Ambulance Quotes

We've searched our database for all the quotes and captions related to Ambulance. Here they are! All 100 of them:

Remember this. The people you're trying to step on, we're everyone you depend on. We're the people who do your laundry and cook your food and serve your dinner. We make your bed. We guard you while you're asleep. We drive the ambulances. We direct your call. We are cooks and taxi drivers and we know everything about you. We process your insurance claims and credit card charges. We control every part of your life. We are the middle children of history, raised by television to believe that someday we'll be millionaires and movie stars and rock stars, but we won't. And we're just learning this fact. So don't fuck with us.
Chuck Palahniuk (Fight Club)
Whenever I see an ambulance, I like to think there is a baby being born, rather than a death.
Phil Lester
Hi, I’m at the Speedway at Eighty-sixth and Ditch, and I need an ambulance. The great love of my life has a malfunctioning G-tube.
John Green (The Fault in Our Stars)
I pull the sheet off the bed and wrap it around my torso a couple of times. I pull one corner over my shoulder from behind my back and tie it to another from the front. Instant toga. "Self-ambulation detected," says the computer. "What's your name?" "I am Emperor Comatose. Kneel before me." "Incorrect.
Andy Weir (Project Hail Mary)
Ambulances were cool. “You just want to fondle my extraneous body parts,” I said to the EMT as I picked up a silver gadget that looked disturbingly like an alien orifice probe, broke it, then promptly put it back, hoping it wouldn’t leave someone’s life hanging in the balance because the EMT couldn’t alien-probe his orifices.
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
All these, however, were mere terrors of the night, phantoms of the mind that walk in darkness; and though he had seen many spectres in his time, and been more than once beset by Satan in divers shapes, in his lonely pre-ambulations, yet daylight put an end to all these evils; and he would have passed a pleasent life of it, in despite of the devil and all his works, if his path had not been crossed by a being that causes more perplexity to mortal man than ghosts, goblins, and the whole race of witches put together, and that was - a woman.
Washington Irving (The Legend of Sleepy Hollow)
Remember when you fell out of that tree on the farm when you were ten, and broke your arm? Remember how he made them let him ride with you in the ambulance on the way to the hospital? He kicked and yelled till they gave in.” “You laughed,” said Clary, remembering, “and my mom hit you in the shoulder.” “It was hard not to laugh. Determination like that in a 10-year-old is something to see. He was like a pit bull.” “If pit bulls wore glasses and were allergic to ragweed.” -Luke and Clary talking about Simon, pg.211-
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
But it had happened. I had followed Delia's van that night, I had told Wes my Truths, I had stepped into his arms, showing him my raw, broken heart. I could pretend otherwise, pushing it out of sight and hopefully out of mind. But if something was really important, fate made sure it somehow came back to you and gave you another chance. I'd gotten one reaching out to grab Kristy's hand as she pulled me into the ambulance; another during the trip to the hospital that ended with seeing Avery born. Events conspired to bring you back to where you'd been. It was what you did then that made all the difference: it was all about potential.
Sarah Dessen (The Truth About Forever)
I survived A dreadful accident In the car crash of the century My shattered hopes Collapsed on cold cement But in the back of the ambulance I'd never felt so content.
Owl City
When you're having an asthma attack, you don't have any breath. When you don't have any breath, it's hard to speak. You're limited by the amount of air you can spend from your lungs. That's not much, something between three to six words. It gives the word a meaning. You're searching through the piles of words in your head, picking the most important ones. And they have a cost. It's not like the healthy people that take out every word that has accumulated in their head like garbage. When someone, while having an asthma attack, says "I love you" or "I really love you", there's a difference. A word difference. And a word is a lot, because that word could have been "sit", "Ventolin" or even "ambulance".
Etgar Keret (צנורות)
There was a DJ who stayed up for eleven days straight, the longest recorded period of time anyone has ever gone without sleep, and he started playing nothing by Phil Collins, and that's how they knew it was time to call the ambulance.
Meg Cabot
TO ALL THE ambulance drivers firewatchers air-raid wardens nurses canteen workers airplane spotters rescue workers mathematicians vicars vergers shopgirls chorus girls librarians debutantes spinsters fishermen retired sailors servants evacuees Shakespearean actors and mystery novelists WHO WON THE WAR.
Connie Willis (All Clear (All Clear, #2))
Oh, for heaven's sake, Harper, I didn't just pee on the floor. My water broke.' 'What water?' He blinked, then went pale as a corpse. 'That water. Oh, God. Oh, Jesus. Oh, shit. Sit. Sit, or... I'll get-' An ambulance. The marines. 'My mother.
Nora Roberts (Blue Dahlia (In the Garden, #1))
My forehead pressed to the seat in front of me, I kicked my shoes, gently at first, then faster. My sneakers erupted with silent flares: the world’s smallest ambulances, going nowhere.
Ocean Vuong (On Earth We're Briefly Gorgeous)
Walking is also an ambulation of mind.
Gretel Ehrlich
Because the purpose of feminism isn’t to make a particular type of woman. The idea that there are inherently wrong and inherently right “types” of women is what’s screwed feminism for so long — this belief that “we” wouldn’t accept slaggy birds, dim birds, birds that bitch, birds that hire cleaners, birds that stay at home with their kids, birds that have pink Mini Metros with POWERED BY FAIRY DUST! bumper stickers, birds in burkas or birds that like to pretend, in their heads, that they’re married to Zach Braff from Scrubs and that you sometimes have sex in an ambulance while the rest of the cast watch and, latterly, clap. You know what? Feminism will have all of you. What is feminism? Simply the belief that women should be as free as men, however nuts, dim, deluded, badly dressed, fat, receding, lazy and smug they might be. Are you a feminist? Hahaha. Of course you are.
Caitlin Moran (How to Be a Woman)
Dios, she'd never come so hard in her life. How many people died this way? How would he ever explain to the ambulance crews that he'd chained his girlfriend out on the deck and killed her with too many orgasms?
Cherise Sinclair (Lean on Me (Masters of the Shadowlands, #4))
Too much and too long, we seem to have surrendered community excellence and community values in the mere accumulation of material things. Our gross national product...if we should judge the United States of America by that - counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for those who break them. It counts the destruction of our redwoods and the loss of our natural wonder in chaotic sprawl. It counts napalm and the cost of a nuclear warhead, and armored cars for police who fight riots in our streets. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the gross national product does not allow for the health of our children, the quality of their education, or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages; the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage; neither our wisdom nor our learning; neither our compassion nor our devotion to our country; it measures everything, in short, except that which makes life worthwhile. And it tells us everything about America except why we are proud that we are Americans.
Robert F. Kennedy
Be the Ambulance. Make toast.
