Ambulance Sound Quotes

The midnight disease is a kind of emotional insomnia; at ever conscious moment its victim—even if he or she writes at dawn, or in the middle of the afternoon—feels like a person lying in a sweltering bedroom, with the window thrown open, looking up at a sky filled with stars and airplanes, listening to the narrative of a rattling blind, an ambulance, a fly trapped in a Coke bottle, while all around him the neighbours soundly sleep.

Gansey despised raising his voice (in his head, his mother said, People shout when they don't have the vocabulary to whisper), but he heard it happening despite himself and so, with effort, he kept his voice even. "Not like this. At least you have a place to go. 'End of the world'... What is your problem, Adam? I mean, is there something about my place that's too repugnant for you to imagine living there? Why is it that everything kind I do is pity to you? Everything is charity. Well, here it is: I'm sick of tiptoeing around your principles." "God, I'm sick of your condescension, Gansey," Adam said. "Don't try to make me feel stupid. Who whips out repugnant? Don't pretend you're not trying to make me feel stupid." "This is the way I talk. I'm sorry your father never taught you the meaning of repugnant. He was too busy smashing your head against the wall of your trailer while you apologized for being alive." Both of them stopped breathing. Gansey knew he'd gone too far. It was too far, too late, too much. Adam shoved open the door. "Fuck you, Gansey. Fuck you," he said, voice low and furious. Gansey close his eyes. Adam slammed the door, and then he slammed it again when the latch didn't catch. Gansey didn't open his eyes. He didn't want to see if people were watching some kid fight with a boy in a bright orange Camaro and an Aglionby jumper. Just then he hated his raven-breasted uniform and his loud car and every three- and four-syllable word his parents had used in casual conversation at the dinner table and he hated Adam's hideous father and Adam's permissive mother and most of all, most of all, he hated the sound of Adam's last words, playing over and over. He couldn't stand it, all of this inside him. In the end, he was nobody to Adam, he was nobody to Ronan. Adam spit his words back at him and Ronan squandered however many second chances he gave him. Gansey was just a guy with a lot of stuff and a hole inside him that chewed away more of his heart every year. They were always walking away from him. But he never seemed able to walk away from them. Gansey opened his eyes. The ambulance was still there, but Adam was gone.

The common denominator of all jokes is a path of expectation that is diverted by an unexpected twist necessitating a complete reinterpretation of all the previous facts — the punch-line…Reinterpretation alone is insufficient. The new model must be inconsequential. For example, a portly gentleman walking toward his car slips on a banana peel and falls. If he breaks his head and blood spills out, obviously you are not going to laugh. You are going to rush to the telephone and call an ambulance. But if he simply wipes off the goo from his face, looks around him, and then gets up, you start laughing. The reason is, I suggest, because now you know it’s inconsequential, no real harm has been done. I would argue that laughter is nature’s way of signaling that "it’s a false alarm." Why is this useful from an evolutionary standpoint? I suggest that the rhythmic staccato sound of laughter evolved to inform our kin who share our genes; don’t waste your precious resources on this situation; it’s a false alarm. Laughter is nature’s OK signal.

You aren't sure whether you have feelings or not but that's all part of the shrug you have performed in slow motion for your entire life so far.

It was in this man's class that I first began to wonder if people who wrote fiction were not suffering from some kind of disorder--from what I've since come to think of, remembering the wild nocturnal rocking of Albert Vetch, as the midnight disease. The midnight disease is a kind of emotional insomnia; at every conscious moment its victim--even if he or she writes at dawn, or in the middle of the afternoon--feels like a person lying in a sweltering bedroom, with the window thrown open, looking up at a sky filled with stars and airplanes, listening to the narrative of a rattling blind, an ambulance, a fly trapped in a Coke bottle, while all around him the neighbors soundly sleep. this is in my opinion why writers--like insomniacs--are so accident-prone, so obsessed with the calculus of bad luck and missed opportunities, so liable to rumination and a concomitant inability to let go of a subject, even when urged repeatedly to do so.

You have never approved of yourself so you bother other people to do it.

You are a very real person when that is what you wish you weren't most.

Too often the survivor is seen by [himself or] herself and others as "nuts," "crazy," or "weird." Unless her responses are understood within the context of trauma. A traumatic stress reaction consists of *natural* emotions and behaviors in response to a catastrophe, its immediate aftermath, or memories of it. These reactions can occur anytime after the trauma, even decades later. The coping strategies that victims use can be understood only within the context of the abuse of a child. The importance of context was made very clear many years ago when I was visiting the home of a Holocaust survivor. The woman's home was within the city limits of a large metropolitan area. Every time a police or ambulance siren sounded, she became terrified and ran and hid in a closet or under the bed. To put yourself in a closet at the sound of a far-off siren is strange behavior indeed—outside of the context of possibly being sent to a death camp. Within that context, it makes perfect sense. Unless we as therapists have a good grasp of the context of trauma, we run the risk of misunderstanding the symptoms our clients present and, hence, responding inappropriately or in damaging ways.

