably go to their beds, cold and alone." An impish grin curved her lips. "Whereas I will be with a wicked, handsome Rom who will keep me warm all night.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
I like these boots," I told Vayl. "Do you think they'd sell them to me cheap? I keep ruining mine." "Since when do you fret over money?" he asked with amusement. "I was not even sure you knew what to do with it." I shrugged. "A women has needs." "Still." said Cole. "Gosh, Jaz, why didn't you say something to me? I'd never let you suffer.
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
The photograph is in my hand. It is the photograph of a man and a woman. They are at an amusement park, in 1959. [...] I'm tired of looking at the photograph now. I open my fingers. It falls to the sand at my feet. I am going to look at the stars. They are so far away, and their light takes so long to reach us... All we ever see of stars are their old photographs. [...] It's October, 1985. I'm basking in the two-million-year-old light of Andromeda. I can see the supernova that Ernst Hartwig discovered in 1885, a century ago. It scintillates, a wink intended for the Trilobites, all long dead. Supernovas are where gold forms; the only place. All gold comes from supernovas.
Alan Moore (Watchmen)
Like cars in amusement parks, our direction is often determined through collisions.
Yahia Lababidi (Signposts to Elsewhere)
Normal and I parted ways when Patch strolled into my life. Patch has seven inches on me, operates on cold, hard logic, moves like smoke, and lives alone in a supersecret, superswanky studio beneath Delphic Amusement Park. The sound of his voice, low and sexy, can melt my heart in three seconds flat. He’s also a fallen angel, kicked out of heaven for his flexibility when it comes to following rules. I personally believe Patch scared the pants off normal, and it took off running for the far side of the world.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
Old lady, if I die I'd like you to do one small thing for me. I want you to build a one-hundred-acre museum dedicated to my memory. Bronze my clothing and possessions. Have at least three hundred marble statues erected of me in my most dashing poses. One of these statues should stand one hundred feet tall and greet ships as they float down the Hudson River. One of the fourteen wings of the museum should have an amusement park with the world's fastest roller coaster inside. None of these rides should be equipped with safety devices. You can license some of the space to fast-food restaurants and ice-cream parlors but nothing should be healthy or nutritious. The gift shop should sell stuffed Puck dolls packed with broken glass and asbestos. There's a more detailed list in my room." Puck saidduble
Michael Buckley (Sisters Grimm Books 1, 2, and 3 Three-Pack (The Sisters Grimm, #1-3))
He was here once before but that was in a different lifetime, when wonders were rare and announced—like amusement parks or school trips. Now they are everywhere, for the delectation of those among the survivors who might be hunters of miracles. And the beauty he looks over is fathomable only by a girl who would have felt the measure of it as deep as to her dazzled soul.
Alden Bell (The Reapers are the Angels (Reapers, #1))
But all that's hugely unlikely -- with the exception of mosquito bites and sunburn. And yet even experienced travelers are still afraid. "What everyone forgets -- even me -- is the people who actually live here. In places like Central America, I mean. Southeast Asia. India. Africa. Millions, even billions, of people, who live out their whole lives in these places -- the places so many people like us fear. Think about it: they ride chicken buses to work every day. Their clothes are always damp. Their whole lives, they never escape the dust and the heat. But they deal with all these discomforts. They have to. "So why can't travelers? If we've got the means to get here, we owe it to the country we're visiting not to treat it like an amusement park, sanitized for our comfort. It's insulting to the people who live here. People just trying to have the best lives they can, with the hands they've been dealt.
Kirsten Hubbard (Wanderlove)
One thing which even the most seasoned and discerning masters of the art of choice do not and cannot choose, is the society to be born into - and so we are all in travel, whether we like it or not. We have not been asked about our feelings anyway. Thrown into a vast open sea with no navigation charts and all the marker buoys sunk and barely visible, we have only two choices left: we may rejoice in the breath-taking vistas of new discoveries - or we may tremble out of fear of drowning. One option not really realistic is to claim sanctuary in a safe harbour; one could bet that what seems to be a tranquil haven today will be soon modernized, and a theme park, amusement promenade or crowded marina will replace the sedate boat sheds. The third option not thus being available, which of the two other options will be chosen or become the lot of the sailor depends in no small measure on the ship's quality and the navigation skills of the sailors. Not all ships are seaworthy, however. And so the larger the expanse of free sailing, the more the sailor's fate tends to be polarized and the deeper the chasm between the poles. A pleasurable adventure for the well-equipped yacht may prove a dangerous trap for a tattered dinghy. In the last account, the difference between the two is that between life and death.
Zygmunt Bauman (Globalization: The Human Consequences)
She’d heard my theory on funnel cake and celery stalker men before. Most men were either like funnel cake: delicious and interesting, but who at the end of the day just aren’t good for the heart or complexion. Or they were celery: a sensible, healthy choice that didn’t really bring much to the table but an occasional crunch. If you OD on celery, you end up bingeing on cake behind closed doors. Funnel cake, while warm and delicious, is difficult to make. But you go there because you long for it like the double-twist stomach-dropping roller coaster as soon as you arrive at the amusement park. Wet ribbons of batter crackle and pop until golden and crisp, yielding in the center. The steamy swirls of tender yellow dough absorb confectioners’ sugar like pores. When the luxurious fat melts on your tongue, you exhale. You’ve got sticky batter, dribbling down spouts, leaving rings on your clean countertops, splattering oil growing darker and beginning to smoke. Layers of paper towels and oil-draining weapons clutter your space. With funnel cake, you’ve got steps to follow. Procedures. Rules. No one makes rules about celery. It’s always around for the snacking. You choose it when you’re dieting or trying not to consume too many wings over football. Come to think of it, you don’t even bother eating it when you diet. Instead it’s a conduit for blue cheese. You use it to make stocks and stuffing. It becomes filler, pantry almost.
Stephanie Klein (Straight Up and Dirty)
Once Dad took us to an amusement park in Oregon. Before I ever manifested. I plummeted twenty stories on a drop ride. Totally helpless to gravity. Unable to fly, to save myself ... I feel that same helpless terror now. Because nothing I say will divert Mom off her present course. Nothing will make her realize what she's doing to me. I'm falling. And this time nothing will save me. No mechanical device will work its wonder and jerk me back at the last minute. But she does realize, a small voice whispers through me. That's why she's doing it. That's why she brought you here. She wants me to hit ground.
