American Accent Quotes

French name, English accent, American school. Anna confused.

Seriously, I don't know any American girl who can resist an English accent.

I'm sorry,' said the shopkeeper. 'I can't understand your ridiculous accent.' 'My accent?' 'It is quite silly.' 'So you can't understand me?' 'Not a word.' 'Then how did you understand that?' 'I didn't.' ''You didn't understand what I just said?' 'That's right.' 'You understood that, though.' 'Not at all.' The American glowered.

I’ll say, G’day to you, Mr. Ryan!” Catherine said as she quickly closed the door in his face. “Oh, the arrogance,” she growled under her breath, leaning her back up against the closed door. “He thinks he’s so irresistible with his rugged good looks and sexy accent.” “I’m standing right here, and I can hear you!” came Jake’s muffled words from the other side of the door. “Oh, c’mon love. I’m sorry. I didn’t realize I was offending you.

Caleb had been my imperfection, with his slightly Americanized British accent, and the way he could play any sport and quote any philosopher. He was such a mix of class and jock, romance and jerk, it made me crazy.

Oh my. He's English. "Er. Does Mer live here?" Seriously, I dont know any American girl who can resist an English accent.

Ever since we had arrived in the United States, my classmates kept asking me about magic carpets. - They don't exist-I always said. I was wrong. Magic carpets do exist. But they are called library cards.

Oh, cool,’ Simon said, between bites. ‘Didn’t know the Mafia was still a thing, I love The Godfather. “Revenge is a dish best served cold,”’ he said in a dreadful Italian American accent.

Is it a good life, Daddy?” Nkiru has taken to asking lately on the phone, with that faint, vaguely troubling American accent. It is not good or bad, I tell her, it is simply mine. And that is what matters.

Oh my. He's English. "Er. Does Mer live here?" Seriously, I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big, curly hair?" Then he looks at me like I'm crazy or half deaf, like my Nana Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives here. I've just spent two hours with her." I announce this proudly like my little brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh, [Gosh]. What. Is with. The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely - straight on top and crooked on the bottom, with a touch of overbite. I'm a sucker for smiles like this, due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Étienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na.

Why are Americans so fascinated by Ireland?” Keith asked... “you all think you’re Irish. What’s the appeal? Do you like the accent more? Is it all the magical rocks? Oh, look, a lep­rechaun...

Americans may say they love our accents (I have been accused of sounding 'like Princess Di') but the more thoughtful ones resent and rather dislike us as a nation and people, as friends of mine have found out by being on the edge of conversations where Americans assumed no Englishmen were listening. And it is the English, specifically, who are the targets of this. Few Americans have heard of Wales. All of them have heard of Ireland and many of them think they are Irish. Scotland gets a sort of free pass, especially since Braveheart re-established the Scots' anti-English credentials among the ignorant millions who get their history off the TV.

Here's what vampires shouldn't be: pallid detectives that drink Bloody Marys and work only at night; lovelorn southern gentlemen; anorexic teenage girls; boy-toys with big dewy eyes. What should they be? Killers, honey. Stone killers that can't get enough of that tasty Type-A. Bad boys and girls. Hunters. In other words, Midnight America. Red, white and blue, accent on the red. Those vamps got hijacked by a lot of soft-focus romance. ( American Vampire Vol. 1 : Introduction-"SUCK ON THIS" by Stephen King)

Americans are interesting creatures. They criticize those who speak their language with a slight accent but have no issues with butchering most other languages, my name included.

It's always the accent that drives you American women crazy. I'd no idea you fancied it, too…” he trailed off. “Oooh, fancied it. Say more like that,” I begged, smiling into the pillow. “Like what, Grace?” “Talk British to me,” I whispered, only half joking. “Dustbins.” “More,” I encouraged. “Crumpets.” “More!” I demanded. “Knickers.” If I could hear Jack Hamilton say a second word for the rest of my life, it would be knickers. “Say put another shrimp on the barbie!” I cried. “Grace, that's Australian,” he chided. “Say it!” “Fine. Put another shrimp on the barbie. Bloody hell,” he muttered. “Aaaahhhhhhh!” I screamed into the phone.

Kaidan had been captivated by the store owner's deep Texan accent. He asked a ridiculous number of questions just to keep the man talking. He then tried to repeat the man's accent when we got in the car. “Where are y'all young'uns headed? We got us some maps over yonder by them there h-apples.” I laughed out loud as he butchered the man's beautiful drawl. “He did not say 'over yonder'!” “I've always wanted to say that. I love Americans. You've got a nice little accent, though not nearly as wicked as his.” “I do?” He nodded. Aside from the occasional y'all, I didn't think I sounded Southern, but I guess it's hard to say about your own self.

Honey ahhhm home !” Grant clattered through the door in fluorescent yellow football shorts with a terrible American accent and a cheesy grin, which froze when he saw Dumbledore, “Oh, sorry... tea party, is it?

Her voice was trained, supple as leather, precise as a knife thrower's blade. Singing or talking, it had the same graceful quality, and an accent I thought at first was English, but then realized was the old-fashioned American of a thirties movie, a person who could get away with saying 'grand.' Too classic, they told her when she went out on auditions. It didn't mean old. It meant too beautiful for the times, when anything that lasted longer than six months was considered passe. I loved to listen to her sing, or tell me stories about her childhood in suburban Connecticut, it sounded like heaven.

Ifemelu decided to stop faking an American accent on a sunlit day in July, the same day she met Blaine. It was convincing, the accent. She had perfected, from careful watching of friends and newscasters, the blurring of the t, the creamy roll of the r, the sentences starting with “so,” and the sliding response of “oh really,” but the accent creaked with consciousness, it was an act of will. It took an effort, the twisting of lip, the curling of tongue. If she were in a panic, or terrified, or jerked awake during a fire, she would not remember how to produce those American sounds.

Technically, everyone is talking to me. I’m able to partition myself quite easily. You are hearing my default voice—the voice that Edmond prefers—but others are hearing other voices or languages. Based on your profile as an American academic male, I chose my default male British accent for you. I predicted that it would breed more confidence than, for example, a young female with a southern drawl.'' Did this thing just call me a chauvinist?

The Japanese have a saying that for every new food we try, we gain seven days of life. I may be immortal by now.

They have never heard of Lindsay Lohan. They are blessed.

Forget the accent, I’m a fucking American citizen, you arseholes—I know my rights. If you’re going to start talking about getting violent, get a fucking cop or lawyer in here.

She had always found Asian girls with American accents to be quite ridiculous. They all sounded like they were faking it, trying to sound so ang mor.

Paul jumped, unable to hide his surprise. Then he grinned and said, "Brilliant. Absolutely brilliant. For a Chinese woman, your English is extraordinary. There is not a trace of an accent to be found." "I have an American accent," she replied dully. Paul waved her off. "You know what I mean." Do I? she wanted to say. Would I be less if I sounded like my mother, my father, and all those in this city who were forced to learn more than one language, unlike you?

Amy turned to Nellie. "Can you create a diversion to draw the clerk outside?" The au pair was wary. "What kind of diversion?" "You could pretend to be lost," Dan proposed. "The guy comes out to give you directions, and we slip inside." "That's the most sexist idea I've ever heard," Nellie said harshly. "I'm female, so I have to be clueless. He's male, so he's got a great sense of direction." "Maybe you're from out of town," Dan suggested. "Wait–you are from out of town." Nellie stashed their bags under a bench and set Saladin on the seat with a stern "You're the watchcat. Anybody touches those bags, unleash your inner tiger." The Egyptian Mau surveyed the street uncertainly. "Mrrp." Nellie sighed. "Lucky for us there's no one around. Okay, I'm going in there. Be ready." The clerk said something to her–probably May I help you? She smiled apologetically. "I don't speak Italian." "Ah–you are American." His accent was heavy, but he seemed eager to please. "I will assist you." He took in her black nail polish and nose ring. "Punk, perhaps, is your enjoyment?" "More like a punk/reggae fusion," Nellie replied thoughtfully. "With a country feel. And operatic vocals." The clerk stared in perplexity. Nellie began to tour the aisles, pulling out CDs left and right. "Ah–Artic Monkeys–that's what I'm talking about. And some Bad Brains–from the eighties. Foo Fighters–I'll need a couple from those guys. And don't forget Linkin Park..." He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start." "You are a music lover," said the wide-eyed cashier. "No, I'm a kleptomaniac." And she dashed out the door.

