Am I Being Unreasonable Quotes

We've searched our database for all the quotes and captions related to Am I Being Unreasonable. Here they are! All 25 of them:

Oh, I will be cruel to you, Marya Morevna. It will stop your breath, how cruel I can be. But you understand, don’t you? You are clever enough. I am a demanding creature. I am selfish and cruel and extremely unreasonable. But I am your servant. When you starve I will feed you; when you are sick I will tend you. I crawl at your feet; for before your love, your kisses, I am debased. For you alone I will be weak.
Catherynne M. Valente (Deathless)
He has that look, like I am being unreasonable, like he is so sure I am being unreasonable that I wonder if I am.
Gillian Flynn (Gone Girl)
Amy. Please." He has that look, like I am being unreasonable, like he is so sure I am being unreasonable that I wonder if I am.
Gillian Flynn (Gone Girl)
I come not, Ambrosia for any of the purposes thou hast named," replied Marcela, "but to defend myself and to prove how unreasonable are all those who blame me for their sorrow and for Chrysostom's death; and therefore I ask all of you that are here to give me your attention, for will not take much time or many words to bring the truth home to persons of sense. Heaven has made me, so you say, beautiful, and so much so that in spite of yourselves my beauty leads you to love me; and for the love you show me you say, and even urge, that I am bound to love you. By that natural understanding which God has given me I know that everything beautiful attracts love, but I cannot see how, by reason of being loved, that which is loved for its beauty is bound to love that which loves it; besides, it may happen that the lover of that which is beautiful may be ugly, and ugliness being detestable, it is very absurd to say, "I love thee because thou art beautiful, thou must love me though I be ugly." But supposing the beauty equal on both sides, it does not follow that the inclinations must be therefore alike, for it is not every beauty that excites love, some but pleasing the eye without winning the affection; and if every sort of beauty excited love and won the heart, the will would wander vaguely to and fro unable to make choice of any; for as there is an infinity of beautiful objects there must be an infinity of inclinations, and true love, I have heard it said, is indivisible, and must be voluntary and not compelled. If this be so, as I believe it to be, why do you desire me to bend my will by force, for no other reason but that you say you love me? Nay—tell me—had Heaven made me ugly, as it has made me beautiful, could I with justice complain of you for not loving me? Moreover, you must remember that the beauty I possess was no choice of mine, for, be it what it may, Heaven of its bounty gave it me without my asking or choosing it; and as the viper, though it kills with it, does not deserve to be blamed for the poison it carries, as it is a gift of nature, neither do I deserve reproach for being beautiful; for beauty in a modest woman is like fire at a distance or a sharp sword; the one does not burn, the other does not cut, those who do not come too near. Honour and virtue are the ornaments of the mind, without which the body, though it be so, has no right to pass for beautiful; but if modesty is one of the virtues that specially lend a grace and charm to mind and body, why should she who is loved for her beauty part with it to gratify one who for his pleasure alone strives with all his might and energy to rob her of it?
