“
But even when I stop crying, even when we fall asleep and I'm nestled in his arms, this will leave another scar. No one will see it. No one will know. But it will be there. And eventually all of the scars will have scars, and that's all I'll be--one big scar of a love gone wrong.
”
”
Amanda Grace (But I Love Him)
“
who knew such a young heart could shatter?
”
”
Amanda Lovelace (The Princess Saves Herself in this One)
“
I’m human and every human makes mistakes. It’s just up to the person who made that mistake to let it rule their lives or put it behind them and go on.
”
”
Amanda Heath (This Beautiful Thing (Young Love, #1))
“
One day you're young with all your fine plans for the future. The next you're in the future and it doesn't look at all the way you thought it would.
”
”
Amanda Quick (Burning Lamp (Arcane Society, #8; Dreamlight Trilogy, #2))
“
How can
someone
be
too young
to be
in love
when we were
crafted
from
ocean waves
& starlight?
-young love
”
”
Amanda Lovelace (The Princess Saves Herself in This One (Women Are Some Kind of Magic, #1))
“
Amanda: This weekend was wonderful, but it isn't real life. It was more like a honeymoon, and after a while the excitement will wear off. We can tell ourselves it won't happen, we can make all the promises we want, but it's inevitable, and after that you'll never look at me the way you do now. I won't be the woman you dream about, or the girl you used to love. And you won't be my long-lost love, my one true thing anymore, either. You'll be someone my kids despise because you ruined the family, and you'll see me for who I really am. In a few years, I'll simply be a woman pushing fifty with three kids who might or might not hate her, and who might end up hating herself because of all this. And in the end, you'll end up hating her, too.
Dawson: That's not true.
Amanda: But it is. Honeymoons always come to an end.
Dawson: Being together isn't about a honeymoon. It's about the real you and me. I want to wake up with you beside me in the mornings, I want to spend my evenings looking at you across the dinner table. I want to share every mundane detail of my day with you and hear every detail of yours. I want to laugh with you and fall asleep with you in my arms. Because you aren't just someone I loved back then. You were my best friend, my best self, and I can't imagine giving that up again. You might not understand, but I gave you the best of me, and after you left, nothing was ever the same. I know you're afraid, and I'm afraid, too. But if we let this go, if we pretend none of this ever happened, then I'm not sure we'll ever get another chance. We're still young. We still have time to make this right.
Amanda: We're not that young anymore-
Dawson: But we are. We still have the rest of our lives.
Amanda: I know. That's why I need you to do something for me.
Dawson: Anything.
Amanda: Please...don't ask me to go with you, because if you do, I'll go. Please don't ask me to tell Frank about us, because I'll do that, too. Please don't ask me to give up my responsibilities or break up my family. I love you, and if you love me, too, then you just can't ask me to do these things. Because I don't trust myself enough to say no.
”
”
Nicholas Sparks (The Best of Me)
“
I heard you're campaigning on my behalf." He walked over to me. "That wouldn't be because you'd miss me too much if I were gone,would it?"
"Don't be absurd," I scoffed. "I don't condone murder, even for people like you."
"People like me,huh?" He cocked an eyebrow. "You mean devilishly handsome, debonair young men who come to sweep rebellious princesses of their feet?"
"You came to kidnap me, not sweep me off my feet," I said,but he waved his hand at the idea.
"Semantics.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
I abjure you,” Alcide said. Colonel Flood winced, and young Sid, Amanda, and Culpepper looked both astonished and impressed, as if this were a ceremony they'd never thought to witness. “I see you no longer. I hunt with you no longer. I share flesh with you no longer.
”
”
Charlaine Harris (Dead to the World (Sookie Stackhouse, #4))
“
I was the one thing
he had to deny--
the beautiful truth
within his
terrible lie.
-who knew such a young heart could shatter?
”
”
Amanda Lovelace (The Princess Saves Herself in This One (Women Are Some Kind of Magic, #1))
“
That's when I realized the chill wasn't coming from outside—it was coming from within me.
”
”
Amanda Hocking (Freeks)
“
No matter how wrong we at the beginning, nothing is more right then what are now
”
”
Amanda Heath (Wrong Kind of Love (Young Love, #4))
“
I don't think anyone but Caden sees me this way. Maybe that's the artist in him, or maybe it's the man in him. These paintings say I'm his, thayt he owns me
”
”
Amanda Heath (Wrong Kind of Love (Young Love, #4))
“
Yes, his ear. I was attracted to his ear. While I was in church. I'm pretty sure that solidifies my position as the weirdest person on the planet.
”
”
Amanda Hamm (The 4th Floor Lounge)
“
fuck the idea / that there is / such a thing / as destiny, / that there exists / some kind of / mysterious master plan, / that there is a god who / simply / does not / give us anything / we cannot / handle.
the pain / did not / make me / a better person. / it did not / teach me not to / take anything / for granted. / it did not / teach me anything / except how / to be afraid / to love anyone.
i am / far too / young / to be so / goddman/ broken / & / if i could go back / in time / & give / myself / her childhood / back, / i would
- what was the point?
”
”
Amanda Lovelace (The Princess Saves Herself in this One)
“
You're missing the wow factor."
Garrett snickered. "Did you really just say wow factor?"
"Oh, whatever. What are you, twelve?"
"Twelve inches, baby." Garrett winked.
Miller laughed and rolled his eyes. "In your dreams, buddy.
”
”
Amanda Young (Recession (Chicken Ranch #2))
“
You’re intelligent, brave, skilled, and lethal. You’ve got Poseidon and Hades looking out for you. I don’t believe you’ll die young, and I don’t believe they’d let you. And even if they’re not paying attention, then I am. I won’t let you. I told you I was keeping you. I meant it.
”
”
Amanda Bouchet (A Promise of Fire (Kingmaker Chronicles, #1))
“
But to me, the most compelling argument is that young women innovate because they see language as a tool to assert their power in a culture that doesn’t give them a lot of ways to do that.
”
”
Amanda Montell (Wordslut: A Feminist Guide to Taking Back the English Language)
“
You are very young and time, it is a great healer.
