Amnesia Quotes

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Right now I’m having amnesia and déjà vu at the same time. I think I’ve forgotten this before.
Steven Wright
I just want to sleep. A coma would be nice. Or amnesia. Anything, just to get rid of this, these thoughts, whispers in my mind. Did he rape my head, too?
Laurie Halse Anderson (Speak)
Percy scowled. "I-I know you." Nico raised his eyebrows. "Do you?
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Please excuse Jason from eternal damnation. He has had amnesia.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Humans were so circular; they lived the same slow cycles of joy and misery over and over, never learning. Every lesson in the universe had to be taught billions of times, and it never stuck. Maybe it was good that the world forgot every lesson, every good and bad memory, every triumph and failure, all of it dying with each generation. Perhaps this cultural amnesia spared them all. Perhaps if they remembered everything, hope would die instead.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Briefly stated, the Gell-Mann Amnesia effect is as follows. You open the newspaper to an article on some subject you know well. In Murray's case, physics. In mine, show business. You read the article and see the journalist has absolutely no understanding of either the facts or the issues. Often, the article is so wrong it actually presents the story backward—reversing cause and effect. I call these the "wet streets cause rain" stories. Paper's full of them. In any case, you read with exasperation or amusement the multiple errors in a story, and then turn the page to national or international affairs, and read as if the rest of the newspaper was somehow more accurate about Palestine than the baloney you just read. You turn the page, and forget what you know.
Michael Crichton
Amnesia is not knowing who one is and wanting desperately to find out. Euphoria is not knowing who one is and not caring. Ecstasy is knowing exactly who one is - and still not caring.
Tom Robbins (Another Roadside Attraction)
Heartbreak is its own form of amnesia.
Lauren Kate (Rapture (Fallen, #4))
My father tutored me well on amnesia. He always said it was a necessary ingredient for any friendship. (Kiara)
Sherrilyn Kenyon (Born of the Night (The League, #1))
My youngest brother had a wonderful schtick from some time in high school, through to graduating medicine. He had a card in his wallet that read, ‘If I am found with amnesia, please give me the following books to read …’ And it listed half a dozen books where he longed to recapture that first glorious sense of needing to find out ‘what happens next’ … the feeling that keeps you up half the night. The feeling that comes before the plot’s been learned.
Guy Gavriel Kay
We are the United States of Amnesia, we learn nothing because we remember nothing.
Gore Vidal
Stupidity is to have amnesia over your own faults when the person you hate makes theirs.
Shannon L. Alder
But in the end, back she comes. There's no use resisting. She goes to him for amnesia, for oblivion. She renders herself up, is blotted out; enters the darkness of her own body, forgets her name. Immolation is what she wants, however briefly. To exist without boundaries.
Margaret Atwood (The Blind Assassin)
But revenge is hollow. I'd prefer amnesia.
Tera Lynn Childs (Oh. My. Gods. (Oh. My. Gods., #1))
my heart has developed a kind of amnesia, where it remembers everything but itself.
Sabrina Benaim (Depression & Other Magic Tricks)
Look, when you get your memory back and can divulge all your secrets from the past, we'll have a sleepover and I'll tell you everything; but, as far as I'm concerned, until that day arrives, we both have amnesia.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
All is as if the world did cease to exist. The city's monuments go unseen, its past unheard, and its culture slowly fading in the dismal sea.
Nathan Reese Maher
Redhead marrying, amnesia getting, bastard!
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
People seem able to love their dogs with an unabashed acceptance that they rarely demonstrate with family or friends. The dogs do not disappoint them, or if they do, the owners manage to forget about it quickly. I want to learn to love people like this, the way I love my dog, with pride and enthusiasm and a complete amnesia for faults. In short, to love others the way my dog loves me.
Ann Patchett (This is the Story of a Happy Marriage)
Historical amnesia is a dangerous phenomenon not only because it undermines moral and intellectual integrity but also because it lays the groundwork for crimes that still lie ahead.
Noam Chomsky (Who Rules the World? (American Empire Project))
Luck can be the magic star that makes our day. Nonetheless, we slowly throttle the power of our creativity if we are overly dependent on luck. Being only reliant on chance events to achieve the essential steps of our fundamental goals in life might lead us into complacency or amnesia. (“The infinite Wisdom of Meditation“)
Erik Pevernagie
I keep forgetting about your amnesia. Heh. Forgetting about amnesia. That's funny.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
My head is killing me, my throat is killing me, my stomach bubbles with toxic waste. I just want to sleep. A coma would be nice. Or amnesia. Anything, just to get rid if this, these thoughts, whispers in my mind.
Laurie Halse Anderson (Speak)
The calcium in collarbones I have kissed. The iron in the blood flushing those cheeks. We imprint our intimacies upon atoms born from an explosion so great it still marks the emptiness of space. A shimmer of photons bears the memory across the long dark amnesia. We will be carried too, mysterious particles that we are.
Anthony Marra (The Tsar of Love and Techno)
Mountains seem to answer an increasing imaginative need in the West. More and more people are discovering a desire for them, and a powerful solace in them. At bottom, mountains, like all wildernesses, challenge our complacent conviction - so easy to lapse into - that the world has been made for humans by humans. Most of us exist for most of the time in worlds which are humanly arranged, themed and controlled. One forgets that there are environments which do not respond to the flick of a switch or the twist of a dial, and which have their own rhythms and orders of existence. Mountains correct this amnesia. By speaking of greater forces than we can possibly invoke, and by confronting us with greater spans of time than we can possibly envisage, mountains refute our excessive trust in the man-made. They pose profound questions about our durability and the importance of our schemes. They induce, I suppose, a modesty in us.
