Amsterdam Street Quotes

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Look, it is snowing! Oh, I must go out! Amsterdam asleep in the white night, the dark jade canals under the little snow-covered bridges, the empty streets, my muted steps--there will be purity, even if fleeting, before tomorrows mud.See the huge flakes drifting against the windowpanes. It must be the doves, surely. They finally make up their minds to come down, the little dears; they are covering the waters and the roofs with a thick layer of feathers; they are fluttering at every window. What an invasion! Lets hope they are bringing good news.
Albert Camus (The Fall)
Over a quarter of a century ago she and Vernon had made a household for almost a year, in a tiny rooftop flat on the rue de Seine. There were always damp towels on the floor then, and cataracts of her underwear tumbling from drawers she never closed, a big ironing board that was never folded away, and in the one overfilled wardrobe dresses , crushed and shouldering sideways like commuters on the metro. Magazines, makeup, bank statements, bead necklaces, flowers, knickers, ashtrays, invitations, tampons, LPs, airplane tickets, high heeled shoes- not a single surface was left uncovered by something of Molly's, so that when Vernon was meant to be working at home, he took to writing in a cafe along the street. And yet each morning she arose fresh from the shell of this girly squalor, like a Botticelli Venus, to present herself, not naked, of course, but sleekly groomed, at the offices of Paris Vogue.
Ian McEwan (Amsterdam)
I had been to Amsterdam a couple of times with Eric; we loved the museums and the Concertgebouw (it was here that I first heard Benjamin Britten’s Peter Grimes, in Dutch). We loved the canals lined with tall, stepped houses; the old Hortus Botanicus and the beautiful seventeenth-century Portuguese synagogue; the Rembrandtplein with its open-air cafés; the fresh herrings sold in the streets and eaten on the spot; and the general atmosphere of cordiality and openness which seemed peculiar to the city.
Oliver Sacks (On the Move: A Life)
One of de la Vega’s observations about the Amsterdam traders was that they were “very clever in inventing reasons” for a sudden rise or fall in stock prices,
John Brooks (Business Adventures: Twelve Classic Tales from the World of Wall Street)
Another protester said that more cyclists on New York City’s streets looked “ridiculous.” She gave the reporter the tired refrain “This is not Amsterdam.” DOT has no Amsterdam-ometer in its traffic analysis toolbox to measure changes in the street on a scale of one to ten windmills. Analyzing
Janette Sadik-Khan (Streetfight: Handbook for an Urban Revolution)
Early the next morning, they were on a tram out to the far edge of Amsterdam. Ginny liked the tram. It was like an overgrown toy train that had gotten loose on the streets. She looked out and saw the Netherlands wobbling by - its ancient houses and constant canals and people in practical shoes.
Maureen Johnson (13 Little Blue Envelopes (Little Blue Envelope, #1))
Still, I had resolved to sit and talk with him and that is what I would do. He neither offered permission nor withheld it regarding the curtains, so I stepped over to the window and pulled them apart, glancing down onto the New York streets below. The yellow cabs were driving up and down honking their horns and the view between the skyscrapers held me for a minute. I had never fallen in love with this city—even after almost seven years my head was still in Amsterdam and my heart was still in Dublin—but there were moments, like this one, when I understood why others did.
John Boyne (The Heart's Invisible Furies)
Each year, the city government, the police department and the local newspapers warned adult Amsterdammers to take precautions. Before going to bed the night before Luilak, adults were advised to: disconnect their doorbells, bring garbage cans indoors, close all windows, avoid sleeping in street-facing rooms and wear earplugs.
Pete Jordan (In the City of Bikes: The Story of the Amsterdam Cyclist)
Confusion of Confusions,” written by a plunger on the Amsterdam market named Joseph de la Vega;
John Brooks (Business Adventures: Twelve Classic Tales from the World of Wall Street)
And now I will tell of the revels that went on for three nights and two days in the brothel on West Seventy-sixth Street between Columbus and Amsterdam avenues.
E.L. Doctorow (Billy Bathgate)
We were easily forgotten. It was a social and moral lesson, if nothing else. But for all foreseeable time to come — for as long as history was written, until the icecaps melted and the streets of Amsterdam were awash with water — the painting would be remembered and mourned. Who knew, or cared, the names of the Turks who blew the roof off the Parthenon? the mullahs who had ordered the destruction of the Buddhas at Bamiyan? Yet living or dead: their acts stood. It was the worst kind of immortality. Intentionally or no: I had extinguished a light at the heart of the world.