Miguel de Cervantes Saavedra (Don Quixote)
When reading the history of the Jewish people, of their flight from slavery to death, of their exchange of tyrants, I must confess that my sympathies are all aroused in their behalf. They were cheated, deceived and abused. Their god was quick-tempered unreasonable, cruel, revengeful and dishonest. He was always promising but never performed. He wasted time in ceremony and childish detail, and in the exaggeration of what he had done. It is impossible for me to conceive of a character more utterly detestable than that of the Hebrew god. He had solemnly promised the Jews that he would take them from Egypt to a land flowing with milk and honey. He had led them to believe that in a little while their troubles would be over, and that they would soon in the land of Canaan, surrounded by their wives and little ones, forget the stripes and tears of Egypt. After promising the poor wanderers again and again that he would lead them in safety to the promised land of joy and plenty, this God, forgetting every promise, said to the wretches in his power:—'Your carcasses shall fall in this wilderness and your children shall wander until your carcasses be wasted.' This curse was the conclusion of the whole matter. Into this dust of death and night faded all the promises of God. Into this rottenness of wandering despair fell all the dreams of liberty and home. Millions of corpses were left to rot in the desert, and each one certified to the dishonesty of Jehovah. I cannot believe these things. They are so cruel and heartless, that my blood is chilled and my sense of justice shocked. A book that is equally abhorrent to my head and heart, cannot be accepted as a revelation from God. When we think of the poor Jews, destroyed, murdered, bitten by serpents, visited by plagues, decimated by famine, butchered by each, other, swallowed by the earth, frightened, cursed, starved, deceived, robbed and outraged, how thankful we should be that we are not the chosen people of God. No wonder that they longed for the slavery of Egypt, and remembered with sorrow the unhappy day when they exchanged masters. Compared with Jehovah, Pharaoh was a benefactor, and the tyranny of Egypt was freedom to those who suffered the liberty of God. While reading the Pentateuch, I am filled with indignation, pity and horror. Nothing can be sadder than the history of the starved and frightened wretches who wandered over the desolate crags and sands of wilderness and desert, the prey of famine, sword, and plague. Ignorant and superstitious to the last degree, governed by falsehood, plundered by hypocrisy, they were the sport of priests, and the food of fear. God was their greatest enemy, and death their only friend. It is impossible to conceive of a more thoroughly despicable, hateful, and arrogant being, than the Jewish god. He is without a redeeming feature. In the mythology of the world he has no parallel. He, only, is never touched by agony and tears. He delights only in blood and pain. Human affections are naught to him. He cares neither for love nor music, beauty nor joy. A false friend, an unjust judge, a braggart, hypocrite, and tyrant, sincere in hatred, jealous, vain, and revengeful, false in promise, honest in curse, suspicious, ignorant, and changeable, infamous and hideous:—such is the God of the Pentateuch.
Robert G. Ingersoll (Some Mistakes of Moses)
There is no perfect way to make a demand on power. There is no way to do feminism which will protect you from being attacked. You have to be honest with yourself: am I really being unreasonable? Or is the problem with the rest of the world? If it is the latter, then don't be derailed.
Helen Lewis (Difficult Women: A History of Feminism in 11 Fights)
For all my days, I have been making up to the world for how challenging I am, how questioning I am, how strong and smart and passionate I am, how unwilling I am to accept systems and processes and values just because that's the way it's been done and been seen, considered especially challenging as a female, especially in a somewhat younger time (a/k/a less open to challenges)-- when I, too, was younger (a/k/a what does she know?). There I was, challenging, questioning, but also trying to make up to the world for it, always to be--show--prove that I'm not didactic, intransigent, inflexible, that my passion is not dogma, but a malleable creative force informed by sensory, intellectual, and emotional input... For all my days, I have been making up to the world for how challenging I am. But that has been as good for me as it has thwarted me, it has grown me, shaped me, honed me
Shellen Lubin
He has that look, like I am being unreasonable
Gillian Flynn (Gone Girl)
I feel that life is not unreasonable so long as one can scrape along from day to day. For surely even human beings will not flourish forever. I think it best to wait in patience for the Day of the Cats.