The midnight disease is a kind of emotional insomnia; at every conscious moment its victim—even if he or she writes at dawn, or in the middle of the afternoon—feels like a person lying in a sweltering bedroom, with the window thrown open, looking up at a sky filled with stars and airplanes, listening to the narrative of a rattling blind, an ambulance, a fly trapped in a Coke bottle, while all around him the neighbors soundly sleep. This is in my opinion why writers—like insomniacs—are so accident-prone, so obsessed with the calculus of bad luck and missed opportunities, so liable to rumination and a concomitant inability to let go of a subject, even when urged repeatedly to do so.

Oh, do you think I broke his wrist?” Cecily asked, puzzled, as she wrapped her arms around her chest and stared at the writhing form on the floor. “You might have,” Tate returned in a voice like steel. “But I called the ambulance because I broke several of his ribs.” He didn’t sound sorry, either.

You have no idea how much “no” there is in all things.

hope I didn’t cause any awkwardness 60when I mentioned the incident with the soldier, or the checkpoint, or when I reveal that we are living under occupation here. Gunshots and military vehicle sirens, and sometimes the sound of helicopters, warplanes and shelling, the subsequent wail of ambulances; not only do these noises precede breaking news reports, but now they have to compete with the dog’s barking, too. And the situation has been like this for such a long time that there aren’t many people alive today who remember little details about what life was like before all this,

They spent most of that first summer in a campground in California, near the town of Oceano, central coast. South of the beach access road, people rode ATVs over the dunes, and the ATV engines sounded like bugs from a distance, a high buzzing whine. Ambulances drove down the beach to collect ATV drivers three or four times a day. But north of the road, the beach was quiet. Leon loved walking north. There wasn’t much between Oceano and Pismo Beach, the next town up the coast. This lonely stretch of California, forgotten shoreline, sand streaked with black.

Ty was silent, and in that silence, Kit thought of Ty's headphones, the music in his ears, the whispered words, the way he touched things with such total concentration: smooth stones, rough glass, silk and leather and textured linen. There were people in the world, he knew, who thought human beings like Ty did those things for no reason - because they were inexplicable. Broken. Kit felt a wash of rage go through him. How could they not understand everything Ty did had a reason? If an ambulance siren blared in your ears, you covered them. If something hit you, you doubled up to protect yourself from hurt. But not everyone felt and heard exactly the same way. Ty heard everything twice as loud and fast as everyone else. The headphones and the music, Kit sensed, were a buffer: They deadened not just other noises, but also feelings that would otherwise be too intense. They protected him from hurt. He couldn't help but wonder what it would be like to live so intensely, to feel things so much, to have the world sway into and out of too-bright colors and too-bright noises. When every sound and feeling was jacked up to eleven, it only made sense to calm yourself by concentrating all your energy on something small that you could master - a mass of pipe cleaners to unravel, the pebbled surface of a glass between your fingers.

Wait." Walter went to the basket, taking what was a gray sleeve, drawing it out fro the middle of the heap. "Oh," He said. He held the shapeless wool sweater to his chest. Joyce had knit for months the year Daniel died, and here was the result, her handiwork, the garment that would fit a giant. It was nothing more than twelve skeins of yarn and thousands of loops, but it had the power to bring back in a flash the green-tiled walls of the hospital, the sound of an ambulance trying to cut through city traffic in the distance, the breathing of the dying boy, his father staring at the ceiling, the full greasy bucket of fried chicken on he bed table. "I'll take this one," Walter said, balling up the sweater as best he could, stuffing it into a shopping bag that was half full of the books he was taking home, that he was borrowing. "Oh, honey," Joyce said. "You don't want that old scrap." "You made it. I remember your making it." Keep it light, he said to himself, that's a boy. "There's a use for it. Don't you think so, Aunt Jeannie? No offense, Mom, but I could invade the Huns with it or strap the sleeves to my car tires in a blizzard, for traction, or protect our nation with it out in space, a shield against nuclear attack." Jeannie tittered in her usual way in spite of herself. "You always did have that sense of humor," she said as she went upstairs. When she was out of range, Joyce went to Walter's bag and retrieved the sweater. She laid it on the card table, the long arms hanging down, and she fingered the stitches. "Will you look at the mass of it," she exclaimed. "I don't even recall making it." ""'Memory -- that strange deceiver,'" Walter quoted.