Donna Tartt (The Goldfinch)
Sarah Wise’s The Blackest Streets: The Life and Death of a Victorian Slum; The Coffee Trader by David Liss; Amsterdam: A History of the World’s Most Liberal City by Russell Shorto; Criminal Slang: The Vernacular of the Underworld Lingo by Vincent J. Monteleone; David Maurer’s The Big Con: The Story of the Confidence Man; and Stealing Rembrandts: The Untold Stories of Notorious Art Heists by Anthony M. Amore and Tom Mashberg.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
And that was fine. I didn’t matter much in the scheme of things and Martin didn’t either. We were easily forgotten. It was a social and moral lesson, if nothing else. But for all foreseeable time to come — for as long as history was written, until the icecaps melted and the streets of Amsterdam were awash with water — the painting would be remembered and mourned. Who knew, or cared, the names of the Turks who blew the roof off the Parthenon? the mullahs who had ordered the destruction of the Buddhas at Bamiyan? Yet living or dead: their acts stood. It was the worst kind of immortality. Intentionally or no: I had extinguished a light at the heart of the world.
Donna Tartt (The Goldfinch)
Harlem was named after the Dutch city of Haarlem, Brooklyn after the small town of Breukelen, and Flushing after the southern Dutch city of Vlissingen. Wall Street was originally De Waal Street and Broadway was once better known as Breede Weg. Several other Dutch words also made it into the American vocabulary: cookie, waffle, noodles, brandy, coleslaw.
Ben Coates (Why the Dutch are Different: A Journey into the Hidden Heart of the Netherlands: From Amsterdam to Zwarte Piet, the acclaimed guide to travel in Holland)
Many kids would hit the streets at about 4 a.m., though early birds got started even earlier; the first calls regarding disorderly behavior usually reached the police by 2 a.m. Celebrants of Luilak (which means “lazybones”) would ring doorbells, beat drums, blow horns, crash pot lids together, scream “Luilak!,” sing a Luilak song, drag strings of empty tin cans behind their bikes, overturn garbage cans, bang windows, break windows, light bonfires, ignite fireworks, drink bottles of milk left out by the milkman, set buckets of water over doorways and trigger false fire alarms. They did anything and everything to annoy sleeping adults. This yearly debauchery—particular to Amsterdam and a few surrounding towns and with unknown origins—was centuries old.*
Pete Jordan (In the City of Bikes: The Story of the Amsterdam Cyclist)
Amsterdam is a city that offers something to everyone. While it's known for being more adult-oriented, there are so many things to enjoy here regardless of the kind of traveller that you are. If you are the kind of traveller who has a limited budget, you can still have a great time if you knew the cheap things to do in Amsterdam. By simply exploring the energetic streets of Amsterdam, you'll be rewarded with so many interesting sights without spending a single cent.
tripindicator
The storm broke then with a vivid flash of lightning and a great rumble of thunder which drowned every other sound. The Baron turned up the collar of his Burberry. ‘You go down that side, I’ll search this— we’ll find him, Becky. You’re not afraid of the storm?’ She was terrified, but her terror was quite wiped out by anxiety for Bertie. She shook her head and started off down the deserted street, peering through the pelting rain, searching the canal as well as every doorway and alley.
Betty Neels (The Promise of Happiness)
But for all foreseeable time to come- for as long as history was written, until the icecaps melted and the streets of Amsterdam were awash with water- the painting would be remembered and mourned. Who knew, or cared, the names of the Turks who blew the roof of the Parthenon? the mullahs who had ordered the destruction of the Buddhas at Bamiyan? Yet living or dead:their acts stood. It was the worst kind of immortality. Intentionally or no: I had extinguished at light at the heart of the world.
Donna Tartt (The Goldfinch)
the Dutch West Indies Company, or WIC, plied the Atlantic. In order to control trade on the important Hudson River, WIC built a settlement called New Amsterdam on an island at the river’s mouth. The colony was threatened by Indians and repeatedly attacked by the British, who eventually captured it in 1664. The British changed its name to New York. The remains of the wall built by WIC to defend its colony against Indians and British are today paved over by the world’s most famous street – Wall Street.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
While VOC operated in the Indian Ocean, the Dutch West Indies Company, or WIC, plied the Atlantic. In order to control trade on the important Hudson River, WIC built a settlement called New Amsterdam on an island at the river’s mouth. The colony was threatened by Native Americans and repeatedly attacked by the British, who eventually captured it in 1664. The British changed its name to New York. The remains of the wall built by WIC to defend its colony against Native Americans and British are today paved over by the world’s most famous street – Wall Street.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