Sophie Jordan (Firelight (Firelight, #1))
Generally speaking, though, Americans have an inability to relax into sheer pleasure. Ours is an entertainment-seeking nation, but not necessarily a pleasure-seeking one. Americans spend billions to keep themselves amused with everything from porn to theme parks to wars, but that's not exactly the same thing as quiet enjoyment. Americans work harder and longer and more stressful hours than anyone in the world today. But...we seem to like it. Alarming statistics back this observation up, showing that many Americans feel more happy and fulfilled in their offices than they do in their own homes. Of course, we all inevitably work too hard, then we get burned out and have to spend the whole weekend in our pajamas, eating cereal straight out of the box and staring at the TV in a mild coma (which is the opposite of working, yes, but not exactly the same thing as pleasure). Americans don't really know how to do NOTHING. This is the cause of that great sad American stereotype-the overstressed executive who goes on vacation but who cannot relax.
Elizabeth Gilbert (Eat, Pray, Love)
Fangs in an amusement park were just bad form.
Candace Havens (Take It Like a Vamp (Take It Like a Vamp, #1))
What’s a self-respecting amusement park without a ghost?
Stephen King (Joyland)
The universe is a gigantic amusement park in which we can have a ride or two.
Stefan Emunds (A Modern Crash Course in Spirituality)
The modern world is severely lacking in magic, and those who crave it are at a constant disadvantage because they are desperate and it’s in short supply. Some places—amusement parks, country fairs, museums, old bookstores—can temporarily fill the void, but there will always be people who check every armoire for a door to Narnia, every rabbit hole for a road to Wonderland.
Delilah S. Dawson (Bloom)
Pick someplace that you could actually get to without building a spaceship.” Six asks I think it over for a moment. “I don’t know. Disney World?” Six and Sarah both exchange a look and then start laughing. “Disney World?” exclaims Six. “You’re so cheesy, John.” “No, it’s sweet,” says Sarah, patting my hand. “It’s the most magical place on Earth.” “You know, I’ve never actually been on a roller coaster. Henri wasn’t down with the whole amusement-park thing. I used to see the commercials and I always wanted to go.” “That’s so sad!” exclaims Sarah. “We’re definitely going to get you to Disney World. Or at least on a roller coaster. They’re amazing.” Six snaps her fingers. “What’s that one ride? It’s supposed to be like a rocket ship?” “Space Mountain,” answers Sarah. “Yeah,” replies Six, and then hesitates as if she’s worried she’s about to divulge too much. “I actually remember looking that up online when I was little. I insisted to Katarina that it had something to do with us.” The thought of a young Six investigating Disney World is priceless. The three of us share a laugh. “Aliens,” mutters Sarah jokingly. “You need to get out more.
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
The actual cabin fell into disrepair probably before Lincoln became president. According to research by D. T. Pitcaithley, the new cabin, a hoax built in 1894, was leased to two amusement park owners, went to Coney Island, where it got commingled with the birthplace cabin of Jefferson Davis (another hoax), and was finally shrunk to fit inside a marble pantheon in Kentucky, where, reassembled, it still stands.
James W. Loewen (Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong)
life was not a joyride at an amusement park. It was a deadly serious affair and only through a combination of solid values, self-control, and a steady commitment to a worthwhile goal was there a chance to achieve happiness.
Arthur C. Clarke (Rama II (Rama, #2))
I’m sure that hasn’t changed and he’s still about as exciting as a kiddie roller coaster.” And seeing as how Cat typically selected vacation destinations based on the proximity of the best amusement park, this was the highest of insults.
Christine Bell (Down and Dirty (Dare Me, #2))
The finest things I have seen are dead places: a shuttered amusement park I entered by bribing a night watchman with the price of a drink; an abandoned barn in which, the farmer said, half a dozen bigfoots had been living the summer before.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Electric cars may be fun at amusement parks, where they don’t have to go very far or very fast. But if the consuming public wanted electric cars for regular use, Detroit would be manufacturing them by the millions. Only people infatuated with their own wonderful specialness would think that their job is to coerce both the manufacturers and the consuming public into something that neither of them wants.
Thomas Sowell (Controversial Essays)
It's difficult to spend time in any carnival or amusement park and not realize that a repressed fear of death may be the one emotion that is constant in the human heart even if, most of the time, it is confined to the unconscious as we go about our business. Thrill rides offer us a chance to acknowledge our ever-present dread, to release the tension that arises from repression of it, and to subtly delude ourselves with the illusion of invulnerability that surviving the Big Drop can provide.
Dean Koontz (Saint Odd (Odd Thomas, #7))
But where will this mania for entertainment end? What will people do when they get tired of television? When they get tired of movies? We already know the answer—they go into participatory activities: sports, theme parks, amusement rides, roller coasters. Structured fun, planned thrills. And what will they do when they tire of theme parks and planned thrills? Sooner or later, the artifice becomes too noticeable. They begin to realize that an amusement park is really a kind of jail, in which you pay to be an inmate. ‘This artifice will drive them to seek authenticity. Authenticity will be the buzzword of the twenty-first century. And what is authentic? Anything that is not devised and structured to make a profit. Anything that is not controlled by corporations. Anything that exists for its own sake and assumes its own shape. But of course, nothing in the modern world is allowed to assume its own shape. The modern world is the corporate equivalent of a formal garden, where everything is planted and arranged for effect. Where nothing is untouched, where nothing is authentic.
Michael Crichton (Timeline)
You know, having a panic attack feels like you're collapsing, like your organs are rebelling against you, and that you'd throw them up. It's like you're on a swing ride in an amusement park. At first, you're there waiting for things to happen, and for gravity to mess up with you. After a while of waiting, it starts working, and slowly you're reaching a frightening height. And it's not like you have phobia, but you certainly feel things as your chest starts tightening, you think it’d explode. Then, it's swinging and you just want to scream or jump or whatever, but you can't do that. You're tied and scared and there is no way you'd reach a solid ground.
Nesrine BENAHMED (Metanoia: Different shades of life)
No, we love war. War. Starvation. Plague. They fast-track us to enlightenment. “It's the mark of a very, very young soul,” Mr. Whittier used to say, “to try and fix the world. To try and save anyone from their ration of misery.” We have always loved war. We are born knowing that war is why we're here. And we love disease. Cancer. We love earthquakes. In this amusement-park fun house we call the planet earth, Mr. Whittier says we adore forest fires. Oil spills. Serial killers.