One of the triumphs of civilisation, Peter Walsh thought. It is one of the triumphs of civilisation, as the light high bell of the ambulance sounded. Swiftly, cleanly, the ambulance sped to the hospital, having picked up instantly, humanely, some poor devil; some one hit on the head, struck down by disease, knocked over perhaps a minute or so ago at one of these crossings, as might happen to oneself. That was civilisation. It struck him coming back from the East - the efficiency, the organisation, the communal spirit of London. Every cart or carriage of its own accord drew aside to let the ambulance pass. Perhaps it was morbid; or was it not touching rather, the respect which they showed this ambulance with its victim inside- busy men hurrying home, yet instantly bethinking them as it passed of some wife; or presumably how easily it might have been them there, stretched on a shelf with a doctor and a nurse.

Our voices sounded small in the noisy darkness. We called her name again and again. We waved our flashlights in hope that she’d see their bobbing light. We were hoarse from calling. And desperate when she didn’t answer. The faint trail gave out, and we began circling back to the house without realizing it until we saw the lights in the windows. “We need to call the police,” Dad said. “We don’t know the land the way they do. We’ll get lost ourselves if we keep going.” Wordlessly, we made our way home. Mom was on the front porch, shivering in her warmest down coat. “You didn’t find her?” “No.” Dad stopped to hug her. Mom clung to him. They stood there whispering to each other, as if they’d forgotten about me. I waited, shifting my weight from one frozen foot to the other, afraid Bloody Bones might be watching us from the trees. Not that I believed he actually existed, not in my world, the real world, the five-senses world. But with the wind blowing and the moon sailing in and out of clouds like a ghost racing across the sky, I could almost believe I’d crossed a border into another world, where anything could be true—even conjure women and spells and monsters. The police came sooner than we’d expected. We heard their sirens and saw their flashing lights before they’d even turned into the driveway. Four cars and an ambulance stopped at the side of the house. Doors opened, men got out. A couple of them had dogs, big German shepherds who

Don't worry," she whispered. "You're going to make it." "I know." His whisper came so quietly, and sounded so impossibly sad, that Luce wasn't sure she'd heard him right. Until then,she'd thought he was unconscious,but something in her voice seemed to reach him. His eyelids fluttered. Then, slowly, they opened. They were violet. The jug of water fell from her hands. Daniel. Her instinct was to crawl in next to him and cover his lips with kisses, to pretend he wasn't as badly wounded as he was. At the sight of her, Daniel's eyes widened and he started to sit up. But then the blood began to flow from his neck again and his face drained of all its color. Luce had no choice but to restrain him. "Shhh. She pressed his shoulders back against the stretcher, trying to get him to relax. He squirmed under her grip. Every time he did, bright new blood bloomed through the bandage. "Daniel,you have to stop fighting," she begged. "Please stop fighting. For me." They locked eyes for a long,intense moment=and then the ambulance came to an abrupt stop. The back door swung open. A shocking breath of fresh air flowed in. The streets outside were quiet, but the place had the feel of a big city,even in the middle of the night. Milan. That was where the soldier had said they were going when he assigned her to this ambulance. They must be at a hospital in Milan.

Reagan Truman’s cell phone clamored in the darkness. It took several rings to find it. “Hello,” she mumbled, hoping she didn’t wake her uncle in the next room. “Rea, this is Noah.” “It’s late, Noah.” She pulled she string on an old Tiffany-style lamp that was probably five times her age. Something was wrong; not even Noah called this late. “I know, Rea. But I need to talk to you.” She shoved her hair out of her face and tried to force sleep away. “All right, what’s up?” “I’m in the hospital, Rea. I was hurt tonight in Memphis.” “How bad?” she laughed nervously. She’d almost asked if he was still alive. There was a long pause on the line. “I don’t know. Bad. Broken arm, two ribs, but it’s my back that has me worried.” He didn’t speak for a moment. When he began again, he sounded more like a frightened boy than a man of twenty. “I’m hurt bad enough to maybe kick me off the circuit. When I hit the dirt, I was out cold. They said I kept yelling your name in the ambulance, but I don’t remember. All I remember is the pain.” “Noah, what can I do? Do you want me to go over to your folk’s house? I think they’re in town. I could call your sister, Alex.” “No, I don’t want them to worry. I know mom. She’ll freak out and dad will start lecturing me like I’m still a kid. I don’t want them to know anything until I know how serious it is. They’re still not telling me much yet.” He paused, and she knew he was fighting to keep his voice calm. “Rea, I got to face this before I ask them to. If it’s nothing, they don’t even need to know. If it’s crippling, I got to have a plan.” She understood. Noah had always been their positive, sunny child. The McAllens had already lost one son eight years ago. She’d seen the panic in their eyes once when Noah had been admitted to the hospital after an accident. She understood why he’d want to save them pain. “What can I do?” He was silent for a moment, and then he said simply, “Come get me. No matter how bad it is, I want you near when I find out.