Natsume Sōseki (I Am A Cat (Tuttle Classics))
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
Dodie Smith (I Capture the Castle)
It’s normally agreed that the question “How are you?” doesn’t put you on your oath to give a full or honest answer. So when asked these days, I tend to say something cryptic like, “A bit early to say.” (If it’s the wonderful staff at my oncology clinic who inquire, I sometimes go so far as to respond, “I seem to have cancer today.”) Nobody wants to be told about the countless minor horrors and humiliations that become facts of “life” when your body turns from being a friend to being a foe: the boring switch from chronic constipation to its sudden dramatic opposite; the equally nasty double cross of feeling acute hunger while fearing even the scent of food; the absolute misery of gut–wringing nausea on an utterly empty stomach; or the pathetic discovery that hair loss extends to the disappearance of the follicles in your nostrils, and thus to the childish and irritating phenomenon of a permanently runny nose. Sorry, but you did ask... It’s no fun to appreciate to the full the truth of the materialist proposition that I don’t have a body, I am a body. But it’s not really possible to adopt a stance of “Don’t ask, don’t tell,” either. Like its original, this is a prescription for hypocrisy and double standards. Friends and relatives, obviously, don’t really have the option of not making kind inquiries. One way of trying to put them at their ease is to be as candid as possible and not to adopt any sort of euphemism or denial. The swiftest way of doing this is to note that the thing about Stage Four is that there is no such thing as Stage Five. Quite rightly, some take me up on it. I recently had to accept that I wasn’t going to be able to attend my niece’s wedding, in my old hometown and former university in Oxford. This depressed me for more than one reason, and an especially close friend inquired, “Is it that you’re afraid you’ll never see England again?” As it happens he was exactly right to ask, and it had been precisely that which had been bothering me, but I was unreasonably shocked by his bluntness. I’ll do the facing of hard facts, thanks. Don’t you be doing it too. And yet I had absolutely invited the question. Telling someone else, with deliberate realism, that once I’d had a few more scans and treatments I might be told by the doctors that things from now on could be mainly a matter of “management,” I again had the wind knocked out of me when she said, “Yes, I suppose a time comes when you have to consider letting go.” How true, and how crisp a summary of what I had just said myself. But again there was the unreasonable urge to have a kind of monopoly on, or a sort of veto over, what was actually sayable. Cancer victimhood contains a permanent temptation to be self–centered and even solipsistic.
Christopher Hitchens (Mortality)
While thus engaged, I heard in a side-room the softest possible jingle of bracelets, crackle of dress, and footfall; and I felt certain that two curious eyes were watching me through a small opening of the window. All at once there flashed upon my memory a pair of eyes,—a pair of large eyes, beaming with trust, simplicity, and girlhood's love,—black pupils,—thick dark eyelashes,—a calm fixed gaze. Suddenly some unseen force squeezed my heart in an iron grip, and it throbbed with intense pain. I returned to my house, but the pain clung to me. Whether I read, wrote, or did any other work, I could not shake that weight off my heart; a heavy load seemed to be always swinging from my heart-strings. In the evening, calming myself a little, I began to reflect: ‘What ails me?’ From within came the question: ‘Where is your Surabala now?’ I replied: ‘I gave her up of my free will. Surely I did not expect her to wait for me for ever.’ But something kept saying: ‘Then you could have got her merely for the asking. Now you have not the right to look at her even once, do what you will. That Surabala of your boyhood may come very close to you; you may hear the jingle of her bracelets; you may breathe the air embalmed by the essence of her hair,—but there will always be a wall between you two.’ I answered: ‘Be it so. What is Surabala to me?’ My heart rejoined: ‘To-day Surabala is nobody to you. But what might she not have been to you?’ Ah! that's true. What might she not have been to me? Dearest to me of all things, closer to me than the world besides, the sharer of all my life's joys and sorrows,—she might have been. And now, she is so distant, so much of a stranger, that to look on her is forbidden, to talk with her is improper, and to think of her is a sin!—while this Ram Lochan, coming suddenly from nowhere, has muttered a few set religious texts, and in one swoop has carried off Surabala from the rest of mankind! I have not come to preach a new ethical code, or to revolutionise society; I have no wish to tear asunder domestic ties. I am only expressing the exact working of my mind, though it may not be reasonable. I could not by any means banish from my mind the sense that Surabala, reigning there within shelter of Ram Lochan's home, was mine far more than his. The thought was, I admit, unreasonable and improper,—but it was not unnatural.