”
”
Amanda Grange (Mr. Darcy, Vampyre)
“
I was young enough to think that insecurity disappeared with maturity.
”
”
Amanda Knox (Waiting to Be Heard: A Memoir)
“
some of the souls that are considered old are actually just young & exhausted due to the unfairness of the world they did not have the means to prepare for.
”
”
Amanda Lovelace (Unlock Your Storybook Heart (You Are Your Own Fairy Tale, #3))
“
Modern cultish groups also feel comforting in part because they help alleviate the anxious mayhem of living in a world that presents almost too many possibilities for who to be (or at least the illusion of such). I once had a therapist tell me that flexibility without structure isn’t flexibility at all; it’s just chaos. That’s how a lot of people’s lives have been feeling. For most of America’s history, there were comparatively few directions a person’s career, hobbies, place of residence, romantic relationships, diet, aesthetic—everything—could easily go in. But the twenty-first century presents folks (those of some privilege, that is) with a Cheesecake Factory–size menu of decisions to make. The sheer quantity can be paralyzing, especially in an era of radical self-creation, when there’s such pressure to craft a strong “personal brand” at the very same time that morale and basic survival feel more precarious for young people than they have in a long time. As our generational lore goes, millennials’ parents told them they could grow up to be whatever they wanted, but then that cereal aisle of endless “what ifs” and “could bes” turned out to be so crushing, all they wanted was a guru to tell them which to pick.
”
”
Amanda Montell (Cultish: The Language of Fanaticism)
“
Some compelling proof that women are indeed not born any more capable of empathy or connection than men comes from psychologist Niobe Way. In 2013 Way published a book called Deep Secrets: Boys’ Friendships and the Crisis of Connection, which explores the friendships of young straight men. Way followed a group of boys from childhood through adolescence and found that when they were little, boys’ friendships with other boys were just as intimate and emotional as friendships between girls; it wasn’t until the norms of masculinity sank in that the boys ceased to confide in or express vulnerable feelings for one another. By the age of eighteen, society’s “no homo” creed had become so entrenched that they felt like the only people they could look to for emotional support were women, further perpetuating the notion that women are obligated by design to carry humanity’s emotional cargo.
”
”
Amanda Montell (Wordslut: A Feminist Guide to Taking Back the English Language)
“
You are the most perfect girl I have ever laid eyes on, I exist to make you happy, it’s all I want out of life and I want to spend every day making your life as wonderful as you make mine. I truly truly love you.”
Luke Nero, The Witchlings-Midnight curse
”
”
Amanda Turner
“
She’s evil,” Thistle confirmed. “It’s what keeps her young.
”
”
Amanda M. Lee (Witch Me Luck (Wicked Witches of the Midwest, #6))
“
The sun had begun its descent toward the horizon, and the sounds of the carnival played like a familiar song behind me.
”
”
Amanda Hocking (Freeks)
“
Darkness engulfed me...There was no ground below me, no sky above. Only the black, and the cold.
”
”
Amanda Hocking (Freeks)
“
When one is young, he thought, one thinks that one will never know oneself. But the knowledge comes later; if not all, then some. An important amount.
”
”
Amanda Coplin (The Orchardist)
“
I guess that's a true friend. Someone who has as much shit as I do going on but still sits down to make sure you're still alive.
”
”
Amanda Heath (This Beautiful Thing (Young Love, #1))
“
I’m human and every human makes mistakes. It’s just up to the person who made that mistake whether they will let it rule their lives or put it behind them and go on.
”
”
Amanda Heath (This Beautiful Thing (Young Love, #1))
“
I refused to believe that someone who had a voice that angelic could be bad. I knew it was illogical to think that way, but I had to believe in something good.
”
”
Amanda Giasson (Love at First Plight (Perspective #1))
“
It was almost a direct reversal of the old rules of conduct, under which a woman had to remain virginal or risk being cast out of society. Nowadays young women were apparently supposed to count being a sexual dynamo among their accomplishments—a far riskier avocation than embroidery or playing the harp.
From damned if you do to damned if you don’t: the story of women’s lives
”
”
Amanda Sellet (By the Book)
“
See something you like?"
Miller tensed, going tight as a guitar string. "No, but God...Have you ever seen a dick that big before?"
Garrett couldn't resist teasing Miller a little. "Every morning when I take a piss."
"You wish." Miller tore his gaze away from the room's occupants and turned to stare at Garrett. "I remember your dick just fine, and it didn't look anything like that."
"Ah. Now you've gone and hurt my dick's feelings. Maybe you should kiss and make up.
”
”
Amanda Young (Recession (Chicken Ranch #2))
“
Taking a deep breath, I turned around to face the doors. I went down the hall, prepared to kill my father.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
He looked at me then, his deep golden eyes meeting mine, and I saw a heat in them that I felt reflecting in my own.
”
”
Amanda Hocking (Freeks)
“
Curiosity was getting the better of me.
”
”
Amanda Giasson (Love at First Plight (Perspective #1))
“
how can
someone
be
too young
to be
in love
when we were
crafted
from
ocean waves
& starlight?
–young love
”
”
Amanda Lovelace (The Princess Saves Herself in This One (Women Are Some Kind of Magic, #1))
“
Do not marry a very young man, you know not how he may turn out; it is a lottery at best but it is a very just remark that “it is better to be an old man's darling than a young man's scorn”.
”
”
Amanda Vickery (The Gentleman's Daughter: Women's Lives in Georgian England)
“
In river rescues, members of the Kansas City Fire Department rescue squad yell profanity-laced threats at victims before they get to them. If they don't, the victim will grab on to them and push them under the water in a mad scramble to stay afloat. "We try to get their attention. And we don't always use the prettiest language," says Larry Young, a captain in the rescue division. "I hope I don't offend you by saying this. But if I approach Mrs. Suburban Housewife and say, 'When I get to you, do not fucking touch me! I will leave you if you touch me!' she tends to listen.