Energy is the basis of creating electricity that we can utilize, so how can we harness the power of an earthquake? Obviously, today, if that much energy were being drawn from the Earth through the Great Pyramid, tourists would not be parading through it every day. In order for the system to work, the pyramid would need to be mechanically coupled with the Earth and vibrating in sympathy with it. To do this, the system would need to be "primed"—we would need to initiate oscillation of the pyramid before we could tap into the Earth's oscillations. After the initial priming pulse, though, the pyramid would be coupled with the Earth and could draw off its energy. In effect, the Great Pyramid would feed into the Earth a little energy and receive an enormous amount out of it in return. How do we cause a mass of stone that weighs 5,273,834 tons to oscillate? It would seem an impossible task. Yet there was a man in recent history who claimed he could do just that! Nikola Tesla, a physicist and inventor with more than six hundred patents to his credit—one of them being the AC generator—created a device he called an "earthquake machine." By applying vibration at the resonant frequency of a building, he claimed he could shake the building apart. In fact, it is reported that he had to turn his machine off before the building he was testing it in came down around him. [...] The New York World-Telegram reported Tesla's comments from a news briefing at the hotel New Yorker on July 11, 1935: 'I was experimenting with vibrations. I had one of my machines going and I wanted to see if I could get it in tune with the vibration of the building. I put it up notch after notch. There was a peculiar cracking sound. I asked my assistants where did the sound come from. They did not know. I put the machine up a few more notches. There was a louder cracking sound. I knew I was approaching the vibration of the steel building. I pushed the machine a little higher. Suddenly, all the heavy machinery in the place was flying around. I grabbed a hammer and broke the machine. The building would have been about our ears in another few minutes. Outside in the street there was pandemonium. The police and ambulances arrived. I told my assistants to say nothing. We told the police it must have been an earthquake. That's all they ever knew about it.

THIS IS MY ABC BOOK of people God loves. We’ll start with . . .           A: God loves Adorable people. God loves those who are Affable and Affectionate. God loves Ambulance drivers, Artists, Accordion players, Astronauts, Airplane pilots, and Acrobats. God loves African Americans, the Amish, Anglicans, and Animal husbandry workers. God loves Animal-rights Activists, Astrologers, Adulterers, Addicts, Atheists, and Abortionists.           B: God loves Babies. God loves Bible readers. God loves Baptists and Barbershop quartets . . . Boys and Boy Band members . . . Blondes, Brunettes, and old ladies with Blue hair. He loves the Bedraggled, the Beat up, and the Burnt out . . . the Bullied and the Bullies . . . people who are Brave, Busy, Bossy, Bitter, Boastful, Bored, and Boorish. God loves all the Blue men in the Blue Man Group.           C: God loves Crystal meth junkies,           D: Drag queens,           E: and Elvis impersonators.           F: God loves the Faithful and the Faithless, the Fearful and the Fearless. He loves people from Fiji, Finland, and France; people who Fight for Freedom, their Friends, and their right to party; and God loves people who sound like Fat Albert . . . “Hey, hey, hey!”           G: God loves Greedy Guatemalan Gynecologists.           H: God loves Homosexuals, and people who are Homophobic, and all the Homo sapiens in between.           I: God loves IRS auditors.           J: God loves late-night talk-show hosts named Jimmy (Fallon or Kimmel), people who eat Jim sausages (Dean or Slim), people who love Jams (hip-hop or strawberry), singers named Justin (Timberlake or Bieber), and people who aren’t ready for this Jelly (Beyoncé’s or grape).           K: God loves Khloe Kardashian, Kourtney Kardashian, Kim Kardashian, and Kanye Kardashian. (Please don’t tell him I said that.)           L: God loves people in Laos and people who are feeling Lousy. God loves people who are Ludicrous, and God loves Ludacris. God loves Ladies, and God loves Lady Gaga.           M: God loves Ministers, Missionaries, and Meter maids; people who are Malicious, Meticulous, Mischievous, and Mysterious; people who collect Marbles and people who have lost their Marbles . . . and Miley Cyrus.           N: God loves Ninjas, Nudists, and Nose pickers,           O: Obstetricians, Orthodontists, Optometrists, Ophthalmologists, and Overweight Obituary writers,           P: Pimps, Pornographers, and Pedophiles,           Q: the Queen of England, the members of the band Queen, and Queen Latifah.           R: God loves the people of Rwanda and the Rebels who committed genocide against them.           S: God loves Strippers in Stilettos working on the Strip in Sin City;           T: it’s not unusual that God loves Tom Jones.           U: God loves people from the United States, the United Kingdom, and the United Arab Emirates; Ukrainians and Uruguayans, the Unemployed and Unemployment inspectors; blind baseball Umpires and shady Used-car salesmen. God loves Ushers, and God loves Usher.           V: God loves Vegetarians in Virginia Beach, Vegans in Vietnam, and people who eat lots of Vanilla bean ice cream in Las Vegas.           W: The great I AM loves will.i.am. He loves Waitresses who work at Waffle Houses, Weirdos who have gotten lots of Wet Willies, and Weight Watchers who hide Whatchamacallits in their Windbreakers.           X: God loves X-ray technicians.           Y: God loves You.           Z: God loves Zoologists who are preparing for the Zombie apocalypse. God . . . is for the rest of us. And we have the responsibility, the honor, of letting the world know that God is for them, and he’s inviting them into a life-changing relationship with him. So let ’em know.

