Amsterdam Quotes

We've searched our database for all the quotes and captions related to Amsterdam. Here they are! All 100 of them:

Some tourists think Amsterdam is a city of sin, but in truth it is a city of freedom. And in freedom, most people find sin.
John Green (The Fault in Our Stars)
My experience in Amsterdam is that cyclists ride where the hell they like and aim in a state of rage at all pedestrians while ringing their bell loudly, the concept of avoiding people being foreign to them. My dream holiday would be a) a ticket to Amsterdam b) immunity from prosecution and c) a baseball bat.
Terry Pratchett
He called out to his fellow monks,'Come quickly I am tasting stars.
John Green (The Fault in Our Stars)
Cause I'm just - I want to go to Amsterdam, and I want him to tell me what happens after the book is over, and I just don't want my particular life, and also the sky is depressing me, and there is this old swing set out here that my dad made for me when I was a kid.' 'I must see this old swing set of tears immediately,' he said. 'I'll be over in twenty minutes.
John Green (The Fault in Our Stars)
Father sat down on the edge of the narrow bed. "Corrie," he began gently, "when you and I go to Amsterdam-when do I give you your ticket?" I sniffed a few times, considering this. "Why, just before we get on the train." "Exactly. And our wise Father in heaven knows when we're going to need things, too. Don't run out ahead of Him, Corrie. When the time comes that some of us will have to die, you will look into your heart and find the strength you need-just in time.
Corrie ten Boom (The Hiding Place: The Triumphant True Story of Corrie Ten Boom)
We're going on a, um, windmill tour later this week." If I'd wanted to shut them all up, I'd definitely succeeded. They all looked stunned. Adrian spoke first. "I'm going to assume that means he's flying you to Amsterdam on his private jet. If so, I'd like to come along. But not for the windmills.
Richelle Mead (The Golden Lily (Bloodlines, #2))
People always get used to beauty, though.” “I haven’t gotten used to you just yet,” he answered, smiling. I felt myself blushing. “Thank you for coming to Amsterdam,” he said. “Thank you for letting me hijack your wish,” I said. “Thank you for wearing that dress which is like whoa
John Green
‎These little contradictions are in all of us. They're in me at least. And so I forgot that I had been awake for 30 hours and kept walking, grateful to be a little boat full of water, still floating.
John Green
There isn’t a time set for Nikulin’s transfer. All we know for now is two Iraqi agents are going to Amsterdam—at least we think it’s that city. And we don’t know when this will occur. I will call you when we find out.
Karl Braungart (Lost Identity (Remmich/Miller, #1))
I can't go to Amsterdam. One of my doctors thinks it's a bad idea." He was quiet for a second. "God," he said. "I should've just paid for it myself. Should've just taken you straight from the Funky Bones to Amsterdam." "But then I would've had a probably fatal episode of deoxygenation in Amsterdam, and my body would have been shipped home in the cargo hold of an airplane," I said. "Well, yeah," he said. "But before that, my grand romantic gesture would have totally gotten me laid." I laughed pretty hard, hard enought that I felt where the chest tube had been. "You laugh because it's true," he said. I laughed again. "It's true, isn't it!" "Probably not," I said, and then after a moment added, "although you never know.
John Green (The Fault in Our Stars)
So how’s it going?” “Okay. Glad to be home, I guess. Gus told me you were in the ICU?” “Yeah,” I said. “Sucks,” he said. “I’m a lot better now,” I said. “I’m going to Amsterdam tomorrow with Gus.” “I know. I’m pretty well up-to-date on your life, because Gus never. Talks. About. Anything. Else.
John Green
He would work through the night and sleep until lunch. There wasn't really much else to do. Make something, and die.
Ian McEwan (Amsterdam)
The surface of Amsterdam thrives on these mutual acts of surveillance, the neighborly smothering of a person's spirit.
Jessie Burton (The Miniaturist)
You know," he said, "every time a vampire says he doesn't believe in lycanthropes, a werewolf bursts into flames.
Elizabeth Bear (New Amsterdam (New Amsterdam, #1))
Amsterdam is like the rings of a tree: It gets older as you get closer to the center.
John Green (The Fault in Our Stars)
Amsterdam: Where the pendulum swings from God to a guilder.
Jessie Burton (The Miniaturist)
You're always such a disappointment, Augustus. Couldn't you have at least gotten orange tomatoes?
John Green (The Fault in Our Stars)
Thank you for letting me hijack your wish', I said. 'Thank you for wearing that dress which is like whoa," he said.