In one sense we are all unique, absolutely one-of-a-kind individual creations; but in a much more profound way, each of us has come about as the result of a "long choosing." This is a phrase from writer Wendell Berry, whose book Remembering describes the main character, Andy Catlett’s, struggle with a sudden bout of amnesia. To those acquainted with Berry’s stories about Port William, Kentucky, Andy is a familiar figure, having grown up in the town’s rich web of family and neighborhood relationships. His disorientation begins during a cross-country plane trip to a scientific conference, where he is caught up in the security lines and body searches now a familiar part of the post-9/11 reality. In this world every stranger in an airport terminal is a potential enemy, someone to be kept at a safe distance. Somehow Andy makes it back to his home in rural Kentucky, but he is rough shape. He has literally forgotten who he is, and wanders about town looking for clues. His memories—and his sense of self—return only when in a confused dream state he sees his ancestors, walking together in an endless line. To Andy they are a "long dance of men and women behind, most of whom he never knew, . . . who, choosing one another, chose him.” In other words Andy Catlett is not a self-made man living in an isolated blip of a town, but he and his home are the sum of hundreds of courtships and conceptions, choices and chances, errors and hopes. We like to imagine that we are unique, absolutely unprecedented. But here is the truth: not just the tilt of our noses or the color of our bodies, but far more intimate characteristics–the shape of our feet or an inner tendency towards joy or sadness–have belonged to other people before we came along to inherit them. We came about because they decided to marry one person and not the other, to have six children instead of three, to move to a city instead of staying on the farm. It is remarkable to think of someone walking down the streets of sixteenth-century Amsterdam with my fingers and kneecaps, my tendency toward melancholy and my aptitude for music. We live within a web of holy obligation. We are connected to people of the world today, and to other invisible people: the unknown number of generations yet to be born. One of the most important things we can do, in the way we care for the earth and in the way we care for our local church life, is to recognize their potential presence. (pp.117-118)
Margaret Bendroth (The Spiritual Practice of Remembering)
In Amsterdam, I took a room in a small hotel located in the Jordann District and after lunch in a café went for a walk in the western parts of the city. In Flaubert’s Alexandria, the exotic had collected around camels, Arabs peacefully fishing and guttural cries. Modern Amsterdam provided different but analogous examples: buildings with elongated pale-pink bricks stuck together with curiously white mortar, long rows of narrow apartment blocks from the early twentieth century, with large ground-floor windows, bicycles parked outside every house, street furniture displaying a certain demographic scruffiness, an absence of ostentatious buildings, straight streets interspersed with small parks…..In one street lines with uniform apartment buildings, I stopped by a red front door and felt an intense longing to spend the rest of my life there. Above me, on the second floor, I could see an apartment with three large windows and no curtains. The walls were painted white and decorated with a single large painting covered with small blue and red dots. There was an oaken desk against a wall, a large bookshelf and an armchair. I wanted the life that this space implied. I wanted a bicycle; I wanted to put my key in that red front door every evening. Why be seduced by something as small as a front door in another country? Why fall in love with a place because it has trams and its people seldom have curtains in their homes? However absurd the intense reactions provoked by such small (and mute) foreign elements my seem, the pattern is at least familiar from our personal lives. My love for the apartment building was based on what I perceived to be its modesty. The building was comfortable but not grand. It suggested a society attracted to the financial mean. There was an honesty in its design. Whereas front doorways in London are prone to ape the look of classical temples, in Amsterdam they accept their status, avoiding pillars and plaster in favor of neat, undecorated brick. The building was modern in the best sense, speaking of order, cleanliness, and light. In the more fugitive, trivial associations of the word exotic, the charm of a foreign place arises from the simple idea of novelty and change-from finding camels where at home there are horses, for example, or unadorned apartment buildings where at home there are pillared ones. But there may be a more profound pleasure as well: we may value foreign elements not only because they are new but because they seem to accord more faithfully with our identity and commitments than anything our homeland can provide. And so it was with my enthusiasms in Amsterdam, which were connected to my dissatisfactions with my own country, including its lack of modernity and aesthetic simplicity, its resistance to urban life and its net-curtained mentality. What we find exotic abroad may be what we hunger for in vain at home.
Alain de Botton (The Art of Travel)
The panel delivery truck drew up before the front of the “Amsterdam Apartments” on 126th Street between Madison and Fifth Avenues. Words on its sides, barely discernible in the dim street light, read: LUNATIC LYNDON … I DELIVER AND INSTALL TELEVISION SETS ANY TIME OF DAY OR NIGHT ANY PLACE. Two uniformed delivery men alighted and stood on the sidewalk to examine an address book in the light of a torch. Dark faces were highlighted for a moment like masks on display and went out with the light. They looked up and down the street. No one was in sight. Houses were vague geometrical patterns of black against the lighter blackness of the sky. Crosstown streets were always dark. Above them, in the black squares of windows, crescent-shaped whites of eyes and quarter moons of yellow teeth bloomed like Halloween pumpkins. Suddenly voices bubbled in the night. “Lookin’ for somebody?” The driver looked up. “Amsterdam Apartments.” “These is they.” Without replying, the driver and his helper began unloading a wooden box. Stenciled on its side were the words: Acme Television “Satellite” A.406. “What that number?” someone asked. “Fo-o-six,” Sharp-eyes replied. “I’m gonna play it in the night house if I ain’t too late.” “What ya’ll got there, baby?” “Television set,” the driver replied shortly. “Who