I'm getting help," I told her again, determined. Kody had been following right behind us; he'd already be calling an ambulance. The ringing was quickly fading from my ears, only to be replaced by a much more fear-inducing sound. Gunshots. Fuck. I needed to get out of the car. I needed to get Bree to help. I needed to make sure Kody was okay.

By the way, I hope I didn’t cause any awkwardness when I mentioned the incident with the soldier, or the checkpoint, or when I reveal that we are living under occupation here. Gunshots and military vehicle sirens, and sometimes the sound of helicopters, warplanes, and shelling, the subsequent wail of ambulances; not only do these noises precede breaking news reports, but now they have to compete with the dog’s barking, too. And the situation has been like this for such a long time that there aren’t many people alive today who remember little details about what life was like before all this, like the detail about the wilting lettuce in an otherwise closed vegetable market, for example.

How can I be ? Proud of my struggle, but having nothing to show. Guns , petrol, tires , gas, everything blows Now I am standing on top of Museum building burned into ashes. It Is smoke in the mirrors. Look at our Repercussions. Our legacy, our reputation. Canvas and portraits of arrogance Lies, deception, fractions results of politicians Insurrection results of a failed mission Blood used to paint our image Poor quality in this fotos, because nothing changed. You might think it is the 80’s, because you can see tribalism and racism. A perfect black and white picture. Sound of freedom turned into sound of violence, Ambulance, Police siren , people crying and dying Hunger and poverty used as tourists attraction They say look more poorer, so we can get more donation. I am getting global media coverage, Because I am queuing and walking long distance for food, Not because we are getting killed , abused and treated unfairly. They look at me and say Africa is starving Took my pics , post them on social media. Now they are laughing. Being born with a price tag, that says you not worth it, because your black. Government looted everything from the poor Now the poor are looting the government. It is like a stolen movie. Those who started it all and who are behind it, are not getting their credit and spotlight . If we change looting to colonization , then they would be heroes. Not sure whether to say goodbye or good night Because when you're in Phoenix , this might be your last night. 

I love you,” she said. It sounded like her sleepiness was winning, as the ambulance bumped out of our yard. “I don’t ever…ever want to be without you. Please…please promise…” She was half asleep. Maybe she didn’t realize what she was asking, or maybe she was more coherent than I was. It didn’t matter. “I promise, angel,” I said. “I promise you’ll never be without us again. You’ll never be alone. You’ll never have to doubt.” I kissed her fingers, watching her beautiful face as she closed her eyes. “I love you, Jess. Then, now, and always.

After thirty-plus years as a latter-day robber baron and almost as many as a fiercely acquisitive retiree, the old man clapped both hands to his head, made a sound like a peevish crow, and collapsed to the floor. He landed in the middle of the immense Aubusson carpet in the Great Room of Galtonbrook Hall, the pile of marble that had been his home and would be his memorial. Galtonbrook Hall loomed less than half a mile from Columbia Presbyterian Hospital, and an ambulance got there in minutes, but they didn’t have to rush. Martin Greer Galton, born March 7, 1881, in Latrobe, Pennsylvania, was almost certainly dead by the time he hit the floor. Now, fifty years later, his house lived on. He’d devoted the first half of his life to making money and the second half to spending it, collecting art and artifacts in great profusion, and building Galtonbrook Hall to house himself for his lifetime and his treasures for all eternity. That at least was the plan, and he’d funded the enterprise sufficiently to see it carried out. What had been a home was now a museum, open to the public six days a week. Out-of-towners rarely found their way to the Galtonbrook; it didn’t get star treatment in the guidebooks, and it was miles from midtown, miles from the Upper East Side’s Museum Mile. As a result it was rarely crowded. You had to know about it and you had to have a reason to go there, and if you were in the neighborhood you’d probably wind up at the Cloisters instead. “We’ll go to the Galtonbrook the next time,” you’d tell yourself, but you wouldn’t. Neither Carolyn nor I had been there until our visit five days earlier, on a Thursday afternoon. We’d stood in front of a portrait of a man in a plumed hat, and its brass label identified it as the work of Rembrandt. The guidebook I’d consulted had its doubts, and repeated an old observation: Rembrandt painted two hundred portraits, of which three hundred are in Europe and four hundred in the United States of America. “So it’s a fake,” she said. “If it is,” I said, “we only know