John Green (The Fault in Our Stars)
This is the tale of Magic Alex, the man who was everywhere: with Leonard Cohen in Hydra; in Crete with Joni Mitchell; in a Paris bathroom when Jimmy Morrison went down; working as a roadie setting up the Beatles last rooftop gig; an assistant to John and Yoko when they had a bed-in at the Amsterdam Hilton; with the Stones when they were charged for pissing against a wall; the first to find and save Dylan after the motorcycle accident; having it off with Mama Cass hours before she choked the big one; arranging the security at Altamont; at Haight-Ashbury with George Harrison and the Grateful Dead; and in the Japanese airport with McCartney after the dope rap. He was the guy Carly Simon was really singing about and the missing slice of ‘Bye, Bye Miss American Pie’.
Harry F. MacDonald (Magic Alex and the Secret History of Rock and Roll)
Martin said, "It feels as though part of my self has detached and gone to Amsterdam, where it—she—is waiting for me. Do you know about phantom-limb syndrome?" Julia nodded. "There's pain where she ought to be. It's feeding the other pain, the thing that makes me wash and count and all that. So her absence is stopping me from going to find her. Do you see?
Audrey Niffenegger (Her Fearful Symmetry)
Without someone to talk to, every sight I saw—whether it was the Trevi Fountain or a canal in Amsterdam—felt simply like a name on a list that I needed to check off.
Jojo Moyes (After You (Me Before You, #2))
Location: Amsterdam, Where Fire Is Called "Vlam
Kristin Cashore
We knew so little about eachother. We lay mostly submerged, like ice floes with our visible social selves projecting only cool and white. Here was a rare sight below the waves, of a man's privacy and turmoil, of his dignity upended by the overpowering necessity of pure fantasy, pure thought, by the irreducible human element - Mind.
Ian McEwan (Amsterdam)
There wasn't really much else to do. Make something, and die.
Ian McEwan (Amsterdam)
Schiphol Airport in Amsterdam. There the authorities have etched the image of a black housefly into each urinal. It seems that men usually do not pay much attention to where they aim, which can create a bit of a mess, but if they see a target, attention and therefore accuracy are much increased.
Richard H. Thaler (Nudge: Improving Decisions About Health, Wealth, and Happiness)
People always get used to beauty, though. I haven't gotten used to you just yet, he answered, smiling. I felt myself blushing. Thank you for coming to Amsterdam, he said.
John Green (The Fault in Our Stars)
At last we heard Father's footsteps winding up the stairs. It was the best moment in every day, when he came up to tuck us in. We never fell asleep until he had arranged the balnkets in his special way and laid his hand for a moment on each head. Then we tried not to move even a toe. But that night as he stepped through the door I burst into tears. "I need you!" I sobbed. "You can't die! You can't!" Father sat down on the edge of the narrow bed. "Corrie," he began gently, "when you and I go to Amsterdam, when do I give you your ticket?" I sniffed a few times, considering this. "Why, just before we get on the train." "Exactly. And our wise Father in Heaven knows when we're going to need things too. Don't run out ahead of Him, Corrie. When the time comes that some of us will have to die, you will look into your heart and find the strength you need--just in time.
Corrie ten Boom (The Hiding Place: The Triumphant True Story of Corrie Ten Boom)
My thoughts are an ocean, they wash woefully up against their limits.
Nescio (Amsterdam Stories)
It was Begbie who ensured he could never return. He had done what he wanted to do. He could now never go back to Leith, to Edinburgh, even to Scotland, ever again. There, he could not be anything other than he was. Now, free from them all, for good, he could be what he wanted to be. He'd stand or fall alone. This thought both terrified and excited him as he contemplated life in Amsterdam.
Irvine Welsh (Trainspotting)
Opinions are like kittens," he commented. "People are always giving them away.
Elizabeth Bear (Ad Eternum (New Amsterdam, #4))
We know so little about each other. We lie mostly submerged, like ice floes, with our visible social selves projecting only cool and white.
Ian McEwan (Amsterdam)
As far as the welfare of every other living form on earth was concerned, the human project was not just a failure, it was a mistake from the very beginning.
Ian McEwan (Amsterdam)
So they were pen pals now, Emma composing long, intense letters crammed with jokes and underlining, forced banter and barely concealed longing; two-thousand-word acts of love on air-mail paper. Letters, like compilation tapes, were really vehicles for unexpressed emotions and she was clearly putting far too much time and energy into them. In return, Dexter sent her postcards with insufficient postage: ‘Amsterdam is MAD’, ‘Barcelona INSANE’, ‘Dublin ROCKS. Sick as DOG this morning.’ As a travel writer, he was no Bruce Chatwin, but still she would slip the postcards in the pocket of a heavy coat on long soulful walks on Ilkley Moor, searching for some hidden meaning in ‘VENICE COMPLETELY FLOODED!!!!
David Nicholls
In a language as idiomatically stressed as English, opportunities for misreadings are bound to arise. By a mere backward movement of stress, a verb can become a noun, an act a thing. To refuse, to insist on saying no to what you believe is wrong, becomes at a stroke refuse, an insurmountable pile of garbage.