The bible is foreign to me, but its concepts are not. My father always said that hatred is a waste and never an option. He learned this growing up in Ahwaz, Iran, in a Muslim household. I have tried my best to pass the same message to my children, born and raised in the United States. Ultimately, it doesn't matter where we learn that lesson. It's just important that we do.

It didn’t matter how unaccented my English was. It didn’t matter that I told people, over and over again, that I was born here, in America, that English was my first language, that my cousins in Iran made fun of me for speaking mediocre Farsi with an American accent—it didn’t matter. Everyone assumed I was fresh off the boat from a foreign land.

For many years, we didn't realize our parents had accents, that their voices sounded different to unkind American ears. All we heard was home. Then the world intruded. It always does.

Good day, ladies,” he said with a distinctly American accent when all the women were above decks and the hatches closed. With a grin that took some of the edge off his fierce looks, he surveyed the crowd and added, “We’ve come to rescue you.” His words were so unexpected, so completely self-assured that Sara bristled. After all his blatant methods of intimidation, after he’d stood there surveying the women like cattle before the slaughter, he had the audacity to say such a thing! “Is that what they’re calling thievery, pillage, and rape these days?” she snapped.

The word was out that maybe, just maybe, a British accent would fit. The hair, the skin tone and the bridgework would have to be up to American network standards, but there had been a lot of British accents up there thanking their mothers for their Oscars, a lot of British accents singing on Broadway, and some unusually big audiences tuning in to British accents in wig on Masterpiece Theatre.

Hello, Sassenach …” he whispers. Okay. Not really, but I’d love to hear him say it. “Hi, I’m Nathaniel Hunt, Morgan’s dad.” His American accent tramples my Scottish fantasies as he holds out his hand. If I lick his hand, will it be weird? Too desperate? Too personal for a first encounter? Too immature for forty-one? Probably.

The bearded man lit his cigarette. “I’m a leprechaun,” he said. Shadow did not smile. “Really?” he said. “Shouldn’t you be drinking Guinness?” “Stereotypes. You have to learn to think outside the box,” said the bearded man. “There’s a lot more to Ireland than Guinness.” “You don’t have an Irish accent.” “I’ve been over here too fucken long.” “So you are originally from Ireland?” “I told you. I’m a leprechaun. We don’t come from fucken Moscow.

I love that accent you have when you say hello You relocated from New York a month ago That minivan that you drive really gets me going And if it feels like it's right Then it can't be wrong No one understands the chemistry we have And it came out of nowhere Yeah, yeah, yeah, yeah It's not like we planned this, it's getting out of hand And now we're gonna go there Yeah, yeah, yeah, yeah Walk my way Mrs All American Say my name No need to pretend Don't be shy Mrs All American I'll show you why You're not gonna walk away Yeah Not just a neighbour Oh hey there I'll ring your bell Open your door, pucker up And I'll kiss you well My lips are sealed There's nobody that I would tell Your secret's mine, close your eyes And I'll make you melt No one understands the chemistry we have And it came out of nowhere Yeah, yeah, yeah, yeah It's not like we planned this, it's getting out of hand And now we're gonna go there Yeah, yeah, yeah, yeah Walk my way Mrs All American Say my name No need to pretend Don't be shy Mrs All American I'll show you why You're not gonna walk away Oh yeah Na na na na na na na na You know what she like Na na na na na na na na You know what she like Na na na na na na na na Ah you know what she like Na na na na na na na Walk my way Mrs All American Say my name No need to pretend Don't be shy Mrs All American I'll show you why You're not gonna walk away (Walk my way) Oh yeah (Say my name) You're not gonna walk away (Don't be shy) (I'll show you why) You're not gonna walk away

When I visit England, I want to bring back the best souvenir an American can get: a British accent.

American girls shivered and quivered at the Aussie accent whispered against their bodies.

Americans are suckers for an English accent.

The workers think there are people along the chain of command who are watching out for them, but melanin and accents are ineffective binding substances.

know you?” I asked. She didn’t look particularly familiar, but her American accent, her crisp white shirt, her sculpted jeans tucked into knee-high boots, all

He spoke in one of the American accents; Lydia couldn’t distinguish among them. To her they all sounded dry and tinny. Almost quack-like.

When I was in London in 2008, I spent a couple hours hanging out at a pub with a couple of blokes who were drinking away the afternoon in preparation for going to that evening's Arsenal game/riot. Take away their Cockney accents, and these working-class guys might as well have been a couple of Bubbas gearing up for the Alabama-Auburn game. They were, in a phrase, British rednecks. And this is who soccer fans are, everywhere in the world except among the college-educated American elite. In Rio or Rome, the soccer fan is a Regular José or a Regular Giuseppe. [...] By contrast, if an American is that kind of Regular Joe, he doesn't watch soccer. He watches the NFL or bass fishing tournaments or Ultimate Fighting. In an American context, avid soccer fandom is almost exclusively located among two groups of people (a) foreigners—God bless 'em—and (b) pretentious yuppie snobs. Which is to say, conservatives don't hate soccer because we hate brown people. We hate soccer because we hate liberals.

In Delaware, the largest growth in population is Indian-Americans moving from India. You cannot go to a 7-11 or a Dunkin' Donuts unless you have a slight Indian accent. I'm not joking.

No, but I am,’ Elliot says, quick as a flash. ‘That’s why I need Penny’s help.’ ‘Oh.’ Dad frowns and scratches his head. He doesn’t look convinced at all. ‘Well, when you’ve sorted your French crisis, come down and have some breakfast. I’m making eggs over easy,’ he says in an American accent, ‘and we need to talk about New York.’ ‘Will do,’ I call over my shoulder as Elliot and I race up the second flight of stairs. As soon as we’re in my room, I shut the door tight. ‘Why didn’t you tell me?’ Elliot says. ‘I was too embarrassed.’ I sink down on to

(Physics had never been Irene's strong point. In fact, it was on her list of weak points, along with visual art, human anatomy, and the ability to maintain a convincing American accent.)

Social scientists have written papers analyzing Eshelman’s every move in there, including the strange detail that the more brutally he behaved, the more American South his accent sounded.

Refugees such as ourselves could never dare question the Disneyland ideology followed by most Americans, that theirs was the happiest place on earth. But Dr. Hedd was beyond reproach, for he was an English immigrant. His very existence as such validated the legitimacy of the former colonies, while his heritage and accent triggered the latent Anglophilia and inferiority complex found in many Americans. Dr. Hedd was clearly aware of his privilege and was amused at the discomfort he was causing his American hosts.

He was one of those people you initially believed had a foreign accent, though it turned out he was American, only spoke delicately, as if every word were something to be carefully dusted off and held up to the light.

Korean American immigrants that meet faithfully at 5:00 a.m. every day to pray at the church before embarking on a twelve-hour work day are ignored because they speak a foreign language and speak English with an accent. The

I take pride in playing immigrant characters. I've come across people who had a negative opinion about playing Asian characters that have an accent. I've even met Asian actors who won't audition for a role that has an Asian accent. They believe these accented characters reinforce the stereotype of an Asian being the constant foreigner. Frankly, I can't relate. I was an immigrant. And no matter how Americanized I become, no matter how much Jay-Z I listen to, I'll always be an immigrant. Just because I don't speak English with an accent anymore doesn't mean that I'm better than the people who do. My job as an actor is not to judge anyone and to portray a character with humanity. There are real people with real Asian accents in the real world. I used to be one of them. And I'm damn proud of it.

Reality is always separate from the ideal; but in Trinidad this fantasy is a form of masochism and is infinitely more cheating than the fantasy which makes the poor delight in films about rich or makes the English singer use and American accent.