Robert Macfarlane (Mountains of the Mind: Adventures in Reaching the Summit)
Several of the girls at the party had had sex, something which sounded appealing but only if it could happen with blindfolds in a time warp plus amnesia
Aimee Bender (The Particular Sadness of Lemon Cake)
I had amnesia once or twice.
Steven Wright
Do we not each dream of dreams? Do we not dance on the notes of lost memories? Then are we not each dreamers of tomorrow and yesterday, since dreams play when time is askew? Are we not all adrift in the constant sea of trial and when all is done, do we not all yearn for ships to carry us home?
Nathan Reese Maher
Without realizing that the past is constantly determining their present actions, they avoid learning anything about their history. They continue to live in their repressed childhood situation, ignoring the fact that is no longer exists, continuing to fear and avoid dangers that, although once real, have not been real for a long time.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
And as for romance? Well, I want that too. I want to fall asleep next to you, 100 times a night, so I can know you 100 times better before we hit the day light. And despite all of this, I also want amnesia so I can relive each kiss with a perfect newness that leaves me smashed in the arms of rapture. I want the sky to fracture under the impossible weight of an apology because I'm sorry. I'm sorry that I want so much. I'm sorry that I'm using "I'm sorry" as a crutch to lean on for so long but if you sing me that song of sweet logic again then I promise to make the effort to stand on my own. There is a reason that our hearts are more like a muscle and less like a bone. I've known so many people who've have grown up flexing in front of mirrors and falling for their own reflection as if that's adequate but that's bullshit. Because we only get now until the time we go and if they've only got time to love themselves then nobody is going to be around to hear the sound of their heartbeat echo. So lady, don't expect an apology when I tell you I'm only held together by a heart that pumps blue, it's the strongest muscle in my body and I'm flexing it for you
Shane L. Koyczan
A human being, any human being at all, has so perishingly few chances to stay right there, to let go of time and fall into the moment. And to love someone without measure, explode with passion... A few times when we are children, maybe, for those of us who are allowed to be... But after that? How many breaths are we allowed to take beyond the confines of ourselves? How many pure emotions make us cheer out loud without a sense of shame? How many chances do we get to be blessed by amnesia? All passion is childish, it's banal and naive, it's nothing we learn, it's instinctive, and so it overwhelms us... Overturns us... It bears us away in a flood... All other emotions belong to the earth, but passion inhabits the universe. That is the reason why passion is worth something. Not for what it gives us, but for what it demands that we risk - our dignity, the puzzlement of others in their condescending shaking heads...
Fredrik Backman (Britt-Marie Was Here)
Maybe it was good that the world forgot every lesson, every good and bad memory, every triumph and failure, all of it dying with each generation. Perhaps this cultural amnesia spared them all. Perhaps if they remembered everything, hope would die instead.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
I see things and I hear things I do not understand. I'm a skilled, resourceful... vegetable!
Robert Ludlum (The Bourne Identity (Jason Bourne, #1))
Fear creates a form of spiritual amnesia
Max Lucado (Fearless: Imagine Your Life Without Fear)
2:36 am 2 am is for the poets who can’t sleep because their minds are alive with words for someone who’s not there For the alcoholics drinking themselves into amnesia to forget some who left 2am is not for the lovers asleep in each other’s arms It is for the lonely. the ones who are in love with the loved but are not loved in return.
L.S
Time is not outside us, but inside. Only we live with past, present, and future, and the present is too brief to experience anyway; it is retained afterward and then it is either codified or it slips into amnesia.
Siri Hustvedt (The Summer Without Men)
Theirs was the eternal youth of an alternating self, a youth with the constant although unfulfilled promise of growing up
Flora Rheta Schreiber (Sybil: The Classic True Story of a Woman Possessed by Sixteen Personalities)
We do not have to romanticize our past in order to be aware of how it seeds our present. We do not have to suffer the waste of an amnesia that robs us of the lessons of the past rather than permit us to read them with pride as well as deep understanding. We know what it is to be lied to, and we know how important it is not lie to ourselves. We are powerful because we have survived, and that is what it is all about—survival and growth.
Audre Lorde (Sister Outsider: Essays and Speeches)
Call me crazy, but there is something terribly wrong with this city.
Nathan Reese Maher
Dissociation is the common response of children to repetitive, overwhelming trauma and holds the untenable knowledge out of awareness. The losses and the emotions engendered by the assaults on soul and body cannot, however be held indefinitely. In the absence of effective restorative experiences, the reactions to trauma will find expression. As the child gets older, he will turn the rage in upon himself or act it out on others, else it all will turn into madness.
Judith Spencer (Satan's High Priest)
We are all sleeping avatars of God, with amnesia.
Philip K. Dick (The Exegesis of Philip K. Dick)
Yet each disappointment Ted felt in his wife, each incremental deflation, was accompanied by a seizure of guilt; many years ago, he had taken the passion he felt for Susan and folded it in half, so he no longer had a drowning, helpless feeling when he glimpsed her beside him in bed: her ropy arms and soft, generous ass. Then he’d folded it in half again, so when he felt desire for Susan, it no longer brought with it an edgy terror of never being satisfied. Then in half again, so that feeling desire entailed no immediate need to act. Then in half again, so he hardly felt it. His desire was so small in the end that Ted could slip it inside his desk or a pocket and forget about it, and this gave him a feeling of safety and accomplishment, of having dismantled a perilous apparatus that might have crushed them both. Susan was baffled at first, then distraught; she’d hit him twice across the face; she’d run from the house in a thunderstorm and slept at a motel; she’d wrestled Ted to the bedroom floor in a pair of black crotchless underpants. But eventually a sort of amnesia had overtaken Susan; her rebellion and hurt had melted away, deliquesced into a sweet, eternal sunniness that was terrible in the way that life would be terrible, Ted supposed, without death to give it gravitas and shape. He’d presumed at first that her relentless cheer was mocking, another phase in her rebellion, until it came to him that Susan had forgotten how things were between them before Ted began to fold up his desire; she’d forgotten and was happy — had never not been happy — and while all of this bolstered his awe at the gymnastic adaptability of the human mind, it also made him feel that his wife had been brainwashed. By him.