Rabindranath Tagore (Mashi and Other Stories)
It's not really negativity or sadness anymore, it’s more just this detached, meaningless fog where you can’t feel anything about anythingeven the things you love, even fun things—and you’re horribly bored and lonely, but since you’ve lost your ability to connect with any of the things that would normally make you feel less bored and lonely, you’re stuck in the boring, lonely, meaningless void with-out anything to distract you from how boring, lonely, and meaningless it is. ...I noticed myself wishing that nothing loved me so I wouldn’t feel obligated to keep existing. The absurdity of working so hard to continue doing something you don’t like can be overwhelming. And the longer it takes to feel different, the more it starts to seem like everything might actually be hopeless bullshit. I don’t like when I can’t control what reality is doing. Which is unfortunate because reality works independently of the things I want, and I have only a limited number of ways to influence it, none of which are guaranteed to work. I still want to keep tabs on reality, though. Just in case it tries to do anything sneaky. It makes me feel like I’m contributing. The illusion of control makes the helplessness seem more palatable. And when that illusion is taken away, I panic. Because, deep down, I know how pointless and helpless I am, and it scares me. I am an animal trapped in a horrifying, lawless environment, and I have no idea what it’s going to do to me. It just DOES it to me. I cope with that the best way I know—by being completely unreasonable and trying to force everything else in the world to obey me and do all the nonsensical things I want.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
She submitted to walk slowly on, with downcast eyes. He put her hand to his lips, and she quietly drew it away. ‘Will you walk beside me, Mr Wrayburn, and not touch me?’ For, his arm was already stealing round her waist. She stopped again, and gave him an earnest supplicating look. ‘Well, Lizzie, well!’ said he, in an easy way though ill at ease with himself ‘don’t be unhappy, don’t be reproachful.’ ‘I cannot help being unhappy, but I do not mean to be reproachful. Mr Wrayburn, I implore you to go away from this neighbourhood, to-morrow morning.’ ‘Lizzie, Lizzie, Lizzie!’ he remonstrated. ‘As well be reproachful as wholly unreasonable. I can’t go away.’ ‘Why not?’ ‘Faith!’ said Eugene in his airily candid manner. ‘Because you won’t let me. Mind! I don’t mean to be reproachful either. I don’t complain that you design to keep me here. But you do it, you do it.’ ‘Will you walk beside me, and not touch me;’ for, his arm was coming about her again; ‘while I speak to you very seriously, Mr Wrayburn?’ ‘I will do anything within the limits of possibility, for you, Lizzie,’ he answered with pleasant gaiety as he folded his arms. ‘See here! Napoleon Buonaparte at St Helena.’ ‘When you spoke to me as I came from the Mill the night before last,’ said Lizzie, fixing her eyes upon him with the look of supplication which troubled his better nature, ‘you told me that you were much surprised to see me, and that you were on a solitary fishing excursion. Was it true?’ ‘It was not,’ replied Eugene composedly, ‘in the least true. I came here, because I had information that I should find you here.’ ‘Can you imagine why I left London, Mr Wrayburn?’ ‘I am afraid, Lizzie,’ he openly answered, ‘that you left London to get rid of me. It is not flattering to my self-love, but I am afraid you did.’ ‘I did.’ ‘How could you be so cruel?’ ‘O Mr Wrayburn,’ she answered, suddenly breaking into tears, ‘is the cruelty on my side! O Mr Wrayburn, Mr Wrayburn, is there no cruelty in your being here to-night!’ ‘In the name of all that’s good—and that is not conjuring you in my own name, for Heaven knows I am not good’—said Eugene, ‘don’t be distressed!’ ‘What else can I be, when I know the distance and the difference between us? What else can I be, when to tell me why you came here, is to put me to shame!’ said Lizzie, covering her face. He looked at her with a real sentiment of remorseful tenderness and pity. It was not strong enough to impell him to sacrifice himself and spare her, but it was a strong emotion. ‘Lizzie! I never thought before, that there was a woman in the world who could affect me so much by saying so little. But don’t be hard in your construction of me. You don’t know what my state of mind towards you is. You don’t know how you haunt me and bewilder me. You don’t know how the cursed carelessness that is over-officious in helping me at every other turning of my life, won’t help me here. You have struck it dead, I think, and I sometimes almost wish you had struck me dead along with it.