Ian McEwan (Amsterdam)
Was it boredom or sadism that made the shirt service people do up every single button?
Ian McEwan (Amsterdam)
We're going on a, um, windmill tour later this week." If I'd wanted to shut them all up, I'd definitely succeeded. They all looked stunned. Adrian spoke first. "I'm going to assume that means he's flying you to Amsterdam on his private jet. If so, I'd like to come along. But not for the windmills.
Richelle Mead (The Golden Lily (Bloodlines, #2))
But words are water in Amsterdam, they flood your ears and set the rot, and the church's east corner is crowded.
Jessie Burton
Algunos turistas creen que Amsterdam es la ciudad del pecado, pero en realidad es la ciudad de la libertad. Y en la libertad casi todos encuentran el pecado.
John Green (Bajo la misma estrella)
This is the one thing I hope: that she never stopped. I hope when her body couldn’t run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine. I hope every second she could have had came flooding through that cottage like speed wind: ribbons and sea spray, a wedding ring and Chad’s mother crying, sun-wrinkles and gallops through wild red brush, a baby’s first tooth and its shoulder blades like tiny wings in Amsterdam Toronto Dubai; hawthorn flowers spinning through summer air, Daniel’s hair turning gray under high ceilings and candle flames and the sweet cadences of Abby’s singing. Time works so hard for us, Daniel told me once. I hope those last few minutes worked like hell for her. I hope in that half hour she lived all her million lives.
Tana French (The Likeness (Dublin Murder Squad, #2))
And if Amsterdam was hell, and if hell was a memory, then he realized that perhaps there was some purpose to his being lost. Cut off from everything that was familiar to him, unable to discover even a single point of reference, he saw that his steps, by taking him nowhere, were taking him him nowhere but into himself. He was wandering inside himself, and he was lost. Far from troubling him, this state of being lost because a source of happiness, of exhilaration. He breathed it into his very bones. As if on the brink of some previously hidden knowledge, he breathed it into his very bones and said to himself, almost triumphantly: I am lost.
Paul Auster (The Invention of Solitude)
Are you crying, Hazel Grace?" "Kind of?" "Why?" he asked. "'Cause I'm just-I want to go to Amsterdam, and I want him to tell me what happens after the book is over, and I just don't want my particular life, and also the sky is depressing me, and there is this old swing set out here that my dad made for me when I was a kid." "I must see this old swing set of tears immediately," he said. "I'll be over in twenty minutes.
John Green (The Fault in Our Stars)
The slave trade was not controlled by any state or government. It was a purely economic enterprise, organised and financed by the free market according to the laws of supply and demand. Private slave-trading companies sold shares on the Amsterdam, London and Paris stock exchanges. Middle-class Europeans looking for a good investment bought these shares. Relying on this money, the companies bought ships, hired sailors and soldiers, purchased slaves in Africa, and transported them to America. There they sold the slaves to the plantation owners, using the proceeds to purchase plantation products such as sugar, cocoa, coffee, tobacco, cotton and rum.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
It is so. It cannot be otherwise.
Inscription on the Ruins of a 15th Century Cathedral in Amsterdam
and roads, new roads probing endlessly, shamelessly, as though all that mattered was to be elsewhere.
Ian McEwan (Amsterdam)
He knew from long experience that a letter sent in fury merely put a weapon into the hands of your enemy
Ian McEwan (Amsterdam)
They go to Amsterdam to see a famous writer, but they really go to Amsterdam to have sex.
Kathleen Glasgow (How to Make Friends with the Dark)
Liesel and Papa made their way through the book, this man was traveling to Amsterdam on business and the snow was shivering outside. The girl loved that- the shivering snow. "That's exactly what it does when it comes down," she told Hans Hubermann.
Markus Zusak (The Book Thief)
I swear on Peter Stuyvesant’s peg leg that the country that became the U.S. bears a closer family resemblance to the devil-may-care merchants of New Amsterdam than it does to Boston’s communitarian English majors.
Sarah Vowell (The Wordy Shipmates)
What the world thought made little difference. Rembrandt had to paint. Whether he painted well or badly didn't matter; painting was the stuff that held him together as a man. The chief value of art, Vincent, lies in the expression it gives to the artist. Rembrandt fulfilled what he knew to be his life purpose; that justified him. Even if his work had been worthless, he would have been a thousand times more successful than if he had put down his desire and become the richest merchant in Amsterdam. (Mendes Da Costa
Irving Stone (Lust for Life)
You are a stone, thrown upon a lake. But the ripples you create will never make you still.