dat getting a television this time of night?” The delivery man didn’t reply. A man’s voice ventured, “Maybe it’s that bird liver on the third storey got all them mens.” A woman said scornfully, “Bird liver! If she bird liver I’se fish and eggs and I got a daughter old enough to has mens.” “… or not!” a male voice boomed. “What she got ’ill get television sets when you jealous old hags is fighting over mops and pails.” “Listen to the loverboy! When yo’ love come down last?” “Bet loverboy ain’t got none, bird liver or what.” “Ain’t gonna get none either. She don’t burn no coal.” “Not in dis life, next life maybe.” “You people make me sick,” a woman said from a group on the sidewalk that had just arrived. “We looking for the dead man and you talking ’bout tricks.” The two delivery men were silently struggling with the big television box but the new arrivals got in their way. “Will you ladies kindly move your asses and look for dead men sommers else,” the driver said. His voice sounded mean. “ ’Scuse me,” the lady said. “You ain’t got him, is you?” “Does I look like I’m carrying a dead man ’round in my pocket?” “Dead man! What dead man? What you folks playing?” a man called down interestedly. “Skin?” “Georgia skin? Where?” “Ain’t nobody playing no skin,” the lady said with disgust. “He’s one of us.” “Who?” “The dead man, that’s who.” “One of usses? Where he at?” “Where he at? He dead, that’s where he at.” “Let me get some green down on dead man’s row.” “Ain’t you the mother’s gonna play fo-o-six?” “Thass all you niggers thinks about,” the disgusted lady said. “Womens and hits!” “What else is they?” “Where yo’ pride? The white cops done killed one of usses and thass all you can think about.” “Killed ’im where?” “We don’t know where. Why you think we’s looking?” “You sho’ is a one-tracked woman. I help you look, just don’t call me nigger is all.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of
Emma Scott (Endless Possibility (Rush, #1.5))
It was clear just how much Tommy loved the city. New York City. The CKY Grocery on Amsterdam had giant, bright red Spartan apples every day of the year, even if it wasn’t the right season. He loved that grocery, and the old, shaky Persian man who owned it. Tommy emphatically, yet erroneously believed that the CKY Grocery was the genuine heart of the great city. All five boroughs embodied distinct feelings for him, but there was only one that he’d ever truly romanticized. To him, Manhattan was the entire world. He loved everything between the East River and the Hudson; from the Financial District up to Harlem; from Avenue A to Zabar’s. He loved the four seasons, although autumn was easily the most anticipated. To Tommy, Central Park’s bright, almost copper hues in the fall were the epitome of orange. He loved the unique perfume of deli meats and subway steam. He loved the rain with such verve that every time it so much as drizzled, he would turn to the sky so he could feel the drops sprinkle onto his teeth. Because every raindrop that hit him had already experienced that much envied journey from the tips of the skyscrapers all the way down to the cracked and foot-stamped sidewalks. He believed every inch of the city had its own predetermined genre of music that suited it to a tee. The modal jazz of Miles Davis and Wayne Shorter was absolutely meant for the Upper East Side, north of 61st Street. Precisely between Gershwin and gospel. He loved the view from his apartment, even if it was just the leaves of the tree outside in July or the thin shadows of its bare branches crawling along the plain brick wall in January. Tommy loved his career. He loved his friends. And he loved that first big bite of apple I watched him take each and every morning. Everything was perfect in the city, and as long as things remained the way he wanted them to, Tommy would continue to love the city forever. Which is exactly why his jaw dropped when he opened the letter he found in his mailbox that morning. The first bite of still un-chewed apple fell out of his mouth and firmly planted itself within the crack of that 113th Street sidewalk.
Ryan Tim Morris (The Falling)
MOST CITIES ARE designed on grids that fill them with hard angles. Not Amsterdam, which has a softness about it imparted by the watery curves of the 16th-century canals that fan out through the city. Though its gabled canal houses and narrow medieval streets give it an undeniable old-world charm, Amsterdam’s thoroughly contemporary takes on arts, architecture and design show that it has modernity in a firm embrace. It’s a city that invites wandering, with a tram system and a plenitude of bicycles (about as many as there are residents) that make navigating as fun as it is easy. Thanks to the locals, most of whom speak English, you’ll feel instantly welcome and will be spared the indignity of trying to pronounce Dutch (don’t even try). Spend as much time as possible on foot, the better to enjoy the city’s theatrical quality: The huge, unshaded windows of the canal homes allow you to peer right in, testimony to the Dutch ethos of having nothing to hide.
Anonymous
My Father came home from the synagogue with the news. On the most joyous holiday in the Jewish calendar, we received the most horrifying order. (We found out, after the war, that this order had come from Berlin, from the highest German authorities. Yuda and I saw the document in the Jewish Museum in Amsterdam.) I ran out in the street to read the ordinance and saw the awful instructions. Anybody who knew a family in that section of town just went there. We put some clothes, bedding, shoes into bags, pillowcases and carried the stuff into the apartment of Mrs. Schachter, whom we had known for a long time. They had a store next to my Father's. Her husband had been imprisoned by the Soviets on a trumped up charge and he was somewhere in Siberia. Her son and daughter were with her. By the afternoon barricades were built up to lock in the Jewish Ghetto, to seal our fate.