Gordon Korman
Even the sun-clouds this morning cannot manage such skirts Nor the woman in the ambulance Whore red heart blooms through her coat so astoundingly .... Oh my God, what am I That these late mouths should cry open In a forest of frost, in a dawn of cornflowers
Sylvia Plath
What about a device that knew everyone you knew? So when an ambulance went down the street, a big sign on the roof could flash DON’T WORRY! DON’T WORRY! if the sick person’s device didn’t detect the device of someone he knew nearby. And if the device did detect the device of someone he knew, the ambulance could flash the name of the person in the ambulance, and either IT’S NOTHING MAJOR! IT’S NOTHING MAJOR! Or, if it was something major, IT’S MAJOR! IT’S MAJOR! And maybe you could rate the people you knew by how much you loved them, so if the person in the ambulance detected the device of the person he loved the most, or the person who loved him the most, and the person in the ambulance was really badly hurt, and might even die, the ambulance could flash GOODBYE! I LOVE YOU! GOODBYE! I LOVE YOU! One thing that’s nice to think about is someone who was the first person on lot’s of people’s lists, so that when he was dying, and his ambulance went down the streets to the hospital, the whole time it would flash GOODBYE! I LOVE YOU! GOODBYE! I LOVE YOU!
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
So, many years later there were many who still complained and questioned, ‘Why must you pick up Christians and Hindus in your ambulance?’ And I was saying, ‘Because the ambulance is more Muslim than you’.
Abdul Sattar Edhi
Crawford was home for a month from the hospital, the chest pains came again in the night. Instead of calling an ambulance and going through it all again, he chose simply to roll over to the solace of his late wife’s side of the bed.
Thomas Harris (Hannibal (Hannibal Lecter, #3))
If you insist on using a thumbless grip on the bench, you need to do it at home so that when the ambulance comes (if anyone is there to call 911), it doesn’t disrupt anyone else’s training.
Mark Rippetoe (Starting Strength)
The midnight disease is a kind of emotional insomnia; at ever conscious moment its victim—even if he or she writes at dawn, or in the middle of the afternoon—feels like a person lying in a sweltering bedroom, with the window thrown open, looking up at a sky filled with stars and airplanes, listening to the narrative of a rattling blind, an ambulance, a fly trapped in a Coke bottle, while all around him the neighbours soundly sleep.
Michael Chabon (Wonder Boys)
If people are constantly falling off a cliff, you could place ambulances under the cliff or build a fence on the top of the cliff. We are placing all too many ambulances under the cliff.
Denis Parsons Burkitt
That night you lay in bed, awake, and listened to the ambulances tear down our street. The heat of your face could have kept my room warm for days. I didn't know how you stood the heat of yourself, of your breasts, of your face. I almost couldn't touch you. Out of nowhere you said, I love you. For whatever it’s worth.
Junot Díaz (This Is How You Lose Her)
Gansey despised raising his voice (in his head, his mother said, People shout when they don't have the vocabulary to whisper), but he heard it happening despite himself and so, with effort, he kept his voice even. "Not like this. At least you have a place to go. 'End of the world'... What is your problem, Adam? I mean, is there something about my place that's too repugnant for you to imagine living there? Why is it that everything kind I do is pity to you? Everything is charity. Well, here it is: I'm sick of tiptoeing around your principles." "God, I'm sick of your condescension, Gansey," Adam said. "Don't try to make me feel stupid. Who whips out repugnant? Don't pretend you're not trying to make me feel stupid." "This is the way I talk. I'm sorry your father never taught you the meaning of repugnant. He was too busy smashing your head against the wall of your trailer while you apologized for being alive." Both of them stopped breathing. Gansey knew he'd gone too far. It was too far, too late, too much. Adam shoved open the door. "Fuck you, Gansey. Fuck you," he said, voice low and furious. Gansey close his eyes. Adam slammed the door, and then he slammed it again when the latch didn't catch. Gansey didn't open his eyes. He didn't want to see if people were watching some kid fight with a boy in a bright orange Camaro and an Aglionby jumper. Just then he hated his raven-breasted uniform and his loud car and every three- and four-syllable word his parents had used in casual conversation at the dinner table and he hated Adam's hideous father and Adam's permissive mother and most of all, most of all, he hated the sound of Adam's last words, playing over and over. He couldn't stand it, all of this inside him. In the end, he was nobody to Adam, he was nobody to Ronan. Adam spit his words back at him and Ronan squandered however many second chances he gave him. Gansey was just a guy with a lot of stuff and a hole inside him that chewed away more of his heart every year. They were always walking away from him. But he never seemed able to walk away from them. Gansey opened his eyes. The ambulance was still there, but Adam was gone.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Christianity is a religion in a rush. Look at the world created in seven days. Even on a symbolic level, that's creation in a frenzy. To one born in a religion where the battle for a single soul can be a relay race run over many centuries, with innumerable generations passing along the baton, the quick resolution of Christianity has a dizzying effect. If Hinduism flows placidly like the Ganges, then Christianity bustles like Toronto at rush hour. It is religion as swift as a swallow, as urgent as an ambulance. It turns on a dime, expresses itself in the instant. In a moment you are lost or saved. Christianity stretches back through the ages, but in essence it exists only at one time: right now.
Yann Martel (Life of Pi)
The common denominator of all jokes is a path of expectation that is diverted by an unexpected twist necessitating a complete reinterpretation of all the previous facts — the punch-line…Reinterpretation alone is insufficient. The new model must be inconsequential. For example, a portly gentleman walking toward his car slips on a banana peel and falls. If he breaks his head and blood spills out, obviously you are not going to laugh. You are going to rush to the telephone and call an ambulance. But if he simply wipes off the goo from his face, looks around him, and then gets up, you start laughing. The reason is, I suggest, because now you know it’s inconsequential, no real harm has been done. I would argue that laughter is nature’s way of signaling that "it’s a false alarm." Why is this useful from an evolutionary standpoint? I suggest that the rhythmic staccato sound of laughter evolved to inform our kin who share our genes; don’t waste your precious resources on this situation; it’s a false alarm. Laughter is nature’s OK signal.
V.S. Ramachandran (A Brief Tour of Human Consciousness: From Impostor Poodles to Purple Numbers)
Occupation, curfew, settlements, closed military zone, administrative detention, siege, preventive strike, terrorist infrastructure, transfer. Their WAR destroys language. Speaks genocide with the words of a quiet technician. Occupation means that you cannot trust the OPEN SKY, or any open street near to the gates of snipers tower. It means that you cannot trust the future or have faith that the past will always be there. Occupation means you live out your live under military rule, and the constant threat of death, a quick death from a snipers bullet or a rocket attack from an M16. A crushing, suffocating death, a slow bleeding death in an ambulance stopped for hours at a checkpoint. A dark death, at a torture table in an Israeli prison: just a random arbitrary death. A cold calculated death: from a curable disease. A thousand small deaths while you watch your family dying around you. Occupation means that every day you die, and the world watches in silence. As if your death was nothing, as if you were a stone falling in the earth, water falling over water. And if you face all of this death and indifference and keep your humanity, and your love and your dignity and YOU refuse to surrender to their terror, then you know something of the courage that is Palestine.
