Amber Spyglass Quotes

We've searched our database for all the quotes and captions related to Amber Spyglass. Here they are! All 100 of them:

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I stopped believing there was a power of good and a power of evil that were outside us. And I came to believe that good and evil are names for what people do, not for what they are.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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People are too complicated to have simple labels.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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All the history of human life has been a struggle between wisdom and stupidity.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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When you choose one way out of many, all the ways you don't take are snuffed out like candles, as if they'd never existed.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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I have stolen ideas from every book I have ever read.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Iorek Byrnison: Can is not the same as must. Lyra Silvertongue: But if you must and you can, then there's no excuse.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you... We'll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams... And when they use our atoms to make new lives, they wont' just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight...
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Philip Pullman (His Dark Materials Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass)
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Even if it means oblivion, friends, I'll welcome it, because it won't be nothing. We'll be alive again in a thousand blades of grass, and a million leaves; we'll be falling in the raindrops and blowing in the fresh breeze; we'll be glittering in the dew under the stars and the moon out there in the physical world, which is our true home and always was.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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We shouldn't live as if [other worlds] mattered more than this life in this world, because where we are is always the most important place.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Maybe sometimes we don't do the right thing because the wrong thing looks more dangerous, and we don't want to look scared, so we go and do the wrong thing just because it's dangerous. We're more concerned with not looking scared than with judging right.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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I will love you for ever, whatever happens. Till I die and after I die, and when I find my way out of the land of the dead I’ll drift about forever, all my atoms, till I find you again…
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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I told him I was going to betray you, and betray Lyra, and he believed me because I was corrupt and full of wickedness; he looked so deep I felt sure he'd see the truth. But I lied too well. I was lying with every nerve and fiber and everything I'd ever done...I wanted him to find no good in me, and he didn't. There is none.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Tell them stories.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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And I came to believe that good and evil are names for what people do, not for what they are. All we can say is that this is a good deed, because it helps someone or that's an evil one because it hurts them. People are too complicated to have simple labels.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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It takes long practice, yes. You have to work. Did you think you could snap your fingers, and have it as a gift? What is worth having is worth working for.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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We have to build the Republic of Heaven where we are, because for us, there is no elsewhere.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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because he's Will
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Tell them stories. They need the truth you must tell them true stories, and everything will be well, just tell them stories.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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...But it gradually seemed to me that I'd made myself believe something that wasn't true. I'd made myself believe that I was fine and happy and fulfilled on my own without the love of anyone else. Being in love was like China: you knew it was there, and no doubt it was very interesting, and some people went there, but I never would. I'd spend all my life without ever going to China, but it wouldn't matter, because there was all the rest of the world to visit... And I thought: am I really going to spend the rest of my life without feeling that again? I thought: I want to go to China. It's full of treasures and strangeness and mysteries and joy.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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People should decide on the books' meanings for themselves. They'll find a story that attacks such things as cruelty, oppression, intolerance, unkindness, narrow-mindedness, and celebrates love, kindness, open-mindedness, tolerance, curiosity, human intelligence.
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Philip Pullman (His Dark Materials Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass)
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Seems to me-" Lee said, feeling for the words, "seems to me the place you fight cruelty is where you find it, and the place you give help is where you see it needed....
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Philip Pullman (His Dark Materials Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass)
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She wondered whether there would ever come an hour in her life when she didn't think of him -- didn't speak to him in her head, didn't relive every moment they'd been together, didn't long for his voice and his hands and his love. She had never dreamed of what it would feel like to love someone so much; of all the things that had astonished her in her adventures, that was what astonished her the most. She thought the tenderness it left in her heart was like a bruise that would never go away, but she would cherish it forever.