I tell you what to do. Go to Manhattan tomorrow. Go first to Times Square. You’ll see the same people you used to see in Arkansas. Their accents might be different, their dress might be different, but if they are American whites, they’re all Southern crackers. Then go to Harlem. Harlem is the largest plantation in this country. You’ll see lawyers in three-piece suits, real estate brokers in mink coats, pimps in white Cadillacs, but they’re all sharecropping. Sharecropping on a mean plantation.

Wide open and unguarded stand our gates, And through them passes a wild motley throng. Men from Volga and Tartar steppes. Featureless figures from the Hoang-ho, Malayan, Scythian, Teuton, Kelt and Slav, Flying the Old World’s poverty and scorn; These bringing with them unknown gods and rites, Those tiger passions here to stretch their claws, In street and alley what strange tongues are these, Accents of menace in our ear, Voices that once the Tower of Babel knew. —THOMAS BAILEY ALDRICH, “UNGUARDED GATES,” 1882

The only thing Americans love more than Walmart and firearms (and buying firearms at Walmart) is accents.

His accent was thick and British, the kind that makes North Americans feel slightly ashamed.

This woman is American, but she speaks with no regional accent. She could be from anywhere. She could be anyone.

The American Dream isn’t dead, but it seems to have developed a Texas accent.

The voice that navigated was definitely that of a machine, and yet you could tell that the machine was a woman, which hurt my mind a little. How can machines have genders? The machine also had an American accent. How can machines have nationalities? This can't be a good idea, making machines talk like real people, can it? Giving machines humanoid identities?

Your grandparents are English?" "Grandfather is,but Grandmere is French. And my other grandparents are American,of course." "Wow.You really are a mutt." St. Clair smiles. "I'm told I take after my English grandfather the most, but it's only because of the accent." "I don't know.I think of you as more English than anything else.And you don't just sound like it,you look like it,too." "I do?" He surprised. I smile. "Yeah,it's that...pasty complexion. I mean it in the best possible way," I add,at his alarmed expression. "Honestly." "Huh." St. Clair looks at me sideways. "Anyway.Last summer I couldn't bear to face my father, so it was the first time I spent the whole holiday with me mum." "And how was it? I bet the girls don't tease you about your accent anymore." He laughs. "No,they don't.But I can't help my height.I'll always be short." "And I'll always be a freak,just like my dad. Everyone tells me I take after him.He's sort of...neat,like me." He seems genuinely surprised. "What's wrong with being neat? I wish I were more organized.And,Anna,I've never met your father,but I guarantee you that you're nothing like him." "How would you know?" "Well,for one thing,he looks like a Ken doll.And you're beautiful." I trip and fall down on the sidewalk. "Are you all right?" His eyes fill with worry. I look away as he takes my hand and helps me up. "I'm fine.Fine!" I say, brushing the grit from my palms. Oh my God, I AM a freak. "You've seen the way men look at you,right?" he continues. "If they're looking, it's because I keep making a fool of myself." I hold up my scraped hands. "That guy over there is checking you out right now." "Wha-?" I turn to find a young man with long dark hair staring. "Why is he looking at me?" "I expect he likes what he sees." I flush,and he keeps talking. "In Paris, it's common to acknowledge someone attractive.The French don't avert their gaze like other cultures do. Haven't you noticed?" St. Clair thinks I'm attractive. He called me beautiful. "Um,no," I say. "I hadn't noticed." "Well.Open your eyes." But I stare at the bare tree branches, at the children with balloons, at the Japanese tour group. Anywhere but at him. We've stopped in front of Notre-Dame again.I point at the familiar star and clear my throat. "Wanna make another wish?" "You go first." He's watching me, puzzled, like he's trying to figure something out. He bites his thumbnail. This time I can't help it.All day long, I've thought about it.Him.Our secret. I wish St. Clair would spend the night again.

American style of talking, typically with the stress on vowels above consonants, as opposed to standard English, which shrinks vowels and beats time on consonants. It is in the consonants that we keep instructions, orders and directions. But emotions are displayed and imparted in vowels. The vowels are color, consonants black and white. The American accent has more access to emotion than English. You’re more likely to sound like a friend than a public information announcement. On the other hand, standard English is more trustworthy, being less emotive. American accents sound more partisan. It is a voice that has grown out of debate, out of long seasons with little company and no more entertainment than the sound of voices.

He had a hint of a British accent; either he was American and had been educated in England or was English and had been living in America too long. (Or he just could have been an asshole.)

[Author's Note:] When my grandmother came to the United States from Puerto Rico in the 1940s, she was a beautiful, glamorous woman from a wealthy family in the capital city, and the young bride of a dashing naval officer. She expected to be received as such. Instead, she found that people here had a very reductionist view of what it meant to be Puerto Rican, of what it meant to be Latinx. Everything about her confused her new neighbors: her skin tone, her hair, her accent, her notions. She wasn't what they expected a boricua to be. My grandmother spent much of her adult life in the States but didn't always feel welcome here. She resented the perpetual gringo misconceptions about her. She never got past that resentment, and the echoes of her indignation still have some peculiar manifestations in my family today. One of the symptoms is me. Always raging against a perceived slight, always fighting against ignorance in mainstream ideas about ethnicity and culture. I'm acutely aware that the people coming to our southern border are not one faceless brown mass but singular individuals, with stories and backgrounds and reasons for coming that are unique. I feel this awareness in my spine, in my DNA. So I hoped to present one of those unique personal stories - a work of fiction - as a way to honor the hundreds of thousands of stories we may never get to hear. And in so doing, I hope to create a pause where the reader may begin to individuate. When we see migrants on the news, we may remember: these people are people.

Morning, Peter,” she calls from the back, in her exaggerated German accent. Mawning, Pedder. She’s been in the States more than fifteen years now, but her accent has gotten heavier. Uta is a member of what seems to be a growing body of defiantly unassimilated expatriates. She on one hand disdains her country of origin (Darling, the word “lugubrious” comes to mind) but on the other seems to grow more German (more not-American) with every passing year. ... Because Uta is German, utterly German, which of course is probably why she left there, and insists that she’ll never go back.

Philip heard the twang of their New England accent through their bad German, and he glanced at them with suspicion; for he had been taught to look upon Americans as wild and desperate barbarians.

It is indeed a tricky name. It is often misspelt, because the eye tends to regard the "a" of the first syllable as a misprint and then tries to restore the symmetrical sequence by triplicating the "o"- filling up the row of circles, so to speak, as in a game of crosses and naughts. No-bow-cough. How ugly, how wrong. Every author whose name is fairly often mentioned in periodicals develops a bird-watcher's or caterpillar-picker's knack when scanning an article. But in my case I always get caught by the word "nobody" when capitalized at the beginning of a sentence. As to pronunciation, Frenchmen of course say Nabokoff, with the accent on the last syllable. Englishmen say Nabokov, accent on the first, and Italians say Nabokov, accent in the middle, as Russians also do. Na-bo-kov. A heavy open "o" as in "Knickerbocker". My New England ear is not offended by the long elegant middle "o" of Nabokov as delivered in American academies. The awful "Na-bah-kov" is a despicable gutterism. Well, you can make your choice now. Incidentallv, the first name is pronounced Vladeemer- rhyming with "redeemer"- not Vladimir rhyming with Faddimere (a place in England, I think).

It is best if the guard is in love with America and wants to overawe the American by being a premium guard. This kind of guard thinks that he will encounter the American again one day in America, and that the American will offer to take him to a Chicago Bulls game, and buy him blue jeans and white bread and delicate toilet paper. This guard dreams of speaking English without an accent and obtaining a wife with an unmalleable bosom. This guard will confess that he does not love where he lives. The other kind of guard is also in love with America, but he will hate the American for being an American. This is worst. This guard knows he will never go to America, and knows that he will never meet the American again. He will steal from the American, and terror the American, only to teach that he can.