Jessie Burton (The Miniaturist (The Miniaturist, #1))
I’d asked the same question a few years earlier in Amsterdam and learned that in the Netherlands you’re more apt to bring a disease into it. “Like if someone drives in a crazy way, it’s normal to call them a cholera sufferer,” a Dutch woman told me. “Either that or a cancer whore.
David Sedaris (Calypso)
After he saw God [Tony Amsterdam] felt really good, for around a year. And then he felt really bad. Worse than he ever had before in his life. Because one day it came over him, he began to realize, that he was never going to see God again; he was going to live out his whole remaining life, decades, maybe fifty years, and see nothing but what he had always seen. What we see. He was worse off than if he hadn’t seen God. He told me one day he got really mad; he just freaked out and started cursing and smashing things in his apartment. He even smashed his stereo. He realized he was going to have to live on and on like he was, seeing nothing. Without any purpose. Just a lump of flesh grinding along, eating, drinking, sleeping, working, crapping.” “Like the rest of us.” It was the first thing Bob Arctor had managed to say; each word came with retching difficulty. Donna said, “That’s what I told him. I pointed that out. We were all in the same boat and it didn’t freak the rest of us. And he said, ‘You don’t know what I saw. You don’t know.’
Philip K. Dick (A Scanner Darkly)
Our City has a rich history, even though many tourists are only wanting to see the Red Light District. Some tourists think Amsterdam is a city of sin, but in truth it is a city of freedom. And in freedom, most peopke find sin. - taxi driver
John Green (The Fault in Our Stars)
Each day he made attempts … but produced nothing but quotations, thinly or well disguised, of his own work. Nothing sprang free of its own idiom, its own authority, to offer the element of surprise that would be the guarantee of originality.
Ian McEwan (Amsterdam)
...the curious Dutch classification gedogen, which means 'technically illegal but officially tolerated.
Russell Shorto (Amsterdam: A History of the World's Most Liberal City)
And so the little poet poetized away his never-ending poem and even the silliest woman could poetize with him. But they couldn't be together. And maybe that was what made it so beautiful.
Nescio (Amsterdam Stories)
If you go to Singapore or Amsterdam or Seoul or Buenos Aires or Islamabad or Johannesburg or Tampa or Istanbul or Kyoto, you'll find that the people differ wildly in the way they dress, in their marriage customs, in the holidays they observe, in their religious rituals, and so on, but they all expect the food to be under lock and key. It's all owned, and if you want some, you'll have to buy it.
Daniel Quinn
By seeing how small the world is, I realize how capable I am. I can conquer anything. Anywhere. Anyone.
Tawny Lara
Thing is, we could discuss it out loud in front of the gentlemen over there, or you could get off my case and make a pleasant farewell. That is to say, fuck off.
Ian McEwan (Amsterdam)
Never patronize your readers. That means don't talk down to them.
Tom Greer
We are the shoes, we are the last witnesses. We are shoes from grandchildren and grandfathers From Prague, Paris and Amsterdam, And because we are only made of fabric and leather And not of blood and flesh, Each one of us avoided the hellfire.
Moshe Szulsztein
Opinions differ on the question of whether a golden age is something you can experience while it's happening or whether it only comes into focus on reflection...no matter how grand and prosperous and momentous the time in which you are living may be, its grandeur is inevitably stained by the incessant drabness of the present.
Russell Shorto (Amsterdam: A History of the World's Most Liberal City)
The older he got, the simpler the world was revealed to be.
Elizabeth Bear (Seven for a Secret (New Amsterdam, #2))
The rules of this house are written in water. I must either sink or swim.
Jessie Burton (The Miniaturist (The Miniaturist, #1))
I'm not a poet and I'm not a nature lover and I'm not an Anarchist. I am, thank God, absolutely nothing.
Nescio (Amsterdam Stories)
Everyone nodded, nobody agreed.
Ian McEwan (Amsterdam)
The ultimate aim of government is not to rule, or restrain, by fear, nor to exact obedience, but contrariwise, to free every man from fear, that he may live in all possible security; in other words, to strengthen his natural right to exist and work without injury to himself or to others. No, the object of government is not to change men from rational beings into beasts or puppets, but to enable them to develop their minds and bodies in security, and to employ their reason unshackled; neither showing hatred, anger, or deceit, nor watched with the eyes of jealousy and injustice. In fact, the true aim of government is liberty. Benedictus De Spinoza, "Tractates Theologico-Politicus" 1670, Amsterdam Trans RHM Elwes 1937
Baruch Spinoza
Citizenship of a democratic state means living by the laws of the country. A liberal democracy cannot survive when part of the population believes that divine laws trump those made by man.
Ian Buruma (Murder in Amsterdam: The Death of Theo Van Gogh and the Limits of Tolerance)
When she found a place of her own and packed her bags he asked her to marry him. She kissed him, and quoted in his ear, "He married a woman to stop her getting away, Now she’s there all day.