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Philip Pullman (His Dark Materials Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass)
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Oh, Will," she said, "What can we do? Whatever can we do? I want to live with you forever. I want to kiss you and lie down with you and wake up with you every day of my life till I die, years and years and years away. I don't want a memory, just a memory..." "No," he said. "Memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much. Oh, Lyra, I wish this night would never end! If only we could stay here like this, and the world could stop turning, and everyone else could fall into a sleep..." "Everyone except us! And you and I could live here forever and just love each other." "I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, I'll drift about forever, all my atoms, till I find you again..." "I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you...We'll live in birds and flowers and dragonflies and pin trees and in clouds and in those little specks of light you see floating in sunbeams...And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight..." They lay side by side, hand in hand, looking at the sky.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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...because where we are is always the most important place.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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No,' he said, 'memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much...
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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I’m just trying to wake up - I’m so afraid of sleeping all my life and then dying - I want to wake up first. I wouldn’t care if it was just for an hour, as long as I was properly alive and awake…
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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I thought physics could be done to the glory of God, till I saw there wasn’t any God at all and that physics was more interesting anyway. The Christian religion is a very powerful and convincing mistake, that’s all.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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What work do I have to do then?" said Will, but went on at once, "No, on second thought, don't tell me. I shall decide what I do. If you say my work is fighting, or healing, or exploring, or whatever you might say, I'll always be thinking about it. And if I do end up doing that, I'll be resentful because it'll feel as if I didn't have a choice, and if I don't do it, I'll feel guilty because I should. Whatever I do, I will choose it, no one else.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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He meant the Kingdom was over, the Kingdom of Heaven, it was all finished. We shouldn't live as if it mattered more than this life in this world, because where we are is always the most important place.... We have to be all those difficult things like cheerful and kind and curious and patient, and we've got to study and think and work hard, all of us, in all our different worlds, and then we'll build... The Republic of Heaven.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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The Christian religion is a very powerful and convincing mistake.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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...his face bore an expression that mingled haughty disdain with a tender, ardent sympathy, as if he would love all things if only his nature could let him forget their defects.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Being in love was like China: you knew it was there, and no doubt it was very interesting, and some people went there, but I never would. I'd spend all my life without ever going to China, but it wouldn't matter, because there was all the rest of the world to visit.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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The intentions of a tool are what it does. A hammer intends to strike, a vise intends to hold fast, a lever intends to lift. They are what it is made for. But sometimes a tool may have other uses that you don't know. Sometimes in doing what you intend, you also do what the knife intends, without knowing.
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Philip Pullman (His Dark Materials Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass)
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I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, I’ll drift about forever, all my atoms, till I find you again… I’ll be looking for you, every moment, every single moment. And when we do find each other again, we’ll cling together so tight that nothing and no one’ll ever tear us apart. Every atom of me and every atom of you… We’ll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams… And when they use our atoms to make new lives, they won’t just be able to take one, they’ll have to take two, one of you and one of me, we’ll be joined so tight…
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Do you think I could bear to live on after you died? Oh, Lyra, I'd follow you down to the world of the dead without thinking twice about it, just like you followed Roger; and that would be two lives gone for nothing, my life wasted like yours. No, we should spend our whole lifetimes together, good long busy lives, and if we can't spend them together, we... we'll have to spend them apart.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Well," said Mary, "love is ferocious, too.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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The first ghost to leave the world of the dead was Roger. He took a step forward, and turned to look back at Lyra, and laughed in surprise as he found himself turning into the night, the starlight, the air. . .and then he was gone, leaving behind such a vivid little burst of happiness.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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And then what?" said her daemon sleepily. "Build what?" "The Republic of Heaven," said Lyra.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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If you wanted to divert a mighty river into a different course, and all you had was a single pebble, you could do it, as long as you put the pebble in the right place to send the first trickle of water that way instead of this.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Every advance in human life, every scrap of knowledge and wisdom and decency we have has been torn by one side from the teeth of the other. Every little increase in human freedom has been fought over ferociously between those who want us to know more and be wiser and stronger, and those who want us to obey and be humble and submit.