”
”
Amanda Ripley (The Unthinkable: Who Survives When Disaster Strikes—and Why)
“
As for Jenner himself? Well, he was a dream. He was sweet and funny, hardworking and thoughtful. An itemization of all the ways in which he was generally wonderful would be even longer than Abi’s to-do list. Gavar was probably the type most girls would go for, but his temper meant his buff physique was more intimidating than appealing. And the Young Master was simply too spooky even to think of in those terms. So, yes, Jenner was the only one of the three she didn’t find scary. By itself this wasn’t a ringing endorsement. But add in all the plus points as well, and Miss Abigail Amanda Hadley had quite a crush going on.
”
”
Vic James (Gilded Cage (Dark Gifts, #1))
“
There was a Chinese girl I was gila in love with, Deddy Haikel says to the young nurse, as she listens to his heartbeat, assessing the damage of this second heart attack. I would have done anything to get into her pants, and it wasn't even about that.
”
”
Amanda Lee Koe (Ministry of Moral Panic)
“
Another simple but powerful tactic is distraction. Intentionally focus your attention on something else, even in the midst of conflict. Sometimes, Curtis imagines the young men he works with as they looked when they were small children, innocent and sweet. “I look at everyone and see my grandchild,” he said. “That’s the state I have to see them in.” He recategorizes them in his mind. They are not gangbangers. They are people who were children once, who lost a first tooth, who needed help tying their shoes, who liked to dance.
”
”
Amanda Ripley (High Conflict: Why We Get Trapped and How We Get Out)
“
Hendry sighed and changed the subject. “I had a dream today—”
“Typically, one has them at night—”
“—while napping in the graveyard.” Despite his charm and freckled nose, Hendry was still a Lowe. He had a little villain in him. The Lowe family graveyard was his favorite place, full of vague, unnerving epitaphs for those who’d died young—even excluding the tournament, their family had a surprisingly large amount of tragedy in its history. “In the dream, you really were a monster.”
Alistair snorted and mashed the games buttons. “What did I look like?”
“Oh, you looked the same.”
“Then what made me a monster?”
“You were collecting the spellrings of dead children and hiding them in your wardrobe, cackling about souls being trapped inside them.”
“Don’t be ridiculous,” Alistair said. “I’d do something like that now.
”
”
Amanda Foody, christine lynn Herman (All of Us Villains (All of Us Villains, #1))
“
Objectively, made-up metaphysical interpretations of “quantum fields” and “upgrading your DNA” are just as irrational as ghosts and alien visitations; but the fact that they’re associated with a demographic of social media–savvy young people with college degrees makes them seem more acceptable
”
”
Amanda Montell (Cultish: The Language of Fanaticism)
“
Katja kneeled in the Parisian streets, shaking and weak from the pain in her head and heart. It had come a second ago—a vague vision from another decade, nearly forgotten by its sender and screaming with emotional turmoil. And only moments after she‟d fed. In the now decrepit walls of a place she once knew, she stared down at a child in despair. In the room where a man breathed his last and a young woman‟s sorrow grew, he lay weeping in a rage only the heart of all sorrow can know. Death and fear came off of him in waves as lightning shared the secret of the man inside the child—the man who would be her beginning and her end if she allowed it.
”
”
Amanda M. Lyons (Eyes Like Blue Fire)
“
Amanda was probably in her mid-fifties, a small woman, maybe five-three on a good day. Her attitude filled the room, and she walked with a swagger that rivaled a bullfighter's. She wore a simple diamond ring on her wedding finger, though Will knew she wasn't currently married. She had no children, or perhaps she had eaten them when they were young.
”
”
Karin Slaughter (Triptych (Will Trent, #1))
“
Meanwhile, a plan had slowly been forming in Ariel Castro’s head. He had decided to kidnap a young girl and imprison her as his sex slave, to satisfy his lustful cravings. Since Nilda and his children had left, he had become obsessed with sadomasochistic sex and humiliation. His sexual fantasies had become darker and darker and his basement was now full of hard-core S-and-M sex videos.
”
”
John Glatt (The Lost Girls: The True Story of the Cleveland Abductions and the Incredible Rescue of Michelle Knight, Amanda Berry, and Gina DeJesus)
“
Like many young people, the lesson Tom had learned from his failure was that he wasn't good at math, and that he should stay away from it whenever possible. He didn't know, back in high school, how central math was to philosophy and music, two subjects he loved. He didn't know math could be cosmically beautiful, and it was something he could master with hard work, time, and persistence, just the way he'd mastered Chekhov.
”
”
Amanda Ripley (The Smartest Kids in the World: And How They Got That Way)
“
Did you just spit on your hand before you patted down my hair?” he asked indignantly.
“Oh, I did no such thing. Now be still. Of all the rude, impertinent accusations to make! Bend down lower. I will have you know that members of the aristocracy do not have ‘spit’ as you crudely refer to it, young man. We do not acknowledge saliva in any form. Straighten your collar. There, you look nearly presentable.” She grumbled in aggravation, “Do you even own a brush?” Grabbing his chin, she brusquely turned his face from side to side. “For heaven’s sake, Richard, what did you use to shave—a shovel?”
“Leave now, Catherine, and I may spare your life.” There was a moment of quiet from behind the door. “Go, woman! I intend to begin ravishing my wife shortly; however, I will not even consider it before I see that little dwarflike body of yours waddling down this corridor! Away with you! Shoo!”
“Oh, all right!” she finally capitulated. “By the way, mon chou, I should tell you that when you two finally get around to reconciling and retire upstairs, Amanda is occupying the large blue suite down the east corridor, not your usual bachelor room at the end of the west corridor.” She reached up to kiss his offered cheek then turned on her heels to leave. “You have finally earned an upgrade in accommodations, Richard. Well done, you.
”
”
Karen V. Wasylowski
“
Some people, I learned, are meant to read great works and others are meant to write them. Often, these are not the same people. When I was young, I decided that I could be the next great American writer. But over the years, no matter how hard I tried, I was denied access to that mythical space where stories dwell, waiting for the right person to find them and give them form. Somewhere between thought and ink, the stories held in my imagination dissolved into the ether.