Jennifer Egan (A Visit from the Goon Squad)
White Sky. Trees fading at the skyline, the mountains gone. My hands dangled from the cuffs of my jacket as if they weren’t my own. I never got used to the way the horizon there could just erase itself and leave you marooned, adrift, in an incomplete dreamscape that was like a sketch for the world you knew -the outline of a single tree standing in for a grove, lamp-posts and chimneys floating up out of context before the surrounding canvas was filled in-an amnesia-land, a kind of skewed Heaven where the old landmarks were recognizable but spaced too far apart, and disarranged, and made terrible by the emptiness around them.
Donna Tartt (The Secret History)
Right now I'm having amnesia and deja vu at the same time. I think I've forgotten this before.
Steven Wright
The people we love get under our skin and crawl through our veins and fine their way into our heart. They choke up our blood flow and mess up our breathing and tangle themselves through our bodies like wire. Like razors, like fire. We remember them even when we don't remember them. We try and forget, but it's pointless. Even amnesia. Even comas and brain damage and traumatic shock. Whatever makes us not remember, we still remember. Our minds flounder like fish but our bodies... Our bodies remember.
Katrina Leno (The Half Life of Molly Pierce)
I can’t help but ask, “Do you know where you are?” She turns to me with a foreboding glare. “Do you?
Nathan Reese Maher
Donde no hay libros hace frío. Vale para las casas, las ciudades, los países. Un frío cataclismo, un páramo de amnesia
María Elena Walsh
Moses knows that prosperity breeds amnesia.
Walter Brueggemann (Sabbath as Resistance: Saying No to the Culture of Now)
I want amnesia! I want a fucking lobotomy. Could I please never think again? Look what’s happened to us, us, Tania. Don’t you remember how we used to be? Just look what’s happened.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
It doesn’t matter if I get my memories back or not,” Simon said. “It doesn’t matter if another demon gives me amnesia tomorrow. I know you: You’ll come find me again, you’ll come rescue me no matter what happens. You’ll come for me, and I’ll discover you all over again. I love you. I love you without the memories. I love you right now.” Isabelle said in a calm voice: “I know.” Simon stared at her. “Was that . . . ,” he said slowly. “Was that a Star Wars reference? Because if it was, I would like to declare my love all over again.” “Go on, then,” said Isabelle. “I mean it. Say it again. I’ve been waiting awhile.” “I love you,” said Simon.
Cassandra Clare (Born to Endless Night (Tales from the Shadowhunter Academy, #9))
Simon Lewis, are you forgetting that you were a mundane when I started dating you? A rather scrawny mundane with terrible fashion sense, I should point out. And then you were a vampire, and I still dated you. Then you were a mundane again, but this time with freaking amnesia. And still, inexplicably, I fell in love with you all over again. What could possibly make you think I have any standards left when it comes to you?" "Uh, thank you, I think?" "'Thank you' is the correct response. And also 'I love you, too, Isabelle
Cassandra Clare (Angels Twice Descending (Tales from the Shadowhunter Academy, #10))
There is a stillness between us, a period of restlessness that ties my stomach in a hangman’s noose. It is this same lack in noise that lives, there! in the darkness of the grave, how it frightens me beyond all things.
Nathan Reese Maher
She's terrified that all these sensations and images are coming out of her — but I think she's even more terrified to find out why." Carla's description was typical of survivors of chronic childhood abuse. Almost always, they deny or minimize the abusive memories. They have to: it's too painful to believe that their parents would do such a thing.
David L. Calof
Every age has had its darkness and its dangers. The task of the Christian is not to whine about the moment in which he or she lives but to understand its problems and respond appropriately to them.
Carl R. Trueman (The Rise and Triumph of the Modern Self: Cultural Amnesia, Expressive Individualism, and the Road to Sexual Revolution)
Look, when you get your memory back and can divulge all your secrets from the past, we’ll have a sleepover and I’ll tell you everything; but, as far as I’m concerned, until that day arrives, we both have amnesia.” He laughs a full-bodied laugh and I hide my contented smile behind the rim of my coffee cup. “Well, that doesn’t sound so bad for me then,” he teases. “Oh? Why is that?” “Well, because you’ve just given me permission to see you again and now I have a sleepover to look forward to.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
Did Bach ever eat pancakes at midnight?
Nathan Reese Maher
There are three mental states that interest me. These are: one, amnesia; two, euphoria; three, ecstasy. Amnesia is not knowing who one is and wanting desperately to find out. Euphoria is not knowing who one is and not caring. Ecstasy is knowing exactly who one is - and still not caring.
Tom Robbins
This ´world´ began to forget it was Oneness, like a dream forgetting it is the dreamer. With this amnesia came the phenomenon we call fear, an expression of All Possibility that cannot manifest within the balance of Oneness. Fear only comes with the illusion of division and separation when consciousness perceives itself as part and not the whole. Fear is the shadow of illusory disconnection.
David Icke (Infinite Love is the Only Truth: Everything Else is Illusion)
Friedell caught the essential truth about people prone to catch-all theories: they aren’t in search of the truth, they’re in search of themselves.
