Alto Sax Quotes

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When I was younger, my brother told me that he had the power to shrink me to the size of an ant. In fact, he said, he used to have another sister, but he shrank her down and stepped on her. He also told me that when you became a grown-up, you were admitted into a private party that was full of monsters and horror movie characters. There was Chucky, drinking a cup of coffee. And the mummy on the cover of the Hardy Boys book that used to freak me out, except he was doing the twist while Jason from 'Friday the 13th' played the alto sax. He told me you stayed at the party as long as you had to, making conversation with these creatures, and that was why adults were never afraid of anything. I used to believe everything my brother told me, because he was older and I figured he knew more about the world. But as it turns out, being a grown-up doesn't mean you're fearless. It just means you fear different things.
Jodi Picoult (Lone Wolf)
It was in Frank Morgan’s alto sax that I found the soundtrack of my detective. In his sad but uplifting ballad “Lullaby,” written by pianist George Cables, I discovered my detective’s anthem. For many years I played that song at the start of each writing day.
Michael Connelly (Hieronymus Bosch: A Mysterious Profile (Mysterious Profiles))
I just find music to be one of the great creations of humankind. It breaks boundaries, it brings people together, and it seems to transcend differences. It bonds us to each other. It does all of that without regard for whether it’s jazz, or rocka- billy, or blues, or rock, or folk, or R&B, or soul, or gospel, or country, or classical, or whatever your genre of choice might be. It does all of that, whether it’s Vivaldi’s violins, or Paul Desmond’s haunting alto sax, or James Burton’s twangy guitar. It’s important stuff to us humans, and it’s important stuff to me.
Mark Shaiken (Fresh Start (3J Legal Thriller))
Bizet had effectively used an alto sax in his L’Arlésienne Suite,
Brendan Slocumb (Symphony of Secrets)
I wanted to be a musician, but again I thought that this was someone who was especially born to be one, a prodigy type of thing, which nobody chose to call me, so therefore I wasn’t one. The trouble is that all these years later I still think this way. I thought that, if I were to pick up an alto sax, that within an hour or so I would be able to play like Charlie Parker, so I will never pick one up, and thus will always have potential. This thing inhibits me from walking on a tightrope. As long as I never do it, I might be the best in the world.
Marty Feldman (eYE Marty: The Newly Discovered Autobiography of a Comic Genius)