”
”
Amanda Peters (The Berry Pickers)
“
She remained stiff against him. “It’s a nasty little piece that speculates on the unions of older women and younger men. There is a mocking paragraph on how wise a man like you must be to reap the benefits of an older woman’s ‘grateful enthusiasm.’ It’s a completely dreadful article, and it makes me sound like a lust-crazed old crone who has managed to ensnare a young man for stud service. Now, tell me at once if there is any truth in it!”
One would have wished for immediate denial.
”
”
Lisa Kleypas (Suddenly You)
“
Tracking in elementary school was a uniquely American policy. The sorting began at a very young age, and it came in the form of magnet schools, honors classes, Advanced Placement courses, or International Baccalaureate programs. In fact, the United States was one of the few countries where schools not only divided younger children by ability, but actually taught different content to the more advanced track. In other countries, including Germany and Singapore, all kids were meant to learn the same challenging core content; the most advanced kids just went deeper into the material.
”
”
Amanda Ripley (The Smartest Kids in the World: And How They Got That Way)
“
She went around reading everything- the directions on the grits bag, Tate's notes, and the stories from her fairy-tale books she had pretended to read for years. Then one night she made a little oh sound, and took the old Bible from the shelf. Sitting at the table, she turned the thin pages carefully to the one with the family names. She found her own at the very bottom: There it was, her birthday: Miss Catherine Danielle Clark, October 10, 1945. Then, going back up the list, she read the real names of her brothers and sisters:
Master Jeremy Andrew Clark, January 2, 1939. "Jeremy," she said out loud. "Jodie, I sure never thought a' you as Master Jeremy."
Miss Amanda Margaret Clark, May 17, 1937. Kya touched the name with her fingers. Repeated it several times.
She read on. Master Napier Murphy Clark, April 14, 1936. Kya spoke softly, "Murph, ya name was Napier."
At the top, the oldest, Miss Mary Helen Clark, September 19, 1934. She rubbed her fingers over the names again, which brought faces before her eyes. They blurred, but she could see them all squeezed around the table eating stew, passing cornbread, even laughing some. She was ashamed that she had forgotten their names, but now that she'd found them, she would never let them go again.
Above the list of children she read: Mister Jackson Henry Clark married Miss Julienne Maria Jacques, June 12, 1933. Not until that moment had she known her parents' proper names.
She sat there for a few minutes with the Bible open on the table. Her family before her.
Time ensures children never know their parents young. Kya would never see the handsome Jake swagger into an Asheville soda fountain in early 1930, where he spotted Maria Jacques, a beauty with black curls and red lips, visiting from New Orleans.
”
”
Delia Owens (Where the Crawdads Sing)
“
For most of America’s history, there were comparatively few directions a person’s career, hobbies, place of residence, romantic relationships, diet, aesthetic—everything—could easily go in. But the twenty-first century presents folks (those of some privilege, that is) with a Cheesecake Factory–size menu of decisions to make. The sheer quantity can be paralyzing, especially in an era of radical self-creation, when there’s such pressure to craft a strong “personal brand” at the very same time that morale and basic survival feel more precarious for young people than they have in a long time.
”
”
Amanda Montell (Cultish: The Language of Fanaticism)
“
The last week of shooting, we did a scene in which I drag Amanda Wyss, the sexy, blond actress who played Tina, across the ceiling of her bedroom, a sequence that ultimately became one of the most visceral from the entire Nightmare franchise. Tina’s bedroom was constructed as a revolving set, and before Tina and Freddy did their dance of death, Wes did a few POV shots of Nick Corri (aka Rod) staring at the ceiling in disbelief, then we flipped the room, and the floor became the ceiling and the ceiling became the floor and Amanda and I went to work.
As was almost always the case when Freddy was chasing after a nubile young girl possessed by her nightmare, Amanda was clad only in her baby-doll nightie. Wes had a creative camera angle planned that he wanted to try, a POV shot from between Amanda’s legs. Amanda, however, wasn’t in the cameramen’s union and wouldn’t legally be allowed to operate the cemera for the shot. Fortunately, Amy Haitkin, our director of photography’s wife, was our film’s focus puller and a gifted camera operator in her own right. Being a good sport, she peeled off her jeans and volunteered to stand in for Amanda. The makeup crew dapped some fake blood onto her thighs, she lay down on the ground, Jacques handed her the camera, I grabbed her ankles, and Wes called, “Action.”
After I dragged Amy across the floor/ceiling, I spontaneously blew her a kiss with my blood-covered claw; the fake blood on my blades was viscous, so that when I blew her my kiss of death, the blood webbed between my blades formed a bubble, a happy cinematic accident. The image of her pale, slender, blood-covered legs, Freddy looming over her, straddling the supine adolescent girl, knife fingers dripping, was surreal, erotic, and made for one of the most sexually charged shots of the movie. Unfortunately it got left on the cutting-room floor. If Wes had left it in, the MPAA - who always seemed to have it out for Mr. Craven - would definitely have tagged us with an X rating. You win some, you lose some.
”
”
Robert Englund (Hollywood Monster: A Walk Down Elm Street with the Man of Your Dreams)
“
But Amanda ... ” Jadina said, looking past Maylin at the young Fate. “She doesn’t ask for anything. She doesn’t even try to read the future, it’s just there. She ends up blurting things out. Starts talking about the car accident you’re going to have in three years, or your baby boy dying in child birth in a few months, or your grandmother’s funeral next year. Thing’s you can’t change even if you know about them. Things you’re happier not knowing about. People go through life, happily oblivious. If you start telling them all the horrible things that are coming, they get upset. When those horrible things start coming true, they get scared and blame you. They say you caused it. Label you witch. Even burn you at the stake. She’s safer in there.