Clive James (Cultural Amnesia: Necessary Memories from History and the Arts)
Failure to deal with the presence of sin can often be traced back to spiritual amnesia – forgetting our new, true, real identity. As a believer, I am someone who has been delivered from the dominion of sin and who therefore is free and motivated to fight against the remnants of sin in my heart. You must know, rest in, think through, and act upon your new identity – you are in Christ
Sinclair B. Ferguson (In Christ Alone: Living the Gospel-Centered Life)
That England, a country not properly invaded since 1066 but which has invaded almost every nation on the planet, can have a party named the UK Independence Party win 13 per cent of the national vote in 2015 speaks volumes about collective amnesia and ability to distort the facts.
Akala (Natives: Race and Class in the Ruins of Empire)
I don't even want to think about all those dishes," Donny said. "Hey, now that I believe in demons and magic spells, who's going to tell me about little dish elves that come and clean your kitchen while you nap?" "There is a class of fairy called Nibs that will do it. But they come with their own set of issues. It's never worth the hassle of summoning them," Varnie answered. "I was totally kidding, but..." Donny eyed him suspiciously. "Wait, are you punking me? There really is no such thing as Nibs, is there?" Varnie smiled noncommitally. "Ame, is there sucha thing as Nibs?" Amelia bit her lip to keep from laughing. "I've never heard of them, but that doesn't mean they don't exist." "Amnesia boy?" I held up my hand. "Yeah, sorry. Amnesia." "You guys suck." She pouted.
Gwen Hayes (Falling Under (Falling Under, #1))
GUIL: It [Hamlet's madness] really boils down to symptoms. Pregnant replies, mystic allusions, mistaken identities, arguing his father is his mother, that sort of thing; intimations of suicide, forgoing of exercise, loss of mirth, hints of claustrophobia not to say delusions of imprisonment; invocations of camels, chameleons, capons, whales, weasels, hawks, handsaws -- riddles, quibbles and evasions; amnesia, paranoia, myopia; day-dreaming, hallucinations; stabbing his elders, abusing his parents, insulting his lover, and appearing hatless in public -- knock-kneed, droop-stockinged and sighing like a love-sick schoolboy, which at his age is coming on a bit strong. ROS: And talking to himself. GUIL: And talking to himself.
Tom Stoppard (Rosencrantz and Guildenstern Are Dead)
Amnesia, which is a loss of memory, is a symptom of many different trauma and/or dissociative disorders, including PTSD, Dissociative Fugue, Dissociative Disorder Not Otherwise Specified and Dissociative Identity Disorder. Amnesia can affect both implicit and explicit memory.
Ruth A. Lanius (The Impact of Early Life Trauma on Health and Disease: The Hidden Epidemic)
Dissociation, a form of hypnotic trance, helps children survive the abuse…The abuse takes on a dream-like, surreal quality and deadened feelings and altered perceptions add to the strangeness. The whole scene does not fit into the 'real world.' It is simple to forget, easy to believe nothing happened.
Renee Fredrickson (Repressed Memories: A Journey to Recovery from Sexual Abuse (Fireside Parkside Books))
Static cackled from the cafeteria speaker. A bored female voice come on. “Victoria Brennan, please report to the headmaster's office. Victoria Brennan to the headmaster's office.” Classmates glanced our way. Whispers sprang up around me. “Not good.” Shelton was reaching for his earlobe. “Tell them you have amnesia,” Hi said. “Or dementia. Pretend you're Joan of Arc.” “Thanks for the support, guys. If I'm not back for class, look for my body in the harbor.” Hiram's hand flew up. “I call her iTunes collection. Shelton can have the mutt.” “Nice.
Kathy Reichs (Exposure (Virals, #4))
When absolute power is on offer, talent fights to get in.
Clive James (Cultural Amnesia: Necessary Memories from History and the Arts)
It all made sense — terrible sense. The panic she had experienced in the warehouse district because of not knowing what had happened had been superseded at the newsstand by the even greater panic of partial knowledge. And now the torment of partly knowing had yielded to the infinitely greater terror of knowing precisely
Flora Rheta Schreiber (Sybil: The Classic True Story of a Woman Possessed by Sixteen Personalities)
The word “repurpose” means to take an object and give it amnesia. It means to make something forget what it’s been trained to do so you can use it for a better reason. I am learning that this body is not a shotgun. I am learning that this body is not a pistol. I am learning that a man is not defined by what he can destroy. I am learning that a person who only knows how to fight can only communicate in violence and that shouldn’t be anyone’s first language. I am learning that the difference between a garden and a graveyard is only what you choose to put in the ground.
Rudy Francisco (Helium (Button Poetry))
The unconscious mind always operates in the present tense, and when a memory is buried in the unconscious, the unconscious preserves it as an ongoing act of abuse in the present of the unconscious mind. The cost of repressing a memory is that the mind does not know the abuse ended.
Renee Fredrickson (Repressed Memories: A Journey to Recovery from Sexual Abuse (Fireside Parkside Books))
Love finds you in the strangest places, and hope clings to us in the nooks and crannies we never think to look.
Shelly Crane (Wide Spaces (Wide Awake, #1.5))
Sometimes waiting makes the culmination that much sweeter.
Lynn Raye Harris (Strangers in the Desert)
History doesn’t start with a tall building and a card with your name written on it, but jokes do. I think someone is taking us for suckers and is playing a mean game.
Nathan Reese Maher
But Robin: their dear little Robs. More than ten years later, his death remained an agony; there was no glossing any detail; its horror was not subject to repair or permutation by any of the narrative devices that the Cleves knew. And—since this willful amnesia had kept Robin's death from being translated into that sweet old family vernacular which smoothed even the bitterest mysteries into comfortable, comprehensible form—the memory of that day's events had a chaotic, fragmented quality, bright mirrorshards of nightmare which flared at the smell of wisteria, the creaking of a clothes-line, a certain stormy cast of spring light.