Chuck Palahniuk (Haunted)
From age sixteen to age twenty, a woman's body is a temple. From twenty-one to forty-five, it's an amusement park. From forty-five on, it's a terrarium.
Gina Barreca ("If You Lean In, Will Men Just Look Down Your Blouse?": Questions and Thoughts for Loud, Smart Women in Turbulent Times)
Dear Dad: After twenty-two years in the amusement park, this roller coaster isn’t fun any more, so I’m getting off the ride. Roger
Roger Kahn (Into My Own: The Remarkable People and Events that Shaped a Life)
Yo mama is so fat… when she goes to an amusement park, people try to ride her!
Johnny B. Laughing (Yo Mama Jokes Bible: 350+ Funny & Hilarious Yo Mama Jokes)
There are even some stars so remote that their light will reach the Earth only when Earth itself is a dead planet, as they themselves are dead, so that the living Earth will never be visited by that forlorn ray of light, without a living source, without a living destination. Often on fine nights when the park of this establishment is vacant, I amuse myself with this marvelous instrument (telescope). I go upstairs, walk across the grass, sit on a bench in the Avenue of Oaks – and there, in my solitude, I enjoy the pleasure of weighing the rays of dead stars.
Auguste de Villiers de l'Isle-Adam (Tomorrow's Eve)
Ingeniously as their parents and teachers may attempt to protect the young from being drawn, to their detriment, into the moronic amusement park that is now universal, the preponderance of the power is not with them.
Philip Roth
Disney reconceptualized the amusement park as a full imaginative experience, a theme park, rather than a series of diversions, and just as his animation revised graphic design, his park eventually revised urban design.
Neal Gabler (Walt Disney)
Everyone scoffed when the governor first announced plans for an amusement park that could gently end children’s pain—roller coasters capable of lulling their passengers into unconsciousness before stopping their hearts.
Sequoia Nagamatsu (How High We Go in the Dark)
What kind of world have we built when it is more acceptable to ask for sex than a cuddle session? … Have we so stripped our sexuality of inherent value that it becomes the sacrificial lamb on the altar of connection, because everything else is too precious to risk? I'm the first one to say that my body is an amusement park, and I like to have fun with it – and let other people ride it – but there is still a divinity in it. It is no less precious than our fears, our smiles, our hopes, our tears. And this goes not just for women, but for all people. I've known men and dominants who felt they could be vulnerable only during sex, and so they would ask for that instead of talking about what was bothering them, or even simply as a distraction from their own thoughts and troubles.
Kacie Cunningham (Conquer Me: Girl-To-Girl Wisdom About Fulfilling Your Submissive Desires)
Outraged at having the site of the tragedy transformed into what one observer called a “mass murder amusement park,” an angry mob tore down the barricade, “and everyone was then free to visit the death spot without charge or restraint.
Harold Schechter (Psycho USA: Famous American Killers You Never Heard Of)
The world is like a ride in an amusement park, and when you choose to go on it you think it's real because that's how powerful our minds are. The ride goes up and down, around and around, it has thrills and chills, and it's very brightly colored, and it's very loud, and it's fun for a while. Many people have been on the ride a long time, and they begin to wonder, "Hey, is this real, or is this just a ride?" And other people have remembered, and they come back to us and say, "Hey, don't worry; don't be afraid, ever, because this is just a ride." And we … kill those people. "Shut him up! I've got a lot invested in this ride, shut him up! Look at my furrows of worry, look at my big bank account, and my family. This has to be real." It's just a ride. But we always kill the good guys who try and tell us that, you ever notice that? And let the demons run amok … But it doesn't matter, because it's just a ride. And we can change it any time we want. It's only a choice. No effort, no work, no job, no savings of money. Just a simple choice, right now, between fear and love.
Bill Hicks
We proclaimed the freedom of the individual, bought and drove millions of cars to prove it, built more roads for the cars to drive on so we could go the everywhere that was nowhere. We watered our lawns, we washed our cars, we gulped plastic bottles of water to stay hydrated in our dehydrated land, we put up water parks. We built temples to our fantasies--film studios, amusement parks, crystal cathedrals, megachurches--and flocked to them. We went to the beach, rode the waves, and poured our waste into the water we said we loved. We reinvented ourselves every day, remade our culture, locked ourselves in gated communities, we ate healthy food, we gave up smoking, we lifted our faces while avoiding the sun, we had our skin peeled, our lines removed, our fat sucked away like our unwanted babies, we defied aging and death. We made gods of wealth and health. A religion of narcissism. In the end, we worshipped only ourselves. In the end, it wasn't enough.
Don Winslow (Savages (Savages #2))
I say that almost everywhere there is beauty enough to fill a person's life if one would only be sensitive to it. but Henry says No: that broken beauty is only a torment, that one must have a whole beauty with man living in relation to it to have a rich civilization and art. . . . Is it because I am a woman that I accept what crumbs I may have, accept the hot-dog stands and amusement parks if I must, if the blue is bright beyond them and the sunset flushes the breasts of sea birds?
Elizabeth Coatsworth (Personal Geography: Almost an Autobiography)
Then solar systems, galaxies, supernovas, infinite space itself will become elements of a final masterwork--a never-ending festival, a celestial amusement park in which every exploding star and spinning electron is part of the empyreal choreography.
Steven Millhauser (Dangerous Laughter)
I am drawn to Tom Sawyer Island because a tribute to Mark Twain would not be out of place in a theme park of my own design. Should Vowell World ever get enough investors, I'm going to stick my Tom Sawyer Island in Love and Death in the American Novel Land right between the Jay Gatsby Swimming Pool and Tom Joad's Dust Bowl Lanes, a Depression-themed bowling alley renting artfully worn-out shoes.