He heard sirens in the distance. Then more gunfire, four rounds, then five, very faint but louder because of the open window, and then more sirens, two different tones, probably ambulances and cop cars, and then a furious volley of gunfire, impossibly fast, like a continuous explosion, like a hundred machine guns firing all at once, like the best firework show the town park ever had, and then there was the muted concussive thump of a fuel explosion, and two more handgun rounds, and then nothing but sirens, the scream of cop cars, the yelp of ambulances, the deafening bass bark of fire trucks, all blending in a howl that sounded more like sorrow than help. Reacher

Misadventure   As I turned my bike round a corner, a loud screeching sound was heard down the country lane. Kim tumbled down the rutty slope when he lost balance riding over a mound. His bicycle had fallen into a ditch when one of the tires bounced downhill, disappearing into a ravine.               Our numero uno instructor came to his rescue. Apart from some minor scratches and bruises, Kim was able to hobble about when he balanced on the Caucasian.               Jules bid us to ride ahead, to solicit assistance from the first aid division while he waited with Kim for the ambulance. We did as told. I couldn’t help but wonder if this mishap had been instigated on purpose, or whether it was Mother Nature’s way to shepherd the closeted gays together. I didn’t have long to wait before the truth was revealed.

Piano At 66 Sandringham Crescent an upright piano was being eased down a long flight of stairs by three men all wearing off-white overalls. Backward, staccato, two stepped descending one stair at a time till the taller of the two men began to collapse in slow slow slow motion and the piano leapt to the hallway's rising floor crashing its memories of music: simple tunes such as 3 Blind Mice, as well as great meaningful sonatas of profundity and faraway, into a scattered anarchic jigsaw of free-loving volatile meaningless sounds fading till the stricken piano lost its memory entirely. After the ambulance arrived (too late) one removal man lit a cigarette and sensing the wide-awake stare of the householder tapped the grey ash, with great delicacy, into the cupped hollow of his left hand.

It also had extraordinary acoustics: in the hush of the small hours, a goods truck smashing into a pothole sounded like an explosion, and the fantastic howl of a passing motorbike once caused Rachel to vomit with terror. Around the clock, ambulances sped eastward on West 23rd Street with a sobbing escort of police motorcycles. Sometimes I confused the cries of the sirens with my son's night-time cries. I would leap out of bed and go to his bedroom and helplessly kiss him, even though my rough face sometimes woke him and I'd have to stay with him and rub his tiny rigid back until he fell asleep once more. Afterwards I slipped out onto the balcony and stood there like a sentry. The pallor of the so-called hours of darkness was remarkable. Directly to the north of the hotel, a succession of cross-streets glowed as if each held a dawn. The tail lights, the coarse blaze of deserted office buildings, the lit storefronts, the orange fuzz of the street lanterns: all this garbage of light had been refined into a radiant atmosphere that rested in a low silver heap over Midtown and introduced to my mind the mad thought that the final twilight was upon New York.

Suddenly, there was a noise from the front door. Dr. Dave turned away, toward the sound. And all hell broke loose.   Chapter Forty-seven   “NO!” Ryan bellowed, barreling into the kitchen with Pam at his heels. “No” was all Jake could whisper, horrified they were in harm’s way. Ryan took a flying leap at Dave and tackled him heavily to the ground. They both yelled and grunted, struggling for the gun. Suddenly a shot fired. Pam screamed. Tears of fright sprang to Jake’s eyes. He didn’t know whether Ryan or Dave had been shot. He prayed to God for Ryan’s life. Pam burst into tears, covering her head with her hands. Suddenly Ryan staggered to his feet, supporting himself on the kitchen island. Pam ran to his side, crying with relief. Dr. Dave remained on the floor, moaning and holding his shoulder. Jake thanked God. He could’ve died a happy man at that moment, but Ryan and Pam rushed together at him. “Jake, Jake!” Pam sobbed, throwing herself to the floor beside him. “Honey, the police will be here! I worried you got in a fight, when you didn’t answer! An ambulance is on the way! They should be here any minute!” “Dad, don’t die, please don’t die!” Ryan bent over him, distraught. “I love you, Dad! I love you!” Jake looked up at them, feeling weaker by the second. He wanted to tell them he loved them. He wanted to tell them to be happy without him, that nothing else mattered to him as much, on the face of the earth. “Pam,” he tried to say, but it came out fainter than a whisper. “Honey, stay with us!” Pam embraced him, beginning to sob. “The ambulance will be here any minute!” “Dad, don’t die, please, please!” Jake could barely hear them. He felt himself slipping away. He flashed on the bag that Dr. Dave had put in the trunk of his car, with Voloshin’s laptop and phone. It contained the only evidence that connected Ryan to the hit-and-run. If Ryan and Pam disposed of it, nobody would ever know what had happened. If they gave it to the police, they would go to jail. He tried to say, “Ryan … trunk…” “What, Dad?” Ryan bent over him, crying. “The trunk? Of the car?” Jake managed a smile, closing his eyes. They would figure it out when they opened the trunk. They would decide what to do. Jake knew what he would do, if he had a second chance. But he couldn’t say, and he’d have to leave the decision to them. Because he was gone.