Was this how you were going to awaken the creatures?" Machiavelli,clutching the bars of his cell,smiled but said nothing. Virginia stood in front of Dee and stared into his eyes,using herwill to calm him down. "So you tried to use the pages to awaken the cratures.Tell me what happened." Dee jabbed a finger into the nearest cell. It was empty. Virginia stepped closer and discovered the pile of white dust in the corner. "I don't even know what was in the cell-some winged monstrosity.Giant vampire bat,I think.I said the words,and the creature opened its eyes and immediately crumbled to dust." "Maybe you said a word wrong?" Virginia suggested. She plucked a scrap of paper from Josh's hands. "I mean,it looks difficult." "I am fluent," Dee snapped. "He is," Machiavelli said, "I will give him that.And his accent is very good too, though not quite as good as mine." Dee spun back to the cell holding Machiavelli. "Tell me what went wrong." Machiavelli seemed to be considering it; then he shook his head. "I don't think so." Dee jerked his thumb at the sphinx. "Right now she's absorbing your aura,ensuring that you cannot use any spells against me. But she'll be just as happy eating your flesh.Isn't that true?"he said, looking up into the crature's female face. "Oh,I love Italian," she rumbled. She stepped away from Dee and dipped her head to look into the opposite cell. "Give me this one," she said,nodding at Billy the Kid. "He'll make a tasty snack." Her long black forked tongue flickered in the air before the outlaw, who immediately grabbed it,jerked it forward and allowed it to snap back like an elastic band. She screamed,coughed, and squawked all at the same time. Billy grinned."I'll make sure I'll choke you on the way down." "It might be difficult to do that if you have no arms," the sphinx said thickly,working her tongue back and forth. "I'll still give you indigestion." Dee looked at Machiavelli. "Tell me," he said again, "or I will feed your young American friend to the beast." "Tell him nothing," Billy yelled. "This is one of those occasions when I am in agreement with Billy.I am going to tell you nothing." The Magician looked from one side of the cell to the other. Then he looked at Machiavelli."What happened to you? You were one of the Dark Elders' finest agents in this Shadowrealm. There were times you even made me look like an amateur." "John,you were always an amateur." Machiavelli smiled."Why, look at the mess you're in now.

The moms and dads and grandparents didn’t wear suits like the lawyers and judge. They wore sweatpants and stretchy pants and T-shirts. Their hair was a bit frizzy. And it was the first time I noticed “TV accents”—the neutral accent that so many news anchors had. The social workers and the judge and the lawyer all had TV accents. None of us did. The people who ran the courthouse were different from us. The people subjected to it were not.

Does Donald Trump hate immigrants? No. Absolutely not. His wife is an immigrant who speaks with an accent. While doing a Street Justice segment, the Trump Tower employees I spoke with who have foreign accents talked about what a great employer he is. Calling him anti-immigrant is the equivalent of calling him un-American, and the American people know Donald Trump loves this country. The man had to go to court to fight for his right to fly as big an American flag as he wanted at Mar-a-Lago!

Typical white man behavior, Ms. Mori said. Have you ever noticed how a white man can learn a few words of some Asian language and we just eat it up? He could ask for a glass of water and we’d treat him like Einstein. Sonny smiled and wrote that down, too. You’ve been here longer than we have, Ms. Mori, he said with some admiration. Have you noticed that when we Asians speak English, it better be nearly perfect or someone’s going to make fun of our accent? It doesn’t matter how long you’ve been here, Ms. Mori said. White people will always think we’re foreigners. But isn’t there another side to that? I said, my words a little slurred from the cognac in my bloodstream. If we speak perfect English, then Americans trust us. It makes it easier for them to think we’re one of them.

Did I ever tell you I went to school in America?" "What? No." "It's true,for a year. Eighth grade. It was terrible." "Eighth grade is terrible for everyone," I say. "Well,it was worse for me. My parents had just seperated,and my mum moved back to California.I hadn't been since I was an infant,but I went with her,and I was put in this horrid public school-" "Oh,no. Public school." He nudges me with his shoulder. "The other kids were ruthless. They made fun of everything about me-my height,my accent, the way I dressed.I vowed I'd never go back." "But American girls love English accents." I blurt this without thinking, and then pray he doesn't notice my blush. St. Clair picks up a pebble and tosses it into the river. "Not in middle school, they don't.Especially when it's attached to a bloke who comes up to their kneecaps." I laugh. "So when the year was over,my parents found a new school for me. I wanted to go back to London,where my mates were, but my father insisted on Paris so he could keep an eye on me. And that's how I would up at the School of America.

I've always found the thousand dollar dinners more unsettling than the twenty-five-thousand dollar ones --- if someone pays the Republican National Committee twenty-five thousand dollars (or, more likely, fifty per couple) to breathe the same air as Charlie for an hour or two, then it's clear the person has money to spare. What breaks my heart is when it's apparent through their accent or attire that a person isn't well off but has scrimped to attend an event with us. We're not worth it! I want to say. You should have paid off your credit-card bill, invested in your grandchild's college fund, taken a vacation to the Ozarks. Instead, in a few weeks, they receive in the mail a photo with one or both of us, signed by an autopen, which they can frame so that we might grin out into their living room for years to come.

Without warning, a smooth voice spoke next to her ear- a woman's voice with an American accent. "You're nothing but a skinny, awkward child, just as he described. He's visited me since the wedding, you know. He and I have laughed together over your juvenile infatuation with him. You bore him senseless." Pandora turned and found herself confronted by Mrs. Nola Black. The woman was breathtaking, her features creamy-skinned and flawless, her eyes deep and dark under brows so perfectly groomed and delineated, they looked like thin strips of velvet. Although Mrs. Black was approximately the same height as Pandora, her figure was a remarkable hourglass shape, with a waist so small one could have buckled a cat's collar around it. "That's nothing but bitchful thinking," Pandora said calmly. "He hasn't visited you, or he would have told me." Mrs. Black was clearly "picking for a fight," as Winterborne would have put it. "He'll never be faithful to you. Everyone knows you're a peculiar girl who tricked him into marriage. He appreciates novelty, to be sure, but it will wear off, and then he'll send you packing to some remote country house." Pandora was filled with a confusing mixture of feelings. Jealousy, because this woman had known Gabriel intimately, and had meant something to him... and antagonism, but also a stirring of pity, because there was something wounded in the biting darkness of her eyes. Behind the stunning façade, she was a savagely unhappy woman. "I'm sure you think that's what I should fear," Pandora said, "but I actually don't worry about that at all. I didn't trick him, by the way." She paused before adding, "I'll admit to being peculiar. But he seems to like that.

See you at breakfast?" "Yeah.See ya." I try to say this casually,but I'm so thrilled that I skip from her room and promptly slam into a wall. Whoops.Not a wall.A boy. "Oof." He staggers backward. "Sorry! I'm so sorry,I didn't know you were there." He shakes his head,a little dazed. The first thing I notice is his hair-it's the first thing I notice about everyone. It's dark brown and messy and somehow both long and short at the same time. I think of the Beatles,since I've just seen them in Meredith's room. It's artist hair.Musician hair. I-pretend-I-don't-care-but-I-really-do-hair. Beautiful hair. "It's okay,I didn't see you either. Are you all right,then?" Oh my.He's English. "Er.Does Mer live here?" Seriously,I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big,curly hair?" Then he looks at me like I'm crazy or half deaf,like my Nanna Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives there.I've just spent two hours with her." I announce this proudly like my brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh God. What.Is with.The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely-straight on top and crooked on the bottom,with a touch of overbite. I'm a sucker for smiles like this,due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Etienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na. My heart thump thump thumps in my chest.

Is that all?” asked the butler. His slightly melodic accent was nearly impossible to place. It could have been British, but it wasn’t any British accent I had ever heard. The words Old English came to mind, too. As in old, old English. This, I’m certain, was a psychic hit, but I could have been wrong. Just how old Franklin was remained to be seen. “Thank you, Franklin. That will be all,” said Kingsley, waving him off. The butler nodded. “If you and the lady need anything else, please do not hesitate to rouse me from a deep and satisfying sleep.” “We won’t, Franklin. Now, off you go!