Sarah Vowell (Take the Cannoli)
Mary liked to arrange picnics with the kids, and we’d take them to the Willow Grove Amusement Park. I wasn’t always running. When they were smaller I used to take them out. I was very close to Peggy, but she doesn’t talk to me any more, not since Jimmy disappeared. The
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
When John took those naked pictures, the most popular singer was a girl with a tiny stick body and a large deferential head, who sang in a delicious lilt of white lace and promises and longing to be close. When she shut herself up in her closet and starved herself to death, people were shocked. But starvation was in her voice all along. That was the poignancy of it. A sweet voice locked in a dark place, but focused entirely on the tiny strip of light coming under the door. I drop the rag in the bucket and smoke some more, ashing into the sink,. A tiny piece of the movie from the naked time plays on my eyeball: A psychotic killer is blowing up amusement parks. At the head of the crowd clamoring to ride the roller coaster is a slim, lovely man with long blond hair and floppy clothes and big, beautiful eyes fixed on a tiny strip of light that only he can see.
Mary Gaitskill
Boys are rewarded for playing games where they line up by height and then run into walls. Perhaps I'm making that up--or perhaps you should do a Google search for "Guy Runs into Wall for Fun." Not only do women hold up half the sky; we do it while carrying a 500-pound purse. From age sixteen to age twenty, a woman's body is a temple. From twenty-one to forty-five, it's an amusement park. From forty-five on, it's a terrarium. Bring your sense of humor with you at all times. Bring your friends with a sense of humor. If their friends have a sense of humor, invite them, too
Gina Barreca ("If You Lean In, Will Men Just Look Down Your Blouse?": Questions and Thoughts for Loud, Smart Women in Turbulent Times)
Like the careful attention to the field of vision and landscape in pleasure gardens the tower uses vision as an apparatus to generate amusement, but it does so with a twist. By merging height and field of vision the Iron Tower allows the amusement patron to see everything that is happening below. Just
Scott A. Lukas (Theme Park (Objekt))
Being afraid's not always bad." he said gently. "It can keep you moving forward. It can help you get things done." The silence between us was different than any silence I'd known before, full and warm and waiting. "What are you afraid of?" I dared to ask. There was a flicker of surprise in his eyes, as if it were something he'd never been asked before. For a moment I thought he wouldn't answer. But he let out a slow breath, and his gaze left mine to sweep across the trailer park. "Staying here." he finally said. "Staying until I'm not fit to belong anywhere else." "Where do you want to belong?" I half whispered. His expression changed with quicksilver speed, amusement dancing in his eyes. "Anywhere they don't want me.
Lisa Kleypas (Sugar Daddy (Travises, #1))
Are you saying the end of human suffering began with an amusement park?” “I’m saying the end of human suffering is a myth.” “But everyone’s happy.” “You think that just because a person doesn’t question the way the system works that means they agree with it? And if they do agree that must mean they’re happy? Are you happy?
T.S. Welti (Darklandia)
Beyond it was the entrance to Bell’s Amusement Park. That adjunct to the Tulsa State Fair is gone now, but in September of 1992, Bell’s was blasting away full force. Both roller coasters—the wooden Zingo and the more modern Wildcat—were whirling and twirling, trailing happy screams behind each hairpin turn and suicidal plunge.
Stephen King (Revival)
I've never understood white people who can't admit they're white. I mean, white isn't just a color. And maybe that's the problem for them. White is a passport. It's a ticket. The world is a white amusement park and your white skin buys you into it. A woman in economy argued with me about this once. She said, "I've heard this idea and it makes me uncomfortable." "It probably should," I said. Dad and I have been broke since he got cancer and sometimes he can't put the heat on over sixty-two or put food in the fridge, but we were always white and he always made sure I knew that. Which sounds stupid because how can a person not know they're white, right? You don't have to be racist to not know you're white. But sometimes you do. And Marla has no idea she's white or that the whole world was made for people like her.
A.S. King (Dig)
The photograph is in my hand. It is the photograph of a man and a woman. They are at an amusement park, in 1959. In twelve seconds time, I drop the photograph to the sand at my feet, walking away. It’s already lying there, twelve seconds into the future. Ten seconds now. The photograph is in my hand. I found it in a derelict bar at the gila flats test base, twenty-seven hours ago. It’s still there, twenty-seven hours into the past, in its frame, in the darkened bar. I’m still there, looking at it. The photograph is in my hand. The woman takes a piece of popcorn between thumb and forefinger. The ferris wheel pauses. Seven seconds now. It’s October, 1985. I’m on Mars. It’s July, 1959. I’m in New Jersey, at the Palisades Amusement Park. Four seconds, three. I’m tired of looking at the photograph now. I open my fingers. It falls to the sand at my feet. I am going to look at the stars. They are so far away. And their light takes so long to reach us… All we ever see of stars are their old photohraphs.
Alan Moore (Watchmen)
Life is like an amusement park. You don't go to an amusement park to become a better person. You go to an amusement park to ride the rides.
Samantha Standish (You're Equal: The antidote to hierarchy and narcissism. An elucidation of the mechanics of equality.)
You know, it's such a peculiar thing--our idea of mankind in general. We all have a sort of vague, glowing picture when we say that, something solemn, big and important. But actually all we know of it is the people we meet in our lifetime. Look at them. Do you know any you'd feel big and solemn about? There's nothing but housewives haggling at pushcarts, drooling brats who write dirty words on the sidewalks, and drunken debutantes. Or their spiritual equivalent. As a matter of fact, one can feel some respect for people when they suffer. They have a certain dignity. But have you ever looked at them when they're enjoying themselves? That's when you see the truth. Look at those who spend the money they've slaved for--at amusement parks and side shows. Look at those who're rich and have the whole world open to them. Observe what they pick out for enjoyment. Watch them in the smarter speak-easies. That's your mankind in general. I don't want to touch it.
Ayn Rand
I thought it was no wonder Wendy had dumped me. Her new boyfriend went to Dartmouth and played lacrosse. Her old one was spending the summer in a third-tier amusement park. Where he played a dog.
Stephen King (Joyland)
She had never heard the word 'intellectual' used as a noun before she went to Barnard, and she took it to heart. It was a brave noun, a proud noun, a noun suggesting lifelong dedication to lofty things and a cool disdain for the commonplace. An intellectual might lose her virginity to a soldier in the park, but she could learn to look back on it with wry, amused detachment. An intellectual might have a mother who showed her underpants when drunk, but she wouldn't let it bother her. And Emily Grimes might not be an intellectual yet, but if she took copious notes in even the dullest of her classes, and if she read every night until her eyes ached, it was only a question of time.