Suheir Hammad
Ah, lassie. If it were anyone else but family who made you cry like this, they’d already be in an ambulance.
J.T. Geissinger (Melt for You (Slow Burn, #2))
[American ambulance crews] salvaged people we'd never see in Missing, because no one would have tied to bring them to a hospital. Judging someone to be beyond help never crossed the minds of police, firemen, or doctors here.
Abraham Verghese (Cutting for Stone)
Dave? This is John." "What are you-" Alive? "-in an ambulance or something?" "Yes and no. Are you still at the police station?" "Yeah. We were both-" "Have I died yet?
David Wong (John Dies at the End (John Dies at the End #1))
Hey, do you know what I called the last guy who said something like that to me?" When he only raised a noncommittal brow, I said, "An ambulance.
Darynda Jones (The Trouble with Twelfth Grave (Charley Davidson, #12))
You know, a lot of people say they didn't want to die until the Red Sox won the World Series. Well, there could be a lot of busy ambulances tomorrow.
Johnny Damon
Help!' he shrieked shrilly in a voice strangling in its own emotion, as the policemen carried him to the open doors in the rear of the ambulance and threw him inside. 'Police! Help! Police!' The doors were shut and bolted, and the ambulance raced away. There was a humorless irony in the ludicrous panic of the man screaming for help to the police while policemen were all around him. Yossarian smiled wryly at the futile and ridiculous cry for aid, then saw with a start that the words were ambiguous, realized with alarm that they were not perhaps, intended as a call for police but as a heroic warning from the grave by a doomed friend to everyone who was not a policeman with a club and gun and a mob of other policemen with clubs and guns to back him up. 'Help! Police!' the man had cried, and he could have been shouting of danger.
Joseph Heller (Catch-22)
If you want to chase a runaway ambulance toward what’s left of the American Dream, Floyd Mayweather and Manny Pacquiao show you that, still, somehow, boxing remains the yellow brick road in our country.
Brin-Jonathan Butler
It was in this man's class that I first began to wonder if people who wrote fiction were not suffering from some kind of disorder--from what I've since come to think of, remembering the wild nocturnal rocking of Albert Vetch, as the midnight disease. The midnight disease is a kind of emotional insomnia; at every conscious moment its victim--even if he or she writes at dawn, or in the middle of the afternoon--feels like a person lying in a sweltering bedroom, with the window thrown open, looking up at a sky filled with stars and airplanes, listening to the narrative of a rattling blind, an ambulance, a fly trapped in a Coke bottle, while all around him the neighbors soundly sleep. this is in my opinion why writers--like insomniacs--are so accident-prone, so obsessed with the calculus of bad luck and missed opportunities, so liable to rumination and a concomitant inability to let go of a subject, even when urged repeatedly to do so.
Michael Chabon (Wonder Boys)
Philosophy is no longer the pillar of fire going before a few intrepid seekers after truth: it is rather an ambulance following in the wake of the struggle for existence and picking up the weak and wounded.
Bertrand Russell (History of Western Philosophy (Routledge Classics))
When you say I love you very much, and your asthma's attack occurs, there is no time for palaver because instead of very you have to say call the ambulance.
Etgar Keret
I am already at an age and additionally in a state where I must always wash my feet thoroughly before bed, in the event of having to be removed be an ambulance in the Night.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
Send two ambulances,” I bark. “I’m about to have a fucking heart attack myself.
T.L. Swan (The Casanova (Miles High Club, #3))
Dumont started guiding the ambulance off the road, Victor reached over, took the wheel, and jerked it, forcing the vehicle up onto the curb. "Don't forget," he said, "you're in distress.
V.E. Schwab (Vengeful)
[S]o if the device of the person in the ambulance detected the device of the person he loved the most, or the person who loved him the most, and the person in the ambulance was really badly hurt, and might even die, the ambulance could flash GOODBYE! I LOVE YOU! GOODBYE! I LOVE YOU!
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
As far as I was concerned children had bipolar disorder. They were angry, unpredictable, emotional ambulance-sirens with pigtails, grubby hands and food crusted mouths that twisted from smiles to frowns and back again as quick as a breath.
Tarryn Fisher (Mud Vein)
I was arguing with the paramedics after they got me into the ambulance, begging for something to eat because I was so damn hungry. Maybe that’s why I didn’t walk into the stupid white light. Maybe I knew they wouldn’t have anything to eat down that way.
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
Survivors are often good at both resolving and generating crisis. While this capacity to handle crisis can make you a good emergency room worker or ambulance driver, it can also be a way for you to keep yourself from feeling. If you are addicted to intensity and drama...you may be running from yourself.
Ellen Bass (The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse)
It was a glorious June morning. The sun was shining, the birds were singing, the ambulances were screaming, and the daylight falling on last night’s crime scenes made the blood twinkle like dew in a green heaven.
Colson Whitehead (Crook Manifesto (Ray Carney, #2))
As Londoners, we are – you see – drama itself and have no reason to whip ourselves up into states with sirens and altercations. We like the police to be quiet, the ambulances discreet, and the fire engines jolly.
V.S. Pritchett (London Perceived)
You ever wonder what a Martian might think if he happened to land near an emergency room? He’d see an ambulance whizzing in and everybody running out to meet it, tearing the doors open, grabbing up the stretcher, scurrying along with it. ‘Why,’ he’d say, ‘what a helpful planet, what kind and helpful creatures.’ He’d never guess we’re not always that way; that we had to, oh, put aside our natural selves to do it. ‘What a helpful race of beings,’ a Martian would say. Don’t you think so?
Anne Tyler (The Accidental Tourist)
from the short story, Cielo Azul “Harry, get an ambulance.” I stood up and stepped back from the scene. I felt my chest growing tight, a clarity of thought coming over me. In all my years I had spoken for the dead many times. I had avenged the dead. I was at home with the dead. But I had never so clearly had a part in pulling someone away from the outstretched hands of death. And in that moment I knew we had done just that. And I knew that whatever happened afterward and wherever my life took me, I would always have this moment, that it would be a light that could lead me out of the darkest of tunnels.