Honey, we have other things to think about,” I said, forcing myself to smile, forcing myself to sound calm. One corner of my brain pictured a pink ambulance screeching to a halt outside to disgorge emergency beauticians with cases of scissors, combs, and hair spray. “Dealing with a little hair damage can wait until tomorrow. It’s a lot more important to find out who did this and why.

You were right, you know—coming here was completely crazy. It was irrational. To think I’d choose to go to a town where there’s no mall, much less a day spa, and one restaurant that doesn’t have a menu? Please. No medical technology, ambulance service or local police—how is it I thought that would be easier, less stressful? I almost slid off the mountain on my way into town!” “Ah… Mel…” “We don’t even have cable, no cell phone signal most of the time. And there’s not a single person here who can admire my Cole Haan boots which, by the way, are starting to look like crap from traipsing around forests and farms. Did you know that any critical illness or injury has to be airlifted out of here? A person would be crazy to find this relaxing. Renewing.” She laughed. “The state I was in, when I was leaving L.A., I thought I absolutely had to escape all the challenges. It never occurred to me that challenge would be good for me. A completely new challenge.” “Mel…” “When I told Jack I was pregnant, after promising him I had the birth control taken care of, he should have said, ‘I’m outta here, babe.’ But you know what he said? He said, ‘I have to have you and the baby in my life, and if you can’t stay here, I’ll go anywhere.’” She sniffed a little and a tear rolled down her cheek. “When I wake up in the morning, the first thing I do is check to see if there are deer in the yard. Then I wonder what Preacher’s in the mood to fix for dinner. Jack’s usually already gone back to town—he likes splitting logs in the early morning—half the town wakes up to the sound of his ax striking wood. I see him five or ten times through the day and he always looks at me like we’ve been apart for a year. If I have a patient in labor, he stays up all night, just in case I need something. And when there are no patients at night, when he holds me before I fall asleep, bad TV reception is the last thing on my mind. “Am I staying here? I came here because I believed I’d lost everything that mattered, and ended up finding everything I’ve ever wanted in the world. Yeah, Joey. I’m staying. Jack’s here. Besides, I belong here now. I belong to them. They belong to me.” *

The cues that can trigger a habit come in a wide range of forms—the feel of your phone buzzing in your pocket, the smell of chocolate chip cookies, the sound of ambulance sirens—but the two most common cues are time and location. Implementation intentions leverage both of these

The shrill sound of the ambulance was deafening as it pulled up outside.

…After seventeen minutes of panicky crowds destroying everything in their path, Eric could distinguish, despite all the chaos and hellish noise, the slight buzz of a second plane. He started counting to himself, watching the blazing inferno at the North Tower: One, two, three, four, five, six, seven… The second Boeing glided into the South Tower, WTC-2, and it seemed to Eric that this plane was flying slowly, that its impact was a soft one… Due to the pandemonium all around, the impact itself seemed not to be as loud as the first hit. Still, in a moment the second twin was also blazing. Both skyscrapers were on fire now. Novack looked up again at what had happened a minute before: the terror attack of the century. Then he started walking fast down Church Street, away from the huge buildings that were now on fire. He knew that in about an hour, the South Tower was to collapse completely, and half an hour after that, the same was to happen to the North Tower, which was also weakened by the impact. He knew there were tons of powerful Thermate in both buildings. Over the course of the previous two months, some fake repairmen had brought loads of it into the towers and put them in designated places around the trusswork. It was meant to make buildings collapse like card towers, which would only happen when the flames reached a certain point. The planes had started an unstoppable countdown as soon as they hit the buildings: these were the last minutes of their existence. Next in line was the third building: 7 WTC, which stood north of the Twin Towers. It counted forty-seven floors, and it too was stuffed with Thermate. Novack started getting concerned, however, that the third plane seemed to be late. Where’s the third plane? Why is it late? It’s already fifty minutes after the first impact, and they were supposed to hit the three targets with a time lag of about twenty minutes. Where are you, birdie number three? You are no less important than the first two, and you were also promised to my clients… People were still running in all directions, shouting and bumping into each other. Sirens wailed loudly, heartrendingly; ambulances were rushing around, giving way only to firefighters and emergency rescue teams. Suddenly hundreds of policemen appeared on the streets, but it seemed that they didn’t really know what they were supposed to do. They mostly ran around, yelling into their walkie-talkies. At Thomas Street, Eric walked into a parking lot: the gate arm was up and the security guy must have left, for the door of his booth stood wide open… …Two shots rang out simultaneously during the fifth and the longest second. They were executed synchronously, creating a single, stinging, deadly sound. The bullet from the sixth floor of the book depository went straight up into the sky, as planned. The second bullet shot out of a sniper rifle, held confidently in the arms of a woman behind the hedge, on the grassy knoll. It was her bullet that struck the head of the 35th US president, John Fitzgerald Kennedy. The woman walked quickly down the grassy knoll. Stepping only about five meters away, she put her rifle into a baby pram waiting there, with a real six-month-old baby boy whimpering inside it. She put on thick glasses and started walking away, exhibiting no haste. Only thirty seconds after the second shot, the woman was gone, nowhere to be seen… After the second or, rather, the third shot, the one from the knoll, President Kennedy’s head was tossed back. Jackie somehow managed to crawl onto the back hood of the car. A security agent from the escort car had already reached them. The motorcade picked up speed and disappeared under the overpass. Zapruder’s camera kept whirring for some seconds. He must have filmed the whole operation – that is, the assassination of an acting US president. But now he simply stood there without saying a word, completely dumbfounded...