Richard Yates (The Easter Parade)
In October, in executive session in New York City, Chief Frank Borrell was called to testify and among other things explain how he came by his rich bank account balance—about eighty thousand; he couldn’t recall exactly—on a police chief’s salary. Borrell claimed it was income from his concessions at Palisades Amusement Park. And even after the committee had heard vast amounts of testimony about Frank Erickson’s illegal bookmaking network in Cliffside Park, Borrell insisted, “I can’t say there is any gambling in Cliffside,” and that he had never had to make a gambling arrest in his town.
Alan Brennert (Palisades Park)
Hamas repeatedly and continually used protected civilian sites for military attacks, rendering them legitimate military targets. An IDF study shows that Hamas fired rockets from amusement parks, first aid stations, U.N. facilities, playgrounds, hospitals, medical clinics, and schools.28 Consequently, Hamas, not Israel, is the party committing war crimes. Incidental or collateral damage on both sides
Jay Sekulow (Rise of ISIS: A Threat We Can't Ignore)
Department stores, hotels, and amusement parks began to dot the landscape, and by World War I, buying was seen as the road to happiness. Money became the measure of everything, friendship and religion included.
Morris Berman (The Twilight of American Culture)
An intellectual might lose her virginity to a soldier in the park, but she could learn to look back on it with wry, amused detachment. An intellectual might have a mother who showed her underpants when drunk, but she wouldn't let it bother her. And Emily Grimes might not be an intellectual yet, but if she took copious notes in even the dullest of her classes, and if she read every night until her eyes ached, it was only a question of time.
Richard Yates
It feels like getting to an amusement park and finding out they're filled to capacity and you can't get in. It feels like someone just told me Santa isn't real before I was ready. It feels like it's raining inside my heart.
Jana Aston (Good Girl (Vegas Billionaires, #1))
Up until 1950 most families’ discretionary income did not cover much more than an occasional meal away from home; a beer or two after work; a weekly trip to the movies, amusement park, or beach; and perhaps a yearly vacation, usually spent at the home of relatives. Few households had washing machines and dryers. Refrigerators had only tiny spaces for freezing ice and had to be defrosted at least once a week. Few houses had separate bedrooms for all the children.
Stephanie Coontz (Marriage, a History: From Obedience to Intimacy)
I have decided there needs to be a rulebook on amusement park etiquette. And who better to write it than me? I have been to parks more times than I can count. And, let’s face it – if more people took my advice, the world would be closer to peace.
Paula Heller Garland
As a matter of fact, one can feel some respect for people when they suffer. They have a certain dignity. But have you ever looked at them when they’re enjoying themselves? That’s when you see the truth. Look at those who spend the money they’ve slaved for—at amusement parks and side shows. Look at those who’re rich and have the whole world open to them. Observe what they pick out for enjoyment. Watch them in the smarter speak-easies. That’s your mankind in general. I don’t want to touch it.
Ayn Rand (The Fountainhead)
He half-turned in his seat and her breath caught. He was laughing. And she was falling, into dark eyes brightened with amusement and a handsome face transformed by wry humor. What a difference it made in him. He'd been compelling before. He made her blood heat now.
Deb Marlowe (A Waltz in the Park (Half Moon House #1.8))
And here in this other realm she looms over him, vast and sprawling, wildly patchwork and dense. Not just older and bigger. Stronger in many ways: her arms and core are thick with muscled neighborhoods that each have their own rhythms and reputations. Williamsburg, Hasidim enclave and artist haven turned hipster ground zero. Bed Stuy (do or die). Crown Heights, where now the only riots are over seats at brunch. Her jaw is tight with the stubborn ferocity of Brighton Beach's old mobsters and the Rockaways' working-class holdouts against the brutal inevitability of rising seas. But there are spires at Brooklyn's heart, too- perhaps not as grand as his own, and maybe some of hers are actually the airy, fanciful amusement-park towers of Coney Island- but all are just as shining, just as sharp.
N.K. Jemisin (The City We Became (Great Cities, #1))
On either side of them the essence of honky tonk beach resort had now enclosed them: gas stations, fried clam stands, Dairy Treets, motels painted in feverish pastel colors, mini golf. Larry was drawn two painful ways by these things. Part of him clamored at their sad and blatant ugliness and at the ugliness of the minds that had turned this section of a magnificent, savage coastline into one long highway amusement park for families in station wagons. But there was a more subtle, deeper part of him that whispered of the people who had filled these places and this road during other summers. Ladies in sunhats and shorts too tight for their large behinds. College boys in red and black striped rugby shirts. Girls in beach shifts and thong sandals. Small screaming children with ice cream spread over their faces. They were American people, and there was a kind of dirty, compelling romance about them whenever they were in groups never mind if the group was in an Aspen ski lodge or performing their prosaic/ arcane rites of summer along Route 1 in Maine. And now all these Americans were gone.
Stephen King (The Stand)
Taken together, the narratives of how the animals ended up at Lowry Park revealed as much about Homo sapiens as they revealed about the animals themselves. The precise details—how and where each was born, how they were separated from their mothers and taken into custody, all they had witnessed and experienced on their way to becoming the property of this particular zoo—could have filled an encyclopedia with insights into human behavior and psychology, human geopolitics and history and commerce. Lowry Park’s very existence declared our presumption of supremacy, the ancient belief that we have been granted dominion over other creatures and have the right to do with them as we please. The zoo was a living catalogue of our fears and obsessions, the ways we see animals and see ourselves, all the things we prefer not to see at all. Every corner of the grounds revealed our appetite for amusement and diversion, no matter what the cost. Our longing for the wildness we have lost inside ourselves. Our instinct to both exalt nature and control it. Our deepest wish to love and protect other species even as we scorch their forests and poison their rivers and shove them toward oblivion. All of it was on display in the garden of captives.
Thomas French (Zoo Story: Life in the Garden of Captives)
When he was present she had no eyes for any one else. Every thing he did, was right. Every thing he said, was clever. If their evenings at the park were concluded with cards, he cheated himself and all the rest of the party to get her a good hand. If dancing formed the amusement of the night, they were partners for half the time; and when obliged to separate for a couple of dances, were careful to stand together and scarcely spoke a word to any body else. Such conduct made them of course most exceedingly laughed at; but ridicule could not shame, and seemed hardly to provoke them.