Charles Dickens (Our Mutual Friend)
Generalized Social Anxiety In contrast to people with specific social anxieties, you may be afraid in a wide variety of situations. You might feel that people are judging everything you do and you might set unreasonable standards of perfection for yourself. This condition is called generalized (or discrete) social anxiety. Generalized social anxiety accounts for 80 percent of all cases of social anxiety. Often, people with generalized social anxiety get caught in a vicious cycle. Because they are overly anxious in many situations, they act in clumsy and awkward ways, which in turn makes them feel even more discouraged and anxious. This cycle often results in depression and chronic stress. Generalized social anxiety can affect almost every aspect of your life. This has been the case for Toni, a college senior. In high school, I hardly had any friends. I didn’t participate in any extracurricular activities and managed to get by with average grades. Because I attend a large state university, I am even more invisible. So far, I have avoided any class that has any interaction with my peers, such as discussion groups or labs. As graduation approaches, I need to decide what type of career I want. The thought of job interviews terrifies me. I am considering grad school but would need recommendations to apply. I haven’t even spoken to most of my professors, and the ones who know me probably can’t say anything good about me. As a result, I’m really depressed. When I imagine the future, I can’t see myself being happy. I’ll probably move back to my parents’ house after graduation. I know they are disappointed in me, and that makes me feel like a complete failure.
Heather Moehn (Social Anxiety (Coping With Series))
When I moved to the U.S. at six, I was unrecognizable to my mother. I was angry, chronically dissatisfied, bratty. On my second day in America, she ran out of the room in tears after I angrily demanded that she buy me a pack of colored pencils. You're not you! she sputtered between sobs, which brought me to a standstill. She couldn't recognize me. That's what she told me later, that this was not the daughter she had last seen. Being too young, I didn't know enough to ask: But what did you expect? Who am I supposed to be to you? But if I was unrecognizable to her, she was also unrecognizable to me. In this new country, she was disciplinarian, restrictive, prone to angry outbursts, easily frustrated, so fascist with arbitrary rules that struck me, even as a six-year-old, as unreasonable. For most of my childhood and adolescence, my mother was my antagonist. Whenever she'd get mad, she'd take her index finger and poke me in the forehead. You you you you you, she'd say, as if accusing me of being me. She was quick to blame me for the slightest infractions, a spilled glass, a way of sitting while eating, my future ambitions (farmer or teacher), the way I dressed, what I ate, even the way I practiced English words in the car..She was the one to deny me: the extra dollar added to my allowance; an extra hour to my curfew; the money to buy my friends' birthday presents, so that I was forced to gift them, no matter what the season, leftover Halloween candy. In those early days, we lived so frugally that we even washed, alongside the dishes in the sink, used sheets of cling wrap for reuse. She was the one to punish me, sending me to kneel in the bathtub of the darkened bathroom, carrying my father's Casio watch with an alarm setting to account for when time was up. Yet it was I who would kneel for even longer, going further and further, taking more punishment just to spite her, just to show that it meant nothing. I could take more. The sun moved across the bathroom floor, from the window to the door.
Ling Ma (Severance)
The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man.” George Bernard Shaw On a cool fall evening in 2008, four students set out to revolutionize an industry. Buried in loans, they had lost and broken eyeglasses and were outraged at how much it cost to replace them. One of them had been wearing the same damaged pair for five years: He was using a paper clip to bind the frames together. Even after his prescription changed twice, he refused to pay for pricey new lenses. Luxottica, the 800-pound gorilla of the industry, controlled more than 80 percent of the eyewear market. To make glasses more affordable, the students would need to topple a giant. Having recently watched Zappos transform footwear by selling shoes online, they wondered if they could do the same with eyewear. When they casually mentioned their idea to friends, time and again they were blasted with scorching criticism. No one would ever buy glasses over the internet, their friends insisted. People had to try them on first. Sure, Zappos had pulled the concept off with shoes, but there was a reason it hadn’t happened with eyewear. “If this were a good idea,” they heard repeatedly, “someone would have done it already.” None of the students had a background in e-commerce and technology, let alone in retail, fashion, or apparel. Despite being told their idea was crazy, they walked away from lucrative job offers to start a company. They would sell eyeglasses that normally cost $500 in a store for $95 online, donating a pair to someone in the developing world with every purchase. The business depended on a functioning website. Without one, it would be impossible for customers to view or buy their products. After scrambling to pull a website together, they finally managed to get it online at 4 A.M. on the day before the launch in February 2010. They called the company Warby Parker, combining the names of two characters created by the novelist Jack Kerouac, who inspired them to break free from the shackles of social pressure and embark on their adventure. They admired his rebellious spirit, infusing it into their culture. And it paid off. The students expected to sell a pair or two of glasses per day. But when GQ called them “the Netflix of eyewear,” they hit their target for the entire first year in less than a month, selling out so fast that they had to put twenty thousand customers on a waiting list. It took them nine months to stock enough inventory to meet the demand. Fast forward to 2015, when Fast Company released a list of the world’s most innovative companies. Warby Parker didn’t just make the list—they came in first. The three previous winners were creative giants Google, Nike, and Apple, all with over fifty thousand employees. Warby Parker’s scrappy startup, a new kid on the block, had a staff of just five hundred. In the span of five years, the four friends built one of the most fashionable brands on the planet and donated over a million pairs of glasses to people in need. The company cleared $100 million in annual revenues and was valued at over $1 billion. Back in 2009, one of the founders pitched the company to me, offering me the chance to invest in Warby Parker. I declined. It was the worst financial decision I’ve ever made, and I needed to understand where I went wrong.