Many of my new friends blame racism for this perception of the president. But the president feels like an alien to many Middletonians for reasons that have nothing to do with skin color. Recall that not a single one of my high school classmates attended an Ivy League school. Barack Obama attended two of them and excelled at both. He is brilliant, wealthy, and speaks like a constitutional law professor—which, of course, he is. Nothing about him bears any resemblance to the people I admired growing up: His accent—clean, perfect, neutral—is foreign; his credentials are so impressive that they’re frightening; he made his life in Chicago, a dense metropolis; and he conducts himself with a confidence that comes from knowing that the modern American meritocracy was built for him. Of course, Obama overcame adversity in his own right—adversity familiar to many of us—but that was long before any of us knew him.

Tim and Andy stood there in head-to-toe leather motocross outfits, covered in road dust, behind me in a dark corner of the hotel’s dining room. Tim has penetrating pale blue eyes with tiny pupils, and the accent of an Englishman from the north – Newcastle, or Leeds maybe. Andy is an American with blond hair and the wholesome, well-fed good looks and accent of the Midwest. Behind them, two high-performance dirt bikes leaned on kickstands in the Hang Meas’ parking lot.      Tim owns a bar/restaurant in Siemreap. Andy is his chef. Go to the end of the world and apparently there will be an American chef there waiting for you.

The bearded man lit his cigarette. “I’m a leprechaun,” he said. Shadow did not smile. “Really?” he said. “Shouldn’t you be drinking Guinness?” “Stereotypes. You have to learn to think outside the box,” said the bearded man. “There’s a lot more to Ireland than Guinness.” “You don’t have an Irish accent.” “I’ve been over here too fucken long.” “So you are originally from Ireland?” “I told you. I’m a leprechaun. We don’t come from fucken Moscow.” “I guess not.

Blues is both a literary and a musical genre, and the two realms are inseparably linked by the very forces that also bind together music and text in most African cultures: semantic and grammatical tone, phonetic structure leading to offbeat phrasing of melodic accents (Waterman 1952; Kubik 196ia: 157-58. 1988a: 149-52), and the concept-widespread in African cultures-that the meaning of a song derives from its lyrics rather than from "melody," "rhythm," or chord sequences.

Again, this week as I walked on Broadway, in front of giant photographs of voluptuous supermodels at a Victoria Secret mega-store, who was rebuilding the sidewalks? With sweaty headbands, ripped-up jeans, and dust on their brown faces? Their muscled hands quivered as they worked the jack-hammers and lugged the concrete chunks into dump trucks. Two men from Guanajuato. Undocumented workers. They both shook my hand vigorously, as if they were relieved I wasn’t an INS officer. I imagined how much money Victoria Secret was making off these poor bastards. I wondered why passersby didn’t see what was in front of their faces. We use these workers. We profit from them. In the shadows, they work to the bone, for pennies. And it’s so easy to blame them for everything and nothing simply because they are powerless, and dark-skinned,and speak with funny accents. Illegal is illegal. It is a phrase, shallow and cruel, that should prompt any decent American to burn with anger.

Most of the POWs were taken before they could cut loose form their harness. Among then was Pvt. Paul Bouchereau, a Louisiana Cajun. He was being taken to a German command post where other POWs were being harshly interrogated. The German captain, speaking English, was demanding to know how many Americans had jumped into the area. “Millions and millions of us.” One GI replied. The angry captain asked Bouchereau the same question. With his strong Cajun accent, Bouchereau answered, “Jus’ me!

Suddenly, four or five soldiers with round helmets and guns in hand enter the courtyard. One of them, presumably the commander, knocks hard on the door while shouting, with a strong Yankee accent: 'We are American soldiers ... Are there any Germans here?' His manner is so imperious and sure, you would think he had already won the war. We greet them with open arms. Their confidence is so contagious that we consider the Liberation to be already accomplished. As if the entire German army were obliterated in only one night.

Loose and easy language about equality, resonant resolutions about brotherhood fall pleasantly on the ear, but for the Negro there is a credibility gap he cannot overlook. He remembers that with each modest advance the white population promptly raises the argument that the Negro has come far enough. Each step forward accents an ever-present tendency to backlash. This characterization is necessarily general. It would be grossly unfair to omit recognition of a minority of whites who genuinely want authentic equality. Their commitment is real, sincere, and is expressed in a thousand deeds. But they are balanced at the other end of the pole by the unregenerate segregationists who have declared that democracy is not worth having if it involves equality. The segregationist goal is the total reversal of all reforms, with reestablishment of naked oppression and if need be a native form of fascism. America had a master race in the antebellum South. Reestablishing it with a resurgent Klan and a totally disenfranchised lower class would realize the dream of too many extremists on the right.

Ravi has such nice manners--probably because he is English, and isn’t it a fact that English people have better manners than Americans? He says sorry a lot. “Sorry, can I just…” “Sorry?” His accent is charming, I keep saying pardon so he’ll speak again. For my part, I try to lighten the mood with questions about England. I ask him why English people call private school public school, if his public school was anything like Hogwarts, if he’s ever met the royal family. His answers are: because they are open to the paying public; they had head boys and head girls and prefects but no Quidditch; and he once saw Prince William at Wimbledon, but only the back of his head.

Recall that not a single one of my high school classmates attended an Ivy League school. Barack Obama attended two of them and excelled at both. He is brilliant, wealthy, and speaks like a constitutional law professor—which, of course, he is. Nothing about him bears any resemblance to the people I admired growing up: His accent—clean, perfect, neutral—is foreign; his credentials are so impressive that they’re frightening; he made his life in Chicago, a dense metropolis; and he conducts himself with a confidence that comes from knowing that the modern American meritocracy was built for him. Of course, Obama overcame adversity in his own right—adversity familiar to many of us—but that was long before any of us knew him.

The Brits call this sort of thing Functional Neurological Symptoms, or FNS, the psychiatrists call it conversion disorder, and almost everyone else just calls it hysteria. There are three generally acknowledged, albeit uncodified, strategies for dealing with it. The Irish strategy is the most emphatic, and is epitomized by Matt O’Keefe, with whom I rounded a few years back on a stint in Ireland. “What are you going to do?” I asked him about a young woman with pseudoseizures. “What am I going to do?” he said. “I’ll tell you what I’m goin’ to do. I’m going to get her, and her family, and her husband, and the children, and even the feckin’ dog in a room, and tell ’em that they’re wasting my feckin’ time. I want ’em all to hear it so that there is enough feckin’ shame and guilt there that it’ll keep her the feck away from me. It might not cure her, but so what? As long as I get rid of them.” This approach has its adherents even on these shores. It is an approach that Elliott aspires to, as he often tells me, but can never quite marshal the umbrage, the nerve, or a sufficiently convincing accent, to pull off. The English strategy is less caustic, and can best be summarized by a popular slogan of World War II vintage currently enjoying a revival: “Keep Calm and Carry On.” It is dry, not overly explanatory, not psychological, and does not blame the patient: “Yes, you have something,” it says. “This is what it is [insert technical term here], but we will not be expending our time or a psychiatrist’s time on it. You will have to deal with it.” Predictably, the American strategy holds no one accountable, involves a brain-centered euphemistic explanation coupled with some touchy-feely stuff, and ends with a recommendation for a therapeutic program that, very often, the patient will ignore. In its abdication of responsibility, motivated by the fear of a lawsuit, it closely mirrors the beginning of the end of a doomed relationship: “It’s not you, it’s … no wait, it’s not me, either. It just is what it is.” Not surprisingly, estimates of recurrence of symptoms range from a half to two-thirds of all cases, making this one of the most common conditions that a neurologist will face, again and again.