Ian McEwan (Amsterdam)
Look, it is snowing! Oh, I must go out! Amsterdam asleep in the white night, the dark jade canals under the little snow-covered bridges, the empty streets, my muted steps--there will be purity, even if fleeting, before tomorrows mud.See the huge flakes drifting against the windowpanes. It must be the doves, surely. They finally make up their minds to come down, the little dears; they are covering the waters and the roofs with a thick layer of feathers; they are fluttering at every window. What an invasion! Lets hope they are bringing good news.
Albert Camus (The Fall)
Oh but to write what you think is so amazing- whoosh, whoosh, you don't even know how you're doing it and suddenly there it is, exactly the way it has to be. And when you read it later you're right back in your earlier life again and yet you don't know if you're yourself or someone else.
Nescio (Amsterdam Stories)
Where land was controlled by noblemen and/or the Church in other parts of Europe, in the province of Holland, circa 1500, only 5 percent of the land was owned by nobles, while peasants owned 45 percent of it.
Russell Shorto (Amsterdam: A History of the World's Most Liberal City)
I had been to Amsterdam a couple of times with Eric; we loved the museums and the Concertgebouw (it was here that I first heard Benjamin Britten’s Peter Grimes, in Dutch). We loved the canals lined with tall, stepped houses; the old Hortus Botanicus and the beautiful seventeenth-century Portuguese synagogue; the Rembrandtplein with its open-air cafés; the fresh herrings sold in the streets and eaten on the spot; and the general atmosphere of cordiality and openness which seemed peculiar to the city.
Oliver Sacks (On the Move: A Life)
I have a boy problem,” I said. “DELICIOUS,” Kaitlyn responded. I told her all about it, complete with the awkward face touching, leaving out only Amsterdam and Augustus’s name. “You’re sure he’s hot?” she asked when I was finished. “Pretty sure,” I said. “Athletic?” “Yeah, he used to play basketball for North Central.” “Huh,” Kaitlyn said. “Out of curiosity, how many legs does this guy have?” “Like, 1.4,” I said, smiling. Basketball players were famous in Indiana, and although Kaitlyn didn’t go to North Central, her social connectivity was endless. “Augustus Waters,” she said. “Um, maybe?” “Oh, my God. I’ve seen him at parties. The things I would do to that boy. I mean, not now that you’re interested in him. But, oh, sweet holy Lord, I would ride that one-legged pony all the way around the corral.” “Kaitlyn,” I said. “Sorry. Do you think you’d have to be on top?” “Kaitlyn,” I said. “What were we talking about. Right, you and Augustus Waters. Maybe…are you gay?
John Green (The Fault in Our Stars)
Cycling nowadays is tantamount to attempting suicide.
Pete Jordan (In the City of Bikes: The Story of the Amsterdam Cyclist)
The words were low, more shape than breath.
Elizabeth Bear (New Amsterdam (New Amsterdam, #1))
From little seeds great flowers grow.
Jessie Burton (The Miniaturist (The Miniaturist, #1))
Then, with an extended, falling glissando of disgust, the whole string section, plus flutes and piccolo, surged toward the brass, leaving the music critic and his deed - an early evening frites and mayonnaise on Oude Hoogstraat - illuminated under a lonely chandelier.
Ian McEwan (Amsterdam)
Still, I had resolved to sit and talk with him and that is what I would do. He neither offered permission nor withheld it regarding the curtains, so I stepped over to the window and pulled them apart, glancing down onto the New York streets below. The yellow cabs were driving up and down honking their horns and the view between the skyscrapers held me for a minute. I had never fallen in love with this city—even after almost seven years my head was still in Amsterdam and my heart was still in Dublin—but there were moments, like this one, when I understood why others did.
John Boyne (The Heart's Invisible Furies)
Dear Ms. Lancaster, I fear your faith has been misplaced-but then, faith usually is. I cannot answer your questions, at least not in writing, because to write out such answers would constitute a sequel to An Imperial Affliction, which you might publish or otherwise share on the network that has replaced the brains of your generation. There is the telephone, but then you might record the conversation. Not that I don't trust you, of course, but I don't trust you. Alas, dear Hazel, I could never answer such questions except in person, and you are there while I am here. That noted, I must confess that the unexpected receipt of your correspondence via Ms. Vliegenthart has delighted me: What a wondrous thing to know that I made something useful to you-even if that book seems so distant from me that I feel it was written by a different man altogether. (The author of that novel was so thin, so frail, so comparatively optimistic!) Should you find yourself in Amsterdam, however, please do pay a visit at your leisure. I am usually home. I wouold even allow you a peek at my grocery lists. Your most sincerely, Peter Van Houten c/o Lidewij Vliegenthart
John Green (The Fault in Our Stars)
After every shirt she looks at me and smiles, letting go of air she no longer needs. She laughs after the sweater, knowing I’m gonna tell her it’s too hot for it, knowing she’ll say it’s for the plane and ask “what if the room gets cold?