Adam M. Grant (Originals: How Non-Conformists Move the World)
I am not a member of a racial minority, and I am well aware of the reality that far too many individuals of color are harassed by officers for no good reason, so it is easier for me to give the above advice than for others who have been subject to such harassment. After all, I have never been stopped by a police officer who thought I was riding a bike that looked like it might be too expensive for somebody of my race. And I cannot imagine how frustrating such prejudicial suspicion must be. But you cannot make your situation any better by refusing to cooperate with the officer, no matter how unreasonable you may think the police officer is being, or by refusing to disclose two simple things: (1) your name, and (2) whether you have some lawful reason for your curious presence or conduct at that moment at some place where the officer already knows you are, because he or she is standing right there with you. Those
James Duane (You Have the Right to Remain Innocent)
I am ready to strongly suggest that a lot of what we see comes from the glasses we put on. Of course this goes against much of what you have been taught, but consider the arguments carefully. You can say that it was the experiment that forced the model on us, but I suggest that the more you think about the four examples the more uncomfortable you are apt to become. They are not arbitrary theories that I have selected, but ones which are central to physics. Thus my first answer to the implied question about the unreasonable effectiveness of mathematics is that we approach the situations with an intellectual apparatus so that we can only find what we do in many cases. It is both that simple, and that awful. What we were taught about the basis of science being experiments in the real world is only partially true.
Richard Hamming (The Unreasonable Effectiveness of Mathematics)
I do not want the death of the senses. I want people to understand. I cannot cry and shed tears over what I write, but I cry within me. I will tell the whole truth, and others will continue what I have begun. I am like Zola, but I want to speak, and not write novels. Novels prevent one from understanding feeling. I am in a trance, the trance of love. I want to say so much and cannot find the words I write in a trance, and that trance is called wisdom. Every man is a reasonable being. I do not want unreasonable beings, and therefore I want everyone to be in a trance of feelings.
Colin Wilson (The Outsider)
I’m starting to feel impatient with her, and I actually have this thought: Humans are so irrational. And that scares me a little. I’m not ready to be done with being a human. And yet I am. Humans are unreasonable, weak, petty. And I’m something else. I don’t feel superior—far from it. But I feel removed.