Jane Austen (Sense and Sensibility)
Hiro walks straight through the display, and it vanishes. Amusement parks in the Metaverse can be fantastic, offering a wide selection of interactive three-dimensional movies. But in the end, they’re still nothing more than video games. Hiro’s not so poor, yet, that he would go and write video games for this company. It’s owned by the Nipponese, which is no big deal. But it’s also managed by the Nipponese, which means that all the programmers have to wear white shirts and show up at eight in the morning and sit in cubicles and go to meetings. When Hiro learned how to do this, way back fifteen years ago, a hacker could sit down and write an entire piece of software by himself. Now, that’s no longer possible. Software comes out of factories, and hackers are, to a greater or lesser extent, assembly-line workers. Worse yet, they may become managers who never get to write any code themselves.
Neal Stephenson (Snow Crash)
I have formed my plan, and am determined to enter on a course of serious study. Our own library is too well known to me, to be resorted to for any thing beyond mere amusement. But there are many works well worth reading at the Park; and there are others of more modern production which I know I can borrow of Colonel Brandon. By reading only six hours a-day, I shall gain in the course of a twelve-month a great deal of instruction which I now feel myself to want.” Elinor
Jane Austen (Sense and Sensibility)
Dr. King spoke of how his daughter longed to visit the amusement park on Stewart Avenue in Atlanta. Yolanda begged her parents whenever she spotted the big sign from the expressway or the commercials came on TV. Dr. King had to tell her in his low, sad rumble about the segregation system that kept colored boys and girls on the other side of the fence. Explain the misguided thinking of some whites—not all whites, but enough whites—that gave it force and meaning. He counseled his daughter to resist the lure of hatred and bitterness and assured her that “Even though you can’t go to Fun Town, I want you to know that you are as good as anybody who goes into Fun Town.
Colson Whitehead (The Nickel Boys)
It should be illegal for a woman to look as good as you do.” “Really?” She peered down at herself again, but saw nothing all that spectacular. “I’m glad you like it.” “I love it. I love you.” He dug in his pocket. “When I left today, it was for this.” Speechless, Priss watched as he opened a now-wet jeweler’s box. Inside, securely nestled in velvet, was a beautiful diamond engagement ring. Her heart nearly stopped. “I wanted it to be a surprise.” There were no words. Her eyes suddenly burned and her throat went tight. Trace took her hand and slipped the ring on her finger. The fit was perfect, but then, anything Trace did, he did right. “Priss?” Using the edge of his fist, he lifted her chin. “We’ve been to movies and plays, to small diners and fancy restaurants. I’ve taken you dancing and hiking, to the amusement park and the zoo.” Sounding like a choked frog, Priss said, “All the things I never got to do growing up.” “But there’s so much more, honey.” He moved wet tendrils of hair away from her face and over her shoulder. “I was trying to give you time to enjoy it all.” “No!” Priss did not want him second-guessing his intent. “I don’t need any more time. Really I don’t.” Both still very attentive, Matt and Chris snickered. Trace just smiled at her. Closing her hand into a fist, she held the ring tight. “All I need, all I want, is you.” “Glad to hear it, because I’m not an overly patient guy. Hell, I think I knew you were the one the day you showed up in Murray’s office.” He kissed the tip of her nose, her lips, her chin. “You were so damned outrageous, and so pushy, that you scared me half to death.” “You felt me up,” Priss reminded him. “But that was a first for me, too.” “I remember it well.” He treated her to a deeper kiss, and ended it with a groan. “Every day since then, I’ve wanted you more. Even when you worried me, or lied to me, or made me insane, I admired you for it.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Unfortunately the hostility that the European displayed toward the native cultures he encountered he carried even further into his relations with the land. The immense open spaces of the American continents, with all their unexploited or thinly utilized resources, were treated as a challenge to unrelenting war, destruction, and conquest. The forests were there to be cut down, the prairie to be plowed up, the marshes to be filled, the wildlife to be killed for empty sport, even if not utilized for food or clothing. In the act of 'conquering nature' our ancestors too often treated the earth as contemptuously and as brutally as they treated its original inhabitants, wiping out great animal species like the bison and the passenger pigeon, mining the soils instead of annually replenishing them, and even, in the present day, invading the last wilderness areas, precious just because they are still wildernesses, homes for wildlife and solitary human souls. Instead we are surrendering them to six-lane highways, gas stations, amusement parks, and the lumber interests, as in the redwood groves, or Yosemite, and Lake Tahoe-though these primeval areas, once desecrated, can never be fully restored or replaced.
Lewis Mumford (The Pentagon of Power (The Myth of the Machine, Vol 2))
The power in any society is with those who get to impose the fantasy. It is no longer, as it was for centuries throughout Europe, the church that imposes its fantasy on the populace, nor is it the totalitarian superstate that imposes the fantasy, as it did for 12 years in Nazi Germany and for 69 years in the Soviet Union. Now the fantasy that prevails is the all-consuming, voraciously consumed popular culture, seemingly spawned by, of all things, freedom. The young especially live according to the beliefs that are thought up for them by the society's most unthinking people and by businesses least impeded by innocent ends. Ingeniously as their parents and teachers may attempt to protect the young from being drawn, to their detriment, into the moronic amusement park that is now universal, the preponderance of the power is not with them.
Philip Roth
Having to amuse myself during those earlier years, I read voraciously and widely. Mythic matter and folklore made up much of that reading—retellings of the old stories (Mallory, White, Briggs), anecdotal collections and historical investigations of the stories' backgrounds—and then I stumbled upon the Tolkien books which took me back to Lord Dunsany, William Morris, James Branch Cabell, E.R. Eddison, Mervyn Peake and the like. I was in heaven when Lin Carter began the Unicorn imprint for Ballantine and scoured the other publishers for similar good finds, delighting when I discovered someone like Thomas Burnett Swann, who still remains a favourite. This was before there was such a thing as a fantasy genre, when you'd be lucky to have one fantasy book published in a month, little say the hundreds per year we have now. I also found myself reading Robert E. Howard (the Cormac and Bran mac Morn books were my favourites), Lovecraft, Clark Ashton Smith and finally started reading science fiction after coming across Andre Norton's Huon of the Horn. That book wasn't sf, but when I went to read more by her, I discovered everything else was. So I tried a few and that led me to Clifford Simak, Roger Zelazny and any number of other fine sf writers. These days my reading tastes remain eclectic, as you might know if you've been following my monthly book review column in The Magazine of Fantasy & Science Fiction. I'm as likely to read Basil Johnston as Stephen King, Jeanette Winterson as Harlan Ellison, Barbara Kingsolver as Patricia McKillip, Andrew Vachss as Parke Godwin—in short, my criteria is that the book must be good; what publisher's slot it fits into makes absolutely no difference to me.