Darnell Lamont Walker (Book of She)
the smell of canals and cigarette smoke, all the people sitting outside the cafés drinking beer, saying their r's and g's in a way I'd never learn. I missed the future. Obviously I knew even before this recurrence that I'd never grow old with Augustus Waters. But thinking about Lidewij and her boyfriend, I felt robbed. I would probably never again see the ocean from thirty thousand feet above, so far up you can't make out the waves or any boats, so that the ocean is a great and endless monolith. I could imagine it. I could remember it. But I couldn't see it again, and it occurred to me that the voracious ambition of humans is never sated by dreams coming true, because there is always the thought that everything might be done better and again. That is probably true even if you live to be ninety.
John Green (The Fault in Our Stars)
I’m here because of a letter. Not the kind with hearts and lipstick marks, but the kind that takes your breath away. I wanted it to have that effect on him, and so it was the story of how we fell in love told through our kisses. Both kisses we’d had and kisses I wanted to have, and places I wanted to kiss. Places like Paris and Amsterdam, along the river or by the canal, or Kauai under waterfalls. It was an epic love letter, and it was all I’d ever wanted in my life-to feel that kind of epic love.
Lauren Blakely (21 Stolen Kisses)
Islam may soon become the majority religion in countries whose churches have been turned more and more into tourist sites, apartment houses, theatres, and places of entertainment. The French scholar Olivier Roy is right: Islam is now a European religion.
Ian Buruma (Murder in Amsterdam: The Death of Theo van Gogh and the Limits of Tolerance)
You could look at the work of any Dutch master for an idea of the morning light we cycle through. There is a white cleanness to it, a rinsed quality. It’s a sober light, without, for example, any of the orange particulate glow you get from the Mediterranean sun.
Russell Shorto (Amsterdam: A History of the World's Most Liberal City)
It must be good to die in the knowledge that one has done some truthful work and to know that, as a result, one will live on in the memory of at least a few, and leave a good example for those who come after. A work that is good may not last for ever, but the thought expressed by it will. And the work itself will surely survive for a very long time. And those who come later can do no better than follow in the footsteps of such predecessors and copy their example." "The Letters of Vincent van Gogh" (Amsterdam, 3 March 1878)
Vincent van Gogh (The Letters of Vincent van Gogh)
For liberalism is a delicate thing. It encompasses so much -- constitutional government, democratic elections, freedom of worship, civil rights, free trade -- that we think of it as timeless and universal. But liberalism came into being in a real place and time, like a flame it has wavered in various eras, and it can be snuffed out.
Russell Shorto (Amsterdam: A History of the World's Most Liberal City)
A world that becomes more Muslim becomes less everything else. First it’s Jews, already abandoning France. Then it’s homosexuals, already under siege from gay-bashing in Amsterdam, ‘the most tolerant city in Europe’. Then it’s uncovered women, targetted for rape in Oslo. And if you don’t any longer have any Jews or (officially) any gays or (increasingly) uncovered women, there are always just Christians in general, from Nigeria to Egypt to Pakistan. More space for Islam means less space for everything else, and in the end for you.
Mark Steyn
The following day the editor presided over a sudued meeting with his senior staff. Tony Montano sat to one side, a silent observer. "It's time we ran more regular columns. They're cheap, and everyone else is doing them. You know, we hire someone of low to medium intelligence, possibly female, to write about, well, nothing much. You've seen that sort of thing. Goes to a party and can't remember anyone's name. Twelve hundred words." "Sort of naval gazing," Jeremy Ball suggested. "Not quite. Gazing is too intellectual. More like naval chat.
Ian McEwan (Amsterdam)
There was actually a time when people wanted to give Hitler the benefit of the doubt as to his intentions (in 1935, Winston Churchill thought it possible that Hitler might “go down in history as the man who restored honour and peace of mind to the Great Germanic nation”).
Russell Shorto (Amsterdam: A History of the World's Most Liberal City)
Does it matter if they were from Kielce or Brno or Grodno or Brody or Lvov or Turin or Berlin? Or that the silverware or one linen tablecloth or the chipped enamel pot—the one with the red stripe, handed down by a mother to her daughter—were later used by a neighbour or someone they never knew? Or if one went first or last; or whether they were separated getting on the train or off the train; or whether they were taken from Athens or Amsterdam or Radom, from Paris or Bordeaux, Rome or Trieste, from Parczew or Bialystok or Salonika. Whether they were ripped from their dining-room tables or hospital beds or from the forest? Whether wedding rings were pried off their fingers or fillings from their mouths? None of that obsessed me; but—were they silent or did they speak? Were their eyes open or closed? I couldn't turn my anguish from the precise moment of death. I was focused on that historical split second: the tableau of the haunting trinity—perpetrator, victim, witness. But at what moment does wood become stone, peat become coal, limestone become marble? The gradual instant.