Michael Connelly (Suicide Run: Three Harry Bosch Stories (Harry Bosch, #14.6; Harry Bosch Universe, #23.1))
I kneeled in front of the E M T chair, in front of the mirror on the medicine cabinet, and wiped the rest of the makeup away. My skin was raw, pink and new. The ambulance had a single round light in the middle of the ceiling. The light cast long shadows under my nose, ears, eyes, and chin, and in the shadows I was young and I was a crone, in the exact same moment. That's it, I thought: life is short. The only value of wated time is knowledge. p.295
Monica Drake (Clown Girl)
Then she was there in the doorway of the ambulance at his feet. She jumped up like a lion, then stood up on two feet like a human. Her hair was thick and full. She had a mouthful of giant teeth. He could see four pronounced canines in the front and strong claws where her fingernails had been. Her strong body was shriveled and emaciated with her ribs and hip bones sticking out prominently like a concentration camp victim. Her stench was overpowering, like a deer carcass left to rot on the side of the road.
Joseph M. Chiron (Tagged: The Apocalypse)
Despite both my car and my arm being broken, I am driving myself to the emergency room. I resolved not to involve an ambulance because I do not like to be a spectacle. I would rather be run over by another van than be surrounded by paramedics touching me inside such a conspicuous vehicle.
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
I will be conveyed to an Emergency Room of some kind, where I will be detained as long as I do not respond to questions, and then, when I do respond to questions, I will be sedated; so it will be an inversion of standard travel, the ambulance and ER: I'll make the journey first, then depart.
David Foster Wallace (Infinite Jest)
We made it, baby. We’re riding in the back of the black limousine. They have lined the road to shout our names. They have faith in your golden hair & pressed grey suit. They have a good citizen in me. I love my country. I pretend nothing is wrong. I pretend not to see the man & his blond daughter diving for cover, that you’re not saying my name & it’s not coming out like a slaughterhouse. I’m not Jackie O yet & there isn’t a hole in your head, a brief rainbow through a mist of rust. I love my country but who am I kidding? I’m holding your still-hot thoughts in, darling, my sweet, sweet Jack. I’m reaching across the trunk for a shard of your memory, the one where we kiss & the nation glitters. Your slumped back. Your hand letting go. You’re all over the seat now, deepening my fuchsia dress. But I’m a good citizen, surrounded by Jesus & ambulances. I love this country. The twisted faces. My country. The blue sky. Black limousine. My one white glove glistening pink—with all our American dreams.
Ocean Vuong (Night Sky with Exit Wounds)
It's bitten her!' he cried. 'It's Bitten her! It's bitten her! Calm down! Get moving! Call an ambulance! Call the police! Call a scientist! Call my wife! This is terrible! This is awful! This is ghastly! This is phantasmagorical! This is-
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
Patients are almost always preceded by their parents, because no matter how fast an ambulance can drive, terrified parents can drive faster.
John Green (Double On-Call and Other Stories)
And there ain't nothin' like a friend who can tell you you're just pissin' in the wind. -- Neil Young, "Ambulance Blues" from "On the Beach" (1974)
Neil Young
...People stop, stare. No one stop and stare if one of your own beggars drop dead in street. No just step over him like he is a stone, or a dog turd and go away quickly. But when they see a white man with golden hair lying on the street, everyone stop, everyone cry, "Hai - hai, - poor boy, call doctor, call ambulance. What has happen, Farrokh-bhai?"..." - Farrokh said to Baumgartner when he wanted to get rid of the reluctant, overly drugged homeless foreigner out of his restaurant. (Page 167)
Anita Desai (Baumgartner's Bombay)
You aren't sure whether you have feelings or not but that's all part of the shrug you have performed in slow motion for your entire life so far.
Sam Pink (You Hear Ambulance Sounds And Think They Are For You)
SWAT? For me?" Still trembling, one hand clung to the ambulance gurney, the other held a massive sterilised cotton wool wad under my nose. "Tactical Support was busy. You got Dennis and Arlo," said Harry, speed-reading the papers he'd snatched from inside my jacket. Closest his hands had been to my chest in a long time. "Which one broke my nose?" "That'd be Dennis.
Morana Blue (Gatsby's Smile)
Oh my god" Meg ranted. "Her water just broke!" Margaret" Eve said, "get a grip - and a towel. I'll be there in five minutes." (After her sister is off to the hospital and Meg comes close to hyperventalating) Shouldn't we have called an ambulance or something?" Meg fretted. Oh for heavens sakes," Eve replied. "You don't need an ambulance!" Not for me, Mother for Sierra.
Linda Lael Miller (The McKettrick Way (McKettricks, #9))
How the ambulance didn’t come and didn’t come and you thought of that Gordon Lightfoot song, “The Wreck of the Edmund Fitzgerald,” the one that asks if anyone knows where the love of God goes when the waves turn the minutes to hours?
Stephen King (Doctor Sleep (The Shining, #2))
His tears were for joy, for a sudden warmth of understanding that did not yet have these terms of definition: how loving and good people were, how kind the world was that had ambulances in it that came quickly out of nowhere whenever there was sorrow and pain. Always there, an entire system, just below the surface of everyday life, watchfully waiting, ready with all its knowledge and skill to come and help, embedded within a greater network of kindness he had yet to discover.
Ian McEwan (Lessons)
Oof!" Adam caught me all right, with the side of his head. I could tell by the feel of his skull on my foot as I kicked him. He grabbed me the best he could anyway, and we half landed, half fell in the pine needles. He lay facedown on the ground. I flopped him over on his back to make sure he was alive. If he had a concussion, we'd have to call the ambulance, which meant we'd get caught and he'd get sent to military school. On the bright side, maybe the military school would not take him if he had brain damage. "I'm so sorry." "Worth it," he grunted. He rolled onto his feet like a ninja and grabbed my hand. "Hurry, before they release the hounds.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
By the time he was twenty Asclepius had mastered all the arts of surgery and medicine. He embraced his teacher Chiron in a fond farewell and left to set up on his own as the world’s first physician, apothecary and healer. His fame spread around the Mediterranean with great speed. The sick, lame and unhappy flocked to his surgery, outside which he hung a sign – a wooden staff with a snake twined round it, seen to this day on many ambulances, clinics and (often disreputable) medical websites.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
The bouncer scrutinized my face. “Do I know you?” he asked. No, I thought, but you might remember me from such Saturday-night hits as “Would you please put that punter down I’d like to arrest him,” “You can stop kicking him now, the ambulance has arrived,” and the classic “If you don’t back off right now I’m going to nick you as well.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
I can’t seem to wipe away the blood. I rub my hands against my nightgown, but traces of the red remain, staining the lines of my palms and the crescents beneath my fingernails. I wipe harder, gathering and bunching the soft cotton inside my fists. The fabric has been slit up the center and for a moment I worry that I’ve been cut, that maybe the blood is my own. I try to ask what’s happening, but there’s a mask over my mouth and nose. Suddenly it hits me—I’m in an ambulance. I don’t remember how I got here.