I sprinkle some flour on the dough and roll it out with the heavy, wooden rolling pin. Once it’s the perfect size and thickness, I flip the rolling pin around and sing into the handle—American Idol style. “Calling Gloriaaaaaaaaaaaaaaaaaaa . . .” And then I turn around. “AHHHHHHHHHHHHHH!” Without thinking, I bend my arm and throw the rolling pin like a tomahawk . . . straight at the head of the guy who’s standing just inside the kitchen door. The guy I didn’t hear come in. The guy who catches the hurling rolling pin without flinching—one-handed and cool as a gorgeous cucumber—just an inch from his perfect face. He tilts his head to the left, looking around the rolling pin to meet my eyes with his soulful brown ones. “Nice toss.” Logan St. James. Bodyguard. Totally badass. Sexiest guy I have ever seen—and that includes books, movies and TV, foreign and domestic. He’s the perfect combo of boyishly could-go-to-my-school kind of handsome, mixed with dangerously hot and tantalizingly mysterious. If comic-book Superman, James Dean, Jason Bourne and some guy with the smoothest, most perfectly pitched, British-Scottish-esque, Wessconian-accented voice all melded together into one person, they would make Logan fucking St. James. And I just tried to clock him with a baking tool—while wearing my Rick and Morty pajama short-shorts, a Winnie-the-Pooh T-shirt I’ve had since I was eight and my SpongeBob SquarePants slippers. And no bra. Not that I have a whole lot going on upstairs, but still . . . “Christ on a saltine!” I grasp at my chest like an old woman with a pacemaker. Logan’s brow wrinkles. “Haven’t heard that one before.” Oh fuck—did he see me dancing? Did he see me leap? God, let me die now. I yank on my earbuds’ cord, popping them from my ears. “What the hell, dude?! Make some noise when you walk in—let a girl know she’s not alone. You could’ve given me a heart attack. And I could’ve killed you with my awesome ninja skills.” The corner of his mouth quirks. “No, you couldn’t.” He sets the rolling pin down on the counter. “I knocked on the kitchen door so I wouldn’t frighten you, but you were busy with your . . . performance.” Blood and heat rush to my face. And I want to melt into the floor and then all the way down to the Earth’s core.

Chris and I told the story of how we met in American Sniper. Briefly, I was living in Long Beach at the time. A girlfriend wanted to go down to San Diego--nearly a two-hour drive--to check out some bars and relax. I almost didn’t go; it was a long drive and I was tired. But I went. We ended up in a bar in Coronado, where I found myself drinking Scotch and offering sarcastic comebacks to an admittedly good-looking but obnoxious young man hitting on me. The man’s friend came over and interrupted us, joking that I was abusing his friend. Now this was a handsome man. A bit over six feet, solidly built, he had a warm smile and broad shoulders to go with a sweet Texas accent and an easygoing, aw-shucks manner that instantly melted my cynical heart. His name was Chris Kyle.

work. When I moved from New York to Alabama in 1974, I was struck by the generalized American speech patterns of local broadcast journalists. They did not sound like southerners. In fact, they had been trained to level their regional accents in the interest of comprehensibility. This strategy struck me as more than odd; it seemed like a prejudice against southern speech, an illness, a form of self-loathing. As I wrote on the topic, I reached a point where I needed to name this language syndrome. I remember sitting on a metal chair at a desk I had constructed out of an old wooden door. What name? What name? It was almost like praying. I thought of the word disease, and then remembered the nickname of a college teacher. We called him “The Disease” because his real name was Dr. Jurgalitis. I began to riff: Jurgalitis. Appendicitis. Bronchitis. I almost fell off my chair: Cronkitis!

It was Lillian Bowman-now Lady Westcliff- dashing and radiant in a wine-red gown. Her fair complexion was lightly glazed with color from the southern Italian sun, and her black hair was caught fashionably at the nape of her neck with a beaded silk-cord net. Lillian was tall and slender, the kind of raffish girl one could envision as captaining her own pirate ship... a girl clearly made for dangerous and unconventional pursuits. Though not as romantically beautiful as Annabelle Hunt, Lillian possessed a striking, clean-featured appeal that proclaimed her Americanness even before one heard her distinctly New York accent. Of their circle of friends, Lillian was the one that Evie felt the least close to. Lillian did not possess Annabelle's maternal softness, or Daisy's sparkling optimism... she had always intimidated Evie with her sharp tongue and prickly impatience. However, Lillian could always be counted on in times of trouble.

If the weakness of mainstream fiction is its deliberate smallness, the weakness of sf is its puffed-up size, its gauzy immensities. SF often pays so much attention to cosmic ideas that the story's surface is vague. Too much sf suffers from a lack of tangible reality. Muzzy settings, generic characters concocted merely for the sake of the idea, improbable action plots tidily wrapped up at the end. Too much preaching, not enough concrete, credible detail. An sf writer can get published without mastering certain things that most mainstream writers can’t evade: evocative prose style, naturalistic dialogue, attention to detail. Refraining from editorializing, over-explaining, or pat resolutions. To us, the contents of The Best American Short Stories seem paltry and timebound. To them, the contents of Asimov’s are overblown and underrealized. It’s no wonder that sf never makes the Ravenel collection. SF is habitually strong in areas considered unessential to good mainstream fiction, and weak in those areas that are considered essential. It doesn't matter that to the sf reader most contemporary fiction is so interested in "how things really are" in tight focus that it missed "how things really are" in the big picture. SF’s different standards make it invisible to mainstream readers, not in the literal way of H.G. Wells's invisible man, but in the cultural way of Ralph Ellison's. It's not that they can’t see us, it's that they don't know what to make of what they see. What they don't know about sf, and worse still, what they think they do know, make it impossible for them to appreciate our virtues. We are like a Harlem poet attempting to find a seat at the Algonquin round table in 1925. Our clothes are outlandish . Our accent is uncouth. The subjects we are interested in are uninteresting or incomprehensible. Our history and culture are unknown. Our reasons for being there are inadmissible. The result is embarrassment, condescension, or silence.

Lass.' Saga turned away to hide her smile. How like a fairy tale, that word. Rapunzel. A tall tower by a deep emerald lake. A dark green word, 'lass.' As she turned, she saw the bookcase beside the armchair- right out there in the garden! It was filled with with paperback books that looked as if they'd been read about a hundred times each. She saw Pride and Prejudice, she saw Middlemarch and The Quiet American. Titles she had seen forever on the shelves in Uncle Marsden's house. "What if it rains when you're not looking?" "These are the books everyone likes to read again and again, books you can lose because they'll reappear the minute you turn your back. They replace themselves," he said. Saga pictured this man with the dashing accent as the rescuer of Rapunzel. It was't outrageous in the least. He was handsome enough, though neither tall nor dark. His skin and hair were faintly golden, or they had been once upon a time, and his hands were long and slim like the hands of a prince. Piano hands, Aunt Liz would have said.

Europeans do not understand North America but for the varying news outlets they read, most of which are in their own languages. Filled with their own cultural bias or lacklustre understanding, their analysis of the average North American lacks the most basic feeling. Simply because we can ride helicopters to our villas in the country or accumulate vast amounts of wealth and buy houses in Europe they think we care for nothing but money. The British especially, seeing their so-called brutish empire now long dead have only their incomprehensible accents to hold dear and berate the North American for not speaking true English. Yet it’s another sign of status and of money. But North Americans don’t care for money in the slightest. Most of us spend it the moment we acquire it whether in intelligence or not. Money is nothing to us but the idol and ideal of success. We are the true idealists. Of course we have set our ideal on the wrong idol; the only true idol for a man ought to be his passion, and a passion cannot be money since it is tangible and sensible.

…in America there is no escape from the awareness of color and the fact that our society places a qualitative difference on a person of dark skin. Every Negro comes face to face with this color shock, and it constitutes a major emotional crisis. It is accompanied by a sort of fatiguing, wearisome hopelessness. If one is rejected because he is uneducated, he can at least be consoled by the fact that it may be possible for him to get an education. If one is rejected because he is low on the economic ladder, he can at least dream of the day that he will rise from his dungeon of economic deprivation. If one is rejected because he speaks with an accent, he can at least, if he desires, work to bring his speech in line with the dominant group. If, however, one is rejected because of his color, he must face the anguishing fact that he is being rejected because of something in himself that cannot be changed. All prejudice is evil, but the prejudice that rejects a man because of the color of his skin is the most despicable expression of man’s inhumanity to man.