Donna Tartt (The Little Friend)
Most people living in rich, stable developed countries have no idea how Denmark itself got to be Denmark—something that is true for many Danes as well. The struggle to create modern political institutions was so long and so painful that people living in industrialized countries now suffer from a historical amnesia regarding how their societies came to that point in the first place.
Francis Fukuyama (The Origins of Political Order: From Prehuman Times to the French Revolution)
If there's one thing worth doing on your planet, it's discovering self-love. I say “discovering” instead of “learning” because learning implies you're starting from zero; but the truth is, you already love yourself. When you're born, when the amnesia happens, you forget your magnificence, and think you have to earn the right to be loved. How can you earn what already belongs to you?
Annie Kagan (The Afterlife of Billy Fingers: How My Bad-Boy Brother Proved to Me There's Life After Death)
Forgiveness, I finally decide, is not the death of amnesia, nor is it a form of madness, as Derrida claims. For the one who forgives, it is simply a death, a dying down in the heart, the position of the already dead. It is in the end the living through, the understanding that this has happened, is happening, happens. Period. It is a feeling of nothingness that cannot be communicated to another, an absence, a bottomless vacancy held by the living, beyond all that is hatred or love.
Claudia Rankine (Don’t Let Me Be Lonely: An American Lyric)
I guess its time you officially met the lost boys," I said to Daniel. "Lost boys? You mean like that old Kiefer Sutherland movie? "What? No, I mean like Peter Pan and the lost boys." "Is she calling us fairies?" Asked Slade. "No," Brent said. "She means the lost boys that never wanted to grow up, and got into mischief with Peter Pan." "Still sounds like fairies to me." Slade crossed his tattooed arms in front of his chest. "Still sounds like that Kiefer Sutherland movie to me." Daniel smirked. "We were in the play together, like, seven years ago. You were mad because my mom made you wear tights, but you wanted to be a pirate." Daniel held his hand up. "Partial amnesia here, remember? I must have blocked out any and all recollections associations with said tights." Brent, Zach, and Ryan laughed. Slade almost cracked a smile. ~ Grace, Daniel, and The Lost Boys
Bree Despain (The Savage Grace (The Dark Divine, #3))
One of all the terrible effects of grief is that we interpret its absence as egotism. It’s impossible to explain what you have to do in order to carry on after a funeral, how to put the pieces of a family back together again, how to live with the jagged edges. So what do you end up asking for? You ask for a good day. One single good day. A few hours of amnesia.
Fredrik Backman (Beartown (Beartown, #1))
My mom says, "Do you know what the AIDS memorial quilt is all about?" Jump to how much I hate my brother at this moment. I bought this fabric because I thought it would make a nice panel for Shane," Mom says. "We just ran into some problems with what to sew on it." Give me amnesia. Flash. Give me new parents. Flash. Your mother didn't want to step on any toes," Dad says. He twists a drumstick off and starts scraping the meat onto a plate. "With gay stuff you have to be so careful since everything means something in secret code. I mean, we didn't want to give people the wrong idea." My Mom leans over to scoop yams onto my plate, and says, "Your father wanted a black border, but black on a field of blue would mean Shane was excited by leather sex, you know, bondage and discipline, sado and masochism." She says, "Really, those panels are to help the people left behind." Strangers are going to see us and see Shane's name," my dad says. "We didn't want them thinking things." The dishes all start their slow clockwise march around the table. The stuffing. The olives. The cranberry sauce. "I wanted pink triangles but all the panels have pink triangles," my mom says. "It's the Nazi symbol for homosexuals." She says,"Your father suggested black triangles, but that would mean Shane was a lesbian. It looks like female pubic hair. The black triangle does." My father says, "Then I wanted a green border, but it turns out that would mean Shane was a male prostitute." My mom says, "We almost chose a red border, but that would mean fisting. Brown would mean either scat or rimming, we couldn't figure which." Yellow," my father says, "means watersports." A lighter shade of blue," Mom says, "would mean just regular oral sex." Regular white," my father says, "would mean anal. White could also mean Shane was excited by men wearing underwear." He says, "I can't remember which." My mother passes me the quilted chicken with the rolls still warm inside. We're supposed to sit and eat with Shane dead all over the table in front of us. Finally we just gave up," my mom says, "and I made a nice tablecloth out of the material." Between the yams and the stuffing, Dad looks down at his plate and says, "Do you know about rimming?" I know it isn't table talk. And fisting?" my mom asks. I say, I know. I don't mention Manus and his vocational porno magazines. We sit there, all of us around a blue shroud with the turkey more like a big dead baked animal than ever, the stuffing chock full of organs you can still recognize, the heart and gizzard and liver, the gravy thick with cooked fat and blood. The flower centerpiece could be a casket spray. Would you pass the butter, please?" my mother says. To my father she says, "Do you know what felching is?
Chuck Palahniuk (Invisible Monsters)
Briefly stated, the Gell-Mann Amnesia effect is as follows. You open the newspaper to an article on some subject you know well. In Murray's case, physics. In mine, show business. You read the article and see the journalist has absolutely no understanding of either the facts or the issues. Often, the article is so wrong it actually presents the story backward—reversing cause and effect. I call these the "wet streets cause rain" stories. Paper's full of them. In any case, you read with exasperation or amusement the multiple errors in a story, and then turn the page to national or international affairs, and read as if the rest of the newspaper was somehow more accurate about Palestine than the baloney you just read. You turn the page, and forget what you know. That is the Gell-Mann Amnesia effect. I'd point out it does not operate in other arenas of life. In ordinary life, if somebody consistently exaggerates or lies to you, you soon discount everything they say. In court, there is the legal doctrine of falsus in uno, falsus in omnibus, which means untruthful in one part, untruthful in all. But when it comes to the media, we believe against evidence that it is probably worth our time to read other parts of the paper. When, in fact, it almost certainly isn't. The only possible explanation for our behavior is amnesia.