Anne Michaels (Fugitive Pieces)
A year ago, I was at a dinner in Amsterdam when the question came up of whether each of us loved his or her country. The German shuddered, the Dutch were equivocal, the Brit said he was "comfortable" with Britain, the expatriate American said no. And I said yes. Driving across the arid lands, the red lands, I wondered what it was I loved. the places, the sagebrush basins, the rivers digging themselves deep canyons through arid lands, the incomparable cloud formations of summer monsoons, the way the underside of clouds turns the same blue as the underside of a great blue heron's wings when the storm is about to break. Beyond that, for anything you can say about the United States, you can also say the opposite: we're rootless except we're also the Hopi, who haven't moved in several centuries; we're violent except we're also the Franciscans nonviolently resisting nucelar weapons out here; we're consumers except the West is studded with visionary environmentalists...and the landscape of the West seems like the stage on which such dramas are played out, a space without boundaries, in which anything can be realized, a moral ground, out here where your shadow can stretch hundreds of feet just before sunset, where you loom large, and lonely.
Rebecca Solnit (Storming the Gates of Paradise: Landscapes for Politics)
Over a quarter of a century ago she and Vernon had made a household for almost a year, in a tiny rooftop flat on the rue de Seine. There were always damp towels on the floor then, and cataracts of her underwear tumbling from drawers she never closed, a big ironing board that was never folded away, and in the one overfilled wardrobe dresses , crushed and shouldering sideways like commuters on the metro. Magazines, makeup, bank statements, bead necklaces, flowers, knickers, ashtrays, invitations, tampons, LPs, airplane tickets, high heeled shoes- not a single surface was left uncovered by something of Molly's, so that when Vernon was meant to be working at home, he took to writing in a cafe along the street. And yet each morning she arose fresh from the shell of this girly squalor, like a Botticelli Venus, to present herself, not naked, of course, but sleekly groomed, at the offices of Paris Vogue.
Ian McEwan (Amsterdam)
In his corner of West London, and in his self-preoccupied daily round, it was easy for Clive to think of civilization as the sum of all the arts, along with design, cuisine, good wine, and the like. But now it appeared that this was what it really was- square miles of meager modern houses whose principal purpose was the support of TV aerials and dishes; factories producing worthless junk to be advertised on the televisions and, in dismal lots, lorries queuing to distribute it, and everywhere else, roads and the tyranny of traffic.
Ian McEwan (Amsterdam)
God's throne is still unshaken. His world just takes its course. Now and then God smiles for a moment about the important gentlemen who think they're really something. A new batch of little Titans are still busy piling up little boulders so that they can topple him down off his heights and arrange the world the way they think it should be. He only laughs, and thinks: "That's good, boys. You may be crazy but I still like you better than the proper, sensible gentlemen. I'm sorry you have to break your necks and I have to let the gentlemen thrive, but I'm only God." And So everything takes its little course, and woe to those who ask: Why?
Nescio (Amsterdam Stories)
It was in December. I stood in the back of the tram, all the way in the back. It drove through the country and stopped and started again, it took hours, the countryside was endless. And the sky got bluer and bluer and the sun shone until it seemed like flowers would have to start sprouting out of the country bumpkins. And the red roofs in the villages and the black trees and the fields, most of them covered with straw, had it nice and warm, and the dunes sat bareheaded in the sun. And the road lay there, white and smarting, it couldn't bear the sunlight, and the glass panes of the village streetlamp flashed, they had trouble withstanding the glare too. But I got colder and colder. And the tram ran as long as the sun shone. It's a long ride from Hillegom to Leiden and the days are short in December. By the end, a block of ice was standing there on the tram staring into the big stupid cold sun that was flaming red as though the revolution was finally starting, as though offices were being blown up all over Amsterdam, but still it couldn't bring a spark of life back to my cold feet and stiff legs. And it kept getting bigger and colder, the sun, and I got colder and stayed the same size, and the blue sky looked down very disapprovingly: What are you doing on that tram?