Paula Stokes (Vicarious (Vicarious, #1))
And then later, as the ambulance went faster, Abel felt not fear but a strange exquisite joy, the bliss of things finally and irretrievably out of his control, unpeeled, unpeeling now. Yet there was a streak of something else, as though just outside his reach was the twinkle of a light, as though a Christmas window was there; this puzzled him and pleased him, and in his state of tired ecstasy it seemed almost to come to him.
Elizabeth Strout (Anything Is Possible)
There was a flash of lightning, followed almost immediately by a rumble of distant thunder. Madame Tracy felt rather proud, as if she had done it herself. It was even better than the candles at creating ambulance. Ambulance was what mediuming was all about.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Too often the survivor is seen by [himself or] herself and others as "nuts," "crazy," or "weird." Unless her responses are understood within the context of trauma. A traumatic stress reaction consists of *natural* emotions and behaviors in response to a catastrophe, its immediate aftermath, or memories of it. These reactions can occur anytime after the trauma, even decades later. The coping strategies that victims use can be understood only within the context of the abuse of a child. The importance of context was made very clear many years ago when I was visiting the home of a Holocaust survivor. The woman's home was within the city limits of a large metropolitan area. Every time a police or ambulance siren sounded, she became terrified and ran and hid in a closet or under the bed. To put yourself in a closet at the sound of a far-off siren is strange behavior indeed—outside of the context of possibly being sent to a death camp. Within that context, it makes perfect sense. Unless we as therapists have a good grasp of the context of trauma, we run the risk of misunderstanding the symptoms our clients present and, hence, responding inappropriately or in damaging ways.
Diane Langberg (Counseling Survivors of Sexual Abuse (AACC Counseling Library))
The Last Words of My English Grandmother There were some dirty plates and a glass of milk beside her on a small table near the rank, disheveled bed-- Wrinkled and nearly blind she lay and snored rousing with anger in her tones to cry for food, Gimme something to eat-- They're starving me-- I'm all right--I won't go to the hospital. No, no, no Give me something to eat! Let me take you to the hospital, I said and after you are well you can do as you please. She smiled, Yes you do what you please first then I can do what I please-- Oh, oh, oh! she cried as the ambulance men lifted her to the stretcher-- Is this what you call making me comfortable? By now her mind was clear-- Oh you think you're smart you young people, she said, but I'll tell you you don't know anything. Then we started. On the way we passed a long row of elms. She looked at them awhile out of the ambulance window and said, What are all those fuzzy looking things out there? Trees? Well, I'm tired of them and rolled her head away.
William Carlos Williams (Selected Poems (William Carlos Williams))
They came here on Sunday, 30th June, 1940, after bombing us two days before. They said they hadn't meant to bomb us; they mistook our tomato lorries on the pier for army trucks. How they came to think that strains the mind. They bombed us, killing some thirty men, women, and children - one among them was my cousin's boy. He had sheltered underneath his lorry when he first saw the planes dropping bombs, and it exploded and caught fire. They killed men in their lifeboats at sea. They strafed the Red Cross ambulances carrying our wounded. When no one shot back at them, they saw the British had left us undefended. They just flew in peaceably two days later and occupied us for five years.
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
We really should get some X-rays,” the EMT said to Uncle Bob as I lounged on the stretcher. Ambulances were cool. “You just want to fondle my extraneous body parts,” I said to the EMT as I picked up a silver gadget that looked disturbingly like an alien orifice probe, broke it, then promptly put it back, hoping it wouldn’t leave someone’s life hanging in the balance because the EMT couldn’t alien-probe his orifices.
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
Rita folded her arms around herself and peered up at me. “If you’d asked me three months ago I’d have said you were hitting the bottle too hard. But then I got stabbed and should have died, but instead a bunch of cops and ambulance people showed up because somebody who wasn’t even there sent them on ahead to save my life. If something like that happens to someone like me, you start to have a little faith in something bigger. I don’t know if I believe in magic or miracles all the time. But I believe in you, Detective Walker. I believe in you.
C.E. Murphy (Spirit Dances (Walker Papers, #6))
He has the kind of density that makes me constantly guess to myself how much he’d weigh. Does muscle weigh more than fat? He’s a ton. He’s six-six, and I watched him get this tall, but it’s a surprise every time I see him. It’s the body you see on first responders. Think big-ass firemen kicking in doors, ready to save you. “How do you cope with a skeleton that big?” I ask, and he looks down at himself, mystified. “I mean, how do you coordinate all four limbs and actually ambulate around the place?” My eyes are back on his shoulders, following the round lines down, the flat sections, the dips and shadowed lines, the creases on the cotton. I can see his belt, which doesn’t know how lucky it is to be strapped around that, and a lush half inch of black underwear waistband, and my cheeks are burning and I can hear my heart and— “Eyes up, DB.” He’s busted me. Not that I was very subtle. “Me and my skeleton getaround just fine.
Sally Thorne (99 Percent Mine)
You have never approved of yourself so you bother other people to do it.
Sam Pink (You Hear Ambulance Sounds And Think They Are For You)
There's only one response, and I can tell you this because I see it every day. You LIVE. And you throw yourself into everything and try not to think about the bruises.
Jojo Moyes (After You (Me Before You, #2))
I am in my mother's room. It's I who live there now. I don't know how I got there. Perhaps in an ambulance, certainly a vehicle of some kind. I was helped. I'd never have got there alone. There's this man who comes every week. Perhaps I got there thanks to him. He says not. He gives me money and takes away the pages. So many pages,so much money. Yes, I work now, a little like I used to, except that I don't know how to work any more. That doesn't matter apparently. What I'd like now is to speak of the things that are left, say my good-byes, finish dying. They don't want that. Yes, there is more than one, apparently. But it's always the same one that comes. You'll do that later, he says. Good. The truth is I haven't much will left. When he comes for the fresh pages he brings back the previous week's. They are marked with signs I don't understand ... Here's my beginning. It must mean something, or they wouldn't keep it. Here it is.