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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But we can trust him Roger, I swear," she said with a final effort,"Because he's Will.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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It might have been a new way for her heart to beat.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Why, yes, the moΒ­ment you’re born, your death comes inΒ­to the world with you, and it’s your death that takes you out.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Behind her the sun was still shining, so that every grove and every single tree between her and the storm blazed ardent and vivid, little frail things defying the dark with leaf and twig and fruit and flower.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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But Balthamos couldn't tell; he only knew that half his heart had been extinguished. He couldn't keep still: he flew up again, scouring the sky as if to seek out Baruch in this cloud or that, calling, crying, calling; and then he'd be overcome with guilt, and fly down to urge Will to hide and keep quiet, and promise to watch over him tirelessly; and then the pressure of his grief would crush him to the ground, and he'd remember every instance of kindness and courage that Baruch had ever shown, and there were thousands, and he'd forgotten none of them; and he'd cry that a nature so gracious could ever be snuffed out, and he'd soar into the skies again, casting about in every direction, reckless and wild and stricken, cursing the air, the clouds, the stars.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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...when all the openings were closed, then the worlds would all be restored to their proper relations with one another, Lyra’s Oxford and Will’s would lie over each other again, like transparent images on two sheets of film being moved closer and closer until they merged–although they would never truly touch.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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And at the word alone, Will felt a great wave of rage and despair moving outwards from a place deep within him, as if his mind were an ocean that some profound convulsion had disturbed. All his life he'd been alone, and now he must be alone again, and this infinitely precious blessing that had come to him must be taken away almost at once.He felt the wave build higher and steeper to darken the sky, he felt the crest tremble and begin to spill, he felt the great mass crashing down with the whole weight of the ocean behind it against the iron-bound coast of what had to be. And he felt himself crying aloud with more anger and pain than he had ever felt in his life, and he found Lyra just as helpless in his arms. But as the wave expended its force and the waters withdrew, the bleak rocks remained; there was no arguing with fate; neither his despair nor Lyra's had moved them a single inch.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Occasionally they would hear a harsh croak or a splash as some amphibian was disturbed, but the only creature they saw was a toad as big as Will's foot, which could only flop in a pain-filled sideways heave as if it were horribly injured. It lay across the path, trying to move out of the way and looking at them as if it knew they meant to hurt it. 'It would be merciful to kill it,' said Tialys. 'How do you know?' said Lyra. 'It might still like being alive, in spite of everything.' 'If we killed it, we'd be taking it with us,' said Will. 'It wants to stay here. I've killed enough living things. Even a filthy stagnant pool might be better than being dead.' 'But if it's in pain?' said Tialys. 'If it could tell us, we'd know. But since it can't, I'm not going to kill it. That would be considering our feelings rather than the toad's.' They moved on.
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Philip Pullman (The Amber Spyglass)
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Oh, I find whatever you do a source of perpetual fascination.
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Philip Pullman
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Marisa! Marisa!” The cry was torn from Lord Asriel, and with the snow leopard beside her, with a roaring in her ears, Lyra’s mother stood and found her footing and leapt with all her heart, to hurl herself against the angel and her daemon and her dying lover, and seize those beating wings, and bear them all down together into the abyss.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Good and Evil are names for what people do, not for what they are...stopped believing there was a power of good and evil. That they were outside of us...People are too complicated for labels.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Corruption and envy and lust for power. Cruelty and coldness. A vicious probing curiousity. Pure, poisonous, toxic malice. You have never from your earliest years shown a shred of compassion for sympathy or kindness without calculating how it would return to your advantage. You have tortured and killed without regret or hesitation; you have betrayed and intrigued and gloried in your treachery. You are a cess-pit of moral filth.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Everyone, from the Mother Superior to the priests to my parents--they were so upset and reproachful...I felt as if something they all passionately believed in depended on me carrying on with something I didn't.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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My flat's about half a mile away, and you know what I'd like most of all in the world? I'd like a cup of tea. Come on, let's go and put the kettle on.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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I’ll be looking for you, Will, every moment, every single moment. And when we do find each other again, we’ll cling together so tight that nothing and no one’ll ever tear us apart.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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When she saw how they worked, not on their own but two by two, working their trunks together to tie a knot, she realized why they'd been so astonished by her hands, because of course she could tie knots on her own. At first she felt that this gave an advantage--she needed no one else-- and then she realized how it cut her off from others. Perhaps all human beings were like that.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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And for most of that time, wisdom has had to work in secret, whispering her words, moving like a spy through the humble places of the world while the courts and palaces are occupied by her enemies.