Pearl Fichman (Before Memories Fade)
In the 1640s, the Jews had a hundred ships plying the sugar trade and the Periera family in Amsterdam owned the refineries that turned the brown sweetener into the white crystal grains everyone desired. Recife became known as “the port of the Jews,” and its main thoroughfare was Rua dos Judios, the Street of the Jews.24
Edward Kritzler (Jewish Pirates of the Caribbean: How a Generation of Swashbuckling Jews Carved Out an Empire in the New World in Their Quest for Treasure, Religious Freedom and Revenge)
old New Amsterdam. After all, Peter Stuyvesant’s predecessor, Willem Kieft, once boasted that “there were men of eighteen different languages” on its streets.
James Nevius (Footprints in New York: Tracing the Lives of Four Centuries of New Yorkers)
and she giggled as she walked against the current of bodies in the crosswalk. The subway was right there, but she didn’t want to take it yet—the beauty of New York City was walking, was serendipity and strangers, and it was still her birthday, and so she was just going to keep going. Alice turned and walked up Eighth, past the crummy tourist shops selling magnets and keychains and i ♥ ny T-shirts and foam fingers shaped like the Statue of Liberty. Alice had walked for almost ten blocks when she realized she had a destination. She and Sam and their friends had enjoyed many, many hours in bars as teenagers: they’d spent nights at the Dublin House, on 79th Street; at the Dive Bar, on Amsterdam and 96th Street, with the neon sign shaped like bubbles, though that one was a little too close to home to be safe; and some of the fratty bars farther down Amsterdam, the ones with the buckets of beers for twenty dollars and scratched pool tables. Sometimes they even went to some NYU bars downtown, on MacDougal Street, where they could dash across the street for falafel and then go back to the bar, like it was their office and they were running out for lunch. Their favorite bar, though, was Matryoshka, a Russian-themed bar in the 50th Street 1/9 subway station. Now it was just the 1 train, but back then, there was also the 9. Things were always changing, even when they didn’t feel like it. Alice wondered if no one ever felt as old as they were because it happened so slowly, and you were only ever one day slower and creakier, and the world changed so gradually that by the time cars had evolved from boxy to smooth, or green taxis had joined yellow ones, or MetroCards had replaced tokens, you were used to it. Everyone
Emma Straub (This Time Tomorrow)
Especially in its antithesis to Anabaptism Calvinism exhibits itself in bold relief. For Anabaptism adopted the opposite method, and in its effort to evade the world it confirmed the monastic starting-point, generalizing and making it a rule for all believers. It was not from Calvinism, but from this anabaptistic principle, that Akosmism had its rise among so many Protestants in Western Europe. In fact, Anabaptism adopted the Romish theory, with this difference : that it placed the kingdom of God in the room of the Church, and abandoned the distinction between the two moral standards, one for the clergy and the other for the laity. For the rest the Anabaptist's standpoint was: (1) that the unbaptized world was under the curse, for which reason he withdrew from all civil institutions ; and (2) that the circle of baptized believers—with Rome the Church, but with him the kingdom of God—was in duty bound to take all civil life under its guardianship and to remodel it; and so John of Leyden violently established his shameless power at Munster as King of the New Zion, and his devotees ran naked through the streets of Amsterdam. Hence, on the same grounds on which Calvinism rejected Rome's theory concerning the world, it rejected the theory of the Anabaptist, and proclaimed that the Church must withdraw again within its spiritual domain, and that in the world we should realize the potencies of God's common grace.
Abraham Kuyper (Lectures on Calvinism)
Especially in its antithesis to Anabaptism Calvinism exhibits itself in bold relief. For Anabaptism adopted the opposite method, and in its effort to evade the world it confirmed the monastic starting-point, generalizing and making it a rule for all believers. It was not from Calvinism, but from this anabaptistic principle, that Akosmism had its rise among so many Protestants in Western Europe. In fact, Anabaptism adopted the Romish theory, with this difference : that it placed the kingdom of God in the room of the Church, and abandoned the distinction between the two moral standards, one for the clergy and the other for the laity. For the rest the Anabaptist's standpoint was: (1) that the unbaptized world was under the curse, for which reason he withdrew from all civil institutions ; and (2) that the circle of baptized believers—with Rome the Church, but with him the kingdom of God—was in duty bound to take all civil life under its guardianship and to remodel it; and so John of Leyden violently established his shameless power at Munster as King of the New Zion, and his devotees ran naked through the streets of Amsterdam. Hence, on the same grounds on which Calvinism rejected Rome's theory concerning the world, it rejected the theory of the Anabaptist, and proclaimed that the Church must withdraw again within its spiritual domain, and that in the world we should realize the potencies of God's common grace.
Abraham Kuyper (Lectures on Calvinism)
The voice resonated, a sound like the wind scraping the corners of old buildings and racing down the narrow streets.