Samuel Beckett (Molloy)
We live in hope that the good we do here on earth will be rewarded in heaven. We also hope to win the war. We hope that right and goodness will triumph, and that when the war is won, we shall have a better world. And we work toward that end. We buy war bonds and put out incendiaries and knit stockings---" And pumpkin-colored scarves, Polly thought. "---and volunteer to take in evacuated children and work in hospitals and drive ambulances" - here Alf grinned and nudged Eileen sharply in the ribs - "and man anti-aircraft guns. We join the Home Guard and the ATS and the Civil Defence, but we cannot know whether the scrap metal we collect, the letter we write to a solider, the vegetables we grow, will turn out in the end to have helped win the war or not. We act in faith. "But the vital thing is that we act. We do not rely on hope alone, thought hope is our bulwark, our light through dark days and darker nights. We also work, and fight, and endure, and it does not matter whether the part we play is large or small. The reason that God marks the fall of the sparrow is that he knows that it is as important to the world as the bulldog or the wolf. We all, all must do 'our bit'. For it is through our deeds that the war will be won, through our kindness and devotion and courage that we make that better world for which we long.
Connie Willis (All Clear (All Clear, #2))
I have an iron lung, and the dog keeps me from getting too close to magnets. [...] I have SARS. He's tallying the people I infect. [...] I'm nearsighted. He helps me read the road signs. [...] I'm a recovering alcoholic. The dog gets between me and a beer. [...] I have an irregular heartbeat and he's CPR certified. [...] Color-blind. He tells me when the traffic lights change. [...] He translates for my Spanish-speaking clients. [...] He's a chick magnet. [...] I'm a lawyer. He chases ambulances for me.
Jodi Picoult (My Sister’s Keeper)
The midnight disease is a kind of emotional insomnia; at every conscious moment its victim—even if he or she writes at dawn, or in the middle of the afternoon—feels like a person lying in a sweltering bedroom, with the window thrown open, looking up at a sky filled with stars and airplanes, listening to the narrative of a rattling blind, an ambulance, a fly trapped in a Coke bottle, while all around him the neighbors soundly sleep. This is in my opinion why writers—like insomniacs—are so accident-prone, so obsessed with the calculus of bad luck and missed opportunities, so liable to rumination and a concomitant inability to let go of a subject, even when urged repeatedly to do so.
Michael Chabon (Wonder Boys)
Was it last month or last year that the ambulance ran like a hearse with its siren blowing on suicide— Dinn, dinn, dinn!— a noon whistle that kept insisting on life all the way through the traffic lights? I have come back but disorder is not what it was. I have lost the trick of it! The innocence of it! That fellow-patient in his stovepipe hat with his fiery joke, his manic smile— even he seems blurred, small and pale. I have come back, recommitted, fastened to the wall like a bathroom plunger, held like a prisoner who was so poor he fell in love with jail.
Anne Sexton (Selected Poems)
And are we not worthy?” she asked, rolling the end of one ceramic chopstick back and forth between the thumb and index finger of her right hand. “Are our lives devoid of merit? Are we not generous to our friends, kind to strangers, skilled in our areas of expertise, reliable with rent, gentle with children, quick to phone an ambulance when we see a man hit by a car, thoughtful in word and deed? Do we not have worth enough? Are we not already perfect? Perfectly ourselves? Perfect in being who we are?” “I have no one to measure that quality against.” “Do you believe in God?” “No.” “Do you have eyes, judgement?” “And I see the world, but I have no one else’s eyes to measure my own vision against.” “Of course you do. You have the words of friends and strangers. You have discourse and reason. You have critical thought, which may be trained to the highest degree. In short, you do not need the world to tell you what to be. Especially if the world tells you that you are never good enough.
Claire North (The Sudden Appearance of Hope)
Even if we act to erase material poverty, there is another greater task, it is to confront the poverty of satisfaction - purpose and dignity - that afflicts us all. Too much and for too long, we seemed to have surrendered personal excellence and community values in the mere accumulation of material things. Our Gross National Product, now, is over $800 billion dollars a year, but that Gross National Product - if we judge the United States of America by that - that Gross National Product counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for the people who break them. It counts the destruction of the redwood and the loss of our natural wonder in chaotic sprawl. It counts napalm and counts nuclear warheads and armored cars for the police to fight the riots in our cities. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the gross national product does not allow for the health of our children, the quality of their education or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country, it measures everything in short, except that which makes life worthwhile. And it can tell us everything about America except why we are proud that we are Americans. If this is true here at home, so it is true elsewhere in world.
Robert F. Kennedy
Remember this,” Tyler said. "The people you’re trying to step on, we’re everyone you depend on. We’re the people who do your laundry and cook your food and serve your dinner. We make your bed. We guard you while you’re asleep. We drive the ambulances. We direct your call. We are cooks and taxi drivers and we know everything about you. We process your insurance claims and credit card charges. We control every part of your life. "We are the middle children of history, raised by television to believe that someday we’ll be millionaires and movie stars and rock stars, but we won’t. And we’re just learning this fact,” Tyler said. "So don’t fuck with us.
Chuck Palahniuk (Fight Club)
By listening to the “unspoken voice” of my body and allowing it to do what it needed to do; by not stopping the shaking, by “tracking” my inner sensations, while also allowing the completion of the defensive and orienting responses; and by feeling the “survival emotions” of rage and terror without becoming overwhelmed, I came through mercifully unscathed, both physically and emotionally. I was not only thankful; I was humbled and grateful to find that I could use my method for my own salvation. While some people are able to recover from such trauma on their own, many individuals do not. Tens of thousands of soldiers are experiencing the extreme stress and horror of war. Then too, there are the devastating occurrences of rape, sexual abuse and assault. Many of us, however, have been overwhelmed by much more “ordinary” events such as surgeries or invasive medical procedures. Orthopedic patients in a recent study, for example, showed a 52% occurrence of being diagnosed with full-on PTSD following surgery. Other traumas include falls, serious illnesses, abandonment, receiving shocking or tragic news, witnessing violence and getting into an auto accident; all can lead to PTSD. These and many other fairly common experiences are all potentially traumatizing. The inability to rebound from such events, or to be helped adequately to recover by professionals, can subject us to PTSD—along with a myriad of physical and emotional symptoms.
Peter A. Levine
Ah, but thinking became morbid, sentimental, directly one began conjuring up doctors, dead bodies; a little glow of pleasure, a sort of lust, too, over the visual impression warned one not to go on with that sort of thing any more - fatal to art, fatal to friendship. True. And yet, thought Peter Walsh, as the ambulance turned the corner, though the light high bell could be heard down the next street and still farther as it crossed the Tottenham Court Road, chiming constantly, it is the privilege of loneliness; in privacy one may do as one chooses. One might weep if no one saw. It had been his undoing - this susceptibility - in Anglo-Indian society; not weeping at the right time, or laughing either. I have that in me, he thought, standing by the pillar box, which could now dissolve in tears. Why heaven knows. Beauty of some sort probably, and the weight of the day, which, beginning with that visit to Clarissa, had exhausted him with its heat, its intensity, and the drip, drip of one impression after another down into that cellar where they stood, deep, dark, and no one would ever know. Partly for that reason, its secrecy, complete and inviolable, he had found life like an unknown garden, full of turns and corners, surprising, yes; really it took one's breath away, these moments; there coming to him by the pillar-box opposite the British Museum one of them, a moment, in which things came together; this ambulance; and life and death.