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Philip Pullman (The Amber Spyglass (His Dark Materials #3))
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I felt as if something they all passionately believed in depended on me carrying on with something I didn't.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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And Will knew what it was to see his dæmon. As she flew down to the sand, he felt his heart tighten and release in a way he never forgot. Sixty years and more would go by, and as an old man he would still feel some sensations as bright and fresh as ever: Lyra's fingers putting the fruit between his lips under the gold-and-silver trees; her warm mouth pressing against his; his dæmon being torn from his unsuspecting breast as they entered the world of the dead; and the sweet rightfulness of her coming back to him at the edge of the moonlight dunes.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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He was never the creator. He was an angel like ourselvesβ€”the first angel, true, the most powerful, but he was formed of Dust as we are, and Dust is only a name for what happens when matter begins to understand itself. Matter loves matter. It seeks to know more about itself, and Dust is formed.
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Philip Pullman (The Amber Spyglass (His Dark Materials #3))
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I will love you forever, whatever happens. Till I die and after I die, and when I find my way out of the land of the dead I’ll drift about forever, all my atoms, till I find you again...
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”
Philip Pullman
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Will considered what to do. When you choose one way out of many, all the ways you don't take are snuffed out like candles, as if they'd never existed. At the moment all Will's choices existed at once. But to keep them all in existence meant doing nothing. He had to choose, after all.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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We have to be all those difficult things like cheerful and kind and curious and patient, and we've got to study and think and work hard, all of us, in all our different world, and then we'll build...
”
”
Philip Pullman
β€œ
I will love you for ever, whatever happens. Till I die and after I die, and when I find my way out of the land of the dead I'll drift about for ever, all my atoms, till I find you again... I'll be looking for you, Will, every moment, every single moment. And when we do find each other again we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you... We'll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams... And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight...
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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On THE AMBER SPYGLASS: "If this plotline was a motorist, it would have been arrested for driving while intoxicated, if it had not perished in the horrible drunk accident where it went headlong over the cliff of the author's preachy message, tumbled down the rocky hillside, crashed, and burned.
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John C. Wright (Transhuman and Subhuman: Essays on Science Fiction and Awful Truth)
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And Pantalaimon didn't ask why, because he knew; and he didn't ask whether Lyra loved Roger more than him, because he knew the true answer to that, too. And he knew that if he spoke, she wouldn't be able to resist; so the dæmon held himself quiet so as not to distress the human who was abandoning him, and now they were both pretending that it wouldn't hurt, it wouldn't be long before they were together again, it was all for the best. But Will knew that the little girl was tearing her heart out of her breast.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Whenever you turn your head, your deaths dodge behind you. Wherever you look, they hide. They hide in a teacup. Or in a dewdrop. Or in a breath of wind.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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The Christian religion is a very powerful and convincing mistake, that's all.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Where did this love come from? I don't know; it came to me like a thief in the night, and now I love her so much my heart is bursting with it.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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When we were alive, they told us that when we died we'd go to heaven. And they said that heaven was a place of joy and glory and we would spend eternity in the company of saints and angels praising the Almighty, in a state of bliss. That's what they said. And that's what led some of us to give our lives, and others to spend years in solitary prayer, while all the joy of life was going to waste around us and we never knew. Because the land of the dead isn't a place of reward or a place of punishment, it is a place of nothing. The good come here as well as the wicked, and all of us languish in this gloom forever, with no hope of freedom, or joy, or sleep, or rest, or peace. But now this child has come offering us a way out and I'm going to follow her. Even if it means oblivion, friends, I'll welcome it, because it won't be nothing. We'll be alive again in a thousand blades of grass, and a million leaves; we'll be falling in the raindrops and blowing in the fresh breeze; we'll be glistening in the dew under the stars and the moon out there in the physical world, which is our true home and always was.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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I shall decide what I do. If you say my work is fighting, or healing, or exploring, or whatever you say, I'll always be thinking about it, and if I end up doing that, I'll feel resentful because it'll feel as I didn't have a choice, and if I don't do it, I'll feel guilty because I should. Whatever I do, I will choose it, no one else.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β€œ
The intentions of a tool are what it does. A hammer intends to strike, a vise intends to hold fast, a lever intends to lift. They are what it is made for. But sometimes a tool may have other uses that you don’t know. Sometimes in doing what you intend, you also do what the knife intends, without knowing.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials #3))
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And barely ten minutes later the soft sound of wingbeats came to their ears, and Balthamos stood up eagerly. The next moment, the two angels were embracing, and Will, gazing into the flames, saw their mutual affection. More than affection: they loved each other with a passion.