”
”
Crissy Moss (Forgotten Ones (Eternal Tapestry))
“
Quotegrams—with their comely fonts and generic syntax—serve as a form of loaded language themselves, designed to yank on users’ heartstrings, to get them to like and repost without much thought. It’s what allowed one clever troll in 2013 to get away with Photoshopping Hitler quotes over images of Taylor Swift—obscure ones pulled from Mein Kampf (“The only preventable measure one can take is to live irregularly,” “Do not compare yourself to others. If you do so, you are insulting yourself”). The memer uploaded his creations to Pinterest and watched smugly as fans reposted them all over the web. The point was to prove the extreme devotion of impressionable young Swifties, and their eagerness to instantly and unquestioningly share all things Tay.
”
”
Amanda Montell (Cultish: The Language of Fanaticism)
“
The evil stepmother is a fixture in European fairy tales because the stepmother was very much a fixture in early European society–mortality in childbirth was very high, and it wasn’t unusual for a father to suddenly find himself alone with multiple mouths to feed. So he remarried and brought another woman into the house, and eventually they had yet more children, thus changing the power dynamics of inheritance in the household in a way that had very little to do with inherent, archetypal evil and everything to do with social expectation and pressure. What was a woman to do when she remarried into a family and had to act as mother to her husband’s children as well as her own, in a time when economic prosperity was a magical dream for most? Would she think of killing her husband’s children so that her own children might therefore inherit and thrive? [...] Perhaps. Perhaps not. But the fear that stepmothers (or stepfathers) might do this kind of thing was very real, and it was that fear–fed by the socioeconomic pressures felt by the growing urban class–that fed the stories.
We see this also with the stories passed around in France–fairies who swoop in to save the day when women themselves can’t do so; romantic tales of young girls who marry beasts as a balm to those young ladies facing arranged marriages to older, distant dukes. We see this with the removal of fairies and insertion of religion into the German tales. Fairy tales, in short, are not created in a vacuum. As with all stories, they change and bend both with and in response to culture.
”
”
Amanda Leduc (Disfigured: On Fairy Tales, Disability, and Making Space)
“
What are you thinking about?” he asked, a curious look on his face.
“What?” I had been aware of the fact I was staring at him, but for some silly reason I didn't think he would notice. “Um, well...I was just asking myself why it is that everyone here is staring at us.”
It was true. As I said it, I noticed that everyone dancing around us, and even some people eating at their tables, were sneaking glances over at us.
He glanced around to see what I was talking about. “I think I can explain that.”
“Oh yeah?”
“Yeah.” He returned his gaze to mine. “Look around, Lex. Not one person in this entire restaurant is younger than our parents.”
“So?”
“So, we are reminding them of what it was like to be young and in love. They think it's sweet, and that's why they're looking at us.
”
”
Amanda Abram (The Importance of Getting Revenge)
“
1.
"Ahem. I know you hate Mondays, madam, but you picked the absolutely wrong one to play hooky. Or be sick. Yes, I suppose it's vaguely possible that you are actually sick. Anyway, here we are at lunch, Sadie and I, witnessing total social disorder. Your friend Alexander Bainbridge is sitting at the usual table, but facing the room. Amanda Alstead is sitting at Table One. Or, should I say,sitting more or less on a Phillite senior boy, whose name is unimportant, at Table One. A very nice young lady at the next table over-you know, the one who writes about Mr. Darcy-has just informeed us that Amanda dumpled Alex over the break. On Thanksgiving Day,no less. By e-mail. No telling how much truth is there, but a lot more than a kernal, I would say. We have a large, seven-dollar bag o' movie popcorn here. Thought you'd like to know. Call me.
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Melissa Jensen (The Fine Art of Truth or Dare)
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The other chief love- and how similar it was to science, and how different- was reading. As soon as she realized the figures on the page meant something- could be strung together as words, and then sentences, and then paragraphs- she was covetous of the whole system. It seemed a new universe to her. And it was. Everything opened up. Some stories were meant to inform, and others were meant to entertain. And then other stories were separate from those- this the young teacher did not tell her, it was something Angelene figured out on her own, the first year, when a man visited and read them a poem out of a tome of poems- that seemed crafted to relay some secret, and even more than that, some secret about herself. Angelene was mesmerized. What was available for her to know? What secrets did the world hold? Which secrets would be revealed to her through the soil, and which through words?
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Amanda Coplin (The Orchardist)
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This kind of parenting was typical in much of Asia—and among Asian immigrant parents living in the United States. Contrary to the stereotype, it did not necessarily make children miserable. In fact, children raised in this way in the United States tended not only to do better in school but to actually enjoy reading and school more than their Caucasian peers enrolled in the same schools. While American parents gave their kids placemats with numbers on them and called it a day, Asian parents taught their children to add before they could read. They did it systematically and directly, say, from six-thirty to seven each night, with a workbook—not organically, the way many American parents preferred their children to learn math. The coach parent did not necessarily have to earn a lot of money or be highly educated. Nor did a coach parent have to be Asian, needless to say. The research showed that European-American parents who acted more like coaches tended to raise smarter kids, too. Parents who read to their children weekly or daily when they were young raised children who scored twenty-five points higher on PISA by the time they were fifteen years old. That was almost a full year of learning. More affluent parents were more likely to read to their children almost everywhere, but even among families within the same socioeconomic group, parents who read to their children tended to raise kids who scored fourteen points higher on PISA. By contrast, parents who regularly played with alphabet toys with their young children saw no such benefit. And at least one high-impact form of parental involvement did not actually involve kids or schools at all: If parents simply read for pleasure at home on their own, their children were more likely to enjoy reading, too. That pattern held fast across very different countries and different levels of family income. Kids could see what parents valued, and it mattered more than what parents said. Only four in ten parents in the PISA survey regularly read at home for enjoyment. What if they knew that this one change—which they might even vaguely enjoy—would help their children become better readers themselves? What if schools, instead of pleading with parents to donate time, muffins, or money, loaned books and magazines to parents and urged them to read on their own and talk about what they’d read in order to help their kids? The evidence suggested that every parent could do things that helped create strong readers and thinkers, once they knew what those things were. Parents could go too far with the drills and practice in academics, just as they could in sports, and many, many Korean parents did go too far. The opposite was also true. A coddled, moon bounce of a childhood could lead to young adults who had never experienced failure or developed self-control or endurance—experiences that mattered as much or more than academic skills. The evidence suggested that many American parents treated their children as if they were delicate flowers. In one Columbia University study, 85 percent of American parents surveyed said that they thought they needed to praise their children’s intelligence in order to assure them they were smart. However, the actual research on praise suggested the opposite was true. Praise that was vague, insincere, or excessive tended to discourage kids from working hard and trying new things. It had a toxic effect, the opposite of what parents intended. To work, praise had to be specific, authentic, and rare. Yet the same culture of self-esteem boosting extended to many U.S. classrooms.