Virginia Woolf (Mrs. Dalloway)
Mid-Term Break I sat all morning in the college sick bay Counting bells knelling classes to a close. At two o'clock our neighbours drove me home. In the porch I met my father crying— He had always taken funerals in his stride— And Big Jim Evans saying it was a hard blow. The baby cooed and laughed and rocked the pram When I came in, and I was embarrassed By old men standing up to shake my hand And tell me they were 'sorry for my trouble'. Whispers informed strangers I was the eldest, Away at school, as my mother held my hand In hers and coughed out angry tearless sighs. At ten o'clock the ambulance arrived With the corpse, stanched and bandaged by the nurses. Next morning I went up into the room. Snowdrops And candles soothed the bedside; I saw him For the first time in six weeks. Paler now, Wearing a poppy bruise on his left temple, He lay in the four-foot box as in his cot. No gaudy scars, the bumper knocked him clear. A four-foot box, a foot for every year.
Seamus Heaney
At the beginning of my illness, hospital visits couldn’t be avoided. I needed tests, I had to have my diet and insulin regulated, and once I fainted at school and went into insulin shock and the ambulance came and took me to St. Luke’s. If one of my friends got that sick, I would have called her in the hospital and sent her cards and visited her when she went home. But not Laine. She seemed almost afraid of me (although she tried to cover up by acting cool and snooty). And my other friends did what Laine did, because she was the leader. Their leader. My leader. And we were her followers. The school year grew worse and worse. I fainted twice more at school, each time causing a big scene and getting lots of attention, and every week, it seemed, I missed at least one morning while Mom and Dad took me to some doctor or clinic or other. Laine called me a baby, a liar, a hypochondriac, and a bunch of other things that indicated she thought my parents and I were making a big deal over nothing. But if she really thought it was nothing, why wouldn’t she come over to my apartment anymore? Why wouldn’t she share sandwiches or go to the movies with me? And why did she move her desk away from mine in school? I was confused and unhappy and sick, and I didn’t have any friends left, thanks to Laine. I hated Laine.
Ann M. Martin (The Truth About Stacey (The Baby-Sitters Club, #3))
You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out." You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft. I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it." That so?" Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact." They'll remember this," Gerry said. "Believe me." Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke. I depressed the trigger on the one-shot and nothing happened. Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times. And Gerry's hand exploded. And so did mine. The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair. Gerry threw his head back and opened his mouth wide and bellowed in ecstasy. I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working. I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand. My broken finger came back out of the shotgun and Gerry swung the barrels toward my head. The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck. Good-bye, I thought. Everyone. It's been nice. Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back. The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell. He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil. Patrick, the eye said through the gathering smoke, you still know nothing. Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh. Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire. Burn, I thought. Burn. God help me, but burn. Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed. I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar. His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment. How you doing, Patrick?" he said and smiled broadly. And, behind him, Gerry burned on the ice. And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.
Dennis Lehane
Later, when the other Beatles arrived, the crowd in the street had swelled to an estimated twenty-thousand, some of whom were whipped up in a terrific heat. Others, many of them young girls who had been waiting since dawn, suffered from hunger and exhaustion. The police force, which had been monitoring the situation nervously, called in the army and navy to help maintain order, but it was short-lived. By late afternoon, with chants of "We want the Beatles!" ringing through the square, the shaken troops, now four-hundred strong, felt control slipping from their grasp. They didn't know where to look first: at the barricades being crushed, the girls fainting out of sight, the hooligans stomping on the roofs of cars or pushing through their lines. A fourteen-year-old "screamed so hard she burst a blood-vessel in her throat." It was "frightening, chaotic, and rather inhuman," according to a trooper on horseback. There most pressing concern was the hotels plate-glass windows bowing perilously against the violent crush of bodies. They threatened to explode in a cluster of razor-sharp shards at any moment. Ambulances screamed in the distance, preparing for the worst; a detachment of mounted infantry swung into position.
Bob Spitz (The Beatles: The Biography)
Wait." Walter went to the basket, taking what was a gray sleeve, drawing it out fro the middle of the heap. "Oh," He said. He held the shapeless wool sweater to his chest. Joyce had knit for months the year Daniel died, and here was the result, her handiwork, the garment that would fit a giant. It was nothing more than twelve skeins of yarn and thousands of loops, but it had the power to bring back in a flash the green-tiled walls of the hospital, the sound of an ambulance trying to cut through city traffic in the distance, the breathing of the dying boy, his father staring at the ceiling, the full greasy bucket of fried chicken on he bed table. "I'll take this one," Walter said, balling up the sweater as best he could, stuffing it into a shopping bag that was half full of the books he was taking home, that he was borrowing. "Oh, honey," Joyce said. "You don't want that old scrap." "You made it. I remember your making it." Keep it light, he said to himself, that's a boy. "There's a use for it. Don't you think so, Aunt Jeannie? No offense, Mom, but I could invade the Huns with it or strap the sleeves to my car tires in a blizzard, for traction, or protect our nation with it out in space, a shield against nuclear attack." Jeannie tittered in her usual way in spite of herself. "You always did have that sense of humor," she said as she went upstairs. When she was out of range, Joyce went to Walter's bag and retrieved the sweater. She laid it on the card table, the long arms hanging down, and she fingered the stitches. "Will you look at the mass of it," she exclaimed. "I don't even recall making it." ""'Memory -- that strange deceiver,'" Walter quoted.
Jane Hamilton (The Short History of a Prince)
Most people actually ignore things out of the ordinary. Or, worse, hope that someone else will take care of it. I remember being on the train in Chicago in a car with about a dozen other people. On the other side of the car, a man suddenly fell off his seat. Just… toppled over into the aisle. He started convulsing. There were three people between me and him. But nobody said anything. Nobody did anything. I stood up, “Sir?” I said, and started toward him. And that’s when everyone started to move. I called for someone at the back to push the operator alert button, to tell the train driver to call for an ambulance at the next stop. After I moved, there were suddenly three or four other people with me, coming to the man’s aid. But somebody had to move first. I stood in a crowded, standing-room only train on another day and watched a young woman standing near the door close her eyes and drop her papers and binder onto the floor. She was packed tight, surrounded by other people, and no one said anything. Her body began to go limp. “Are you OK!?” I said loudly, leaning toward her, and then other people were looking, and she was sagging, and the buzz started, and somebody called up from the front of the car that he was a doctor, and someone gave up their seat, and people moved, moved, moved. Somebody needs to be the person who says something is wrong. We can’t pretend we don’t see it. Because people have been murdered and assaulted on street corners where hundreds of people milled around, pretending everything was normal. But pretending it was normal didn’t make it so. Somebody has to point it out. Somebody has to get folks to move. Somebody has to act.