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Philip Pullman (The Amber Spyglass (His Dark Materials #3))
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Like two moths clumsily bumping together, with no more weight than that, their lips touched. Then before they knew how it happened, they were clinging together, blindly pressing their faces towards each other.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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Eventually, child, you will come to the land of the dead with no effort, no risk, a safe, calm journey, in the company of your own death, your special, devoted friend, who's been beside you every moment of your life, who knows you better than yourself.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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But I stopped believing there was a power of good and a power of evil that were outside us. And I came to believe that good and evil are names for what people do, not for what they are. All we can say is that this is a good deed, because it helps someone, or that’s an evil one, because it hurts them. People are too complicated to have simple labels.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials #3))
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Being cheerful starts now, Will thought as hard as he could, but it was like trying to hold a fighting wolf still in his arms when it wanted to claw at his face and tear out his throat; nevertheless, he did it, and he thought no one could see the effort it cost him.
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Philip Pullman (The Amber Spyglass (His Dark Materials #3))
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It might not be fair, but no one’s to blame.
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Philip Pullman (The Amber Spyglass (His Dark Materials #3))
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Dust is only a name for what happens when matter begins to understand itself.
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Philip Pullman (The Amber Spyglass (His Dark Materials #3))
β€œ
The Christian religion is a very powerful and convincing mistake, that’s all.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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You are a cesspit if moral filth.
”
”
Philip Pullman
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All the atoms that were them, they’ve gone into the air and the wind and the trees and the earth and all the living things. They’ll never vanish. They’re just part of everything.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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When you choose one way out of many, all the ways you don’t take are snuffed out like candles, as if they’d never existed.
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Philip Pullman (The Amber Spyglass (His Dark Materials #3))
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All things from the north are devilish.
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Philip Pullman (The Amber Spyglass (His Dark Materials #3))
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They could not have done it alone, but together they did it.
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Philip Pullman (The Amber Spyglass (His Dark Materials #3))
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Each kiss was nearer to the last one of all.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β€œ
conscious only of his movement upward, the last of Lee Scoresby passed through the heavy clouds and came out under the brilliant stars, where the atoms of his beloved dæmons, Hester, were waiting for him.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β€œ
Everything about her in that moment was soft, and that was one of his favorite memories later on--her tense grace made tender by the dimness, her eyes and hands and especially her lips, infinitely soft. He kissed her again and again, and each kiss was nearer to the last one of all. Heavy and soft with love, they walked back to the gate. Mary and Serafina were waiting. "Lyra--" Will said. And she said, "Will." He cut a window into CittΓ gazze. They were deep in the parkland around the great house, not far from the edge of the forest. He stepped through for the last time and looked down over the silent city, the tiled roofs gleaming in the moonlight, the tower above them, the lighted ship waiting out on the still sea. He turned to Serafina and said as steadily as he could, "Thank you, Serafina Pekkala, for rescuing us at the belvedere, and for everything else. Please be kind to Lyra for as long as she lives. I love her more than anyone has ever been loved.
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Philip Pullman
β€œ
When you choose one way out of many, all the ways you don’t take are snuffed out like candles, as if they’d never existed. At the moment all Will’s choices existed at once. But to keep them all in existence meant doing nothing. He had to choose, after all.
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Philip Pullman (The Amber Spyglass (His Dark Materials #3))
β€œ
the history of human life has been a struggle between wisdom and stupidity. She and the rebel angels, the followers of wisdom, have always tried to open minds; the Authority and his churches have always tried to keep them closed.