Michael Crichton
1. WE'VE LEFT SHORE SOMEHOW BECOME THE FRIENDS OF EARLY THEORY CLOSE ENOUGH TO SPEAK DESIRE AND PAIN OF ABSENCE OF MISTAKES WE'D MAKE GIVEN THE CHANCE. EACH SMILE RETURNED MAKES HARDER AVOIDING DREAMS THAT SEE US LYING IN EARLY EVENING CURTAIN SHADOWS, SKIN SAFE AGAINST SKIN. BLOOM OF COMPASSION RESPECT FOR MOMENTS EYES LOCK TURNS FOREVER INTO ONE MORE VEIL THAT FALLS AWAY. 2. THIS AFTER SEEING YOU LAST NIGHT, FIRST TIME SMELLING YOU WITH PERMISSION: SHOULDERS TO WONDER OPENLY AT AS CAREFULLY KISSED AS THOSE ARMS WAITED IMPOSSIBLY ON. THEY'VE HELD ME NOW AND YOUR BREATH DOWN MY BACK SENT AWAY NIGHT AIR THAT HAD ME SHAKING IN THE UNLIT ANGLICAN DOORWAY. 3. ARE WE RUINED FOR FINDING OUR FACES FIT AND WANT TO KNOW MORE ABOUT MORNING? IS FRIENDSHIP CANCELLED IF WE CAN'T CALL EACH OTHER ANYMORE IN AMNESIA, INVITE OURSELVES TO LAST GLANCES UNDER SUSPICIOUS CLOCKS TELLING US WHEN WE'VE HAD ENOUGH? 4. YOUR STEADY HANDS CRADLING MY GRATEFUL SKULL: WERE YOU TAKING IN MY FACE TO SAVE AN IMAGE YOU'VE RARELY ALLOWED YOURSELF AFTER LEAVING THAT COLD ALCOVE? AM I A PHOTOGRAPH YOU GAZE AT IN MOMENTS OF WEAKNESS? YOU ORDERED ME OFF MY KNEES INTO YOUR ARMS. WASN'T TO BEG THAT I KNELT; ONLY TO SEE YOU ONCE FROM BELOW. TRIED TO SAY SOMETHING THAT FILLED MY MOUTH AND LONGED TO REST IN YOUR EAR. DON'T DARE WRITE IT DOWN FOR FEAR IT'LL BECOME WORDS, JUST WORDS.
Viggo Mortensen (Coincidence of Memory)
The child who attends school does not remember the abuse that happens at home or via the family; those memories are held in another part of the child's mind. The child does not even remember abuse that happened the preceding night.
Alison Miller (Becoming Yourself: Overcoming Mind Control and Ritual Abuse)
I was not in bad health (aside from a cumulative hangover), I was still on the right side of thirty by a few days, and I was far from being broke. No police were looking for me, nor any husbands, nor any process servers; there was nothing wrong that a slight case of amnesia would not have cured. But there was winter in my heart and I was looking for the door to summer. If I sound like a man with an acute case of self-pity, you are correct. There must have been well over two billion people on this planet in worse shape than I was. Nevertheless, I was looking for the Door into Summer.
Robert A. Heinlein (The Door Into Summer)
This is only a record of broken and apparently unrelated memories, some of them as distinct and sequent as brilliant beads upon a thread, others remote and strange, having the character of crimson dreams with interspaces blank and black -- witch-fires glowing still and red in a great desolation.
Ambrose Bierce (The Moonlit Road and Other Ghost and Horror Stories (Dover Thrift Editions: Gothic/Horror))
The child must adapt to ensure the illusion of love, care, and kindness, but the adult does not need this illusion to survive. He can give up his amnesia and then be in a position to determine his actions with open eyes. Only this path will free him from his depression. Both the depressive and the grandiose person completely deny their childhood reality by living as though the availability of the parents could still be salvaged: the grandiose person through the illusion of achievement, and the depressive through his constant fear of losing “love.” Neither can accept the truth that this loss or absence of love has already happened in the past, and that no effort whatsoever can change this fact.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Remembering is an ethical act, has ethical value in and of itself. Memory is, achingly, the only relation we can have with the dead. So the belief that remembering is an ethical act is deep in our natures as humans, who know we are going to die, and who mourn those who in the normal course of things die before us—grandparents, parents, teachers, and older friends. Heartlessness and amnesia seem to go together. But history gives contradictory signals about the value of remembering in the much longer span of a collective history. There is simply too much injustice in the world. And too much remembering (of ancient grievances: Serbs, Irish) embitters. To make peace is to forget. To reconcile, it is necessary that memory be faulty and limited. If the goal is having some space in which to live one’s own life, then it is desirable that the account of specific injustices dissolve into a more general understanding that human beings everywhere do terrible things to one another. *   *   * P
Susan Sontag (Regarding the Pain of Others)
Readers will recall that the little evidence collected seemed to point to the strange and confusing figure of an unidentified Air Force pilot whose body was washed ashore on a beach near Dieppe three months later. Other traces of his ‘mortal remains’ were found in a number of unexpected places: in a footnote to a paper on some unusual aspects of schizophrenia published thirty years earlier in a since defunct psychiatric journal; in the pilot for an unpurchased TV thriller, ‘Lieutenant 70’; and on the record labels of a pop singer known as The Him — to instance only a few. Whether in fact this man was a returning astronaut suffering from amnesia, the figment of an ill-organized advertising campaign, or, as some have suggested, the second coming of Christ, is anyone’s guess.