Charles de Lint
By the age of twelve, he was using the family typewriter to correspond with a number of well-known local geologists about the rock formations he had studied in Central Park. Not aware of his youth, one of these correspondents nominated Robert for membership in the New York Mineralogical Club, and soon thereafter a letter arrived inviting him to deliver a lecture before the club. Dreading the thought of having to talk to an audience of adults, Robert begged his father to explain that they had invited a twelve-year-old. Greatly amused, Julius encouraged his son to accept this honor. On the designated evening, Robert showed up at the club with his parents, who proudly introduced their son as “J. Robert Oppenheimer.” The startled audience of geologists and amateur rock collectors burst out laughing when he stepped up to the podium; a wooden box had to be found for him to stand on so that the audience could see more than the shock of his wiry black hair sticking up above the lectern. Shy and awkward, Robert nevertheless read his prepared remarks and was given a hearty round of applause. Julius
Kai Bird (American Prometheus)
I still carry the weight of being a rape survivor, and of the demand that I forgive and forget to uphold the myth of the perfect black family. I carry the weight handed to me by the Black moral majority, who ignored my father's crimes and who knows how many other men's, who tried to buy off a terrified thirteen year old with a one-day trip to an amusement park. They were so desperate to project the image of the respectable, righteous, picture-perfect Black family to the world that they were willing to let women and girls in the picture suffer.
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
When he was present she had no eyes for anyone else. Everything he did, was right. Everything he said, was clever. If their evenings at the park were concluded with cards, he cheated himself and all the rest of the party to get her a good hand. If dancing formed the amusement of the night, they were partners for half the time; and when obliged to separate for a couple of dances, were careful to stand together and scarcely spoke a word to anybody else. Such conduct made them of course most exceedingly laughed at; but ridicule could not shame, and seemed hardly to provoke them.
Jane Austen (Sense and Sensibility)
When we pull back into the castle courtyard, James is waiting. And he does not look happy. Actually he looks like a blond Hulk . . . right before he goes smash. Sarah sees it too. “He’s miffed.” “Yep.” We get out of the car and she turns so fast there’s a breeze. “I should go find Penny. ’Bye.” I call after her. “Chicken!” She just waves her hand over her shoulder. Slowly, I approach him. Like an explorer, deep in the jungles of the Amazon, making first contact with a tribe that has never seen the outside world. And I hold out my peace offering. It’s a Mega Pounder with cheese. “I got you a burger.” James snatches it from my hand angrily. But . . . he doesn’t throw it away. He turns to one of the men behind him. “Mick, bring it here.” Mick—a big, truck-size bloke—brings him a brown paper bag. And James’s cold blue eyes turn back to me. “After speaking with your former security team, I had an audience with Her Majesty the Queen last year when you were named heir. Given your history of slipping your detail, I asked her permission to ensure your safety by any means necessary, including this.” He reaches into the bag and pulls out a children’s leash—the type you see on ankle-biters at amusement parks, with a deranged-looking monkey sticking its head out of a backpack, his mouth wide and gaping, like he’s about to eat whoever’s wearing it. And James smiles. “Queen Lenora said yes.” I suspected Granny didn’t like me anymore; now I’m certain of it. “If I have to,” James warns, “I’ll connect this to you and the other end to old Mick here.” Mick doesn’t look any happier about the fucking prospect than I am. “I don’t want to do that, but . . .” He shrugs, no further explanation needed. “So the next time you feel like ditching? Remember the monkey, Your Grace.” He puts the revolting thing back in its bag. And I wonder if fire would kill it. “Are we good, Prince Henry?” James asks. I respect a man willing to go balls-to-the-wall for his job. I don’t like the monkey . . . but I respect it. I flash him the okay sign with my fingers. “Golden.
Emma Chase (Royally Matched (Royally, #2))
As for karma itself, it is apparently only that which binds "jiva" (sentience, life, spirit, etc.) with "ajiva" (the lifeless, material aspect of this world) - perhaps not unlike that which science seeks to bind energy with mass (if I understand either concept correctly). But it is only through asceticism that one might shed his predestined karmic allotment. I suppose this is what I still don't quite understand in any of these shramanic philosophies, though - their end-game. Their "moksha", or "mukti", or "samsara". This oneness/emptiness, liberation/ transcendence of karma/ajiva, of rebirth and ego - of "the self", of life, of everything. How exactly would this state differ from any standard, scientific definition of death? Plain old death. Or, at most, if any experience remains, from what might be more commonly imagined/feared to be death - some dark perpetual existence of paralyzed, semi-conscious nothingness. An incessant dreamless sleep from which one never wakes? They all assure you, of course, that this will be no condition of endless torment, but rather one of "eternal bliss". Inexplicable, incommunicable "bliss", mind you, but "bliss" nonetheless. So many in the realm of science, too, seem to propagate a notion of "bliss" - only here, in this world, with the universe being some great amusement park of non-stop "wonder" and "discovery". Any truly scientific, unbiased examination of their "discoveries", though, only ever seems to reveal a world that simply just "is" - where "wonder" is merely a euphemism for ignorance, and learning is its own reward because, frankly, nothing else ever could be. Still, the scientist seeks to conquer this ignorance, even though his very happiness depends on it - offering only some pale vision of eternal dumbfoundedness, and endless hollow surprises. The shramana, on the other hand, offers total knowledge of this hollowness, all at once - renouncing any form of happiness or pleasure, here, to seek some other ultimate, unknowable "bliss", off in the beyond...