Elizabeth Bear (New Amsterdam (New Amsterdam, #1))
It seemed as if doggystyle was her favorite position because she couldn't see who was behind her. She kept playing Snoop Dogg's song, “What's My Name?”. It seemed as if she was referring to my signature being forged and still being on the club and she knew perfectly. As if she was referring to all the dogs eager to breed in the video running after something after someone had let them out. As Snoop Dogg is magically transforming into a Doberman dog in the music video, just like the kind of dogs the Nazis had. I just realize Martina’s dog, Chicha was all black and her cat Anouki was all black too, just like the night Sky, just like the dark, empty, cold Space. The total darkness the canvas, on which our planet is just a pinhead. This rock. This sizzling rock. Spinning. Turning. Leaning. Following the Sun. Lost in the infinite nothingness. Ain’t like a balloon which has nothing inside. All the nothing is outside, all the cold and dark and wide and empty and vile. All the dark forces all the nights, all the known universe and beyond, is located here, inside. Iron comes from Outer Space, it is not a local material on this planet. Each one of us has iron inside a “kickstart-molecule” located in our hearts. Without iron, there would be no life. Are we locals on this planet? To what degree? Since when? I noticed three members of the Camorra in our street and the street parallel to it, casually passing by. I even nodded to one or two of them, since we already knew each other from the club where I hadn't been since Adam and I had our disagreement. Later that night, while I was waiting for Martina in vain, I noticed two to three of the Camorra's soldiers living a few houses down our street. From the rooftop, and our bedroom that was higher than theirs, I could see into their living room. I couldn't help but wonder whether this was a mere coincidence, or if Adam and Martina had found our new home together, hanging out in Nico’s store, and so we moved on the Mountain of Jews, on purpose, perhaps, knowing that the Camorra’s men were living almost right in front of us. No accidents. When I told Martina about the Camorra’s guys living across the street, Martina couldn’t have cared less. It was almost as if she never considered her life being in danger in Barcelona, Europe, but only mine. I had felt before like Adam had used my skin to make money, while I was the one walking around the streets, spotting tourists usually having fun, not thinking about how I was working hard to make their “unreachable” happiness come true. This time, however, I felt both stuck in our home, feeling helpless to make Martina happy and the outside world offered her much better chances to have fun and find a rich guy or any other smoker club manager with her beauty.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
Perhaps Western civilization, with the Amsterdam red-light district as its fetid symbol, does have something to answer for. Maybe these streets are typical of a society without modesty, morally unhinged.
Ian Buruma (Murder in Amsterdam: The Death of Theo van Gogh and the Limits of Tolerance)
TWO AND A HALF CENTURIES AGO, Amsterdam was the world’s commercial center, but many of its wealthy merchants were reeling from one of the world’s first financial crises. The shares of the British East India Company had collapsed, culminating in a series of bank failures, government bailouts, and ultimately nationalization, a debacle that rippled across the continent’s nascent markets. For a little-known Dutch merchant and stockbroker, it proved the inspiration for an idea ahead of its time. In 1774, Abraham von Ketwich set up a novel, pooled investment trust he called Eendragt Maakt Magt—Dutch for “Unity Creates Strength.” This would sell two thousand shares for five hundred guilders each to individual investors, and invest the proceeds into a diversified portfolio of fifty bonds. These were divided into ten different categories, from plantation loans, bonds backed by Spanish or Danish toll road payments, to an assortment of European government bonds. At the time, bonds were physical certificates written on paper or even goatskin, and these were stored in a solid iron chest with three locks, which could be opened only by Eendragt Maakt Magt’s board and an independent notary. The aim was to pay a 4 percent annual dividend, and disburse the final proceeds only after twenty-five years, hoping that the diversity of the portfolio would protect investors.1 As it turns out, a subsequent Anglo-Dutch war in 1780 and Napoleon’s occupation of Holland in 1795 wreaked havoc on Eendragt Maakt Magt. The annual payments never materialized, and investors didn’t receive their money back until 1824, albeit then receiving 561 guilders a share. Nonetheless, Eendragt Maakt Magt was a brilliant invention that would go on to inspire the birth of investment trusts in Great Britain and eventually the mutual fund we know today. It is also arguably the ultimate intellectual forefather of today’s index funds, given its minimal trading, diversified approach, and low fees, charging a mere 0.2 percent a year.
Robin Wigglesworth (Trillions: How a Band of Wall Street Renegades Invented the Index Fund and Changed Finance Forever)
For the rest the Anabaptist's standpoint was: ( I ) that the unbaptized world was under the curse, for which reason he withdrew from all civil institutions; and (2) that the circle of baptized believers– with Rome the Church, but with him the kingdom of God–was in duty bound to take all civil life under its guardianship and to remodel it; and so John of Leyden violently established his shameless power at Munster as King of the New Zion, and his devotees ran naked through the streets of Amsterdam. 11 Hence, on the same grounds on which Calvinism rejected Rome's theory concerning the world, it rejected the theory of the Anabaptist, and proclaimed that the Church must withdraw again within its spiritual domain, and that in the world we should realize the potencies of God's common grace.