G.S. Prendergast
children from pain and loss and tragedy and illness. You cannot be sure that you will always be married, let alone happily married. You cannot be sure you will always be employed, or healthy, or relatively sane. All you can do is face the world with quiet grace and hope you make a sliver of difference. Humility does not mean self-abnegation, lassitude, detachment; it’s more like a calm recognition that you must trust in that which does not make sense, that which is unreasonable, illogical, silly, ridiculous, crazy by the measure of most of our culture; you must trust that you being a very good you matters somehow. That trying to be an honest and tender parent will echo for centuries through your tribe. That doing your chosen work with creativity and diligence will shiver people far beyond your ken. That being an attentive and generous friend and citizen will somehow matter in the social fabric, save a thread or two from unraveling. And you must do all of this with the sure and certain knowledge that you will never get proper credit for it, at all, one bit, and in fact the vast majority of the things you do right will go utterly unremarked; except, perhaps, in ways we will never know or understand, by the Arab Jew who once shouted about his cloak, and may have been somehow also the One who invented and infuses this universe and probably a million others—not to put a hard number on it or anything. Humility, the final frontier, as my late brother Kevin used to say. When we are young we build a self, a persona, a story in which to reside, or several selves in succession, or several at once, sometimes; when we are older we take on other roles and personas, other masks and duties; and you and I both know men and women who become trapped in the selves they worked so hard to build, so desperately imprisoned that sometimes they smash their lives simply to escape who they no longer wish to be; but finally, I think, if we are lucky, if we read the book of pain and loss with humility, we realize that we are all broken and small and brief, that none among us is actually rich or famous or more beautiful than another; and then, perhaps, we begin to understand something deep and true finally about humility. This is what I know: that the small is huge, that the tiny is vast, that pain is part and parcel of the gift of joy, and that there is love, and then there is everything else. You either walk toward love or away from it with every breath you draw. Humility is the road to love. Humility, maybe, is love. That could be. I wouldn’t know; I am a muddle and a conundrum, shuffling slowly along the road, gaping in wonder, trying to just see and say what is, trying to leave shreds and shards of ego along the road like wisps of litter and chaff.
Brian Doyle (Eight Whopping Lies and Other Stories of Bruised Grace)
But it’s true that I have faced the Dark Court and lived. I suppose I could survive this peril as well, if need be.” “What? Oh—no. I mean…” Eddi faltered and shook her head. “I’m not good at saying this kind of thing. I always sound stupid or too casual or…” “My poet, betrayed by words?” He smiled crookedly. “I never said I was a poet. Besides, it’s not the same thing. This is public speaking.” She smiled weakly and looked at his ruffles. He set his hands on her shoulders, but they were motionless and weightless. “You’ve kept me alive for the last three months,” Eddie began, groping furiously for the words. “You’ve made me coffee. You’ve carried my amplifier.” A nervous chuckled escaped her. “And you’ve been pretty good company. Even when you were being a jerk, you were pretty good company, now that I look back on it.” “But,” he said without inflection. Eddi looked up at him, alarmed. “But? Oh, hell, I told you I was bad at this! No, no buts. You’re a wonderful person. Even if you are a supernatural being. Damn it, Phouka, how am I going to tell my mother that I’m in love with a guy who turns into a dog?” She blushed; she could feel it. A silence of unreasonable proportions followed; the phouka’s only response was a quick spasm of his fingers on her shoulders. “Are you in love with him, then?” “I said so, didn’t I?” “Not quite.” There was a smile twitching in the corner of his mouth. “All right, Al right.” Eddi took a long breath. “I love you.” “There. Now why should that be so hard to say?” “Because it sounds like something out of a soap opera,” Eddi grumbled. “Does it? Not to me. The best line from a favorite song, perhaps.” His smile softened his whole face in a way she hadn’t seen before. “That’s because you’re a damned romantic.” He reached up and tucked her hair behind her ear on one side. “Then you’re a doubly damned romantic, my heart, since you won’t even admit it. But perhaps with my excellent example before you…” Eddi caught at his disconcerting fingers, which were now tracing the edge of her ear, and kissed his knuckles. “You’re a jerk,” she said fondly. “Where were we going, when we got distracted?” “Earth and Air, I’d forgotten! It’s your fault, you know. The color of your hair in the moonlight, the curve of your waist, the—” “You’re going to forget again.” “You’re quite right. But I’ll try not to do so for at least a few minutes. You will enjoy this, I think.” He flashed her a grin and folded his fingers around hers. “Come along, then.