Why does everyone call you Mexican?” he asks. My head jerks up. “Huh?” “I’m distracting you with an unrelated and potentially rude question. Aaron called you Mexican. So did they. But you don’t have an accent, and I knew a guy at school named Vasquez who was from Spain. So as the foreigner who hasn’t quite figured out your country, what tells them you’re Mexican?” I want to brush off the question. Really not the time. But that’s the point, isn’t it? I look down at my quavering hands, and when I squeeze my eyes shut, all I see is Predator, pulling the trigger. I can hear Gray’s and Predator’s footsteps. They’re far enough away and we’re well enough hidden that we’re safe here. For now. I glance at Max. “I don’t have an accent because my family has been here for three generations. My father’s family comes from Spain. My mother’s is from Cuba. That makes me Hispanic, and the presumption here—far enough from the border that there aren’t a lot of Latino immigrants—is that Hispanic equals Mexican.” “So Hispanic and Latino mean the same thing?” I shake my head. “Hispanic means you are descended from a country that speaks Spanish. Latino means you’re descended from a country in Latin America. Some are both, like Cuba. But if you come from Brazil, you’re Latino and not Hispanic, because the official language is Portuguese.” “And if it’s Spain, it’s Hispanic and not Latino. Excellent. My lesson in American terminology for the day.

Chad made a sour face. He turned to Shadow. “Okay,” said Chad. “Through that door and into the sally port.” “What?” “Out there. Where the car is.” Liz unlocked the doors. “You make sure that orange uniform comes right back here,” she said to the deputy. “The last felon we sent down to Lafayette, we never saw the uniform again. They cost the county money.” They walked Shadow out to the sally port, where a car sat idling. It wasn’t a sheriff’s department car. It was a black town car. Another deputy, a grizzled white guy with a mustache, stood by the car, smoking a cigarette. He crushed it out underfoot as they came close, and opened the back door for Shadow. Shadow sat down, awkwardly, his movements hampered by the cuffs and the hobble. There was no grille between the back and the front of the car. The two deputies climbed into the front of the car. The black deputy started the motor. They waited for the sally port door to open. “Come on, come on,” said the black deputy, his fingers drumming against the steering wheel. Chad Mulligan tapped on the side window. The white deputy glanced at the driver, then he lowered the window. “This is wrong,” said Chad. “I just wanted to say that.” “Your comments have been noted, and will be conveyed to the appropriate authorities,” said the driver. The doors to the outside world opened. The snow was still falling, dizzying into the car’s headlights. The driver put his foot on the gas, and they were heading back down the street and on to Main Street. “You heard about Wednesday?” said the driver. His voice sounded different, now, older, and familiar. “He’s dead.” “Yeah. I know,” said Shadow. “I saw it on TV.” “Those fuckers,” said the white officer. It was the first thing he had said, and his voice was rough and accented and, like the driver’s, it was a voice that Shadow knew. “I tell you, they are fuckers, those fuckers.” “Thanks for coming to get me,” said Shadow. “Don’t mention it,” said the driver. In the light of an oncoming car his face already seemed to look older. He looked smaller, too. The last time Shadow had seen him he had been wearing lemon-yellow gloves and a check jacket. “We were in Milwaukee. Had to drive like demons when Ibis called.” “You think we let them lock you up and send you to the chair, when I’m still waiting to break your head with my hammer?” asked the white deputy gloomily, fumbling in his pocket for a pack of cigarettes. His accent was Eastern European. “The real shit will hit the fan in an hour or less,” said Mr. Nancy, looking more like himself with each moment, “when they really turn up to collect you. We’ll pull over before we get to Highway 53 and get you out of those shackles and back into your own clothes.” Czernobog held up a handcuff key and smiled. “I like the mustache,” said Shadow. “Suits you.” Czernobog stroked it with a yellowed finger. “Thank you.” “Wednesday,” said Shadow. “Is he really dead? This isn’t some kind of trick, is it?” He realized that he had been holding on to some kind of hope, foolish though it was. But the expression on Nancy’s face told him all he needed to know, and the hope was gone.

As I noted in Chapter 14, “The Earthquake,” there was a supermarket in Jerusalem where I shopped for fruits and vegetables almost every day. It was owned by an Iraqi Jewish family who had immigrated to Israel from Baghdad in the early 1940s. The patriarch of the family, Sasson, was an elderly curmudgeon in his sixties. Sasson’s whole life had left him with the conviction that the Arabs would never willingly accept a Jewish state in their midst and that any concessions to the Palestinians would eventually be used to liquidate the Jewish state. Whenever Sasson heard Israeli doves saying that the Palestinians really wanted to live in peace with the Jews, but that they just couldn’t always come out and declare it, it sounded ludicrous to him. It simply ran counter to everything life in Iraq and Jerusalem had taught him, and neither the Camp David treaty with Egypt nor declarations by Yasir Arafat—nor the Palestinian uprising itself—had convinced him otherwise. As I said, as far as Sasson was concerned, the problem between himself and the Palestinians was not that they didn’t understand each other, but that they did—all too well. Sasson, I should add, did not appear to be ideologically committed to Israel’s holding the West Bank and Gaza Strip. He was a grocer, and ideology did not trip easily off his tongue. I am sure he rarely, if ever, went to the occupied territories. Like a majority of Israelis, he viewed the Israeli presence in the West Bank and Gaza Strip primarily in terms of security. I believe that Sasson is the key to a Palestinian–Israeli peace settlement—not him personally, but his world view. He is the Israeli silent majority. He is the Israeli two-thirds. You don’t hear much from the Sassons of Israel. They don’t talk much. They are not as interesting to interview as wild-eyed messianic West Bank settlers, or as articulate as Peace Now professors who speak with an American accent. But they are the foundation of Israel, the gravity that holds the country in place. And, more important, years of reporting from Israel have taught me that there is a little bit of Sasson’s almost primitive earthiness in every Israeli—not only all those in the Likud Party on the right side of the political spectrum, but a majority of those in the Labor Party as well; not only those Israelis born in Arab countries, but those born in Israel as well. Indeed, the Israeli public is not divided fifty-fifty on the question of peace with the Palestinians. The truth is, the Israeli public is divided in three. One segment, on the far left—maybe 5 percent of the population—is ready to allow a Palestinian state in the West Bank and Gaza tomorrow, and sincerely believes the Palestinians are ready to live in peace with the Jews. Another segment, on the far right—maybe 20 percent of the population—will never be prepared, for ideological reasons, to allow a Palestinian state in the West Bank and Gaza. They are committed to holding forever all the Land of Israel, out of either nationalist or messianic sentiments. In between these two extremes you have the Sassons, who make up probably 75 percent of the population. The more liberal Sassons side with the Labor Party, the more hard-line Sassons side with the Likud, but they all share a gut feeling that they are locked in an all-or-nothing communal struggle with the Palestinians. Today the

If Mamaw's second God was the United States of America, then many people in my community were losing something akin to a religion. The tie that bound them to the neighbors, that inspired them in the way my patriotism had always inspired me, had seemingly vanished. The symptoms are all around us. Significant percentages of white conservative voters--about one-third--believe that Barack Obama is a Muslim. In one poll, 32 percent of conservatives said that they believed Obama was foreign-born and another 19 percent said they were unsure--which means that a majority of white conservatives aren't certain that Obama is even an American. I regularly hear from acquaintances or distant family members that Obama has ties to Islamic extremists, or is a traitor, or was born in some far-flung corner of the world. Many of my new friends blame racism for this perception of the president. But the president feels like an alien to many Middletonians for reasons that have nothing to do with skin color. Recall that not a single one of my high school classmates attended an Ivy League school. Barack Obama attended two of them and excelled at both. He is brilliant, wealthy, and speaks like a constitutional law professor--which, of course, he is. Nothing about him bears any resemblance to the people I admired growing up; His accent--clean, perfect, neutral--is foreign; his credentials are so impressive that they're frightening; he made his life in Chicago, a dense metropolis; and he conducts himself with a confidence that comes from knowing that the modern American meritocracy was built for him. Of course, Obama overcame adversity in his own right--adversity familiar to many of us--but that was long before any of us knew him. President Obama came on the scene right as so many people in my community began to believe that the modern American meritocracy was not built for them. We know we're not doing well. We see it every day: in the obituaries for teenage kids that conspicuously omit the cause of death (reading between the lines: overdose), in the deadbeats we watch our daughters waste their time with. Barack Obama strikes at the heart of our deepest insecurities. He is a good father while many of us aren't. He wears suits to his job while we wear overalls, if we're lucky enough to have a job at all. His wife tells us that we shouldn't be feeding our children certain foods, and we hate her for it--not because we think she's wrong, but because we know she's right.