Don’t go inside.’ He placed his hands on her shoulders. ‘We’ve called an ambulance and the police. There’s nothing more we can do.’ Claire shrugged his hands from her and pushed past him. ‘I am the police,’ she said over her shoulder, and stepped through the front door. She looked around and heard commotion coming from above. Her eyes travelled towards the stairs as she heard a woman screaming. Then came the sound of other people running around the landing overhead. Claire closed her eyes and took a deep breath. She didn’t have to see upstairs to know what had been discovered. She was about to ascend the stairs when she heard the sirens in the background, drawing closer. Just then two more people came running down

Nightbeat was a superior series that focused as much on people as predicament. Frank Lovejoy, a distinctive radio voice, played the role of a reporter who cared about the human interest angle, and about the people who suffered through life’s hard knocks. In a Jan. 13, 1950, audition program, the character was named “Lucky” Stone: he prowled Chicago after sundown, looking for a story “that grabs your heart and shakes it until it hollers uncle.” He could be found “peering into blank alleys, wandering through the bright neon, listening to the sounds of the city at night … the whisper of footsteps, the shattering roar of an el-train, the sob of an ambulance siren.” He stumbled across “the wino dreaming of a muscatel paradise in cold dark doorways … painted little dames defying the world with their brassy laughter … the homeless, the hopeless.” Stone didn’t try to outsmart the police, said Radio Life; nor did he have a sidekick. Killings were minimized, but the suspense was tense and delicious. There were crime stories, tender stories, tales of the common man in trouble, races against time. Then, having wrapped it up for another night, Stone sat at his desk, pounded out his story, and briskly called, “Copy boy!

He heard the sounds of the approaching ambulance siren, of screams, sighs, the yells of children, all the commotion of the alleyway down below. The sound of feet hurrying up the stairs, coming closer. He had to rush out onto the veranda, now, and throw himself over the railing against which she was leaning. He would fall down three floors and smash his head to pieces. It was the only way. The only way to make a clean end of all this.

Try this, Creigh. I made it.” Annika scoops out what looks like some sort of appetizer and places it near his mouth. The fucker-on-borrowed-time actually opens his lips and eats. Without making a sound. It’s Yan and Lia who wince, sharing a look. “What do you think?” my daughter asks with expectant glee. I’m ready to pummel him to the ground if he so much as changes that expression, but he nods. “Pretty good.” “I knew it!” She glares at Yan. “See? I told you someone likes my food. It’s all about perspective.” “You really okay there, man? Want me to call an ambulance?” “Yan!” my wife chastises. “No, something is wrong with the kid, Lia. He actually eats the things your food terrorist of a daughter cooks.” “Wanna die?” my daughter asks with a murderous expression.

With the sound of exploding bombs growing closer, Qadan and his family escaped again, to his brother's house in western Rafah, where they remained for the next three days. Qadan told me he did not seek shelter in an UNRWA school because Israel had begun shelling those, too. There was no sanctuary anywhere in the Gaza Strip, not in UN-operated schools, nor in hospitals. According to the UNRWA, by Saturday, August 2, the Israeli military had attacked a full third of Gaza's hospitals, along with fourteen primary healthcare clinics and twenty-nine ambulances belonging to either the Red Crescent or the Ministry of Health.