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Philip Pullman (The Amber Spyglass (His Dark Materials #3))
β€œ
Around them there was nothing but silence, as if all the world were holding its breath.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β€œ
She’s innocent, and she loves easily.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β€œ
Oh, Will," she said, "what can we do? Whatever can we do? I want to live with you forever. I want to kiss you and lie down with you and wake up with you every day of my life till I die, years and years and years away. I don't want a memory, just a memory…" "No," he said, "memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much. Oh, Lyra, I wish this night would never end! If only we could stay here like this, and the world could stop turning, and everyone else could fall into a sleep…
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β€œ
...Will, I used to come here in my Oxford and sit on this exact same bench whenever I wanted to be alone, just me and Pan. What I thought was that if you - maybe just once a year - if we could come here at the same time, just for an hour or something, then we could pretend we were close again-because we would be close, if you sat here and I sat just here in my world -" "Yes," he said, "as long as I live, I'll come back. Whenever I am in the world, I'll come back here -
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β€œ
There's some that came here never believing they were dead. They insisted all the way that they were alive, it was a mistake, someone would have to pay; made no difference. There's others who longed to be dead when they were alive, poor souls; lives full of pain or misery; killed themselves for a chance of a blessed rest, and found that nothing had changed except for the worse, and this time there was no escape; you can't make yourself alive again.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β€œ
Well, where is God," said Mrs Coulter, "if he's alive? And why doesn't he speak anymore? At the beginning of the world, God walked in the garden and spoke with Adam and Eve. Then he began to withdraw, and Moses only heard his voice. Later, in the time of Daniel, he was aged - he was the Ancient of Days. Where is he now? Is he still alive, at some inconceivable age, decrepit and demented, unable to think or act or speak and unable to die, a rotten hulk? And if that IS his condition, wouldn't it be the most merciful thing, the truest proof of our love for God, to seek him out and give him the gift of death?
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β€œ
And at half past nine in the evening at that restaurant table in Portugal,” Mary continued, β€œsomeone gave me a piece of marzipan and it all came back. And I thought: am I really going to spend the rest of my life without ever feeling that again? I thought: I want to go to China. It’s full of treasures and strangeness and mystery and joy. I thought, Will anyone be better off if I go straight back to the hotel and say my prayers and confess to the priest and promise never to fall into temptation again? Will anyone be the better for making me miserable? β€œAnd the answer came backβ€”no. No one will. There’s no one to fret, no one to condemn, no one to bless me for being a good girl, no one to punish me for being wicked. Heaven was empty. I didn’t know whether God had died, or whether there never had been a God at all. Either way I felt free and lonely and I didn’t know whether I was happy or unhappy, but something very strange had happened. And all that huge change came about as I had the marzipan in my mouth, before I’d even swallowed it. A tasteβ€”a memoryβ€”a landslide...
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β€œ
As Mary said that, Lyra felt something strange happen to her body. She found a stirring at the roots of her hair: she found herself breathing faster. She had never been on a roller-coaster, or anything like one, but if she had, she would have recognised the sensations in her breast: they were exciting and frightening at the same time, and she had not the slightest idea why. The sensation continued, and deepened, and changed, as more parts of her body found themselves affected too. She felt as if she had been handed the key to a great house she hadn't known was there, a house that was somehow inside her, and as she turned the key, deep in the darkness of the building she felt other doors opening too, and lights coming on. She sat trembling, hugging her knees, hardly daring to breathe, as Mary went on...
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β€œ
In a valley shaded with rhododendrons, close to the snow line, where a stream milky with meltwater splashed and where doves and linnets flew among the immense pines, lay a cave, half, hidden by the crag above and the stiff heavy leaves that clustered below. The woods were full of sound: the stream between the rocks, the wind among the needles of the pine branches, the chitter of insects and the cries of small arboreal mammals, as well as the birdsong; and from time to time a stronger gust of wind would make one of the branches of a cedar or a fir move against another and groan like a cello. It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles. There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
β€œ
It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles. There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.
”
”
Philip Pullman