Abraham Kuyper (Lectures on Calvinism)
Thus, war broke out again in August 1643, this time including previously uninvolved Indians: the Wappingers, who were closely related to the Lenni-Lenape and lived along the eastern side of the Hudson River.  The initial violent act came when Wappingers attacked a boat laden with beaver furs coming down the river from Ft. Orange and made off with the furs after killing two of the crewmen.  Other Indians attacked other boats on the river, resulting in deaths on both sides.  In September, the Indians on Long Island attacked farms and killed settlers there, after which terrified colonists fled to New Amsterdam or took ship back to Europe. It was during this time that a wall was built across lower Manhattan, and it ended up lending its name to Wall Street.
Charles River Editors (Colonial New York City: The History of the City under British Control before the American Revolution)
On May 10, 1933, National Socialist student groups marched “against the un-German spirit” and burned “un-German writings” in street actions designed to attract publicity. By now it seemed inevitable that the Franks would emigrate to Amsterdam. “When the Jews write in German, they lie,” the Nazis had proclaimed. The works of Thomas, Klaus, and Heinrich Mann, of Arnold and Stefan Zweig, of Kurt Tucholsky, Erich Maria Remarque, and Franz Werfel, not to mention the Communist writings of Marx and Engels and the books of Bertolt Brecht and many others, were tossed into the flames in many German cities to the accompaniment of shouted slogans; it was as though the demonstrators wished to burn the authors themselves at the stake. Otto Frank’s favorite poet, Heinrich Heine, whose poem “Lorelei” every schoolchild knew by heart, was declared a nonperson. In future textbooks, “Poet unknown” would replace the name of Heinrich Heine, a poet who had written a hundred years earlier, “Wherever they burn books they will also, in the end, burn human beings.
Melissa Müller (Anne Frank : The Biography)
The Antigua cruise port of Saint. Johns almost guarantees that site visitors will find a lot of beaches pertaining to swimming as well as sunbathing. It isn't really an official promise. It's just that the island features 365 beaches or one for every day's the year. Vacation cruise visitors will see that the cruise amsterdam shorelines are not correct by the docks as they might find within other locations such as Philipsburg, St. Maarten. Getting to the higher beaches will need transportation by means of pre-arranged excursion shuttle, taxi as well as car rental. However, they will likely find that shorelines are peaceful, peaceful and uncrowded because there are a lot of them. 3 beaches in close proximity to St. Johns are Runaway These types of, Dickinson Beach and Miller's Beach (also called Fort These types of Beach). Saint. Johns Antigua Visit It is possible to look, dine as well as spend time at the actual beach after a cruise pay a visit to. Anyone who doesn't have interest in a seaside will find plenty of shopping right by the Barbados cruise fatal. Heritage Quay is the main searching area. It's got many stalls filled with colorful things to acquire, some community and some not really. Negotiating over price is widespread and recognized. Redcliffe Quay is close to Heritage and provides many further shopping and also dining chances. Walk somewhat farther and you'll find yourself upon well-maintained streets with more traditional searching. U.Ersus. currency and a lot major charge cards are accepted everywhere. Tipping is common which has a recommended range of 10 to 15 per cent. English will be the official words. Attractions Similar to most Caribbean islands, Antigua provides strong beginnings in Yesteryear history. Your island's main traditional district and something of its most favored attractions can be English Harbor. Antigua's historic section was created as a bottom for the United kingdom navy in the 1700s right up until its closure in 1889. It is now part of the 15 square mls of Nelson's Dockyard Countrywide Park.
Antigua Cruise Port Claims Plenty of Shorelines
New York bile Hollandalılara aitti o günlerde ve adı da New Amsterdam’dı. Bugünkü Manhattan’ın güney ucunda küçük bir kasabadan ibaret New Amsterdam’ın ilk yerleşimcileri, şehirlerini civardaki kızılderililerden korumak için kasabanın en kuzeyine 3-4 metre yüksekliğinde tahta bir duvar inşa eder. Hollandalılar, duvara paralel uzanan sokağa da ‘’Waal Straat’’ dediler. Şehir AngloSaksonların eline geçince adı ‘’Wall Street’’ olan bu sokaktaki görünür duvar 1700’lerin başında yıkıldı. Görünmez duvar ise hala duruyor. Wall Street hala her isteyenim girebileceği bir yer değil.