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Amanda Ripley (The Smartest Kids in the World: And How They Got That Way)
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But as they walked home together through the leaf-plastered streets, under that eerie refulgence, her father seemed to have divined her plans. This was in his manner, not his words: they were halfway home before he spoke. “Amanda,” he said. He paused. “I want you to realize the consequences before you do something youll be sorry for.” He did not look at her, and she too kept her eyes to the front. “You know that when I say a thing I mean it—I mean it to the hilt. So tell your young man this, Amanda. Tell him that the day you marry without my consent I’ll cut you off without a dime. Without so much as one thin dime, Amanda. I’ll cut you off, disown you, and what is more I’ll never regret it. I’ll never so much as think your name again.” Up to now he had spoken slowly, pausing between phrases. But now the words came fast, like fencing thrusts. “Tell your young man that, Amanda, and see what he says.” Major
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Shelby Foote (Love in a Dry Season)
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What’s past cannot be mended, lass. So there can be no reason to talk more about my faults, either.”
Lina raised her eyebrows, wondering if he believed that. How could one learn from past mistakes if one did not reconsider actions that had led to them?
“Don’t say it,” he said with a smile. “You’ve nae need to. I resist reflecting on the past, because my actions rarely look as brilliant afterward as they did at the time. They never do when the reflection hits me from my father’s perspective.”
She chuckled. “I think you fib about the dimming of your brilliance in your own mind, sir. But the rest is true, as I know for myself. Sithee, if Mam heard what you said to me earlier, I’ll soon hear her views about young ladies who linger with gentlemen on stairways after they’ve been ordered off to bed.”
His lips twitched. When he bit hard on the lower one, the echo of her own words returned, and the unintended image they had created enflamed her cheeks.
“You know that I meant after I had been ordered to bed,” she muttered.
He grinned. “Do I?”
She shook her head at him and fell silent, hoping he would stop teasing long enough for her to recover her equanimity.
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Amanda Scott (The Knight's Temptress (Lairds of the Loch, #2))
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Some of his authors were so mulishly stubborn about altering their own work, one would think he had suggested changing text in the Bible. Amanda was easy to work with, and she did not harbor great pretensions about herself or her writing. In fact, she was relatively modest about her talents, to the extent of appearing surprised and uncomfortable when he praised her.
The plot of 'Unfinished Lady' centered on a young woman who tried to live strictly according to society's rules, yet couldn't make herself accept the rigid confinement of what was considered proper. She made fatal errors in her private life- gambling, taking a lover outside of marriage, having a child out of wedlock- all due to her desire to obtain the elusive happiness she secretly longed for.
Eventually she came to a sordid end, dying of venereal disease, although it was clear that society's harsh judgements had caused her demise fully as much as disease. What fascinated Jack was that Amanda, as the author, had refused to take a position on the heroine's behavior, neither applauding nor condemning it. Clearly she had sympathy for the character, and Jack suspected that the heroine's inner rebelliousness reflected some of Amanda's own feelings.
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Lisa Kleypas (Suddenly You)
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Meeting Andrew’s steady gaze, Ian said, “Did you really tell Dougal that you would see him and Pharlain in hell before you would let Lina marry him?”
“I did, aye. After he made his vile threats, I also told him I’d gut him and feed his entrails to the beasts o’ the forest here afore I’d give him our Lina.” He added mildly, “I think the man understands that I didna like the notion.”
Hearing a strange sound from Rob, Ian darted a glance at him to see that his friend had clapped a hand to his mouth. Above it, his eyes twinkled merrily.
“Did you just laugh?” Ian demanded.
Rob shook his head, lowering his hand, and eyes still atwinkle, said, “I choked.” Extending a hand to Andrew, he said, “It is an honor to know you, sir.”
“Aye, good, for I’ve one more daughter t’ marry off, ye ken—our Muriella. She’s a mite young yet, her mam says. But if ye’d be interested . . .”
Sobering instantly, Rob said, “You do me great honor, my lord, and I thank you. But I’ll not inflict myself so on any female at present.”
Andrew gave him a long look but said no more on the subject of Muriella.
Instead, he turned to Ian and said, “Shall we send for our Lina and tell her the good news, lad? Or d’ye need me to tell ye what a rare prize the lassie is, so ye can think more on the notion?”
Ian’s thoughts had flown to Lina’s likely reaction to the “good news.” She would scarcely receive it as such.
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Amanda Scott (The Knight's Temptress (Lairds of the Loch, #2))
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BEYOND THE GAME In 2007 some of the Colorado Rockies’ best action took place off the field. The Rocks certainly boasted some game-related highlights in ’07: There was rookie shortstop Troy Tulowitzki turning the major league’s thirteenth unassisted triple play on April 29, and the team as a whole made an amazing late-season push to reach the playoffs. Colorado won 13 of its final 14 games to force a one-game wild card tiebreaker with San Diego, winning that game 9–8 after scoring three runs in the bottom of the thirteenth inning. Marching into the postseason, the Rockies won their first-ever playoff series, steamrolling the Phillies three games to none. But away from the cheering crowds and television cameras, Rockies players turned in a classic performance just ahead of their National League Division Series sweep. They voted to include Amanda Coolbaugh and her two young sons in Colorado’s postseason financial take. Who was Amanda Coolbaugh? She was the widow of former big-leaguer Mike Coolbaugh, a coach in the Rockies’ minor league organization who was killed by a screaming line drive while coaching first base on July 22. Colorado players voted a full playoff share—potentially worth hundreds of thousands of dollars—to the grieving young family. Widows and orphans hold a special place in God’s heart, too. Several times in the Old Testament, God reminded the ancient Jews of His concern for the powerless—and urged His people to follow suit: “Learn to do right; seek justice. Defend the oppressed. Take up the cause of the fatherless; plead the case of the widow” (Isaiah 1:17). Some things go way beyond the game of baseball. Will you?