J.G. Ballard (The Atrocity Exhibition)
Carla's description was typical of survivors of chronic childhood abuse. Almost always, they deny or minimize the abusive memories. They have to: it's too painful to believe that their parents would do such a thing. So they fragment the memories into hundreds of shards, leaving only acceptable traces in their conscious minds. Rationalizations like "my childhood was rough," "he only did it to me once or twice," and "it wasn't so bad" are common, masking the fact that the abuse was devastating and chronic. But while the knowledge, body sensations, and feelings are shattered, they are not forgotten. They intrude in unexpected ways: through panic attacks and insomnia, through dreams and artwork, through seemingly inexplicable compulsions, and through the shadowy dread of the abusive parent. They live just outside of consciousness like noisy neighbors who bang on the pipes and occasionally show up at the door.
David L. Calof (The Couple Who Became Each Other: Stories of Healing and Transformation from a Leading Hypnotherapist)
I drove by all the places we used to hang out getting wasted I thought about our last kiss, how it felt the way you tasted And even though your friends tell me you're doing fine Are you somewhere feeling lonely even though he's right beside you? When he says those words that hurt you, do you read the ones I wrote you? Sometimes I start to wonder, was it just a lie? If what we had was real, how could you be fine? 'Cause I'm not fine at all I remember the day you told me you were leaving I remember the make-up running down your face And the dreams you left behind you didn't need them Like every single wish we ever made I wish that I could wake up with amnesia And forget about the stupid little things Like the way it felt to fall asleep next to you And the memories I never can escape 'Cause I'm not fine at all The pictures that you sent me they're still living in my phone I'll admit I like to see them, I'll admit I feel alone And all my friends keep asking why I'm not around It hurts to know you're happy, yeah, it hurts that you've moved on It's hard to hear your name when I haven't seen you in so long It's like we never happened, was it just a lie? If what we had was real, how could you be fine? 'Cause I'm not fine at all I remember the day you told me you were leaving I remember the make-up running down your face And the dreams you left behind you didn't need them Like every single wish we ever made I wish that I could wake up with amnesia And forget about the stupid little things Like the way it felt to fall asleep next to you And the memories I never can escape If today I woke up with you right beside me Like all of this was just some twisted dream I'd hold you closer than I ever did before And you'd never slip away And you'd never hear me say I remember the day you told me you were leaving I remember the make-up running down your face And the dreams you left behind you didn't need them Like every single wish we ever made I wish that I could wake up with amnesia And forget about the stupid little things Like the way it felt to fall asleep next to you And the memories I never can escape 'Cause I'm not fine at all No, I'm really not fine at all Tell me this is just a dream 'Cause I'm really not fine at all
5 Seconds of Summer
Changes in Meaning: Finally, chronically traumatized people lose faith that good things can happen and people can be kind and trustworthy. They feel hopeless, often believing that the future will be as bad as the past, or that they will not live long enough to experience a good future. People who have a dissociative disorder may have different meanings in various dissociative parts. Some parts may be relatively balanced in their worldview, others may be despairing, believing the world to be a completely negative, dangerous place, while other parts might maintain an unrealistic optimistic outlook on life
Suzette Boon (Coping with Trauma-Related Dissociation: Skills Training for Patients and Therapists)
You can be a rich person alone. You can be a smart person alone. But you cannot be a complete person alone. For that you must be part of, and rooted in, an olive grove. This truth was once beautifully conveyed by Rabbi Harold S. Kushner in his interpretation of a scene from Gabriel García Márquez’s classic novel One Hundred Years of Solitude: Márquez tells of a village where people were afflicted with a strange plague of forgetfulness, a kind of contagious amnesia. Starting with the oldest inhabitants and working its way through the population, the plague causes people to forget the names of even the most common everyday objects. One young man, still unaffected, tries to limit the damage by putting labels on everything. “This is a table,” “This is a window,” “This is a cow; it has to be milked every morning.” And at the entrance to the town, on the main road, he puts up two large signs. One reads “The name of our village is Macondo,” and the larger one reads “God exists.” The message I get from that story is that we can, and probably will, forget most of what we have learned in life—the math, the history, the chemical formulas, the address and phone number of the first house we lived in when we got married—and all that forgetting will do us no harm. But if we forget whom we belong to, and if we forget that there is a God, something profoundly human in us will be lost.
Thomas L. Friedman (The Lexus and the Olive Tree)
While earlier generations might have seen damage to body or property as the most serious categories of crime, a highly psychologized era will accord increasing importance to words as means of oppression. And this represents a serious challenge to one of the foundations of liberal democracy: freedom of speech. Once harm and oppression are regarded as being primarily psychological categories, freedom of speech then becomes part of the problem, not the solution, because words become potential weapons.
Carl R. Trueman (The Rise and Triumph of the Modern Self: Cultural Amnesia, Expressive Individualism, and the Road to Sexual Revolution)
Not for the first time I felt myself confronted by the dizzying possibility that an entire episode in the story of mankind might have been forgotten. Indeed it seemed to me then, as I overlooked the mathematical city of the gods from the summit of the Pyramid of the Moon, that our species could have been afflicted with some terrible amnesia and that the dark period so blithely and dismissively referred to as `prehistory' might turn out to conceal unimagined truths about our own past. What is prehistory, after all, if not a time forgotten--a time for which we have no records? What is prehistory if not an epoch of impenetrable obscurity through which our ancestors passed but about which we have no conscious remembrance? It was out of this epoch of obscurity, configured in mathematical code along astronomical and geodetic lines, that Teotihuacan with all its riddles was sent down to us. And out of that same epoch came the great Olmec sculptures, the inexplicably precise and accurate calendar the Mayans inherited from their predecessors, the inscrutable geoglyphs of Nazca, the mysterious Andean city of Tiahuanaco ... and so many other marvels of which we do not know the provenance. It is almost as though we have awakened into the daylight of history from a long and troubled sleep, and yet continue to be disturbed by the faint but haunting echoes of our dreams
Graham Hancock (Fingerprints of the Gods: The Evidence of Earth's Lost Civilization)
CELL Now look objectively. You have to admit the cancer cell is beautiful. If it were a flower, you'd say, How pretty, with its mauve centre and pink petals of if a cover for a pulpy thirties sci-fi magazine. How striking: as an alien, a success, all purple eye and jelly tentacles and spines, or are they gills, creeping around on granular Martian dirt red as the inside of the body, while its tender walls expand and burst, its spores scatter elsewhere, take root, like money, drifting like a fiction or miasma in and out of people's brains, digging themselves industriously in. The lab technician says, It has forgotten how to die. But why remember? All it wants is more amnesia. More life, and more abundantly. to take more. to eat more. To replicate itself. To keep on doing those things forever. Such desires are not unknown. Look in the mirror.