Mark X. (Citations: A Brief Anthology)
... nature did not make us to feel too good for too long (which would be no good for the survival of the species) but only to feel good enough to imagine, erroneously, that someday we might feel good all the time. To believe that humanity will ever live in a feel-good world is a common mistake. And if we do not feel good, we should act as if we do. If you act happy, then you will become happy—everybody in the workaday world knows that. If you do not improve, then someone must assume the blame. And that someone will be you. We are on our way to the future, and no introverted melancholic is going to impede our progress. You have two choices: start thinking the way God and your society want you to think or be forsaken by all. The decision is yours, since you are a free agent who can choose to rejoin the world of fabricated reality—civilization, that is—or stubbornly insist on . . . what? That we should rethink how the whole world transacts its business? That we should start over from scratch, questioning all the ways and means that delivered us to a lofty prominence over the amusement park of creation? Try to be realistic. We made our world just the way nature and the Lord wanted us to make it. There is no starting over and no going back. No major readjustments are up for a vote. And no nihilistic head case is going to get a bad word in edgewise. The universe was created by the Creator, goddamn it. We live in a country we love and that loves us back. We have families and friends and jobs that make it all worthwhile. We are somebodies, as we spin upon this good earth, not a bunch of nobodies without names or numbers or retirement plans. None of this is going to become unraveled by a thought criminal who contends that the world is not double plus good and never will be and who believes that anyone is better off dead than alive. Our lives may not be unflawed—that would deny us a future to work toward—but if this charade is good enough for us, then it should be good enough for you. So if you cannot get your mind right, try walking away. You will find no place to go and no one who will have you. You will find only the same old trap the world over. It is the trap of tomorrow. Love it or leave it—choose which and choose fast. You will never get us to give up our hopes, demented as they may seem. You will never get us to wake up from our dreams. Your opinions are not certified by institutions of authority or by the middling run of humanity, and therefore whatever thoughts may enter your chemically imbalanced brain are invalid, inauthentic, or whatever dismissive term we care to assign to you who are only “one of those people.” So get the hell out if you can. But we are betting that when you start hurting badly enough, you will come running back. If you are not as strong as Samson— that no-good suicide and slaughterer of Philistines—then you will return to the trap. Do you think we are morons? We have already thought everything that you have thought. The only difference is that we have the proper and dignified sense of futility not to spread that nasty news. Our shibboleth: “Up the Conspiracy and down with Consciousness.
Thomas Ligotti (The Conspiracy Against the Human Race)
And as soon as I had recognised the taste of the piece of madeleine soaked in her decoction of lime-blossom which my aunt used to give me (although I did not yet know and must long postpone the discovery of why this memory made me so happy) immediately the old grey house upon the street, where her room was, rose up like a stage set to attach itself to the little pavilion opening on to the garden which had been built out behind it for my parents (the isolated segment which until that moment had been all that I could see); and with the house the town, from morning to night and in all weathers, the streets along which I used to run errands, the country roads we took when it was fine. And in the game wherein the Japanese amuse themselves by filling a porcelain bowl with water and steeping in it little pieces of paper which until then are without character or form, but, the moment they become wet, stretch and twist and take on colour and distinctive shape, become flowers or houses or people, solid and recognisable, so in that moment all the flowers in our garden and in M. Swann's park, and the water-lilies on the Vivonne and the good folk of the village and their little dwellings and the parish church and the whole of Combray and its surroundings, taking shape and solidity, sprang into being, town and gardens alike, from my cup of tea.
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
Kenilworth, Mountainside, Scotch Plains, Dunellen... they themselves seemed far from Jersey: names out of Waverley novels, promising vistas of castles, highland waterfalls, and meadows dotted with flocks of grazing sheep. But the signboards lied, the books had lied, the Times had lied; the land here was one vast and charmless suburb, and as the bus passed through it, speeding west across the state, Freirs saw before him only the flat grey monotony of highway, broken from time to time by gas stations, roadhouses, and shopping malls that stretched away like deserts. The bus was warm, and the ride was beginning to give him a headache. He could feel the backs of his thighs sweating through his chinos. Easing himself farther into the seat, he pushed up his glasses and rubbed his eyes. The scenery disappointed him, yet it was still an improvement over what they'd just come through. Back there, on the fringes of the city, every work of man seemed to have been given over to the automobile, in an endless line of showrooms and repair shops for mufflers, fenders, carburetors, ignitions, tires, brakes. Now at last he could make out hills in the distance and extended zones of green, though here and there the nearness of some larger town or development meant a length of highway lined by construction, billboards touting banks or amusement parks, and drive-in theaters, themselves immense blank billboards, their signs proclaiming horror movies, "family pictures," soft-core porn. A speedway announced that next Wednesday was ladies' night. Food stands offered pizzaburgers, chicken in the basket, fish 'n' chips.
T.E.D. Klein (The Ceremonies)
My willingness to sacrifice much-needed rest and my prioritizing amusement or work over the basic needs of my body and the people around me (with whom I'm far more likely to be short-tempered after a night of little sleep) reveal that these good things—entertainment and work—have taken a place of ascendancy in my life. In the nitty-gritty of my daily life, repentance for idolatry may look as pedestrian as shutting off my email an hour earlier or resisting that alluring clickbait to go to bed. The truth is, I'm far more likely to give up sleep for entertainment that I am for prayer. When I turn on Hulu late at night I don't consciously think, "I value this episode of Parks and Rec more than my family, prayer, and my own body," But my habits reveal and shape what I love and what I value, whether I care to admit it or not.
Tish Harrison Warren (Liturgy of the Ordinary: Sacred Practices in Everyday Life)
You’re dressed now,” Merripen remarked, as if he were surprised that she wasn’t parading naked through the lobby. “This is a walking dress,” she said. “As you can see, I’m going out for some air.” “Who’s escorting you?” he asked, even though he could see the footman standing a few feet away. “Charles,” she replied. “Only Charles?” Merripen looked outraged. “You need more protection than that.” “We’re only walking to Marble Arch,” she said, amused. “Are you out of your mind, woman? Do you have any idea what could happen to you at Hyde Park? There are pickpockets, cutpurses, confidence tricksters, and gangs, all ready for a nice little pigeon like you to pluck.” Rather than take offense, Charles said eagerly, “Perhaps Mr. Merripen has a point, Miss Hathaway. It is rather far … and one never knows …” “Are you offering to go in his stead?” Win asked Merripen. As she had expected, he put on a show of grumbling reluctance. “I suppose so, if the alternative is to see you traipsing through the streets of London and tempting every criminal in sight.” He frowned at Charles. “You needn’t go with us. I’d rather not have to look after you, too.” “Yes, sir,” came the footman’s grateful reply, and he went back up the stairs with considerably more enthusiasm than he had shown while descending them.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))