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Paul Kent (Playing with Purpose: Baseball Devotions: 180 Spiritual Truths Drawn from the Great Game of Baseball)
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The vampire sleeping deep within the earth stirred, aroused by the scent of fresh prey in town. Gathering his senses, he deduced that the newcomer was young, healthy, and female. But it was the rich, warm scent of her life's blood that called to him, drawing him to full awareness.
Just a single whiff, and he knew he would not rest until she was his.
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Amanda Ashley (As Twilight Falls (Morgan Creek, #1))
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Amanda Vaill’s amazing Everybody Was So Young
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Liza Klaussmann (Villa America)
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I did not mention that my father was home with his gay lover and that I was in Bangladesh on vacation from my job serving alcohol to unmarried young people who went out at night, largely looking to get laid.
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Amanda Lindhout (A House in the Sky)
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When one is young he thought, one thinks that on will never know oneself. But the knowledge comes later, if not at all, then some. An important amount.
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Amanda Coplin
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My daughter, Amanda Heron, was out there, looking for answers. I googled her and found a glut of information. Young people have no idea how available their data is.
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Liz Nugent (Strange Sally Diamond)
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Young women use the linguistic features that they do, not as mindless affectations, but as power tools for establishing and strengthening relationships. Vocal fry, uptalk, and even like, are in fact not signs of ditziness, but instead all have a unique history and specific social utility.
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Amanda Montell (Wordslut: A Feminist Guide to Taking Back the English Language)
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The young king’s mother was Napir-Asu, so he was Burna-Buriash II’s grandson
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Amanda H. Podany (Weavers, Scribes, and Kings: A New History of the Ancient Near East)
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Her hesitancy bugs the heck out of me, but I try to remind myself that she’s a young girl, scarred by the abuse she suffered in the Fury world.
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Amanda Torrey (Teen Fury Trilogy: The Complete Collection)
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Then ye ken I am a sinner of sinners. I defiled a monk!” “Ah, to be young again,” said Mother Enid with a wistful smile. It was not the reaction Morrigan expected. “Ye defiled monks too?” “Oh no, not monks. Dukes!” Mother Enid gave
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Amanda Forester (True Highland Spirit (Highlander #3))
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Crazy,” Brian finished. “I was going to say formidable,” I corrected. “You can make fun all you want, but you couldn’t pay me to take that woman on. She is … beyond messing with.” Brian was unperturbed. “I think she’s crazy, and that entire family lets her get away with murder because they’re too sweet to put her in a home,” he said. “That’s where she belongs. She should be strapped down and medicated.” The young woman in the witch hat tapped Brian on the arm, drawing his attention. “Are you talking about Ms. Tillie?” she asked. Brian nodded. “She’s crazy.” “You know that she can hear when people talk badly about her, right?” the woman pressed. “Annabelle Dickinson told Madison Wilson that Ms. Tillie had fake teeth, and the next day Annabelle’s pants wouldn’t fit.
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Amanda M. Lee (Bewitched (Wicked Witches of the Midwest Shorts, #6))
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She thought of the things that lovely young women usually think about when they are relaxing in treetops and unhampered by underwear.
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Tom Robbins (Another Roadside Attraction)
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Stella couldn’t believe this was happening. Gavin and Holden were both in her bed and just as desperate for her as she was for them. Her life had morphed into a cross between a romance novel and a porno. If she was dreaming, she didn’t ever want to wake up.
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Amanda Young (Circling Back)
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Gavin dreamed of nothing more than spending the rest of his life safe and comfortable, and within touching distance of the two people he loved most. All it would take to achieve that goal was a miracle. Maybe he could find one if he dug deep enough under the couch cushions. Everything else he needed ended up there.
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Amanda Young (Circling Back)
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Being with Holden and Gavin was driving Stella mad. Mad with desire when she was with them; mad with impatience when they were apart. In their arms, she felt beautiful and desirable—two things she hadn’t experienced nearly enough in her lifetime. They reminded her that there was more to being a woman than complicated beauty regimens and menstrual cycles.
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Amanda Young (Circling Back)
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Le Bal du comte d’Orgel.
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Amanda Vaill (Everybody Was So Young: Gerald and Sara Murphy: A Lost Generation Love Story)
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It’s the subtle talents you have that are often revealed to be your hidden superpowers. When you hear compliments repeated, instead of brushing them off and thinking someone is just trying to flatter you, stop to allow them to soak in. Take a moment to think about their comment and what it really means about you and your gifts.
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Amanda H. Young (Finding Clarity: Design a Business You Love and Simplify Your Marketing)
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If you can’t explain it simply, you don’t understand it well enough.” Albert Einstein
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Amanda H. Young (Finding Clarity: Design a Business You Love and Simplify Your Marketing)
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Imperfect action is better than perfect inaction.” Harry S. Truman
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Amanda H. Young (Finding Clarity: Design a Business You Love and Simplify Your Marketing)
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While success can come overnight for some, it can also grow organically as your goals become clear. With clarity comes confidence. With confidence comes success.
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Amanda H. Young (Finding Clarity: Design a Business You Love and Simplify Your Marketing)
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Ask five people who know you well to honestly list your top five personality traits.
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Amanda H. Young (Finding Clarity: Design a Business You Love and Simplify Your Marketing)
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Not that Amanda cared a whit about making the “proper” marriage. Personally, she wasn’t interested in marriage at all. At least not now. Jonas and Victoria Broadmoor desired proper marriages for all of their children, but they had conceded to the choices made by both of their sons. Grayson and William had each married a young lady of lower social standing. The Broadmoor social status had, of course, assured that their wives would be accepted into all of the proper circles. Neither Jefferson nor George, Amanda’s two other brothers, had chosen a wife. They were no more interested in marriage than was their sister. Yet when the time came for Amanda to choose a husband, her parents would expect a wise choice. For when a daughter married beneath herself socially, remaining a member of the higher class wasn’t guaranteed.