Margaret Atwood
Alterations in regulation of affect (emotion) and impulse: Almost all people who are seriously traumatized have problems in tolerating and regulating their emotions and surges or impulses. However, those with complex PTSD and dissociative disorders tend to have more difficulties than those with PTSD because disruptions in early development have inhibited their ability to regulate themselves. The fact that you have a dissociative organization of your personality makes you highly vulnerable to rapid and unexpected changes in emotions and sudden impulses. Various parts of the personality intrude on each other either through passive influence or switching when your under stress, resulting in dysregulation. Merely having an emotion, such as anger, may evoke other parts of you to feel fear or shame, and to engage in impulsive behaviors to stop avoid the feelings.
Suzette Boon (Coping with Trauma-Related Dissociation: Skills Training for Patients and Therapists)
After writing the letter Sybil lost almost two days. "Coming to," she stumbled across what she had written just before she had dissociated and wrote to Dr. Wilbur as follows: It's just so hard to have to feel, believe, and admit that I do not have conscious control over my selves. It is so much more threatening to have something out of hand than to believe that at any moment I can stop (I started to say "This foolishness") any time I need to. When I wrote the previous letter, I had made up my mind I would show you how I could be very composed and cool and not need to ask you to listen to me nor to explain anything to me nor need any help. By telling you that all this about the multiple personalities was not really true I could show, or so I thought, that I did not need you. Well, it would be easier if it were put on. But the only ruse of which I'm guilty is to have pretended for so long before coming to you that nothing was wrong. Pretending that the personalities did not exist has now caused me to lose about two days.
Flora Rheta Schreiber (Sybil: The Classic True Story of a Woman Possessed by Sixteen Personalities)
Changes in the Perception of Self: People who have been traumatized in childhood are often troubled by guilt, shame, and negative feelings about themselves, such as the belief they are unlikable, unlovable, stupid, inept, dirty, worthless, lazy, and so forth. In Complex Dissociative disorders there are typically particular parts that contain these negative feelings about the self while other parts may evaluate themselves quite differently. Alterations among parts thus may result in rather rapid and distinct changes in self perception.
Suzette Boon (Coping with Trauma-Related Dissociation: Skills Training for Patients and Therapists)
The last thing we want to admit is that the forbidden fruit on which we have been gnawing since reaching the magic age of twenty-one is the same mealy Golden Delicious that we stuff into our children’s lunch boxes. The last thing we want to admit is that the bickering of the playground perfectly presages the machinations of the boardroom, that our social hierarchies are merely an extension of who got picked first for the kickball team, and that grown-ups still get divided into bullies and fatties and crybabies. What’s a kid to find out? Presumably we lord over them an exclusive deed to sex, but this pretense flies so fantastically in the face of fact that it must result from some conspiratorial group amnesia. […] In truth, we are bigger, greedier versions of the same eating, shitting, rutting ruck, hell-bent on disguising from somebody, if only from a three-year-old, that pretty much all we do is eat and shit and rut. The secret is there is no secret. That is what we really wish to keep from our kids, and its supression is the true collusion of adulthood, the pact we make, the Talmud we protect.
Lionel Shriver (We Need to Talk About Kevin)
I had a bizarre rapport with this mirror and spent a lot of time gazing into the glass to see who was there. Sometimes it looked like me. At other times, I could see someone similar but different in the reflection. A few times, I caught the switch in mid-stare, my expression re-forming like melting rubber, the creases and features of my face softening or hardening until the mutation was complete. Jekyll to Hyde, or Hyde to Jekyll. I felt my inner core change at the same time. I would feel more confident or less confident; mature or childlike; freezing cold or sticky hot, a state that would drive Mum mad as I escaped to the bathroom where I would remain for two hours scrubbing my skin until it was raw. The change was triggered by different emotions: on hearing a particular piece of music; the sight of my father, the smell of his brand of aftershave. I would pick up a book with the certainty that I had not read it before and hear the words as I read them like an echo inside my head. Like Alice in the Lewis Carroll story, I slipped into the depths of the looking glass and couldn’t be sure if it was me standing there or an impostor, a lookalike. I felt fully awake most of the time, but sometimes while I was awake it felt as if I were dreaming. In this dream state I didn’t feel like me, the real me. I felt numb. My fingers prickled. My eyes in the mirror’s reflection were glazed like the eyes of a mannequin in a shop window, my colour, my shape, but without light or focus. These changes were described by Dr Purvis as mood swings and by Mother as floods, but I knew better. All teenagers are moody when it suits them. My Switches could take place when I was alone, transforming me from a bright sixteen-year-old doing her homework into a sobbing child curled on the bed staring at the wall. The weeping fit would pass and I would drag myself back to the mirror expecting to see a child version of myself. ‘Who are you?’ I’d ask. I could hear the words; it sounded like me but it wasn’t me. I’d watch my lips moving and say it again, ‘Who are you?
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)