Anonymous
Absolutely. The earliest slaves were brought to New Amsterdam (later called New York) by the Dutch in the 1620s. When the British took over New York in 1664, about 10 percent of the population was of African descent. The number of slaves skyrocketed as the British kidnapped thousands of African men, women, and children and brought them to the city. By 1737, 20 percent of the city’s population was enslaved—more than 1,700 people. By the middle of the century, New York had the second highest percentage of slaves in the colonies after Charleston, South Carolina. Historian Shane White analyzed census data, tax records, and directories and found that every street in New York had slave owners on it, and most people lived a few doors down from slaves, if they didn’t own one themselves. Historians estimate that about 5,000 African Americans, nearly 22 percent of the population, lived in and around New York in 1771. Very few of them were free. By the end of the American Revolution, thousands had fled to the British or run away, but thousands more continued to live in bondage.
Laurie Halse Anderson (Chains (Seeds of America #1))
Reno was somebody from the streets. I think he took to me because he saw me as somebody from the streets, somebody who hated to see the sun go down on Eighth Avenue, who would run up on Amsterdam Avenue, follow the sun down the hill, across Broadway, to the Drive and the Hudson River, and then would wait for the sun to come back. I guess Reno thought he'd found somebody who was destined to be in the streets of Harlem for the rest of his life.
Claude Brown (Manchild in the Promised Land)
I am sorry, Miss Lemay. This must have been a great shock to you and it’s all my fault. Will you come and have a drink with me? You look as if you need one.’ She dabbed her cheek some more and looked at me in a manner that demolished all thoughts of instant friendship. ‘I wouldn’t even cross the road with you,’ she said tonelessly. The way she said it indicated that she would willingly have gone half-way across a busy street with me and then abandoned me there. If I had been a blind man. ‘Welcome to Amsterdam,’ I said drearily and trudged off in the direction of the nearest bar.
Alistair MacLean (Puppet on a Chain)
In one sense we are all unique, absolutely one-of-a-kind individual creations; but in a much more profound way, each of us has come about as the result of a "long choosing." This is a phrase from writer Wendell Berry, whose book Remembering describes the main character, Andy Catlett’s, struggle with a sudden bout of amnesia. To those acquainted with Berry’s stories about Port William, Kentucky, Andy is a familiar figure, having grown up in the town’s rich web of family and neighborhood relationships. His disorientation begins during a cross-country plane trip to a scientific conference, where he is caught up in the security lines and body searches now a familiar part of the post-9/11 reality. In this world every stranger in an airport terminal is a potential enemy, someone to be kept at a safe distance. Somehow Andy makes it back to his home in rural Kentucky, but he is rough shape. He has literally forgotten who he is, and wanders about town looking for clues. His memories—and his sense of self—return only when in a confused dream state he sees his ancestors, walking together in an endless line. To Andy they are a "long dance of men and women behind, most of whom he never knew, . . . who, choosing one another, chose him.” In other words Andy Catlett is not a self-made man living in an isolated blip of a town, but he and his home are the sum of hundreds of courtships and conceptions, choices and chances, errors and hopes. We like to imagine that we are unique, absolutely unprecedented. But here is the truth: not just the tilt of our noses or the color of our bodies, but far more intimate characteristics–the shape of our feet or an inner tendency towards joy or sadness–have belonged to other people before we came along to inherit them. We came about because they decided to marry one person and not the other, to have six children instead of three, to move to a city instead of staying on the farm. It is remarkable to think of someone walking down the streets of sixteenth-century Amsterdam with my fingers and kneecaps, my tendency toward melancholy and my aptitude for music. We live within a web of holy obligation. We are connected to people of the world today, and to other invisible people: the unknown number of generations yet to be born. One of the most important things we can do, in the way we care for the earth and in the way we care for our local church life, is to recognize their potential presence. (pp.117-118)
Margaret Bendroth (The Spiritual Practice of Remembering)
Of course, Amsterdam’s flourishing mercantile classes did not invest only in art. Trade also financed the construction of the concentric canals encircling the city. Each of these was given a name indicative of the class of resident it hoped to attract: the Gentleman’s Canal (Herengracht), the Prince’s Canal (Prinsengracht), the Emperor’s Canal (Keizersgracht). A northern Venice was born, albeit with colder weather and worse food. Along the canals, handsome townhouses were built in classical or neo-Renaissance style, complete with ornamented façades, large windows and high-ceilinged rooms for entertaining guests. The houses were taxed according to their width at the front, so a unique shape of building evolved: narrow fronted but very tall and surprisingly deep, often with a sizable garden hidden Tardis-like at the back. Many included what the Dutch called doorzonwoningen, individual rooms running the whole length of the house, so that sunlight could shine all the way through from the windows at either end. Steep staircases saved valuable space inside, with elaborate systems of ropes and pulleys enabling front doors to be opened from upstairs by tugging on a loose end. Building smaller rooms on the upper floors than on the lower ones helped enhance the sense of perspective when one looked up from the street, exaggerating the height of the buildings. Gabled rooves were topped with flagpole holders pointing out like fingers, together with cranes and pulleys for lifting in furniture that would not fit through the narrow interior staircases.
Ben Coates (Why the Dutch are Different: A Journey into the Hidden Heart of the Netherlands)