Emma Bull (War for the Oaks)
But it’s true that I have faced the Dark Court and lived. I suppose I could survive this peril as well, if need be.” “What? Oh—no. I mean…” Eddi faltered and shook her head. “I’m not good at saying this kind of thing. I always sound stupid or too casual or…” “My poet, betrayed by words?” He smiled crookedly. “I never said I was a poet. Besides, it’s not the same thing. This is public speaking.” She smiled weakly and looked at his ruffles. He set his hands on her shoulders, but they were motionless and weightless. “You’ve kept me alive for the last three months,” Eddie began, groping furiously for the words. “You’ve made me coffee. You’ve carried my amplifier.” A nervous chuckled escaped her. “And you’ve been pretty good company. Even when you were being a jerk, you were pretty good company, now that I look back on it.” “But,” he said without inflection. Eddi looked up at him, alarmed. “But? Oh, hell, I told you I was bad at this! No, no buts. You’re a wonderful person. Even if you are a supernatural being. Damn it, Phouka, how am I going to tell my mother that I’m in love with a guy who turns into a dog?” She blushed; she could feel it. A silence of unreasonable proportions followed; the phouka’s only response was a quick spasm of his fingers on her shoulders. “Are you in love with him, then?” “I said so, didn’t I?” “Not quite.” There was a smile twitching in the corner of his mouth. “All right, All right.” Eddi took a long breath. “I love you.” “There. Now why should that be so hard to say?” “Because it sounds like something out of a soap opera,” Eddi grumbled. “Does it? Not to me. The best line from a favorite song, perhaps.” His smile softened his whole face in a way she hadn’t seen before. “That’s because you’re a damned romantic.” He reached up and tucked her hair behind her ear on one side. “Then you’re a doubly damned romantic, my heart, since you won’t even admit it. But perhaps with my excellent example before you…” Eddi caught at his disconcerting fingers, which were now tracing the edge of her ear, and kissed his knuckles. “You’re a jerk,” she said fondly. “Where were we going, when we got distracted?” “Earth and Air, I’d forgotten! It’s your fault, you know. The color of your hair in the moonlight, the curve of your waist, the—” “You’re going to forget again.” “You’re quite right. But I’ll try not to do so for at least a few minutes. You will enjoy this, I think.” He flashed her a grin and folded his fingers around hers. “Come along, then.
Emma Bull (War for the Oaks)
move a little faster than we originally planned, it is true, but we could rise to the challenge. We have been very successful during our first year.” “Rebecca,” he said, turning to face her, “I must tell you now once and for all that the school will never include girls. The idea is ridiculous. Why should we waste our time on educating females? What possible use could there be in our doing so?” She flushed. “I am a female, Philip,” she said, “and I happen to feel that my life is a little more complete for my ability to read and write and compute and for my knowledge of history and of French and music.” He made an impatient gesture. “You are not a member of the lower classes,” he said. “Of course it is necessary for ladies to have some smattering of knowledge so that they can participate to some small degree in social conversation. For these girls, Rebecca, an education would serve no purpose at all.” “Are we really such inferior creatures?” Rebecca asked very quietly. “And tell me, Philip, do I successfully participate to some small degree in social conversation? Do I save the gentlemen from the boredom of having to listen to an utter ninnyhammer all the time?” “You are becoming angry, Rebecca,” Philip said calmly, “and speaking unreasonably. You know that you are twisting my words. I am not saying that these girls are useless. They have infinite value. They are God’s creatures, fashioned to be a help and a comfort to their menfolk. We would spoil them by educating them, spoil their God-given beauty.” “Woman achieves worth and beauty only through the service she renders her menfolk,” Rebecca said. Philip almost smiled. “I could not have said it better,” he said. “I must try to remember those exact words.” “I will reach final fulfillment as a woman and as a person when I become your helpmeet,” she said. This time he did smile. “What a beautiful idea,” he said. “You will be a good wife, Rebecca. I am a fortunate man.” “Poppycock!” was all Rebecca said. “I beg your pardon?” “I said, ‘Poppycock!’ ” she repeated very distinctly. Philip frowned. “Yes, I heard you the first time,” he said, “but thought I must have mistaken. I have never heard such an inelegant word on your lips.” “It comes from having an education,” she said. “I have read the word somewhere. I am already one of the spoiled, Philip. You know, there has always been something about you that has made me somewhat uneasy. I have never
Mary Balogh (The Constant Heart)