Kameron Hurley
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond. But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen. Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now. Now, not then. I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it. There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together. There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.' I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now. He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on. Even when broken it still works.
Cecelia Ahern (Thanks for the Memories)
Rig looked over at Dick for a long minute and then shook his head and sighed, pushing the cake away. "I can't do this. Dick was right. I'm tearing us all apart and I hoped that... I wanted you two to be happy enough together that I wouldn't. All I could think in that ambulance was that I was losing you and it happened anyway. I'm sorry." "No!" Dick shook his head and took Rigger's hand. "You only lose us if you keep pushing us away." Rock didn't know what to say, he just knew he was more scared now than he had been when Julie had first called that night so many months ago now. He took Rigger's other hand and squeezed. "I'm a stubborn son of a bitch, Rig. I'm not going anywhere." "I don't know if I can stay, Blue." Grey eyes landed on him, filled with tears. "I'm lost and can't seem to figure my way home." Rig's hand was trembling, holding him tight. Rock thought it probably would have hurt less if Rigger had picked up the knife and stabbed him with it. He slid from his chair and pulled Rig's so he could kneel between his lover's legs. His hands found their way into Rigger's shorn hair. "I will do anything, Rabbit. Anything. But I can't let you go. P-please don't ask me to let you go." His voice broke and he laid his head down against Rigger's belly, arms wrapping around the too-thin waist.
Sean Michael (Tempering (Jarheads, #4))
Catching my breath, I lean against the front of the car and focus on the individual blades of grass hedging my flip-flop, trying not to throw up or pass out or both. In the far distance, a vehicle approaches-the first one to witness the scene of our accident. A million explanations run through my mind, but I can’t imagine a single scenario that would solve all-or any-of our issues right now. None of us can risk going to the hospital. Mom technically doesn’t qualify as human, so I’m sure we’d get a pretty interesting diagnosis. Rachel is technically supposed to be deceased as of the last ten years or so, and while she probably has a plethora of fake IDs, she’s still antsy around cops, which will surely be called to the hospital in the event of a gunshot wound, even if it is just in the foot. And let’s not forget that Mom and Rachel are new handcuff buddies. There just isn’t an explanation for any of this. That’s when I decide I’m not the one who should do the talking. After all, I didn’t kidnap anyone. I didn’t shoot anyone. And I certainly didn’t handcuff myself to the person who shot me. Besides, both Mom and Rachel are obviously much more skilled at deception then I’ll ever be. “If someone pulls over to help us, one of you is explaining all this,” I inform them. “You’ll probably want to figure it out fast, because here comes a car.” But the car comes and goes without even slowing. In fact, a lot of cars come and go, and if the situation weren’t so strange and if I weren’t so thankful that they didn’t actually stop, I’d be forced to reexamine what the world is coming to, not helping strangers in an accident. Then it occurs to me that maybe the passerby don’t realize it’s the scene of an accident. Mom’s car is in the ditch, but the ditch might be steep enough to hide it. It’s possible that no one can even see Rachel and Mom from the side of the road. Still, I am standing at the front of Rachel’s car. An innocent-looking teenage girl just loitering for fun in the middle of nowhere and no one cares to stop? Seriously? Just as I decide that people suck, a vehicle coming from the opposite direction slows and pulls up a few feet behind us. It’s not a good Samaritan traveler pulling over to see what he or she can do to inadvertently complicate things. It’s not an ambulance. It’s not a state trooper. If only we could be so lucky. But, nope, it’s way worse. Because it’s Galen’s SUV. From where I stand, I can see him looking at me from behind the wheel. His face is stricken and tried and relieved and pained. I want to want to want to believe the look in his eyes right now. The look that clearly says he’s found what he’s looking for, in more ways than one.
Anna Banks (Of Triton (The Syrena Legacy, #2))
In a hurry to escape he let himself out of the house and walked to the truck. Before he could climb inside Marilee raced down the steps. Breathless,she came to a sudden halt in front of him. At the dark look in his eyes she swallowed. "Please don't go,Wyatt. I've been such a fool." "You aren't the only one." He studied her with a look that had her heart stuttering.A look so intense, she couldn't look away. "I've been neating myself up for days,because I wanted things to go my way or no way." "There's no need.You're not the only one." Her voice was soft,throaty. "You've always respected my need to be independent.But I guess I fought the battle so long,I forgot how to stop fighting even after I'd won the war." "You can fight me all you want. You know Superman is indestructable." Again that long,speculative look. "I know I caught you off guard with that proposal. It won't happen again. Even when I understood your fear of commitment, I had to push to have things my way.And even though I still want more, I'm willing to settle for what you're willing to give,as long as we can be together." She gave a deep sigh. "You mean it?" "I do." "Oh,Wyatt.I was so afraid I'd driven you away forever." He continued studying her. "Does this mean you're suffering another change of heart?" "My heart doesn't need to change. In my heart,I've always known how very special you are.It's my head that can't seem to catch up." She gave a shake of her head,as though to clear it. "I'm so glad you understand me. I've spent so many years fighting to be my own person, it seems I can't bear to give up the battle." A slow smile spread across his face, changing it from darkness to light. "Marilee,if it's a sparring partner you want,I'm happy to sigh on. And if,in time,you ever decide you want more, I'm your man." He framed her face with his hands and lowered his head,kissing her long and slow and deep until they were both sighing with pleasure. Her tears started again,but this time they were tears of joy. Wyatt brushed them away with his thumbs and traced the tracks with his lips. Marilee sighed at the tenderness. It was one of the things she most loved about this man. Loved. Why did she find it so hard to say what she was feeling? Because,her heart whispered, love meant commitment and promises and forever after,and that was more than she was willing to consider. At least for now. After a moment he caught her hand. "Where are we going?" "Your place.It's closer than the ranch, and we've wasted too much time already." "i can't leave the ambulance..." "All right." He turned away from the ranch truck and led her toward her vehicle. "See how easy I am?" At her little laugh he added, "I'm desperate for some time alone with you." Alone. She thought about that word. She'd been alone for so long.What he was offering had her heart working overtime. He was willing to compromise in order to be with her. She was laughing through her tears as she turned the key in the ignition. The key that had saved his life. "Wyatt McCord,I can't think of anything I'd rather be than alone with you.
R.C. Ryan (Montana Destiny)