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Tracie Peterson (A Daughter's Inheritance (The Broadmoor Legacy, #1))
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Few pretty and privileged young women really understand the essential injustice of biology...For most of her life as a woman, the rules were perfectly clear cut: other women were the enemy, and all love was war. She had rejected feminism, quite openly, as a crutch for the envious and ugly, and regarded married women as holding the upper hand if, unlike her own mother, they had any strength of character. The weaknesses and dependencies imposed by fecundity had never entered into her calculations.
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Amanda Craig
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All age is a kind of tiredness, I think. When you’re young, the lines never show. Every morning you wake unmarked, wiped clear by sleep. One day, though, you see lines that itch, as though some crumb of existence has been creased into your skin. They can never be smoothed away, and after a while you forget that this heavy, irritable feeling wasn’t always there.
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Amanda Craig (In a Dark Wood)
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Instead of using forceful words like spend, sell, and make money, I’ve switched to more flowing words like invest, offer, and attract. The energy of these words makes me feel like I’m inviting money and success into my life instead of chasing after it.
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Amanda H. Young (Finding Clarity: Design a Business You Love and Simplify Your Marketing)
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Hearing someone say they want to serve “anyone with a pulse” is the kiss of death when it comes to asking for referrals, because our brains can’t sort the list of people we have connections with down into a manageable list of people to recommend.
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Amanda H. Young (Finding Clarity: Design a Business You Love and Simplify Your Marketing)
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Why take 20 hours to do something someone else can do in five hours while you can invest your 20 hours into something you’re better at doing? When you focus on doing what you’re best at, you’ll attract the income needed to invest in the results you really want.
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Amanda H. Young (Finding Clarity: Design a Business You Love and Simplify Your Marketing)
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Reflection questions: How do you define your success? What does success look like to you? How do you want to feel? How will it feel when you have achieved something you set your sights on?
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Amanda H. Young (Finding Clarity: Design a Business You Love and Simplify Your Marketing)
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Lady Jenny, your turn.” She passed her sketch pad over to him, feeling a pang of sympathy for accused criminals as they stood in the dock. And yet, she’d asked for this. Gotten together all of her courage to ask for this one moment of artistic communion. “Well,” Mr. Harrison said, “isn’t he a handsome fellow? What do you think, ladies?” “You look like a papa,” Fleur observed. “Though our papa doesn’t sketch. He reads stories.” “And hates his ledgers,” Amanda added. “Is my hair that long in back?” “Yes,” Jenny said, because she’d drawn not only Elijah Harrison’s hands, but all of him, looking relaxed, elegant, and handsome, with Amanda crouched at his side, fascinated with what he created on the page. “I look…” He regarded the sketch in silence, while Jenny heard a coach-and-four rumbling toward her vulnerable heart. “I look… a bit tired, slightly rumpled, but quite at home. You are very quick, Lady Genevieve, and quite good.” Quite good. Like saying a baby was adorable, a young gentleman well-mannered. “The pose was simple,” Jenny said, “the lighting uncomplicated, and the subject…” “Yes?” He was one of those men built in perfect proportion. Antoine had spent an entire class wielding a tailor’s measure on Mr. Harrison’s body, comparing his proportions to the Apollo Belvedere, and scoffing at the “mistakes” inherent in Michelangelo’s David. Jenny wanted to snatch her drawing from his hand. “The subject is conducive to a pleasing image.” He passed the sketch pad back, but Jenny had the sense that in some way, some not entirely artistic way, she’d displeased him. The disappointment was survivable. Her art had been displeasing men since she’d first neglected her Bible verses to sketch her brothers. “You
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Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
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Parents who read to their children weekly or daily when they were young raised children who scored twenty-five points higher on PISA by the time they were fifteen years old. That was almost a full year of learning. More affluent parents were more likely to read to their children almost everywhere, but even among families within the same socioeconomic group, parents who read to their children tended to raise kids who scored fourteen points higher on PISA. By contrast, parents who regularly played with alphabet toys with their young children saw no such benefit.
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Amanda Ripley (The Smartest Kids in the World: And How They Got That Way)
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Little Voice is a story where every reader, young or old, can feel inspired by its positive, inspiring and motivating message.
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Amanda Bernardo
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Meanwhile back in the cinema, a staggering number of films still fail to meet the incredibly low standards of the Bechdel Test, which merely requires them to include two named female characters who talk to each other about any subject other than a man. According to the Bechdel website, recent failures to meet their ludicrously simple criteria include mainstream Hollywood blockbusters like The Internship, The Lone Ranger, The Avengers, Jack Reacher, Killer Joe, Men in Black III and Star Trek: Into Darkness (which should get a bonus point for an underwear scene so blatantly gratuitous even the writer subsequently saw fit to make a public apology for it). There is a feverish desperation to portray any young woman as a sexual object among a large swathe of the media that is so powerful as to transcend both relevance and respect. In the past year alone this rabid tunnel vision led to the portrayal of Amanda Thatcher (in mourning and speaking at her grandmother’s funeral), Amanda Knox (on trial for murder) and Reeta Steenkamp (a victim of domestic violence and murder) as sexual objects for mass consumption. All – regardless of their very different reasons for being in the spotlight – were paraded in countless photographs for the delectation of the tabloid readers.
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Laura Bates (Everyday Sexism)
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List five topics you could talk about for hours or write a book about.
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Amanda H. Young (Finding Clarity: Design a Business You Love and Simplify Your Marketing)
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Ask clients who say “no” to your offer how they plan to solve their problem without you.
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Amanda H. Young (Finding Clarity: Design a Business You Love and Simplify Your Marketing)
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All this knowledge would have helped me so much more when I was young and a fool. It’s a tragedy that we only come to these understandings when we’re too old for them to be useful.
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Amanda Peters (The Berry Pickers)