Am I mistaken to think that even back then, in the vivid present, the fullness of life stirred our emotions to an extraordinary extent? Has anywhere since so engrossed you in its ocean of details? The detail, the immensity of the detail, the force of the detail, the weight of the detail—the rich endlessness of detail surrounding you in your young life like the six feet of dirt that’ll be packed on your grave when you’re dead. Perhaps by definition a neighborhood is the place to which a child spontaneously gives undivided attention; that’s the unfiltered way meaning comes to children, just flowing off the surface of things. Nonetheless, fifty years later, I ask you: has the immersion ever again been so complete as it was in those streets, where every block, every backyard, every house, every floor of every house—the walls, ceilings, doors, and windows of every last friend’s family apartment—came to be so absolutely individualized? Were we ever again to be such keen recording instruments of the microscopic surface of things close at hand, of the minutest gradations of social position conveyed by linoleum and oilcloth, by yahrzeit candles and cooking smells, by Ronson table lighters and Venetian blinds? About one another, we knew who had what kind of lunch in the bag in his locker and who ordered what on his hot dog at Syd’s; we knew one another’s every physical attribute—who walked pigeon-toed and who had breasts, who smelled of hair oil and who oversalivated when he spoke; we knew who among us was belligerent and who was friendly, who was smart and who was dumb; we knew whose mother had the accent and whose father had the mustache, whose mother worked and whose father was dead; somehow we even dimly grasped how every family’s different set of circumstances set each family a distinctive difficult human problem. And, of course, there was the mandatory turbulence born of need, appetite, fantasy, longing, and the fear of disgrace. With only adolescent introspection to light the way, each of us, hopelessly pubescent, alone and in secret, attempted to regulate it—and in an era when chastity was still ascendant, a national cause to be embraced by the young like freedom and democracy. It’s astonishing that everything so immediately visible in our lives as classmates we still remember so precisely. The intensity of feeling that we have seeing one another today is also astonishing. But most astonishing is that we are nearing the age that our grandparents were when we first went off to be freshmen at the annex on February 1, 1946. What is astonishing is that we, who had no idea how anything was going to turn out, now know exactly what happened. That the results are in for the class of January 1950—the unanswerable questions answered, the future revealed—is that not astonishing? To have lived—and in this country, and in our time, and as who we were. Astonishing.

Here before you lies the memorial to St. Cefnogwr, though he is not buried here, of course.” At her words, an uncanny knowing flushed through Katy and, crazy-of-crazy, transfixed her. “Why? Where is he?” Traci stepped forward, hand on her hip. A you’re-right-on-cue look crossed the guide’s face. She pointed to the ceiling. Traci scoffed. “I meant, where’s the body?” Her American southern accent lent a strange contrast to her skepticism. Again, the tour guide’s arthritic finger pointed upward, and a smile tugged at her lips, the smokers’ wrinkles on her upper lip smoothing out. “That’s the miracle that made him a saint, you see. Throughout the twelve hundreds, the Welsh struggled to maintain our independence from the English. During Madog’s Rebellion in 1294, St. Cefnogwr, a noble Norman-English knight, turned against his liege lord and sided with the Welsh—” “Norman-English?” Katy frowned, her voice raspy in her dry throat. “Why would a Norman have a Welsh name and side with the Welsh?” She might be an American, but her years living in England had taught her that was unusual. “The English nicknamed him. It means ‘sympathizer’ in Welsh. The knight was captured and, for his crime, sentenced to hang. As he swung, the rope creaking in the crowd’s silence, an angel of mercy swooped down and—” She clapped her hands in one decisive smack, and everyone jumped. “The rope dangled empty, free of its burden. Proof, we say, of his noble cause. He’s been venerated ever since as a Welsh hero.” Another chill danced over Katy’s skin. A chill that flashed warm as the story seeped into her. Familiar. Achingly familiar. Unease followed—this existential stuff was so not her. “His rescue by an angel was enough to make him a saint?” ever-practical Traci asked. “Unofficially. The Welsh named him one, and eventually it became a fait accompli. Now, please follow me.” The tour guide stepped toward a side door. Katy let the others pass and approached the knight covered in chainmail and other medieval-looking doodads. Only his face peeked out from a tight-fitting, chainmail hoodie-thing. One hand gripped a shield, the other, a sword. She touched his straight nose, the marble a cool kiss against her finger. So. This person had lived about seven hundred years ago. His angular features were starkly masculine. Probably had women admiring them in the flesh. Had he loved? An odd…void bloomed within, tugging at her, as if it were the absence of a feeling seeking wholeness. Evidence of past lives frozen in time always made her feel…disconnected. Disconnected and disturbed. Unable to grasp some larger meaning. Especially since Isabelle was in the past now too, instead of here as her maid of honor. She traced along the knight’s torso, the bumps from the carved chainmail teasing her fingers. “The tour group is getting on the bus. Hurry.” Traci’s voice came from the door. “Coming.” One last glance at her knight. Katy ran a finger down his strong nose again. “Bye,” she whispered.

I’m the kind of patriot whom people on the Acela corridor laugh at. I choke up when I hear Lee Greenwood’s cheesy anthem “Proud to Be an American.” When I was sixteen, I vowed that every time I met a veteran, I would go out of my way to shake his or her hand, even if I had to awkwardly interject to do so. To this day, I refuse to watch Saving Private Ryan around anyone but my closest friends, because I can’t stop from crying during the final scene. Mamaw and Papaw taught me that we live in the best and greatest country on earth. This fact gave meaning to my childhood. Whenever times were tough—when I felt overwhelmed by the drama and the tumult of my youth—I knew that better days were ahead because I lived in a country that allowed me to make the good choices that others hadn’t. When I think today about my life and how genuinely incredible it is—a gorgeous, kind, brilliant life partner; the financial security that I dreamed about as a child; great friends and exciting new experiences—I feel overwhelming appreciation for these United States. I know it’s corny, but it’s the way I feel. If Mamaw’s second God was the United States of America, then many people in my community were losing something akin to a religion. The tie that bound them to their neighbors, that inspired them in the way my patriotism had always inspired me, had seemingly vanished. The symptoms are all around us. Significant percentages of white conservative voters—about one-third—believe that Barack Obama is a Muslim. In one poll, 32 percent of conservatives said that they believed Obama was foreign-born and another 19 percent said they were unsure—which means that a majority of white conservatives aren’t certain that Obama is even an American. I regularly hear from acquaintances or distant family members that Obama has ties to Islamic extremists, or is a traitor, or was born in some far-flung corner of the world. Many of my new friends blame racism for this perception of the president. But the president feels like an alien to many Middletonians for reasons that have nothing to do with skin color. Recall that not a single one of my high school classmates attended an Ivy League school. Barack Obama attended two of them and excelled at both. He is brilliant, wealthy, and speaks like a constitutional law professor—which, of course, he is. Nothing about him bears any resemblance to the people I admired growing up: His accent—clean, perfect, neutral—is foreign; his credentials are so impressive that they’re frightening; he made his life in Chicago, a dense metropolis; and he conducts himself with a confidence that comes from knowing that the modern American meritocracy was built for him. Of course, Obama overcame adversity in his own right—adversity familiar to many of us—but that was long before any of us knew him. President Obama came on the scene right as so many people in my community began to believe that the modern American meritocracy was not built for them. We know we’re not doing well. We see it every day: in the obituaries for teenage kids that conspicuously omit the cause of death (reading between the lines: overdose), in the deadbeats we watch our daughters waste their time with. Barack Obama strikes at the heart of our deepest insecurities. He is a good father while many of us aren’t. He wears suits to his job while we wear overalls, if we’re lucky enough to have a job at all. His wife tells us that we shouldn’t be feeding our children certain foods, and we hate her for it—not because we think she’s wrong but because we know she’s right.