Nescio (Amsterdam Stories)
Barry Schwartz points out in his book, The Paradox of Choice, that this kind of sheep-in-wolf’s-clothing decision is more likely to come up the more options you have to choose from. The greater the number of available options, the greater the likelihood that more than one of those options will look pretty good to you. The more options that look pretty good to you, the more time you spend in analysis paralysis. That’s the paradox: more choice, more anxiety. Remember, if the only choices are between Paris and a trout cannery, no one has a problem. But what if the choices are Paris or Rome or Amsterdam or Santorini or Machu Picchu? You get the picture. THE ONLY-OPTION TEST For any options you’re considering, ask yourself, “If this were the only option I had, would I be happy with it?” A useful tool you can use to break the gridlock is the Only-Option Test. If this were the only thing I could order on the menu . . . If this were the only show I could watch on Netflix tonight . . . If this were the only place I could go for vacation . . . If this were the only college I got accepted to . . . If this were the only house I could buy . . . If this were the only job I got offered . . . The Only-Option Test clears away the debris cluttering your decision. If you’d be happy if Paris were your only option, and you’d be happy if Rome were your only option, that reveals that if you just flip a coin, you’ll be happy whichever way the coin lands.
Annie Duke (How to Decide: Simple Tools for Making Better Choices)
For years, the people of Congo spoke of giant chimpanzees that ate lions, fished, and howled at the moon. In fact, the animal was called “lion killer” by the native people. Of course, traditional scientists attributed the rumors to a highly imaginative indigenous group whose bedtime stories had gotten a little out of hand. Besides, the descriptions seemed to more closely match a gorilla than a chimp. It was said that it lived in nests on the ground, rather than in the trees; that it was not aggressive toward humans; that it walked on two feet for longer distances than is typical for a chimp; and that it grew to as large as six and half feet tall. All in all, it was too incredible to be real, at least for the Western world. Still, in 1996, when word of the giant chimps got out, researchers descended on Congo. Although scat, hair, and other evidence was found, it wasn’t until 2005 that the chimps were actually seen by a Westerner. Primatologist Shelly Williams was in the Congo, searching for the creatures, when a group of four of them emerged from the trees, charging at her. They were at least five feet tall, with wide flat faces, a pronounced brow, and gray fur. Yet when they noticed Williams’s face, they stopped their charge and walked away. This lack of aggression toward humans was repeated in other encounters, including those of Cleve Hicks of the University of Amsterdam, who spent eighteen months observing the creatures following the Williamses’ encounter. He, too, found that they had no fear of humans, but rather seemed to recognize humans as a cousin of sorts.
R.D. Brady (Hominid)
And another question we are asking is: what is going to happen to humanity, to all of us, when the computer outthinks man in accuracy and rapidity—as the computer experts are saying it will? With the development of the robot, man will only have, perhaps, two hours of work a day. This may be going to happen within the foreseeable future. Then what will man do? Is he going to be absorbed in the field of entertainment? That is already taking place: sports are becoming more important; there is the watching of television; and there are the varieties of religious entertainment. Or is he going to turn inwardly, which is not an entertainment but something which demands great capacity of observation, examination and non-personal perception? These are the two possibilities. The basic content of our human consciousness is the pursuit of pleasure and the avoidance of fear. Is humanity increasingly going to follow entertainment? 21st July, 1981
J. Krishnamurti (The Network Of Thought: Authentic Reports of Talks in 1981 in Saanen, Switzerland and Amsterdam Holland)
In interviews with riders that I've read and in conversations that I've had with them, the same thing always comes up: the best part was the suffering. In Amsterdam I once trained with a Canadian rider who was living in Holland. A notorious creampuff: in the sterile art of track racing he was Canadian champion in at least six disciplines, but when it came to toughing it out on the road he didn't have the character. The sky turned black, the water in the ditch rippled, a heavy storm broke loose. The Canadian sat up straight, raised his arms to heaven and shouted: 'Rain! Soak me! Ooh, rain, soak me, make me wet!' How can that be: suffering is suffering, isn't it? In 1910, Milan—San Remo was won by a rider who spent half an hour in a mountain hut, hiding from a snowstorm. Man, did he suffer! In 1919, Brussels—Amiens was won by a rider who rode the last forty kilometers with a flat front tire. Talk about suffering! He arrived at 11.30 at night, with a ninety-minute lead on the only other two riders who finished the race. The day had been like night, trees had whipped back and forth, farmers were blown back into their barns, there were hailstones, bomb craters from the war, crossroads where the gendarmes had run away, and riders had to climb onto one another's shoulders to wipe clean the muddied road signs. Oh, to have been a rider then. Because after the finish all the suffering turns into memories of pleasure, and the greater the suffering, the greater the pleasure. That is Nature's payback to riders for the homage they pay her by suffering. Velvet pillows, safari parks, sunglasses: people have become woolly mice. They still have bodies that can walk for five days and four nights through a desert of snow, without food, but they accept praise for having taken a one-hour bicycle ride. 'Good for you.' Instead of expressing their gratitude for the rain by getting wet, people walk around with umbrellas. Nature is an old lay with few suitors these days, and those who wish to make use of her charms she rewards passionately. That's why there are riders. Suffering you need; literature is baloney.
Tim Krabbé (The Rider)